Quotes about likeness

page 10

Statement to General George Crook (25 March 1886), as quoted in Bury My Heart at Wounded Knee (1970) by Dee Brown

in the German army during world War 1. (1914-1918)
Quote from Otto Dix, 1891-1969, exhibition catalogue, London: Tate Gallery, 1992, pp. 17–18; cf. pp. 27–28; as cited by Roy Forward, in 'Education resource material: beauty, truth and goodness in Dix's War' https://nga.gov.au/dix/edu.pdf, p. 9

From Fukuzawa Yukichi on Japanese Women (1988), trans. Kiyooka Eiichi.

Plato, Republic, 506c
Plato, Republic

From Because of You (29 August 1960)

Recalling his meeting with workers in a field, upon his landing, as quoted in "Life on Mars?" by Jesse Skinner in Toro magazine (14 October 2008) http://www.toromagazine.com/epigraph/d8e350a4-e3e5-2b94-5916-3c4e788b808c/Life-on-Mars/index.html

Sources

Source: Down and out in Paris and London (1933), Ch. 17

13 September 2017
The Daily Show
Source: Visiblee at 05:10, Violent Buddhists Target Muslims in Myanmar: The Daily Show https://www.youtube.com/watch?v=J2Qq-RPYb_I, YouTube.com, 13 September 2017.

Response to violent criticism by Bernard Montgomery, 1st Viscount Montgomery of Alamein about Eisenhower's broad front tactics before Operation Market Garden, as quoted in Arnhem — A Tragedy of Errors (1994) by Peter Harclerode, p. 27 and BBC documentary D-Day to Berlin, on Eisenhower's aircraft at Brussels airport on 10 September 1944.
1940s

Les fausses opinions ressemblent à la fausse monnaie qui est frappée d'abord par de grands coupables et dépensée ensuite par d'honnêtes gens qui perpétuent le crime sans savoir ce qu'ils font.
Les soirées de Saint-Pétersbourg, Ch. I

As quoted in On Nature and Grace, Ch. 77, by Augustine of Hippo, as translated by Peter Holmes, Robert Ernest Wallis and Benjamin B Warfield in A Select Library of the Nicene and Post-Nicene Fathers of the Christian Church, Vol. 5 (1887), edited by Philip Schaf, p. 148
The quote above is actually from a Pythagorean philosopher. Pelagius attributed the quote to Pope Sixtus, and Augustine followed his lead until he discovered the error. Augustine himself corrects the source of the quote in the "Retractations" section of his book.

No. 247: To Colonel Worskett (20 September 1963)
The Letters of J. R. R. Tolkien (1981)

Interview for Vogue magazine (December 2008)

First Glance at Adrienne von Speyr (1968)

Emily Blunt interview http://www.bluntreview.com/reviews/bloom.htm

From interview with Amrita Mulchandani

Preface
Philosophiae Naturalis Principia Mathematica (1687)

A Clergyman's Daughter, Ch. 5

Quoted in "'Johnny Depp - From Hell' special," http://www.johnnydeppfan.com/interviews/From%20Hell%20Special.htm ITV (January 2002)

Interview with Bravo Magazine 2007 http://www.danradcliffe.com/index.php?option=com_content&view=article&id=23&Itemid=28

37e–38a
Plato, Apology

Source: Keep the Aspidistra Flying (1936), Ch. 10

Rolling Stone, as quoted in NY Daily News "Justin Bieber tells Rolling Stone about growing up: ‘I feel like I carry myself in a more manly way" http://www.nydailynews.com/entertainment/gossip/justin-bieber-tells-rolling-stone-growing-feel-carry-manly-article-1.1117022, July 2012

Plato, Phaedo

Parrots, the Universe and Everything (2001)

Bad Medicine
Music, New Jersey (1988)

First Person (TV series) Episode 1 "Stairway to Heaven" https://en.wikipedia.org/wiki/First_Person_(TV_series)#Season_1

Fallaci interview (1973)

"As I Please," Tribune (3 March 1944)^{http://alexpeak.com/twr/orwell/quotes/}
As I Please (1943–1947)

Anthony Hopkins on the secret of his spooky success: ‘I like to act like a submarine’ https://herocomplex.latimes.com/uncategorized/anthony-hopkins-on-the-secret-of-his-spooky-success-i-like-to-act-like-a-submarine/ (February 11, 2010)

The Independent on Sunday http://enjoyment.independent.co.uk/film/features/article350884.ece 2005-03-12. Accessed 2006-03-19.
On artist Damien Hirst.

As quoted in Teachings of the Buddha p. 207

New York Times (11 July 1935), p. 23, c.8

“Lea Michele: From Gleek to Do-Gooder,” interview with Shape (July 2012) http://www.shape.com/celebrities/interviews/lea-michele-gleek-do-gooder.

Interview with Mukunda Goswami (4 September 1982)
Context: My idea in "My Sweet Lord," because it sounded like a "pop song," was to sneak up on them a bit. The point was to have the people not offended by "Hallelujah," and by the time it gets to "Hare Krishna," they're already hooked, and their foot's tapping, and they're already singing along "Hallelujah," to kind of lull them into a sense of false security. And then suddenly it turns into "Hare Krishna," and they will all be singing that before they know what's happened, and they will think, "Hey, I thought I wasn't supposed to like Hare Krishna!"

Source: "From Enlightenment to Revolution" (1975), p. 260
Context: But it is useless to subject this hash of uncritical language to critical questioning. We can make no sense of these sentences of Engels unless we consider them as symptoms of a spiritual disease. As a disease, however, they make excellent sense for, with great intensity, they display the symptoms of logophobia, now quite outspokenly as a desperate fear and hatred of philosophy. We even find named the specific object of fear and hatred: it is "the total context of things and of knowledge of things." Engels, like Marx, is afraid that the recognition of critical conceptual analysis might lead to the recognition of a "total context," of an order of being and perhaps even of cosmic order, to which their particular existences would be subordinate. If we may use the language of Marx: a total context must not exist as an autonomous subject of which Marx and Engels are insignificant predicates; if it exists at all, it must exist only as a predicate of the autonomous subjects Marx and Engels. Our analysis has carried us closer to the deeper stratum of theory that we are analysing at present, the meaning of logophobia now comes more clearly into view. It is not the fear of a particular critical concept, like Hegel's Idea, it is rather the fear of critical analysis in general. Submission to critical argument at any point might lead to the recognition of an order of the logos, of a constitution of being, and the recognition of such an order might reveal the revolutionary idea of Marx, the idea of establishing a realm of freedom and of changing the nature of man through revolution, as the blasphemous and futile nonsense which it is.

Majlisi, Bihārul Anwār, vol.78, p. 368.
General

Listen, Little Man! (1948)
Context: "What right do you have to tell me things?" I can see this question in your apprehensive look. I hear this question from your impertinent mouth, Little Man. You are afraid to look at yourself, you are afraid of criticism, Little Man, just as you are afraid of the power they promise you. You would not know how to use this power. You dare not think that you ever might experience your self differently: free instead of cowed; open instead of tactical; loving openly instead of like a thief in the night. You despise yourself Little Man. You say: "Who am I to have an opinion of my own, to determine my own life and to declare the world to be mine?" You are right: Who are you to make a claim to your life?

Cassandra (1860)
Context: The great reformers of the world turn into the great misanthropists, if circumstances or organisation do not permit them to act. Christ, if He had been a woman, might have been nothing but a great complainer. Peace be with the misanthropists! They have made a step in progress; the next will make them great philanthropists; they are divided but by a line.
The next Christ will perhaps be a female Christ. But do we see one woman who looks like a female Christ? or even like "the messenger before" her "face", to go before her and prepare the hearts and minds for her?
To this will be answered that half the inmates of Bedlam begin in this way, by fancying that they are "the Christ."
People talk about imitating Christ, and imitate Him in the little trifling formal things, such as washing the feet, saying His prayer, and so on; but if anyone attempts the real imitation of Him, there are no bounds to the outcry with which the presumption of that person is condemned.

" The Chantry Of The Cherubim http://www.bartleby.com/236/219.html" in The Oxford Book of English Mystical Verse (1917) by D. H. S. Nicholson.
Context: p>I walk as one unclothed of flesh,
I wash my spirit clean;
I see old miracles afresh,
And wonders yet unseen.
I will not leave Thee till Thou give
Some word whereby my soul may live!I listened — but no voice I heard;
I looked — no likeness saw;
Slowly the joy of flower and bird
Did like a tide withdraw;
And in the heaven a silent star
Smiled on me, infinitely far.</p

"The Lion and the Unicorn" (1941)
Context: Is the English press honest or dishonest? At normal times it is deeply dishonest. All the papers that matter live off their advertisements, and the advertisers exercise an indirect censorship over news. Yet I do not suppose there is one paper in England that can be straightforwardly bribed with hard cash. In the France of the Third Republic all but a very few of the newspapers could notoriously be bought over the counter like so many pounds of cheese.

"As I Please," Tribune (8 December 1944)^{http://alexpeak.com/twr/tdoaom/}
"As I Please" (1943–1947)
Context: The important thing is to discover which individuals are honest and which are not, and the usual blanket accusation merely makes this more difficult. The atmosphere of hatred in which controversy is conducted blinds people to considerations of this kind. To admit that an opponent might be both honest and intelligent is felt to be intolerable. It is more immediately satisfying to shout that he is a fool or a scoundrel, or both, than to find out what he is really like. It is this habit of mind, among other things, that has made political prediction in our time so remarkably unsuccessful.

Playboy interview (May 1995)
Context: I'm absolutely a feminist. The reason other feminists don't like me is that I criticize the movement, explaining that it needs a correction. Feminism has betrayed women, alienated men and women, replaced dialogue with political correctness. PC feminism has boxed women in. The idea that feminism — that liberation from domestic prison — is going to bring happiness is just wrong. Women have advanced a great deal, but they are no happier. The happiest women I know are not those who are balancing their careers and families, like a lot of my friends are. The happiest people I know are the women — like my cousins — who have a high school education, got married immediately graduating and never went to college. They are very religious and they never question their Catholicism. They do not regard the house as a prison. … I look at my friends who are on the fast track. They are desperate, frenzied and frazzled, the most unhappy women who have ever existed. They work nights and weekends and have no lives. Some of them have children who are raised by nannies. … The entire feminist culture says that the most important woman is the woman with an attache case. I want to empower the woman who wants to say, "I'm tired of this and I want to go home." The far right is correct when it says the price of women's liberation is being paid by the children.

Source: The Character of Physical Law (1965), chapter 2, “ The Relation of Mathematics to Physics http://www.youtube.com/watch?v=M9ZYEb0Vf8U” referring to the law of conservation of angular momentum
Context: Now we have a problem. We can deduce, often, from one part of physics like the law of gravitation, a principle which turns out to be much more valid than the derivation. This doesn't happen in mathematics, that the theorems come out in places where they're not supposed to be!

Source: Down and out in Paris and London (1933), Ch. 31
Context: Beggars do not work, it is said; but then, what is work? A navvy works by swinging a pick. An accountant works by adding up figures. A beggar works by standing out of doors in all weathers and getting varicose veins, bronchitis etc. It is a trade like any other; quite useless, of course — but, then, many reputable trades are quite useless. And as a social type a beggar compares well with scores of others. He is honest compared with the sellers of most patent medicines, high-minded compared with a Sunday newspaper proprietor, amiable compared with a hire-purchase tout-in short, a parasite, but a fairly harmless parasite. He seldom extracts more than a bare living from the community, and, what should justify him according to our ethical ideas, he pays for it over and over in suffering.

Source: Atma Bodha (1987), p. 98-101: Quote nr. 52 - 54.
Context: Though he lives in the conditionings (Upadhis), he, the contemplative one, remains ever unconcerned with anything or he may move about like the wind, perfectly unattached.
On the destruction of the Upadhis, the contemplative one is totally absorbed in "Vishnu", the All-pervading Spirit, like water into water, space into space and light into light.
Realise That to be Brahman, the attainment of which leaves nothing more to be attained, the blessedness of which leaves no other blessing to be desired and the knowledge of which leaves nothing more to be known.

Remark to western ambassadors during a diplomatic reception in Moscow (18 November 1956) as quoted in Memoirs of Nikita Khrushchev: Statesman, 1953-1964, Penn State Press, 2007, (2007) by Nikita Sergeevich Khrushchev, p. 893

Jokes and their Relation to the Cognitive Unconscious (1980)
Context: All intelligent persons also possess some larger-scale frame-systems whose members seemed at first impossibly different — like water with electricity, or poetry with music. Yet many such analogies — along with the knowledge of how to apply them — are among our most powerful tools of thought. They explain our ability sometimes to see one thing — or idea — as though it were another, and thus to apply knowledge and experience gathered in one domain to solve problems in another. It is thus that we transfer knowledge via the paradigms of Science. We learn to see gases and fluids as particles, particles as waves, and waves as envelopes of growing spheres.

Source: The Big Sleep (1939), Chapter 32, Phillip Marlowe
Context: What did it matter where you lay once you were dead? In a dirty sump or in a marble tower on top of a high hill? You were dead, you were sleeping the big sleep, you were not bothered by things like that. Oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now. Far more a part of it than Rusty Regan was. But the old man didn't have to be. He could lie quiet in his canopied bed, with his bloodless hands folded on the sheet, waiting. His heart was a brief, uncertain murmur. His thoughts were as gray as ashes. And in a little while he too, like Rusty Regan, would be sleeping the big sleep.

Better than Sex (22 August 1994)
1990s
Context: Not everybody is comfortable with the idea that politics is a guilty addiction. But it is. They are addicts, and they are guilty and they do lie and cheat and steal — like all junkies. And when they get in a frenzy, they will sacrifice anything and anybody to feed their cruel and stupid habit, and there is no cure for it. That is addictive thinking. That is politics — especially in presidential campaigns. That is when the addicts seize the high ground. They care about nothing else. They are salmon, and they must spawn. They are addicts.

Interview with the Aga Khan, BBC World News America, (13 November 2007) http://www.nanowisdoms.org/nwblog/10384/
Context: You start with an idea, and then you let it grow. I think at the moment, there is a tendency to want to see political change occur in the developing world very rapidly, and I think this notion of consultation and democracy is all excellent, but I simply don't believe that Western forms of democracy are necessarily replicable throughout the developing world that I know, and indeed I would go so far as to say that, at the moment, one of our risks is to see democracies fail. … I think you have to be patient, careful, analytical, thoughtful, prudent, and build step-by-step. I don't think it can be done like mixing a glass of Nescafé.

"Reflections on Gandhi" (1949)
Context: I could see even then that the British officials who spoke of him with a mixture of amusement and disapproval also genuinely liked and admired him, after a fashion. Nobody ever suggested that he was corrupt, or ambitious in any vulgar way, or that anything he did was actuated by fear or malice. In judging a man like Gandhi one seems instinctively to apply high standards, so that some of his virtues have passed almost unnoticed. For instance, it is clear even from the autobiography that his natural physical courage was quite outstanding: the manner of his death was a later illustration of this, for a public man who attached any value to his own skin would have been more adequately guarded. Again, he seems to have been quite free from that maniacal suspiciousness which, as E. M. Forster rightly says in A Passage to India, is the besetting Indian vice, as hypocrisy is the British vice. Although no doubt he was shrewd enough in detecting dishonesty, he seems wherever possible to have believed that other people were acting in good faith and had a better nature through which they could be approached.

Book VI, chapter 3: "Conversations and Exhortations of Father Zossima; Of Prayer, of Love, and of Contact with other Worlds" (translated by Constance Garnett)
The Brothers Karamazov (1879–1880)
Context: Brothers, have no fear of men's sin. Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on earth. Love all God's creation, the whole of it and every grain of sand in it. Love every leaf, every ray of God's light. Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things. Once you have perceived it, you will begin to comprehend it better every day, and you will come at last to love the world with an all-embracing love. Love the animals: God has given them the rudiments of thought and untroubled joy. So do not trouble it, do not harass them, do not deprive them of their joy, do not go against God's intent. Man, do not exhale yourself above the animals: they are without sin, while you in your majesty defile the earth by your appearance on it, and you leave the traces of your defilement behind you — alas, this is true of almost every one of us! Love children especially, for like the angels they too are sinless, and they live to soften and purify our hearts, and, as it were, to guide us. Woe to him who offends a child.
My young brother asked even the birds to forgive him. It may sound absurd, but it is right none the less, for everything, like the ocean, flows and enters into contact with everything else: touch one place, and you set up a movement at the other end of the world. It may be senseless to beg forgiveness of the birds, but, then, it would be easier for the birds, and for the child, and for every animal if you were yourself more pleasant than you are now. Everything is like an ocean, I tell you. Then you would pray to the birds, too, consumed by a universal love, as though in ecstasy, and ask that they, too, should forgive your sin. Treasure this ecstasy, however absurd people may think it.

Stating that the development of the Mickey Mouse character was inspired by Charlie Chaplin's character "the Tramp", as quoted in How to Be Like Walt : Capturing the Disney Magic Every Day of Your Life (2004) by Pat Williams and Jim Denney, p. 52
Context: We felt that the public, and especially the children, like animals that are cute and little. I think we are rather indebted to Charlie Chaplin for the idea. We wanted something appealing, and we thought of a tiny bit of a mouse that would have something of the wistfulness of Chaplin — a little fellow trying to do the best he could.

Playboy interview (1980)
Context: It's better to fade away like an old soldier than to burn out. I don't appreciate worship of dead Sid Vicious or of dead James Dean or of dead John Wayne. It's the same thing. Making Sid Vicious a hero, Jim Morrison — it's garbage to me. I worship the people who survive. Gloria Swanson, Greta Garbo.

"Notes on Nationalism" (1945)
Context: By "nationalism" I mean first of all the habit of assuming that human beings can be classified like insects and that whole blocks of millions or tens of millions of people can be confidently labelled "good" or "bad." But secondly — and this is much more important — I mean the habit of identifying oneself with a single nation or other unit, placing it beyond good and evil and recognizing no other duty than that of advancing its interests. Nationalism is not to be confused with patriotism. Both words are normally used in so vague a way that any definition is liable to be challenged, but one must draw a distinction between them, since two different and even opposing ideas are involved. By "patriotism" I mean devotion to a particular place and a particular way of life, which one believes to be the best in the world but has no wish to force on other people. Patriotism is of its nature defensive, both militarily and culturally. Nationalism, on the other hand, is inseparable from the desire for power. The abiding purpose of every nationalist is to secure more power and more prestige, not for himself but for the nation or other unit in which he has chosen to sink his own individuality.

Interview on The David Frost Show (14 June 1969)
Context: We're trying to sell peace, like a product, you know, and sell it like people sell soap or soft drinks. And it's the only way to get people aware that peace is possible, and it isn't just inevitable to have violence. Not just war — all forms of violence. People just accept it and think 'Oh, they did it, or Harold Wilson did it, or Nixon did it,' they're always scapegoating people. And it isn't Nixon's fault. We're all responsible for everything that goes on, you know, we're all responsible for Biafra and Hitler and everything. So we're just saying "SELL PEACE" — anybody interested in peace just stick it in the window. It's simple but it lets somebody else know that you want peace too, because you feel alone if you're the only one thinking 'wouldn't it be nice if there was peace and nobody was getting killed.' So advertise yourself that you're for peace if you believe in it.

Notes on Nationalism (1945)

As quoted by William Rees-Mogg in The Times [London] (4 April 2005) {not found}. Gandhi here makes reference to a statement of Jesus: “No servant can serve two masters; for either he will hate the one and love the other, or else he will be loyal to the one and despise the other. You cannot serve God and mammon." (Luke 16:13); also partly quoted in Christianity in the Crosshairs: Real Life Solutions Discovered in the Line of Fire (2004, p. 74 books.google http://books.google.de/books?id=I7_5OM2VWuMC&pg=PA74) by Bill Wilson.
A variation is found in Bombay Sarvodaya Mandal & Gandhi Research Foundation's website mkgandhi.org http://www.mkgandhi.org/africaneedsgandhi/gandhi's_message_to_christians.htm. Christian missionary E. Stanley Jones, who spent much time with Gandhi in India, is said to have askedː “Mr Gandhi, though you quote the words of Christ often, why is it that you appear to so adamantly reject becoming his follower?". To this, Gandhi is said to have repliedː “Oh, I don’t reject your Christ. I love your Christ. It is just that so many of you Christians are so unlike your Christ”. Jones would write a book called " Mahatma Gandhi: An Interpretation https://archive.org/details/mahatmagandhiani000019mbp" (1948), where he included excerpts of his personal correspondance with Gandhi, but he did not include this conversation.
No further sources for Gandhi have been yet found; but a A similar quote is attributed to Bara Dadaː "Jesus is ideal and wonderful, but you Christians -- you are not like him." Source - Jones, E. Stanley. The Christ of the Indian Road, New York: The Abingdon Press,1925. (Page 114)
Disputed
Context: I like your Christ. I do not like your Christians. Your Christians are so unlike your Christ. The materialism of affluent Christian countries appears to contradict the claims of Jesus Christ that says it's not possible to worship both Mammon and God at the same time.

As quoted in Men Who Have Walked with God (1992) by Sheldon Cheney, p. 198
Context: Unmovable disinterest brings man into likeness of God.... To be full of things is to be empty of God; to be empty of things is to be full of God.

Disputed
Source: Udall, U.S. Rep. Morris K., Khrushchev Could Have Said It, 2016-04-06, originally published in The New Republic, 1962 http://www.library.arizona.edu/exhibits/udall/khrushch_htm.html,

"Suzanne"
Songs of Leonard Cohen (1967)
Context: And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone

Pop Chronicles, Show 7 - The All American Boy: Enter Elvis and the rock-a-billies. Part 1 http://digital.library.unt.edu/ark:/67531/metadc19754/m1/; C. Robert Jennings, " Elvis Lives! http://pqasb.pqarchiver.com/latimes/doc/155809300.html?FMT=ABS&FMTS=ABS:AI&type=historic&date=Feb+18%2C+1968&author=Jennings%2C+C+Robert&pub=Los+Angeles+Times+%281923-Current+File%29&edition=&startpage=M28&desc=ELVIS+LIVES%21", 1968-Feb-18, L.A. Times Magazine, p. M28.
Context: It just happened. I like to sing, and well, I just started singing and folks just started listening. I can't tell folks that I worked and learned and studied, and overcame disappointments, because I didn't.

The Art of Peace (1992)
Context: Techniques employ four qualities that reflect the nature of our world. Depending on the circumstance, you should be: hard as a diamond, flexible as a willow, smooth-flowing like water, or as empty as space.

Baltimore Evening Sun (12 February 1923)
1920s
Context: The fact is that the average man's love of liberty is nine-tenths imaginary, exactly like his love of sense, justice and truth. He is not actually happy when free; he is uncomfortable, a bit alarmed, and intolerably lonely. Liberty is not a thing for the great masses of men. It is the exclusive possession of a small and disreputable minority, like knowledge, courage and honor. It takes a special sort of man to understand and enjoy liberty — and he is usually an outlaw in democratic societies.

Introduction (1971)
The Golden Notebook (1962)
Context: Ideally, what should be said to every child, repeatedly, throughout his or her school life is something like this:
"You are in the process of being indoctrinated. We have not yet evolved a system of education that is not a system of indoctrination. We are sorry, but it is the best we can do. What you are being taught here is an amalgam of current prejudice and the choices of this particular culture. The slightest look at history will show how impermanent these must be. You are being taught by people who have been able to accommodate themselves to a regime of thought laid down by their predecessors. It is a self-perpetuating system. Those of you who are more robust and individual than others will be encouraged to leave and find ways of educating yourself — educating your own judgements. Those that stay must remember, always, and all the time, that they are being moulded and patterned to fit into the narrow and particular needs of this particular society."

"Why I Write," Gangrel (Summer 1946)
Context: The Spanish war and other events in 1936-7 turned the scale and thereafter I knew where I stood. Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism, as I understand it. It seems to me nonsense, in a period like our own, to think that one can avoid writing of such subjects.

As quoted in Modern Dancing and Dancers (1912) by John Ernest Crawford Flitch, p. 105.
Context: To seek in nature the fairest forms and to find the movement which expresses the soul of these forms — this is the art of the dancer. It is from nature alone that the dancer must draw his inspirations, in the same manner as the sculptor, with whom he has so many affinities. Rodin has said: "To produce good sculpture it is not necessary to copy the works of antiquity; it is necessary first of all to regard the works of nature, and to see in those of the classics only the method by which they have interpreted nature." Rodin is right; and in my art I have by no means copied, as has been supposed, the figures of Greek vases, friezes and paintings. From them I have learned to regard nature, and when certain of my movements recall the gestures that are seen in works of art, it is only because, like them, they are drawn from the grand natural source.
My inspiration has been drawn from trees, from waves, from clouds, from the sympathies that exist between passion and the storm, between gentleness and the soft breeze, and the like, and I always endeavour to put into my movements a little of that divine continuity which gives to the whole of nature its beauty and its life.

"Artistic Freedom"
I'm a Born Liar (2003)
Context: I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.

Source: The Last Testament : Interviews with the World Press (1986)
Context: I would like that what I am doing is not lost. So I am trying in every possible way to drop all those things which in the past have been barriers for the revolution to continue and grow. I don't want anybody to stand between the individual and existence. No prayer, no priest... you alone are enough to face the sunrise, you don't need somebody to interpret for you what a beautiful sunrise it is... And this is my attitude: you are here, every individual is here, the whole existence is available. All that you need is just to be silent and listen to existence. There is no need of any religion, there is no need of any God, there is no need of any priesthood, there is no need of any organization. I trust in the individual categorically. Nobody up to now has trusted in the individual in such a way.

Ante-Nicene Christian library: v. 3 p. 20
Address to the Greeks

Hindu Sangathan, Saviour of the Dying Race (Delhi 1926)

Collected Works of G.K. Chesterton : The Illustrated London News, 1905-1907 (1986), p. 191

Overcoming a Personal Holocaust, Alfred Freddy Krupa (in the article by Ante Vranković), Life As A Human (Canada), 2019
2010s

On being asked whether his artwork was a form of primal expressionism in “How Jean-Michel Basquiat predicted our identity-obsessed digital age” https://www.gq-magazine.co.uk/article/jean-michel-basquiat in GQ (2017 Sep 20)

Nick Mason, Billboard (1972)

Nathuram Godse: Why I Assassinated Gandhi (1993)

My Twisted World (2014), 19-22, UC Santa Barbara, Building to Violence

Interview by Andrea Di Marcantonio

Statement of April 1961, as quoted in Warrior of Light : The Life of Nicholas Roerich : Artist, Himalayan explorer and visionary (2002) by Colleen Messina, p. 46

Source: Keep the Aspidistra Flying (1936), Ch. 7

Keep the Aspidistra Flying (1936)

"Till I Collapse"
2000s, The Eminem Show (2002)

In the novel Bhoot quoted in page=92.
Portrayal of Women in Premchands Stories A Critique

Critical comment in India by The Amrita Bazaar Patrika, page=5.
About Dadabhai, Narrow-majority’ and ‘Bow-and-agree’: Public Attitudes Towards the Elections of the First Asian MPs in Britain, Dadabhai Naoroji and Mancherjee Merwanjee Bhownaggree, 1885-1906