Quotes about lighting
page 25

Henry John Stephen Smith photo
Toni Morrison photo
Harry Blackmun photo
Mike Oldfield photo
Kent Hovind photo
John Keats photo
Colin Wilson photo
Christopher Hitchens photo

“Even as the light that shifts and plays upon a lake, when Cynthia looks forth from heaven or the bright wheel of Phoebus in mid course passes by, so doth he shed a gleam upon the waters; he heeds not the shadow of the Nymph or her hair or the sound of her as she rises to embrace him. Greedily casting her arms about him, as he calls, alack! too late for help and utters the name of his mighty friend, she draws him down; for her strength is aided by his falling weight.”
Stagna vaga sic luce micant ubi Cynthia caelo prospicit aut medii transit rota candida Phoebi, tale iubar diffundit aquis: nil umbra comaeque turbavitque sonus surgentis ad oscula nymphae. illa avidas iniecta manus heu sera cientem auxilia et magni referentem nomen amici detrahit, adiutae prono nam pondere vires.

Source: Argonautica, Book III, Lines 558–564

Lawrence M. Krauss photo
Rembrandt van Rijn photo

“My [dear] Sir: Let me first offer my kind regards. I agree that I should come soon to see how the picture accords with the rest. As regards the price, I certainly deserve 200 pounds for it, but shall be content with whatever His Excellency pays me. And if you, Sir, do not deem it presumptuous, I shall not neglect to requite the favor. Your humble and devoted servant Rembrandt - It [the picture] will show to [the] best advantage in His Excellency's gallery, since there it will be [displayed] in bright light.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Letter to Constantijn Huygens (Amsterdam, after Feb. 1636) http://remdoc.huygens.knaw.nl/#/document/remdoc/e4429
Rembrandt emphasizes here the urge for a place with bright light, necessary to view his painting well. Not certain is which painting by Rembrandt is meant here.
1630 - 1640

Kate Bush photo
Mo Yan photo
Ignatius Sancho photo
Neal Stephenson photo

“The corporations have already planted their own bombs. All we have to do is light the fuses.”

Source: Zodiac (1988), Chapter 4, Sangamon Taylor on why violent action is not necessary against polluting corporations

William Blake photo

“God appears and god is light
To those poor souls who dwell in night
But does a human form display
To those who dwell in realms of day”

William Blake (1757–1827) English Romantic poet and artist

Source: 1800s, Auguries of Innocence (1803), Line 129

Letitia Elizabeth Landon photo
Theo van Doesburg photo
Tim McGraw photo
Christopher Pitt photo

“Infernal gods, who rule the shades below,
Chaos and Phlegethon, the realms of woe;
Grant what I've heard I may to light expose,
Secrets which earth, and night, and hell inclose!”

Christopher Pitt (1699–1748) English poet

Richard Maitland, 4th Earl of Lauderdale, The Works of Virgil, Translated Into English Verse (1709), Aeneid, Book VI, lines 328–331, p. 210
Misattributed

Gancho Tsenov photo

“The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place.”

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 5

Thomas Carlyle photo

“Everywhere the human soul stands between a hemisphere of light and another of darkness on the confines of two everlasting hostile empires, — Necessity and Free Will.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Essays, Goethe's Works.
1820s, Critical and Miscellaneous Essays (1827–1855)

Pierre Gassendi photo
Gene Wilder photo
Michel De Montaigne photo
Davey Havok photo
Samuel Johnson photo
Roger Waters photo

“I used to think the world was flat
Rarely threw my hat into the crowd
I felt I had used up my quota of yearning
Used to look in on the children at night
In the glow of their Donald Duck light
And frighten myself with the thought of my little ones burning But ooh, the tide is turning
The tide is turning.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

"The Tide Is Turning (After Live Aid)", on Radio K.A.O.S. (1987) - Full lyrics at LyricWiki http://lyrics.wikia.com/Roger_Waters:The_Tide_Is_Turning_(After_Live_Aid) · Tour performance http://www.youtube.com/watch?v=66nqhVtq6xo · Video 2 https://www.youtube.com/watch?v=GvTvWJWeQ2g Live in Berlin https://www.youtube.com/watch?v=sFWCAYPWFbs

John Oldham (poet) photo

“Ah, dearer than my soul…
Dearer than light, or life, or fame.”

John Oldham (poet) (1653–1683) English satirical poet and translator

Lament for Saul and Jonathan; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922).

Edouard Manet photo
Ernst Kaltenbrunner photo

“Among the spiritual forces secretly working in the camp of Germany's enemies and their allies in this war, as in the last, stands Freemasonry, the danger of whose activities has been repeatedly stressed by the Fuehrer in his speeches. The present brochure, now made available to the German and European peoples in a 3rd edition, is intended to shed light on this enemy working in the shadows. Though an end has been put to the activities of Masonic organizations in most European countries, particular attention must still be paid to Freemasonry, and most particularly to its membership, as the implements of the political will of a supra-governmental power. The events of the summer of 1943 in Italy demonstrate once again the latent danger always represented by individual Freemasons, even after the destruction of their Masonic organizations. Although Freemasonry was prohibited in Italy as early as 1925, it has retained significant political influence in Italy through its membership, and has continued to exert that influence in secrecy. Freemasons thus stood in the first ranks of the Italian traitors who believed themselves capable of dealing Fascism a death blow at a critical juncture, shamelessly betraying the Italian nation. The intended object of the 3rd printing of this brochure is to provide a clearer knowledge of the danger of Masonic corruption, and to keep the will to self-defence alive.”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

Foreword in "Freemasonry: Ideology, Organization, and Policy," first published in 1944.

Tommy Franks photo

“Another hallway led to a green steel door. "This is the execution chamber," the officer said. "The day of the execution, we take the man through this door." He opened the green door, and we blinked at the bright lights inside. A big chair filled the room. I could smell leather. "All right, boys," he said. "Line up." The kids made a straight line that led out the green door, then moved ahead, one at a time, to sit in the big wooden chair. "This is the electric chair, Tommy Ray," my dad explained. "It's where murderers are executed." The boys inched forward. Some sat longer in the chair than others. Executed meant killed, that much I knew. "This is the ultimate consequence for the ultimate act of evil," my father told the troop. When all the boys had sat in the chair, it was my turn. I reached up and felt the smooth wood, the leather straps with cold metal buckles. There was a black steel cap dangling up there like a lamp without a bulb. "Up you go, Tommy Ray," Dad said, hoisting me into the chair. The boys were staring at me. But I wasn't even a little bit afraid. My father stood right beside me. I could feel his warm hand next to the cool metal buckle. As the school bus rumbled out of the prison parking lot that afternoon, I stared back at the high walls. I had learned another important lesson. A consequence was what followed what you did. If you did good things, you'd be rewarded with further good things. If you broke the law, you'd have to pay the price. I have never forgotten that lesson.”

Tommy Franks (1945) United States Army general

Source: American Soldier (2004), p. 8

Daniel Tosh photo

“Necessary is often the mother of light fingers instead of invention.”

Source: No Enemy But Time (1982), Chapter 10 “Fruit of the Looms” (p. 76)

Michel Foucault photo
Albert Einstein photo

“The more a man is imbued with the ordered regularity of all events the firmer becomes his conviction that there is no room left by the side of this ordered regularity for causes of a different nature. For him neither the rule of human nor the rule of divine will exists as an independent cause of natural events. To be sure, the doctrine of a personal God interfering with natural events could never be refuted, in the real sense, by science, for this doctrine can always take refuge in those domains in which scientific knowledge has not yet been able to set foot.
But I am persuaded that such behavior on the part of the representatives of religion would not only be unworthy but also fatal. For a doctrine which is able to maintain itself not in clear light but only in the dark, will of necessity lose its effect on mankind, with incalculable harm to human progress. In their struggle for the ethical good, teachers of religion must have the stature to give up the doctrine of a personal God, that is, give up that source of fear and hope which in the past placed such vast power in the hands of priests. In their labors they will have to avail themselves of those forces which are capable of cultivating the Good, the True, and the Beautiful in humanity itself. This is, to be sure, a more difficult but an incomparably more worthy task.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1940s, Science and Religion (1941)

Michael von Faulhaber photo
Anastacia photo
Halldór Laxness photo

“Gold is precious because it resembles the sun. Silver has the light of the moon.”

Halldór Laxness (1902–1998) Icelandic author

the blind man at the Ölfus River
Íslandsklukkan (Iceland's Bell) (1946), Part I: Iceland's Bell

Joseph Joubert photo
Alan Rusbridger photo

“It took one tweet on Monday evening as I left the office to light the virtual touchpaper. At five past nine I tapped: "Now Guardian prevented from reporting parliament for unreportable reasons. Did John Wilkes live in vain?"… By the time I got home, after stopping off for a meal with friends, the Twittersphere had gone into meltdown. Twitterers had sleuthed down Farrelly's question, published the relevant links and were now seriously on the case. By midday on Tuesday "Trafigura" was one of the most searched terms in Europe, helped along by re-tweets by Stephen Fry and his 830,000-odd followers.
… One or two legal experts uncovered the Parliamentary Papers Act 1840, wondering if that would help? Common #hashtags were quickly developed, making the material easily discoverable. By lunchtime – an hour before we were due in court – Trafigura threw in the towel. The textbook stuff – elaborate carrot, expensive stick – had been blown away by a newspaper together with the mass collaboration of total strangers on the web. Trafigura thought it was buying silence. A combination of old media – the Guardian – and new – Twitter – turned attempted obscurity into mass notoriety.”

Alan Rusbridger (1953) British newspaper editor

Alan Rusbridger " The Trafigura fiasco tears up the textbook http://www.theguardian.com/commentisfree/libertycentral/2009/oct/14/trafigura-fiasco-tears-up-textbook" The Guardian, Wednesday 14 October 2009; As cited in Paul Bradshaw, ‎Liisa Rohumaa (2013) The Online Journalism Handbook: Skills to survive and thrive in the Digital Age. p. 176.
2000s

Adelaide Anne Procter photo

“Joy is like restless day; but peace divine
Like quiet night;
Lead me, O Lord, — till perfect Day shall shine
Through Peace to Light.”

Adelaide Anne Procter (1825–1864) English poet and songwriter

"Per Pacem ad Lucem".
A Chaplet of Verses (1862)

“p>One translucent day I leave the city
to visit my home, the land of Champa.Here are stupas gaunt with yearning,
ancient temples ruined by time,
streams that creep alone through the dark
past peeling statues that moan of Champa.Here are dense and drooping forests
where long processions, lost souls of Champa,
march; and evening spills through thick,
fragrant leaves, mingling with the cries of moorhens.Here is the field where two great armies
were reduced to a horde of clamoring souls.
Champa blood still cascades in streams of hatred
to grinding oceans filled with Champa bones.Here too are placid images: hamlets at rest
in evening sun, Champa girls gliding homeward,
their light chatter floating
with the pink and saffron of their dresses.Here are magnificent sunbaked palaces,
temples that blaze in cerulean skies.
Here battleships dream on the glossy river, while the thunder
of sacred elephants shakes the walls.Here, in opaque light sinking through lapis lazuli,
the Champa king and his men are lost in a maze of flesh
as dancers weave, wreathe, entranced,
their bodies harmonizing with the flutes.All this I saw on my way home years ago
and still I am obsessed,
my mind stunned, sagged with sorrow
for the race of Champa.”

Chế Lan Viên (1920–1989) Vietnamese writer

"On the Way Home", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), p. 167; quoted in full in Buddhism & Zen in Vietnam by Thich Thien-an (Tuttle Publishing, 1992)

Neil Peart photo

“The total amount of electric power generated by India would not suffice to light up New York City.”

Robert L. Heilbroner (1919–2005) American historian and economist

Source: The Future As History (1960), Chapter II, Part 5, The Terrible Ascent, p. 81

John Ruysbroeck photo
Roger Ebert photo

“The best shot in this film is the first one. Not a good sign… After the screening was over and the lights went up, I observed a couple of my colleagues in deep and earnest conversation, trying to resolve twists in the plot. They were applying more thought to the movie than the makers did. A critic's mind is a terrible thing to waste.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/i-know-what-you-did-last-summer-1997 of I Know What You Did Last Summer (17 October 1997)
Reviews, One-star reviews

“My young friend who was taught that she was so sinful the only way an angry God could be persuaded to forgive her was by Jesus dying for her, was also taught that part of the joy of the blessed in heaven is watching the torture of the damned in hell. A strange idea of joy. But it is a belief limited not only to the more rigid sects. I know a number of highly sensitive and intelligent people in my own communion who consider as a heresy my faith that God's loving concern for his creation will outlast all our willfulness and pride. No matter how many eons it takes, he will not rest until all of creation, including Satan, is reconciled to him, until there is no creature who cannot return his look of love with a joyful response of love… Origen held this belief and was ultimately pronounced a heretic. Gregory of Nyssa, affirming the same loving God, was made a saint. Some people feel it to be heresy because it appears to deny man his freedom to refuse to love God. But this, it seems to me, denies God his freedom to go on loving us beyond all our willfulness and pride. If the Word of God is the light of the world, and this light cannot be put out, ultimately it will brighten all the dark corners of our hearts and we will be able to see, and seeing, will be given the grace to respond with love — and of our own free will.”

Madeleine L'Engle (1918–2007) American writer

The Crosswicks Journal, The Irrational Season (1977)

Letitia Elizabeth Landon photo
George H. W. Bush photo
Oliver Wendell Holmes photo

“I don't want to have the territory of a man's mind fenced in. I don't want to shut out the mystery of the stars and the awful hollow that holds them. We have done with those hypaethral temples, that were open above to the heavens, but we can have attics and skylights to them. Minds with skylights…
One-story intellects, two-story intellects, three-story intellects, with skylights. All fact-collectors, who have no aim beyond their facts, are one-story men. Two-story men compare, reason, generalize, using the labors of the fact-collectors as well as their own. Three-story men idealize, imagine, predict; their best illumination comes from above, through the skylight. There are minds with large ground floors, that can store an infinite amount of knowledge; some librarians, for instance, who know enough of books to help other people, without being able to make much other use of their knowledge, have intellects of this class. Your great working lawyer has two spacious stories; his mind is clear, because his mental floors are large, and he has room to arrange his thoughts so that he can get at them,—facts below, principles above, and all in ordered series; poets are often narrow below, incapable of clear statement, and with small power of consecutive reasoning, but full of light, if sometimes rather bare of furniture in the attics.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Poet at the Breakfast Table (1872)

David Fincher photo
James Russell Lowell photo
Edmund Waller photo

“The soul's dark cottage, battered and decayed,
Lets in new light through chinks that Time has made;
Stronger by weakness, wiser, men become
As they draw near to their eternal home.
Leaving the old, both worlds at once they view,
That stand upon the threshold of the new.”

Edmund Waller (1606–1687) English poet and politician

On the Divine Poems (1686). Compare: "To vanish in the chinks that Time has made", Samuel Rogers, Pæstum; "As that the walls worn thin, permit the mind
Poetical Works of Edmund Waller and Sir John Denham (1857)

Willem Maris photo

“I don't paint cows but light”

Willem Maris (1844–1910) Dutch landscape painter of the Hague School (1844-1910)

version in original Dutch / origineel citaat van Willem Maris: Ik schilder geen koeien, maar licht.
2 short Quotes of Willem Maris, c. 1880; as cited in 'Schilder Maris' http://www.wittebrugpark.nl/wittebrugpark/schilders/maris/maris.htm (translation from original Dutch, Fons Heijnsbroek, 2018)

T. H. White photo
Muhammad Ali Jinnah photo

“We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.”

Muhammad Ali Jinnah (1876–1948) Founder and 1st Governor General of Pakistan

Address to Civil, Naval, Military and Air Force Officers of Pakistan Government, Karachi (11 October 1947)

Andrew Sullivan photo
Horace Bushnell photo
Henry Adams photo
Manav Gupta photo

“Light, for me is Hope. Colour, the Universe in which it exists.”

Manav Gupta (1967) Indian artist

Extract critique by Uma Nair, Asian Age (Sourced from Victoria Ross Blog http://manavguptaartist.blogspot.in/), 2012
2010s

William Wordsworth photo

“Give unto me, made lowly wise,
The spirit of self-sacrifice;
The confidence of reason give,
And in the light of truth thy bondman let me live!”

William Wordsworth (1770–1850) English Romantic poet

Stanza 8.
Ode to Duty http://www.bartleby.com/145/ww271.html (1805)

Anne Lynch Botta photo
Sri Aurobindo photo

“What the Divine wants is for man to embody Him here, in the individual and in the collectivity… to realise God in life. The old system of yoga could not harmonise or unify Spirit and life; it dismissed the world as Maya or a transient play of God. The result has been a diminution of life-power and the decline of India. The Gita says, utsideyur ime loka na kuryam karma cedaham ["These peoples would crumble to pieces if I did not do actions," 3.24]. Truly 'these peoples' of India have gone to ruin. What kind of spiritual perfection is it if a few Sannyasins, Bairagis and Saddhus attain realisation and liberation, if a few Bhaktas dance in a frenzy of love, god-intoxication and Ananda, and an entire race, devoid of life, devoid of intelligence, sinks to the depths of extreme tamas?… But now the time has come to take hold of the substance instead of extending the shadow. We have to awaken the true soul of India and in its image fashion all works…. I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a diminution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think… incapacity of thought or 'thought-phobia'…. The mediaeval period was a night, a time of victory for the man of ignorance; the modern world is a time of victory for the man of knowledge. It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti. Look at Europe, and you will see two things: a wide limitless sea of thought and the play of a huge and rapid, yet disciplined force. The whole Shakti of Europe lies there. It is by virtue of this Shakti that she has been able to swallow the world, like our Tapaswins of old, whose might held even the gods of the universe in awe, suspense and subjection. People say that Europe is rushing into the jaws of destruction. I do not think so. All these revolutions, all these upsettings are the initial stages of a new creation….. We, however, are not worshippers of Shakti; we are worshippers of the easy way…. Our civilisation has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible…. We have abandoned the sadhana of Shakti and so the Shakti has abandoned us…. You say what is needed is emotional excitement, to fill the country with enthusiasm. We did all that in the political field during the Swadeshi period; but all we did now lies in the dust…. Therefore I no longer wish to make emotional excitement, feeling and mental enthusiasm the base. I want to make a vast and heroic equality the foundation of my yoga; in all the activities of the being, of the adhar [vessel] based on that equality, I want a complete, firm and unshakable Shakti; over that ocean of Shakti I want the vast radiation of the sun of Knowledge and in that luminous vastness an established ecstasy of infinite love and bliss and oneness. I do not want tens of thousands of disciples; it will be enough if I can get as instruments of God a hundred complete men free from petty egoism. I have no faith in the customary trade of guru. I do not want to be a guru. What I want is that a few, awakened at my touch or at that of another, will manifest from within their sleeping divinity and realise the divine life. It is such men who will raise this country.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

April, 1920, Letter to Barin Ghose, Sri Aurobindo's brother, Translated from Bengali
India's Rebirth

Stephen Baxter photo
Billy Joel photo
Hans Arp photo

“It was Sophie [Taeuber] who, by the example of her work and her life, both of them bathed in clarity, showed me the right way. In her world, the high and the low, the light and the dark, the eternal and the ephemeral, are balanced in prefect equilibrium.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

In 'Unsern täglichen Traum', Hans Arp (1914 - 1954); p. 76; as quoted in Arp, ed. Serge Fauchereau, Ediciones Poligrafa, S. A., Barcelona 1988, p. 11
1960s

Clarence Darrow photo
George William Russell photo
Mark Tobey photo
Wilbur Wright photo
Oliver Lodge photo

“The oldest and best known function for an ether is the conveyance of light, and hence the name "luminiferous" was applied to it, though at the present day many functions are known, and more will almost certainly be discovered.”

Oliver Lodge (1851–1940) British physicist

The Ether of Space https://books.google.com/books?id=ycgEAAAAYAAJ&pg=PA1, p. 1
The Ether of Space (1909)

“Schumann's humor is rarely either witty or light: the unrealizable musical structure, the musical motto hidden and partly inaudible, must have stirred his musical fantasy.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

James K. Morrow photo
Henry David Thoreau photo
Ossip Zadkine photo

“My huge monument to the bombing of Rotterdam [in 1940, by the German aircraft], for instance, was the third and final version of this figure. Once the model had been accepted in principle and the scale agreed on, I began working on a new version of it, conceiving it to a great extent in terms of the effects of the changes of lighting in which such a monument would been seen in the open air.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
the name of the monument is ( 'Destroyed City', 1953 https://upload.wikimedia.org/wikipedia/commons/4/47/Zadkine_%27s_verwoeste_stad..jpg), in Dutch language: in Dutch: 'De verwoeste Stad']
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 155

Donald Barthelme photo

“Oh, there is nothing better than intelligent conversation except thrashing about in bed with a naked girl and Egmont Light Italic.”

Donald Barthelme (1931–1989) American writer, editor, and professor

"Florence Green is 81".
Come Back, Dr. Caligari (1964)

Bayard Taylor photo

“Knowledge alone is the being of Nature,
Giving a soul to her manifold features,
Lighting through paths of the primitive darkness,
The footsteps of Truth and the vision of Song.”

Bayard Taylor (1825–1878) United States poet, novelist and travel writer

Kilimandjaro (1852), Stanza 2; later published in The Poetical Works of Bayard Taylor (1907), p. 73.

Al-Mutanabbi photo
Mike Scott photo
George William Russell photo

“Our true hearts are forever lonely:
A wistfulness is in our thought:
Our lights are like the dawns which only
Seem bright to us and yet are not.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

Gerry Rafferty photo
Brian Clevinger photo
Robin Sloan photo
Claude Bernard photo

“The science of life is a superb and dazzlingly lighted hall which may be reached only by passing through a long and ghastly kitchen.”

Claude Bernard (1813–1878) French physiologist

Source: Introduction à l'Étude de la Médecine Expérimentale (1865)

Dante Gabriel Rossetti photo

“If the light is
It is because God said 'Let there be light.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

At Sunrise, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

James Thurber photo
Aldous Huxley photo
Albert Einstein photo
Lewis H. Lapham photo
Iltutmish photo