
Yahtzee's Christmas Wishlist http://www.fullyramblomatic.com/essays/wishlist.htm
Fully Ramblomatic, Essays
Yahtzee's Christmas Wishlist http://www.fullyramblomatic.com/essays/wishlist.htm
Fully Ramblomatic, Essays
Introduction, Sec. 3
De architectura (The Ten Books On Architecture) (~ 15BC), Book II
“Denmark nursed that anger and it kept him free.”
Source: The Tales of Alvin Maker, Heartfire (1998), Chapter 10.
In the morning of life, when its cares are unknown, st. 2
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)
excerpt of her Journal, Worpswede 1897; as quoted in: Witzling (1991, p. 193) and Delia Gaze (2001) Concise Dictionary of Women Artists, p. 489
1897
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 11
Source: 1960s - 1980s, MANAGEMENT: Tasks, Responsibilities, Practices (1973), Part 2, p. 539
Un Art de Vivre (The Art of Living) (1939), The Art of Friendship
"What happened to your queer party-friends?" (22 January 2004) http://townhall.com/columnists/anncoulter/2004/01/22/what_happened_to_your_queer_party-friends/page/full/ also in How to Talk to a Liberal (If You Must), p. 49.
2004
Quote from from: Dalí's essay, 1935: Conquest of the Irrational https://ia601209.us.archive.org/4/items/DaliConquestIrrational/412994-Dali_ReducedPDF.pdf - Chapter: 'The Waters in which we Swim; Julien Levi Publisher, New York, 1935. p. 8
Quotes of Salvador Dali, 1931 - 1940
Other
From "The Vanity of Old Age", Windfalls (1920)
Dr. Bock.
The Hospital (1971)
Quoted by Sir Thomas Twisden, 1st Baronet, C.J., in Maleverer v. Redshaw (1670), 1 Mod. Rep. 36 ; and by Wilmot, L.C.J., in Collins v. Blantern (1767), 2 Wils. 351.
2000s, 2002, State of the Union address (January 2002)
“Sleep, Nurse of our life, Care’s best reposer,
Nature's high'st rapture, and the vision giver.”
"To his Mistress for her True Picture", line 11
The Australians: Insiders and Outsiders on the National Character since 1770 (2007)
"Reflections on Several Subjects", in Miscellaneous Pieces, Vol. II (1761), p. 250
“The nurse of full-grown souls is solitude.”
Columbus (1844)
Quoted from the Singer's National News, 25 June 2007
Review of Magnolia (1999), in review for Great Movies (27 November 2008) http://www.rogerebert.com/reviews/great-movie-magnolia-1999
Reviews, Four star reviews
Context: Magnolia is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love. … The central theme is cruelty to children, and its lasting effect. This is closely linked to a loathing or fear of behaving as we are told, or think, that we should. … As an act of filmmaking, it draws us in and doesn't let go. It begins deceptively, with a little documentary about amazing coincidences (including the scuba diver scooped by a fire-fighting plane and dumped on a forest fire) … coincidences and strange events do happen, and they are as real as everything else. If you could stand back far enough, in fact, everything would be revealed as a coincidence. What we call "coincidences" are limited to the ones we happen to notice. … In one beautiful sequence, Anderson cuts between most of the major characters all simultaneously singing https://www.youtube.com/watch?v=aNmKghTvj0E Aimee Mann's "It's Not Going to Stop." A directorial flourish? You know what? I think it's a coincidence. Unlike many other "hypertext movies" with interlinking plots, Magnolia seems to be using the device in a deeper, more philosophical way. Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices.
And all leads to the remarkable, famous, sequence near the film's end when it rains frogs. Yes. Countless frogs, still alive, all over Los Angeles, falling from the sky. That this device has sometimes been joked about puzzles me. I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension. Frogs have rained from the sky eight times this century, but never mind the facts. Attend instead to Exodus 8:2, which is cited on a placard in the film: "And if thou refuse to let them go, behold, I will smite your whole territory with frogs." Let who go? In this case, I believe, it refers not to people, but to fears, shames, sins.
Magnolia is one of those rare films that works in two entirely different ways. In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know.
Chapter: Helvidius Number IV http://oll.libertyfund.org/?option=com_staticxt&staticfile=show.php%3Ftitle=1910&chapter=112553&layout=html&Itemid=27 in: The Pacificus-Helvidius Debates of 1793-1794: Toward the Completion of the American Founding, edited with and Introduction by Morton J. Frisch (Indianapolis: Liberty Fund, 2007)
Context: In no part of the constitution is more wisdom to be found than in the clause which confides the question of war or peace to the legislature, and not to the executive department. Beside the objection to such a mixture of heterogeneous powers: the trust and the temptation would be too great for any one man: not such as nature may offer as the prodigy of many centuries, but such as may be expected in the ordinary successions of magistracy. War is in fact the true nurse of executive aggrandizement. In war a physical force is to be created, and it is the executive will which is to direct it. In war the public treasures are to be unlocked, and it is the executive hand which is to dispense them. In war the honors and emoluments of office are to be multiplied; and it is the executive patronage under which they are to be enjoyed. It is in war, finally, that laurels are to be gathered, and it is the executive brow they are to encircle. The strongest passions, and most dangerous weaknesses of the human breast; ambition, avarice, vanity, the honorable or venial love of fame, are all in conspiracy against the desire and duty of peace.
Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 194
Context: To the impure, the dishonest, the false-hearted, the corrupt and the sensual, occasions come every day, and in every scene, and through every avenue of thought and imagination. He is prepared to capitulate before the first approach is commenced; and sends out the white flag when the enemy's advance comes in sight of his walls. He makes occasions; or, if opportunities come not, evil thoughts come, and he throws wide open the gates of his heart and welcomes those bad visitors, and entertains them with a lavish hospitality.
The business of the world absorbs, corrupts, and degrades one mind, while in another it feeds and nurses the noblest independency integrity, and generosity. Pleasure is a poison to some, and a healthful refreshment to others. To one. the world is a great harmony, like a noble strain of music with infinite modulations; to another, it is a huge factory, the clash and clang of whose machinery jars upon his ears and frets him to madness.
“Lois Learned, Big Nurse, and I thought, Oh my God.”
The Paris Review interview (1994)
Context: I was performing The Sea Lion in the Newport Performing Arts Center. Afterwards a white-haired old woman approached me and said, Hey, you remember me? I looked her over, and I knew I remembered her, but had no idea who she was. She said, Lois. It still didn’t click. She said, Lois Learned, Big Nurse, and I thought, Oh my God. She was a volunteer at Newport, long since retired from the nursing business. This was the nurse on the ward I worked on at the Menlo Park hospital. I didn’t know what to think and she didn’t either, but I was glad she came up to me. I felt there was a lesson in it, the same one I had tried to teach Hollywood. She’s not the villain. She might be the minion of the villain, but she’s really just a big old tough ex-army nurse who is trying to do the best she can according to the rules that she has been given. She worked for the villain and believed in the villain, but she ain’t the villain.
From Here to Eternity (1951)
Source: 1920s, Prejudices, Third Series (1922), Ch. 3 "Footnote on Criticism", pp. 85-104
Context: Upon the low value of "constructive" criticism I can offer testimony out of my own experience. My books have been commonly reviewed at length, and many critics have devoted themselves to pointing out what they conceive to be my errors, both of fact and of taste. Well, I cannot recall a case in which any suggestion offered by a "constructive" critic has helped me in the slightest, or even actively interested me. Every such wet-nurse of letters has sought fatuously to make me write in a way differing from that in which the Lord God Almighty, in His infinite wisdom, impels me to write — that is, to make me write stuff which, coming from me, would be as false as an appearance of decency in a Congressman. All the benefits I have ever got from the critics of my work have come from the destructive variety. A hearty slating always does me good, particularly if it be well written. It begins by enlisting my professional respect; it ends by making me examine my ideas coldly in the privacy of my chamber. Not, of course, that I usually revise them, but I at least examine them. If I decide to hold fast to them, they are all the dearer to me thereafter, and I expound them with a new passion and plausibility. If, on the contrary, I discern holes in them, I shelve them in a pianissimo manner, and set about hatching new ones to take their place. But "constructive" criticism irritates me. I do not object to being denounced, but I can't abide being schoolmastered, especially by men I regard as imbeciles.
“In those days I, Virgil, was nursed of sweet Parthenope, and rejoiced in the arts of inglorious ease.”
Illo Vergilium me tempore dulcis alebat
Parthenope studiis florentem ignobilis oti.
Book IV, lines 563–564 (tr. Fairclough)
Georgics (29 BC)
Idle Thoughts of an Idle Fellow (1886)
Context: And who would not risk its terrors to gain its raptures? Ah, what raptures they were! The mere recollection thrills you. How delicious it was to tell her that you loved her, that you lived for her, that you would die for her! How you did rave, to be sure, what floods of extravagant nonsense you poured forth, and oh, how cruel it was of her to pretend not to believe you! In what awe you stood of her! How miserable you were when you had offended her! And yet, how pleasant to be bullied by her and to sue for pardon without having the slightest notion of what your fault was! How dark the world was when she snubbed you, as she often did, the little rogue, just to see you look wretched; how sunny when she smiled! How jealous you were of every one about her! How you hated every man she shook hands with, every woman she kissed—the maid that did her hair, the boy that cleaned her shoes, the dog she nursed—though you had to be respectful to the last-named! How you looked forward to seeing her, how stupid you were when you did see her, staring at her without saying a word! How impossible it was for you to go out at any time of the day or night without finding yourself eventually opposite her windows!
The Gentle Falcon (1957)
Context: I was a lonely child though there were children in plenty on our land. But my nurse forbade me to play with them. She guarded my dignity; more than my mother, indeed, who being so great a lady took dignity for granted.
But in any case there was little time for them to play. There was work for even the smallest upon our land; some of our peasants had run away, tempted by ever-rising wages. Wages fixed by law were certainly low; but, like many another ruined in the French wars, we had no money to pay a penny more than the law laid down. All over the country men were running away from their masters and the land lost as many laborers as by the Black Death itself. <!-- p. 14
The Abolition of Work (1985)
Context: The demeaning system of domination I've described rules over half the waking hours of a majority of women and the vast majority of men for decades, for most of their lifespans. For certain purposes it's not too misleading to call our system democracy or capitalism or — better still — industrialism, but its real names are factory fascism and office oligarchy. Anybody who says these people are "free" is lying or stupid. You are what you do. If you do boring, stupid monotonous work, chances are you'll end up boring, stupid and monotonous. Work is a much better explanation for the creeping cretinization all around us than even such significant moronizing mechanisms as television and education. People who are regimented all their lives, handed off to work from school and bracketed by the family in the beginning and the nursing home at the end, are habituated to heirarchy and psychologically enslaved. Their aptitude for autonomy is so atrophied that their fear of freedom is among their few rationally grounded phobias. Their obedience training at work carries over into the families they start, thus reproducing the system in more ways than one, and into politics, culture and everything else. Once you drain the vitality from people at work, they'll likely submit to heirarchy and expertise in everything. They're used to it.
Ain-i-Akbari by Abul Fazl, trans. by H. Blochmann. I, 327. Quoted from Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 7. Also cited in Herklot, Islam in India, 85-86.
Interview on The Art Of Collecting by Sky Arts - Professor Nasser David Khalili episode (February 21, 2018) https://vimeo.com/256957904
Source: The Philosopher's Apprentice (2008), Chapter 8 (p. 169)
1840s, Heroes and Hero-Worship (1840), The Hero as Priest
Source: Fallen Leaves (2014), Ch. 2 : On Youth
Dr. David Graeber, "Bullshit Jobs," Aug 2013
Part V: War, §IV
An Autobiography (1977)
On April 3, 2003, Respond for China Health Minister Zhang Wenkang report on national television a mere 12 cases of SARS. Outraged Surgeon Forces China To Swallow a Dose of the Truth https://www.wsj.com/articles/SB105097464285708600
Coronavirus Task Force Briefing, April 5. Transcript https://www.rev.com/blog/transcripts/donald-trump-coronavirus-task-force-briefing-transcript-april-5 at Rev.
2020s, 2020, April
"Variations," lines 31-33
Blood for a Stranger (1942)
Source: ‘Introduction’, in Why Vote Labour? (1979), p. 2, quoted in Tudor Jones, ‘Neil Kinnock's socialist journey’, Contemporary Record, Volume 8, Issue 3 (1994), p. pp. 568–569
et Misères des courtisanes (The Splendors and Miseries of Courtesans) (1837-1847), part IV. La dernière Incarnation de Vautrin (The Last Incarnation of Vautrin) https://books.google.ca/books?id=ajtOAAAAcAAJ&pg=PA1&dq=Splendeurs+et+Mis%C3%A8res+des+Coutisanes+Sc%C3%A8nes+de+la+Vie+parisienne&hl=en&sa=X&ved=2ahUKEwiq69XJuJTvAhXrMlkFHcxvDVgQ6AEwCHoECAEQAg#v=onepage&f=falseSplendeurs, "Le Préau de la Conciergerie" ("The Courtyard of the Conciergerie") (chapter title).
Original: (fr) Le crime et la folie ont quelque similitude. Voir les prisonniers de la Conciergerie au préau, ou voir des fous dans le jardin d'une maison de santé, c'est une même chose. Les uns et les autres se promènent en s'évitant, se jettent des regards au moins siguliers, atroces, selon leurs pensées du moment, jamais gais ni sérieux ; car ils se connaissent ou ils se craignent. L'attente d'une condamnation, les remords, les anxiétés donnent aux promeneurs du préau l'air inquiet et hagard des fous. Les criminels consommés ont seuls une assurance qui ressemble à la tranquillité d'une vie honnête, à la sincérité d'une conscience pure.
Calculating Clara
Ruthless Rhymes for Heartless Homes (1899)
San Francisco Catholic https://catholic-sf.org/news/slow-medicine
Source: "Zimbabwe: 'I Have Quit Politics' - Joice Mujuru" https://allafrica.com/stories/202103090190.html, All Africa (March 9, 2021)
According to the Lady's Book of Flowers, 1842 , this is the centaury
Source: The London Literary Gazette, 1824
Source: Rectorial address ("The present decline of Parliamentary government in Great Britain") to Edinburgh University (5 March 1931), quoted in The Times (6 March 1931), p. 19
Church supports conscientious objection for medical professionals in Nuevo Leon https://www.catholicnewsagency.com/news/42683/church-supports-conscientious-objection-for-medical-professionals-in-nuevo-leon (27 October 2019)