Quotes about lighting
page 23

Susan Cooper photo
Mickey Spillane photo
Ernst Bloch photo
Alfred Horsley Hinton photo
Frederick Douglass photo

“I was not more than thirteen years old, when in my loneliness and destitution I longed for some one to whom I could go, as to a father and protector. The preaching of a white Methodist minister, named Hanson, was the means of causing me to feel that in God I had such a friend. He thought that all men, great and small, bond and free, were sinners in the sight of God: that they were by nature rebels against His government; and that they must repent of their sins, and be reconciled to God through Christ. I cannot say that I had a very distinct notion of what was required of me, but one thing I did know well: I was wretched and had no means of making myself otherwise. I consulted a good old colored man named Charles Lawson, and in tones of holy affection he told me to pray, and to 'cast all my care upon God'. This I sought to do; and though for weeks I was a poor, broken-hearted mourner, traveling through doubts and fears, I finally found my burden lightened, and my heart relieved. I loved all mankind, slaveholders not excepted, though I abhorred slavery more than ever. I saw the world in a new light, and my great concern was to have everybody converted. My desire to learn increased, and especially, did I want a thorough acquaintance with the contents of the Bible”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 110–111.

Letitia Elizabeth Landon photo
Robert W. Service photo
John Hall photo
Colin Wilson photo
Tom Clancy photo
Dave Eggers photo
H. G. Wells photo

“Most people have music in the center of their lives. I believe my work sheds light on how music affects us and why it is so influential.”

Susan McClary (1946) American musicologist

from http://web.archive.org/20030225083736/www.ucla.edu/spotlight/archive/html_2001_2002/fac0502_mcclalry.html

Jan Hendrik Weissenbruch photo

“I am here the doctor [in his studio], bringing his morning visit. I feel them all [his watercolors] the pulse. One I say: Wait, I'll make you an ointment, so you will refresh completely. The other I say: Friend, you need air, and even more the light.”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: ..ik ben hier [in zijn atelier] de dokter die zijn morgen-visite brengt. Ik voel ze allen [zijn aquarellen] de pols. Tegen den een zeg ik, wacht ik zal voor jou een zalfje maken, daar je helemaal van opknapt. Tegen den ander: Vrind, jij hebt lucht nodig, en nog meer licht.
Source: J. H. Weissenbruch', (n.d.), p. 50

Mukai Kyorai photo

“Sadly I see
the light fade on my palm:
a firefly.”

Mukai Kyorai (1651–1704) poet

Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6. According to Hoffman after his sister's, Chine's, death.

Julian of Norwich photo
Mark Helprin photo
François de La Rochefoucauld photo
Henry Adams photo
Letitia Elizabeth Landon photo
Jozef Israëls photo

“But I have to tell you what I saw... I had entered a dark room [in the city Tunis], lit by a small, elongated horizontal window,.. The light cut sharply.... and drew itself on the stone floor... There behind the table was sitting the Jewish scribe with his arms forward, leaning on the parchment. He turned his lordly head in my direction... It was a beautiful head, delicate and translucent pale as alabaster, large and small wrinkles were lining along the small eyes and around the big curved hawk nose. A black cap covered the white skull and a low white-yellow beard lay in large tufts over the written parchment... two crutches lay slantingly on the floor beside him. How much I desired to get my sketchbook out.... but in front of the staring gaze of the scribe, I didn't find the courage to carry out my intention.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van de tekst van Jozef Israëls, in het Nederlands): Maar ik moet u vertellen wat ik zag.. Ik was een donkere ruimte binnengetreden, verlicht door een klein langwerpig horizontaal liggend raampje,.. .Scherp sneed het licht.. ..en tekende zich af op de stenen vloer.. .Daar zat achter de tafel de joodse wetschrijver met zijn armen voorover op het perkament geleund en draaide zijn vorstelijk hoofd naar mij toe;. ..Het was een prachtig hoofd, fijn en doorschijnend bleek als albast, rimpels, grote en kleine, liepen langs de kleine ogen en om de grote gekromde haviksneus. Een zwart kapje bedekte de witte schedel en een lage witgele baard lag in grote vlokken over het beschreven perkament.. ..twee krukken lagen naast hem schuin op de grond. Hoe gaarne had ik mijn schetsboek voor de dag gehaald,. ..maar voor de starende blik van de wetschrijver durfde ik mijn voornemen niet ten uitvoer te brengen.
Quote of Israëls from his text Spanje, een reisverhaal, publisher, Martinus Nijhoff, De Haag, 1899, p. unknown
Quotes of Jozef Israels, 1871 - 1900

William Wordsworth photo
John Keats photo
John Greenleaf Whittier photo

“So fallen! so lost! the light withdrawn
Which once he wore;
The glory from his gray hairs gone
For evermore!”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

Ichabod, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Samuel Taylor Coleridge photo
Djuna Barnes photo

“Someday beneath some hard
Capricious star —
Spreading its light a little
Over far,
We'll know you for the woman
That you are.”

Djuna Barnes (1892–1982) American Modernist writer, poet and artist

From Fifth Avenue Up
The Book of Repulsive Women (1915)

Isa Genzken photo
Jean Henri Fabre photo
John Constable photo
Eliza Acton photo
Ossip Zadkine photo

“I'm Bill Allred, Painter of Light.”

Former Sign-off

Thomas Traherne photo
Glen Cook photo
John Clare photo
Oliver Wendell Holmes photo
Gerry Rafferty photo
Sadhguru photo
Théodore Guérin photo
Sri Aurobindo photo
Margaret Fuller photo
W. S. Gilbert photo

“She may very well pass for forty three
In the dusk with the light behind her.”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

Trial by Jury (1875)

Thomas Gray photo

“From toil he wins his spirits light,
From busy day the peaceful night;
Rich, from the very want of wealth,
In heaven's best treasures, peace and health.”

Thomas Gray (1716–1771) English poet, historian

Source: Ode on the Pleasure Arising from Vicissitude http://www.thomasgray.org/cgi-bin/display.cgi?text=oopv (1754), Line 93

Poul Anderson photo
John Horgan (journalist) photo
Shankar Dayal Sharma photo

“The Rigveda stated that the earth was a …globe suspended freely in space. The Vedic texts disclosed that the Sun held the earth and heavenly bodies in its orbit. The Shatapatha Brahmana, a treatise of untold antiquity, recognized and explained the fact that the earth was spherical.. Aryabhata explained the daily rising and setting of planets and stars in terms of the earth’s constant revolutionary motion. The Surya Siddhantha said that the earth, owing to its gravitational force draw all things to itself. In physics, the thinker Kanada, explained light and heat as different aspects of the same element, thus anticipating Clarke Maxwell's Electro-magnetic Theory, which unified different forms of radiant energy. Sankaracharya, in his Advaita thought expanded the concept of unity of matter and energy. Vacaspati recognized light as composed of minute particles emitted by substances, anticipating Newton’s Corpuscular Theory of Light and the later discovery of the Photon. In Botany, Sankara Mishra and Kanada have discussed the circulation of sap in the Plant and the Santiparva of Mahabharata has clearly stated that the plants develop on the strength of nutrients made through interaction of sunlight and materials obtained from the air and ground. Bhaskarcharya's concept of Differential Calculus preceded Newton by many centuries. His study of time identified Truti: The 3400th part of a second as the unit of time.”

Shankar Dayal Sharma (1918–1999) Indian politician

He has rightly brought out the rationality and application of Sanskrit literature in diverse fields
Source: Aruna Goel Good Governance and Ancient Sanskrit Literature http://books.google.co.in/books?id=El_VADF13pUC&pg=PA16, Deep and Deep Publications, 1 January 2003, p. 16-17

Nas photo

“Yo, if this piano's the cake then my words are the candles
Light it up, make a wish, and them angels will grant you”

Nas (1973) American rapper, record producer and entrepreneur

Project Windows
On Albums, Nastradamus (1999)

Hendrik Lorentz photo

“I cannot refrain… from expressing my surprise that, according to the report in The Times there should be so much complaint about the difficulty of understanding the new theory. It is evident that Einstein's little book "About the Special and the General Theory of Relativity in Plain Terms," did not find its way into England during wartime. Any one reading it will, in my opinion, come to the conclusion that the basic ideas of the theory are really clear and simple; it is only to be regretted that it was impossible to avoid clothing them in pretty involved mathematical terms, but we must not worry about that. …
The Newtonian theory remains in its full value as the first great step, without which one cannot imagine the development of astronomy and without which the second step, that has now been made, would hardly have been possible. It remains, moreover, as the first, and in most cases, sufficient, approximation. It is true that, according to Einstein's theory, because it leaves us entirely free as to the way in which we wish to represent the phenomena, we can imagine an idea of the solar system in which the planets follow paths of peculiar form and the rays of light shine along sharply bent lines—think of a twisted and distorted planetarium—but in every case where we apply it to concrete questions we shall so arrange it that the planets describe almost exact ellipses and the rays of light almost straight lines.
It is not necessary to give up entirely even the ether. …according to the Einstein theory, gravitation itself does not spread instantaneously, but with a velocity that at the first estimate may be compared with that of light. …In my opinion it is not impossible that in the future this road, indeed abandoned at present, will once more be followed with good results, if only because it can lead to the thinking out of new experimental tests. Einstein's theory need not keep us from so doing; only the ideas about the ether must accord with it.”

Hendrik Lorentz (1853–1928) Dutch physicist

Theory of Relativity: A Concise Statement (1920)

Dan Fogelberg photo

“Along the road your steps may stumble
Your thoughts may start to stray
But through it all a heart held humble
Levels and lights your way.”

Dan Fogelberg (1951–2007) singer-songwriter, musician

Along the Road.
Song lyrics, Phoenix (1979)

“I was called up in 1942. Having been born in Berlin, schooled in Devon, London and Berkshire, and lived in Suffolk, I ended up in the Highland Light Infantry.”

Clement Freud (1924–2009) English broadcaster, writer, politician and chef

Some questions of interpretation

Ray Comfort photo
Margaret Fuller photo
Greg Egan photo

“Every night, at exactly a quarter past three, something dreadful happens on the street outside our bedroom window. We peek through the curtains, yawning and shivering in the life-draining chill, and then we clamber back beneath the blankets without exchanging a word, to hug each other tightly and hope for sound sleep before it's time to rise.

Usually what we witness verges on the mundane. Drunken young men fighting, swaying about with outstretched knives, cursing incoherently. Robbery, bashings, rape. We wince to see such violence, but we can hardly be shocked or surprised any more, and we're never tempted to intervene: it's always far too cold, for a start! A single warm exhalation can coat the window pane with mist, transforming the most stomach-wrenching assault into a safely cryptic ballet for abstract blobs of light.

On some nights, though, when the shadows in the room are subtly wrong, when the familiar street looks like an abandoned film set, or a painting of itself perversely come to life, we are confronted by truly disturbing sights, oppressive apparitions which almost make us doubt we're awake, or, if awake, sane. I can't catalogue these visions, for most, mercifully, are blurred by morning, leaving only a vague uneasiness and a reluctance to be alone even in the brightest sunshine.”

Greg Egan (1961) Australian science fiction writer and former computer programmer

Scatter My Ashes http://gregegan.customer.netspace.net.au/HORROR/SCATTER/Scatter.html, published in Interzone (Spring 1988)
Fiction

David Lloyd George photo
Jonathan Edwards photo
Nicholas Roerich photo
Theo van Doesburg photo
Jayant Narlikar photo

“A black hole is the ultimate manifestation of a region of strong gravity. The pull of gravity in a black hole is so strong that even light cannot escape from it and time stands still.”

Jayant Narlikar (1938) Indian physicist

Source: Jayant Narlikar Black Holes http://books.google.com/books?id=8qi55iSSeiwC, National Book Trust, India, 1 January 2006

Maharishi Mahesh Yogi photo

“Wherever there is greater joy, there is the direction of everyone’s activity, because the innermost of everyone is really the lighted lamp of Total Knowledge, total organising power of knowledge, it’s all bliss, it’s not necessary for the people to suffer.”

Maharishi Mahesh Yogi (1917–2008) Inventor of Transcendental Meditation, musician

Quoted from: Maharishi Mahesh Yogi's Main Message - from Victory Day, October 21, 2007 Maharishi Channel http://www.bienfaits-meditation.com/en/maharishi/videos/maharishi_main_message_2007

John Ruysbroeck photo
James Dickey photo
Jean-François Millet photo

“I remember being awakened one morning by voices in the room where I slept. There was a whizzing sound which made itself heard between the voices now and then. It was the sound of spinning-wheels, and the voices were those of women spinning and carding wool. The dust of the room danced in a ray of sunshine which shone through the high narrow window that lighted the room..”

Jean-François Millet (1814–1875) French painter

Quote, c. 1870; as cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 12
taken from Millet's youth-memories, he wrote down on request of his friend and later biographer Alfred Sensier, https://fr.wikipedia.org/wiki/Alfred_Sensier]
1870 - 1875

Vincent Van Gogh photo

“.. The thought crossed my mind, how society today in its fall, at moments seen against the light of a renewal, stands out as a large, gloomy silhouette. Yes, for me, the drama of storm in nature, the drama of sorrow in life, is the most impressive.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from The Hague, The Netherlands, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 319) p. 21
1880s, 1883

George Eliot photo
Lee Smolin photo
David Gerrold photo

“shadows of night and reflections of light
shiver and quiver and churn,
for the searching of soul that never can hurt
is the fire that never can burn.”

Section 2 (p. 5; typed by HARLIE in answer to the question [how do you feel, harlie?)]
When HARLIE Was One (1972)

Swami Vivekananda photo
Jim Butcher photo
William Wordsworth photo

“A light to guide, a rod
To check the erring, and reprove.”

William Wordsworth (1770–1850) English Romantic poet

Stanza 1.
Ode to Duty http://www.bartleby.com/145/ww271.html (1805)

Helena Petrovna Blavatsky photo
Jozef Israëls photo

“Take care for purity in the paint and not so stinky thick of grease, thin, thin, thin! And just on the light [parts in the painting] here and there a small push of thick [paint].... thick house-interiors are unpleasant - long drawing before you start and arrange pleasantly together all things before you start to paint - if the money does not bother you, it is always useful to visit Rott. [Rotterdam].”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Zorg voor zuiverheid in de verf en niet zoo stinkerig dik van smeerderij, dun, dun, dun, en zo op het licht hier en daar een zetje dik[ke verf].. ..dikke binnenhuizen zijn onaangenaam - lang teekenen voor je begint en het prettig bij elkaar arrangeren voor gij aan het verwen gaat - als het geld u niet begroot, is het altijd nuttig om eens naar Rott. [Rotterdam!?] te gaan.
Quote of a letter by Jozef Israels to painter David de la Mar, 1867; as cited in Mythen van het Atelier, ed. Mayken Jonkman & Eva Geudeker; d'jonge Hond, Zwolle/The Hague, 2010 – ISBN 9789089102065 ( source online http://delamar.bntours.nl/!mad1832-bronnen.html)
Israels' painting technique did develop only rather slowly. In 1867 he still gave this rather traditional academic advice to the young painter nl:David de la Mar
Quotes of Jozef Israels, 1840 - 1870

Neal Stephenson photo
Joseph Strutt photo
William Herschel photo
John Tyndall photo

“Knowledge once gained casts a faint light beyond its own immediate boundaries.”

John Tyndall (1820–1893) British scientist

On the Methods and Tendencies of Physical Investigation, p. 7.
Scientific addresses (1870)

John Ruysbroeck photo
Henry Taylor photo

“An unreflected light did never yet
Dazzle the vision feminine.”

Henry Taylor (1800–1886) English playwright and poet

Act I, sc. 5.
Philip van Artevelde (1834)

Michael Moorcock photo
Marie-Louise von Franz photo
Bono photo

“We're gonna make it all the way to the light,
but I know i'll go crazy if I don't go crazy tonight”

Bono (1960) Irish rock musician, singer of U2

I'll Go Crazy if I Don't Go Crazy Tonight
Lyrics, No Line On The Horizon (2009)

Letitia Elizabeth Landon photo
Auguste Rodin photo
Halldór Laxness photo
Susan Cooper photo
George Eliot photo
Johann Wolfgang von Goethe photo

“There is strong shadow where there is much light.”

Wo viel Licht ist, ist starker Schatten.
Götz von Berlichingen, Act I (1773)

H. G. Wells photo
Richard Feynman photo