Quotes about piece
page 12

“The subject of a gestalt demonstration knows that his perception has shifted because he can make it shift back and forth repeatedly while he holds the same book or piece of paper in his hands. Aware that nothing in his environment has changed, he directs his attention increasingly not to the figure (duck or rabbit) but to the lines of the paper he is looking at. Ultimately he may even learn to see those lines without seeing either of the figures, and he may then say (what he could not legitimately have said earlier) that it is these lines that he really sees but that he sees them alternately as a duck and as a rabbit. …As in all similar psychological experiments, the effectiveness of the demonstration depends upon its being analyzable in this way. Unless there were an external standard with respect to which a switch of vision could be demonstrated, no conclusion about alternate perceptual possibilities could be drawn.”

Thomas Kuhn book The Structure of Scientific Revolutions

Source: The Structure of Scientific Revolutions (1962), X. Revolutions as Changes of World View, p. 114 (3rd edn.)

Books, Way, Learning, Change

“Reality isn’t the most pleasant of atmospheres, Lieutenant. But we like to think we’re engineered for it. It’s a pretty fine piece of engineering, the kind an engineer can respect. Drag in an obsession and reality can’t tolerate it. Something has to give; if reality goes, your fine piece of engineering is left with nothing to operate on. So it operates badly. So kick the obsession out; start functioning the way you were designed to function.”

Theodore Sturgeon book More Than Human

Source: More Than Human (1953), Chapter 3 “Morality”, p. 146

Way, Thinking, Reality

“Remember that no piece of honestly conducted research is ever wasted, even if it seems so at the time. Put it away in a drawer, and ten, twenty or thirty years down the road, it will come back and help you in ways you never anticipated.”

Anthony James Leggett (1938) British physicist

Speech at the Nobel Banquet http://nobelprize.org/nobel_prizes/physics/laureates/2003/leggett-speech-e.html, December 10, 2003.

Way, Time, Help

“It is useless to tell the missionaries that Hindu sâdhanâ has nothing to do with buying a piece of land, building some stylised houses on it, exhibiting pretentious signboards, putting on a particular type of dress, and performing certain rituals in a particular way. Hindu sâdhanâ has been and remains a far deeper and difficult undertaking. It means being busy with one's own self rather than with saving others. It means clearing the dirt and dross within one's own self rather than calling on others to swear by a totem trotted out as the only saviour. It has no place for abominable superstitions like the atoning death of a so-called chirst. Above all, it is not consistent with double-talk-harbouring one motive in the heart and mouthing another. A counterfeit must remain a counterfeit, howsoever loudly and lavishly advertised. It is a sacrilege that those who are out to cheat and deceive should use the word "sâdhanâ" for their evil exercise.”

Sita Ram Goel book Catholic Ashrams

Catholic Ashrams (1994)

Death, Way, Exercises, Motivation

“Language is an abominable misunderstanding which makes up a part of matter. The painters and the physicists have treated matter pretty well. The poets have hardly touched it. In March 1958, when I was living at the Beat Hotel, I proposed to Burroughs to at least make available to literature the means that painters have been using for fifty years. Cut words into pieces and scramble them. You'll hear someone draw a bow-string. Who runs may read, To read better, practice your running. Speed is entirely up to us, since machines have delivered us from the horse. Henceforth the question is to deliver us from that other so-called superior animal, man. It's not worth it to chase out the merchants: their temple is dedicated to the unsuitable lie of the value of the Unique. The crime of separation gave birth to the idea of the Unique which would not be separate. In painting, matter has seen everything: from sand to stuffed goats. Disfigured more and more, the image has been geometrically multiplied to a dizzying degree. A snow of advertising could fall from the sky, and only collector babies and the chimpanzees who make abstract paintings would bother to pick one up.”

Brion Gysin (1916–1986) Canadian artist

Cut-Ups: A Project for Disastrous Success.

Lie, Literature, Idea, Birth

“Once, during the drinking phase, Wendy had accused him of desiring his own destruction but not possessing the necessary moral fiber to support a full-blown deathwish. So he manufactured ways in which other people could do it, lopping a piece at a time off himself and their family.”

Stephen King book The Shining

The Shining (1977)

People, Family, Way, Drink

“[The English ruling classes are] Freemasons thoroughly infected by Juda. The British people must be liberated from the Antichrist Juda. We must drive Juda out of England just as he has been chased out of the Continent… Juda's plan has been smashed to pieces and they themselves swept out of the European Continent! [Europe is] consolidating and closing itself off from British influences after the elimination of the British and the Jews!”

Wilhelm II, German Emperor (1859–1941) German Emperor and King of Prussia

Letter to Alwina Grafin von der Goltz (July/August 1940), quoted in John C. G. Röhl, The Kaiser and his Court: Wilhelm II and the Government of Germany (Cambridge: Cambridge University Press, 1996), p. 211-212
1940s

People

“The first hole made through a piece of stone is a revelation. The hole connects one side to the other, making it immediately more three-dimensional. A hole can itself have as much shape-meaning as a solid mass. Sculpture in air is possible, where the stone contains only the hole, which is the intended and considered form. The mystery of the hole – the mysterious fascination of caves in hill sides and cliffs.”

Henry Moore (1898–1986) English artist

Source: 1925 - 1940, The sculptor speaks' (1937), p. 251

“In different hours, a man represents each of several of his ancestors, as if there were seven or eight of us rolled up in each man's skin, — seven or eight ancestors at least, — and they constitute the variety of notes for that new piece of music which his life is.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Fate
1860s, The Conduct of Life (1860)

Life, Music

“This is a “come and take it” moment for Texas parents. It seems clear to me that these bathroom edicts violate the Texas’ Education Code. I believe the Attorney General agrees with me. We will not let Obama force this insanity on Texas schools. During the 2017 legislative session, I intend to pass legislation to assure that common sense policies prevail. The parents of Texas and I believe all of America will not be bought by the president’s 30 pieces of silver.”

Dan Patrick (politician)

Op-Ed: Obama’s Transgender Directive a “Come and Take It” Moment for Texas Parents https://www.ltgov.state.tx.us/2016/05/20/op-ed-obamas-transgender-directive-a-come-and-take-it-moment-for-texas-parents/ (May 20, 2016)

Education, School, Parent, Sense

“…In the following year AH 804 (AD 1402), he marched to Somnat, and after a bloody action, in which the Mahomedans were victorious, the Ray fled to Diu. Moozuffur Shah having arrived before Diu laid siege to it, but it opened its gates without offering resistance. The garrison was, however, nearly all cut to pieces, while the Ray, with the rest of the members of his court, were trod to death by elephants. One large temple in the town was razed to the ground, and a mosque built on its site; after which, leaving his own troops in the place, Moozuffur Shah returned to Puttun.”

Firishta (1560–1620) Indian historian

Sultãn Muzaffar Shãh I of Gujarat (AD 1392-1410) Diu (Gujarat)
Tãrîkh-i-Firishta

Death, Victory

“Sometime 30 years ago I wrote a piece for the Stan Kenton Neophonic Band. The night of the concert at the Music Center Auditorium in Los Angeles Stan counted it off much too fast. When it came to the recapitulation at the end, the woodwind instrumentation had changed to mixtures of piccolos, flutes and saxes; and being too fast, it turned into a woodwind knuckle-buster. I was hiding on the floor between the seats. Later, when this was recorded, Stan counted too slowly. That recording was released without my piece. Years later when Stan created his "The Creative World of Stan Kenton" record company, Capitol was so angry that he had left them and released everything they had in the can to jeopardize his market. My piece was released with the first third cut off. I rewrote this for my present instrumentation and when we first went through it, while conducting, I was in tears to finally hear what I had written 30 years ago.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Discussing "Piece for Soft Brass, Woodwinds and Percussion"; from the liner notes for Jazz Corps

World, Music, Angels, Tear

“The world that went to pieces at the end of the 1980's was the world shaped by the impact of the Russian Revolution of 1917.”

Eric Hobsbawm book The Age of Extremes

The Age of Extremes (1992)

World

“It is not like we have a piece written out that we improvise on. We know where we are going but we don’t know how we are going to get there.”

Hilary Hahn (1979) American violinist

Why Violinist Hilary Hahn Will Never Just Stick to the Classical Repertoire (2012)

“He had no living relatives anywhere capable of leaving him a fortune in a will. He owed no money. He had never stolen anything, never cheated anybody. Never fathered any children. He was on as few pieces of paper as it was possible for a human being to get. He was just about invisible.”

Lee Child book Tripwire

Tripwire, Ch. 1.

Money, Children, Cheating

“Judas was not a monster, though his act was monstrous; he was a man, the twelfth part of humanity, and his sin was that he could betray for thirty pieces of silver, like any common informer. Jesus was uncommon, not Judas.”

Mary McCarthy (1912–1989) American writer

"The Hue and Cry"
The Writing on the Wall and Other Literary Essays (1970)

Parting

“The reason I love 'Slumdog' is because the music is all world cultures, all celebrating. In India, I know people feel other film scores [of mine] are closer to their hearts. But when you are doing a film, it's very important to make the film look like one full piece of artwork. I think scoring 'Slumdog' with every kind of music possible, from Chinese to hip-hop to M. I. A.... was really fresh ground for me.”

A. R. Rahman (1966) Indian singer and composer

Quoted in Slumdog' Composer Competes for Oscars, 19 February 2009, 16 December 2013, Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2009/02/18/AR2009021803790.html,

Love, People, World, Music

“If I were writing the Bill of Rights now there wouldn’t be any such thing as the Second Amendment.... This has been the subject of one of the greatest pieces of fraud, I repeat the word fraud, on the American public by special interest groups that I have ever seen in my lifetime.”

Warren E. Burger (1907–1995) Chief Justice of the United States from 1969 to 1986

Interview (from min 7:49) https://vimeo.com/157433062 at MacNeil/Lehrer NewsHour by Charlayne Hunter-Gault, PBS television broadcast (Dec. 16, 1991)

Fraud

“In the instant that you love someone,
In the second that the hammer hits,
Reality runs up your spine,
And the pieces finally fit.”

Elton John (1947) English rock singer-songwriter, composer and pianist

The One
Song lyrics, The One (1992)

Love, Reality

“Be in line and then see what’s going on!’ a fat lady shouted at me. ‘Hell yeah! you greasy piece of flesh.’ I cursed her in my mind. But ‘Yes I am going back in line!’ I shouted at her.”

Gaurav Sharma (author) (1992) Author and novelist

Gone are the Days (2016)

Hell

“I feel that most illusionists, magicians and prestidigitators have lost their sense of magic. A movie, a painting, a sunset or a piece of music are sometimes more magical than many 'magic tricks'. Most of our contemporary magicians arouse pity or compassion and don't allow the spectators to dream about other worlds. Magic is not the trick you're doing. Magic is a certain mood, an atmosphere; the absolute beauty of the instant when Man meets the sacred; where the walls of our reality open and, beyond them, infinity appears. The magicians are guides who may, at their will, travel from one universe to another, bringing you with them.”

Christian Chelman (1957) magician

Christian Chelman, 1993, Capricornian Tales, L & L Publishing, p. 6

World, Beauty, Dreams, Music

“I'm glad I don't have to explain to a man from Mars why each day I set fire to dozens of little pieces of paper, and then put them in my mouth.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

“As far as the sensory experience of the spectator goes, the most outstanding American kinetic artist is unquestionably the Chinese-born Wen-Ying Tsai. His pieces, which are perfect on the technological level, serve the primary purpose of giving a complete visual experience to the spectator, whose sound solicitations provoke a choreographic, chromatic and rhythmic response in the ‘cybernetic sculptures’. […]
György Kepes has commented enthusiastically on the ‘magic rhythms emanating from this swaying, dancing steel trembling with life’, and he has also noted the sense of ‘an instant fellowship, a spontaneous celebration’ which is re-created in their presence. As he concludes: ‘Rhythm is friendship and in Tsai’s work there is friendship of light, sound and our own heart-beats.’
If this appraisal testifies to the success with which Tsai affects the sensory and emotional responses of the spectator, we must not neglect the fact that he is also addressing himself to reason and the scientific element in his audience. In effect, the observer can enter an almost mathematical relationship with these works, and sharpen his perceptual powers through the exact assessment of the various aesthetic parameters of vibration, sound, colour, wave movement, etc.”

Frank Popper (1918) French art historian

Frank Popper, Art--Action and Participation, New York University Press, 1975, p. 214

Life, Friendship, Mathematics, Sense

“How exactly did the president normalize neoconservatism? In 2016, liberals accused candidate Trump of isolationism. Neoconservatives—aka Conservatism Inc.—did the same. Having consistently complained of his isolationism, the Left and the phony Right cannot but sanction President Trump's interventionism. To some, the normalizing of neoconservatism by a president who ran against it is a stroke of genius; of a piece with Bill Clinton's triangulation tactics. To others, it's a cynical sleight of hand.”

Ilana Mercer South African writer

" How President Trump Normalized Neoconservatism http://www.wnd.com/2018/01/how-trump-normalized-neoconservatism/," WND.com, January 4, 2018. <br class="br">2010s, 2018

“To conceive a thought — just one, but one that would tear the universe to pieces.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

The New Gods (1969)

Tear, Universe

“Well sure, my sculptures are floor pieces. Each one, like any area on the surface of the earth, supports a column of air that weighs – what is it? – 14.7 pounds per square inch. So in a sense, that might represent a column. It's not an idea, it's a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth… I have nothing to do with Conceptual art [in contrast to his Physical Art, as Carl Andre called his sculpture art already in 1969]]. I'm not interested in ideas. If I were interested in ideas, I'd be in a field where what we think in is ideas… I don't really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. [quote from a talk with the audience, December 1969]”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 12

Art, Way, Quotes, Idea

“Pride and reserve are not the only things in life; perhaps they are not even the best things. But if they happen to be your particular virtues you will go all to pieces if you let them go.”

Ford Madox Ford book The Good Soldier

Part Four, Ch. I (p.185)
The Good Soldier (1915)

Life

“In a piece written circa 1960 called 'The Twelve Caesars' he said that world events were the work of individuals and that the motives of those individuals were often frivolous, even casual. There is something of Suetonius and Plutarch in Vidal's unblushing readiness to view contemporary history in terms of character.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Unpatriotic Gore: Gore Vidal'
Essays and reviews, At the Pillars of Hercules (1979)

World, History, Motivation

“The Universe is the greatest piece of art”

Jacek Tylicki (1951) American artist

Catalogue to exhibition in Gallery 38 - Copenhagen, 1976, as cited in: Leszek Brogowski & Dorota Czerner (transl.). Jacek Tylicki: Art and Artworks. 2014

Art, Universe

“On the other hand, many Muslim historians of medieval India have left for posterity some very detailed, many a time day-to-day, accounts of what happened during the endless encounters between Hindus and Muslims. The dominant theme in these accounts is of mu’mins (Muslims) martyred; of kãfirs (Hindus infidels) despatched to hell; of cities and citadels sacked; of citizens massacred; of Brahmins killed or forced to eat beef; of temples razed to the ground and mosques raised on their sites; of idols broken and their pieces taken to imperial headquarters for being trodden underfoot by the faithful on the steps of the main mosque; of booty captured and carried away on elephants, camels, horses, bullock carts, on the backs of sheep and goats, and even on the heads of Hindu prisoners of war; of beautiful Hindu maidens presented to the sultans and distributed among Muslim generals and nobles; of Hindu men, women and children sold into slavery in markets all over the Islamic world; and of kãfirs converted to the true faith at the point of the sword. The Muslim historians treat every war waged against the Hindus as a jihãd as enjoined by the Prophet and the Pious Caliphs.”

Sita Ram Goel book The Story of Islamic Imperialism in India

The Story of Islamic Imperialism in India (1994)

Women, Men, War, Children

“I did a piece about four years ago about coming out. Telling my parents that I'm gay. It occurred to me that my parents have known for years that I'm gay. I'm sure of it. They have never told me; they have never needed to tell me. In some ways I will never be gay to them. And they would prefer that I never use that word with them. They know the man that I have been closest to. They also know that he's godfather to two of my nephews. They invite him to Christmas dinner. They know he's part of my life. When he had the flu this Christmas they knew I had to leave early, and no one protested. Will he ever be introduced as my lover? No”

Richard Rodríguez (1944) American journalist and essayist

Violating the Boundaries: An Interview with Richard Rodriguez (1999)

Life, Way, Lovers, Parent

“We attempt to use the phenomenologist's approach to arrive at personalized constructs which have a wide range of meaning for the given individual; then we attempt to piece together this high-level type of data with what we know about other persons.”

George Kelly (psychologist) (1905–1967) American psychologist and therapist

Source: The Psychology of Personal Constructs, 1955, p. 455

Personality

“The various structures of sentences in any given language, comprising for example at least two nominal pieces and a verbal piece must be collated, and such categories as voice, mood, affirmative, negative, tense, aspect, gender, number, person and case, if found applicable and valid in descriptive statement, are to be abstracted from, and referred back to the sentence as a whole.”

John Rupert Firth (1890–1960) English linguist

Source: "A synopsis of linguistic theory 1930-1955." 1957, p. 20

Mood, Personality

“I don't believe in coincidences. I believe that if you're doing the right thing, you are handed back pieces of yourself. It's like something goes right for you and this will keep you going for six weeks, and then your next test is going to be designed for you.”

Liza Tarbuck (1964) English actress and television and radio presenter

Asked whether things are meant, while been interviewed by The Independent on Sunday, May 25, 2003 http://findarticles.com/p/articles/mi_qn4159/is_20030525/ai_n12738402

“Joy can come alive like that, when random pieces of history and rhythm, pause and expectation, melody and lyric, suddenly rearrange themselves into a pattern that leaps up, back against the wall, and catches your heart.”

Andrea Lewis (writer) Microsoft employee

"Forty Years" Slow Trains Vol.7, Issue 3 (2008)
2000-09

History, Heart, Joy

“God is not just one great piece of benevolent jelly. He is not smiling at the human race. In fact, the Bible says that He is full of fury. The day is coming when He will 'render His anger with fury, and His rebuke with flames of fire”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

Isaiah 66:15
God doesn't believe in atheists (2002)

God, Smile, Anger

“…a little-known piece of C++ trivia you can use to impress your friends and loved ones.”

Paul DiLascia (1959–2008) American software developer

1995/6
About language

Love

“You see, Wendy, when the first baby laughed for the first time, its laugh broke into a thousand pieces, and they all went skipping about, and that was the beginning of fairies.”

J. M. Barrie book Peter Pan

Source: Peter and Wendy (1911), Ch. 3

Time, Baby

“These notices had been written by Christopher Robin, who was the only one in the forest who could spell; for Owl, wise though he was in many ways, able to read and write and spell his own name WOL, yet somehow went all to pieces over delicate words like MEASLES and BUTTEREDTOAST.”

A.A. Milne book Winnie-the-Pooh

Source: Winnie-the-Pooh (1926), Chapter Four.

Way, Reading

“…. People think that when you get saved, you're crazy. Did you ever wonder why? What would you think if you were standing beside the road and you saw the local Baptist church go by in pieces? Would you think they had all their marbles, huh? Would you think they had both oars in the water, huh? Huh? Wouldn't you think that maybe their porchlight was out?”

Mike Warnke (1946) Evangelical Christian minister

Growing Up (album) (1983)

People, Thinking, Water

“I love writing but I hate starting. The page is awfully white and it says. " You may have fooled some of the people some of the time but those days are over, giftless. I'm not your agent and I'm not your mommy, I'm a white piece of paper, you wanna dance with me?" and I really, really don't. I don't want any trouble. I'll go peaceable-like.”

Aaron Sorkin (1961) American screenwriter, producer, playwright

The West Wing Script Book: Volume 1, Introduction.

Love, Hate, People, Fools

“Love and desire are both thoroughly human. Our problem with them is that they orient us toward very different goals. Love seeks control, stability, continuity, certainty. Desire seeks surrender, adventure, novelty, the unknown. In love we are searching for points of attachment, anchoring, something we know we can count on. In desire we are searching both for missing, disowned pieces of ourselves and for something beyond ourselves, outside the borders of self-recognition that, under ordinary circumstances, we protect so fiercely.Erotic passion destabilizes one's sense of self. When we find someone intensely arousing who makes possible unfamiliar experiences of ourselves and an otherness we find captivating, we are drawn into the disorienting loopiness of self/other. We tend to want to control these experiences and the others who inspire them. Thus emotional connection tends to degrade into strategies for false security that suffocate desire.”

Stephen Mitchell (1946–2000) American psychologist

Can Love Last? (New York: W. W. Norton & Company, 2002), pp. 91-92

Love, Search, Problem, Sense

“Following the trail of events from some point in the past to a piece of modern technology is rather like a detective story, with you as the detective, knowing only as much as the people in the past do, and like them having to guess at what was likely to happen next.”

James Burke (science historian) (1936) British broadcaster, science historian, author, and television producer

Connections (1979), 1 - The Trigger Effect
Context: And that's why following the trail from the past up to the emergence of the modern technology that surrounds us in our daily lives, and affects our lives, is rather like a detective story. Because, at no time in the past, did anybody have anything to do with the business of inventing or changing things, ever know what the full effect of his actions would be. He just went ahead and did what he did for his own reasons, like we do. That's how change comes about. And it's like a detective story because if you follow the trail from the past up to a modern man-made object, the story is full of sudden twists and false clues and guesswork, and you never know where the story is heading until the very last minute.
Context: I would say it was a pretty safe bet, that the one magic wish most people would like to be granted would be to be able to see into the future. Think what it would mean. And backing the right horse! But we can't. We have to guess about tomorrow and we have to act on that guess, and it's never been any different. And that's why following the trail from the past up to the emergence of the modern technology that surrounds us in our daily lives, and affects our lives, is rather like a detective story. Because, at no time in the past, did anybody have anything to do with the business of inventing or changing things, ever know what the full effect of his actions would be. He just went ahead and did what he did for his own reasons, like we do. That's how change comes about. And it's like a detective story because if you follow the trail from the past up to a modern man-made object, the story is full of sudden twists and false clues and guesswork, and you never know where the story is heading until the very last minute.

People, Past

“I hope.... to paint some in a lighter gamut, more flesh and blood, but, at the same time, I am trying to get a still stronger soft soap and copper-like effect. In reality I daily see, in the gloomy huts, effects against the light or in the evening twilight.... which I compare to soft soap and brass color of a worn-out 10 centime piece.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Nuenen, The Netherlands, June 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 410) p. 31 <br class="br">1880s, 1885

Hope, Color, Reality, Light

“The technique used heavy, spiky pastes made of nothing other than ordinary oil paint, used thick and mixed with sand and gravel. I some cases – but these were the exception – a few miscellaneous objects were stuck into the wet paint, such as bits of string or little pieces of glass or mirror.”

Jean Dubuffet book Prospectus et tous écrits suivants

quote by Dubuffet on his technique, he used in his series Hautes Pâtes, exhibited in 1946
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 428

Past, Painting

“Faith is the backbone of the social and the foundation of the commercial fabric; remove faith between man and man, and society and commerce fall to pieces. There is not a happy home on earth but stands on faith; our heads are pillowed on it, we sleep at night in its arms with greater security for the safety of our lives, peace, and prosperity than bolts and bars can give.”

Thomas Guthrie (1803–1873) British divine

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 218.

Peace, Faith, Home, Sleep

“[Meat industry] truly is a disgusting industry, all the more so because it’s hidden. Have you ever seen animals being shipped to abattoirs? Do you even know where these abattoirs are? Have you ever seen an animal getting killed for the food you eat? It’s a dark, dark, dark trade that nobody really knows about, and a hugely profitable one at that. … If I don’t believe in killing animals, why on earth would I do it for the sake of fashion … I don’t think there’s any difference, because at the end of the day you’re killing an animal and stripping its skin off its body. It’s somebody’s baby – or it has a baby – it breathes, it lives, it has emotions, it has feelings … I find it fascinating that leather and fur are so often associated with the top luxury level of fashion. And yet leather, in this day and age, is probably cheaper than a piece of cotton. So there’s such a tiny price put on an animal’s life.”

Stella McCartney (1971) British fashion designer

" “I don’t understand what is going on on this planet, it’s all so fucked up.” Interview with Stella McCartney https://www.numero.com/en/fashion/stella-mccartney-leather-fur-vegan-kering-pinault-met-gala-anna-wintour", Numéro (28 June 2018).

Life, Age, Food, Feeling

“Without really noticing, the Western press has become the mouth-piece of the Marxist-Muslim alliance which dictates political parlance in India. I assume only a few frontline journalists are conscious participants in the ongoing disinformation campaign.”

Koenraad Elst (1959) orientalist, writer

1990s, Negationism in India, (1992)

“I didn't really come into it expecting to make songs. It started just with random bits and pieces. I guess I thought there would be vocals, but I was thinking in terms of using little vocal shreds, and of making them part of the tapestry, not the main thing. But as soon as we had gone through the initial sketches, it became obvious that they could be quite direct. Nigel basically dragged me kicking and screaming toward the concept of them being actual songs.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.geocities.com/SunsetStrip/Stage/9346/RAAmain.html <br class="br">On making The Eraser.

Thinking, Parting

“It is the subjects which might be imitated by pieces of paper of varying depth of color laid one over the other, which are the subjects that will give more readily the greater satisfaction.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Some examples in composition, p. 60

Color

“[The process of paraphrasing or summarizing each piece of data enters information] into your unconscious, as well as consciously processing the information.”

Richard Boyatzis (1946) American business theorist

Source: Transforming qualitative information (1998), p. 45 as cited in: Eimear Muir-Cochrane & Jennifer (2006) " Demonstrating Rigor Using Thematic Analysis http://www.ualberta.ca/~iiqm/backissues/5_1/PDF/FEREDAY.PDF". In: International Journal of Qualitative Methods 5 (1) April 2006.

“When modernist poetry, or what not so long ago passed for modernist poetry, can reach the stage where the following piece by Mr. Ezra Pound is seriously offered as a poem, there is some justification for the plain reader and orthodox critic who shrinks from anything that may be labelled 'modernist' either in terms of condemnation or approbation…. Better he thinks, that ten authentic poets should be left for posterity to discover than one charlatan should be allowed to steal into the Temple of Fame.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

Laura Riding and Robert Graves from A Survey of Modernist Poetry (London: Heinemann, 1927)

Thinking

“We completely ignore the human value of the information. A selection of 100 letters is given a certain information value, and we do not investigate whether it makes sense in English, and, if so, whether the meaning of the sentence is of any practical importance. According to our definition, a set of 100 letters selected at random (according to the rules of Table 1.1), a sentence of 100 letters from a newspaper, a piece of Shakespeare or a theorem of Einstein are given exactly the same informational value.”

Léon Brillouin (1889–1969) French physicist

[Léon Brillouin, Science and Information Theory, second edition, Academic Press, New York, 1962, 0-48643-918-6, 9]

Sense

“It is, not to put too fine a point on it, a piece of propaganda … Superman punched out Hitler. So did Captain America. That's one of the things they're there for.”

Frank Miller (1957) American writer, artist, film director

On Holy Terror, a story where Batman takes on Al-Qaeda, as quoted in "Comic book hero takes on al-Qaeda" BBC News (15 February 2006) http://news.bbc.co.uk/1/hi/entertainment/4717696.stm

“Music’s playin’ up and down the block
Mostly Christian, Blues, Country, Folk, and Southern Rock
It’s our little piece of paradise way out here in the woods
There is always somethin’ goin’ on down in the trailerhood.”

Toby Keith (1961) American country music singer and actor

Trailerhood.
Song lyrics, Bullets in the Gun (2010)

Music, Way, Country

“David Dimbleby: You couldn't - you couldn't set our minds at rest on the vexed question of what the Sunday Times did actually pay you for the book?
Harold Wilson: No, I don't think it's a matter of interest to the BBC or to anybody else.
Dimbleby: But why..
Wilson: If you're interested in these things, you'd better find out how people buy yachts. Do you ask that question? Did you ask him how he was able to pay for a yacht?
Dimbleby: I haven't interviewed …
Wilson: Have you asked him that question?
Dimbleby: I haven't interviewed him.
Wilson: Well, has the BBC ever asked that question?
Dimbleby: I don't know …
Wilson: Well, what's it got to do with you, then?
Dimbleby: I imagine they have..
Wilson: Why you ask these question, I mean why, if people can afford to buy £25,000 yachts, do the BBC not regard that as a matter for public interest? Why do you insult me with these questions here?
Dimbleby: It's only that it's been a matter of..
Wilson: All I'm saying, all I'm saying..
Dimbleby: … public speculation, and I was giving you an opportunity if you wanted to, to say something about it.
Wilson: It was not a matter of speculation, it was just repeating press gossip. You will not put this question to Mr. Heath. When you have got an answer to him, come and put the question to me. And this last question and answer are not to be recorded. Is this question being recorded?
Dimbleby: Well it is, because we're running film.
Wilson: Well, will you cut it out or not? All right, we stop now. No, I'm sorry, I'm really not having this. I'm really not having this. The press may take this view, that they wouldn't put this question to Heath but they put it to me; if the BBC put this question to me, without putting it to Heath, the interview is off, and the whole programme is off. I think it's a ridiculous question to put. Yes, and I mean it cut off, I don't want to read in the Times Diary or miscellany that I asked for it to be cut out. [pause]
Dimbleby: All right, are we still running? Can I ask you this, then, which I mean, I.. let me put this question, I mean if you find this question offensive then..
Wilson: Coming to ask if your curiosity can be satisfied, I think it's disgraceful. Never had such a question in an interview in my life before.
Dimbleby: I.. [gasps]
Joe Haines (Wilson's Press Secretary): Well, let's stop now, and we can talk about it, shall we?
Dimbleby: No, let's.. well, I mean, we'll keep going, I think, don't you?
Wilson: No, I think we'll have a new piece of film in and start all over again. But if this film is used, or this is leaked, then there's going to be a hell of a row. And this must be..
Dimbleby: Well, I certainly wouldn't leak it..
Wilson: You may not leak it but these things do leak. I've never been to Lime Grove without it leaking.”

Harold Wilson (1916–1995) Former Prime Minister of the United Kingdom

Exchange with BBC interviewer David Dimbleby recorded for a documentary called "Yesterday's Men" broadcast on 16 June 1971. The BBC did agree not to show this portion of the interview, but Wilson's fears of a leak were justified as a transcript was published on page 1 of The Times on June 18, 1971. A fuller transcript appeared in Private Eye during 1972.
Leader of the Opposition

Life, People, Books, Imagination

“Regarding my childhood, my grandmother could play by ear and she loved to hear me practice and would say after every piece, "That was pretty. Play that one again." She was a booster. I had two women piano teachers who encouraged me to compose--Margie Murphy and Helen Lipscomb. Helen was also a composer and we used part of my lessons for composition.
When I was in high school, I read John Cage's books and fell in love with the ideas and the excitement of the avant garde. My music, as a result, moved over to what has been called post-Cagian, non-academic. That lasted until about 1979 at which point I changed. My music is now quite lyrical, sometimes called neo-Romantic, and full of cut-ups/collage of newly composed materials. Since 1985 I have been composing mostly swales for various instrumental combinations.
A swale is a meadow or a marsh where there is nourishment and moisture and therefore, a rich diversity of plant life. My work, since 1984, has been made from swatches (of newly composed music, rather than found music) which are reminiscent of this diversity…”

Beth Anderson (1950) American neo-romantic composer

Anderson (1996-2011) "Beth Anderson, Composer, Miscellany From The Dark Past" at beand.com http://www.beand.com/, Last Updated January 3, 2011

Love, Life, Women, Books

“After a workman has had the price per piece of the work he is doing lowered two or three times as a result of his having worked harder and increased his output, he is likely to entirely lose sight of his employer's side of the case and to become imbued with a grim determination to have no more cuts if soldiering can prevent it.”

Frederick Winslow Taylor (1856–1915) American mechanical engineer and tennis player

Source: Shop Management, 1903, p. 1352.

Time

“A man of remarkable genius may afford to pass by a piece of wit, if it happens to border on abuse. A little genius is obliged to catch at every witticism indiscriminately.”

William Shenstone (1714–1763) English gardener

Essays on Men and Manners (1804)

“The chequered flag is really just a stupid wooden stick and a piece of cloth. It's a small thing, but it means so much when you cross the line at moments like that. It was unbelievable.”

Sebastian Vettel (1987) German racing driver in Formula 1

http://www.sebastian-vettel.org/quotes.htm
After his 4th position in China 2007.
Sourced quotes

Stupidity, Clothes

“We have thus shown that 1799 began the period called the Time of the End; that in this time Papacy is to be consumed piece-meal; and that Napoleon took away not only Charlemagne's gifts of territory (one thousand years after they were made), but also, afterward, the Papacy's civil jurisdiction in the city of Rome, which was recognized nominally from the promulgation of Justinian's decree, A. D. 533, but actually from the overthrow of the Ostrogothic monarchy, A. D. 539 - just 1260 years before 1799. This was the exact limit of the time, times and a half of its power, as repeatedly defined in prophecy. And though in some measure claimed again since, Papacy is without a vestige of temporal or civil authority to-day, it having been wholly "consumed". The Man of Sin, devoid of civil power, still poses and boasts; but, civilly powerless, he awaits utter destruction in the near future, at the hands of the enraged masses (God's unwitting agency), as clearly shown in Revelation.
This Time of the End, or day of Jehovah's preparation, beginning A. D. 1799 and closing A. D. 1914, though characterized by a great increase of knowledge over all past ages, is to culminate in the greatest time of trouble the world has ever known; but it is nevertheless preparing for and leading into that blessed time so long promised, when the true Kingdom of God, under the control of the true Christ, will fully establish an order of government the very reverse of that of Antichrist.”

Charles Taze Russell (1852–1916) Founder of the Bible Student Movement

Source: Milennial Dawn, Vol. III: Thy Kingdom Come (1891), p. 59.

God, Age, World, Knowledge

“One morning with Ripolin [French paint] I painted a new-born that I then left to dry on the tennis-court. After two days I found it bristling with ants that made it move to the anesthetized, silent rhythm of sea-urchins. However I at once realized that this newborn child was none other than the pink breast of my girlfriend, being frenetically eaten by the shining, metallic thickness of the phonograph. But it wasn't her breast either: it was little pieces of my cigarette paper nervously grouped around the magnetic topaz of my fiancees ring.”

Salvador Dalí (1904–1989) Spanish artist

Quote from 'Mon amie et la plage' [My girlfriend and the beach], Salvador Dali, 1927; as quoted in Dali and Me, Catherine Millet, - translation Trista Selous -, Scheidegger & Spiess AG, 8001 Zurich Switzerland, pp. 47-48
Quotes of Salvador Dali, 1920 - 1930

Painting, Sea

“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”
Jam vero cum rem propones, nomine nunquam Prodere conveniet manifesto: semper opertis Indiciis, longe et verborum ambage petita Significant, umbraque obducunt: inde tamen, ceu Sublustri e nebula, rerum tralucet imago Clarius, et certis datur omnia cernere signis. Hinc si dura mihi passus dicendus Ulysses, Non ilium vero memorabo nomine, sed qui Et mores hominum multorum vidit et urbes Naufragus, eversae post saeva incendia Trojae, Addam alia, angustis complectens omnia dictis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 40
De Arte Poetica (1527)

Men, Color, Distant, Sea

“Yet all this is not ressentiment. These are only stages in the development of its sources. Revenge, envy, the impulse to detract, spite, *Schadenfreude*, and malice lead to ressentiment only if there occurs neither a moral self-conquest (such as genuine forgiveness in the case of revenge) nor an act or some other adequate expression of emotion (such as verbal abuse or shaking one's fist), and if this restraint is caused by a pronounced awareness of impotence. There will be no ressentiment if he who thirsts for revenge really acts and avenges himself, if he who is consumed by hatred harms his enemy, gives him “a piece of his mind,” or even merely vents his spleen in the presence of others. Nor will the envious fall under the dominion of ressentiment if he seeks to acquire the envied possession by means of work, barter, crime, or violence. Ressentiment can only arise if these emotions are particularly powerful and yet must be suppressed because they are coupled with the feeling that one is unable to act them out—either because of weakness, physical or mental, or because of fear. Through its very origin, ressentiment is therefore chiefly confined to those who serve and are dominated at the moment, who fruitlessly resent the sting of authority. When it occurs elsewhere, it is either due to psychological contagion—and the spiritual venom of ressentiment is extremely contagious—or to the violent suppression of an impulse which subsequently revolts by “embittering” and “poisoning” the personality. If an ill-treated servant can vent his spleen in the antechamber, he will remain free from the inner venom of ressentiment, but it will engulf him if he must hide his feelings and keep his negative and hostile emotions to himself.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Hostility, Fear, Feeling, Forgiveness

“You stare down at some crowd from your trapeze
And when you fell they fell down on their knees
And when you broke they scrambled for a piece
And when you spoke I felt their anger freeze. ~ Metropolis”

Steve Kilbey (1954) British artist

Lyrics

Anger

“A typical piece of BBC anti-Tory propaganda.”

Norman Tebbit (1931) English politician

From an article published in a 1985 edition of the Monday Club magazine 'Right Ahead' which was heavily critical of the BBC and of what Tebbit regarded as the corporation's left-wing bias. Tebbit was referring to an episode of the popular BBC science-fiction series Doctor Who entitled 'Pyramids of Mars' which he had recently seen - he perceived a "wasteland version of 1980" featured in the episode to be a symbolic, allegorical and propagandistic attack on the Thatcher government. Tebbit was apparently completely unaware that the episode in question was actually filmed in 1975, four years before Thatcher had even come to power. [Eric Luskin, Doctor Who in the 80s (Virgin, 1996)]

“You've been vilified, used as fodder, you deserve a piece of every record.”

Alanis Morissette (1974) Canadian-American singer-songwriter

This Grudge
So-Called Chaos (2004)

“I have to say that I find Ali’s argument truly revolting—not just because it’s intellectually weak and actually deceptive, but because it debases the entire realm of university scholarship of which I’m a member. When I see pieces like hers—lame apologetics that are meant from the outset to reinforce an opinion already held—I thank Ceiling Cat that I am a scientist: a member of the guild in which using your scholarship to reinforce emotional commitments is considered a sin.”

Jerry Coyne (1949) American biologist

" At last it happens: a professor blames ISIS’s sex slavery on the West https://whyevolutionistrue.wordpress.com/2015/08/23/at-last-it-happens-a-professor-blames-isiss-sex-slavery-on-the-west/" August 23, 2015

Cats, Universe

“I have to report that this motion picture is arguably the worst piece of cinematic crap I have ever experienced theatrically. Hyperbole, you wonder? I looked through my list of zero-star movies and couldn't find one entry (except the immortal Zombie vs. Mardi Gras, which was a straight-to-video release) that ranked as more difficult to endure. Words like abomination and travesty don't do this movie justice. Sitting through Freddy Got Fingered was one of the most depressing experiences in my 10 years of reviewing films. It's not even enjoyable on a campy level. It's just bad, bad, bad, bad, bad, bad, bad - Directed By Tom Green.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1485 of Freddy Got Fingered (2001). <br class="br">Zero star reviews

Justice, Star

“Literature gets its magic because it echoes inside peoples’ hearts and hits them on the right nerve. This is what makes some pieces immortal”

Ali Al-Wardi (1913–1995) Iraqi sociologist

People, Literature, Heart

“I have a weakness for any piece in excess of my opponent's numbers - from pawn to queen.”

Tigran Petrosian (1929–1984) Soviet Georgian Armenian chess player and chess writer

Quoted in Vik L Vasilev, "Tigran Petrosian His Life and Games" (Batsford, London, 1974) p. 166.

“One can avoid misinterpreting information or jumping to false conclusions by cross checking important pieces of information through other methods of data collection. For example, if a questionnaire indicates major problems around supervision in one department, it may be useful to interview some supervisors and nonsupervisory personnel in the specific department for more detailed information. It also may be valuable to spend some time in the department observing the interactions between supervisors and subordinates. The most effective data collection strategy, therefore, is one that uses multiple measures and multiple methods of data collection. It is by combining data from interviews, questionnaires, observations, and archival sources that the consultant is able to triangulate and thus discard the data that may be distorted or biased.”

David A. Nadler (1948–2015) American organizational theorist

David A Nadler, Feedback and Organizational Development Using Data-Based Methods. Reading, Mass Addison-Wesley, 1977, p. 140; Cited in: Arthur G. Bedeian (1980). Organizations: Theory and Analysis : Text and Cases. p. 43.

Problem, Time, Falseness

“They took captive a great number of handsome and elegant maidens, amounting to 20,000, and children of both sexes, 'more than the pen can enumerate'… In short, the Muhammadan army brought the country to utter ruin, and destroyed the lives of the inhabitants, and plundered the cities, and captured their offspring, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was one called Somnat, fixed upon stone, polished like a mirror of charming shape and admirable workmanship' Its head was adorned with a crown set with gold and rubies and pearls and other precious stones' and a necklace of large shining pearls, like the belt of Orion, depended from the shoulder towards the side of the body….
'The Muhammadan soldiers plundered all these jewels and rapidly set themselves to demolish the idol. The surviving infidels were deeply affected with grief, and they engaged 'to pay a thousand pieces of gold' as ransom for the idol, but they were indignantly rejected, and the idol was destroyed, and 'its limbs, which were anointed with ambergris and perfumed, were cut off. The fragments were conveyed to Delhi, and the entrance of the Jami' Masjid was paved with them, that people might remember and talk of this brilliant victory.' Praise be to God, the Lord of the worlds. Amen! After some time, among the ruins of the temples, a most beautiful jasper-coloured stone was discovered, on which one of the merchants had designed some beautiful figures of fighting men and other ornamental figures of globes, lamps, etc., and on the margin of it were sculptured verses from the Kurdn. This stone was sent as an offering to the shrine of the pole of saints… At that time they were building a lofty octagonal dome to the tomb. The stone was placed at the right of the entrance. "At this time, that is, in the year 707 h. (1307 a. d.), 'Alau-d din is the acknowledged Sultan of this country. On all its borders there are infidels, whom it is his duty to attack in the prosecution of a holy war, and return laden with countless booty."”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Somnath. Abdu’llah ibn Fazlu’llah of Shiraz (Wassaf) : Tarikh-i-Wassaf (Tazjiyatu’l Amsar Wa Tajriyatu’l Ãsar), in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43-44. Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians

Men, God, War, Children

“Painting for me is like a fabric, all of a piece and uniform, with one set of threads as the representational, esthetic element, and the cross-threads as the technical, architectural, or abstract element. These threads are interdependent and complementary, and if one set is lacking the fabric does not exist.A picture with no representational purpose is to my mind always an incomplete technical exercise, for the only purpose of any picture is to achieve representation.”

Juan Gris (1887–1927) Spanish painter and sculptor

Quote from 'On the Possibilities of Painting,' lecture, Sorbonne (1924-05-15)

Exercises, Painting

“I don't remember where I picked up the head — or the hollyhock. Flowers were planted among the vegetables in the garden between the house and the hills and I probably picked the hollyhock one day as I walked past. My paintings sometimes grow by pieces from what is around... I have used these things to say what is to me the wideness and wonder of the world as I live in it.”

Georgia O'Keeffe (1887–1986) American artist

1970 - 1986, Some Memories of Drawings (1976)

World, Flowers, Past, Painting

“In a piece of my mind the world can't erase
I remember the time and the look on your face
And I will 'till the wind blows the stars from the sky
'cause the road never ends and the soul never dies
Be who you are
just as long as you can
Know in your heart I'm still your man
Headin for home
starlight and stone..”

Kris Kristofferson (1936) American country music singer, songwriter, musician, and film actor

Starlight and Stone
Song lyrics, Closer to the Bone (2009)

World, Home, Soul, Star

“The fundamental difference between composing for a nobleman or a personal patron in general and working for the anonymous concert public is that the commissioned work is usually intended for a single performance, whereas the concert piece is written for as many repeats as possible. That explains not only the greater degree of care with which such a work is often composed but also the more exacting way in which the composer presents it. Now that it is possible to create works which would not be consigned to oblivion so quickly as commissioned works, he 76 sets out to create ‘immortal’ works. Haydn already composes much more cautiously and slowly than his predecessors. But even he writes over a hundred symphonies; Mozart writes only half as many and Beethoven only nine.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public

Way, Personality

“I was just always really into having pets and felt a real connection with animals, and I guess as I became aware … from where it was coming to my plate it's just I couldn't eat it—it was disgusting. I stopped eating read meat … but I still ate chicken for a long time, and we were on tour and saw a chicken truck go by with these chickens that were just bleeding—it was just disgusting. And that was it. I haven't had a piece of it since. … We're not actually born ready to eat meat, it's something you have to develop and it's not something that you need to develop. The issue with the whole thing is just education and information. You know, most people don't think about it.”

Chris Adler (1972) American drummer

“Lamb of God interview,” by Peta2.com, on YouTube (19 February 2007) https://www.youtube.com/watch?v=D91k1aOy1tY.

People, Education, Thinking, Time

“I recalled the ants I had watched as a child on the farm, building their hills one grain of sand at a time, only to have them senselessly destroyed in an instant by a passing foot. I'd pieced my life together the same way, slowly and agonizingly. Would it, too, be kicked callously into dust?”

Clarence Thomas (1948) Associate Justice of the Supreme Court of the United States

Page 214
2000s, (2008)

Life, Way, Time

“He wondered why he stayed with her. Just pure laziness, he guessed. He didn't want to go through the emotional turmoil of leaving her. In spite of himself he'd worry about her and it was too much trouble. He'd need another woman right away and that took a lot of talking and arguing and persuading. It was different just to lay a girl but he would need a woman around, and that was the difference. You got used to one and it was less trouble. […]
But there was another reason too. She loved him. She really did. And he knew it. And you can't leave a thing like that. It's a structure and it has an architecture, and you can't leave it without tearing off a piece of yourself. So if you want to remain whole you stay no matter how much you may dislike staying. Juan was not a man who fooled himself very much.”

John Steinbeck book The Wayward Bus

Source: The Wayward Bus (1947), Ch. 8

Love, Fools, Girl, Tear

“And as the ideal in the whole of Nature moves in an infinite process toward an Absolute Perfection, we may say that art is in strict truth the apotheosis of Nature. Art is thus at once the exaltation of the natural toward its destined supernatural perfection, and the investiture of the Absolute Beauty with the reality of natural existence. Its work is consequently not a means to some higher end, but is itself a final aim; or, as we may otherwise say, art is its own end. It is not a mere recreation for man, a piece of by-play in human life, but is an essential mode of spiritual activity, the lack of which would be a falling short of the destination of man. It is itself part and parcel of man's eternal vocation.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.183-4

Life, Truth, Beauty, Art

“So, they'd prefer me to do a nude, would they? Fine I'll do them a nude... I'll redo it [his painted copy of Giorgioni's 'Woman with musicians'], with a transparent atmosphere, like those women over there [women bathing in the river, Summer of 1862]. Then I suppose they'll really tear me to pieces. They'll tell me I'm just copying the Italians now, rather than the Spanish. Ah, well, they can say what they like.”

Edouard Manet (1832–1883) French painter

the painting Manet means here became his most famous one: 'Déjeuner sur l'herbe'
Manet's quote to his friend Antonin Proust in 1862, from Manet, Francoise Cachin, Barrie & Jenkins, London 1991, p. 16
1850 - 1875

Women, Tear, Summer, Painting

“Oh, no single piece of our mental world is to be hermetically sealed off from the rest, and there is not a square inch in the whole domain of our human existence over which Christ, who is Sovereign over all, does not cry: ‘Mine!”

Abraham Kuyper (1837–1920) Dutch politician

Sphere Sovereignty (p. 488) cited in James D. Bratt, ed., Abraham Kuyper, A Centennial Reader, (Grand Rapids, MI: Eerdmans, 1998).

World, Christ, Cry

“People in this country have been sceptical about if the Finns Party had what it takes to be a part of government. For a long time now, we have been the most steadfast piece of the puzzle, despite the challenges. Why? Because we keep our word.”

Timo Soini (1962) Finnish politician

Timo Soini addressed his Finns Party council on March 12, 2016, and one of his main messages was that his party would prevail over recent plummeting support in public opinions polls, quoted on yle.fi, "Soini: Finns Party could gain back voters by next elections" http://yle.fi/uutiset/soini_finns_party_could_gain_back_voters_by_next_elections/8740255, March 13, 2016.

People, Time, Parting, Country

“Starring Laurence Fishburne, Hugo Weaving, The Slightly Mannish Woman and A Big Keanu-Reeves Shaped Piece Of Wood! (On the Matrix Reloaded, 24 June 2003)”

Ben Croshaw (1983) English video game journalist

Fully Ramblomatic

Star

“In our own time, every earthenware vessel or piece of jewelry, every utensil or garment, has to be designed on paper before it is made. Primitive peoples, however, create their works with the material itself in the artist's hand, held in his fingers. They aspire to express delight in form and the love of creating it. Absolute originality, the intense and often grotesque expression of power and life in very simple forms – that may be why we like these works of native art.”

Emil Nolde (1867–1956) German artist

6.
1900 - 1920, On Primitive Art – Emil Nolde, 1912

Love, Life, People, Art

“In the languor of disease and the weariness of old age, the pleasures of the vain and empty distinctions of greatness disappear. To one, in this situation, they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him. In his heart he curses ambition, and vainly regrets the ease and the indolence of youth, pleasures which are fled for ever, and which he has foolishly sacrificed for what, when he has got it, can afford him no real satisfaction. In this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation, and to consider what it is that is really wanting to his happiness. Power and riches appear then to be, what they are, enormous and operose machines contrived to produce a few trifling conveniencies to the body, consisting of springs the most nice and delicate, which must be kept in order with the most anxious attention, and which, in spite of all our care, are ready every moment to burst into pieces, and to crush in their ruins their unfortunate possessor. …
But though this splenetic philosophy, which in time of sickness or low spirits is familiar to every man, thus entirely depreciates those great objects of human desire, when in better health and in better humour, we never fail to regard them under a more agreeable aspect. Our imagination, which in pain and sorrow seems to be confined and cooped up within our own persons, in times of ease and prosperity expands itself to every thing around us. We are then charmed with the beauty of that accommodation which reigns in the palaces and economy of the great; and admire how every thing is adapted to promote their ease, to prevent their wants, to gratify their wishes, and to amuse and entertain their most frivolous desires. If we consider the real satisfaction which all these things are capable of affording, by itself and separated from the beauty of that arrangement which is fitted to promote it, it will always appear in the highest degree contemptible and trifling. But we rarely view it in this abstract and philosophical light. We naturally confound it, in our imagination with the order, the regular and harmonious movement of the system, the machine or economy by means of which it is produced. The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand, and beautiful, and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it.
And it is well that nature imposes upon us in this manner. It is this deception which rouses and keeps in continual motion the industry of mankind.”

Adam Smith book The Theory of Moral Sentiments

Chap. I.
The Theory of Moral Sentiments (1759), Part IV

Pain, Health, Pleasure, Youth

“A dress is a piece of ephemeral architecture, designed to enhance the proportions of the female body.”

Christian Dior (1905–1957) French fashion designer

Source: Marie France Pochna Christian Dior: The Man who Made the World Look New http://books.google.co.in/books?id=ffkK4dy00SoC&pg=PA170-IA16, Arcade Publishing, 1996, p. 170

“Probably the profoundest difference between human and animal needs is made by one piece of human awareness, one fact that is not present to animals, because it is never learned in any direct experience: that is our foreknowledge of death. The fact that we ourselves must die is not a simple and isolated fact. It is built on a wide survey of facts that discloses the structure of history as a succession of overlapping brief lives, the patterns of youth and age, growth and decline; and above all that, it is built on the logical insight that one’s own life is a case in point. Only a creature that can think symbolically about life can conceive of its own death. Our knowledge of death is part of our knowledge of life.”

Susanne K. Langer (1895–1985) American philosopher

Philosophical Sketches, Ayer (1979)

Life, Death, Youth, Age