
Quotes about pistol
A collection of quotes on the topic of pistol, likeness, going, back.
Quotes about pistol


The Tomorrow Show with Tom Snyder (27th June 1980)

“The clock of doom had struck as fated;
the poet, without a sound,
let fall his pistol on the ground.”
Source: Eugene Onegin (1823), Ch. 6, st. 30.

As quoted in The Decline and Fall of Nazi Germany and Imperial Japan (1997) by Hans Dollinger, p. 242

This is the conclusion to an article entitled "Older Ideas of Firearms" by C. S. Wheatley; it was published in the September 1926 issue of Hunter, Trader, Trapper (vol. 53, no. 3), p. 34. Wheatley had referred to George Washington's address to the second session of the first Congress immediately before this passage, which may have given rise to the mistaken attribution. See this piece http://quoteinvestigator.com/2015/02/26/firearm/ at Quote Investigator
Misattributed

Abraham Lincoln, Speech at New Haven, Connecticut https://archive.is/oYxvX (6 March 1860).
About

“Mercifully, Henry hit him with the soft end of the pistol.”
Sir Henry at Rawlinson End (1978)

1860s, Cooper Union speech (1860)
Context: But you will not abide the election of a Republican president! In that supposed event, you say, you will destroy the Union; and then, you say, the great crime of having destroyed it will be upon us! That is cool. A highwayman holds a pistol to my ear, and mutters through his teeth, "Stand and deliver, or I shall kill you, and then you will be a murderer!" To be sure, what the robber demanded of me — my money — was my own; and I had a clear right to keep it; but it was no more my own than my vote is my own; and the threat of death to me, to extort my money, and the threat of destruction to the Union, to extort my vote, can scarcely be distinguished in principle.
My Twisted World (2014), 19-22, UC Santa Barbara, Building to Violence

Nobel lecture (8 December 1980)
Context: Only if we assume that a poet constantly strives to liberate himself from borrowed styles in search for reality, is he dangerous. In a room where people unanimously maintain a conspiracy of silence, one word of truth sounds like a pistol shot. And, alas, a temptation to pronounce it, similar to an acute itching, becomes an obsession which doesn't allow one to think of anything else. That is why a poet chooses internal or external exile. It is not certain, however, that he is motivated exclusively by his concern with actuality. He may also desire to free himself from it and elsewhere, in other countries, on other shores, to recover, at least for short moments, his true vocation — which is to contemplate Being.

“Are you going to pull those pistols or whistle Dixie?”

“It is one of the great joys of home ownership to fire a pistol in one's own bedroom”

pg. 57
The Sports and Pastimes of the People of England (1801), Weapons

From James Boswell's Life of Johnson (1791), October 26, 1769.

Allí en Rangoon comprendí que los dioses
eran tan enemigos como Dios
del pobre ser humano.
Dioses
de alabastro tendidos
como ballenas blancas,
dioses dorados como las espigas,
dioses serpientes enroscados
al crimen de nacer,
budhas desnudos y elegantes
sonriendo en el coktail
de la vacía eternidad
como Cristo en su cruz horrible,
todos dispuestos a todo,
a imponernos su cielo,
todos con llagas o pistola
para comprar piedad o quemarnos la sangre,
dioses feroces del hombre
para esconder la cobardía,
y allí todo era así,
toda la tierra olía a cielo,
a mercadería celeste.
Religión en el Este (Religion in the East) from Memorial of Isla Negra [Memorial de Isla Negra] (1964), trans. by Anthony Kerrigan in Selected Poems by Pablo Neruda [Houghton Mifflin, 1990, ISBN 0-395-54418-1] (p. 463).

Litany for Dictatorships (1935)

Ilia Gurliand Reminiscences of A. P. Chekhov, in Teatr i iskusstvo 1904, No 28, 11 July, p. 521. commonly known as Chekhov's dictum or Chekhov's gun.

On Politics: A Carnival of Buncombe (1920-1936), p. 279
1920s
"Leftist race-baiters stir up animosity" (9 May 2012)
2010s

pg: 11-12
The Worlds of Herman Kahn: the intuitive science of thermonuclear war.

"Another Part of the Forest," p. 30.
5001 Nights at the Movies (1982)

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)
July “BLOWBACK”
The Sheep Look Up (1972)

The Other World (1657)

From a radio interview with David Jensen (1983)
In interviews etc., About other artists

“Revolution did not necessarily involve sanguinary strife. It was not a cult of bomb and pistol.”
Letter published in The Tribune (25 December 1929), with some reference to lines from Idylls of the King by Alfred Tennyson
Context: Revolution did not necessarily involve sanguinary strife. It was not a cult of bomb and pistol. They may sometimes be mere means for its achievement. No doubt they play a prominent part in some movements, but they do not — for that very reason — become one and the same thing. A rebellion is not a revolution. It may ultimately lead to that end.
The sense in which the word Revolution is used in that phrase, is the spirit, the longing for a change for the better. The people generally get accustomed to the established order of things and begin to tremble at the very idea of a change. It is this lethargical spirit that needs be replaced by the revolutionary spirit. Otherwise degeneration gains the upper hand and the whole humanity is led stray by the reactionary forces. Such a state of affairs leads to stagnation and paralysis in human progress. The spirit of Revolution should always permeate the soul of humanity, so that the reactionary forces may not accumulate to check its eternal onward march. Old order should change, always and ever, yielding place to new, so that one “good” order may not corrupt the world. It is in this sense that we raise the shout “Long Live Revolution.”
Source: The Physics Of Baseball (Second Edition - Revised), Chapter 3, Pitching, p. 27

"Scorpio Rising"
Song lyrics, The Wishing Chair (1985)

Pourquoi ne pas en finir? se dit-il enfin; pourquoi cette obstination à lutter contre le destin qui m'accable? J'ai beau faire les plans de conduite les plus raisonnables en apparence, ma vie n'est qu'une suite de malheurs et de sensations amères. Ce mois-ci ne vaut pas mieux que le mois passé; cette année-ci ne vaut pas mieux que l'autre année; d'où vient cette obstination à vivre? Manquerais-je de fermeté? Qu'est-ce que la mort? se dit-il en ouvrant la caisse de ses pistolets et les considérant. Bien peu de chose en vérité; il faut être fou pour s'en passer.
Source: Armance (1827), Ch. 2

Source: Hoffa The Real Story (1975), Chapter 10, Chattanooga Choo-choo, p. 164
Guns & Ammo magazine, January 2002

Frances Stevenson's diary entry (16 November 1934), A. J. P. Taylor (ed.), Lloyd George: A Diary (London: Hutchinson, 1971), p. 291
Post-Prime Ministerial

“Whenever I go and see the Führer, I've got a loaded pistol in my pocket.”
Explaining his fear of Hitler, from "The Guardian," July 11, 2004.
Sourced Encyclopedia of the Third Reich Louis L. Snyder

As quoted in "The Agitator: Oriana Fallaci directs her fury toward Islam" by Margaret Talbot, in The New Yorker (5 June 2006)

The Novel: What It Is (1893)

With Jerome Preisler and Martin H. Greenberg; Bio-Strike (2000), p. 405
2000s

“A pun is a pistol let off at the ear; not a feather to tickle the intellect.”
Popular Fallacies: IX, That the Worst Puns Are the Best.
Last Essays of Elia (1833)

observing a hang glider pilot
Sir Henry at Rawlinson End (1978)

I did so and his possessions were now mine.
Diary entry from Sierra Maestra on the execution of Eutimio Guerra as an anti-revolutionary spy (January 1957), quoted in Che Guevara : A Revolutionary Life (1997) by Jon Lee Anderson
Source: The Anarchist Cookbook (1971), Chapter Three: "Natural, Nonlethal, and Lethal Weapons", p. 93.

La politique au milieu des intérêts d'imagination, c'est un coup de pistolet au milieu d'un concert. Ce bruit est déchirant sans être énergique. Il ne s'accorde avec le son d'aucun instrument. Cette politique va offenser mortellement une moitié des lecteurs et ennuyer l'autre qui l'a trouvée bien autrement spéciale et énergique dans le journal du matin.
Vol. II, ch. XXII
Le Rouge et le Noir (The Red and the Black) (1830)

Source: No Treason (1867–1870), No. VI: The Constitution of No Authority, p. 12–13
Context: It is true that the theory of our Constitution is, that all taxes are paid voluntarily; that our government is a mutual insurance company, voluntarily entered into by the people with each other; that each man makes a free and purely voluntary contract with all others who are parties to the Constitution, to pay so much money for so much protection, the same as he does with any other insurance company; and that he is just as free not to be protected, and not to pay any tax, as he is to pay a tax, and be protected.But this theory of our government is wholly different from the practical fact. The fact is that the government, like a highwayman, says to a man: Your money, or your life. And many, if not most, taxes are paid under the compulsion of that threat.The government does not, indeed, waylay a man in a lonely place, spring upon him from the road side, and, holding a pistol to his head, proceed to rifle his pockets. But the robbery is none the less a robbery on that account; and it is far more dastardly and shameful.The highwayman takes solely upon himself the responsibility, danger, and crime of his own act. He does not pretend that he has any rightful claim to your money, or that he intends to use it for your own benefit. He does not pretend to be anything but a robber. He has not acquired impudence enough to profess to be merely a "protector," and that he takes men's money against their will, merely to enable him to "protect" those infatuated travellers, who feel perfectly able to protect themselves, or do not appreciate his peculiar system of protection. He is too sensible a man to make such professions as these. Furthermore, having taken your money, he leaves you, as you wish him to do. He does not persist in following you on the road, against your will; assuming to be your rightful "sovereign," on account of the "protection" he affords you. He does not keep "protecting" you, by commanding you to bow down and serve him; by requiring you to do this, and forbidding you to do that; by robbing you of more money as often as he finds it for his interest or pleasure to do so; and by branding you as a rebel, a traitor, and an enemy to your country, and shooting you down without mercy, if you dispute his authority, or resist his demands. He is too much of a gentleman to be guilty of such impostures, and insults, and villainies as these. In short, he does not, in addition to robbing you, attempt to make you either his dupe or his slave.The proceedings of those robbers and murderers, who call themselves "the government," are directly the opposite of these of the single highwayman.In the first place, they do not, like him, make themselves individually known; or, consequently, take upon themselves personally the responsibility of their acts. On the contrary, they secretly (by secret ballot) designate some one of their number to commit the robbery in their behalf, while they keep themselves practically concealed.

Source: A Soldier Reports (1976), p. 21.
Context: I first met George S. Patton, Jr., before World War II when he was a lieutenant colonel at Fort Sill, and in North Africa, when he was a general, I saw him often. Almost every day he would head for the front, standing erect in his jeep, helmet and brass shining, a pistol on each hip, a siren blaring. For the return trip, either a light plane would pick him up or he would sit huddled, unrecognizable, in the jeep in his raincoat. His image with the troops was foremost with General Patton, and that meant always going forward, never backward. General Patton had two fetishes that to my mind did little for his image with the troops. First, he apparently loathed the olive drab wool cap that the soldier wore under his helmet for warmth and insisted that it be covered; woe be the soldier whom the general caught wearing the cap without the helmet. Second, he insisted that every soldier under his command always wear a necktie with shirt collar buttoned, even in combat action.

Source: In My Own Way: An Autobiography 1915-1965 (1972), p. 18

“The pistol and dagger may as easily be made the auxiliaries of vice, as of virtue.”
Book IV, "Of Tyrannicide"
Enquiry Concerning Political Justice (1793)

quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)


Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,
Interview for the People Magazine, 1990

Both the movies and television have perpetuated the idea that shooting a man is clean and quick and simple, and when he falls down there is only a small hole, or a blood-stain, to show how he died. Well, killing a man isn't clean and quick and simple. It's bloody and awful. And maybe if enough people come to realize that shooting somebody isn't just fun and games maybe we'll get somewhere about violence on the screen in the first place. [...] No, I don't like violence. In fact, when I look at the film myself, I find it unbearable. I don't think I'll be able to see it again for five years.
Responding, circa July 1969, to the question, "Why did you make this film?", posed by a film critic for Reader's Digest; as quoted in "Looking Sideways: Photographic Violence Won't Stop Violence" https://www.newspapers.com/image/?clipping_id=78219633 by Whitney Bolton, Fort-Myers News-Press (July 23, 1969), p. 4

2010s, 2019
Source: prior to 15 November 2019 per Seattle Times reporter Jim Brunner https://www.seattletimes.com/seattle-news/politics/speaking-at-the-house-of-amazon-joe-biden-gently-raises-companys-role-in-middle-class-job-losses