Quotes about page
page 5

Gyles Brandreth photo
Michael Moore photo

“I stopped reading the comics page a long time ago. It seems that whoever is in charge of what to put on that page is given an edict that states: “For God’s sake, try to be as bland as possible and by no means offend any one!” Thus, whenever something like Doonesbury would come along, it would be continually censored and, if lucky, eventually banished to the editorial pages. The message was clear: Keep it simple, keep it cute, and don’t be challenging, outrageous or political.
And keep it white!
It’s odd that considering all the black ink that goes into making the comics section (and color on Sundays) that you rarely see any black faces on that page. Well, maybe it’s not so odd after all, considering the makeup of most newsrooms in our country. It is even more stunning when you consider that in many of our large cities like New York, Los Angeles, or Chicago where the white population is barely a third of the overall citizenry, the comics pages seem to be one of the last vestiges of the belief that white faces are just…well, you know…so much more happy and friendly and funny!
Of course, the real funnies are on the front pages of most papers these days. That’s where you can see a lot of black faces. The media loves to cover black people on the front page. After all, when you live in a society that will lock up 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
Oops, there I go playing the race card. You see, in America these days, we aren’t supposed to talk about race. We have been told to pretend that things have gotten better, that the old days of segregation and cross burnings are long gone, and that no one needs to talk about race again because, hey, we fixed that problem.
Of course, nothing could be further from the truth. Sure, the “whites only” signs are down, but they have just been replaced by invisible ones that, if you are black, you see hanging in front of the home loan department of the local bank, across the entrance of the ritzy suburban or on the doors of the U. S. Senate”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

100 percent Caucasian and going strong!
Foreword to "The Boondocks Treasury: a Right to be Hostile" by Aaron McGruder, (2003).
2003

Kent Hovind photo

“If it came on the evening news tonight that there were five grizzly bears roaming around Cobb County, do you know what would happen by six o'clock in the morning? They would all be dead. Because every redneck in four states would be out there with a rifle, trying to shoot one, right? And whoever could shoot the biggest one would be a hero. They would have his picture on the front page, "Bubba shot the Grizzly Bear" and saved the village. That is exactly what happened to the dragons. If you could figure out a way to kill a dragon, they would be telling stories about you around the campfire. People killed dragons for meat, because they were a menace, to prove that you were a hero, or to prove that you are superior, in competition for land, or for medicinal purposes. Many ancient recipes call for dragon blood, dragon bones, dragon saliva, why? Gilgamesh is famous for slaying a dragon. A Chinese legend tells about a guy named Yu that surveyed the land of China. It says, that after the Flood he surveyed the land, he divided it off into sections. He built channels to drain water off to sea and make the land livable again. Many snakes and dragons were driven from the marshlands. You know that's normal that if you want to build a city. You have to drive off the dragons, then build your city. It was expected that you have got to drive the dragons away or kill them. Why would the Chinese calendar have eleven real animals: the pig, the duck, the dog, and … the dragon? Why would they put just one "mythical" animal in there? Could it be at the time they that they came up with these animals there were 12 real animals? There is one of the oldest pieces of pottery on Planet Earth. It's a piece of slate from Egypt; the first dynasty of United Egypt. It shows long necked dragons […] Why would they put long necked dinosaurs on pottery 3,800 years ago? Here are two long necked dinosaurs with a sheep in between them in their mouths. Here is a hippo tusk from the twelve century B. C., showing an animal with a long neck, and a long tail. Here's a cylinder seal, showing what appears quite obviously to be a long neck dinosaur. The Bible talks about a fiery flying serpent, in Isaiah 14.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), Dinosaurs and the Bible

Thomas Carlyle photo
Paul von Hindenburg photo

“In the Great War ledger, the page on which the Russian losses were written has been torn out. No one knows the figure. Five or eight Million?”

Paul von Hindenburg (1847–1934) Prussian-German field marshal, statesman, and president of Germany

As quoted in With Snow on Their Boots : The Tragic Odyssey of the Russian Expeditionary Force in France During World War I (1999) by Jamie H. Cockfield, p. 28
Undated

Will Eisner photo
Arthur Ponsonby photo
Marshall McLuhan photo

“The divorce of poetry and music was first reflected by the printed page.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 227

William Makepeace Thackeray photo
Camille Paglia photo

“Feminism, in all fields, has yet to produce a single scholar of the intellectual rank of scores of these learned men [e. g., Bruno Snell, Albin Lesky, Denys Page] in the German and British academic tradition.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 204

Garth Nix photo

“A year ago, I turned the final page of The Book of the Dead. I don't feel young any more.”

Garth Nix (1963) Australian fantasy writer

Source: Old Kingdom series (The Abhorsen Trilogy), Sabriel (1995), p. 46.

Geert Wilders photo

“The Koran on the table before you, is a handbook for terrorists. Blood drips from its pages. It calls for perpetual war against non-believers. That Koran before you is the hunting permit for millions of Muslims. A license to kill.”

Geert Wilders (1963) Dutch politician

Speech by Geert Wilders during parliamentary debate in the Netherlands (4 September 2014) http://gatesofvienna.net/2014/09/the-netherlands-has-become-the-victim-of-islam/ ( video https://www.youtube.com/watch?v=G7mfCYbGGuI)
2010s

John Campbell Shairp photo
Kate Bush photo

“He said I was a flower of the mountain, yes,
But now I've powers o'er a woman's body, yes.
Stepping out of the page into the sensual world.
Stepping out…
To where the water and the earth caress
And the down on a peach says mmh, Yes…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

"The Sensual World"; The lyrics of this song are derived from the last lines of Ulysses by James Joyce. Kate had initially wanted to set much of Molly Bloom's Soliloquy to music, just as Joyce had written it, but when the Joyce estate refused, she altered it enough as to not infringe on copyright. As she explained it in an interview: "The song was saying "Yes, Yes" and when I asked for permission they said "No! No!".
Song lyrics, The Sensual World (1989)

Imre Kertész photo

“Writers complete their works, whether those be thousands of pages long or just a few laconic lines.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)

Haruki Murakami photo
Wassily Leontief photo

“The following pages were written in the Concentration Camp in Dachau, in the midst of all kinds of cruelties. They were furtively scrawled in a hospital barrack where I stayed during my illness, in a time when Death grasped day by day after us, when we lost twelve thousand within four and a half months … “You asked me why I do not eat meat and you are wondering at the reasons of my behavior … I refuse to eat animals because I cannot nourish myself by the sufferings and by the death of other creatures. I refuse to do so, because I suffered so painfully myself that I can feel the pains of others by recalling my own sufferings … I am not preaching … I am writing this letter to you, to an already awakened individual who rationally controls his impulses, who feels responsible, internally and externally, for his acts, who knows that our supreme court is sitting in our conscience … I have not the intention to point out with my finger … I think it is much more my duty to stir up my own conscience … That is the point: I want to grow up into a better world where a higher law grants more happiness, in a new world where God's commandment reigns: You shall love each other.””

Edgar Kupfer-Koberwitz (1906–1991) German journalist, poet and prisoner in Dachau concentration camp

“Animals, My Brethren,” in The Dachau Diaries; as quoted in John Robbins, Diet for a New America, H J Kramer, 2011, chapter 5 https://books.google.it/books?id=h-9ARz2YAlgC&pg=PT83.

Louis C.K. photo
Bill Thompson photo
Larry Correia photo
Georg Wilhelm Friedrich Hegel photo

“History is not the soil of happiness. The periods of happiness are blank pages in it.”

Variant, as translated by H. B. Nisbet (1975): History is not the soil in which happiness grows. The periods of happiness in it are the blank pages of history.
Die Weltgeschichte ist nicht der Boden des Glücks. Die Perioden des Glücks sind leere Blätter in ihr.
General Introduction to the Philosophy of History
Lectures on the Philosophy of History (1832), Volume 1

Ismail Serageldin photo

“I do believe that encyclopedias are dead as dodos in the old fashioned way. Let me just go back, because earlier around I was interviewed and I said: The book will always be with us. Books - we used to read in scrolls and then they got invented the codex which is basically the form of the book. It has not been improved on. It's like scissors, like a spoon, and like a hammer. It's technology that's perfect in itself and will remain very good. But: What about the content inside of it? Now, there are books that you read for information. And there what you want to do is how to get the information. And it is infinitely more efficient, of higher quality, to use digital sources rather than the published sources for references. So dictionaries and encyclopedias are not going to be done in this very ponderous way of having old books that by the time they come out the information in them is obsolete. Second, you have to search in all of these and open the pages and then you go to an index and come back whereas you can type to search in. […] But if you want to hold in your hand a slim volume, nicely bound, of the love sonnets of Shakespeare or historical romans, that's a different story. There is the book as artifact, there is the joy in holding the book. And there is an efficiency in the book that you can carry with you in different ways. But I think that the encyclopedias and the dictionaries really are providing a service. And that service can be provided so much more efficiently online that they are bound to change. And if they don't change themselves and go online themselves … I mean, the old providers, like Britannica, will go online, will provide it, and will try to, in fact, compete with the model that Wikipedia pioneered.”

Ismail Serageldin (1944) egyptian academic

Wikimania 2008 press conference 0'33 (August 2008).

Mark Pesce photo
John Stuart Mill photo
Madhuri Dixit photo

“Quoted in "Verve: The Spirit of Today's Woman" page=74”

Madhuri Dixit (1967) Indian actress

Quote

Tom Robbins photo
Sigmund Freud photo
Daniel Handler photo
Nathaniel Hawthorne photo

“The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

Twice-Told Tales, Preface http://www.eldritchpress.org/nh/tttpf.html (1851)

Eudora Welty photo
Ernst von Glasersfeld photo
Alan Kay photo

“I finally understood that the half page of code on the bottom of page 13 of the Lisp 1.5 manual was Lisp in itself. These were “Maxwell’s Equations of Software!””

Alan Kay (1940) computer scientist

ACM Queue A Conversation with Alan Kay Vol. 2, No. 9 - Dec/Jan 2004-2005 http://www.acmqueue.com/modules.php?name=Content&pa=showpage&pid=273&page=4
2000s

Beck photo
Lewis Black photo

“If I wanted to be bored by 6,000 pages of unreadable dreck, I'd read War and Peace four times.”

Lewis Black (1948) American stand-up comedian, author, playwright, social critic and actor

Taxed Beyond Belief (2002)

Newton Lee photo

“Google cofounder Larry Page once broached the question: “Are people really focused on the right things?””

Newton Lee American computer scientist

Google It: Total Information Awareness, 2016

Tom Robbins photo
Letitia Elizabeth Landon photo

“I will look on the stars and look on thee,
and read the page of thy destiny.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(11th October 1823) The Gipsy's Prophecy.
(25th October 1823) Sketch see The Improvisatrice (1824) The Warrior
(15th November 1823) Poetic Sketches. Fourth Series. Sketch I. — The Painter. See The Vow of The Peacock
(6th December 1823) Poetic Sketches. Fourth Series. Sketch IV.— A Village Tale. See The Vow of the Peacock
The London Literary Gazette, 1823

Peter Guthrie Tait photo

“[Examiners] spend their lives in discovering which pages of a text-book a man ought to read and which will not be likely to 'pay.”

Peter Guthrie Tait (1831–1901) British mathematician

in an address to the University of Edinburgh graduates, as quoted by [Cargill Gilston Knott, Life and scientific work of Peter Guthrie Tait, Cambridge University Press, 1911, 11]

Ann Coulter photo
Roberto Mangabeira Unger photo
Temple Grandin photo
Georges Cuvier photo

“The works which this man leaves behind him occupy a few pages only; their importance is not greatly superior to their extent.”

Georges Cuvier (1769–1832) French naturalist, zoologist and paleontologist (1769–1832)

about the writings of Joseph Banks. as stated in "Cavendish: The Experimental Life" on page 461, by Christa Jungnickel and Russell McCormmach, published in 1999.

Daniel Handler photo
Peter Greenaway photo
Neil Peart photo

“How can anybody be enlightened?
Truth is after all so poorly lit
-- Turn The Page (1987)”

Neil Peart (1952–2020) Canadian-American drummer , lyricist, and author

Rush Lyrics

Thom Yorke photo
Will Eisner photo

“”Jewish Peril” exposed.
Historic “Fake.”
Details of the forgery.
More parallels.
We published yesterday an article from our Constantinople Correspondent, which showed that the notorious “Protocols of the Elders of Zion” – one of the mysteries of politics since 1905 – were a clumsy forgery, the text being based on a book published in French in 1865. The book, without title page, was obtained by our correspondent from a Russian source, and we were able to identify it with a complete copy in the British Museum.
The disclosure, which naturally aroused the greatest interest among those familiar with Jewish questions, finally disposes of the “Protocols” as credible evidence of a Jewish plot against civilization.
We publish below a second article, which gives further close parallels between the language of the Protocols and that attributed to Machiavelli and Montesquieu in the volume dated from Geneva.
Plagiarism at Work.
(From our Constantinople Correspondent.)
While the Geneva Dialogue open with an exchange of compliments between Monsequieu and Machiavelli, which covers seven pages, the author of the Protocols plunges at once in medias res.
One can imagine him hastily turning over those first seven pages of the book which he has been ordered to paraphrase against time, and angrily ejaculating, “Nothing here.” But on page 8 of the Dialogues he finds what he wants.
Publisher: Good work Graves…we finally paid your émigré £ 300 for it…now if we can find Golovinski and get his confession…
Graves: He joined the Bolsheviks.
Golovinski became a party ‘’’activist’’’ and rose to be an adviser to Trotsky. But he ‘’’died’’’ last year!
Publisher: Well, that’s that!
Publisher: Oh but Graves, “The Times” is influential… after our expose we’ll probably hear no more of this fraud!
Graves: I’m not sure!
Anti-Bolsheviks, White Russians, published thousands of copies! Here’s a page from Nilus’ “The Great in the Small.”
Publisher: Astonishing…mystical symbols…eh?
The “Protocols” quickly began to circulate around the world.
A French edition this year…and in America Henry Ford, the auto magnate, has been serializing it in his paper, the “Dearborn independent”!
Publisher: When did it first appear in Europe?
Graves: The German edition…dated 1919, was the first!
This is an evil book…a fake designed to malign a whole group of people.
Publisher: I know, I know! …Ugly stuff, Graves.
Graves: Well, what are we to do about it?
Publisher: Your report exposed it as a foul fraud!
Publisher: Y’forget the power of the press, graves! “The Times” has tremendous worldwide influence.
This fraud will soon be well known everywhere…so, my boy, ‘’’what harm can the “protocols” possibly do now?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94

Mike McCormack photo

“You always think that if you're going to spend seven years on a book, it should be Gravity's Rainbow or Ulysses or something, but mine is just a 200-page book that took a long time.”

Mike McCormack (1965) Irish novelist and writer

McKeon, Belinda. Metaphysics gets a Mayo accent http://www.irishtimes.com/culture/metaphysics-gets-a-mayo-accent-1.441635, The Irish Times (13 May 2005)

Gianfranco Fini photo
Clive Staples Lewis photo
Ward Cunningham photo
Johannes Grenzfurthner photo

“Leftist memes are 25 pages long and have footnotes.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Original German: Linke Memes sind 25 Seiten lang und haben Fußnoten.
via Zebrabutter https://www.zebrabutter.net/der-film-glossary-of-broken-dreams-oder-im-schlachthaus-zum-goldenen-kalb.html

Thomas Carlyle photo
Maddox photo

“(introduction) This page is about me and why everything I like is great. If you disagree with anything you find on this page, you are wrong.”

Maddox (1978) American internet writer

The Best Page In The Universe. http://maddox.xmission.com/
The Best Page in the Universe

David Cross photo

“The Bible is the funniest book I have ever read. It's so funny! Right in the first six pages, it's funny!”

David Cross (1964) American comedian, writer and actor

Shut Up, You Fucking Baby

“You will turn over many a futile new leaf till you learn we must all write on scratched-out pages.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Muhammad photo

“Nothing is harder for Satan to bear than a person who recites the Qur’an by looking at the pages”

Muhammad (570–632) Arabian religious leader and the founder of Islam

of the Qur’an
Thawabul A’mal, Page 231
Shi'ite Hadith

Timothy McVeigh photo
Thomas Henry Huxley photo

“Mathematics may be compared to a mill of exquisite workmanship, which grinds you stuff of any degree of fineness; but, nevertheless, what you get out depends upon what you put in; and as the grandest mill in the world will not extract wheat-flour from peascod, so pages of formulae will not get a definite result out of loose data.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

"Geological Reform", Quarterly Journal of the Geological Society of London, Vol. 25 (1869); as reprinted in Huxley, Discourses, Biological and Geological essays (1909), pp. 335–336
1860s

Patrick Modiano photo
Edsger W. Dijkstra photo
G. I. Gurdjieff photo
Roger Ebert photo

“The movie stars six teenage characters who have been marketed on TV and in toy stores. They have names, but no discernible personalities. None of them ever says anything more interesting than "You guys!" As teenagers, they are skilled in-line skaters and karate fighters, but they don't get their real powers until they turn into faceless clones in Power Rangers uniforms with plastic masks and helmets. Is that the message? Faceless conformity is the way to success? Certainly the Rangers are not individuals in or out of uniform, but I wonder if they don't represent a triumph of merchandising over creativity. Children's heroes have traditionally been individualistic and eccentric. The Rangers are not, properly speaking, even characters. They are color-coded products… Paging through the movie's press kit, I came across this quote attributed to Amy Jo Johnson, who plays Kimberly, the Pink Power Ranger: " `Mighty Morphin Power Rangers™: The Movie' is a mix between Star Wars and The Wizard of Oz. " I wonder if Amy Jo actually said "TM" when she was delivering that wonderfully fresh and spontaneous quote, which is so much more involved than anything she says in the movie. More to the point, I wonder if she has ever seen "Star Wars" or "The Wizard of Oz."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mighty-morphin-power-rangers-the-movie-1995 of Mighty Morphin' Power Rangers: The Movie (30 June 1995)
Reviews, Half-star reviews

John Stuart Mill photo

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Aubrey Beardsley photo

“I think the title page I drew for Salomé was after all "impossible". You see booksellers couldn't stick it up in their windows.”

Aubrey Beardsley (1872–1898) English illustrator and author

Letter to Robert Ross, August 1893.

Donald J. Trump photo
Joseph Gordon-Levitt photo
Cathy Newman photo

“Look at a woman's Wikipedia page and you can't believe a word of it.”

Cathy Newman (1974) journalist

Cited in " Cathy Newman: 'The internet is being written by men with an agenda' https://www.theguardian.com/media/2018/mar/19/cathy-newman-the-internet-is-being-written-by-men-with-an-agenda", 25 March 2018.

“Writing a novel is not very difficult: you simply write ten pages a day for a month and then you have a novel.”

Henri Peyre (1901–1988) American linguist

Henri Peyre, at Yale, as quoted in Graham, Garrett, The Writer's Voice: Conversations with Contemporary Writers (1973), p. 272

Ward Cunningham photo

“Wiki pages are very much free form. Across the whole wiki there is a hypertext structure, but on a given page, within the versatility of your command of your natural language, you can say whatever needs to be said.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), Exploring with Wiki

Richard Rodríguez photo

“Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)
Variant: Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.

John Banville photo
Terence Rattigan photo

“A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute.”

Terence Rattigan (1911–1977) playwright, screenwriter

The New York Journal-American, October 29, 1956.

“On June 20, 2009, twenty-six-year-old Neda Agha-Soltan was shot to death in Iran while participating in a peaceful demonstration in Tehran. Her death became a “galvanizing symbol, both within Iran and increasingly around the world,” Rachel Maddow said on MSNBC. Video images of her plight circled the globe. The same day Roger Cohen denounced the killing on the editorial page of the New York Times. Only fifteen days later, nineteen-year-old Isis Obed Murillo was shot dead by the Honduran military during a peaceful protest in Honduras. Like Agha-Soltan’s, his death was recorded in video images that circulated on the Internet. The differential media interest in US newspaper coverage was 736-8 in favor of Agha-Soltan; the TV differential was 231-1 in favor of Agha-Soltan. The dramatic video images of Murillo’s killing never caught hold in the world beyond Honduras. The social media, which had displayed such potential for organizing protest in Iran, failed to come to life in Honduras. The Propaganda Model is as strong and applicable as it was thirty years ago. […] the performance of the MSM [mainstream media] in treating the run-up to the Iraq War, the conflict with Iran, and Russia’s alleged election “meddling” and “aggression” in Ukraine and Crimea, offer case studies of biases as dramatic as those offered in the 1988 edition of Manufacturing Consent. The Propaganda Model lives on.”

Edward S. Herman (1925–2017) American journalist

the last published words in Herman’s lifetime
Herman (2017), “Still Manufacturing Consent: The Propaganda Model at Thirty” in Roth and Huffman, eds., Censored 2018. p. 221.
2010s

Peter Greenaway photo
Thomas Moore photo

“How shall we rank thee upon glory's page,
Thou more than soldier, and just less than sage?”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

To Thomas Hume.
Bartlett's Familiar Quotations, 10th ed. (1919)

“I have also registered complaints against errant taxi drivers. Although they have promised action, let’s see how they’re going to follow it up. But overall it’s a very useful page for commuters.”

Arin Paul (1980) Indian film director

On Kolkata Traffic Police Facebook Page http://www.telegraphindia.com/1110522/jsp/7days/story_14012972.jsp (2011)

Arthur Schopenhauer photo
James Thomson (poet) photo
Emil M. Cioran photo
Alberto Manguel photo
Joseph Priestley photo
Michel De Montaigne photo

“In true education, anything that comes to our hand is as good as a book: the prank of a page-boy, the blunder of a servant, a bit of table talk— they are all part of the curriculum.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

The Autobiography of Michel de Montaigne, Chapter III, pg. 24 (Translated by Marvin Lowenthal
Attributed

Nancy Peters photo
Muhammad ibn Zakariya al-Razi photo

“(…) I have written so far around 200 books and articles on different aspects of science, philosophy, theology, and hekmat (wisdom). (…) I never entered the service of any king as a military man or a man of office, and if I ever did have a conversation with a king, it never went beyond my medical responsibility and advice. (…) Those who have seen me know, that I did not into excess with eating, drinking or acting the wrong way. As to my interest in lil pump yuhh!! people know perfectly well and must have witnessed how I have devoted all my life to science since my youth. My patience and diligence in the pursuit of science has been such that on one special issue specifically I have written 20,000 pages (in small print), moreover I spent fifteen years of my life - night and day - writing the big collection entitled Al Hawi. It was during this time that I lost my eyesight, my hand became paralyzed, with the result that I am now deprived of reading and writing. Nonetheless, I've never given up, but kept on reading and writing with the help of others. I could make concessions with my opponents and admit some shortcomings, but I am most curious what they have to say about my scientific achievement. If they consider my approach incorrect, they could present their views and state their points clearly, so that I may study them, and if I determined their views to be right, I would admit it. However, if I disagreed, I would discuss the matter to prove my standpoint. If this is not the case, and they merely disagree with my approach and way of life, I would appreciate they only use my written knowledge and stop interfering with my behaviour.”

Muhammad ibn Zakariya al-Razi (865–925) Persian polymath, physician, alchemist and chemist, philosopher

Lost History: The Enduring Legacy of Muslim Scientists, Thinkers, and Artists