Quotes about leap
page 4

Mike Oldfield photo
Dinah Craik photo
Octavio Paz photo

“willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky, course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand, an actual presence like a burst of singing,
like the song of the wind in a burning building,
a long look holding the whole world suspended,
the world with all its seas and all its mountains,
body of light as it is filtered through agate,
the thighs of light, the belly of light, the bays,
the solar rock and the cloud-colored body,
color of day that goes racing and leaping,
the hour glitters and assumes its body,
now the world stands, visible through your body,
and is transparent through your transparency”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Sun Stone (1957)

Marina Warner photo
Robert Charles Wilson photo
Charles Olson photo

“When the attentions change / the jungle
leaps in even the stones are split
they rive”

Charles Olson (1910–1970) American writer

Part I, 3
The Kingfishers (1950)

George Meredith photo
Karen Armstrong photo
Haruki Murakami photo
Anton Mauve photo

“Our plans were to go to Amsterdam and Laren tomorrow and then spend another day with you... I am very busy again with 7 paintings at the same time, I still have a lot to do before I can go to Laren, going to live there. Now, this week I can say it more confidently, - when we find a suitable location... We are on a leap of eating out therefore this scribbling..”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Onze plannen waren, morgen naar Amsterdam en Laren te gaan en daarna nog een dagje bij U door te brengen.. .Ik ben weer verschrikkelijk aan de gang met 7 schilderijen te gelijk, ik heb nog heel wat te doen, voor ik naar Laren kan gaan wonen. Nu van de week kan ik het zekerder zeggen, - als wij een geschikte gelegenheid gevonden hebben.. .Wij staan op sprong van uit eten te gaan daarom dit gekrabbel..
In a letter to Willem Witsen, from The Hague, May? 1885]; original copy from website DBNL https://www.dbnl.org/tekst/wits009brie01_01/wits009brie01_01_0026.php; location of resource: Koninklijke Bibliotheek, Den Haag: no. KB75 C51
1880's

Zoran Đinđić photo
Dan Abnett photo
David Foster Wallace photo
David Spade photo
Raymond Poincaré photo

“And, further, shall we be sure of finding the left bank free from German troops? Germany is supposedly going to undertake to have neither troops nor fortresses on the left bank and within a zone extending 50 km. east of the Rhine. But the Treaty does not provide for any permanent supervision of troops and armaments, on the left bank any more than elsewhere in Germany. In the absence of this permanent supervision, the clause stipulating that the League of Nations may order enquiries to be undertaken is in danger of being purely illusory. We can thus have no guarantee that after the expiry of the fifteen years and the evacuation of the left bank, the Germans will not filter troops by degrees into this district. Even supposing they have not previously done so, how can we prevent them doing it at the moment when we intend to re-occupy on account of their default? It will be simple for them to leap to the Rhine in a night and to seize this natural military frontier well ahead of us. The option to renew the occupation should not therefore from any point of view be substituted for occupation. It will then be simple for them to leap to the Rhine in a night and to seize this natural military frontier well ahead of us.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Memorandum to Clemenceau (28 April 1919), quoted in David Lloyd George, The Truth about the Peace Treaties. Volume I (London: Victor Gollancz, 1938), p. 430.

Helen Keller photo
Richard Bach photo
Oliver Sacks photo
Glen Cook photo

“He had leaped into the embrace of self-delusion.
There was a lot of that going around.”

Source: Soldiers Live (2000), Chapter 76, “The Taglian Territories: Another Origin Story” (p. 609)

Robert Jordan photo
William Joyce photo
Wassily Kandinsky photo
Samuel Butler photo

“To try to live in posterity is to be like an actor who leaps over the footlights and talks to the orchestra.”

Samuel Butler (1835–1902) novelist

Posthumous Life, i
The Note-Books of Samuel Butler (1912), Part XXIV - The Life of the World to Come

Henry Wadsworth Longfellow photo
Stanley Kubrick photo
Michael Lewis photo
Thomas Hardy photo

“I am the family face;
Flesh perishes, I live on,
Projecting trait and trace
Through time to times anon,
And leaping from place to place
Over oblivion.”

Thomas Hardy (1840–1928) English novelist and poet

Heredity http://poetry.poetryx.com/poems/1007/, lines 1-6, from Moments of Vision (1917)

Lawrence M. Schoen photo

“The Archetype of Man had not leaped to any false conclusions, had not mistaken Jorl for a deity. Rather, it withheld judgment until it had compiled sufficient explanation.”

Lawrence M. Schoen (1959) American writer and klingonist

Source: Barsk: The Elephants' Graveyard (2015), Chapter 32, “Ghost in the Machine” (p. 298)

W. H. Auden photo

“Look, stranger, on this island now
The leaping light for your delight discovers,
Stand stable here
And silent be,
That through the channels of the ear
May wander like a river
The swaying sound of the sea.”

W. H. Auden (1907–1973) Anglo-American poet

Look, Stranger, on This Island Now (1936), first published in book form in Look, Stranger! (1936; US title On this Island)

Carl Linnaeus photo
Jane Roberts photo
Nikos Kazantzakis photo
Theodor Mommsen photo

“The earliest achievement of this (of equality and the restriction on the powers of the constitutionally mandated magistrates), the most ancient opposition in Rome, consisted in the abolition of the life-tenure of the presidency of the community; in other words, in the abolition of the monarchy… Not only in Rome (but all over the Italian peninsula) … we find the rulers for life of an earlier epoch superseded in after times by annual magistrates. In this light the reasons which led to the substitution of the consuls for kings in Rome need no explanation. The organism of the ancient Greek and Italian polity through its own action and by a sort of natural necessity produced the limitation of the life-presidency to a shortened, and for the most part an annual, term… Simple, however, as was the cause of the change, it might be brought about in various ways, resolution (of the community),.. or the rule might voluntarily abdicate; or the people might rise in rebellion against a tyrannical ruler, and expel him. It was in this latter way that the monarchy was terminated in Rome. For however much the history of the expulsion of the last Tarquinius, "the proud", may have been interwoven with anecdotes and spun out into a romance, it is not in its leading outlines to be called in question. Tradition credibly enough indicates as the causes of the revolt, that the king neglected to consult the senate and to complete its numbers; that he pronounced sentences of capital punishment and confiscation without advising with his counsellors(sic); that he accumulated immense stores of grain in his granaries, and exacted from the burgesses military labours and task-work beyond what was due… we are (in light of the ignorance of historical facts around the abolition of the monarchy) fortunately in possession of a clearer light as to the nature of the change which was made in the constitution (after the expulsion of the monarchy). The royal power was by no means abolished, as is shown by the fact that, when a vacancy occurred, a "temporary king" (Interrex) was nominated as before. The one life-king was simply replaced by two [one year] kings, who called themselves generals (praetores), or judges…, or merely colleagues (Consuls) [literally, "Those who leap or dance together"]. The collegiate principle, from which this last - and subsequently most current - name of the annual kings was derived, assumed in their case an altogether peculiar form. The supreme power was not entrusted to the two magistrates conjointly, but each consul possessed and exercised it for himself as fully and wholly as it had been possessed and exercised by the king; and, although a partition of functions doubtless took place from the first - the one consul for instance undertaking the command of the army, and the other the administration of justice - that partition was by no means binding, and each of the colleagues was legally at liberty to interfere at any time in the province of the other.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 1, Book II , Chapter 1. "Change of the Constitution" Translated by W.P. Dickson
The History of Rome - Volume 1

Barbara Hepworth photo
Ben Croshaw photo
P.G. Wodehouse photo
John Banville photo
A.E. Housman photo
David Brin photo
John Ralston Saul photo
Albert Camus photo
Adi Da Samraj photo
Peter Kropotkin photo

“What if that knowledge — and only that — should become the possession of all? Would not science itself progress in leaps, and cause mankind to make strides in production, invention, and social creation, of which we are hardly in a condition now to measure the speed?”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Memoirs of a Revolutionist (1899) http://dwardmac.pitzer.edu/anarchist_archives/kropotkin/memoirs/memoirstoc.html Part IV, Sect. 3 http://dwardmac.pitzer.edu/anarchist_archives/kropotkin/memoirs/memoirs4_3.html
Context: Belief in an ice-cap reaching Middle Europe was at that time rank heresy; but before my eyes a grand picture was rising, and I wanted to draw it, with the thousands of details I saw in it; to use it as a key to the present distribution of floras and faunas; to open new horizons for geology and physical geography.
But what right had I to these highest joys, when all around me was nothing but misery and struggle for a mouldy bit of bread; when whatsoever I should spend to enable me to live in that world of higher emotions must needs be taken from the very mouths of those who grew the wheat and had not bread enough for their children? From somebody's mouth it must be taken, because the aggregate production of mankind remains still so low.
Knowledge is an immense power. Man must know. But we already know much! What if that knowledge — and only that — should become the possession of all? Would not science itself progress in leaps, and cause mankind to make strides in production, invention, and social creation, of which we are hardly in a condition now to measure the speed?

Richard Wright photo
Ogden Nash photo

“My heart leaps up when I behold
A rainbow in the sky;
Contrariwise, my blood runs cold
When little boys go by.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), Song To Be Sung by the Father of Infant Female Children
Context: My heart leaps up when I behold
A rainbow in the sky;
Contrariwise, my blood runs cold
When little boys go by.
For little boys as little boys,
No special hate I carry,
But now and then they grow to men,
And when they do, they marry.
No matter how they tarry,
Eventually they marry.
And, swine among the pearls,
They marry little girls.

Denise Levertov photo

“Leaps of nerve, heart —
cries of communion: if there is bliss,
it has
been already
and will be; out-
reaching, utterly.”

Denise Levertov (1923–1997) Poet

Conversation in Moscow, Freedom
Context: Leaps of nerve, heart —
cries of communion: if there is bliss,
it has
been already
and will be; out-
reaching, utterly.
Blind
to itself, flooded
with otherness.

James Joyce photo

“It soared, a bird, it held its flight, a swift pure cry, soar silver orb it leaped serene,”

Ulysses (1922)
Context: It soared, a bird, it held its flight, a swift pure cry, soar silver orb it leaped serene, speeding, sustained, to come, don't spin it out too long long breath he breath long life, soaring high, high resplendent, aflame, crowned, high in the effulgence symbolistic, high, of the ethereal bosom, high, of the high vast irradiation everywhere all soaring all around about the all, the endlessnessnessness... (271)

George Fox photo

“And when all my hopes in them and in all men were gone, so that I had nothing outwardly to help me, nor could tell what to do, then, oh, then, I heard a voice which said, "There is one, even Christ Jesus, that can speak to thy condition"; and when I heard it my heart did leap for joy.”

George Fox (1624–1691) English Dissenter and founder of the Religious Society of Friends (Quakers)

Quaker Faith and Practice http://www.quaker.org.uk/qfp/chap19/19.01.html#19.02, Britain Yearly Meeting of the Religious Society of Friends
Context: But as I had forsaken the priests, so I left the separate preachers also, and those esteemed the most experienced people; for I saw there was none among them all that could speak to my condition. And when all my hopes in them and in all men were gone, so that I had nothing outwardly to help me, nor could tell what to do, then, oh, then, I heard a voice which said, "There is one, even Christ Jesus, that can speak to thy condition"; and when I heard it my heart did leap for joy. Then the Lord let me see why there was none upon the earth that could speak to my condition, namely, that I might give Him all the glory; for all are concluded under sin, and shut up in unbelief as I had been, that Jesus Christ might have the pre-eminence who enlightens, and gives grace, and faith, and power. Thus when God doth work, who shall let [hinder] it? and this I knew experimentally [through experience].

“The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.”

Alfred Whitney Griswold (1906–1963) American historian

Address at Yale University, New Haven, Connecticut (9 June 1957).
Context: Could Hamlet have been written by a committee, or the Mona Lisa painted by a club? Could the New Testament have been composed as a conference report? Creative ideas do not spring from groups. They spring from individuals. The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.

William Crookes photo

“On the other hand, our highest types of beauty are those which would be common under decreased gravitation.
The "daughter of the gods, divinely tall," and the leaping athlete, please us by the slight triumph over the earthward pull which their stature or spring implies.”

William Crookes (1832–1919) British chemist and physicist

Address to the Society for Psychical Research (1897)
Context: It is curious that the popular conceptions of evil and malignant beings are of the type that would be produced by increased gravitation — toads, reptiles, and noisome creeping things — while the arch fiend himself is represented as perhaps the ultimate form which could be assumed by a thinking brain and its necessary machinery were the power of gravitation to be increased to the highest point compatible with existence — a serpent crawling along the ground. On the other hand, our highest types of beauty are those which would be common under decreased gravitation.
The "daughter of the gods, divinely tall," and the leaping athlete, please us by the slight triumph over the earthward pull which their stature or spring implies.

John Heywood photo

“Look before you leap.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Part I, chapter 2.
Proverbs (1546)

Yevgeny Zamyatin photo

“No revolution, no heresy is comfortable or easy. For it is a leap, it is a break in the smooth evolutionary curve, and a break is a wound, a pain.”

Yevgeny Zamyatin (1884–1937) Russian author

On Literature, Revolution, Entropy and Other Matters (1923)
Context: A new form is not intelligible to everyone; many find it difficult. Perhaps. The ordinary, the banal is, of course, simpler, more pleasant, more comfortable. Euclid's world is very simple, and Einstein's world is very difficult — but it is no longer possible to return to Euclid. No revolution, no heresy is comfortable or easy. For it is a leap, it is a break in the smooth evolutionary curve, and a break is a wound, a pain. But the wound is necessary: most of mankind suffers from hereditary sleeping sickness, and victims of this sickness (entropy) must not be allowed to sleep, or it will be their final sleep, death.
The same disease often afflicts artists and writers: they sink into satiated slumber in forms once invented and twice perfected. And they lack the strength to wound themselves, to cease loving what they once loved, to leave their old, familiar apartments filled with the scent of laurel leaves and walk away into the open field, to start anew.
Of course, to wound oneself is difficult, even dangerous. But for those who are alive, living today as yesterday and yesterday as today is still more difficult.

Isaac Asimov photo

“The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Source: The Roving Mind (1983), Ch. 25
Context: How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.

Charlton Heston photo

“If you see a little less spring in my step, if your name fails to leap to my lips, you will know why. And if I tell you a funny story for the second time, please laugh anyway.”

Charlton Heston (1923–2008) American actor

Video farewell (2002)
Context: I have lived my whole life on the stage and screen before you. I found purpose and meaning in your response. For an actor that is no greater loss than the loss of his audience. I can part the Red Sea, but I can't part with you, which is why I won't exclude you from this stage in my life.
For now, I'm not changing anything. I will insist on work when I can; the doctors will insist on rest when I must. If you see a little less spring in my step, if your name fails to leap to my lips, you will know why. And if I tell you a funny story for the second time, please laugh anyway.

Andrew Sullivan photo

“Great leaps forward in history are often, in fact, giant leaps back.”

Andrew Sullivan (1963) Journalist, writer, blogger

The Reactionary Temptation (2017)
Context: Great leaps forward in history are often, in fact, giant leaps back. The Reformation did initiate brutal sectarian warfare. The French Revolution did degenerate into barbarous tyranny. Communist utopias — allegedly the wave of an Elysian future — turned into murderous nightmares. Modern neoliberalism has, for its part, created a global capitalist machine that is seemingly beyond anyone’s control, fast destroying the planet’s climate, wiping out vast tracts of life on Earth while consigning millions of Americans to economic stagnation and cultural despair.
And at an even deeper level, the more we discover about human evolution, the more illusory certain ideas of progress become.

Robert A. Heinlein photo

“One small step for a man, one giant leap for mankind.”

Robert A. Heinlein (1907–1988) American science fiction author

The Pragmatics of Patriotism (1973)
Context: Many short-sighted fools think that going to the Moon was just a stunt. But the astronauts knew the meaning of what they were doing, as is shown by Neil Armstrong's first words in stepping down onto the soil of Luna: "One small step for a man, one giant leap for mankind."

Bob Black photo

“In other words, given a choice between anarchism and anarchy, most anarchists would go for the anarchism ideology and subculture rather than take a dangerous leap into the unknown, into a world of stateless liberty.”

Bob Black (1951) American anarchist

Anarchism And Other Impediments To Anarchy (1985)
Context: The history of anarchism is a history of unparalleled defeat and martyrdom, yet anarchists venerate their victimized forebears with a morbid devotion which occasions suspicion that the anarchists, like everybody else, think that the only good anarchist is a dead one. Revolution — defeated revolution — is glorious, but it belongs in books and pamphlets. In this century — Spain in 1936 and France in 1968 are especially clear cases — the revolutionary upsurge caught the official, organized anarchists flat-footed and initially non-supportive or worse. The reason is not far to seek. It's not that all these ideologues were hypocrites (some were). Rather, they had worked out a daily routine of anarchist militancy, one they unconsciously counted on to endure indefinitely since revolution isn't really imaginable in the here-and-now, and they reacted with fear and defensiveness when events outdistanced their rhetoric.
In other words, given a choice between anarchism and anarchy, most anarchists would go for the anarchism ideology and subculture rather than take a dangerous leap into the unknown, into a world of stateless liberty.

Eric Garcetti photo

“America’s diversity is our greatest strength. Diversity is not easy. Diversity is a leap of faith that embraces all faiths.”

Eric Garcetti (1971) American politician

2016, Los Angeles 2024 Summer Olympics bid
Context: Please don’t doubt us. America’s diversity is our greatest strength. Diversity is not easy. Diversity is a leap of faith that embraces all faiths. And that’s why I believe L. A. is a perfect choice for the 2024 Games, because the face of our city reflects the face of the Olympic Movement itself.

Ray Bradbury photo

“I use a scientific idea as a platform to leap into the air and never come back. This keeps them angry at me.”

Ray Bradbury (1920–2012) American writer

Playboy interview (1996)
Context: I don't care what the science fiction trade technicians say, either. They are furious that I get away with murder. I use a scientific idea as a platform to leap into the air and never come back. This keeps them angry at me. They still begrudge my putting an atmosphere on Mars in The Martian Chronicles more than 40 years ago.

H.L. Mencken photo

“The remedy, it seems to me, is quite as absurd as all the other sure cures that Liberals advocate. When they argue for it, they simply argue, in words but little changed, that the remedy for prostitution is to fill the bawdyhouses with virgins. My impression is that this last device would accomplish very little: either the virgins would leap out of the windows, or they would cease to be virgins.”

H.L. Mencken (1880–1956) American journalist and writer

1920s, Notes on Democracy (1926)
Context: Thus the ideal of democracy is reached at last: it has become a psychic impossibility for a gentleman to hold office under the Federal Union, save by a combination of miracles that must tax the resourcefulness even of God. The fact has been rammed home by a constitutional amendment: every office-holder, when he takes oath to support the Constitution, must swear on his honour that, summoned to the death-bed of his grandmother, he will not take the old lady a bottle of wine. He may say so and do it, which makes him a liar, or he may say so and not do it, which makes him a pig. But despite that grim dilemma there are still idealists, chiefly professional Liberals, who argue that it is the duty of a gentleman to go into politics—that there is a way out of the quagmire in that direction. The remedy, it seems to me, is quite as absurd as all the other sure cures that Liberals advocate. When they argue for it, they simply argue, in words but little changed, that the remedy for prostitution is to fill the bawdyhouses with virgins. My impression is that this last device would accomplish very little: either the virgins would leap out of the windows, or they would cease to be virgins.

“I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem.”

Madeleine L'Engle (1918–2007) American writer

Section 1.14 <!-- p. 40 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Context: The rational intellect doesn't have a great deal to do with love, and it doesn't have a great deal to do with art. I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem.

Roger Ebert photo

“Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of Magnolia in Chicago Sun-Times (7 January 2000) http://www.rogerebert.com/reviews/magnolia-2000
Reviews, Four star reviews
Context: Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. … The movie is an interlocking series of episodes that take place during one day in Los Angeles, sometimes even at the same moment. Its characters are linked by blood, coincidence and by the way their lives seem parallel. Themes emerge: the deaths of fathers, the resentments of children, the failure of early promise, the way all plans and ambitions can be undermined by sudden and astonishing events. … All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate. This event is not "cheating," as some critics have argued, because the prologue fully prepares the way for it, as do some subtle references to Exodus. It works like the hand of God, reminding us of the absurdity of daring to plan. And yet plan we must, because we are human, and because sometimes our plans work out.
Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.

“In time of crisis, we summon up our strength.
Then, if we are lucky, we are able to call every resource, every forgotten image that can leap to our quickening, every memory that can make us know our power. And this luck is more than it seems to be: it depends on the long preparation of the self to be used.”

Muriel Rukeyser (1913–1980) poet and political activist

Introduction
The Life of Poetry (1949)
Context: In time of crisis, we summon up our strength.
Then, if we are lucky, we are able to call every resource, every forgotten image that can leap to our quickening, every memory that can make us know our power. And this luck is more than it seems to be: it depends on the long preparation of the self to be used.
In time of the crises of the spirit, we are aware of all our need, our need for each other and our need for our selves. We call up, with all the strength of summoning we have, our fullness.

Philip K. Dick photo

“He had weaved between them and among them as they came, a dancer leaping over glittering sword-points of pink fire. He had survived.”

Philip K. Dick (1928–1982) American author

The Golden Man (1954)
Context: The chamber was an inferno of energy. The figure had completely disappeared. Wisdom waited a moment, then nodded to the technicians operating the cube. They touched guide buttons and the muzzles slowed and died. Some sank back into the cube. All became silent. The works of the cube ceased humming.
Cris Johnson was still alive. He emerged from the settling clouds of ash, blackened and singed. But unhurt. He had avoided each beam. He had weaved between them and among them as they came, a dancer leaping over glittering sword-points of pink fire. He had survived.

“Teach the crippled how to leap,
Throw their crutches on a heap”

Sydney Carter (1915–2004) British musician and poet

"Come, Holy Harlequin" (1974)
Context: Teach the crippled how to leap,
Throw their crutches on a heap,
Rock, love, carry it away, turn it upside down.
Rock, love, carry it away,
Lift the world up by your levity,
Rock, love, carry it away, turn it upside down.

Antonin Scalia photo

“I don't think you can leap from that to the conclusion that the only war dead that that cross honors are the Christian war dead. I think that's an outrageous conclusion.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

2000s
Context: Antonin Scalia: It's erected as a war memorial. I assume it is erected in honor of all of the war dead. It's the — the cross is the — is the most common symbol of — of — of the resting place of the dead, and it doesn't seem to me — what would you have them erect? A cross — some conglomerate of a cross, a, and you know, a Moslem half moon and star?
Peter Eliasberg: Well, Justice Scalia, if I may go to your first point. The cross is the most common symbol of the resting place of Christians. I have been in Jewish cemeteries. There is never a cross on a tombstone of a Jew. [Laughter. ] So it is the most common symbol to honor Christians.
Antonin Scalia: I don't think you can leap from that to the conclusion that the only war dead that that cross honors are the Christian war dead. I think that's an outrageous conclusion.

Nikos Kazantzakis photo

“From every joy and pain a hope leaps out eternally to escape this pain and to widen joy.”

The Saviors of God (1923)
Context: From every joy and pain a hope leaps out eternally to escape this pain and to widen joy.
And again the ascent begins — which is pain — and joy is reborn and new hope springs up once more. The circle never closes. It is not a circle, but a spiral which ascends eternally, ever widening, enfolding and unfolding the triune struggle.

Maya Angelou photo

“I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.”

"Still I Rise"
And Still I Rise (1978)
Context: Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Lucretius photo

“Nay, even suppose when we have suffered fate,
The soul could feel in her divided state,
What's that to us? for we are only we,
While souls and bodies in one frame agree.
Nay, though our atoms should revolve by chance,
And matter leap into the former dance;
Though time our life and motion could restore,
And make our bodies what they were before,
What gain to us would all this bustle bring?
The new-made man would be another thing;
When once an interrupting pause is made,
That individual being is decayed.
We, who are dead and gone, shall bear no part
In all the pleasures, nor shall feel the smart,
Which to that other mortal shall accrue,
Whom of our matter, time shall mould anew.
For backward if you look, on that long space
Of ages past, and view the changing face
Of matter, tossed and variously combined
In sundry shapes, ’tis easy for the mind
From thence t' infer that seeds of things have been
In the same order as they now are seen:
Which yet our dark remembrance cannot trace,
Because a pause of life, a gaping space
Has come betwixt, where memory lies dead,
And all the wandering motions from the sense are fled.”

Et si iam nostro sentit de corpore postquam distractast animi natura animaeque potestas, tamen est ad nos, qui comptu coniugioque corporis atque animae consistimus uniter apti. nec, si materiem nostram collegerit aetas post obitum rursumque redegerit ut sita nunc est, atque iterum nobis fuerint data lumina vitae, quicquam tamen ad nos id quoque factum, interrupta semel cum sit repetentia nostri. et nunc nil ad nos de nobis attinet, ante qui fuimus, [neque] iam de illis nos adficit angor. nam cum respicias inmensi temporis omne praeteritum spatium, tum motus materiai quam sint, facile hoc adcredere possis, saepe in eodem, ut nunc sunt, ordine posta haec eadem, quibus e nunc nos sumus, ante fuisse. nec memori tamen id quimus reprehendere mente; inter enim iectast vitai pausa vageque deerrarunt passim motus ab sensibus omnes.

Lucretius (-94–-55 BC) Roman poet and philosopher

Book III, lines 843–860 (tr. John Dryden)
De Rerum Natura (On the Nature of Things)

John C. Maxwell photo

“Small differences over time create a big difference. Improvement is achieved in inches, not giant leaps.”

John C. Maxwell (1947) American author, speaker and pastor

Book Sometimes you win Sometimes you Learn

Baruch Spinoza photo
Augusta Savage photo

“I was a Leap Year baby, and it seems to me that I have been leaping ever since.”

Augusta Savage (1892–1962) American sculptor

On the trajectory of her life and career in “Sculptor Augusta Savage Said Her Legacy Was The Work Of Her Students” https://www.npr.org/2019/07/15/740459875/sculptor-augusta-savage-said-her-legacy-was-the-work-of-her-students in NPR (2019 Jul 15)

J. Howard Moore photo
J. Howard Moore photo
Benjamin Creme photo
Fidel Castro photo
David Lloyd George photo
Victor Villaseñor photo
Tristan Tzara photo
William Wordsworth photo

“My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the Man;
And I could wish my days to be
Bound each to each by natural piety.”

William Wordsworth (1770–1850) English Romantic poet

My Heart Leaps Up When I Behold, (1802); the last three lines of this form the introductory lines of the long Ode: Intimations of Immortality from Recollections of Early Childhood begun the next day.

Daniel Abraham photo

“The aliens that sent the protomolecule hadn’t needed to destroy humanity. They’d given humans the opportunity to destroy themselves, and as a species, they’d leaped on it.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Nemesis Games (2015), Chapter 27 (pp. 291-292)

William Lloyd Garrison photo
David Lloyd George photo

“There is no greater mistake than to try to leap an abyss in two jumps.”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

[Lloyd George, David, David Lloyd George, War Memoirs, New, 1, 1938, Odhams Press Limited, London, 445, XXIV: Disintegration of the Liberal Party]
War Memoirs

Derek Parfit photo

“Why shouldn’t I eat toothpaste? It’s a free world. Why shouldn’t I chew my toenails? i happen to have trodden in some honey. Why shouldn’t I prance across central park with delicate sideways leaps? I know what your answer will be: “it isn’t done.””

But it’s no earthly use just saying it isn’t done. If there’s a reason why it isn’t done, give the reason—if there’s no reason, don’t attempt to stop me doing it. All other things being equal, the mere fact that something “isn’t done” is in itself an excellent reason for doing it.

p.101
Reasons and Persons (1984)

Carolina de Robertis photo

“At some point, the novelist has to leap head first into the pool of imagination in order to more freely explore the truth.”

Carolina de Robertis (1975) American writer

On thw work of a novelist in “Interviews: Carolina de Robertis” https://bookpage.com/interviews/24365-carolina-de-robertis-fiction#.Xebr8_lKjcs in BookPage (2019 Sep 3)

Maria Weston Chapman photo

“Confusion has seized us, and all things go wrong: The women have leaped from "their spheres" And instead of fixed stars, shoot as comets along,And are setting the world by the ears!”

Maria Weston Chapman (1806–1885) American abolitionist

From "The Times That Try Men's Souls", as quoted in [Squire, Belle, The Woman Movement in America: A Short Account of the Struggle for Equal Rights, https://books.google.com/books?id=SnOIAAAAMAAJ, 1911, A. C. McClurg & Company, 71-2]

Lois McMaster Bujold photo

“A fact will often show poor and plain in contrast to the leapings of imagination.”

Marion L. Starkey (1901–1991) American historian & writer

Source: The Devil in Massachusetts: A Modern Enquiry into the Salem Witch Trials (1949), Chapter 17, “Eight Firebrands of Hell” (p. 205)

Mikhail Gorbachev photo
Rosa Luxemburg photo
Domenico Mogavero photo

“Pretending to be God and parroting his power of creation is an enormous risk that can plunge men into a barbarity. Never forget that there is only one creator: God. In the wrong hands, today's development can lead tomorrow to a devastating leap in the dark.”

Domenico Mogavero (1947) Catholic bishop

Catholic Church: synthetic cell potentially a good development but life originates from God https://www.foxnews.com/world/catholic-church-synthetic-cell-potentially-a-good-development-but-life-originates-from-god (May 21, 2010)

Tera Patrick photo
Boris Yeltsin photo
Robert Graves photo
Bo Xilai photo
Charlton Heston photo