Quotes about metal
page 2

Michael Chabon photo
Gregory of Nyssa photo

“For the majority, I take it, who live all their lives with such obtuse faculties of thinking, it is a difficult thing to perform this feat of mental analysis and of discriminating the material vehicle from the immanent beauty, … Owing to this men give up all search after the true Beauty. Some slide into mere sensuality. Others incline in their desires to dead metallic coin. Others limit their imagination of the beautiful to worldly honours, fame, and power. There is another class which is enthusiastic about art and science. The most debased make their gluttony the test of what is good. But he who turns from all grosser thoughts and all passionate longings after what is seeming, and explores the nature of the beauty which is simple, immaterial, formless, would never make a mistake like that when he has to choose between all the objects of desire; he would never be so misled by these attractions as not to see the transient character of their pleasures and not to win his way to an utter contempt for every one of them. This, then, is the path to lead us to the discovery of the Beautiful. All other objects that attract men's love, be they never so fashionable, be they prized never so much and embraced never so eagerly, must be left below us, as too low, too fleeting, to employ the powers of loving which we possess; not indeed that those powers are to be locked up within us unused and motionless; but only that they must first be cleansed from all lower longings; then we must lift them to that height to which sense can never reach.”

Gregory of Nyssa (335–395) bishop of Nyssa

On Virginity, Chapter 11

Lorin Morgan-Richards photo
Bill Bryson photo
Haruki Murakami photo
Oliver Sacks photo
Alauddin Khalji photo
Ossip Zadkine photo
Aron Ra photo

“I was a young man in the ’80s, and I was into medieval weapons, Harleys and Heavy Metal. I even played D&D back when that was supposed to induct players into real-life witchcraft. So I remember all the ridiculous superstition surrounding the secret meanings of ear piercing, the pseudo-paganism of Procter & Gamble, the seemingly Satanic messages in back-masking, and the allegedly suicidal insinuations of some metal albums. I attribute a lot of that to the fact that atheism didn’t have any appreciable presence back then. In those days, if you didn’t buy into Christian dogma and were openly critical of it, then you were a witch. You were either a neo-pagan or (more likely) you were Satanic. The latter would be applied regardless how you might prefer to identify. To my cultural experience, there was no such thing as a skeptic as that is known today. Back then, skeptics were considered cynics who refused to open their minds. It must have been a great time for paranoid Christian conservatives. They actually like Satanists a lot more than atheists. Because Satanists not only play the Christian game; they give Christians the moral high ground. Whereas atheists piss everybody off by pointing out that it is a game and that every believer in any religion is just pretending.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Satanic Panic and Exorcism in Schools? http://www.patheos.com/blogs/reasonadvocates/2016/09/21/satanic-panic-and-exorcism-in-schools/ (September 21, 2016)

George Eliot photo
Orson Scott Card photo

“A rustic setting always suggests fantasy; to suggest science fiction, you need sheet metal and plastic. You need rivets.”

Orson Scott Card (1951) American science fiction novelist

Quoted by Mary Robinette Kowal in " Precogs and Ray Guns Have No Place In True SciFi http://blogs.amctv.com/scifi-scanner/2009/09/science-fantasy.php".
Attributed

Aron Ra photo

“Godzilla 2014 missed the mark primarily because it is not an origins story. Gojira was a monster of our own making. Similarly Gino was supposed to impose nature’s response to our meddling. But G2014 pre-existed genetic modifications and nuclear testing. We have no responsibility for him, nor the mutos either. They come from a time that never was, millions of years ago, “when the world was much more radioactive than it is today”. The story implies that mutos ‘eat radiation’. In the film, they can track it through every kind of protective shielding, and they eat nuclear devices like fruit -metallic peal and all. I guess millions of years ago, nuclear missiles grew on trees, and kaiju were common even though they’re absent from the fossil record -with only one top-secret exception. As an advocate of science education with a deep interest in paleontology, and as someone who would rather see humans held accountable for what they do to their environment, this film was very disappointing. As an atheist, it was even worse. The star of the film not only has impossible dimensions and an inexplicable power, he is also immortal. He’s been alive forever, and spends all his time sleeping. He awakens only he senses submarines or the arrival of other kaiju, because he has a mission to protect humanity. G2014 put the ‘god’ in Godzilla. The director called him a god, and some of the characters in the movie describe him as a god too. So he’s not a lizard, not a dinosaur, but one of the Lovecraftian great old ones like Cthulhu. In a video I made years ago, I too joked about Godzilla being a god. But it was still somewhat disappointing to see him depicted that way.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Patrick Rothfuss photo
Amy Tan photo
Pentti Linkola photo
Joseph Strutt photo
Bran Ferren photo

“It's disgraceful and embarrassing that the highest technology in a typical inner city high school in this country is the metal detector the students pass through at the front door.”

Bran Ferren (1953) American technologist

Metal Front Doors with Glass Like Success, likesuccess.com, 2017-01-16 http://likesuccess.com/img4416163,

Robert Southwell photo
Paul Krugman photo
Karel Appel photo
Tommy Franks photo

“Another hallway led to a green steel door. "This is the execution chamber," the officer said. "The day of the execution, we take the man through this door." He opened the green door, and we blinked at the bright lights inside. A big chair filled the room. I could smell leather. "All right, boys," he said. "Line up." The kids made a straight line that led out the green door, then moved ahead, one at a time, to sit in the big wooden chair. "This is the electric chair, Tommy Ray," my dad explained. "It's where murderers are executed." The boys inched forward. Some sat longer in the chair than others. Executed meant killed, that much I knew. "This is the ultimate consequence for the ultimate act of evil," my father told the troop. When all the boys had sat in the chair, it was my turn. I reached up and felt the smooth wood, the leather straps with cold metal buckles. There was a black steel cap dangling up there like a lamp without a bulb. "Up you go, Tommy Ray," Dad said, hoisting me into the chair. The boys were staring at me. But I wasn't even a little bit afraid. My father stood right beside me. I could feel his warm hand next to the cool metal buckle. As the school bus rumbled out of the prison parking lot that afternoon, I stared back at the high walls. I had learned another important lesson. A consequence was what followed what you did. If you did good things, you'd be rewarded with further good things. If you broke the law, you'd have to pay the price. I have never forgotten that lesson.”

Tommy Franks (1945) United States Army general

Source: American Soldier (2004), p. 8

Yoji Shinkawa photo
Stephen King photo
Roger Manganelli photo
Viktor Schauberger photo
Peter Greenaway photo
Stephen Baxter photo
Fred Hoyle photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Peter Greenaway photo
Jim Steinman photo

“It never felt so good, it never felt so right
And we're glowing like the metal on the edge of a knife.”

Jim Steinman (1947) American musician

Bat out of Hell (1977), Paradise by the Dashboard Light

Omar Khayyám photo

“The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The sovereign Alchemist that in a trice
Life's leaden metal into Gold transmute:”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

Henry R. Towne photo

“Among the names of those who have led the great advance of the industrial arts during the past thirty years, that of Frederick Winslow Taylor will hold an increasingly high place. Others have led in electrical development, in the steel industry, in industrial chemistry, in railroad equipment, in the textile arts, and in many other fields, but he has been the creator of a new science, which underlies and will benefit all of these others by greatly increasing their efficiency and augmenting their productivity. In addition, he has literally forged a new tool for the metal trades, which has doubled, or even trebled, the productive capacity of nearly all metal-cutting machines. Either achievement would entitle him to high rank among the notable men of his day; — the two combined give him an assured place among the world's leaders in the industrial arts.
Others without number have been organizers of industry and commerce, each working out, with greater or less success, the solution of his own problems, but none perceiving that many of these problems involved common factors and thus implied the opportunity and the need of an organized science. Mr. Taylor was the first to grasp this fact and to perceive that in this field, as in the physical sciences, the Baconian system could be applied, that a practical science could be created by following the three principles of that system, viz.: the correct and complete observation oi facts, the intelligent and unbiased analysis of such facts, and the formulating of laws by deduction from the results so reached. Not only did he comprehend this fundamental conception and apply it; he also grasped the significance and possibilities of the problem so fully that his codification of the fundamental principles of the system he founded is practically complete and will be a lasting monument to its founder.”

Henry R. Towne (1844–1924) American engineer

Henry R. Towne, in: Frank Barkley Copley, Frederick W. Taylor, father of scientific management https://archive.org/stream/frederickwtaylor01copl, 1923. p. xii.

Thomas Jefferson photo
Alastair Reynolds photo
Elia M. Ramollah photo
Dylan Moran photo
Will Cuppy photo

“The Egyptians of the First Dynasty were already civilized in most respects. They had hieroglyphics, metal weapons for killing foreigners, numerous government officials, death, and taxes.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part I: It Seems There Were Two Egyptians, Cheops, or Khufu

Norman Spinrad photo
Preston Manning photo

“My first official consulting job, therefore, was for a scrap metal dealer (he resented the term "junk dealer") in East Edmonton named Benny Sugarman.”

Source: The New Canada (1992), Chapter Three, Adventures in the Marketplace, p. 53

William Morley Punshon photo

“Labor is the true alchemist that beats out in patient transmutation the baser metals into gold.”

William Morley Punshon (1824–1881) English Nonconformist minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 367.

William Gibson photo
Amy Lee photo

“In these days he promoted a bramin, by name Seeva Dew Bhut, to the office of prime minister, who embracing the Mahomedan faith, became such a persecutor of Hindoos that he induced Sikundur to issue orders proscribing the residence of any other than Mahomedans in Kashmeer; and he required that no man should wear the mark on his forehead, or any woman be permitted to burn with her husband's corpse. Lastly, he insisted on all golden and silver images being broken and melted down, and the metal coined into money. Many of the bramins, rather than abandon their religion or their country, poisoned themselves; some emigrated from their native homes, while a few escaped the evil of banishment by becoming Mahomedans. After the emigration of the bramins, Sikundur ordered all the temples in Kashmeer to be thrown down; among which was one dedicated to Maha Dew, in the district of Punjhuzara, which they were unable to destroy, in consequence of its foundation being below the surface of the neighbouring water. But the temple dedicated to Jug Dew was levelled with the ground; and on digging into its foundation the earth emitted volumes of fire and smoke which the infidels declared to be the emblem of the wrath of the Deity; but Sikundur, who witnessed the phenomenon, did not desist till the building was entirely razed to the ground, and its foundations dug up….”

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. III p.268-69

Alex Jones photo

“I believe from history and my own gut, instinct, that if I go ahead and lay it all out here, what we're really facing, you've got courage and you've got will, and you're gonna get angry and stop caring. It begins with not caring about what your slack-jawed knuckle-dragging cowardly pseudo tough-guy football-watching neighbor thinks. Okay? That's where it begins. It begins with not caring what happens to your individual person. And when you have that attitude, when you have that attitude, then the enemy doesn't have anything over you anymore. Stop being gelded domesticated garbage. Stop being weak! And when you see a threat coming down on you, deal with it! Become a human again! Stop being weak! We have a bunch of criminals coming down on us. God, ugh! Murdering scum. I wanna get humanity awake. I wanna get our forces up. And I wanna bring these people to justice. And you know what I mean. You know what I mean! I wanna unleash humanity, not have a bunch of con artist pot-bellied chicken-neck pieces of garbage running our world! More importantly they act like effeminate cowardly chicken necks cuz they want to train you to act like that they want to train you to be weak they want to train you. That's a nasty taste coming up in my mouth. Tastin' those globalists. I can taste their fear and their weakness. I taste metal, I taste blood.”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

Alex's Bill Gates Chicken-Neck Bastard 'Rant' https://www.youtube.com/watch?v=Vg-5WgcMV_o, September 2011.

Jack Vance photo
Sylvia Plath photo
Bill Bryson photo
Philip K. Dick photo
Calvin Coolidge photo
James Russell Lowell photo

“Wut's words to them whose faith an' truth
On war's red techstone rang true metal;
Who ventered life an' love an' youth
For the gret prize o' death in battle?”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

No. 10.
The Biglow Papers (1848–1866), Series II (1866)

W. W. Thayer photo
Jack London photo
John Milton photo
Filippo Tommaso Marinetti photo

“It is therefore necessary to prepare the imminent and inevitable identification of man with the motor, facilitating and perfecting an incessant exchange of intuition, rhythm, instinct and metallic discipline, quite utterly unknown to the majority of humanity and only divined by the most lucid mind.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

1910's, Multiplied Man and the Reign of the Machine' 1911
Source: Günter Berghaus (2000) International Futurism in Arts and Literature. p. 318

Josh Homme photo

“"Punk fusion"… "metal", "alternative"… "grindcore". What the hell is all that stuff?”

Josh Homme (1973) American musician

Kyuss interview http://www.youtube.com/watch?v=Bqai2XYiFyI, The Rivoli, Toronto (December 13, 1992)

Miklós Horthy photo

“Secularism per se is a doctrine which arose in the modem West as a revolt against the closed creed of Christianity. Its battle-cry was that the State should be freed from the stranglehold of the Church, and the citizen should be left to his own individual choice in matters of belief. And it met with great success in every Western democracy. Had India borrowed this doctrine from the modem West, it would have meant a rejection of the closed creeds of Islam and Christianity, and a promotion of the Sanatana Dharma family of faiths which have been naturally secularist in the modern Western sense. But what happened actually was that Secularism in India became the greatest protector of closed creeds which had come here in the company of foreign invaders, and kept tormenting the national society for several centuries.
We should not, therefore, confuse India's Secularism with its namesake in the modern West. The Secularism which Pandit Jawaharlal Nehru propounded and which has prospered in post-independence India, is a new concoction and should be recognized as such. We need not bother about its various definitions as put forward by its pandits. We shall do better if we have a close look at its concrete achievements.
Going by those achievements, one can conclude quite safely that Nehruvian Secularism is a magic formula for transmitting base metals into twenty-four carat gold. How else do we explain the fact of Islam becoming a religion, and that too a religion of tolerance, social equality, and human brotherhood; or the fact of Muslim rule in medieval India becoming an indigenous dispensation; or the fact of Muhammad bin Qasim becoming a liberator of the toiling masses in Sindh; or the fact of Mahmud Ghaznavi becoming the defreezer of productive wealth hoarded in Hindu temples; or the fact of Muhammad Ghuri becoming the harbinger of an urban revolution; or the fact of Muinuddin Chishti becoming the great Indian saint; or the fact of Amir Khusru becoming the pioneer of communal amity; or the fact of Alauddin Khilji becoming the first socialist in the annals of this country; or the fact of Akbar becoming the father of Indian nationalism; or the fact of Aurangzeb becoming the benefactor of Hindu temples; or the fact of Sirajuddaula, Mir Qasim, Hyder Ali, Tipu Sultan, and Bahadur Shah Zafar becoming the heroes of India's freedom struggle against British imperialism or the fact of the Faraizis, the Wahabis, and the Moplahs becoming peasant revolutionaries and foremost freedom fighters?
One has only to go to the original sources in order to understand the true character of Islam and its above-mentioned luminaries. And one can see immediately that their true character has nothing to do with that with which they have been invested in our school and college text-books. No deeper probe is needed for unraveling the mysteries of Nehruvian Secularism.”

Sita Ram Goel (1921–2003) Indian activist

Tipu Sultan - Villain or Hero (1993)

Robert Henry Thurston photo
Thomas Jefferson photo
Wesley Willis photo
Benjamin Graham photo

“Many progressive economists insist that gold is now in essentially the same position as silver and that the arguments the simon-pure gold advocates use against the white metal can be directed with equal effect against their own fetish.”

Benjamin Graham (1894–1976) American investor

Source: World Commodities and World Currencies (1944), Chapter IX, Commodities, Gold, Credit as Money, p. 100 (See also Karl Marx, Capital Volume I, p. 89)

William S. Burroughs photo
Suzanne Collins photo
Max Pechstein photo

“It was and still is fundamental: to begin the work with the same tools with which it will be ended, without making a preliminary drawing. on the wood, stone, or metal. Sketches and drawings done in advance clarify the intention, and with it ready in the head, the requisite tool realizes the idea.”

Max Pechstein (1881–1955) German artist

Buchheim, Künstlergemeinschaft Brücke, p. 304; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 54

Peter Atkins photo
Peter Paul Rubens photo
Robert South photo

“Guilt upon the conscience, like rust upon iron, both defiles and consumes it, gnawing and creeping into it, as that does which at last eats out the very heart and substance of the metal.”

Robert South (1634–1716) English theologian

"On the Danger of Presumptuous Sins", in Sermons Preached Upon Several Occasions (1727), Vol. 3, p. 291.

Bert McCracken photo

“When people hear our record, they're not going to be able to put us into the 'New Metal' category or the 'pop-punk' category or the 'aggressive emo' category. I think people will be able to take it for what it is.”

Bert McCracken (1982) American musician

On the release of The Used's album "In Love and Death", interview in David Lindquist (August 6, 2004) "Rising star reserves right to mingle on kids' level - Bert McCracken appears with the Used at X-Fest", The Indianapolis Star, p. G16.

Statius photo

“No image is there, to no metal is the divine form entrusted, in hearts and minds does the goddess delight to dwell.”
Nulla autem effigies, nulli commissa metallo forma dei: mentes habitare et pectora gaudet.

Source: Thebaid, Book XII, Line 493 (tr. J. H. Mozley)

Alastair Reynolds photo
Hendrik Lorentz photo

“One has been led to the conception of electrons, i. e. of extremely small particles, charged with electricity, which are present in immense numbers in all ponderable bodies, and by whose distribution and motions we endeavor to explain all electric and optical phenomena that are not confined to the free ether…. according to our modern views, the electrons in a conducting body, or at least a certain part of them, are supposed to be in a free state, so that they can obey an electric force by which the positive particles are driven in one, and the negative electrons in the opposite direction. In the case of a non-conducting substance, on the contrary, we shall assume that the electrons are bound to certain positions of equilibrium. If, in a metallic wire, the electrons of one kind, say the negative ones, are travelling in one direction, and perhaps those of the opposite kind in the opposite direction, we have to do with a current of conduction, such as may lead to a state in which a body connected to one end of the wire has an excess of either positive or negative electrons. This excess, the charge of the body as a whole, will, in the state of equilibrium and if the body consists of a conducting substance, be found in a very thin layer at its surface.
In a ponderable dielectric there can likewise be a motion of the electrons. Indeed, though we shall think of each of them as haying a definite position of equilibrium, we shall not suppose them to be wholly immovable. They can be displaced by an electric force exerted by the ether, which we conceive to penetrate all ponderable matter… the displacement will immediately give rise to a new force by which the particle is pulled back towards its original position, and which we may therefore appropriately distinguish by the name of elastic force. The motion of the electrons in non-conducting bodies, such as glass and sulphur, kept by the elastic force within certain bounds, together with the change of the dielectric displacement in the ether itself, now constitutes what Maxwell called the displacement current. A substance in which the electrons are shifted to new positions is said to be electrically polarized.
Again, under the influence of the elastic forces, the electrons can vibrate about their positions of equilibrium. In doing so, and perhaps also on account of other more irregular motions, they become the centres of waves that travel outwards in the surrounding ether and can be observed as light if the frequency is high enough. In this manner we can account for the emission of light and heat. As to the opposite phenomenon, that of absorption, this is explained by considering the vibrations that are communicated to the electrons by the periodic forces existing in an incident beam of light. If the motion of the electrons thus set vibrating does not go on undisturbed, but is converted in one way or another into the irregular agitation which we call heat, it is clear that part of the incident energy will be stored up in the body, in other terms [words] that there is a certain absorption. Nor is it the absorption alone that can be accounted for by a communication of motion to the electrons. This optical resonance, as it may in many cases be termed, can likewise make itself felt even if there is no resistance at all, so that the body is perfectly transparent. In this case also, the electrons contained within the molecules will be set in motion, and though no vibratory energy is lost, the oscillating particles will exert an influence on the velocity with which the vibrations are propagated through the body. By taking account of this reaction of the electrons we are enabled to establish an electromagnetic theory of the refrangibility of light, in its relation to the wave-length and the state of the matter, and to form a mental picture of the beautiful and varied phenomena of double refraction and circular polarization.
On the other hand, the theory of the motion of electrons in metallic bodies has been developed to a considerable extent…. important results that have been reached by Riecke, Drude and J. J. Thomson… the free electrons in these bodies partake of the heat-motion of the molecules of ordinary matter, travelling in all directions with such velocities that the mean kinetic energy of each of them is equal to that of a gaseous molecule at the same temperature. If we further suppose the electrons to strike over and over again against metallic atoms, so that they describe irregular zigzag-lines, we can make clear to ourselves the reason that metals are at the same time good conductors of heat and of electricity, and that, as a general rule, in the series of the metals, the two conductivities change in nearly the same ratio. The larger the number of free electrons, and the longer the time that elapses between two successive encounters, the greater will be the conductivity for heat as well as that for electricity.”

Hendrik Lorentz (1853–1928) Dutch physicist

Source: The Theory of Electrons and Its Applications to the Phenomena of Light and Radiant Heat (1916), Ch. I General principles. Theory of free electrons, pp. 8-10

Arthur Schopenhauer photo
Bill Cosby photo

“Dentists tell you not to pick your teeth with any sharp metal object. Then you sit in their chair, and the first thing they grab is an iron hook.”

Bill Cosby (1937) American actor, comedian, author, producer, musician, activist

Himself (1983)

C. N. R. Rao photo
Douglas Adams photo
Georges Braque photo
Nathalia Crane photo
Salvador Dalí photo
Haruki Murakami photo
Enoch Powell photo
Harry Chapin photo
C. N. R. Rao photo