Quotes about perfume

A collection of quotes on the topic of perfume, likeness, flowers, flower.

Quotes about perfume

Ralph Waldo Emerson photo

“Happiness is a perfume which you cannot pour on someone without getting some on yourself.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Variant: Happiness is a perfume you cannot pour on others without getting some on yourself.
Variant: Happiness is a perfume you cannot pour on others without getting a few drops on yourself.

Julio Cortázar photo
Oscar Wilde photo
Patricia A. McKillip photo
Fernando Pessoa photo

“The unnatural and the strange have a perfume of their own”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher
Tertullian photo
Nanak photo
Epicurus photo
Heinrich Heine photo

“Perfumes are the feelings of flowers.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic
James Patterson photo
Charlaine Harris photo

“Coffe is the perfume of morning.”

Source: Dead in the Family

Ray Bradbury photo
Anaïs Nin photo

“Warmth, perfume, rugs, soft lights, books. They do not appease me. I am aware of time passing, of all the world contains that I have not seen, of all the interesting people I have not met.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Source: A Cafe in Space: The Anais Nin Literary Journal, Volume 3

Janet Evanovich photo
Carlos Ruiz Zafón photo
Anne Rice photo
Ralph Waldo Emerson photo
Amy Lowell photo
Joris-Karl Huysmans photo

“I seek new perfumes, ampler blossoms, untried pleasures.”

Joris-Karl Huysmans (1848–1907) French novelist and art critic

Source: Against Nature

Julia Quinn photo
John Steinbeck photo
Edna St. Vincent Millay photo
Brian Andreas photo
Ray Bradbury photo
Anne Rice photo
Rachel Caine photo
Stéphane Mallarmé photo
Sueton photo

“His wastefulness showed most of all in the architectural projects. He built a palace, stretching from the Palatine to the Esquiline, which he called…"The Golden House". The following details will give some notion of its size and magnificence. The entrance-hall was large enough to contain a huge statue of himself, 120 feet high…Parts of the house were overlaid with gold and studded with precious stones and mother-of pearl. All the dining-rooms had ceilings of fretted ivory, the panels of which could slide back and let a rain of flowers, or of perfume from hidden sprinklers, shower upon his guests. The main dining-room was circular, and its roof revolved, day and night, in time with the sky. Sea water, or sulphur water, was always on tap in the baths. When the palace had been decorated throughout in this lavish style, Nero dedicated it, and condescended to remark: "Good, now I can at last begin to live like a human being!"”
Non in alia re tamen damnosior quam in aedificando domum a Palatio Esquilias usque fecit, quam…Auream nominavit. De cuius spatio atque cultu suffecerit haec rettulisse. Vestibulum eius fuit, in quo colossus CXX pedum staret ipsius effigie…In ceteris partibus cuncta auro lita, distincta gemmis unionumque conchis erant; cenationes laqueatae tabulis eburneis versatilibus, ut flores, fistulatis, ut unguenta desuper spargerentur; praecipua cenationum rotunda, quae perpetuo diebus ac noctibus vice mundi circumageretur; balineae marinis et albulis fluentes aquis. Eius modi domum cum absolutam dedicaret, hactenus comprobavit, ut se diceret quasi hominem tandem habitare coepisse.

Source: The Twelve Caesars, Nero, Ch. 31

Letitia Elizabeth Landon photo
Chinmayananda Saraswati photo
Rita Rudner photo
Ruan Ji photo
Letitia Elizabeth Landon photo
Uma Thurman photo
Christian Dior photo

“A woman's perfume tells more about her than her handwriting.”

Christian Dior (1905–1957) French fashion designer

Source: D. R. Schneider Saving the Whales http://books.google.co.in/books?id=yimJZOXm9bEC&pg=PA77, Bwana Doc Adventures, 1 September 2008, p. 77

Aleister Crowley photo
Letitia Elizabeth Landon photo
Nguyễn Du photo

“West Lake flower garden: a desert, now.
Alone, at the window, I read through old pages.
A smudge of rouge, a scent of perfume, but
I still weep.
Is there a Fate for books?
Why mourn for a half-burned poem?
There is nothing, there is no one to question,
and yet this misery feels like my own.
Ah, in another three hundred years
will anyone weep, remembering my fate?”

Nguyễn Du (1765–1820) Vietnamese poet

"Reading Hsiao-ch'ing", in The Harpercollins World Reader: The Modern World, eds. Mary Ann Caws and Christopher Prendergast (HarperCollins Publishers, 1994), ISBN 978-0065013832, p. 1411
Hsiao-Ching was "a seventeenth-century poet who was forced to become a concubine to a man whose jealous primary wife burned almost all of her poems" — David Damrosch, "Global Scripts and the Formation of Literary Traditions", in Approaches to World Literature (2013), p. 98

Peter Weiss photo
Derren Brown photo

“How many powerful memories are triggered by smell and taste? Your mother’s old perfume, the smell your father’s breath, the taste of the soap they’d make you eat.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Elbert Hubbard photo

“Perfume; Any smell that is used to drown a worse one.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

The Note Book of Elbert Hubbard (1927)

Anne-Thérèse de Marguenat de Courcelles, marquise de Lambert photo

“We live with [our defects] as we do with the perfumes that we wear, we do not smell them; they only incommode others.”

Source: A Mother's Advice to Her Daughter, 1728, p. 195

Elinor Glyn photo
Thomas Parnell photo

“A sudden splendour seemed to kindle day
A breeze came breathing in a sweet perfume
Blown from eternal gardens, filled the room.”

Thomas Parnell (1679–1718) Anglo-Irish cleric, writer and poet.

from the poem Piety, or the Vision.

Letitia Elizabeth Landon photo

“We met in secret : mystery is to love
Like perfume to the flower; the maiden's blush
Looks loveliest when her cheek is pale with fear.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(18th May 1822) Poetic Sketches. Second Series - Sketch the Third. Rosalie
25th May 1822) St. George’s Hospital, Hyde Park Corner see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Letitia Elizabeth Landon photo
Edgar Degas photo
Paul Laurence Dunbar photo
Iltutmish photo
Thérèse of Lisieux photo
Anne Lynch Botta photo
Guillaume Apollinaire photo

“I picked this sprig of heather
Autumn has died you must remember
We shall not see each other ever
I'm waiting and you must remember
Time's perfume is a sprig of heather”

J'ai cueilli ce brin de bruyère
L'automne est morte souviens-t'en
Nous ne nous verrons plus sur terre
Odeur du temps brin de bruyère
Et souviens-toi que je t'attends
"L'Adieu" (The Farewell), line 1; translation from Donald Revell (trans.) Alcools (Hanover, NH: Wesleyan University Press, 1995) p. 83.
Alcools (1912)

Aisha photo

“The Messenger of Allah commanded that places of prayer be established in villages, and that they be purified and perfumed.”

Aisha (605–678) Muhammad's wife

Hadith 759 Sunan Ibn Majah

Letitia Elizabeth Landon photo
Anne Louise Germaine de Staël photo

“"Most so-called liberated people that I know are full of it," remarked a caustic, albeit articulate, businessman attending a seminar I gave on emerging male/female relationships. "The feminist leadership is a good example. They have the worst qualities of both men and women. They have all the answers and nothing you can say ever changes their mind. Then, from what I read, one turns on and attacks the other—supposedly for ideological reasons, but it's just a variation on the old-fashioned male ritual of ego-tripping—'I'm for real, you're not—I'm the greatest, you're nothing.'"It's a real cast of characters, these feminist leaders," he continued. "There's the glamor queen one who's trying to be a movie star without copping to what she's doing. It's obvious, though. She's always being seen with celebrities and she's always dating the richest, most successful guys. Then there's the other one who's like a Jewish mother—complaining and telling everybody how to change, and how to live. I'm surprised she doesn't try and tell us what to eat."I looked through their magazine recently. It's full of the same kind of ads as the other women's magazines that Ms. supposedly abhors. You know, jewelry, deodorants, perfumes—and the articles are mainly old-fashioned victim variety stuff, an updated variation on the old "poor downtrodden women" theme."The 'liberated' guys they hold up as shining examples of what men should behave like are just as phony as the feminist women pretending to be so pure. They're workaholics, and they're the worst kind of arrogant—because God is on their side and unless you imitate them, you're a misguided pig. It feels like being at a church social when you watch them—at least as hypocritical, if not more so—because at least church types don't pretend to be open to discussing their beliefs. They're out front in thinking that they have all the answers."When what's-her-name ran for vice-president and lost, what did she do—she blamed the male establishment. God save us from female leadership! They can't stop blaming—even at that level. I thought of reminding her that this country has at least ten million more women than men and the odds were totally on her side and it was women who rejected her, and saw through her act; but I know better than to argue against that stuff with facts."”

Herb Goldberg (1937–2019) American psychologist

Earth Mothers in Disguise, p. 149
The Inner Male (1987)

Paula Modersohn-Becker photo
John Updike photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

Walter Besant photo
John Fante photo
Emil Nolde photo

“It [the city Berlin] stinks of perfume, they have water on their brains and they live as food for bacilli and shamelessly like dogs.”

Emil Nolde (1867–1956) German artist

in a letter to Nolde's friend, 1902; as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 36
1900 - 1920

Herbert Giles photo
James Beattie photo
Letitia Elizabeth Landon photo

“Even flowers, to exhale their perfume, must die a little.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Hasta las flores, para emanar sus perfumes, han menester morirse un poco.
Voces (1943)

Walter Scott photo

“Ah, County Guy, the hour is nigh,
The sun has left the lea.
The orange flower perfumes the bower,
The breeze is on the sea.”

Quentin Durward, Chap. iv.
Bartlett's Familiar Quotations, 10th ed. (1919)

José Rizal photo
John Aubrey photo
Dio Chrysostom photo
Gloria Estefan photo

“I only used my whole life one perfume: and it's Cartier's Le Must.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

interview on Rachael Ray show (December 6, 2006)
2007, 2008

Francis Bacon photo
Chief Seattle photo
Alauddin Khalji photo

“They took captive a great number of handsome and elegant maidens, amounting to 20,000, and children of both sexes, 'more than the pen can enumerate'… In short, the Muhammadan army brought the country to utter ruin, and destroyed the lives of the inhabitants, and plundered the cities, and captured their offspring, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was one called Somnat, fixed upon stone, polished like a mirror of charming shape and admirable workmanship' Its head was adorned with a crown set with gold and rubies and pearls and other precious stones' and a necklace of large shining pearls, like the belt of Orion, depended from the shoulder towards the side of the body….
'The Muhammadan soldiers plundered all these jewels and rapidly set themselves to demolish the idol. The surviving infidels were deeply affected with grief, and they engaged 'to pay a thousand pieces of gold' as ransom for the idol, but they were indignantly rejected, and the idol was destroyed, and 'its limbs, which were anointed with ambergris and perfumed, were cut off. The fragments were conveyed to Delhi, and the entrance of the Jami' Masjid was paved with them, that people might remember and talk of this brilliant victory.' Praise be to God, the Lord of the worlds. Amen! After some time, among the ruins of the temples, a most beautiful jasper-coloured stone was discovered, on which one of the merchants had designed some beautiful figures of fighting men and other ornamental figures of globes, lamps, etc., and on the margin of it were sculptured verses from the Kurdn. This stone was sent as an offering to the shrine of the pole of saints… At that time they were building a lofty octagonal dome to the tomb. The stone was placed at the right of the entrance. "At this time, that is, in the year 707 h. (1307 a. d.), 'Alau-d din is the acknowledged Sultan of this country. On all its borders there are infidels, whom it is his duty to attack in the prosecution of a holy war, and return laden with countless booty."”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Somnath. Abdu’llah ibn Fazlu’llah of Shiraz (Wassaf) : Tarikh-i-Wassaf (Tazjiyatu’l Amsar Wa Tajriyatu’l Ãsar), in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43-44. Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians

Carlos Fuentes photo
George Moore (novelist) photo

“The hours I spend with you I look upon as sort of a perfumed garden, a dim twilight, and a fountain singing to it… you and you alone make me feel that I am alive… Other men it is said have seen angels, but I have seen thee and thou art enough.”

George Moore (novelist) (1852–1933) Irish novelist, short-story writer, poet, art critic, memoirist and dramatist

Letter to Lady Emerald Cunard, quoted in The Everything Wedding Vows Book : Anything and Everything You Could Possibly Say at the Altar, and then Some. (2001) by Janet Anastasio and Michelle Bevilacqua, p. 97.

“Beware of flattery! 'tis a flowery weed,
Which oft offends the very idol-vice,
Whose shrine it would perfume.”

Elijah Fenton (1683–1730) British poet

Act IV, Scene V, p. 46
Mariamne: A Tragedy (1723)

Theo de Raadt photo

“The world doesn't live off jam and fancy perfumes - it lives off bread and meat and potatoes. Nothing changes. All the big fancy stuff is sloppy stuff that crashes. I don't need dancing baloney - I need stuff that works. That's not as pretty, and just as hard.”

Theo de Raadt (1968) systems software engineer

Six-monthly releases: OpenBSD shows the way, Varghese, Sam, 2009-12-08, iTWire, 2016-02-16 http://www.itwire.com/opinion-and-analysis/open-sauce/29872-six-monthly-releases-openbsd-shows-the-way/29872-six-monthly-releases-openbsd-shows-the-way?start=1,

Sinclair Lewis photo
Florbela Espanca photo

“Your hands tremble as they caress and woo me…
My amber body, harmonious and young,
Is like a jasmin vine deliciously high-strung
Drunk with sunlight, with pleasure and perfume!”

Florbela Espanca (1894–1930) Portuguese poet

As tuas mãos tacteiam-me a tremer...
Meu corpo de âmbar, harmonioso e moço
É como um jasmineiro em alvoroço
Ébrio de sol, de aroma, de prazer!
Quoted in Florbela Espanca (1984), p. 13
Translated by John D. Godinho
The Flowering Heath (1931), "Toledo"

Gloria Estefan photo
El Lissitsky photo
Helen Keller photo
Mickey Spillane photo
Warren Farrell photo

“Men give the same lines to different women for the same reason women wear the same perfume for different men; we all try the things that work.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 246.

Sara Teasdale photo
James K. Morrow photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

William Cowper photo

“I cannot talk with civet in the room,
A fine puss-gentleman that's all perfume.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Conversation (1782), Line 283.

T.S. Eliot photo
Bawa Muhaiyaddeen photo
Robert G. Ingersoll photo

“It fills the world with melody — for music is the voice of love. Love is the magician, the enchanter, that changes worthless things to Joy, and makes royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Orthodoxy (1884).
Context: Love is the only bow on Life's dark cloud. It is the morning and the evening star. It shines upon the babe, and sheds its radiance on the quiet tomb. It is the mother of art, inspirer of poet, patriot and philosopher. It is the air and light of every heart — builder of every home, kindler of every fire on every hearth. It was the first to dream of immortality. It fills the world with melody — for music is the voice of love. Love is the magician, the enchanter, that changes worthless things to Joy, and makes royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.

Jiddu Krishnamurti photo

“Are you trying to grasp the quality of intelligence, compassion, the immense sense of beauty, the perfume of love and that truth which has no path to it?”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Last Talks at Saanen, 1985 (1987), p. 158
1980s
Context: The questioner says, how can the conditioned brain grasp the unlimited, which is beauty, love, and truth? What is the ground of compassion and intelligence, and can it come upon us — each one of us? Are you inviting compassion? Are you inviting intelligence? Are you inviting beauty, love, and truth? Are you trying to grasp it? I am asking you. Are you trying to grasp the quality of intelligence, compassion, the immense sense of beauty, the perfume of love and that truth which has no path to it? Is that what you are grasping — wanting to find out the ground upon which it dwells? Can the limited brain grasp this? You cannot possibly grasp it, hold it. You can do all kinds of meditation, fast, torture yourself, become terribly austere, having one suit, or one robe. All this has been done. The rich cannot come to the truth, neither the poor. Nor the people who have taken a vow of celibacy, of silence, of austerity. All that is determined by thought, put together sequentially by thought; it is all the cultivation of deliberate thought, of deliberate intent.