Quotes about page
page 7

“It has often been asserted that the polytheistic Hindu failed to establish a spiritual kinship with the monotheistic Muslim who held much that is Indian in scorn and still seeks his spiritual inspiration abroad. How can we say that India ignored the teachings of Islam when we find saints like Nanak and Chaitanya, Namdev and Tukaram, preaching the brotherhood of man and the futility of caste in matters spiritual? Although attempts on Hindu culture and institutions fill the pages of Indian history, how can we assert that Muslims ignored the appeal of Hindu culture when we find Muhammad Jayasi weaving a beautiful romance to illustrate the teachings of Hindu philosophy, when we read the simple devotional hymns of Kabir and Sheikh Farid, who refused to recognise the barriers of caste and creed on the high road to God’s kingdom? “Utter not one disagreeable word,” said Farid, “since the true lord is in all men. Distress no one’s heart for every heart is a precious jewel.” In the same strain did Kabir proclaim, “There is the same God for the Hindu as for the Muslim.””

Syama Prasad Mookerjee (1901–1953) Indian politician

A rejuvenated India found an Akbar to put an end to political chaos and social disharmony and a Shah Jahan to dream a dream in marble the like of which is not to be met in the world.
Speech delivered at Patna University Convocation on 27th November 1937.

Men, God, World, Beauty

“Let’s just grant the possibility that there is a Creator God, who’s omniscient, who occasionally authors books. And he’s gonna give us a book – the most useful book. He’s a loving God, he’s a compassionate God, and he’s gonna give us a guide to life. He’s got a scribe, the scribe’s gonna write it down. What’s gonna be in that book? I mean just think of how good a book would be if it were authored by an omniscient deity. I mean, there is not a single line in the Bible or the Koran that could not have been authored by a first century person. There is not one reference to anything – there are pages and pages about how to sacrifice animals, and keep slaves, and who to kill and why. There’s nothing about electricity, there’s nothing about DNA, there’s nothing about infectious disease, the principles of infectious disease. There’s nothing particularly useful, and there’s a lot of iron age barbarism in there, and superstition. This is not a candidate book.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris in interview by Big Think (04/07/2007) http://www.youtube.com/watch?v=8zV3vIXZ-1Y&t=4m43s 2000s

Love, Life, God, Books

“No one in the history of the written word, not even William MacGonagall, or Spike Milligan or D. H. Lawrence, is so wide open to damaging quotation. Try this, more or less at random: 'A murderer in the moment of his murder could feel a sense of beauty and perfection as complete as the transport of a saint.' Or this: Film is a phenomenon whose resemblance to death has been ignored for too long. His italics.
On every page Mailer will come up with a formulation both grandiose and crass. This is expected of him. It is also expected of the reviewer to introduce a lingering 'yet' or 'however' at some point, and say that 'somehow' Mailer's 'fearless honesty' redeems his notorious excesses. He isn't frightened of sounding outrageous; he isn't frightened of making a fool of himself; and, above all, he isn't frightened of being boring. Well, fear has its uses. Perhaps he ought to be a little less frightened of being frightened.”

Martin Amis (1949) Welsh novelist

Review of The Essential Mailer by Norman Mailer, p. 267
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Death, Fear, Beauty, Fools

“A Moral Reckoning is, among its other faults, a 352-page exercise in intellectual bad manners. Reading it is like listening for three days to Nikita Khrushchev banging his shoe.”

Mark Riebling (1963) American writer

Jesus, Jews and the Shoah: A Moral Reckoning by Daniel Jonah Goldhagen (2003)

Shoe, Exercises, Reading

“Ah, how often I've cursed those foolish pages,
That showed my youthful sufferings to everyone!
If Werther had been my brother, and I'd killed him,
His sad ghost could hardly have persecuted me more.”

Johann Wolfgang von Goethe book Roman Elegies

Elegy 2 (First version)
Roman Elegies (1789)

Youth, Sadness, Suffering

“Go on. Treat me like the page of a book. Your book.”

Peter Greenaway (1942) British film director

Jerome, to Nagiko
The Pillow Book

Books

“Here, in the last pages of the "Abegg" Variations, Schumann plays the motto theme A-B-E-G-G (B in German notation is the English Bb) not by sounding the last four notes but by taking them away, one by one, from, the chord of Bb-E-G. This is the first time in history that a melody is signified not by the attack but by the release of a series of notes. The motto, however, ends with a repeated final G. If the motto is played by releasing each successive note, we are faced with a paradox: when the G is released once on the piano, it is no longer there to be released again-the motto is not only unplayable as conceived but unimaginable. Schumann signifies as much by another paradox: he adds accents to the sustained notes.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

History, Time, Success

“There are indeed certain names and prefixes to names which suggest serious reading, independently of the words printed on the title-page of the book. If the Archbishop of Canterbury, or General Booth, or the Emperor William published a novel, for instance, the work might reasonably be expected to contain an exposition of personal views on some question of the day. But in ordinary cases the purpose-novel is a simple fraud, besides being a failure in nine hundred and ninety-nine cases out of a thousand.”

Francis Marion Crawford (1854–1909) Novelist, short story writer, essayist (1854-1909)

The Novel: What It Is (1893)

Books, Failure, Question, Fraud

“The triumphs of the warrior are bounded by the narrow theatre of his own age; but those of a Scott or a Shakespeare will be renewed with greater and greater lustre in ages yet unborn, when the victorious chieftain shall be forgotten, or shall live only in the song of the minstrel and the page of the chronicler.”

William H. Prescott (1796–1859) American historian and Hispanist

"Sir Walter Scott" (1838), p. 239.
Biographical and Critical Miscellanies

Age, Victory

“Well what happened was I was asked to be on Seinfeld. They said: “Would you do a Seinfeld?” And I said, and I just happened to know to see a few Seinfelds and I knew these guys were really tops; they were really, really clever guys, and I liked the show. And so I said “Sure!” and I thought they would ask me to do a walk-on, the way it came: "Would you come be part of the show?" And I said “Yeah, sure I’ll do it.” You know what I mean? Then I got the script and my name was on every page because it was about my car. And I laughed; it was hysterically funny. So I was really delighted to do it. The writer came up to me and he said “Jon, would you come take a look at my car to see if you ever owned it?”, because the writer wrote it from a real experience where someone sold him the car based on the fact that it was my car. And I went down and I looked at the car and I said “No, I never had this car.””

Jon Voight (1938) American actor

So unfortunately I had to give him the bad news. But it was a funny episode. In a Red Carpet interview at the 2006 BAFTA Emmy Awards describing his involvement in and appearance on the 1994 Seinfeld episode The Mom and Pop Store http://www.youtube.com/watch?v=b8o140TFyAA

Cars, Way, Guy, Parting

“I understand there is a need for a stable and orderly transition to that leadership, but that people should give me the space to ensure that happens and that this debate is not best conducted in the pages of the Mail on Sunday.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Michael White, "I will go in my own time – Blair", The Guardian, 12 May 2005, p. 2.
Speech to the Parliamentary Labour Party, 11 May 2005; the 'leadership' referred to was that of his successor, who was widely assumed to be Gordon Brown.
2000s

People, Understanding

“I knew Earl Warren very well, on a somewhat professional basis. Professional, as in I was a nine-year-old page boy and he was the Governor. We knew his children and played in the Governor's Mansion and so forth. I have a letter I've given to the Supreme Court Historical Society, in which he wrote and said, "You're going to go very far in government." I'm very proud of the fact that I knew well someone who later became the Chief Justice of the United States.”

Anthony Kennedy (1936) Associate Justice of the Supreme Court of the United States

Interview for Academy of Achievement (3 June 2005).

Children, Justice, Boy

“I had a lot of growing pains adjusting to the comic book writing format. The whole writing process just didn’t make sense to me. I had to somehow construct each panel just by describing it? But how many panels to a page? How much dialogue should be in each panel? How much time should pass between each panel? All these sorts of things were mind-boggling to me. By the end of writing the script, I sort of figured out some of my mistakes.”

Patrick McHale (artist) (1983) writer, storyboard artist, animator, filmmaker

EXCLUSIVE: Patrick McHale Talks Bringing Over The Garden Wall to Cartoon Network and BOOM! Studious http://nerdist.com/exclusive-patrick-mchale-talks-bringing-over-the-garden-wall-to-cartoon-network-and-boom-studios/ (October 13, 2014)

Pain, Books, Sense, Time

“He has wasted the day, he tells himself, he has wasted the day as he has wasted so many days of his life … while that huge work with which he has cheated himself, that enormous novel which would lift him at a bound from the impasse in which he stifles, whose dozens of characters would develop a vision of life in bountiful complexity, lies foundering, rotting on a beach of purposeless effort. Notes here, pages there, it sprawls through a formless wreck of incidental ideas and half-episodes; utterly without shape. He is not even a hero for it.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Source: The Man Who Studied Yoga (1956), Ch. 5

Life, Idea, Effort, Cheating

“The Quaestor turned back the pages until he found himself among the Pensées. “We are not satisfied,” he read, “with the life we have in ourselves and our own being; we want to live an imaginary life in other people’s idea of us. Hence all our efforts are directed to seeming what we are not. We labor incessantly to preserve and embellish this imaginary being, and neglect that which is really ours.” The Quaestor put down the book, … and ruefully reflected that all his own troubles had arisen from this desire to seem what in fact he was not. To seem a man of action, when in fact he was a contemplative; to seem a politician, when nature had made him an introspective psychologist; to seem a wit, which God had intended him for a sage.”

Aldous Huxley (1894–1963) English writer

“Variations on a Philosopher” in Themes and Variations (1943), p. 2

Life, God, People, Books

“I would love to talk to you about that, Josh, but there's something else I want to bring up, and that's this. (Holds up a screenplay entitled "Live For The Moment: The Jeff Hardy Story") I had a friend in a fancy Hollywood agency the other day, and he ran across this little gem. Somebody actually took the time to write a screenplay about the Jeff Hardy story. So I was paging through it, and lo and behold, it culminates, of course, with Jeff conquering his demons and beating me her tonight in a TLC match at SummerSlam. What a great feelgood story, Josh, all except, of course, for the ending, which is not reality-based. It's fake, it's phony, just like everybody who lives in this town. I'd go as far as to say that I'm the only real person in this building right now. I wish I could say it's a Los Angeles epidemic, but the fact is it's worldwide. You have people that falsely idolize what they see in movies and on television; you have housewives in Iowa that subscribe to U. S. Weekly, US Weekly, or whatever it's called, so they can model their hair after Kate Gosselin, instead of helping their own children with their homework; you have little kids all over the world, millions of them, who idolize the "hip, cool star", and it doesn't matter if that hip cool star is some dork vampire in Twilight, or if it's Jeff Hardy. It doesn't matter if that hip cool star has a reprehensible, reckless lifestyle. You know, it doesn't matter if the collective intelligence of this entire country continues to spiral downward, day in and day out. It doesn't matter as long as it's cool, right? You know why they don't make movies about a guy like me? It's cause I don't support your poisoned society. I don't support this den of iniquity known as Hollywood. No, instead, I'm dismissed as being preachy, except I'm not preachy—I never have been. I just tell the truth. You know, I'm not a screenwriter either, but tonight I think I'll take a stab at it. Tonight I'm gonna rewrite the ending of "The Jeff Hardy Story."”

Phil Brooks (1978) American professional wrestler and mixed martial artist

It's gonna be horrifying. It's gonna be very, very graphic. It might be hard to watch for a lot of people, but it will have a happy ending: new World Heavyweight Champion—CM Punk.
At SummerSlam
Friday Night SmackDown

Love, Children, People, Truth

“A page from a journal of modern experimental physics will be as mysterious to the uninitiated as a Tibetan mandala. Both are records of enquiries into the nature of the universe.”

Fritjof Capra book The Tao of Physics

Source: The Tao of Physics (1975), Ch. 2, Knowing and Seeing, p. 36.

Nature, Universe

“In May 2004, a fourteen-year-old boy at a middle-class intermediate school in Walnut Creek, an upper-middle-class suburb east of San Francisco, was detained by police who stormed his clasroom, cuffed him in front of the students and teachers, and frog-marched him across the quad… for posting a flash cartoon on his web home page. […] A few years earlier the kid would have been given a serious sit-down, but today, America has no patience for touchy-feely liberal crap. If you step out of line, Team America will be called in to destroy you.”

Mark Ames (1965) American writer and journalist

Part V: More Rage. More Rage., page 176-177.
Going Postal: Rage, Murder, and Rebellion, From Reagan's Workplaces to Clinton's Columbine and Beyond (2005)

School, Home, Boy, Teachers

“The press is a ready example of their efforts, and of the skills they have acquired in this field. They have taken care to steer their members and sympathizers into journalism. And within journalism, they have paid attention to even marginal niches. Consider books. A book by one of them has but to reach a paper, and suggestions of names of persons who would be specially suitable for reviewing it follow. As I mentioned, the editor who demurs, and is inclined to send the book to a person of a different hue is made to feel guilty, to feel that he is deliberately ensuring a biased, negative review. That selecting a person from their list may be ensuring a biased acclamation is talked out. The pressures of prevailing opinion are such, and editors so eager to evade avoidable trouble, that they swiftly select one of the recommended names…
You have only to scan the books pages of newspapers and magazines over the past fifty years to see what a decisive effect even this simple stratagem has had. Their persons were in vital positions in the publishing houses: and so their kind of books were the ones that got published. They then reviewed, and prescribed each other’s books. On the basis of these publications and reviews they were able to get each other positions in universities and the like…. Even positions in institutions which most of us would not even suspect exist were put to intense use. How many among us would know of an agency of government which determines bulk purchases of books for government and other libraries. But they do! So that if you scan the kinds of books this organization has been ordering over the years, you will find them to be almost exclusively the shades of red and pink….
So, their books are selected for publication. They review each other’s books. Reputations are thereby built. Posts are thereby garnered. A new generation of students is weaned wearing the same pair of spectacles – and that means yet another generation of persons in the media, yet another generation of civil servants, of teachers in universities….”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Books, Feeling, Decision, Effort

“The pages are so harmonious in their proportion / disharmony in the contents is impossible.”

Peter Greenaway (1942) British film director

From the sixth book, "The Book of the Lover"
The Pillow Book

“One writer, for instance, excels at a plan or a title page, another works away at the body of the book, and a third is a dab at an index.”

Oliver Goldsmith (1728–1774) Irish physician and writer

No. 1 (Oct. 6, 1759).
The Bee (1759)

Books

“Most writers enjoy two periods of happiness – when a glorious idea comes to mind and, secondly, when a last page has been written and you haven’t had time to know how much better it ought to be.”

J.B. Priestley (1894–1984) English writer

International Herald Tribune, January 3, 1978.

Happiness, Idea, Time

“I still haven’t forgiven C. S. Lewis for going on all those long walks with J. R. R. Tolkien and failing to strangle him, thus to save us from hundreds of pages dripping with the wizardly wisdom of Gandalf and from the kind of movie in which Orlando Bloom defiantly flexes his delicate jaw at thousands of computer-generated orcs. In fact it would have been ever better if C. S. Lewis and J. R. R. Tolkien could have strangled each other, so that we could also have been saved from the Chronicles of Narnia.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Harry Potter Envy', on bestsellerdom
Television and radio, Radio 4: A Point of View

Wisdom

“It was very emotional, actually. In the front of the book I wrote something Anton Chekhov wrote to the woman he ended up spending the rest of his life with: "Hello, the last page of my life."”

Daniel Radcliffe (1989) English actor

Which I thought was very appropriate. On reading Harry Potter and the Deathly Hallows, the last book of the Harry Potter series, as quoted in "Daniel Radcliffe" by Chris Norris in Details (October 2008) http://men.style.com/details/blogs/thegadabout/2008/09/daniel-radcliff.html

Life, Books

“The same critics who spend hundreds of pages discussing various peculiarities of the author's supposed nature often devote none to that much more significant person, the reader for whom he wrote. […] It is a failure that disqualifies a great deal of head-scratching and hypothesizing. It amounts to saying that the letter is more important than its recipient, the signal more important than the changing image created from it, the bait more important than the fish.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Endangered Species (1989), Introduction
Nonfiction

Failure, Nature, Fish, Change

“It was a real book—onionskin pages bound in what might have been actual leather. Miller had seen pictures of them before; the idea of that much weight for a single megabyte of data struck him as decadent.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Leviathan Wakes (2011), Chapter 14 (p. 150)

Books, Idea

“Sonny sits by his window and thinks to himself,
How it's strange that some rooms are like cages,
Sonny's yearbook from high school is down from the shelf,
And he idly thumbs through the pages,
Some have died, some have fled from themselves,
On a struggle from here to get there,
Sonny wanders beyond his interior walls,
Runs his hands through his thinning brown hair.”

Paul Simon (1941) American musician, songwriter and producer

The Obvious Child
Song lyrics, The Rhythm of the Saints (1990)

School, Thinking

“All it takes is one good selfie and then send it around to all of the sites that post hot girls and maybe you’ll get chosen and they’ll pick you up. I mean it’s the little things too, see what’s trending, always see what’s trending. I don’t like to post selfies back-to-back-to-back. I don’t like to post professional photos back-to-back, or when it comes to colors, or if it’s too close or too far away or just like the littlest things. Everything matters, it really does. It can make a huge difference. If you’re going for modeling, like brand your page. If you’re trying to go for specific — if you’re not going for something. Like let’s say for me I’m a model and an actress, so I wanted to lean more towards both of those, so pictures of my food wouldn’t work because I’m not a blogger, or pictures of just random stuff that doesn’t make sense. People follow me for a reason and I know why they follow me.”

Antje Utgaard (1994) American actress

Social Media Star Antje Utgaard On Her Modeling Career, Instagram Tips & Being Compared To Kate Upton https://uinterview.com/news/social-media-star-antje-utgaard-modeling-career-instagram-tips-compared-kate-upton-video-exclusive/ (October 7, 2016)

People, Food, Color, Photo

“I love to work in the comics medium -- I really do -- and I've realised that a total contempt for the intelligence of the audience is the key to success. You know that Doom Force thing I did recently for D. C.? -- the pisstake of X-Force, right? Well, eighty percent of the people who sent letters of comment in on the story actually took the thing seriously! They didn't see the joke! It's horrific. Tom Peyer phoned me up and read page after page of these insane letters. That was the turning point. That is the moment that I became a super-villain.”

Grant Morrison (1960) writer

1992
http://web.archive.org/web/20040920205650/www.crgn.demon.co.uk/morrison/irony3.jpg
On comics

Love, People, Intelligence, Reading

“I was glad to get away from those students when I was awarded a Fulbright Fellowship to study in London. I found myself in the British Museum, at first content, reading English Renaissance literature. But then came the crisis: the domed silence; the dusty pages of books all around me; the days accumulating in lists of obsequious footnotes; the wandering doubts about the value of scholarship. My year in Britain came to an end and I rushed to ‘come home.’ Then quickly discovered that I could not. Could not cast off the culture I had assumed. Living with my parents for the summer, I remained an academic—a kind of anthropologist in the family kitchen, searching for evidence of our ‘cultural ties’ as we ate dinner together.”

Richard Rodríguez (1944) American journalist and essayist

Hunger of Memory: The Education of Richard Rodriguez (1982)

Books, Family, Home, Search

“I also want to talk to you, quite frankly, on a very grave matter. Among ourselves it should be mentioned quite frankly, and yet we will never speak of it publicly. Just as we did not hesitate on June 30th, 1934 to do the duty we were bidden, and stand comrades who had lapsed, up against the wall and shoot them, so we have never spoken about it and will never [p. 65] speak of it. It was that tact which is a matter of course and which I am glad to say, is inherent in us, that made us never discuss it among ourselves, never to speak of it. It appalled everyone, and yet everyone was certain that he would do it the next time if such orders are issued and if it is necessary. I mean the evacuation out of the Jews, the extermination of the Jewish race. It's one of those things it is easy to talk about - "The Jewish race is being exterminated", says one party member, "that's quite clear, it's in our program - elimination of the Jews, and we're doing it, exterminating them." And then they come, 80 million worthy Germans, and each one has his decent Jew. Of course the others are vermin, but this one is an A-1 Jew. Not one of all those who talk this way has witnessed it, not one of them has been through it. Most of you must know what it means when 100 corpses are lying side by side, or 500 or 1000. To have stuck it out and at the same time - apart from exceptions caused by human weakness - to have remained decent fellows, that is what has made us hard. This is a page of glory in our history which has never been written and is never to be [p. 66] written, for we know how difficult we should have made it for ourselves, if - with the bombing raids, the burdens and the deprivations of war - we still had Jews today in every town as secret saboteurs, agitators and trouble-mongers. We would now probably have reached the 1916/17 stage when the Jews were still in the German national body.”

Heinrich Himmler (1900–1945) Nazi officer, Commander of the SS

The Posen speech to SS officers (4 October 1943), original translation from "International Military Trials - Nurnberg Nazi Conspiracy and Aggression Volume IV", US Govt Printing Offc 1946 pp. 563-4.

War, Secret, Way, History

“A wonderful range of writing is offered in these and other forms. Stylistically, there are unspoken limits. The delphic or serpentine are not part of the repertoire. No fear could be more foreign to the journal than of ‘the mischief of premature clarification’, against which Fredric Jameson – whose arrival in its pages is a welcome departure from consistency – once warned. The too vehement is likewise at some discount, suspect of ‘rant’. Perhaps the best way of conveying the overall climate would be to say that the paper resists any trace of l’esprit du sérieux, in the Sartrean sense: that is, of the portentous, high-minded, hypocritical. Against all these, its playfulness finds expression on the largest as well as smallest of topics. Emblematic in this collection are the saturnine tones of Edward Luttwak, as a ‘heavy-weight’ contributor. 12 It is enough to think of the contributions of President Havel to the New York Review to understand their antithesis.”

Perry Anderson (1938) British historian

Debts 1. "The London Review of Books" (1996; 2005)
Ref: en.wikiquote.org - Perry Anderson / Quotes / Spectrum: From Right to Left in the World of Ideas (2005)
Spectrum: From Right to Left in the World of Ideas (2005), Debts 1. "The London Review of Books" (1996; 2005)

Fear, Way, Departure, Understanding

“During the LA riots English people were trying to sympathize with me, "Oh Bill, crime is horrible. If it's any consolation, crime is awful here, too." Shut up. This is Hobbiton and I'm Bill-bo Hicks … You gotta see English crime. It's hilarious. You don't know if you're reading the front page or the comic section over there. I swear to God. I read an article front page of the paper one day, in England: "Yesterday, some hooligans knocked over a dustbin in Shaftesbury." … Wooooo. The hooligans are loose! The hooligans are loose! … What if they become ruffians? I would hate to be a dustbin in Shaftesbury tonight. [to the tune of "Behind Blue Eyes" by The Who] "No one knows what it's like … to be a dustbin … in Shaftesbury … with hooligans …"”

Bill Hicks (1961–1994) American comedian

Arizona Bay (1997)

God, Hate, People, Reading

“The bard, the warrior, and the sage,
What win they but one lying page,
Where deeds and words, at hazard thrown,
May be or may not be their own?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Lost Pleiad
The Venetian Bracelet (1829)

Lying

“If we look at Somalia, Ethiopia and Lybia, to how they're reduced now, and to how they were before, with Italy, I think that this page of history will be rewritten and there will be a positive evaluation of the role of Italy”

Gianfranco Fini (1952) Italian politician

October 2006; cited in Alberto Piccinini, Lezioni di storia, il manifesto, 9 settembre 2008, p. 12.

History, Thinking

“I wish that I could save myself constant repetition by printing across the dog's-ear place of these pages the warning, "Never judge a critic by your agreement with his likes and dislikes.””

George Saintsbury (1845–1933) British literary critic

Vol. 3, p. 644
A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day

Dogs

“I took a course in speed reading, learning to read straight down the middle of the page, and I was able to go through War and Peace in 20 minutes. It’s about Russia”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Attributed to Allen by Herb Caen in Reader's Digest, October 1967. For additional citations see this entry from Quote Investigator http://quoteinvestigator.com/2015/12/08/speed-reading/.

War, Peace, Learning, Reading

“If the pages of this book contain some successful verse, the reader must excuse me the discourtesy of having usurped it first. Our nothingness differs little; it is a trivial and chance circumstance that you should be the reader of these exercises and I their author.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"To the Reader" ["A quien leyere"], preface to Fervor of Buenos Aires [Fervor de Buenos Aires] (1923)

Books, Exercises, Chance, Success

“I've been killing characters my entire career, maybe I'm just a bloody minded bastard, I don't know, [but] when my characters are in danger, I want you to be afraid to turn the page (and to do that) you need to show right from the beginning that you're playing for keeps.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Audio Interview http://www.geekson.com/archives/archiveepisodes/2006/episode080406.htm with Geekson http://www.geekson.com in Episode 54, (4 August 2006)

“Back at the Philadelphia Worldcon (which seems a million years ago), I announced the famous five-year gap: I was going to skip five years forward in the story, to allow some of the younger characters to grow older and the dragons to grow larger, and for various other reasons. I started out writing on that basis in 2001, and it worked very well for some of my myriad characters but not at all for others, because you can't just have nothing happen for five years. If things do happen you have to write flashbacks, a lot of internal retrospection, and that's not a good way to present it. I struggled with that essentially wrong direction for about a year before finally throwing it out, realizing there had to be another interim book. That became A Feast for Crows, where the action is pretty much continuous from the preceding book. Even so, that only accounts for one year. Why the four after that? I don't know, except that this was a very tough book to write -- and it remains so, because I've only finished half. Going in, I thought I could do something about the length of the second book in the series, A Clash of Kings, roughly 1,200 pages in manuscript. But I passed that and there was a lot more to write. Then I passed the length of the third book, A Storm of Swords, which was something like 1,500 pages in manuscript and gave my publishers all around the world lots of production problems. I didn't really want to make any cuts because I had this huge story to tell. We started thinking about dividing it in two and doing it as A Feast for Crows, Parts One and Two, but the more I thought about that the more I really did not like it. Part One would have had no resolution whatsoever for 18 viewpoint characters and their 18 stories. Of course this is all part of a huge megaseries so there is not a complete resolution yet in any of the volumes, but I try to give a certain sense of completion at the end of each volume -- that a movement of the symphony has wrapped up, so to speak.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Interview with Locus magazine (November 2005)

Books, World, Way, Problem

“Imagine a book of unexplained mysteries written by a contemporary of Shakespeare. It might include the mystery of the falling stars that sweep through the sky foretelling disaster; the mystery of the Kraken, the giant sea devil with 50-foot tentacles; the mystery of monster bones, sometimes found in caves or on beaches. Such a book would be a curious mixture of truth and absurdity, fact and legend. We would all feel superior as we turned its pages and murmured: "Of course, they didn't know about comets and giant squids and dinosaurs." If this book should happen to find its way into the hands of our remote descendants, they may smile pityingly and say: "It's incredible to think that they knew nothing about epsilon fields or multiple psychic feedback or cross gravitational energies. They didn't even know about the ineluctability of time."”

Colin Wilson (1931–2013) author

But let us hope that such a descendant is in a charitable mood, and might add: "And yet they managed to ask a few of the right questions."
Source: Enigmas and Mysteries (1976), p. 142

Truth, Books, Smile, Hope

“The writer has found, in analyzing and diagnosing organization and accounting work, that charts can express more on one page than is sometimes expressed in several chapters of writing, and has been the author and originator of many methods of charting industrial expressions. It is necessary, as a first step, for analytical and other purposes, to make a chart expressing all of the relations governing the organization of a business so as to show the very foundation upon which all authorities, accounting, and business transactions are based and conducted. There have been more failures scored both personally and financially for lack of these very elements in a business than by reason of any other one thing. As well try to build a house without a foundation as to try to conduct a business, especially a manufacturing business, without proper organization.”

Clinton Edgar Woods (1863) American engineer

Source: Organizing a factory (1905), p. 23-24

Failure, Business, Housing, Personality

“Many pages of Prokofiev’s oeuvre continue the important tradition of Russian music based on fairy tale–inspired imagery.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

Music

“It might come as a surprise to many, but the truth is that Islam today no longer has a living and evolving theology. In fact, with few exceptions, Islam’s last genuine theologians belong to the early part of the 19th century. Go to any mosque anywhere, whether it is in New York or Mecca, and you are more likely to hear a political sermon rather than a theological reflection. In the highly politicized version of Islam promoted by Da’esh, al Qaeda, the Khomeinists in Iran, the Taliban in Afghanistan and Boko Haram in Nigeria, God plays a cameo role at best. Deprived of its theological moorings, today’s Islam is a wayward vessel under the captaincy of ambitious adventurers leading it into sectarian feuds, wars and terrorism. Many, especially Muslims in Europe and North America, use it as a shibboleth defining identity and even ethnicity. A glance at Islam’s history in the past 200 years highlights the rapid fading of theologians. Today, Western scholars speak of Wahhabism as if that meant a theological school. In truth, Muhammad Abdul-Wahhabi was a political figure. His supposedly theological writings consist of nine pages denouncing worship at shrines of saints. Nineteenth-century “reformers” such as Jamaleddin Assadabadi and Rashid Rada were also more interested in politics than theology. The late Ayatollah Khomeini, sometimes regarded as a theologian, was in fact a politician wearing clerical costume. His grandson has collected more than 100,000 pages of his writings and speeches and poetry. Of these, only 11 pages, commenting on the first and shortest verse of the Koran, could be regarded as dabbling in theology, albeit not with great success.”

Amir Taheri (1942) Iranian journalist

"The mad dream of a dead empire that unites Islamic rebels" http://nypost.com/2014/06/14/the-mad-dream-of-a-dead-empire-that-unites-islamic-rebels/, New York Post (June 14, 2014). New York Post

God, War, Truth, School

“The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thicksighted: thence proceeds mawkishness, and the thousand bitters which those men I speak of must necessarily taste in going over the following pages.”

John Keats Endymion

Preface
Endymion (1818)

Life, Men, Way, Soul

“It was a simple story, really. Yes, God had told us to get a ship, and repeatedly He had confirmed His guidance using all the ways we had learned for hearing His voice. He used the Wise Men Principle; He used Scriptures which He seemed to lift off the pages for us; He used provision of money and people, and that inner conviction -- but we had failed in the way we had carried out His guidance. We had subtly turned from the Giver to the gift.”

Loren Cunningham (1935) American missionary

Cited in: "The God They Never Knew" (website) claimed from Loren Cunningham and Janice Rodgers, Is That Really You, God? Hearing the Voice of God, p. 107.
retrieved from http://web.archive.org/web/20011115090120/http://www.geocities.com/Athens/Acropolis/1082/geotisjr.htm on 19:19, 2 May 2007, (UTC)

Men, Money, God, People

“In these fast and fickle times, it’s nice to know that there are some things you can always count on: the enduring brilliance of the last page of The Great Gatsby; the near-religious harmonies of the Beach Boys’ “California Girls”; and the lifelong friendship of Matt Damon and Ben Affleck.”

Sarah Vowell book The Partly Cloudy Patriot

The Partly Cloudy Patriot (2003)

Friendship, Girl, Boy, Time

“Zuniga Hides the Evidence … Like the craven coward he is, Markos Zuniga, rising young star of the Democrats, has now removed the page at Daily Kos where he wrote “Screw them” about the four Americans torn apart and hung from a bridge in Fallujah.”

Charles Foster Johnson (1953) American musician

July 27, 2004 http://littlegreenfootballs.com/weblog/?entry=11884&only

Star

“Several dozen journals now exist that print only verse. They don't publish literary reviews, just page after page of freshly minted poems. The heart sinks to see so many poems crammed so tightly together, like downcast immigrants in steerage. One can easily miss a radiant poem amid the many lackluster ones. It takes tremendous effort to read these small magazines with openness and attention. Few people bother, generally not even the magazines' contributors. The indifference to poetry in the mass media has created a monster of the opposite kind — journals that love poetry not wisely but too well.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Love, People, Effort, Reading

“The sages and heroes of history are receding from us, and history contracts the record of their deeds into a narrow and narrower page. But time has no power over the name and deeds and words of Jesus Christ.”

William Ellery Channing (1780–1842) United States Unitarian clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 61

History, Time, Christ

“A society can neither advance nor improve without excess of disposable income. This excess can only be amassed through the productions of goods and services necessary or attractive to the mass. A financial system which allows this leads to inequality; one that does not leads to mass starvation. Page 10.”

David Mamet (1947) American playwright, essayist, screenwriter, and film director

The Secret Knowledge

“And yet, none of this is accidental. As we have seen in the texts that we have surveyed in this book, it is all part of a line. India turns out to be a recent construct. It turns out to be neither a country nor a nation. Hinduism turns out to be an invention – surprised at the word? You won’t be a few pages hence – of the British in the late nineteenth century. Simultaneously, it has always been inherently intolerant. Pre-Islamic India was a den of iniquity, of oppression. Islamic rule liberated the oppressed. It was in this period that the Ganga-Jamuna culture, the ‘composite culture’ of India was formed, with Amir Khusro as the great exponent of it, and the Sufi savants as the founts. The sense of nationhood did not develop even in that period. It developed only in response to British rule, and because of ideas that came to us from the West. But even this – the sense of being a country, of being a nation, such as it was – remained confined to the upper crust of Indians. It is the communists who awakened the masses to awareness and spread these ideas among them.
In a word, India is not real – only the parts are real. Class is real. Religion is real – not the threads in it that are common and special to our religions but the aspects of religion that divide us, and thus ensure that we are not a nation, a country, those elements are real. Caste is real. Region is real. Language is real – actually, that is wrong: the line is that languages other than Sanskrit are real; Sanskrit is dead and gone; in any case, it was not, the averments in the great scholar, Horace Wilson to the House of Commons Select Committee notwithstanding, that it was the very basis, the living basis of other languages of the country; rather, it was the preserve of the upper layer, the instrument of domination and oppression; one of the vehicles of perpetuating false consciousness among the hapless masses.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Books, Religion, Idea, Sense

“I won't say, the more intellect, the less capacity for loving; for that would do wrong to the understanding and reason;—but, on the other hand, that the brain often runs away with the heart's best blood, which gives the world a few pages of wisdom or sentiment or poetry, instead of making one other heart happy, I have no question.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Autocrat of the Breakfast Table (1858)

Love, Wisdom, Happiness, World

“I love writing but I hate starting. The page is awfully white and it says. " You may have fooled some of the people some of the time but those days are over, giftless. I'm not your agent and I'm not your mommy, I'm a white piece of paper, you wanna dance with me?" and I really, really don't. I don't want any trouble. I'll go peaceable-like.”

Aaron Sorkin (1961) American screenwriter, producer, playwright

The West Wing Script Book: Volume 1, Introduction.

Love, Hate, People, Fools

“"Accept the true from whatever source it come," is sound rabbinic doctrine — even if it be from the pages of a devout Christian expositor or of an iconoclastic Biblical scholar, Jewish or non-Jewish.”

Joseph H. Hertz (1872–1946) British rabbi

Preface (p. vii)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8

“On a couple of occasions I've shocked myself. Pet Sematary was appalling when it first came out on to the page.”

Stephen King (1947) American author

[Adams, Tim, 2000, Interview: Stephen King, The Guardian, http://www.guardian.co.uk/books/2000/sep/14/stephenking.fiction]

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

People, World, Hope, Art

“I have separate lists titled by characters in which I list each scene concerning that character consecutively and also the proposed scenes for that character along with notes of how I want to write it. So I take these and by them map out ahead the final draft, interlacing the scenes between various characters. Wonderful, isn't it? If I fail as a writer, I can always become a bookkeeper.
I have always been bothered because I couldn't remember details of time, place, etc. and I used to find myself either surrounded by reams of written pages, or else rewriting the same thing three or four times. This helps somewhat to alleviate that.”

James Jones (1921–1977) American author

Letter to Maxwell Perkins (21 October 1946); p. 78
To Reach Eternity (1989)

Time, Help

“And to fill all these white pages that are left for me with the same monotonous question: at what hour do the hours end?”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

The Clerk's Vision (1949)

Question

“Reason alone cannot prove the existence of God. Faith is reason plus revelation, and the revelation part requires one to think with the spirit as well as with the mind. You have to hear the music, not just read the notes on the page.”

Francis S. Collins (1950) Geneticist; Director of the National Institutes of Health

cnn.com http://edition.cnn.com/2007/US/04/03/collins.commentary/

God, Faith, Music, Thinking

“I believe any philosophizing about art is absurd and empty. Unfortunately, in the last century a phenomenon has emerged in which the status of “work of art” were granted to many foolish, tacky, and distasteful works as long as they were accompanied by ten or twelve pages of philosophizing justification.”

Guity Novin (1944) artist

Dialogues on enlightenment and reason (2013)

Art

“An unbiased reader, on opening one of their [Fichte’s, Schelling’s or Hegel’s] books and then asking himself whether this is the tone of a thinker wanting to instruct or that of a charlatan wanting to impress, cannot be five minutes in any doubt. … The tone of calm investigation, which had characterized all previous philosophy, is exchanged for that of unshakeable certainty, such as is peculiar to charlatanry of every kind and at all times. … From every page and every line, there speaks an endeavor to beguile and deceive the reader, first by producing an effect to dumbfound him, then by incomprehensible phrases and even sheer nonsense to stun and stupefy him, and again by audacity of assertion to puzzle him, in short, to throw dust in his eyes and mystify him as much as possible.”

Arthur Schopenhauer book Parerga and Paralipomena

E. Payne, trans. (1974) Vol. 1, p. 23
Parerga and Paralipomena (1851), Sketch of a History of the Doctrine of the Ideal and the Real

Books, Time

“They [the Beatles] came backstage after one of my lectures, and they said to me: 'Even from an early age we have been seeking a highly spiritual existence. We tried drugs and that didn't work.' They are such practical and intelligent young boys that it took them only two days to find that Transcendental Meditation is the answer.
:Quoted from, Beatles Anthology, by The Beatles, Chronicle Books, 2000, page 261”

Maharishi Mahesh Yogi (1917–2008) Inventor of Transcendental Meditation, musician

Books, Age, Quotes, Intelligence

“As the glossaries lengthen, as the footnotes become more elementary and didactic, the poem, the epic, the drama, move out of balance on the actual page. As even the more rudimentary of mythological, religious or historical references, which form the grammar of Western literature, have to be elucidated, the lines of Spenser, of Pope, of Shelley or of Sweeney Among the Nightingales, blur away from immediacy. Where it is necessary to annotate every proper name and classical allusion in the dialogue between Jessica and Lorenzo in the garden at Belmont, or in Iachimo's stealthy rhetoric when he emerges in Imogen's bedchamber, these marvellous spontaneities of enacted feeling become "literary" and twice-removed.”

George Steiner (1929–2020) American writer

"Tomorrow".
In Bluebeard's Castle (1971)

Feeling, Literature

“It would be foolhardy to swell the pages of this book with an exhaustive list of Greco-Hebrew differences. Everyone knows that Homer is very different from the Bible.”

Cyrus H. Gordon (1908–2001) American linguist

Introduction
The Common Background of Greek and Hebrew Civilizations (1965 [1962])

Books

“Examining the world in order to find consolation is very much like looking carefully over the pages of a great book in order to find our own name. … Whether we find what we want or not, our preoccupation has hindered us from a true knowledge of the contents.”

George Eliot book Impressions of Theophrastus Such

Part 1
Impressions of Theophrastus Such (1879)

Books, World, Knowledge

“The world around us can be construed as a huge "house" that we share with other humans, as well as with animals and plants. It is in this world that we exist, fulfilling our tasks, enjoying things, developing social relations, creating a family. In short, we live in this world. We thus have a deep human need to know and to trust it, to be emotionally involved in it. Many of us, however, experience an increasing feeling of alienation. Even though, with the expansion of society, virtually the entire surface of the planet has become a part of our house, often we do not feel "at home" in that house. With the rapid and spontaneous changes of the past decades, so many new wings and rooms have been constructed or rearranged that we have lost familiarity with our house. We often have the impression that what remains of the world is a collection of isolated fragments, without any structure and coherence. Our personal "everyday" world seems unable to harmonise itself with the global world of society, history and cosmos.
It is our conviction that the time has come to make a conscious effort towards the construction of global world views, in order to overcome this situation of fragmentation. There are many reasons why we believe in the benefit of such an enterprise, and in the following pages we shall attempt to make some of them clear.”

Diederik Aerts (1953) Belgian theoretical physicist

Source: World views. From Fragmentation to Integration (1994), p. 1; About "The fragmentation of our world"

World, Family, Feeling, Home

“As a philosopher sympathetic to Foucault recently remarked to me, Foucault failed in each of his major inquiries and, in desperation, went further afield from his areas of expertise. The History of Sexuality is a disaster. Page after page is sheer fantasy, unsupported by the ancient or modern historical record.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 187

History

“Why tear off a single page when you can throw away the book?”

Aaron Weiss

Torches Together.
Catch For Us The Foxes (2004)

Books, Tear

“So it was that I gave about 1949 my 'Lecture on Nothing' at the Artists' Club on Eighth Street in New York City (started by Robert Motherwell), which predated the popular one associated with Philip Pavia, Bill de Kooning, et al. ). This 'Lecture on Nothing' was written in the same rhythmic structure I employed at the time in my musical compositions (Sonatas and Interludes, Three Dances, etc.). One of the structural divisions was the repetition, some fourteen times, of a single page in which occurred the refrain, 'If anyone is sleepy let him go to sleep.' Jeanne Reynal, I remember, stood up part way through, screamed, and then said, while I continued speaking, 'John, I dearly love you, but I can't bear another minute.' She then walked out. Later, during the question period, I gave one of six previously prepared answers regardless of the question asked. This was a reflection of my engagement in Zen.”

John Cage (1912–1992) American avant-garde composer

Quote in: 'Silence: lectures and writings by John Cage'; publisher Middletown, Conn. Wesleyan University Press, June 1961, Foreword/ix
1960s

Love, Music, Way, Question

“Mantle played ball almost under a shroud of depression, because he always thought he was going to die an early death. But Mays probably thinks he's going to live forever. Mantle acted like a man who was doomed. Mays never did, even though he played long beyond his ability. I talked to Willie after the 1973 World Series, in which he looked terrible. I said, "What were you doing out there, Willie?" "Oh, I was having fun!" he told me. Mantle never had fun. Mays, on the other hand, seemed to be inoculated from all the pressure. He simply went beyond the usual frames of reference. If I were writing this, I'd say that he went beyond the usual frames of reverence. That's the way we all felt, and I think it was true for not only the press, but also for managers and other players. And this bled into the other pages of the newspaper.”

Arnold Hano (1922) American writer

As quoted in "In Willie's time, he was No. 1" http://static.espn.go.com/mlb/columns/neyer_rob/1191263.html Sports-related

Death, World, Way, Thinking

“So then how have irony, irreverence, and rebellion come to be not liberating but enfeebling in the culture today’s avant-garde tried to write about? One clue’s to be found in the fact that irony is still around, bigger than ever after 30 long years as the dominant mode of hip expression. It’s not a rhetorical mode that wears well. As [Lewis] Hyde… puts it, "Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy the cage." This is because irony, entertaining as it is, serves an almost exclusively negative function. It’s critical and destructive, a ground-clearing. Surely this is the way our postmodern fathers saw it. But irony’s singularly unuseful when it comes to constructing anything to replace the hypocrisies it debunks. This is why Hyde seems right about persistent irony being tiresome. It is unmeaty. Even gifted ironists work best in sound bites. I find gifted ironists sort of wickedly funny to listen to at parties, but I always walk away feeling like I’ve had several radical surgical procedures. And as for actually driving cross-country with a gifted ironist, or sitting through a 300-page novel full of nothing by trendy sardonic exhaustion, one ends up feeling not only empty but somehow… oppressed.”

David Foster Wallace (1962–2008) American fiction writer and essayist

E Unibus Pluram: Television and U.S. Fiction
Essays

Way, Feeling, Time, Country

“I was attending the American Society of Animal Science meetings when the flood occurred. I first learned about it when I read about it on the front page of USA Today, a national newspaper. I grieved for the "dead" books, the same way most people grieve for a dead relative. The destruction of books upset me because "thoughts died." Even though most of the books are still in other libraries, there are many people at the (Colorado State) university who will never read them. To me, Shakespeare lives if we keep performing his plays. He dies, when we stop performing them. I am my work. If the livestock industry continues to use equipment I have designed, then my "thoughts live" and my life has meaning. If my efforts to improve the treatment of cattle and pigs make real improvements in the world, then life is meaningful.”

Temple Grandin (1947) USA-american doctor of animal science, author, and autism activist

Life, People, Books, World

“Every day, the New York Times carries a motto in a box on its front page. "All the News That's Fit to Print," it says. It's been saying it for decades, day in and day out. I imagine most readers of the canonical sheet have long ceased to notice this bannered and flaunted symbol of its mental furniture. I myself check every day to make sure that the bright, smug, pompous, idiotic claim is still there. Then I check to make sure that it still irritates me. If I can still exclaim, under my breath, why do they insult me and what do they take me for and what the hell is it supposed to mean unless it's as obviously complacent and conceited and censorious as it seems to be, then at least I know I still have a pulse. You may wish to choose a more rigorous mental workout but I credit this daily infusion of annoyance with extending my lifespan.”

Christopher Hitchens (1949–2011) British American author and journalist

2000s, 2001, Letters to a Young Contrarian (2001)

Imagination, Hell, Time, Box

“The true cost of a thing, Thoreau shrewdly observes, condensing hundreds of pages of Marxist analysis to an epigram, is "the amount of what I will call life which is required to be exchanged for it.””

Curtis White (1951) American academic

"The spirit of disobedience: an invitation to resistance"

Life

“It seemed proper indeed to crowd the pages with children, for in real life they run all over; the world is covered thickly with the prints of their little footsteps, though, as a rule, books written for grown-up people are kept almost clear of them.”

Jean Ingelow (1820–1897) British writer

The Preface to the American edition of Fated to be Free (1875)

Life, Children, People, Books

“I have done some films along the way that have been screwed up and not as good as they read. Some films that are not that good on the page turn into good movies. So I’m fallible is what I’m saying. It’s OK to be wrong. You learn from your wrongs. You don’t learn from being right. If you’re right, you already know it. If you’re wrong, it’s because you don’t know about it, and you made a mistake.”

Martin Landau (1928–2017) American actor and acting coach

Martin Landau: ‘Doubt Is Important’, Washington Times (December 25, 2016)

Way, Learning, Reading

“From the hour of the invention of printing, books, and not kings, were to rule the world. Weapons forged in the mind, keen-edged, and brighter than a sunbeam, were to supplant the sword and battle-axe. Books! lighthouses built on the sea of time! Books! by whose sorcery the whole pageantry of the world's history moves in solemn procession before our eyes. From their pages great souls look down in all their grandeur, undimmed by the faults and follies of earthly existence, consecrated by time.”

Edwin Percy Whipple (1819–1886) American writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 386.

Books, World, Soul, History

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Wisdom, Secret, Feeling, Thinking

“Abbot Terrasson tells us that if the size of a book were measured not by the number of its pages but by the time required to understand it, then we could say about many books that they would be much shorter were they not so short.”

Immanuel Kant book Critique of Pure Reason

A xix
Critique of Pure Reason (1781; 1787)

Books, Understanding, Time

“For a discussion of some of the contents of this significant cultural volume, see Adriana Craciun, ‘Fatal Women of Romanticism’, Cambridge University Press, 2004, page 204. The section ‘The Enchantress’ here begins by describing that first story as a ‘self-consciously Byronic text’ that ‘develops a Promethean, distinctly Luciferian model of poetic identity and self-creation’.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Women, Universe

“One cannot truly trace the course of a life in a thousand pages. Let us have the reticence here not to attempt it in a thousand words.”

Samuel R. Delany book Tales of Nevèrÿon

Section 2 (p. 46)
Tales of Nevèrÿon (1979)

Life

“My responsibility as an artist is to turn up at the page or the piano or the microphone. The rest is up to God.”

Nick Cave (1957) Australian musician

The Daily Telegraph (Novevember 20, 1997)
God and religion

God

“When I stand up from my writing desk, "John Banville", or "Benjamin Black" – that is, the one whose name will appear on the title page – vanishes on the instant, since he only existed while the writing was being done.”

John Banville (1945) Irish writer

John Banville on the birth of his dark twin, Benjamin Black (2011)

Appearance

“Decision Points is based primarily on my recollections. With help from researchers, I have confirmed my account with government documents, contemporaneous notes, personal interviews, news reports, and other sources, some of which remain classified. There were instances in which I had to rely on memory alone. If there are inaccuracies in this book, the responsibility is mine. In the pages that follow, I have done my best to write about the decisions I got right, those I got wrong, and what I would do differently if given the chance. Of course, in the presidency, there are no do-overs. You have to do what you believe is right and accept the consequences. I tried to do that every day of my eight years in office. Serving as president was the honor of a lifetime, and I appreciate your giving me the opportunity to share my story.”

George W. Bush (1946) 43rd President of the United States

Source: 2010s, 2010, Decision Points (November 2010), p. xii

Books, Decision, Memory, Chance

“So here I am.
On the road again.
There I am,
Up on the stage.
And here I go,
Playin' the star again.
There I go,
Turn the page.”

Bob Seger (1945) American singer-songwriter

Turn the Page.
Song lyrics, Back in '72 (1973)

Star

“While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw - that of outright unreadability. This reviewer should know, because he has just read it. The book bristles with beauties, charm, sublime comedy; it is also, for long stretches (approaching about 75 per cent of the whole), inhumanly dull…. Reading Don Quixote can be compared to an indefinite visit from your most impossible senior relative, with all his pranks, dirty habits, unstoppable reminiscences, and terrible cronies. When the experience is over, and the old boy checks out at last (on page 846 - the prose wedged tight, with no breaks for dialogue), you will shed tears all right: not tears of relief but tears of pride. You made it, despite all that Don Quixote could do.”

Martin Amis (1949) Welsh novelist

Opening paragraph of his review of The Adventures of Don Quixote de la Mancha by Miguel de Cervantes, translated by Tobias Smollett
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Books, Beauty, Boy, Tear

“Fiction has two uses. Firstly, it's a gateway drug to reading. The drive to know what happens next, to want to turn the page, the need to keep going, even if it's hard, because someone's in trouble and you have to know how it's all going to end … that's a very real drive. And it forces you to learn new words, to think new thoughts, to keep going. To discover that reading per se is pleasurable. Once you learn that, you're on the road to reading everything. And reading is key. There were noises made briefly, a few years ago, about the idea that we were living in a post-literate world, in which the ability to make sense out of written words was somehow redundant, but those days are gone: words are more important than they ever were: we navigate the world with words, and as the world slips onto the web, we need to follow, to communicate and to comprehend what we are reading. People who cannot understand each other cannot exchange ideas, cannot communicate, and translation programs only go so far.”

Neil Gaiman (1960) English fantasy writer

Why our future depends on libraries, reading and daydreaming (2013)

People, Pleasure, World, Communication

“This book was dictated to Benoni B. Gattell at intervals between the years 1912 and 1932. Since then it has been worked over again and again. Now, in 1946, there are few pages that have not been at least slightly changed.”

Harold W. Percival book Thinking and Destiny

Author's Forward, p. xxi
Thinking and Destiny (1946)

Books, Change

“Genocide and oppression not confined to the pages of history or memorials like Yad Vashem. They are taking place today, in our world. Nearly half a million black Africans have died in Sudan's Darfur region, systematically targeted for murder, rape, or displacement by government-backed Arab "Janjaweed" militias, simply because of their race. This is a genocide, taking place right now. We have the power to stop it. But action to date by the civilized world has been utterly insufficient.”

Tom Kean, Jr. (1968) Member of the New Jersey General Assembly and State Senate

On the Holocaust and Genocide (April 26, 2006); "Reflections on the Holocaust and Genocide in the 21st Century", Tom's Blog" (April 26, 2006) http://tomkean.com/today/index.cfm?e=user.about.blog&messageID=98.

World, History, Memory

“The Imam said that this regime occupying Jerusalem must vanish from the page of time.”

Mahmoud Ahmadinejad (1956) 6th President of the Islamic Republic of Iran

Quoted in: Juan Cole (2006) Hitchens hacker and hitchens http://www.juancole.com/2006/05/hitchens-hacker-and-hitchens.html at juancole.com, May 2006 2005, The World without Zionism, 2005

Time

“This used to be about sex. The literature of my people was pornography, filled with cries for mercy, drama enacted on people without prolonged negotiation, partners engaged in a dance in the middle of a bonfire. Now, it's 300-page manuals about how to make sure nothing bad will happen.”

Laura Antoniou (1963) American novelist

Source: "Unsafe at Any Speed or: Safe, Sane and Consensual, My Fanny", p. 13

People, Sex, Literature, Dance

“First kiss ever I took
Like a page from a romance book.
The sky opened and the earth shook.”

James Taylor (1948) American singer-songwriter and guitarist

"Copperline", written with Reynolds Price
Song lyrics, New Moon Shine (1991)

Books, Kiss

“As the words of my book, The Bloodless Revolution, accumulated, I envisaged a parallel growth: the stack of pages they would have to be printed on, thousands of times over; every page representing a slice of forest, a belch of fumes and a squirt of toxic ink.”

Tristram Stuart (1977) British historian

"Is it right to write?" https://www.theguardian.com/books/booksblog/2006/nov/24/onpaper, The Guardian (24 November 2006).

Books, Time

“I am late with the new Doris Lessing [The Golden Notebook]. I make no apology: it has taken me a long time to read (568 pages of close print) and at the end of it all I feel cheated. This talented writer has attempted an experiment which has failed, essayed a scale which is beyond her…. This is a book of revolt – political, social, sexual. Anna [the heroine] became a Communist in South Africa, seeing in Communism a "moral energy" not to be found in other creeds or in the long-entrenched privileged class. Anna is also concerned with being a "free woman" – rebelling against traditional male dominance – and with achieving maximal erotic fulfilment…. There is no doubt about the great moral virtues here – intelligence, honesty, integrity – but it is the aesthetic virtues that seem to be lacking. The characters do not really interest us: when we have dialogue it is strangely unnatural … Mrs Lessing’s old singleness of vision, her strength as a writer, is not to be found here. [Review in the English provincial newspaper the Yorkshire Post, 1962]”

Anthony Burgess (1917–1993) English writer

People, Joseph Conrad, Doris Lessing

Books, Feeling, Intelligence, Communication

“Metaphysics is names about reality. Metaphysics is a restaurant where they give you a thirty-thousand-page menu and no food.”

Robert M. Pirsig book Lila: An Inquiry into Morals

Lila (1991)

Food, Reality

“There are no uncharted isles here where we can run away to sunshine and sparkling white beaches. We have just this one world, and on these pages we're beginning to get a feeling for the gigantic physical project confronting us. Our awakening is touched with dismay; we must come to terms with this world or it will terminate us. When we speak of defending the environment, we are speaking of defending our own lives.”

Frank Herbert (1920–1986) American writer

"Introduction" to New World or No World (1970)
General sources

World, Feeling

“Side by side … the British and French peoples have advanced to rescue … mankind from the foulest and most soul-destroying tyranny which has ever darkened and stained the pages of history. Behind them … gather a group of shattered States and bludgeoned races: the Czechs, the Poles, the Norwegians, the Danes, the Dutch, the Belgians -- upon all of whom the long night of barbarism will descend, unbroken even by a star of hope, unless we conquer, as conquer we must; as conquer we shall.”

Winston S. Churchill book The Second World War

Radio broadcast, Be Ye Men of Valour, May 19, 1940 ( partial text http://www.churchill-society-london.org.uk/BeYeMofV.html). The Second World War (1939–1945)

People, Hope, Soul, History

“The laws of chivalry required that every knight should pass through two offices: the first was a page; and, at the age of fourteen, he was admitted an esquire. The office of the esquire consisted of several departments; the esquire for the body, the esquire of the chamber, the esquire of the stable, and the carving esquire; the latter stood in the hall at dinner, carved the different dishes, and distributed them to the guests. Several of the inferior officers had also their respective esquires.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. xxv
The Sports and Pastimes of the People of England (1801), Chivalry

Age, Law

“(On the prospect of Thatcher's death) Be serious - this is just a fantasy, because if she were killed, would it actually make any difference? Would things get any better? Course they wouldn't; don't kid yourself. They'd get worse, because she would become a martyr – this monetarist martyr - a cult figure, like Eva Peron. Can you imagine the televised funeral? There she'd be, laid out in a glass coffin, in the blue gear, the hair-do and all the rest of it. She'd be laying there just really life-like - just like she was in life - a bit warmer. It would be on the telly. You thought Winston Churchill was bad; you can imagine what this would be like. And then, of course, it wouldn't stop at that. There would be films - The Night Brighton Rocked. There'd be musicals. Tim Rice would be churning out the musicals about her life - Magita. There'd be Elaine Page belting out the big numbers: 'Don't Cry for Me, Barnet Finchley”

Linda Smith (1958–2006) comedian

Token Women, 1984
Stand-up

Life, Death, Women, Music

Quotes about page page 7

Quotes about page
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