Quotes about particular
page 10

Prince photo

“U don't have 2 be rich
2 be my girl
U don't have 2 be cool
2 rule my world
Ain't no particular sign I'm more compatible with
I just want your extra time and your
Kiss.”

Prince (1958–2016) American pop, songwriter, musician and actor

Kiss
Song lyrics, Parade Under the Cherry Moon (1986)

Donald J. Trump photo

“I love all people, rich or poor, but in those particular positions I just don't want a poor person.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2017, June

Baruch Spinoza photo
Nisargadatta Maharaj photo
Eugène Delacroix photo
William James photo

“Every Jack sees in his own particular Jill charms and perfections to the enchantment of which we stolid onlookers are stone-cold. And which has the superior view of the absolute truth, he or we? Which has the more vital insight into the nature of Jill's existence, as a fact? Is he in excess, being in this matter a maniac? or are we in defect, being victims of a pathological anesthesia as regards Jill's magical importance? Surely the latter; surely to Jack are the profounder truths revealed; surely poor Jill's palpitating little life-throbs are among the wonders of creation, are worthy of this sympathetic interest; and it is to our shame that the rest of us cannot feel like Jack. For Jack realizes Jill concretely, and we do not. He struggles toward a union with her inner life, divining her feelings, anticipating her desires, understanding her limits as manfully as he can, and yet inadequately, too; for he also is afflicted with some blindness, even here. Whilst we, dead clods that we are, do not even seek after these things, but are contented that that portion of eternal fact named Jill should be for us as if it were not. Jill, who knows her inner life, knows that Jack's way of taking it - so importantly - is the true and serious way; and she responds to the truth in him by taking him truly and seriously, too. May the ancient blindness never wrap its clouds about either of them again! Where would any of us be, were there no one willing to know us as we really are or ready to repay us for our insight by making recognizant return? We ought, all of us, to realize each other in this intense, pathetic, and important way.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"What Makes a Life Significant?"
1910s, Talks to Teachers on Psychology and to Students on Some of Life's Ideals (1911)

Akira Toriyama photo

“Actually, I have a lot of hobbies, but I've kept up with model-building the longest. In particular, I love military models.”

Akira Toriyama (1955) manga artist and video game character designer

Interview with Toriyama http://www.myfavoritegames.com/dragonball-z/Info/Interviews/Interviews-AkiraToriyama.htm

Brian K. Vaughan photo
Roger Fry photo
Daniel Handler photo
Nick Bostrom photo
Georges Braque photo
Hans Freudenthal photo

“Learners should be allowed to find their own levels and explore the paths leading there with as much and as little guidance as each particular case requires.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: Didactical Phenomenology of Mathematical Structures (1983), p. 47

Jerry Fodor photo
Susan Neiman photo
Francis Escudero photo

“In democracy, it's a continuing struggle of convincing the other person to see things the way you do. You may succeed in doing that during one particular election then fail in the next.”

Francis Escudero (1969) Filipino politician

"Who's afraid of People Power", Philippine Graphic, 31 January 2005, p. 28, ISSN 119-206X.
2005

Amit Chaudhuri photo
Karanvir Bohra photo

“An image does not matter for me. I always break an image that I have created. I don't want to stick to one particular thing and just keep doing it.”

Karanvir Bohra (1982) Indian actor

Always break an image that I have created: Karanvir Bohra http://timesofindia.indiatimes.com/entertainment/hindi/tv/news/Always-break-an-image-that-I-have-created-Karanvir-Bohra/articleshow/30334292.cms, Feb 13, 2014

Richard Taruskin photo
Gangubai Hangal photo
Henry Ward Beecher photo
Umberto Boccioni photo

“.. if the objects will be mathematical values, the ambient in which they live will be a particular rhythm in the emotion which surrounds them. The graphic translation of this rhythm will be a state of form, a state of color, each of which will give back to the spectator the 'state of mind' which produced it..”

Umberto Boccioni (1882–1916) Italian painter and sculptor

in a letter of 12 Feb. 1912 from Paris, to his friend Nino Barbantini (director of the Ca' Pesaro in Venice); as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 67
1912

Roberto Mangabeira Unger photo
Miklós Horthy photo
Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Pat Murphy photo

“Just because people doing science are embedded in a particular social and cultural milieu, it doesn’t follow that science is not universal.”

Mordechai Ben-Ari (1948) Israeli computer scientist

Source: Just a Theory: Exploring the Nature of Science (2005), Chapter 6, “The Sociology of Science: Scientists Do It as a Group” (p. 111)

David Bohm photo
Javier Marías photo

“Fidelity (the name given to the constancy and exclusivity with which one particular sex organ penetrates or is penetrated by another particular sex organ, or abstains from being penetrated by or from penetrating others) is mainly the product of habit, as is its so-called opposite, infidelity (the name given to inconstancy and change, and the enjoyment of more than one sex organ).”

Javier Marías (1951) Spanish writer

La fidelidad (lo que así se llama para referirse a la constancia y exclusividad con que un determinado sexo penetra o es penetrado por otro igualmente determinado, o se abstiene de ser penetrado o penetrar en otros) es producto de la costumbre principalmente, como lo es también la llamada—contrariamente— infidelidad (la inconstancia y alternación y el abarcamiento de más de un sexo).
Source: Todas las Almas [All Souls] (1989), p. 122

Paul A. Samuelson photo
Statius photo

“One in particular, whose warped will it ever was even in the upper world (hence his life ended ill) to insult misfortune and wax sour at prosperity.”
Unus ibi ante alios, cui laeva voluntas semper et ad superos (hinc et gravis exitus aevi) insultare malis rebusque aegrescere laetis.

Source: Thebaid, Book II, Line 16

J. B. S. Haldane photo

“The time has gone by when a Huxley could believe that while science might indeed remould traditional mythology, traditional morals were impregnable and sacrosanct to it. We must learn not to take traditional morals too seriously. And it is just because even the least dogmatic of religions tends to associate itself with some kind of unalterable moral tradition, that there can be no truce between science and religion.
There does not seem to be any particular reason why a religion should not arise with an ethic as fluid as Hindu mythology, but it has not yet arisen. Christianity has probably the most flexible morals of any religion, because Jesus left no code of law behind him like Moses or Muhammad, and his moral precepts are so different from those of ordinary life that no society has ever made any serious attempt to carry them out, such as was possible in the case of Israel and Islam. But every Christian church has tried to impose a code of morals of some kind for which it has claimed divine sanction. As these codes have always been opposed to those of the gospels a loophole has been left for moral progress such as hardly exists in other religions. This is no doubt an argument for Christianity as against other religions, but not as against none at all, or as against a religion which will frankly admit that its mythology and morals are provisional. That is the only sort of religion that would satisfy the scientific mind, and it is very doubtful whether it could properly be called a religion at all.”

J. B. S. Haldane (1892–1964) Geneticist and evolutionary biologist

Daedalus or Science and the Future (1923)

Joshua Reynolds photo
Sean Carroll photo
Cyril Connolly photo

“[Neoinstitutional Economics…] theory has made an indispensable contribution in recent times to advances of understanding in this area. But it seems to me that in the economics of institutions theory is now outstripping empirical research to an excessive extent. No doubt the same could be said of other fields in economics, but there is a particular point about this one. Theoretical modelling may or may not be more difficult in this field than in others, but empirical work is confronted by a special difficulty. Because economic institutions are complex, they do not lend themselves easily to quantitative measurement. Even in the respects in which they do, the data very often are not routinely collected by national statistical offices. As a result, the statistical approach which has become the bread and butter of applied economics is not straightforwardly applicable. Examples of it do exist, the literature on the economics of slavery being perhaps the most fully developed - not surprisingly because slavery is an institution that is sharply defined. But to a large extent the empirical literature has consisted of case-studies which are interesting but not necessarily representative, together with a certain amount on legal court cases, which are almost certainly not representative. Is this the best we can do? There is a challenge here on the empirical side to economists to see what is the best way forward.”

R. C. O. Matthews (1927–2010) British economist

“The operative goals will be shaped by the dominant group, reflecting the imperatives of the particular task area that is most critical, their own background characteristics (distinctive perspectives based upon their training, career lines, and areas of competence) and the unofficial uses to which they put the organization for their own needs.”

Charles Perrow (1925–2019) American sociologist

Variant: The dominant group, reflecting the imperatives of the particular task that is most critical (to the organization), their own background characteristics (distinctive perspectives based on their training, career lines, and areas of competence) and the unofficial uses to which they put the organization for their own ends.
Source: 1960s, "The analysis of goals in complex organizations", 1961, p. 857

Sir Alexander Cockburn, 12th Baronet photo
George Holmes Howison photo
Benoît Mandelbrot photo
Agatha Christie photo

“Prokofiev had a particular talent for creating a fully identifiable mood within the first notes of a piece, passage, or theme.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Conclusion

Vivek Wadhwa photo

“By picking this particular fight [with the FBI], Apple is doing the technology industry a big disservice. … Apple will very likely lose this case in the courts and suffer a public relations disaster.”

Vivek Wadhwa American academic

Apple picked the wrong battle in privacy war http://dallasnews.com/opinion/commentary/2016/02/18/vivek-wadhwa-apple-picked-the-wrong-battle-in-privacy-war in The Dallas Morning News (18 February 2016)

George Holmes Howison photo
William Cobbett photo

“It would be tedious to dwell upon every striking mark of national decline: some, however, will press themselves forward to particular notice; and amongst them are: that Italian-like effeminacy, which has, at last, descended to the yeomanry of the country, who are now found turning up their silly eyes in ecstacy at a music-meeting, while they should be cheering the hounds, or measuring their strength at the ring; the discouragement of all the athletic sports and modes of strife amongst the common people, and the consequent and fearful increase of those cuttings and stabbings, those assassin-like ways of taking vengeance, formerly heard of in England only as the vices of the most base and cowardly foreigners, but now become so frequent amongst ourselves as to render necessary a law to punish such practices with death; the prevalence and encouragement of a hypocritical religion, a canting morality, and an affected humanity; the daily increasing poverty of the national church, and the daily increasing disposition still to fleece the more than half-shorne clergy, who are compelled to be, in various ways, the mere dependants of the upstarts of trade; the almost entire extinction of the ancient country gentry, whose estates are swallowed up by loan-jobbers, contractors, and nabobs, who, for the far greater part not Englishmen themselves, exercise in England that sort of insolent sway, which, by the means of taxes raised from English labour, they have been enabled to exercise over the slaves of India or elsewhere; the bestowing of honours upon the mere possessors of wealth, without any regard to birth, character, or talents, or to the manner in which that wealth has been acquired; the familiar intercourse of but too many of the ancient nobility with persons of low birth and servile occupations, with exchange and insurance-brokers, loan and lottery contractors, agents and usurers, in short, with all the Jew-like race of money-changers.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Political Register (27 October 1804).

Andrew Sega photo
Alain Badiou photo
John Napier photo

“27 Proposition. The image, marke, name, and number of the beast: are of the first great Romane beast, and whole Latine impyre universallie, and not of the second beaste, or Antichrist alone in particular.”

John Napier (1550–1617) Scottish mathematician

A Plaine Discovery of the Whole Revelation of St. John (1593), The First and Introductory Treatise

Howard S. Becker photo
Paul Scofield photo

“I found at this point that effective acting wasn't what I wanted to do, that I didn't want to make effects, that I wanted, as it were, to leave an impression of a particular kind of human being.”

Paul Scofield (1922–2008) English actor

Quoted in Garry O'Connor, Paul Scofield: An Actor for All Seasons (Applause Books, 2002, ISBN 1-557-83499-7), ch. 22 (p. 131)

Joseph Addison photo
Vikram Sarabhai photo

“So the real problem in this whole question relates to utilization of national resources for productive and social welfare against the burden of defense expenditure which a country can bear at any particular time.”

Vikram Sarabhai (1919–1971) (1919-1971), Indian physicist

On the issue of priority to internal development vis-a-vis external defense.
The Making of the Indian Atomic Bomb: Science, Secrecy and the Post-colonial State

Daniel Dennett photo

“Surely just about everybody has faced a moral dilemma and secretly wished, "If only somebody — somebody I trusted — could just tell me what to do!" Wouldn't this be morally inauthentic? Aren't we responsible for making our own moral decisions? Yes, but the virtues of "do it yourself" moral reasoning have their limits, and if you decide, after conscientious consideration, that your moral decision is to delegate further moral decisions in your life to a trusted expert, then you have made your own moral decision. You have decided to take advantage of the division of labor that civilization makes possible and get the help of expert specialists.We applaud the wisdom of this course in all other important areas of decision-making (don't try to be your own doctor, the lawyer who represents himself has a fool for a client, and so forth). Even in the case of political decisions, like which way to vote, the policy of delegation can be defended. … Is the a dereliction of [one's] dut[y] as a citizen? I don't think so, but it does depend on my having good grounds for trusting [the delegate's] judgment. … That why those who have an unquestioning faith in the correctness of the moral teachings of their religion are a problem: if they themselves haven't conscientiously considered, on their own, whether their pastors or priests or rabbis or imams are worthy of this delegated authority over their own lives, then they are in fact taking a personally immoral stand.This is perhaps the most shocking implication of my inquiry, and I do not shrink from it, even though it may offend many who think of themselves as deeply moral. It is commonly supposed that it is entirely exemplary to adopt the moral teachings of one's own religion without question, because -- to put it simply — it is the word of God (as interpreted, always, by the specialists to whom one has delegated authority). I am urging, on the contrary, that anybody who professes that a particular point of moral conviction is not discussable, not debatable, not negotiable, simply because it is the word of God, or because the Bible says so, or because "that is what all Muslims [Hindus, Sikhs… ] [sic] believe, and I am a Muslim [Hindu, Sikh… ]" [sic], should be seen to be making it impossible for the rest of us to take their views seriously, excusing themselves from the moral conversation, inadvertently acknowledging that their own views are not conscientiously maintained and deserve no further hearing.”

Breaking the Spell (2006)

Jean-Baptiste Say photo

“Whence it is evident that the remedy must be adapted to the particular cause of the mischief; consequently, the cause must be ascertained, before the remedy is devised.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book II, On Distribution, Chapter VII, p. 336

Willem de Sitter photo
Hans Reichenbach photo
Joseph Strutt photo

“In each of the cathedral churches there was a bishop, or an archbishop of fools, elected; and in the churches immediately dependent upon the papal see a pope of fools. These mock pontiffs had usually a proper suit of ecclesiastics who attended upon them, and assisted at the divine service, most of them attired in ridiculous dresses resembling pantomimical players and buffoons; they were accompanied by large crowds of the laity, some being disguised with masks of a monstrous fashion, and others having their faces smutted; in one instance to frighten the beholders, and in the other to excite their laughter: and some, again, assuming the habits of females, practised all the wanton airs of the loosest and most abandoned of the sex. During the divine service this motley crowd were not contended with singing of indecent songs in the choir, but some of them ate, and drank, and played at dice upon the altar, by the side of the priest who celebrated the mass. After the service they put filth into the censers, and ran about the church, leaping, dancing, laughing, singing, breaking obscene jests, and exposing themselves in the most unseemly attitudes with shameless impudence. Another part of these ridiculous ceremonies was, to shave the precentor of fools upon a stage erected before the church, in the presence of the populace; and during the operation, he amused them with lewd and vulgar discourses, accompanied by actions equally reprehensible. The bishop, or the pope of fools, performed the divine service habited in the pontifical garments, and gave his benediction to the people before they quitted the church. He was afterwards seated in an open carriage, and drawn about to the different parts of the town, attended by a large train of ecclesiastics and laymen promiscuously mingled together; and many of the most profligate of the latter assumed clerical habits in order to give their impious fooleries the greater effect; they had also with them carts filled with ordure, which they threw occasionally upon the populace assembled to see the procession. These spectacles were always exhibited at Christmas-time, or near to it, but not confined to one particular day.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 345
The Sports and Pastimes of the People of England (1801), Festival of Fools

Thomas Gainsborough photo

“to Joshua Kirby, Esq. - to be left at the Turk's Head, Gerrard Street, St. Ann's, London - Mr. President and Gentlemen, Directors of the Society of Artists of Great Britain. I thank ye for the honor done me in appointing me one of your Directors, but for a particular reason I beg leave to resign, and am. Gentlemen, your most obliged and obedient Humble Servant.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter, Bath, 5 Dec. 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 397 (Appendix B)
18 October 1768, Gainsborough was elected to a Directorship of the Society of Artists, and on the same day his old Ipswich friend, Joshua Kirby, was made President. Gainsborough, however, declined to accept office, and his letter of refusal must have grieved Kirby
1755 - 1769

Richard Dawkins photo
James Jeans photo
William Least Heat-Moon photo
Roberto Mangabeira Unger photo

“Form' has always come into being in a dialogue between particular 'instances' and the larger body of work, or 'tradition.”

Richard Middleton British musicologist

[Key Terms in Popular Music and Culture, ISBN 0631212639, Middleton, Richard, 1999]

Martin Luther King, Jr. photo

“I must say that when my Southern Christian Leadership Conference began its work in Birmingham, we encountered numerous Negro church reactions that had to be overcome. Negro ministers were among other Negro leaders who felt they were being pulled into something that they had not helped to organize. This is almost always a problem. Negro community unity was the first requisite if our goals were to be realized. I talked with many groups, including one group of 200 ministers, my theme to them being that a minister cannot preach the glories of heaven while ignoring social conditions in his own community that cause men an earthly hell. I stressed that the Negro minister had particular freedom and independence to provide strong, firm leadership, and I asked how the Negro would ever gain freedom without his minister's guidance, support and inspiration. These ministers finally decided to entrust our movement with their support, and as a result, the role of the Negro church today, by and large, is a glorious example in the history of Christendom. For never in Christian history, within a Christian country, have Christian churches been on the receiving end of such naked brutality and violence as we are witnessing here in America today. Not since the days of the Christians in the catacombs has God's house, as a symbol, weathered such attack as the Negro churches.
I shall never forget the grief and bitterness I felt on that terrible September morning when a bomb blew out the lives of those four little, innocent girls sitting in their Sunday-school class in the 16th Street Baptist Church in Birmingham. I think of how a woman cried out, crunching through broken glass, "My God, we're not even safe in church!" I think of how that explosion blew the face of Jesus Christ from a stained-glass window. It was symbolic of how sin and evil had blotted out the life of Christ. I can remember thinking that if men were this bestial, was it all worth it? Was there any hope? Was there any way out?… time has healed the wounds -- and buoyed me with the inspiration of another moment which I shall never forget: when I saw with my own eyes over 3000 young Negro boys and girls, totally unarmed, leave Birmingham's 16th Street Baptist Church to march to a prayer meeting -- ready to pit nothing but the power of their bodies and souls against Bull Connor's police dogs, clubs and fire hoses. When they refused Connor's bellowed order to turn back, he whirled and shouted to his men to turn on the hoses. It was one of the most fantastic events of the Birmingham story that these Negroes, many of them on their knees, stared, unafraid and unmoving, at Connor's men with the hose nozzles in their hands. Then, slowly the Negroes stood up and advanced, and Connor's men fell back as though hypnotized, as the Negroes marched on past to hold their prayer meeting. I saw there, I felt there, for the first time, the pride and the power of nonviolence.
Another time I will never forget was one Saturday night, late, when my brother telephoned me in Atlanta from Birmingham -- that city which some call "Bombingham" -- which I had just left. He told me that a bomb had wrecked his home, and that another bomb, positioned to exert its maximum force upon the motel room in which I had been staying, had injured several people. My brother described the terror in the streets as Negroes, furious at the bombings, fought whites. Then, behind his voice, I heard a rising chorus of beautiful singing: "We shall overcome."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Tears came into my eyes that at such a tragic moment, my race still could sing its hope and faith.
Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html
1960s

Hans Haacke photo

“I chose to paint because the medium as such has a particular meaning. It is almost synonymous with what is popularly viewed as Art - art with a capital A-with all the glory, the piety, and the authority that it commands.”

Hans Haacke (1936) conceptual political artist

1980s
Source: Bois,Yve-Alain, Douglas Crimp, and Rosalind Krauss. " A Conversation with Hans Haacke http://www.kim-cohen.com/artmusictheoryassets/artmusictheorytexts/Haacke_Interview.PDF." in: October : The First Decade 30 (fall 1984): 23-48

Manuel Castells photo
Bhakti Tirtha Swami photo
Caitlín R. Kiernan photo
Jacques Ellul photo
Bernhard Riemann photo
John Aubrey photo
Alain de Botton photo

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

“Conventions of generality and mathematical elegance may be just as much barriers to the attainment and diffusion of knowledge as may contentment with particularity and literary vagueness… It may well be that the slovenly and literary borderland between economics and sociology will be the most fruitful building ground during the years to come and that mathematical economics will remain too flawless in its perfection to be very fruitful.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1948) "Samuelson's Foundations: The Role of Mathematics in Economics," In: Journal of Political Economy, Vol 56 (June). as cited in: Peter J. Boettke (1998) " James M. Buchanan and the Rebirth of Political Economy http://publicchoice.info/Buchanan/files/boettke.htm". Boettke further explains "Boulding's words are even more telling today than they were then as we have seen the fruits of the formalist revolution in economic theory and how it has cut economics off from the social theoretic discourse on the human condition."
1940s

Charlie Sheen photo
Michael von Faulhaber photo
Friedrich Hayek photo
David Lloyd George photo
Francis Escudero photo
Maurice Glasman, Baron Glasman photo

“A Broadway play is so much an event, designed down to the bit parts to explode in your face on one particular night, that it is hard to judge any one of them fairly from the scrawny instructions known as a script.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

Clare Boothe Luce http://books.google.com/books?id=mVYfAQAAMAAJ&q=%22A+Broadway+play+is+so+much+an+event+designed+down+to+the+bit+parts+to+explode+in+your+face+on+one+particular+night+that+it+is+hard+to+judge+any+one+of+them+fairly+from+the+scrawny+instructions+known+as+a+script%22&pg=PA69#v=onepage (1982)

Bill Fagerbakke photo
Aldo Leopold photo