Quotes about letter
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Martial photo

“Let me have a plump home-born slave, have a wife not too lettered, have night with sleep, have day without a lawsuit.”
Sit mihi verna satur: sit non doctissima conjux: Sit nox cum somno: sit sine lite dies.

Sit mihi verna satur: sit non doctissima conjux:
Sit nox cum somno: sit sine lite dies.
II, 90 (Loeb translation).
Epigrams (c. 80 – 104 AD)

George Long photo
Henri Fantin-Latour photo
Bram van Velde photo
Eoin Colfer photo
Edward Lucie-Smith photo
Francisco De Goya photo

“Everything you tell me in your last letter, which is to say that to spend more time with me they will give up going to Paris, fills me with the greatest pleasure... I find myself much better, and I hope to be back where I was before... I am happy to be better to receive my most beloved travelers. This improvement I owe to Molina.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to Javier (his only son), from Madrid, Summer of 1827; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 401 – note 15
1820s

Denis Diderot photo

“This is a work that cannot be completed except by a society of men of letters and skilled workmen, each working separately on his own part, but all bound together solely by their zeal for the best interests of the human race and a feeling of mutual good will.”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

Article on Encyclopedia, as translated in The Many Faces of Philosophy : Reflections from Plato to Arendt (2001), "Diderot", p. 237
L'Encyclopédie (1751-1766)

John Wallis photo

“Suppose we a certain Number of things exposed, different each from other, as a, b, c, d, e, &c.; The question is, how many ways the order of these may be varied? as, for instance, how many changes may be Rung upon a certain Number of Bells; or, how many ways (by way of Anagram) a certain Number of (different) Letters may be differently ordered?
Alt.1,21) If the thing exposed be but One, as a, it is certain, that the order can be but one. That is 1.
2) If Two be exposed, as a, b, it is also manifest, that they may be taken in a double order, as ab, ba, and no more. That is 1 x 2 = 2. Alt.3
3) If Three be exposed; as a, b, c: Then, beginning with a, the other two b, c, may (by art. 2,) be disposed according to Two different orders, as bc, cb; whence arise Two Changes (or varieties of order) beginning with a as abc, acb: And, in like manner it may be shewed, that there be as many beginning with b; because the other two, a, c, may be so varied, as bac, bca. And again as many beginning with c as cab, cba. And therefore, in all, Three times Two. That is 1 x 2, x 3 = 6.
Alt.34) If Four be exposed as a, b, c, d; Then, beginning with a, the other Three may (by art. preceeding) be disposed six several ways. And (by the same reason) as many beginning with b, and as many beginning with c, and as many beginning with d. And therefore, in all, Four times six, or 24. That is, the Number answering to the case next foregoing, so many times taken as is the Number of things here exposed. That is 1 x 2 x 3, x 4 = 6 x 4 = 24.
5) And in like manner it may be shewed, that this Number 24 Multiplied by 5, that is 120 = 24 x 5 = 1 x 2 x 3 x 4 x 5, is the number of alternations (or changes of order) of Five things exposed. (Or, the Number of Changes on Five Bells.) For each of these five being put in the first place, the other four will (by art. preceeding) admit of 24 varieties, that is, in all, five times 24. And in like manner, this Number 120 Multiplied by 6, shews the Number of Alternations of 6 things exposed; and so onward, by continual Multiplication by the conse quent Numbers 7, 8, 9, &c.;
6) That is, how many so ever of Numbers, in their natural Consecution, beginning from 1, being continually Multiplied, give us the Number of Alternations (or Change of order) of which so many things are capable as is the last of the Numbers so Multiplied. As for instance, the Number of Changes in Ringing Five Bells, is 1 x 2 x 3 x 4 x 5 = 120. In Six Bells, 1 x 2 x 3 x 4 x 5 x 6 = 120 x 6 = 720. In Seven Bells, 720 x 7 = 5040. In Eight Bells, 5040 x 8 = 40320, And so onward, as far as we please.”

John Wallis (1616–1703) English mathematician

Source: A Discourse of Combinations, Alterations, and Aliquot Parts (1685), Ch.II Of Alternations, or the different Change of Order, in any Number of Things proposed.

Wallace Stevens photo

“The meeting of their shadows or that meet
In a book in a barrack, a letter from Malay.
But your war ends. And after it you return”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

Adolphe Quetelet photo
Jacques Barzun photo
Georges Seurat photo
Walter Scott photo
Vincent Van Gogh photo
Daisy Ashford photo
Alfred P. Sloan photo
Wilfred Thesiger photo
Harry Turtledove photo
Joseph Joubert photo
Rembrandt van Rijn photo

“Quote in Rembrandt's letter to Constantijn Huygens (Amsterdam, 12 January 1639) on 3 paintings commissioned (in 1635 and started by Rembrandt already in 1635/36) by the imperial court, as cited in Painters on Painting (1963) by Eric Protter, p. 78 / Dutch original text in The Rembrandt Documents, Walter Strauss & Marjon van der Meulen - Abaris Books, New York 1979, p. 161.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

version in original Dutch (origineel citaat van Rembrandt, in Nederlands): Door die grooten lust ende geneegenheijt die ick gepleecght hebbe int wel wtvoeren van die twe/ stuckens die sijn Hoocheijt mijn heeft doen maeken weesende het een daer dat doode lichaem Chrisstij/ in den graeve gelecht werd ende dat ander/ daer Chrisstus van den doode opstaet dat met/ grooten verschrickinge des wachters. Dees selvij/ twe stuckens sijn door stuijdiose vlijt nu meede/ afgedaen soodat ick nu oock geneegen ben om die/ selvijge te leeveren om sijn Hoocheijt daer meede/ te vermaeken want deesen twe sijnt daer die meeste/ ende die naetuereelste beweechgelickheijt . in/ geopserveert is dat oock de grooste oorsaeck is dat/ die selvijge soo lang onder handen sij geweest.
in margin: deessen 12 Januwarij 1639, Mijn heer ik woon op die binnenemster, thuijs is genaemt die suijckerbackerrij [in Amsterdam]. http://remdoc.huygens.knaw.nl/#/document/remdoc/e4458
What Rembrandt meant in his phrase "die meeste ende di naetuereelste beweechgelickheijt" has been the subject of dispute. Variant translations have been proposed:
For in these two paintings "the greatest and most innate emotion has been expressed", which is also the main reason why they have taken so long to execute (c. 3 years!).
The "deepest and most lifelike emotion has been expressed", and that's the reason they have taken so long to execute.
1630 - 1640

Stanisław Lem photo
Bernard of Clairvaux photo
Robert G. Ingersoll photo
Ernst Ludwig Kirchner photo

“.. how the movement of the passers-by [in his Street scene painting of 191-14] is comprehended in the rhombus of the heads which is twice repeated. In this way life and movement arise from an original geometric form. [Kirchner designed a diagram together with this line in the letter]”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Karl Hagemann, 27 February 1937; as quoted in Kirchner and the Berlin street, ed. Deborah Wye, Moma, New York, 2008, p. 81 - note 31
1930's

Richard Halliburton photo
Georges Clemenceau photo

“It was I who gave the title "J'accuse" to Zola's letter.”

Georges Clemenceau (1841–1929) French politician

Letter (19 June 1902), in which he claims to have chosen the headline title for Émile Zola's famous open letter on the Dreyfus affair, as quoted in Clemenceau (1974) by D. R. Watson, and Brewer's Famous Quotations : 5000 Quotations and the Stories Behind Them (2006) by Nigel Rees

Hans Freudenthal photo

“No statistician present at this moment will have been in doubt about the meaning of my words when I mentioned the common statistical model. It must be a stochastic device producing random results. Tossing coins or a dice or playing at cards are not flexible enough. The most general chance instrument is the urn filled with balls of different colours or with tickets bearing some ciphers or letters. This model is continuously used in our courses as a didactic tool, and in our statistical analyses as a means of translating realistic problems into mathematical ones. In statistical language " urn model " is a standard expression.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: The Concept and the Role of the Model in Mathematics and Natural and Social Sciences (1961), p. 79; Partly cited in: Norman L. Johnson and Samuel Kotz (1977) Urn Models and Their Application: an. Approach to Modern Discrete Probability Theory http://dis.unal.edu.co/~gjhernandezp/sim/hide/Urn%20Models%20and%20Their%20Application%20-%20An%20approach%20to%20modern%20discrete%20probability%20theory_Norman%20L.Johnson(Wiley%201977%20413s).pdf, John Wiley & Sons.

Léon Brillouin photo
Titian photo
Nikos Kazantzakis photo
Nancy Peters photo

“The tempest unleashes an alphabet
letters fall through the apertures of crazy angles
to spell out the future
uprooting the course of invention
and enslaving the masters”

Nancy Peters (1936) American writer and publisher

It's In the Wind (1977) "Ceremonies In A Polar Garden"
1970s

John F. Kennedy photo
Yogi Berra photo

“Never answer an anonymous letter.”

Yogi Berra (1925–2015) American baseball player, manager, coach

Berra expressly denied this widespread attribution in Yogi: It Ain’t Over (1989), p. 11, but later embraced it in The Yogi Book: I really didn’t say everything I said! (1998). Quote Investigator http://quoteinvestigator.com/2013/10/13/anon-letter/ traces this saying to the 19th century.
Disputed, Misattributed

Anne Murray photo
Donald Barthelme photo
Herbert Beerbohm Tree photo
Sarah Dessen photo
Thomas Carlyle photo

“A childhood can be judged sheltered or not according to which was learned first, the four-letter word or the euphemism.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Lewis F. Powell, Jr. photo
Max Schmeling photo

“I received a letter from the Reich Ministry of Sports. They want me to split from Joe Jacobs, my manager since 1928…. I really need Joe Jacobs. I owe all my success in America to him.”

Max Schmeling (1905–2005) German boxer

To Adolf Hitler, 1935 http://www.pbs.org/wgbh/amex/fight/peopleevents/p_jacobs.html

William Saroyan photo
Jane Roberts photo
Barry Goldwater photo
Ignatius Sancho photo
George Curzon, 1st Marquess Curzon of Kedleston photo

“If I had done nothing else in India I have written my name here, and the letters are a living joy.”

George Curzon, 1st Marquess Curzon of Kedleston (1859–1925) British politician

Letter to Mrs Curzon (4 April 1905) on his restoration of the Taj Mahal, quoted in David Gilmour, ‘ Curzon, George Nathaniel, Marquess Curzon of Kedleston (1859–1925) http://www.oxforddnb.com/view/article/32680’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2011, accessed 1 Feb 2014.

Thomas De Witt Talmage photo
Peter Greenaway photo

“‘ Never speak of a last letter to anbody, doi you hear me? for it may well be your last, if you dwell on it too much!’”

Douglas Reeman (1924–2017) British author

For My Country's Freedom, Cap 16 "The Strength of a Ship"

Ze Frank photo
Nathanael Greene photo
Max Brooks photo
Thomas Gainsborough photo
Philip K. Dick photo

“O. K., I'm a rock critic. I also write and record music. I write poetry, fiction, straight journalism, unstraight journalism, beatnik drivel, mortifying love letters, death threats to white jazz critics signed "The Mau Maus of East Harlem," and once a year my own obituary (latest entry: "He was promising…").”

Lester Bangs (1948–1982) American music critic and journalist

"An Instant Fan's Inspired Notes: You Gotta Listen" (1980), from Da Capo Best Music Writing 2000, ed. Peter Guralnick (Da Capo Press, 2000, ISBN 0306809990), p. 100

Mahmud of Ghazni photo

“Mahmood having reached Tahnesur before the Hindoos had time to take measures for its defence, the city was plundered, the idols broken, and the idol Jugsom was sent to Ghizny to be trodden under foot…Mahmood having refreshed his troops, and understanding that at some distance stood the rich city of Mutra [Mathura], consecrated to Krishn-Vasdew, whom the Hindoos venerate as an emanation of God, directed his march thither and entering it with little opposition from the troops of the Raja of Delhy, to whom it belonged, gave it up to plunder. He broke down or burned all the idols, and amassed a vast quantity of gold and silver, of which the idols were mostly composed. He would have destroyed the temples also, but he found the labour would have been excessive; while some say that he was averted from his purpose by their admirable beauty. He certainly extravagantly extolled the magnificence of the buildings and city in a letter to the governor of Ghizny, in which the following passage occurs: "There are here a thousand edifices as firm as the faith of the faithful; most of them of marble, besides innumerable temples; nor is it likely that this city has attained its present condition but at the expense of many millions of deenars, nor could such another be constructed under a period of two centuries."…The King tarried in Mutra 20 days; in which time the city suffered greatly from fire, beside the damage it sustained by being pillaged. At length he continued his march along the course of a stream on whose banks were seven strong fortifications, all of which fell in succession: there were also discovered some very ancient temples, which, according to the Hindoos, had existed for 4000 years. Having sacked these temples and forts, the troops were led against the fort of Munj…The King, on his return, ordered a magnificent mosque to be built of marble and granite, of such beauty as struck every beholder with astonishment, and furnished it with rich carpets, and with candelabras and other ornaments of silver and gold. This mosque was universally known by the name of the Celestial Bride. In its neighbourhood the King founded an university, supplied with a vast collection of curious books in various languages. It contained also a museum of natural curiosities. For the maintenance of this establishment he appropriated a large sum of money, besides a sufficient fund for the maintenance of the students, and proper persons to instruct youth in the arts and sciences…The King, in the year AH 410 (AD 1019), caused an account of his exploits to be written and sent to the Caliph, who ordered it to be read to the people of Bagdad, making a great festival upon the occasion, expressive of his joy at the propagation of the faith.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. I, pp. 27-37.
Quotes from Muslim medieval histories

James A. Garfield photo

“I am receiving what I suppose to be the usual number of threatening letters on the subject. Assassination can be no more guarded against than death by lightning; it is best not to worry about either.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

As quoted in Garfield of Ohio : The Available Man (1970) by John M. Tyler

“I do not know whether it was the will of God, or just an evolutionary accident, but as it happens I am Afrikaans. This is a circumstance with which I am normally perfectly content. The truth is that I actually do not think about it too much, just as I do not think about it too much that I have a liver. The current flutterings about Afrikaans, however, I find disturbing. It is not doing the image of Afrikaners, and hence also of Afrikaans, any good.A mere ten years after the end of apartheid (yes, there was such a thing, and it was evil) to beat one's chest in such a self-justificatory manner, is bad taste morally.…
We are … being called up by certain parties to mobilise for Afrikaans, to fight for the survival of Afrikaans, and for minority rights. The problem is, however, that I do not see myself currently as part of a minority. When, in the 1970s and 1980s, as an Afrikaner, I resisted apartheid – and not in the 1990s when it became fashionable – then I felt myself part of a minority. At present I mainly find myself with an enormous feeling of moral relief. I would now like to carry on with my life and make a constructive contribution at the level of content. I do not wish to have to write letters like this one.”

Paul Cilliers (1956–2011) South African philosopher

Paul Cilliers. A letter to The Burger, 10 October 2005; Cited in: Chris Brink (2006) No Lesser Place: The Taaldebat at Stellenbosch. p. 133

E. B. White photo
Theodor Mommsen photo

“But while at the bottom of the national life the slime was thus constantly accumulating more and more deleteriously and deeply, so much the more smooth and glittering was the surface, overlaid with the varnish of polished manners and universal friendship. All the world interchanged visits; so that in the houses of quality it was necessary to admit the persons presenting themselves every morning for the levee in a certain order fixed by the master or occasionally by the attendant in waiting, and to give audience only to the more notable one by one, while the rest were more summarily admitted partly in groups, partly en masse at the close—a distinction which Gaius Gracchus, in this too paving the way for the new monarchy, is said to have introduced. The interchange of letters of courtesy was carried to as great an extent as the visits of courtesy; "friendly" letters flew over land and sea between persons who had neither personal relations nor business with each other, whereas proper and formal business-letters scarcely occur except where the letter is addressed to a corporation. In like manner invitations to dinner, the customary new year's presents, the domestic festivals, were divested of their proper character and converted almost into public ceremonials; even death itself did not release the Roman from these attentions to his countless "neighbours," but in order to die with due respectability he had to provide each of them at any rate with a keepsake. Just as in certain circles of our mercantile world, the genuine intimacy of family ties and family friendships had so totally vanished from the Rome of that day that the whole intercourse of business and acquaintance could be garnished with forms and flourishes which had lost all meaning, and thus by degrees the reality came to be superseded by that spectral shadow of "friendship," which holds by no means the least place among the various evil spirits brooding over the proscriptions and civil wars of this age.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 2, Translated by W.P. Dickson.
On Roman Friendship in the last ages of the Republic.
The History of Rome - Volume 4: Part 2

Donald Kuspit photo

“Avant-garde art has become habitual, a dead letter with little spiritual consequence, however materially refined.”

Donald Kuspit (1935) American art critic

"Reconsidering the Spiritual in Art" http://www.blackbird.vcu.edu/v2n1/gallery/kuspit_d/reconsidering_print.htm, Blackbird (2003).

Marianne Williamson photo
Anna Laetitia Barbauld photo

“I read his awful name, emblazon'd high
With golden letters on th' illumin'd sky.”

Anna Laetitia Barbauld (1743–1825) English author

Poems (1773), "An Address to the Deity", p. 128.

Russell Brand photo
William Westmoreland photo

“Robinson (1952) pointed out some limits to approaching map symbolization and design from a purely artistic viewpoint, as he suggested was the guiding perspective at the time. Maps, like buildings that are designed primarily for artistic impact, are often not functional… Robinson (1952) argued that treating maps as art can lead to "arbitrary and capricious" decisions. He saw only two alternatives: either standardize everything so that no confusion can result about the meaning of symbols, or study and analyze characteristics of perception as they apply to maps so that symbolization and design decisions can be based on "objective" rules… Robinson's dissertation, then, signaled the beginning of a more objective approach to map symbolization and design based on testing the effectiveness of alternatives, an approach that followed the positivist model of physical science. In his dissertation, Robinson cited several aspects of cartographic method for which he felt more objective guidelines were required (e. g., lettering, color, and map design). He also suggested that this objective look at cartographic methods should begin by considering the limitations of human perception. One goal he proposed was identification of the "least practical differences" in map symbols”

Alan MacEachren (1952) American geographer

e.g., the smallest difference in lettering size that would be noticeable to most readers
Source: How Maps Work: Representation, Visualization, and Design (1995), p. 2-3

Marcel Duchamp photo
Daniel Dennett photo

“Minds are in limited supply, and each mind has a limited capacity for memes, and hence there is considerable competition among memes for entry in as many minds as possible. This competition is the major selective force in the memosphere, and, just as in the biosphere, the challenge has been met with great ingenuity. For instance, whatever virtues (from our perspective) the following memes have, they have in common the property of having phenotypic expressions that tend to make their own replication more likely by disabling or preempting the environmental forces that would tend to extinguish them: the meme for faith, which discourages the exercise of the sort of critical judgment that might decide that the idea of faith was, all things considered a dangerous idea; the meme for tolerance or free speech; the meme of including in a chain letter a warning about the terrible fates of those who have broken the chain in the past; the conspiracy theory meme, which has a built-in response to the objection that there is no good evidence of a conspiracy: "Of course not — that's how powerful the conspiracy is!" Some of these memes are "good" perhaps and others "bad"; what they have in common is a phenotypic effect that systematically tends to disable the selective forces arrayed against them. Other things being equal, population memetics predicts that conspiracy theory memes will persist quite independently of their truth, and the meme for faith is apt to secure its own survival, and that of the religious memes that ride piggyback on it, in even the most rationalistic environments. Indeed, the meme for faith exhibits frequency-dependent fitness: it flourishes best when it is outnumbered by rationalistic memes; in an environment with few skeptics, the meme for faith tends to fade from disuse.”

Consciousness Explained (1991)

Bobby Fischer photo
Báb photo
Joan Miró photo
Sueton photo

“Some characteristic expressions he used rather frequently in everyday speech can be seen in letters in his own hand, in which he sometimes writes, when he wants to say that certain men will never pay: "they'll pay on the Greek Kalends." And when he wants to encourage his addressee to put up with present circumstances whatever they are, he says: "Let us be satisfied with the Cato we have."”
Cotidiano sermone quaedam frequentius et notabiliter usurpasse eum, litterae ipsius autographae ostentant, in quibus identidem, cum aliquos numquam soluturos significare vult, "ad Kalendas Graecas soluturos" ait; et cum hortatur ferenda esse praesentia, qualiacumque sint: "contenti simus hoc Catone".

Source: The Twelve Caesars, Augustus, Ch. 87

Leszek Kolakowski photo
Stanley Baldwin photo
John Steinbeck photo
William Stanley Jevons photo
Sri Aurobindo photo
Ronald Dworkin photo

“On the receipt of this letter, Hijaj obtained the consent of Wuleed, the son of Abdool Mullik, to invade India, for the purpose of propagating the faith and at the same time deputed a chief of the name of Budmeen, with three hundred cavalry, to join Haroon in Mikran, who was directed to reinforce the party with one thousand good soldiers more to attack Deebul. Budmeen failed in his expedition, and lost his life in the first action. Hijaj, not deterred by this defeat, resolved to follow up the enterprise by another. In consequence, in the year AH 93 (AD 711) he deputed his cousin and son-in-law, Imad-ood-Deen Mahomed Kasim, the son of Akil Shukhfy, then only seventeen years of age, with six thousand soldiers, chiefly Assyrians, with the necessary implements for taking forts, to attack Deebul…“On reaching this place, he made preparations to besiege it, but the approach was covered by a fortified temple, surrounded by strong wall, built of hewn stone and mortar, one hundred and twenty feet in height. After some time a bramin, belonging to the temple, being taken, and brought before Kasim, stated, that four thousand Rajpoots defended the place, in which were from two to three thousand bramins, with shorn heads, and that all his efforts would be vain; for the standard of the temple was sacred; and while it remained entire no profane foot dared to step beyond the threshold of the holy edifice. Mahomed Kasim having caused the catapults to be directed against the magic flag-staff, succeeded, on the third discharge, in striking the standard, and broke it down… Mahomed Kasim levelled the temple and its walls with the ground and circumcised the brahmins. The infidels highly resented this treatment, by invectives against him and the true faith. On which Mahomed Kasim caused every brahmin, from the age of seventeen and upwards, to be put to death; the young women and children of both sexes were retained in bondage and the old women being released, were permitted to go whithersoever they chose.”

Firishta (1560–1620) Indian historian

Muhammad bin Qãsim (AD 712-715)Debal (Sindh)
Tãrîkh-i-Firishta

Jean Cocteau photo

“After the writer’s death, reading his journal is like receiving a long letter.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

On the journal of Franz Kafka; diary entry (7 June 1953); Past Tense: Diaries Vol. 2 (1988)

Nathanael Greene photo
Georgia O'Keeffe photo
William Julius Mickle photo
Storm Large photo

“Tommy: I just wanna see more of you!
Storm: Tommy?
Tommy: Yes?
Storm: 6 Letters. Google.”

Storm Large (1969) actor, singer

'Just What I Needed' RS:SN Performance http://www.youtube.com/watch?v=RAqJCjbI4U8 July 18, 2006

Eddie Mair photo

“Moments later he punched her unconscious. [Pause] No, he didn't, don't send us letters”

Eddie Mair (1965) Scottish broadcaster

Concluding an item in which a reporter asked random people on the street if throwing buckets of water at people was offensive, and whether he could do so[citation needed]
From PM and Broadcasting House

Grace Slick photo

“But we all do sort of the same thing and that is rearrange what you thought was real, and, uh, they remind you of the beauty of very simple things. You forget, because you're so busy going from A to Z, that there's, uh, 24 letters in between.”

Grace Slick (1939) American musician, writer and painter

Interview on the History Channel documentary Getting High - The History of LSD, 2001; sampled on Drop Out by Infected Mushroom

Robert Rauschenberg photo
Aron Ra photo

“The evolution of life is analogous to the evolution of language. For example, there are several languages based on the Roman alphabet of only 26 letters. Yet by arranging these in different orders, we’ve added several hundred thousand words to English since the 5th century, and many of them were completely new. The principle is the same in genetics. There are millions of named and classified species of life, all of them based on a variable arrangement of only four chemical components. For another example, we know that Spanish, Italian, French, and Portuguese all evolved from Latin, a vernacular which is now extinct. Each of these newer tongues emerged via a slow accumulation of their own unique slang lingo –thus diverging into new dialects, and eventually distinct forms of gibberish such that the new Romans could no longer communicate with either Parisians or Spaniards. Similarly, if we took an original Latin speaking population and divided them sequestered in complete isolation over several centuries, they might still be able to understand each other, or their jargon may have become unintelligible to foreigners. But they won’t start speaking Italian or Romanian because identical vocabularies aren’t going to occur twice.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"8th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=TU-7d06HJSs, Youtube (March 22, 2008)
Youtube, Foundational Falsehoods of Creationism

Guru Arjan photo
Stanisław Lem photo
David Attenborough photo