Quotes about picture
page 17

“The worship of images is intimately connected with that of the saints. They were rejected by the primitive Christians; but St Irenæus, who lived in the second century, relates that there was a sect of heretics, the Carpocratians, who worshipped, in the manner of Pagans, different images representing Jesus Christ, St Paul, and others. The Gnostics had also images; but the church rejected their use in a positive manner, and a Christian writer of the third century, Minutius Felix, says that “the Pagans reproached the Christians for having neither temples nor simulachres;” and I could quote many other evidences that the primitive Christians entertained a great horror against every kind of images, considering them as the work of demons. It appears, however, that the use of pictures was creeping into the church already in the third century, because the council of Elvira in Spain, held in 305, especially forbids to have any picture in the Christian churches. These pictures were generally representations of some events, either of the New 5 In his Treatise given below. 11 or of the Old Testament, and their object was to instruct the common and illiterate people in sacred history, whilst others were emblems, representing some ideas connected with the doctrines [008] of Christianity. It was certainly a powerful means of producing an impression upon the senses and the imagination of the vulgar, who believe without reasoning, and admit without reflection; it was also the most easy way of converting rude and ignorant nations, because, looking constantly on the representations of some fact, people usually end by believing it. This iconographic teaching was, therefore, recommended by the rulers of the church, as being useful to the ignorant, who had only the understanding of eyes, and could not read writings.6 Such a practice was, however, fraught with the greatest danger, as experience has but too much proved. It was replacing intellect by sight.7 Instead of elevating man towards God, it was bringing down the Deity to the level of his finite intellect, and it could not but powerfully contribute to the rapid spread of a pagan anthropomorphism in the church.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), p. 10-11

God, People, Way, Quotes

“It seems reasonable to envision, for a time 10 or 15 years hence, a 'thinking center' that will incorporate the functions of present-day libraries together with anticipated advances in information storage and retrieval.
The picture readily enlarges itself into a network of such centers, connected to one another by wide-band communication lines and to individual users by leased-wire services. In such a system, the speed of the computers would be balanced, and the cost of the gigantic memories and the sophisticated programs would be divided by the number of users.”

J. C. R. Licklider Man-Computer Symbiosis

Cited in: Jacques Berleur, Markku I. Nurminen, John Impagliazzo (2006) Social Informatics: An Information Society for All? p. 436.
Man-Computer Symbiosis, 1960

Communication, Thinking, Memory, Time

“To obtain a mental picture of the distance to the nearest star, compared to the nearest planet, you must imagine a world in which the closest object to you is only five feet away — and there is nothing else to see until you have travelled a thousand miles.”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

We'll Never Conquer Space (1960)

World, Travel, Imagination, Star

“The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Arlene Croce, in Croce, Arlene. The Fred Astaire and Ginger Rogers Book, W.H. Allen, London, 1974. p. 7. ISBN 0491001592.

Music, Communication, Idea, Dance

“I paint my pictures with all the considerations which are natural to my intelligence, and according as my intelligence understands them.”

Paolo Veronese (1523–1588) Italian painter of the Renaissance

Unsourced variant translation: I paint my pictures with such judgment as I have and as seems fitting.
Testimony to the Inquisition, (1573)

Intelligence, Understanding, Nature, Painting

“To be benevolent in speculation, is often to be selfish in action and in reality. The vanity and the indolence of man delude him into a thousand inconsistencies. He professes to love the name and the semblance of virtue, but the labour of exertion and of self-denial terrifies him from attempting it. The emotions of kindness are delightful to his bosom, but then they are little better than a selfish indulgence—they terminate in his own enjoyment—they are a mere refinement of luxury. His eye melts over the picture of fictitious distress, while not a tear is left for the actual starvation and misery with which he is surrounded. It is easy to indulge the imaginations of a visionary heart in going over a scene of fancied affliction, because here there is no sloth to overcome—no avaricious propensity to control—no offensive or disgusting circumstance to allay the unmingled impression of sympathy which a soft and elegant picture is calculated to awaken. It is not so easy to be benevolent in action and in reality, because here there is fatigue to undergo—there is time and money to give — there is the mortifying spectacle of vice, and folly, and ingratitude, to encounter.”

Thomas Chalmers (1780–1847) Scottish mathematician and a leader of the Free Church of Scotland

Source: Discourses on the Christian Revelation viewed in connection with the Modern Astronomy together with his sermons... (1818), P. 175.

Love, Money, Imagination, Reality

“I carved that fight on a reindeer bone
With rude and hairy hand;
I pictured his fall on the cavern wall
That men might understand.
For we lived by blood and the right of might
Ere human laws were drawn,
And the age of sin did not begin
Till our brutal tusks were gone.”

Langdon Smith Evolution

Evolution (1895; 1909)

Men, Age, Law, Understanding

“In February 1953, I was making a second picture with Jeff Chandler, one called War Arrow. Jeff was a real sweetheart, but acting with him was like acting with a broomstick.”

Maureen O'Hara (1920–2015) Irish-American film actress and singer

Source: Tis Herself (2004), p.224

War

“Neither citation nor loan demand is an adequate measure of literature use by a large community. Each is only an indicator, illuminating some aspects of use but with its own inherent bias. The joint study of several indicators gives a more balanced picture..”

Brian Campbell Vickery (1918–2009) British information theorist

Penelope Earle and Brian Campbell Vickery (1969), "Social Science Literature Use in the U.K. as Indicated by Citations," Journal of Documentation 25: p. 133; As cited in Yasar Tonta, Yurdagül Ünal (2005) "Scatter of journals and literature obsolescence reflected in document delivery requests". JASIST 56(1): 84-94.

Communication, Literature, Study

“For in the Spirit-World there is Reality; as the process of differentiation proceeds, illusion is produced, and it is this mind, this growing mind, that makes the illusion. It is this growing mind that has endless images and pictures, that has the image-making faculty which we speak of as imagination, that has the reasoning faculty which builds on the airy picture that it has made— it is this which is the real creator of illusion, it is this which slays the Real, so far as the disciple is concerned, and his first work as disciple will be to slay the slayer.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

Source: https://theosophy.world/sites/default/files/ebooks/Annie%20Besant-In-The-Outer-Court.pdf In the Outer Court, 1895, p. 57

World, Imagination, Reality

“I just made pictures I would've liked to see.”

Billy Wilder (1906–2002) American filmmaker

As quoted in "Billy Wilder" at The Indian Prairie Public Library http://www.indianprairie.lib.il.us/images/stories/Movies_Music_More/wilder1.pdf

“Art is polymorphic. A picture appears to each onlooker under a different guise.”

Georges Braque (1882–1963) French painter and sculptor

Quote by Braque from: 'Cahiers d'Art', No. 10, 1935, ed. Christian Zervos
1921 - 1945

Art, Appearance

“39: A picture is worth 10K words - but only those to describe the picture. Hardly any sets of 10K words can be adequately described with pictures.”

Alan Perlis Epigrams on Programming

Epigrams on Programming, 1982

“He moved away to the next picture. It was of a man with a fat smiley face and a red ribbon round him and a lot of medals. My great uncle Ambrose Fudge said Bernard carelessly.
He looks a thourough ancester said Ethel kindly.
Well he was said Bernard in a proud tone he was really the Sinister son of Queen Victoria.
Not really cried Ethel in excited tones but what does that mean.
Well I dont quite know said Bernard Clark it puzzles me very much but ancesters do turn quear at times.”

Daisy Ashford book The Young Visiters

Source: The Young Visiters (1919), Chapter 3

Time

“The moment the eye perceives that the picture is produced by other than the professed means, the effect, the appeal to the imagination, is disturbed.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 90

Imagination

“Pictures of politicians preen across our TV screens, pretensions plaques and posters fill our minds and magazines. Promises a burning match, igniting dreams of straw…”

Dawud Wharnsby (1972) Canadian musician

"The War/La Ilaha Il Allah"
Out Seeing The Fields (2007)

Dreams

“An empty canvas is a living wonder - far lovelier than certain pictures.”

Wassily Kandinsky (1866–1944) Russian painter

Quoted in: Myfanwy Evans Piper (1937) The Painter's Object. p. 53
1930 - 1944

“My notion about any artist is that we honor him best by reading him, by playing his music, by seeing his plays or by looking at his pictures. We don't need to fall all over ourselves with adjectives and epithets. Let's play him more.”

Jacques Barzun (1907–2012) Historian

Interview with John C. Tibbetts http://www.murphywong.net/barzuncentennial/JohnCTibbetts.htm (1986-12-04)

Music, Reading

“The pictures of me on the Internet were silly, inappropriate shots. I appreciate all the support of my fans, and hope they understand that along the way I am going to make mistakes and I am not perfect. I never intended for any of this to happen, and I am truly sorry if I have disappointed anyone. Most of all, I have let myself down. I will learn from my mistakes and trust my support team.”

Miley Cyrus (1992) American actor and singer-songwriter

MTV.com http://www.mtv.com/news/articles/1586479/20080429/duff_hilary.jhtml (April 29, 2008)

Hope, Disappointment, Way, Understanding

“In all my works.... I have always had recourse to one never-varying method. It consists in making the delineation of the objects represented heavily dependent on a system of necessities which itself looks strange. These necessities are sometimes due to the inappropriate and awkward character of the material used, sometimes to some strange obsessive notion [frequently changed for another]. In a word, it is always a matter of giving the person who is looking at the picture a startling impression that a weird logic has directed the painting of it, a logic to which the delineation of every object is subjected, is even sacrificed, in such a peremptory way that, curiously enough, it forces the most unexpected solutions, and, in spite of the obstacles it creates, brings out the desired figuration.”

Jean Dubuffet (1901–1985) sculptor from France

Quote of Dubuffet, in Peter Selz and Jean Dubuffet: The work of Jean Dubuffet, The Museum of Modern art, New York, 1962
1960-70's

Way, Change, Painting, Dependency

“Well, I'll tell you a story but you won't listen
It's about a nightmare steeped in tradition
It's the story of a coked-up pansy
Who spends his nights in flights of fancy

Met two fellas over gin and mixers
They talked for a while, he soon got the picture
One was a souped up Soho mincer
And the other was a pikey with a knowledge of scripture”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"La Belle et la Bete"
Lyrics and poetry

Knowledge, Night

“Painting is a science and should be pursued as an inquiry into the laws of nature. Why, then, may not a landscape be considered as a branch of natural philosophy, of which pictures are but experiments?”

John Constable (1776–1837) English Romantic painter

Quote from 'The History of Landscape Painting,' fourth lecture, Royal Institution (16 June 1836), from John Constable's Discourses, ed. R.B. Beckett, (Ipswich, Suffolk Records Society, 1970), p. 69.
1830s, his lectures History of Landscape Painting (1836)

Law, Nature, Science, Painting

“Ruburt tuned in to the world view of a man known dead. He was not directly in communication with William James. He was aware, however, of the universe through William James' world view. As you might tune into a program on a television set, Ruburt tuned into the view of reality now held in the mind of William James. Because that view necessarily involved emotions, Ruburt felt some sense of emotional contact -- but only with the validity of the emotions. Each person has such a world view, whether living or dead in your terms, and that "living picture" exists despite time or space. It can be perceived by others.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 82-83

World, Communication, Reality, Sense

“The man with the proper imagination is able to conceive of any commodity in such a way that it becomes an object of emotion to him and to those to whom he imparts his picture, and hence creates desire rather than a mere feeling of ought.”

Walter Dill Scott (1869–1955) President of Northwestern university and psychologist

Source: Influencing men in business, 1911, p. 134

Way, Feeling, Imagination

“It was the ultimate possible statement of powerlessness and desperation [Richter is referring to w:John Cage's famous 'Lecture on Nothing']. Nothing, absolutely nothing left, no figures, no color, nothing. Then you realize after you've painted three of them that one's better than the others and you ask yourself why is that. When I see eight pictures together I no longer feel that they're sad, or if so, they're sad in a pleasant way.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 95, note 28

Sadness, Color, Way, Feeling

“Language is the picture and counterpart of thought.”

Mark Hopkins (educator) (1802–1887) American educationalist and theologian

Address, Dedication of Williston Seminary, Dec. 1, 1841.

“Can the Christian proclamation today expect men and women to acknowledge the mythical world picture as true? To do so would be both pointless and impossible. It would be pointless because there is nothing specifically Christian about the mythical world picture, which is simply the world picture of a time now past which was not yet formed by scientific thinking. It would be impossible because no one can appropriate a world picture by sheer resolve, since it is already given with one’s historical situation.”

Rudolf Karl Bultmann (1884–1976) German theologian

Source: New Testament and Mythology and Other Basic Writings (1941), p. 3

Women, Men, World, Thinking

“If Bihari version of ‘Harry Potter’ would have been shot in Sitamarhi, I am sure that school (St. Joseph) would have been pictured as Hogwarts.”

Gaurav Sharma (author) (1992) Author and novelist

Gone are the Days (2016)

School

“The real damage from terrorist attacks doesn't come from the explosion. The real damage is done after the explosion, by the victims, who repeatedly and determinedly attack themselves, giving over reason in favor of terror. Every London cop who stops someone from taking a picture of a public building, every TSA agent who takes away your kid's toothpaste, every NSA spook who wiretaps your email, does the terrorist's job for him. Terrorism is about magnifying one mediagenic act of violence into one hundred billion acts of terrorized authoritarian idiocy.”

Cory Doctorow (1971) Canadian-British blogger, journalist, and science fiction author

"BBC photographer prevented from shooting St Paul's because he might be 'al Qaeda operative'" BoingBoing (30 November 2009) http://www.boingboing.net/2009/11/30/bbc-photographer-pre.html

“Dad joined the US Army by this point [1964], and initially he was stationed in Texas and then South Carolina. But the Vietnam war brought our normal life to an end. Once again, Dad was gone. Communications were very basic back then: Dad couldn't just pick up a cellphone and let us know he was okay. Months would go by without a letter or anything. Eventually he bought two tape recorders -- one he kept with him and one for our house. Dad used to talk into the recorder and send the tapes home. Then we would gather round our machine and tell Dad stories. And I would sing. I still have all the tapes, but I can't listen to them. It hurts too much. After Dad came back from Nam, he wasn't well. He'd been poisoned by Agent Orange and needed quite a lot of looking after. Mum was busy trying to get her Cuban qualifications revalidated by a US university, so I had to take care of Dad and my little sister [Becky]. It was tough. Toward the end, Dad was too far gone and he didn't really know what was hapening around him. I joined Miami Sound Machine in 1975 and we were getting quite successful, but Dad didn't even know who I was. He had to be moved to the hospital. On my wedding day in 1978 [September 2] I went to visit him, still wearing my wedding dress. That was the last time that he said my name. Dad died in 1980, but he touches my life every day. On my last album [Unwrapped] I did a lot of writing while I was looking at a picture of him in his younger days -- so happy and in the prime of his life. I'm not sure if he sees me, but I can feel him all around me. I hope he knows that I am so very proud of him.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

The [London] Sunday Times (November 17, 2006)
2007, 2008

Life, War, Hope, Feeling

“The subject matter of creation is chaos. The present feeling seems to be that the artist is concerned with form, color, and spatial arrangement. This objective approach to art reduces it to a kind of ornament. The whole attitude of abstract painting, for example, has been such that it has reduced painting to an ornamental art whereby the picture surface is broken up in geometrical fashion into a new kind of design-image. It is a decorative art built on a slogan of purism where the attempt is made for an unworldly statement…”

Barnett Newman (1905–1970) American artist

Source: 1940 - 1950, The Plasmic Image 1. 1943-1945, p. 139

Art, Color, Feeling, Fashion

“I don't like that word 'finish'. When something is finished, that means it's dead, doesn't it? I believe in everlastingness. I never finish a painting – I just stop working on it for a while. I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to – because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.”

Arshile Gorky (1904–1948) Armenian-American painter

quote of 1948
1942 - 1948
Source: Movements in art since 1945, Edward Lucie-Smith, Thames and Hudson 1975, p 32

Quotes, Change, Time, Painting

“Considering enterprises as "open socio-technical systems" helps to provide a more realistic picture of how they are both influenced by and able to act back on their environment. It points in particular to the various ways in which enterprises are enabled by their structural and functional characteristics (“system constants”) to cope with the “lacks” and “gluts” in their available environment.”

Eric Trist (1909–1993) British scientist

Source: Organizational choice, (1963), p. 6

Way, Help

“They can picture love affairs of chemicals and stars, a romance of stones, or the fertility of fire. Strange, fertile correspondences the alchemists sensed in unlikely orders of being. Between men and planets, plants and gestures, words and weather.”

Jim Morrison (1943–1971) lead singer of The Doors

The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision

Love, Men, Star, Sense

“My dear Zola, - I am making up my mind to hold a private show. I have at least two score pictures to exhibit. I've already already been offered a site in a very good location near the Champ de Mars. I am going to stake the lot and seconded by men like yourself, am hopeful of success. See you soon. Cordially, yours ever, All of us here are delighted with your article, and I am instructed to send you thanks.”

Edouard Manet (1832–1883) French painter

Quote of Manet's letter to Zola, Wednesday, 2 January 1867; as quoted on: SCRIBD - 'Manet's letters' https://www.scribd.com/document/344176445/manets-letters-worksheet 1850 - 1875

Men, Hope, Success

“This superficial blurring has something to do with the incapacity I have just mentioned. I can make no statement about reality clearer than my own relationship to reality; and this has a great deal to do with imprecision, uncertainty, transience, incompleteness, or whatever. But this doesn't explain the pictures. At best it explains what led to their being painted.”

Gerhard Richter (1932) German visual artist, born 1932

in an interview with Rolf Schön, 1972; as cited on collected quotes on the website of Gerhard Richter: 'on Techniques' https://www.gerhard-richter.com/en/quotes/techniques-5 1970's

Reality, Painting

“In all the Romish [Catholic] countries of Europe, France, Italy, Germany, etc., the God Christ, as well as his mother, are described in their old pictures and statues to be black. The infant God in the arms of his black mother, his eyes and drapery white, is himself perfectly black. If the reader doubts my word he may go to the Cathedral at Moulins—to the famous Chapel of the Virgin at Loretto—to the Church of the Annunciata—the Church at St. Lazaro or the Church of St. Stephen at Genoa—to St. Francisco at Pisa—to the Church at Brixen in Tyrol and to that at Padua—to the Church of St. Theodore at Munich—to a church and to the Cathedral at Augsburg, where a black virgin and child as large as life—to Rome and the Borghese chapel of Maria Maggiore—to the Pantheon—to a small chapel of St. Peters on the right hand side on entering, near the door; and in fact, to almost innumerable other churches in countries professing the Romish religion.”

Godfrey Higgins book Anacalypsis

Vol. I., p. 138.
Anacalypsis (published 1833)

Life, God, Religion, Christ

“If I am lucky, the picture will paint itself”

Julian Trevelyan

Quoted in Insights by Liz rideal, National Portrait Gallery, London 2005 ISBN 1855143631

Painting

“For years I gave the press really ugly pictures of myself which would make me cringe…And I didn't exist!…They can't market you, so you don't appear to the public, so you don't have a voice.”

Kristen Hersh (1966) American rock singer

quoted in Evans, Liz (1994). Women, Sex and Rock 'n' Roll: In Their Own Words, p. 217. London, Pandora.

Appearance

“My eyes has been my camera taking pictures of the world and my songs has been my messages that I tried to scatter across the back sides and along the steps of the fire escapes and on the window sills and through the dark halls…”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

Bound For Glory (1943)

World

“Here's your quote: "Thomas Pynchon loved this book, almost as much as he loves cameras!"
Hey, over here! Have your picture taken with a reclusive author! Today only, we'll throw in a free autograph! But wait, there's more!”

Thomas Pynchon (1937) American novelist

Playing himself (depicted with a paper bag over his head) on an episode of The Simpsons, "Diatribe of a Mad Housewife".

Love, Books, Quotes, Waiting

“It (my book) is a picture of the many spiritual conflicts that have passed between God and my soul, before I could subject mine to the will of Jesus, my Master, in whose service I have now found perfect freedom. (Maycock, A L, Nicholas Ferrar of Little Gidding. SPCK, London, 1938)”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Letter to Nicholas Ferrar (1632-33)

God, Books, Soul, Freedom

“I wanted to photograph this subject because the signs’ shrieking blatancy literally cried out for a visual record. To my mind the faded, yellowing paper and the red paint were not particularly paint, able. In black and white the signs shouted, clamored for attention, in visual anarchy. At the same time, the shrewd business sense which plastered them solid over the entire window area produced, as it were by chance, an esthetic by-product: the whole has homogeneity and variety of texture, simultaneously, which give the picture interest.”

Berenice Abbott (1898–1991) American photographer

New Guide to Better Photography, 1953.

Business, Sense, Chance, Time

“Dear Anita, I read your manuscript some time ago and it has lain on my table —.. You have written your dream picture of me — and I am not that way at all. We are such different kinds of people that it reads as if we spoke different languages and didn't understand one another at all. You write of the legends others have made up about me — but when I read your manuscript, it seems as much a myth as all the others. I really believe that to call this my biography when it has so little to do with me is impossible — and I cannot have my name exploited to further it.”

Georgia O'Keeffe (1887–1986) American artist

In a letter to Anita Pollitzer, Abiquiu, New Mexico, February 28, 1968); as quoted in The Complete Correspondence of Georgia O’Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 320
1950 - 1970

People, Dreams, Way, Understanding

“My first photo Picture? I was doing large pictures in gloss enamel... One day a photograph of Brigit Bardot fell into my hands, and I painted it into one of these pictures in shades of grey. I had had enough of bloody painting, and painting from a photograph seemed to me the most moronic.... thing that everyone could do.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 43, note 36 : quote on his start with photography

Photo, Painting

“The movie is an exhausted retread of the old campus romance gag where the pretty girl almost believes the lies of the reprehensible schemer, instead of trusting the nice guy who loves her. The only originality the movie brings to this formula is to make it incomprehensible, through the lurching incompetence of its story structure. Details are labored while the big picture remains unpainted… I was appalled by the poverty of its imagination.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/slackers-2002 of Slackers (1 February 2002) Reviews, Zero star reviews

Love, Guy, Imagination, Girl

“You furnish the pictures and I'll furnish the war.”

William Randolph Hearst (1863–1951) American newspaper publisher

Alleged cable to illustrator Frederic Remington while Hearst was covering the Cuban War of Independence (1898). Campbell, W. Joseph (Professor in the School of Communication at American University in Washington, D.C.) questions the sources of the alleged quote in both his books Yellow Journalism: Puncturing the Myths, Defining the Legacies (2003), p. 72 and Getting It Wrong: Debunking the Greatest Myths in American Journalism (2016), also in a respective blog entry https://mediamythalert.wordpress.com/2013/06/16/furnish-the-war-media-myth-infiltrates-npr-tribute-to-evelyn-waughs-scoop/.

War

“Found this picture of Angie laughing in a restaurant with some other people, everybody pretty but beyond that it was like they had this glow, not really in the photograph but it was there anyway, something you feel. Look, she said to Lanette, showing her the picture, they got this glow.
It’s called money, Lanette said.”

William Gibson book Mona Lisa Overdrive

Source: Mona Lisa Overdrive (1988), Ch. 19

Money, People, Feeling

“The pictures [De Kooning had] done since the 'Women', they're emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city – with the feeling of going to the city or coming from it. I am not a pastoral character. I'm not a – how do you say that? – 'country dumpling'. I am here and I like New York City. But I love to go out in a car… I'm just crazy about going over the roads and highways.”

Willem de Kooning (1904–1997) Dutch painter

Interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 48.
1960's

Love, Women, Cars, Feeling

“"The year is 2098", he said, "with 69 billion inhabitants legally registered and approximately another 26 billion in hiding. The average annual temperature has fallen four degrees. In fifteen or twenty years there will be glaciers here. We have no way of averting or halting their advance - we can only keep them secret."
"I always thought there would be ice in hell," I said. "And so you paint the gates with pretty pictures?"”

Stanisław Lem book The Futurological Congress

The Futurological Congress (1971)

Secret, Way, Hell, Painting

“I'm sorry, remind me again, what is the point of encouraging little girls to dream big if any career puts them in the path of boob honkers? There's not a workplace on land or sea or even at the bottom of a big, deep hole in the ground where we're actually keeping women safe. Right now I'm actually picturing some guy saying, oh, what am I supposed to do, stop asking women out at work because it makes them uncomfortable? Yes.”

Samantha Bee (1969) Canadian comedic actress and author

Full Frontal https://www.youtube.com/watch?v=dDfpGdk3HgQ, February 22, 2016; as quoted in "Samantha Bee On 'Full Frontal,' Feminism And The Freedom Of Her 40s" https://www.npr.org/templates/transcript/transcript.php?storyId=473371862, NPR, April 7, 2016

Women, Dreams, Guy, Girl

“The essential of a real picture is that the things which occur in it occur to him in his peculiarly personal fashion.... the idea of modernity is but a new attachment of things universal – a fresh relationship to the courses of the sun and to the living swing of the earth – a new fire of affection for the living essence present everywhere.”

Marsden Hartley (1877–1943) American artist

statement for catalogue of 1914 exhibition at 291, reprinted in On art, p. 62; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 49
1908 - 1920

Idea, Fashion, Universe, Sun

“There was one artist who wrote as beautifully as he painted. That was Hokusai - He speaks for all artists, whether they are painters or not. [He wrote]: "I have been in love with painting ever since I became conscious of it at the age of six. I drew some pictures I thought fairly good when I was fifty, but really nothing I did before the age of seventy was of any value at all. At seventy three I have at last caught every aspect of nature-birds, fish, animals, insects, trees, grasses, all. When I am eighty I shall have developed still further. And I will really master the secrets of art at ninety. When I reach a hundred my work will be truly sublime, and my final goal will be attained around the age of one hundred and ten, when every line and dot I draw will be imbued with life."”

Henry Miller (1891–1980) American novelist

Reflections (1981)

Love, Life, Secret, Age

“I therefore believe that these and many other movements of our time are in the great long picture of our civilizations related to the loss of an earlier organization of human natures. They are attempts to return to what is no longer there, like poets to their inexistent Muses, and as such they are characteristic of these transitional millennia in which we are imbedded.”

Julian Jaynes book The Origin of Consciousness in the Breakdown of the Bicameral Mind

Book III, Chapter 6, p. 445
The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976)

Nature, Loss, Time

“Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However, in Christopher Nolan's Batman universe, decisions and actions have consequences. The Dark Knight, arguably the moodiest and most adult superhero motion picture ever to reach the screen, illustrates this lesson in ways that are startling and painful. This is a tough, uncompromising motion picture — one that defies the common notions of what is expected from a "superhero" film. While there are plenty of action sequences and instances of derring-do, The Dark Knight's subtext has a tragic underpinning that would intrigue Shakespeare or the Greeks. It's about power and impotence, sanity and madness, image and reality, selfishness and sacrifice, and — yes — consequences.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1235 of The Dark Knight (2008). Four star reviews

Life, Pain, Penalty, Way

“An illustrator in my own mind — and this is not a truth of any kind — is someone who so falls in love with writing that he wishes he had written it, and the closest he can get to is illustrating it. And the next thing you learn, you have to find something unique in this book, which perhaps even the author was not entirely aware of. And that’s what you hold on to, and that’s what you add to the pictures: a whole Other Story that you believe in, that you think is there.”

Maurice Sendak (1928–2012) American illustrator and writer of children's books

Quoted in an interview, "Sendak on Sendak," Rosenbach Museum & Library, Philadelphia (2007/2008)

Love, Truth, Books, Thinking

“I was called a formalist, and in East Germany that meant you could be denied a chance to exhibit. So I knew I had to leave [to West-Germany], not because I was worried about the controversy but because I knew the controversy was about a bad picture. It wasn't good enough to be controversial. I was getting all the wrong reactions. Friends said the work was wonderful, and the attacks made it seem more important than it was. I had started to earn money with the murals. I earned enough to get a car. That was a big deal. So it was not easy to give up. But I knew I had to leave.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Money, Cars, Chance

“My whole family is lactose intolerant and when we take pictures we can't say cheese.”

Jay London (1966) American comedian

One-liners

Family

“Complexity scientists concluded that there are just too many factors—both concordant and contrarian—to understand. And with so many potential gaps in information, almost nobody can see the whole picture. Complex systems have severe limits, not only to predictability but also to measurability. Some complexity theorists argue that modelling, while useful for thinking and for studying the complexities of the world, is a particularly poor tool for predicting what will happen.”

L. K. Samuels (1951) American writer

Source: In Defense of Chaos: The Chaology of Politics, Economics and Human Action, (2013), p. 226

World, Understanding, Thinking, Study

“If a man is pictured chopping off a woman's breast, it only gets an R rating; but if, God forbid, a man is pictured kissing a woman's breast, it gets an X rating. Why is violence more acceptable than tenderness?”

Sally Struthers (1947) Actress, spokesperson, activist

Quoted in John Cook, Leslie Ann Gibson, The Book of Positive Quotations (2007) p. 103 http://books.google.co.uk/books?id=_WsmIGNyFJ8C&pg=PA103&lpg=PA103&dq=%22If+a+man+is+pictured+chopping+off+a+woman's+breast,+it+only+gets+an+R+rating%22&source=bl&ots=TSvoWnCK-s&sig=zuUzVqr8hcmGK44rePU67_x9ppo&hl=en&sa=X&ei=6MkzT7nOGMrH0QWfqLmgAg&ved=0CCsQ6AEwAg#v=onepage&q=%22If%20a%20man%20is%20pictured%20chopping%20off%20a%20woman's%20breast%2C%20it%20only%20gets%20an%20R%20rating%22&f=false

God, Kiss

“The role of the leader, then, is to paint a picture of that vision in such a way that those he or she is leading will embrace it and make it their own. In that way, all of the energies of the organization are focused on the same objective. That’s when vision happens.”

Don Soderquist (1934–2016)

Don Soderquist “ The Wal-Mart Way: The Inside Story of the Success of the World's Largest Company https://books.google.com/books?id=mIxwVLXdyjQC&lpg=PR9&dq=Don%20Soderquist&pg=PR9#v=onepage&q=Don%20Soderquist&f=false, Thomas Nelson, April 2005, p. 21-22. On Having a Personal Mission and Vision

Way, Painting

“A picture whether or not it is really true to fact must above all things appear true.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Clouds in their relation to the landscape, p. 29

Appearance

“I do not have a comic or tragic period in any real sense. I have always painted dark pictures; always some light pictures. I will probably go on doing so... Orchestral. My work in its entirety is like a symphony in which each painting has its part.”

Clyfford Still (1904–1980) American artist

Gallery Notes, Allbright-Knox Art Gallery, Vol. 24 summer 1961 pp. 9-14; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 197
1960s

Sense, Light, Parting, Painting

“The Trackers were on the move again, spreading out to search. It sounded like a trio on each side of the train, coming toward him.
Gold-Eye pictured them in his head, trying to get his Change Vision to show him exactly where they were.
But the Change Vision came and went when it chose, and couldn't be controlled.”

Garth Nix book Shade's Children

Source: Shade's Children (1997), p. 10.

Search, Change, Training

“Let us invent a character, a nice respectable, middle-class, middle-aged, maiden lady, with time on her hands and the money to help her pass it. She enjoys pictures, books, music, and the theatre and though to none of these arts (or rather, for consistency's sake, to none of these three arts and the one craft) does she bring much knowledge or discernment, at least, as she is apt to tell her cronies, she "does know what she likes."”

Terence Rattigan (1911–1977) playwright, screenwriter

Let us call her Aunt Edna.
The Collected Plays of Terence Rattigan (London: Hamish Hamilton, 1953) vol. 1, p. xi.

Money, Books, Age, Art

“I would like my colors to be diamonds and to be able to make abundant use of them in my pictures so as to make them gleam with light and richness.”

Gino Severini (1883–1966) Italian painter

Quote in a letter to Umberto Boccioni, 1910; as cited in Gino Severini, the Dance, 1909 – 1916, by Daniele Fonti, Peggy Guggenheim Collection, Venice; 2001, p. 15

Color, Light

“I come from a law enforcement family. My grandfather, William J. Comey, was a police officer. Pop Comey is one of my heroes. I have a picture of him on my wall in my office at the FBI, reminding me of the legacy I’ve inherited and that I must honor.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

Family, Law

“Abstract Expressionism – especially Pollock, not the more academic painters like De Kooning – made the threshold between illusion and the stuff of painting lower, the distance between them closer. Pollock made all things about the picture, all the stuff, actual. Taking the canvas off the stretcher, putting it on the floor, made it more real. Mixing up different kinds of paint, getting it to stain in, was getting at a kind of materiality.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 14
Conversation with Karen Wilkin' (1986-1988)

Painting

“Man's hope can paint a purple picture, can transform a soaring vulture into a noble eagle or a moaning dove.”

Ralph Ellison book Invisible Man

Source: Invisible Man (1952), Chapter 5.

Hope, Painting

“I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air – trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.”

Franz Marc (1880–1916) German painter

Quote in Marc's letter to the publisher Reinhard Piper, 1908, as cited in Letters of the great artists – from Blake to Pollock, ed. Richard Friedenthal, Thames and Hudson, London, 1963, p. 207
1905 - 1910

Feeling, Nature, Animals, Painting

“It seems to me perfectly obvious when my enemies, my friends and the public in general pretend not to understand the meaning of the images that arise arid that I transcribe in my pictures, How can you expect then to understand them when I myself, who am their "maker", understand them as little?”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 11

Understanding

“Advertising works. Brand names are better known if advertised with sexy or alluring pictures, and better-known brands sell better. Why does it work? Because the price the consumer would have to pay in ignoring the subliminal message is just to high. Better to be fooled into buying the second best ice-cream than go to all the bother of educating yourself into the ability to resist salesmen.”

Matt Ridley (1958) economist

Source: The Red Queen (1993), Ch. 5

Education, Fools

“In the whole world, there might have been as many as ten thousand people who were better than Sokolov at falling and rolling around on hard surfaces. Circus acrobats and aikido masters, mostly. Also included in that group would have been many of the younger Spetsnaz men. The remaining six billion or so living humans did not even enter the picture.”

Neal Stephenson book Reamde

Day 4
Reamde (2011), Part I: Nine Dragons

Men, People, World

“So I walk like I'm on a mission cuz that's the way I groove.
I got more and more to do, I got less and less to prove.
It took me too long to realize that I don't take good pictures
Cuz I have the kind of beauty that moves.”

Ani DiFranco (1970) musician and activist

Evolve
Song lyrics

Beauty, Way

“.. the number of the engine [of the train], its profile shown in the upper part of the picture, its wind-cutting fore-part in the center, symbolical of parting, indicates the features of the scene that remain indelibly impressed upon the mind”

Umberto Boccioni (1882–1916) Italian painter and sculptor

of the viewer
Quote from Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 21
a note on his tryptich painting, he made late in 1911, containing the canvasses 'States of Mind II', 'The farewells', 'Those Who go Those who Stay'.
1911

Parting, Training

“If children will read comics […] isn't it advisable to give them some constructive comics to read? […] The wish to be super strong is a healthy wish, a vital compelling, power-producing desire. The more the Superman-Wonder Woman picture stories build this innner compulsion by stimulating the child's natural longing to battle and overcome obstacles, particularly evil ones, the better the better chance your child has for self-advancement in the world. Certainly there can be no arguement about the advisability of strengthening the fundamental human desire, too often buried beneath stultifying divertissments and disguises, to see god overcome evil.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

"Why 100,000,000 Americans Read Comics", The American Scholar, 13.1 (1943): p 40, as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, pp. 9-10; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn, as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.9; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn,

God, Children, World, Nature

“The entire world has been upset. The entire world, it's a different place. During Barack Obama and Hillary Clinton's term, she's done a horrible job.
She has caused death. She has caused tremendous death with incompetent decisions. I was against the war in Iraq. I wasn't a politician, but I was against the war in Iraq. She voted for the war in Iraq.
Look at Libya. That was her baby. Look. I mean, I'm not even talking about the ambassador and the people with the ambassador. Young, wonderful people. With messages coming in by the hundreds, and she's not even responding. I'm not talking about that. I'm talking about all of the death that's been caused and not only our side.
There was nothing saved. If we would have never done anything in the Middle East, we would have a much safer world right now. … All of this has led to the migration. All of this has led to tremendous death and destruction. And she for the most part was in charge of it along with Obama.
She's constantly playing the woman card. It's the only way she may get elected. I mean frankly… Personally, I'm not sure that anybody else other than me is going to beat her. And I think she's a flawed candidate. And you see what's happened recently. And it hasn't been a very pretty picture for her or for Bill. Because I'm the only one that's willing to talk about his problems. I mean, what he did and what he has gone through I think is frankly terrible, especially if she wants to play the woman card.
I have more respect for women by far than Hillary Clinton has. And I will do more for women than Hillary Clinton will. I will do far more including the protection of our country. She caused a lot of the problems that we have right now.”

Donald J. Trump (1946) 45th President of the United States of America

CBS interview with John Dickerson (taped 1 January 2016) for Face the Nation — as quoted in "Trump: Clinton has ruined the world" http://www.politico.com/story/2016/01/trump-hillary-clinton-donald-217294 by Nick Gass, Politico (3 January 2016) 2010s, 2016, January

Death, Women, War, People

“I do not understand your silence you know all the same how interested I always am in what you are doing. you also know that there are not many of us who understand each other we have always got on well together. I have seen and I see every day how little people like us[. ] Between ourselves there are things we cannot say to others…. you cannot imagine how little I find myself in sympathy with other people….- I do not want to lose another day, one hour this year I have no hope I have lost it and you know how unlike me that is. at the moment I have several studies to do at the Louvre order[s] which are going to bring me many others [p. 2] as soon as this time has passed I want to do two large pictures for the Salon[. ] I think of nothing else… I am becoming more and more the Fantin of the old days you know here I am today but neither discouraged nor bored. I have my own views now nothing can distract me..”

Henri Fantin-Latour (1836–1904) painter from France

quote from a letter of Fantin-Latour, Paris, July/September 1868, to James Whistler in London; from The Correspondence of James McNeill Whistler - Repository: Glasgow University Library http://www.whistler.arts.gla.ac.uk/correspondence/people/display/?cid=1085&nameid=Fantin_Latour_IH&sr=0&rs=76&surname=&firstname= - System Number: 01085; Call Number: MS Whistler F 16.

People, Hope, Imagination, Understanding

“Systems thinking is a mental discipline and framework for seeing patterns and interrelationships. It is important to see organizational systems as a whole because of their complexity. Complexity can overwhelm managers, undermining confidence. When leaders can see the structures that underlie complex situations, they can facilitate improvement. But doing that requires a focus on the big picture.”

Richard L. Daft (1964) American sociologist

Source: The Leadership Experience, 2008, p. 141.

Confidence, Thinking

“I want you to connect these dots and see if you see what I see. Picture this. The Circle has been devouring all competitors for years, correct? It only makes the company stronger. Already 90 percent of the world's searches go through the Circle. Without competitors, this will increase. Soon it'll be nearly 100 percent. Now, you and I both know that if you can control the flow of information, you can control everything. You can control most of what anyone sees and knows. If you want to bury some piece of information, permanently, that's two seconds' work. If you want to ruin anyone, that's five minutes' work. How can anyone rise up against the Circle if they control all the information and access to it? They want everyone to have a Circle account, and they're well on their way to making it illegal not to. What happens then? What happens when they control all searches, and have full access to all data about every person? When they know every move everyone makes? When all monetary transactions, all health and DNA information, every piece of one's life, good or bad, when every word uttered flows through one channel?”

Dave Eggers book The Circle

Kalden/Ty, to Mae; pp. 487-488
The Circle (2013)

Life, Health, World, Way

“A time will come when the picture will no longer be enough. Its immobility will become an archaism with the vertiginous movement of human life. The eye of man will perceive colours as feelings within itself. Multiplied colours will not need form to be understood and paintings will be swirling musical compositions of great coloured gases, which, on the scene of a free horizon, will move and electrify the complex soul of a crowd that we cannot yet conceive of.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Quote in his lecture at the Associazione Artistica Internationale, Rome May 1911, Boccioni's lecture 'La Pittura Futurista', 1911; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 55.
1911

Life, Music, Feeling, Soul

“Nevertheless I like being in Norway [to escape the Nazi threat Schwitters fled to Norway, c. 1937], for it is a country of unparalleled beauty... I paint landscapes and portraits, model portrait, glue and paint abstract pictures and glue abstract plastic art; besides, I write poetry in German... What distresses me most of all is that I cannot live in my 'Merzraum' [a sculptured studio-space, Schwitters had built in Germany in the 1920's, but bomb-damaged in the war] and that it may be given up to destruction. For that reason I ask you once more, can you keep your ear to the ground again, to see if anyone in America is willing to give me an opportunity to shape a three-dimensional room?”

Kurt Schwitters (1887–1948) German artist

In a letter to w:Galka Scheyer, 24 July 1937; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, Stedelijk Museum Amsterdam, NAI Publishers, Rotterdam 2000, p. 41.
1930s
Source: http://www.sprengel-museum.de/bilderarchiv/sprengel_deutsch/fotos/merzbau1933_530.jpg

War, Beauty, Art, Painting

“When 9-11 happened, Pat Tillman quit the NFL. He gave up his million-dollar career, and humbled himself as a U. S. Army [sic] Soldier. And not just a Soldier, but as a U. S. Army Infantryman, a Ranger. Who can ever forget that picture of Tillman, an Army Private, marching in his graduation carrying his platoon guidon, that look of purpose, discipline, Americanism.”

Allen West (politician) (1961) American politician; retired United States Army officer

2010s, Folks, you’re missing the point about the NFL protests (19 October 2017)

Forgetting

“It's more like I'm having an experience than making a picture. So I've never had anyone around. I never have. People are different, but I have to really be with no interference. And it takes me hours. Painting a picture is a very short thing if it goes well, but the sitting and thinking... I usually go off on stories that have nothing to do with the painting, and sometimes I sit in the opposite room to where I work. If I can get a good hot story I can paint better, but sometimes I'm not thinking about the painting, I'm thinking about the subject. Lots of times I'll sit in another room and then I might just go in. It takes a lot of freedom. I'm working for two years on a subject now: ten paintings, and that can carry on for two years. I worked last summer and I started this summer and with just the simplest motif I just can't seem to do it. And everything slowed down.”

Cy Twombly (1928–2011) American painter

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), pp. 179-180

People, Thinking, Freedom, Time

“One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Bk. V, Ch. 1
Wilhelm Meister's Lehrjahre (Apprenticeship) (1786–1830)
Original: (de) Man sollte alle Tage wenigstens ein kleines Lied hören, ein gutes Gedicht lesen, ein treffliches Gemälde sehen und, wenn es möglich zu machen wäre, einige vernünftige Worte sprechen.

Reading

“My aim is always to get hold of the magic of reality and to transfer this reality in painting – to make the invisible visible through reality... What helps me most in this task is the penetration of space. Height, width and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space. My figures come and go, suggested by fortune or misfortune. I try to fix them divested of their apparent accidental quality.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), p. 12

Reality, Help, Painting

“I don't let my picture be taken. I'm on too many hit lists.”

Jack T. Chick (1924–2016) Christian comics writer

" Meet Jack Chick https://web.archive.org/web/20110423142950/http://members.cox.net/jimmyakin/x-meet-jack-chick.htm," an interview with Jimmy Akin (2004)

“And they took twenty seven eight-by-ten color glossy photographs with circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us. Took pictures of the approach, the getaway, the northwest corner the southwest corner and that's not to mention the aerial photography.”

Arlo Guthrie (1947) American folk singer

Alice's Restaurant Massacree

Color

“I work like a gang of slaves; the day seems five months long. My wish to make a winter landscape has become a fixed idea. I want to do a sheep picture and have all sorts of projects in my head. If you could see how beautiful the forest is! I rush there at the end of the day, after my work, and I come back every time crushed. It is so calm, such a terrible grandeur, that I find myself really frightened. I don't know what those fellows, the trees, are saying to each other.... we don't know their language, that is all; but I am quite sure of this - they do not make puns!.... Send [me] 3 burnt sienna, 2 raw ditto, 3 Naples's yellow, 1 burnt Italian earth, 2 yellow ocher, 2 burnt umber, 1 bottle of raw oil.”

Jean-François Millet (1814–1875) French painter

Quote of Millet, in his letter from Barbizon, c. 1850 to fr:Alfred_Sensier in Paris; as cited by Arthur Hoeber in The Barbizon Painters – being the story of the Men of thirty https://ia902205.us.archive.org/30/items/barbizonpainters00hoeb/barbizonpainters00hoeb.pdf – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 38 In 1850 Millet entered into an arrangement with Alfred Sensier, who provided him with materials and money in return for drawings and paintings (source: Murphy, Alexandra R. Jean-François Millet. Museum of Fine Arts, Boston, 1984, p. xix), see: Wikipedia, Millet 1835 - 1850

Beauty, Idea, Tree, Winter

“The chief aim of color should be to serve expression as well as possible. I put down my colors without a preconceived plan. If at the first step and perhaps without my being conscious of it one tone has particularly pleased me, more often then not when the picture is finished, I will notice that I have respected this tone while I have progressively altered and transformed the others. I discover the quality of colors in a purely instinctive way.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 412

Color, Way

“Showed me pictures in the gallery
Showed me novels on the shelf
Put my hands across the table
Gave me knowledge of myself.
Showed me visions, showed me nightmares
Gave me dreams that never end
Showed me light out of the tunnel
When there was darkness all around instead.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Tore Down a la Rimbaud.
Song lyrics, A Sense of Wonder (1985)

Dreams, Knowledge, Light

“The following pictures are those which to the author seem the strangest. Without doubt they have their origin in Michelangelo Rome series of the main section that was sung with the loudest and most penetrating voice of this entire opus.”

Charlotte Salomon (1917–1943) German painter

'Creation of Adam, by Michelangelo' written text with brush in her painting: 'Only by touching can greatness be achieved' in image JHM no. 4685 https://charlotte.jck.nl/detail/M004685/part/character/theme/keyword/M004685: in 'Life? or Theater..', p. 567 Charlotte Salomon - Life? or Theater?

“I am going on very well with my pictures… the park [ Wivenhoe Park ] is the most forward — the great difficulty has been to get so much in as they wanted (his client, the Slater-Rebows) to make them acquainted with the scene — on my left is a grotto with some elms — at the head of a piece of water — in the center is the house over a beautifull wood and very far to the right is a Deer House — what it was necessary to add. So that my view comprehended to many degrees — but to day I got over the difficulty and I begin to like it 'myself'… I live in the park and Mrs. Rebow says I am very unsociable.”

John Constable (1776–1837) English Romantic painter

Letter to his future wife, Maria Bicknell (26 August 1816), as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 119
1800s - 1810s

Water, Housing

“Plato in his allegory of the soul—in the Phaedrus—though he apparently divides the passions which draw the human chariot into two classes, the heavenward and the earthward—figured by the white horse and the black horse respectively—does not recommend that the black horse should be destroyed or dismissed, but only that he (as well as the white horse) should be kept under due control by the charioteer. By which he seems to intend that there is a power in man which stands above and behind the passions, and under whose control alone the human being can safely move. In fact if the fiercer and so-called more earthly passions were removed, half the driving force would be gone from the chariot of the human soul. Hatred may be devilish at times—but after all the true value of it depends on what you hate, on the use to which the passion is put. Anger, though inhuman at one time is magnificent and divine at another. Obstinacy may be out of place in a drawing-room, but it is the latest virtue on a battlefield when an important position has to be held against the full brunt of the enemy. And Lust, though maniacal and monstrous in its aberrations, cannot in the last resort be separated from its divine companion, Love. To let the more amiable passions have entire sway notoriously does not do: to turn your cheek, too literally, to the smiter, is (pace Tolstoy) only to encourage smiting; and when society becomes so altruistic that everybody runs to fetch the coal-scuttle we feel sure that something has gone wrong. The white-washed heroes of our biographies with their many virtues and no faults do not please us. We have an impression that the man without faults is, to say the least, a vague, uninteresting being—a picture without light and shade—and the conventional semi-pious classification of character into good and bad qualities (as if the good might be kept and the bad thrown away) seems both inadequate and false.”

Edward Carpenter (1844–1929) British poet and academic

Defence of Criminals: A Criticism of Morality (1889)

Love, Hate, Feeling, Soul

“For my second and third pictures I won Academy Awards. Nothing worse could have happened to me.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Spartacus Schoolnet biography http://www.spartacus.schoolnet.co.uk/USArainer.htm

“No man can defend or palliate such conduct as that of Smith O'Brien and his confederates. It would be a mercy to shut them up in a lunatic asylum. They are not seeking a repeal of the legislative union, but the establishment of the Kings of Munster and Connaught! But the sad side of the picture is in fact that we are doing nothing to satisfy the moderate party in Ireland, nothing which strengthens the hands even of John O'Connell and the priest party, who are opposed to the 'red republicans' of the Dublin clubs. There seems to be a strong impression here that this time there is to be a rebellion in Ireland. But I confess I have ceased to fear or hope anything from that country. Its utter helplessness to do anything for itself is our great difficulty. You can't find three Irishmen who will co-operate together for any rational object.”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Letter to Henry Ashworth (21 July 1848), quoted in John Morley, The Life of Richard Cobden (London: T. Fisher Unwin, 1905), p. 488.
1840s

Sadness, Fear, Hope, Strong

“Shivering in fever, weak, and parched to sand,
My ears, those entrances of word-dressed thoughts,
My pictured eyes, and my assuring touch,
Fell from me, and my body turned me forth
From its beloved abode: then I was dead;
And in my grave beside my corpse I sat,
In vain attempting to return”

Thomas Lovell Beddoes (1803–1849) English poet, dramatist and physician

Dream of Dying, from The Poetical Works of Thomas Lovell Beddoes (1890).

Dead

“Lately, I appeared in some foreign media channels, which resulted in more attacks against me, and the number of threats of murder or physical harm against me have increased due to the creation of ugly hashtags by instigators, for the purpose of inciting and mobilizing followers against me; this does not represent a tolerant society at all. In these interviews, I spoke about my experience and what I went through personally, and I always ended what I said with my optimism towards the future of the Kingdom and its youth, but - unfortunately - this part was usually omitted during the editing stages of said interviews. What the majority does not know is that, for the past 4 years, I have refused to appear in interviews with foreign media channels, because I knew of the threat that they pose to individuals and for fear of being used as a media tool wrongfully, as well as the tendency of some reporters to paint an ugly picture of Saudi Arabia by exploiting and cutting out parts of what is being said by its citizens - especially those who were part of the Kingdom's scholarship program - without any attempt to show the full picture in a fair and professional manner.”

Loujain al-Hathloul (1989) Saudi Arabian activist

A Clarification (March 24, 2016)

Youth, Fear, Optimism, Appearance

“Kandinsky, Wassily – painter, printmaker and author – the first painter to base painting on purely pictorial means of expression and abandon objects in his pictures.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Wassily Kandinsky, 1919 - his self-characterisation in 'Das Kunstblatt', 1919; as cited in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html 1916 -1920

Painting

“There is a dreadful discrepancy between Michelangelo's works and the words put into the mouth of Charlton Heston, who represents him here, and this picture — which is mostly about a prolonged wrangle between the sculptor and Pope Julius II (Rex Harrison), who keeps sweeping into the Sistine Chapel and barking, "When will you make an end of it?"”

Pauline Kael (1919–2001) American film critic

isn't believable for an instant.
"The Agony and the Ecstasy," p. 11.
5001 Nights at the Movies (1982)

Quotes about picture page 17

Quotes about picture
page 17