Quotes about performance
page 8

Steph Davis photo
Robert A. Heinlein photo
Ravi Shankar photo

“The issue of 'science' does not intrude itself directly upon the occasion of the performance of a musical work, at least a non-electronically produced work, since—as has been said—there is at least a question as to whether the question as to whether musical composition is to be regarded as a science or not is indeed really a question; but there is no doubt that the question as to whether musical discourse or—more precisely—the theory of music should be subject to the methodological criteria of scientific method and the attendant scientific language is a question, except that the question is really not the normative one of whether it 'should be' or 'must be,' but the factual one that it is, not because of the nature of musical theory, but because of the nature and scope of scientific method and language, whose domain of application is such that if it is not extensible to musical theory, then musical theory is not a theory in any sense in which the term ever has been employed. This should sound neither contentious nor portentous, rather it should be obvious to the point of virtual tautology.”

Milton Babbitt (1916–2011) American composer

From Milton Babbitt, "The Structure and Function of Musical Theory", College Music Symposium, Vol. 5 (Fall 1965), pp. 49-60; reprinted in Perspectives on Contemporary Music Theory, ed. Benjamin Boretz and Edward T. Cone (New York: Norton, 1972), pp. 10-21, ISBN 0393005488, and in Milton Babbitt, The Collected Essays of Milton Babbitt, ed. Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus (Princeton: Princeton University Press, 2003), pp. 191-201, ISBN 0691089663.

Thomas Chandler Haliburton photo

“Everything has altered its dimensions, except the world we live in. The more we know of that, the smaller it seems. Time and distance have been abridged, remote countries have become accessible, and the antipodes are upon visiting terms. There is a reunion of the human race; and the family resemblance now that we begin to think alike, dress alike, and live alike, is very striking. The South Sea Islanders, and the inhabitants of China, import their fashions from Paris, and their fabrics from Manchester, while Rome and London supply missionaries to the ‘ends of the earth,’ to bring its inhabitants into ‘one fold, under one Shepherd.’ Who shall write a book of travels now? Livingstone has exhausted the subject. What field is there left for a future Munchausen? The far West and the far East have shaken hands and pirouetted together, and it is a matter of indifference whether you go to the moors in Scotland to shoot grouse, to South America to ride and alligator, or to Indian jungles to shoot tigers-there are the same facilities for reaching all, and steam will take you to either with the equal ease and rapidity. We have already talked with New York; and as soon as our speaking-trumpet is mended shall converse again. ‘To waft a sigh from Indus to the pole,’ is no longer a poetic phrase, but a plain matter of fact of daily occurrence. Men breakfast at home, and go fifty miles to their counting-houses, and when their work is done, return to dinner. They don’t go from London to the seaside, by way of change, once a year; but they live on the coast, and go to the city daily. The grand tour of our forefathers consisted in visiting the principle cities of Europe. It was a great effort, occupied a vast deal of time, cost a large sum of money, and was oftener attended with danger than advantage. It comprised what was then called, the world: whoever had performed it was said to have ‘seen the world,’ and all that it contained. The Grand Tour now means a voyage round the globe, and he who has not made it has seen nothing.”

Thomas Chandler Haliburton (1796–1865) Canadian-British politician, judge, and author

The Season-Ticket, An Evening at Cork 1860 p. 1-2.

John Hennigan photo

“We don't need sexual performance enhancers at the Palace of Wisdom… but we use them anyway.”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

“The conflict about the meaning of free speech went on through the 1920s, Holmes and Brandeis persisting in their view and expressing it in strongly worded dissents. In one sense it was a curious performance by the two of them, for each had a deep commitment to the Supreme Court as an institution and thought that division among the justices should be avoided when possible.”

Anthony Lewis (1927–2013) American journalist

[82-83, Anthony, Lewis, w:Anthony Lewis, Make No Law: The Sullivan Case and the First Amendment, Vintage, 1992, 0679739394, http://books.google.com/books?id=YElZ5GgC7E0C&lpg=PA1&pg=PT127#v=onepage&q&f=false]

Paul Robeson photo
Bernard Mandeville photo
Gangubai Hangal photo
Terence V. Powderly photo

“Individually, workingmen are weak, and, when separated, each one follows a different course, without accomplishing anything for himself or his fellow man; but when combined in one common bond of brotherhood, they become as the cable, each strand of which, though weak and insignificant enough in itself, is assisted and strengthened by being joined with others, and the work that one could not perform alone is easily accomplished by a combination of strands.”

Terence V. Powderly (1849–1924) American mayor

"The Organization of Labor," http://ebooks.library.cornell.edu/cgi/t/text/pageviewer-idx?c=nora;cc=nora;g=moagrp;xc=1;q1=The%20Organization%20of%20Labor;rgn=full%20text;cite1=Powderly;cite1restrict=author;view=image;seq=0122;idno=nora0135-2;node=nora0135-2%3A2 North American Review, vol. 135, no. 2, whole no. 309 (Aug. 1882), pp. 119.

Rekha photo

“If we observe the performance of only those funds that remain active, we will tend to find that the average performance of the surviving funds exceeds that of the market.”

Robert Haugen (1942–2013) American economist

Source: The Inefficient Stock Market - What Pays Off And Why (1999), Chapter 6, Counterattack-The First Wave, p. 63 (See also: Survival bias)

Richard Dedekind photo
Joseph Beuys photo
W. S. Gilbert photo

“…but it's an unjust world, and virtue is triumphant only in theatrical performances.”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

The Mikado (1885)

“Masculine process has at its foundation externalization. The young boy is focused away from his inner and personal self and into achievement, performance, competition, success, emotional control (being "cool"), autonomy (not being dependent or needy), fearlessness, action, and an ethic that only values time spent in doing. Anything else is suspect and viewed as lazy, worthless, time-wasting, or meaningless.Externalization, or the process of being pushed outside of oneself, amplifies and eventually becomes disconnection. Personal relationships are then objectified and founded on the role another can play in his life. Relationships are based on doing and are therefore fairly readily interchangeable with anyone else who can do.Disconnection leads men to the experience of being loners, where it's "lonely at the top," and freedom, space, and "doing one's thing," are the rationalized values. Disconnection transforms a man into someone who has everything he wanted externally, but has nothing that is bonded or connected on a personal level. He is "out of touch," so he doesn't know why he's unhappy, and may conclude that the cause of his malaise is that he needs "more." He sets out to get it, but when he gets it he feels deader and more isolated than ever.The end stage of this journey of masculine process is personal oblivion, which can occur early in his life or may not appear full blown until he's an older man, depending on how extreme his externalized process is. At this point, personal connection becomes impossible. He doesn't know he rationalizes his personal emptiness with cynical philosophies and escapes painful awareness through non-relationships he can control by buying. In the end state of oblivion, he is beyond personal reach and can only relate in abstract, depersonalized, intellectualized ways. The only way he is "loved" is in return for providing or taking care of others.”

Herb Goldberg (1937–2019) American psychologist

The Personal Journey of Masculinity: From Externalization to Disconnection to Oblivion, pp. 10–11
What Men Still Don't Know About Women, Relationships, and Love (2007)

Nigel Lawson photo

“On June 20, 2009, twenty-six-year-old Neda Agha-Soltan was shot to death in Iran while participating in a peaceful demonstration in Tehran. Her death became a “galvanizing symbol, both within Iran and increasingly around the world,” Rachel Maddow said on MSNBC. Video images of her plight circled the globe. The same day Roger Cohen denounced the killing on the editorial page of the New York Times. Only fifteen days later, nineteen-year-old Isis Obed Murillo was shot dead by the Honduran military during a peaceful protest in Honduras. Like Agha-Soltan’s, his death was recorded in video images that circulated on the Internet. The differential media interest in US newspaper coverage was 736-8 in favor of Agha-Soltan; the TV differential was 231-1 in favor of Agha-Soltan. The dramatic video images of Murillo’s killing never caught hold in the world beyond Honduras. The social media, which had displayed such potential for organizing protest in Iran, failed to come to life in Honduras. The Propaganda Model is as strong and applicable as it was thirty years ago. […] the performance of the MSM [mainstream media] in treating the run-up to the Iraq War, the conflict with Iran, and Russia’s alleged election “meddling” and “aggression” in Ukraine and Crimea, offer case studies of biases as dramatic as those offered in the 1988 edition of Manufacturing Consent. The Propaganda Model lives on.”

Edward S. Herman (1925–2017) American journalist

the last published words in Herman’s lifetime
Herman (2017), “Still Manufacturing Consent: The Propaganda Model at Thirty” in Roth and Huffman, eds., Censored 2018. p. 221.
2010s

Darius I of Persia photo
Dorothy Parker photo

“Rockliffe Fellowes gives a likable performance of the secondary crook’s rôle, and there are some decidedly agreeable-looking doughnuts consumed in the first act. And that is about all one can say for Pot Luck.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922, p. 260

Igor Ansoff photo
Nicholas of Cusa photo
John Cage photo
Ilana Mercer photo
Grady Booch photo
Clayton M. Christensen photo
Camille Paglia photo
Nanak photo
Anton Chekhov photo

“When performing an autopsy, even the most inveterate spiritualist would have to question where the soul is.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.S. Suvorin (May 7, 1889)
Letters

Norbert Wiener photo
Kate Bush photo

“I love the whirling of the dervishes.
I love the beauty of rare innocence.
You don't need no crystal ball,
Don't fall for a magic wand.
We humans got it all, we perform the miracles.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

“Act impeccably! Perform every act as if it were the only thing in the world that mattered.”

Michael Korda (1933) British writer

Power : How To Get It, How To Use It (1976)

Yehudi Menuhin photo
Jerry Lee Lewis photo

“There have been many great performers, but only four great stylists—Al Jolson, Jimmie Rodgers, Hank Williams, and Jerry Lee Lewis.”

Jerry Lee Lewis (1935) American singer-songwriter and pianist

As quoted in Meeting Jimmie Rodgers : How America's Original Roots Music Hero Changed the Pop Sounds of a Century: How America's Original Roots Music Hero Changed the Pop Sounds of a Century (2009) by Barry Mazor, p. 347

Angela Davis photo

“Once you’re head of a public company you are expected to perform; you’re like an unpaid greyhound on a racetrack called the stock market. They’d take bets on us, but not add anything at all.”

Alec Reed (1934) British businessman

The Business Times Online https://www.reedglobal.com/documents/110470/280381/Talent+tapper/ed157555-fdc6-4665-a265-70b2d407abd4, 2012.

Andrew Ure photo
Krishna Raja Wadiyar IV photo
Matthew Henry photo

“An active faith can give thanks for a promise even though it be not yet performed, knowing that God's bonds are as good as ready money.”

Matthew Henry (1662–1714) Theologician from Wales

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 241.

Artur Schnabel photo
B.K.S. Iyengar photo

“Yoga, an ancient but perfect science, deals with the evolution of humanity. This evolution includes all aspects of one's being, from bodily health to self-realization. Yoga means union -- the union of body with consciousness and consciousness with the soul. Yoga cultivates the ways of maintaining a balanced attitude in day-to-day life and endows skill in the performance of one's actions.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Paul G. Balch, Jaylee Balch The Energetic Anatomy of a Yogi: Healing the Emotional and Mental Body Through Yoga http://books.google.co.in/books?id=BdDtAQAAQBAJ&pg=PA23, Strategic Book Publishing, 2013, p. 23

Steven Shapin photo
David Brinkley photo

“The one function that T. V. news performs very well is that when there is no news we give it to you with the same emphasis as if it were.”

David Brinkley (1920–2003) American journalist

as cited in One Man's America (2008), George F. Will, Random House, p. 118 (Chapter 15, Lingerie and Duct Tape) : ISBN 0307407861 9780307407863

Shimon Peres photo

“India represents the new world in a unique sense. Traditionally democracies were trying to bring equality to all walks of life, today there is a change. Democracy wants to enable every country to have the equal right to be different; it's a collection of differences, not an attempt to force or impose equality on every country. I think India is the greatest show of how so many differences in language, in sects can coexist facing great suffering and keeping full freedom… Many of the countries in the Middle East should learn from you how to escape poverty. You didn't escape poverty by getting American dollars or Russian Roubles but by introducing your own internal reforms and by understanding that the new call of modernity is science. In between the spiritual wealth of Gandhi and the earthly wisdom of Nehru, you combined a great performance of spirit and practice to escape poverty…I know you still have a long way to go but you do it without compromising freedom. The temptation when you're such a large country to introduce discipline and imposition is great but you tried to do it, to make progress not with force and discipline but in an open way. Many of us were educated on the literature of India when we fell in love we read Rabindranath Tagore and when we matured we tried to understand Gandhi.”

Shimon Peres (1923–2016) Israeli politician, 8th prime minister and 9th president of Israel

Israeli President Shimon Peres praises India as greatest 'show of co-existence' http://articles.economictimes.indiatimes.com/2012-12-04/news/35594466_1_greatest-show-mahatma-gandhi-democracies (4 December 2012)

Tom Lehrer photo

“I really don't consider myself a performer by temperament.”

Tom Lehrer (1928) American singer-songwriter and mathematician

Insider Audio interview (1997)

Edwin Thompson Jaynes photo
Plutarch photo
Boris Johnson photo

“Howard is a dynamic performer on many levels. There you are. He sent me to Liverpool. Marvellous place. Howard was the most effective Home Secretary since Peel. Hang on, was Peel Home Secretary?”

Boris Johnson (1964) British politician, historian and journalist

Ben Macintyre, "'Hello, I'm your MP. Actually no, I'm your candidate. Gosh'", The Times, 19 April 2005, p. 23.
On Michael Howard.
2000s, 2005

Venus Williams photo
Peter F. Drucker photo
Judith Butler photo
Joanna MacGregor photo
Duncan Gregory photo

“There are a number of theorems in ordinary algebra, which, though apparently proved to be true only for symbols representing numbers, admit of a much more extended application. Such theorems depend only on the laws of combination to which the symbols are subject, and are therefore true for all symbols, whatever their nature may be, which are subject to the same laws of combination. The laws with which we have here concern are few in number, and may be stated in the following manner. Let a, b represent two operations, u, v two subjects on which they operate, then the laws are
(1) ab(u) = ba (u),
(2) a(u + v) = a (u) + a (v),
(3) am. an. u = am + n. u.
The first of these laws is called the commutative law, and symbols which are subject to it are called commutative symbols. The second law is called distributive, and the symbols subject to it distributive symbols. The third law is not so much a law of combination of the operation denoted by a, but rather of the operation performed on a, which is indicated by the index affixed to a. It may be conveniently called the law of repetition, since the most obvious and important case of it is that in which m and n are integers, and am therefore indicates the repetition m times of the operation a.”

Duncan Gregory (1813–1844) British mathematician

That these are the laws employed in the demonstration of the principal theorems in Algebra, a slight examination of the processes will easily shew ; but they are not confined to symbols of numbers ; they apply also to the symbol used to denote differentiation.
p. 237 http://books.google.com/books?id=8lQ7AQAAIAAJ&pg=PA237; Highlighted section cited in: George Boole " Mr Boole on a General Method in Analysis http://books.google.com/books?pg=PA225-IA15&id=aGwOAAAAIAAJ&hl," Philosophical Transactions, Vol. 134 (1844), p. 225; Other section (partly) cited in: James Gasser (2000) A Boole Anthology: Recent and Classical Studies in the Logic of George Boole,, p. 52
Examples of the processes of the differential and integral calculus, (1841)

John C. Wright photo
David Hume photo
Báb photo
Keshia Chante photo

“You need to love this with your heart and soul. You need to breathe music. My best advice — perform as much as you can. With every mistake, progress.”

Keshia Chante (1988) Canadian actor and musician

Interview with Shelia M. Goss, "Women In Music" at BellaOnline (2009) http://www.bellaonline.com/articles/art44926.asp

Anastacia photo
Andrea Dworkin photo
Jacob Tobia photo
Gore Vidal photo
Warren Farrell photo
Béla Lugosi photo
Vanna Bonta photo

“In zero gravity, SAS aside, it's possible to perform amazing physical feats. Ironically, it's more like being there as a mind.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

Indra Nooyi photo
Calvin Coolidge photo
Heinrich Schenker photo

“It is improper, to expressly pursue the Urlinie in performance and to single out its tones… for the purpose of communicating the Urlinie to the listener." Rather, "for the performer, the Urlinie provides, first of all, a sense of direction. It serves a somewhat equivalent function to that which a road map serves for a mountain climber.”

Heinrich Schenker (1868–1935) Austrian music theorist

Das Meisterwerk I, p. 196. Translated by Kalib, vol. 2, p. 147. Quoted in Burkhart, Charles (1983). "Schenker's Theory of Levels and Musical Performance", Aspects of Schenkerian Theory, Beach David, ed. New Haven: Yale University Press.

Leszek Kolakowski photo
Ali Khamenei photo
Steve Blank photo

“Founders fit the definition of a composer: they see something no one else does. And to help them create it from nothing, they surround themselves with world-class performers.”

Steve Blank (1953) American businessman

Forbes "Entrepreneurship is an Art Not a Job" http://www.forbes.com/sites/steveblank/2013/03/29/entrepreneurship-is-an-art-not-a-job/#754e53231d5b. March 29, 2013.

Lorin Maazel photo

“A competency is an underlying characteristic of the person that leads to or causes effective or superior performance.”

Richard Boyatzis (1946) American business theorist

Source: Competent manager (1982), p. 21.

Joni Mitchell photo
Tina Fey photo
Joseph Strutt photo

“In each of the cathedral churches there was a bishop, or an archbishop of fools, elected; and in the churches immediately dependent upon the papal see a pope of fools. These mock pontiffs had usually a proper suit of ecclesiastics who attended upon them, and assisted at the divine service, most of them attired in ridiculous dresses resembling pantomimical players and buffoons; they were accompanied by large crowds of the laity, some being disguised with masks of a monstrous fashion, and others having their faces smutted; in one instance to frighten the beholders, and in the other to excite their laughter: and some, again, assuming the habits of females, practised all the wanton airs of the loosest and most abandoned of the sex. During the divine service this motley crowd were not contended with singing of indecent songs in the choir, but some of them ate, and drank, and played at dice upon the altar, by the side of the priest who celebrated the mass. After the service they put filth into the censers, and ran about the church, leaping, dancing, laughing, singing, breaking obscene jests, and exposing themselves in the most unseemly attitudes with shameless impudence. Another part of these ridiculous ceremonies was, to shave the precentor of fools upon a stage erected before the church, in the presence of the populace; and during the operation, he amused them with lewd and vulgar discourses, accompanied by actions equally reprehensible. The bishop, or the pope of fools, performed the divine service habited in the pontifical garments, and gave his benediction to the people before they quitted the church. He was afterwards seated in an open carriage, and drawn about to the different parts of the town, attended by a large train of ecclesiastics and laymen promiscuously mingled together; and many of the most profligate of the latter assumed clerical habits in order to give their impious fooleries the greater effect; they had also with them carts filled with ordure, which they threw occasionally upon the populace assembled to see the procession. These spectacles were always exhibited at Christmas-time, or near to it, but not confined to one particular day.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 345
The Sports and Pastimes of the People of England (1801), Festival of Fools

Thomas M. Disch photo
Sadegh Hedayat photo
Václav Havel photo
Ralph Waldo Emerson photo
Wanda Orlikowski photo
Paul Davies photo

“Certain information is required for adequate role performance, that is, in order for a person to conform to the role expectations held by members of his role set.”

Robert L. Kahn (1918–2019) American psychologist

Source: Organizational stress: Studies in role conflict and ambiguity, 1964, p. 22-23

Alfred Brendel photo