Quotes about instrumentation
page 8

“The managers will exercise their control over the instruments of production and gain preference in the distribution of the products, not directly, through property rights vested in them as individuals, but indirectly, through their control of the state which in turn will own and control the instruments of production. The state – that is, the institutions which comprise the state – will if we wish to put it that way, be the “property” of the managers’.”

James Burnham (1905–1987) American philosopher

Source: The Managerial Revolution, 1941, p. 71–72; As cited in: Stijn Maria Verhagen (2005). Zorglogica’s uit balans. p. 300

Way, Exercises

“By this lux as the first corporeal form Grosseteste did not, of course, mean simply visible light. As an emanation or propagation of substance and power lux was the basis of all bodily magnitude and of all natural operations, of which the manifestation of visible light was only one. One of the most important functions of lux was to be the intermediary between spirit and matter. It was the instrument by which God produced the macrocosm of the universe, and the instrument by which the soul made contact with the physical body and the things of sense in the microcosm of man.”

Alistair Cameron Crombie (1915–1996) Australian zoologist, historian of science

Robert Grosseteste and the Origins of Experimental Science 1100-1700 (1953)

God, Soul, Nature, Sense

“Presidents and Congresses, laws and lawsuits can open the doors to the polling places and open the doors to the wondrous rewards which await the wise use of the ballot. But only the individual Negro, and all others who have been denied the right to vote, can really walk through those doors, and can use that right, and can transform the vote into an instrument of justice and fulfillment.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Voting Rights Act signing speech (1965)

Justice, Law

“It is interesting to note that in nearly all the economics courses it is taught that the income tax is the proper instrument for the regulation of the country’s economy; that private property is not an inalienable right (in fact, there are no inalienable rights); that the economic ills of the country are traceable to the remnants of free enterprise; that the economy of the nation can be sound only when the government manages prices, controls wages, and regulates operations. This was not taught in the colleges before 1913.”

Frank Chodorov (1887–1966) American libertarian thinker

Source: The Income Tax: Root of All Evil (1954), p. 34

Country

“[Describing the bazar held in Delhi near the Red Fort, Francois Bernier (seventeenth century) says that] “Hither, likewise, the astrologers resort, both Mahometan and Gentile. These wise doctors remain seated in the sun, on a dusty piece of carpet, handling some old mathematical instruments, and having open before them a large book which represents the sign of the Zodiac. In this way they attract the attention of the passenger… by whom they are considered as so many infallible oracles. They tell a poor person his fortune for a payssa… Silly women, wrapping themselves in a white cloth from head to foot, flock to the astrologers, whisper to them all the transaction of their lives, and disclose every secret with no more reserve than is practised by a penitent in the presence of her confessor. The ignorant and infatuated people really believe that the stars have an influence (on their lives) which the astrologers can control.””

François Bernier (1620–1688) French physician and traveller

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 1
Travels in the Mogul Empire (1656-1668)

Women, People, Secret, Books

“Seeing several of these paintings [his series paintings 'Hommage to the square', Josef Albers painted in 1963-64] next to each other makes it obvious that each painting is an instrumentation on its own.
This means that they all are of different palettes, and, therefore, so to speak, of different climates.
Choice of the colors used, as well as their order, is aimed at an interaction – influencing and changing each other forth and back.
Thus, character and feeling alter from painting to painting without any additional 'handwriting' or, so-called, texture.
Though the underlying symmetrical and quasi-concentric order of squares remains the same in all paintings – in proportion and placement – these same squares group or single themselves, connect and separate in many different ways
In consequence, they move forth and back, in and out, and grow up and down and near and far, as well as enlarged and diminished. All this to proclaim color autonomy as a means of plastic organization.”

Josef Albers (1888–1976) German-American artist and educator

6 short quotes from: 'The Origin of Art'
Homage to the square' (1964)

Color, Way, Feeling, Change

“What we call Man's power over Nature turns out to be a power exercised by some men over other men with Nature as its instrument.”

Clive Staples Lewis book The Abolition of Man

The Abolition of Man (1943)

Men, Exercises, Nature

“He would not journey without a foot.
He would not breed nuts without trees,
Like seeking for ants in the heath.
Like an instrument of foolish spoil,
Like the retinue of an army without a head,
Like feeding the unsheltered on lichen.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Fold of the Bards

Tree

“We bow our heads before Thee, and we laud
And magnify thy name Almighty God!
But man is thy most awful instrument
In working out a pure intent.”

William Wordsworth (1770–1850) English Romantic poet

Ode. Imagination before Content.
Bartlett's Familiar Quotations, 10th ed. (1919)

God

“When you hear an instrumental song someone is singing over, you know right away it's wrong.”

Joe Satriani (1956) American guitar player

As quoted in BAM Magazine (6 April 1990).

Singing

“[T]he indispensable instrument of a visionary politics is collective mobilization, which brings people together in ways not foreordained by the established structure or the prevailing dogmas of society.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Plasticity Into Power: Comparative-Historical Studies on the Institutional Conditions of Economic and Military Success (1987), p. 12

People, Way

“[T]he instrumental conceptions derived from the use of a common globe are sufficient, in almost every case, for the understanding of the instruments in an Observatory…”

George Biddell Airy (1801–1892) English mathematician and astronomer

Introduction
Popular Astronomy: A Series of Lectures Delivered at Ipswich (1868)

Understanding

“Asia is a region with great potential, and the TPP would create a new relationship with great potential for trade among the countries signing the agreement. These two instruments, if they materialize, will create great opportunities for Mexico. Mexico hasn’t been the obstacle to finalizing the TPP.”

Enrique Peña Nieto (1966) 57th President of Mexico

Foreign Affairs interview (January 2014)

Country

“It was first surmised by the ancient philosopher, Democritus, that the faintly white zone which spans the sky under the name of the Milky Way, might be only a dense collection of stars too remote to be distinguished. This conjecture has been verified by the instruments of modern astronomers.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 3-4

Way, Star

“Coincidences always happen if you keep your mind open, while storyboards remain the instruments of cowards who do not trust in their own imagination and who are slaves of a matrix… If you get used to planning your shots based solely on aesthetics, you are never that far from kitsch.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Herzog on Herzog (2002)

Imagination

“The central question for positive financial economics is valuation – what is the value today of a set of future prospective cash flows? The central question for normative financial economics is the appropriate use of financial instruments in a world in which values are set wholly or partially in accord with the principles of positive financial economics.”

William F. Sharpe (1934) American economist

William Sharpe’s February 1992 lecture at Trinity University: in: William Breit, ‎Barry T. Hirsch (2009). Lives of the Laureates: Twenty-three Nobel Economists. p. 172

World, Question, Future

“It will be remembered, that the object of the several states in the adoption of that instrument, was not the establishment of a general consolidated government, which should swallow up the state sovereignties, and annihilate their several jurisdictions, and powers, as states; but a federal government, with powers limited to certain determinate objects; viz. their intercourse and concerns with foreign nations; and with each other, as separate and independent states; and, as members of the same confederacy: leaving the administration of their internal, and domestic concerns, to the absolute and uncontrolable jurisdiction of the states, respectively; except in one or two particular instances, specified, and enumerated in the constitution.”

St. George Tucker (1752–1827) Bermudan lawyer and judge

https://books.google.com/books?id=NTQ0AQAAMAAJ&pg=RA1-PA412 Page 412
Blackstone’s Commentaries (1803)

“We live in a culture in which intelligence is denied relevance altogether, in a search for radical innocence, or is defended as an instrument of authority and repression. In my view, the only intelligence worth defending is critical, dialectical, skeptical, desimplifying.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"Women, the Arts, & the Politics of Culture: An Interview with Susan Sontag" in Salmagundi, No. 31-32 (Fall/Winter 1975), p. 29; later published in Conversations with Susan Sontag (1995) edited by Leland A. Poague, p. 77

Search, Intelligence

“My tongue, not my pen, is my instrument.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Conversation with Thomas Jones (7 January 1946), quoted in Thomas Jones, A Diary with Letters. 1931-1950 (Oxford University Press, 1954), p. 540.
1940s

“Let me remind you that science is not necessarily wisdom. To know, is not the sole nor even the highest office of the intellect; and it loses all its glory unless it act in furtherance of the great end of man's life. That end is, as both reason and revelation unite in telling us, to acquire the feelings and habits that will lead us to love and seek what is good in all its forms, and guide us by following its traces to the first Great Cause of all, where only we find it pure and unclouded.
If science be cultivated in congruity with this, it is the most precious possession we can have— the most divine endowment. But if it be perverted to minister to any wicked or ignoble purpose — if it even be permitted to take too absolute a hold of the mind, or overshadow that which should be paramount over all, the perception of right, the sense of Duty — if it does not increase in us the consciousness of an Almighty and All-beneficent presence, — it lowers instead of raising us in the great scale of existence.
This, however, it can never do but by our fault. All its tendencies are heavenward; every new fact which it reveals is a ray from the origin of light, which leads us to its source. If any think otherwise, their knowledge is imperfect, or their understanding warped, or darkened by their passions. The book of nature is, like that of revelation, written by God, and therefore cannot contradict it; both we are unable to read through all their extent, and therefore should neither wonder nor be alarmed if at times we miss the pages which reconcile any seeming inconsistence. In both, too, we may fail to interpret rightly that which is recorded; but be assured, if we search them in quest of truth alone, each will bear witness to the other, — and physical knowledge, instead of being hostile to religion, will be found its most powerful ally, its most useful servant. Many, I know, think otherwise; and because attempts have occasionally been made to draw from astronomy, from geology, from the modes of the growth and formation of animals and plants, arguments against the divine origin of the sacred Scripture, or even to substitute for the creative will of an intelligent first cause the blind and casual evolution of some agency of a material system, they would reject their study as fraught with danger. In this I must express my deep conviction that they do injury to that very cause which they think they are serving.
Time will not let me touch further on the cavils and errors in question; and besides they have been often fully answered. I will only say, that I am here surrounded by many, matchless in the sciences which are supposed so dangerous, and not less conspicuous for truth and piety. If they find no discord between faith and knowledge, why should you or any suppose it to exist? On the contrary, they cannot be well separated. We must know that God is, before we can confess Him; we must know that He is wise and powerful before we can trust in Him, — that He is good before we can love Him. All these attributes, the study of His works had made known before He gave that more perfect knowledge of himself with which we are blessed. Among the Semitic tribes his names betoken exalted nature and resistless power; among the Hellenic races they denote his wisdom; but that which we inherit from our northern ancestors denotes his goodness. All these the more perfect researches of modern science bring out in ever-increasing splendour, and I cannot conceive anything that more effectually brings home to the mind the absolute omnipresence of the Deity than high physical knowledge. I fear I have too long trespassed on your patience, yet let me point out to you a few examples.
What can fill us with an overwhelming sense of His infinite wisdom like the telescope? As you sound with it the fathomless abyss of stars, till all measure of distances seems to fail and imagination alone gauges the distance; yet even there as here is the same divine harmony of forces, the same perfect conservation of systems, which the being able to trace in the pages of Newton or Laplace makes us feel as if we were more than men. If it is such a triumph of intellect to trace this law of the universe, how transcendent must that Greatest over all be, in which it and many like it, have their existence! That instrument tells us that the globe which we inhabit is but a speck, the existence of which cannot be perceived beyond our system. Can we then hope that in this immensity of worlds we shall not be overlooked? The microscope will answer. If the telescope lead to one verge of infinity, it brings us to the other; and shows us that down in the very twilight of visibility the living points which it discloses are fashioned with the most finished perfection, — that the most marvellous contrivances minister to their preservation and their enjoyment, — that as nothing is too vast for the Creator's control, so nothing is too minute or trifling for His care. At every turn the philosopher meets facts which show that man's Creator is also his Father, — things which seem to contain a special provision for his use and his happiness : but I will take only two, from their special relation to this very district. Is it possible to consider the properties which distinguish iron from other metals without a conviction that those qualities were given to it that it might be useful to man, whatever other purposes might be answered by them. That it should. be ductile and plastic while influenced by heat, capable of being welded, and yet by a slight chemical change capable of adamantine hardness, — and that the metal which alone possesses properties so precious should be the most abundant of all, — must seem, as it is, a miracle of bounty. And not less marvellous is the prescient kindness which stored up in your coalfields the exuberant vegetation of the ancient world, under circumstances which preserved this precious magazine of wealth and power, not merely till He had placed on earth beings who would use it, but even to a late period of their existence, lest the element that was to develope to the utmost their civilization and energy migbt be wasted or abused.
But I must conclude with this summary of all which I would wish to impress on your minds—* that the more we know His works the nearer we are to Him. Such knowledge pleases Him; it is bright and holy, it is our purest happiness here, and will assuredly follow us into another life if rightly sought in this. May He guide us in its pursuit; and in particular, may this meeting which I have attempted to open in His name, be successful and prosperous, so that in future years they who follow me in this high office may refer to it as one to be remembered with unmixed satisfaction.”

Thomas Romney Robinson

Robinson in his 1849 adress, as quoted in the Report of the Nineteenth Meeting of the British Association for the Advancement of Science https://archive.org/stream/report36sciegoog#page/n50/mode/2up, London, 1850.

Love, Life, Wisdom, Men

“Koch was one of the sincere Socialists in the movement. He was a follower of Gregor Strasser, like most of the North German bosses. ‘Of course the world will become socialistic,’ he said to me once when I went to see him at Konigsberg. ‘Capitalism has done for itself. Do you suppose that Hitler can stop at this reactionary beginning? My dear man, many things have to happen yet. Your Junker cousins, we shall kill the lot of them,’ he added, laughing. ‘We shall sweep them all away. Peasants must take over; we are settling them on the land. The things the slack Sozis (Socialists) never carried out, we shall put through. Away with the Junkers and the captains of industry! Do you suppose we were just talking through our hats about nationalizing the banks and abolishing the stock exchange and all that?… And if that whimpering instrument Hitler doesn't squeak out our tune, we shall get another fiddle to play on.”

Hermann Rauschning (1887–1982) German politician

Source: Men in Chaos (1942), p. 89

World, Sincerity

“A liberal education is that which aims to develop faculty without ulterior views of profession or other means of gaining a livelihood. It considers man an end in himself and not an instrument whereby something is to be wrought. Its ideal is human perfection.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 234

Education, Perfection

“Sir,
Having long deferred to make any report relating to the observations that were taken at sea by captain Campbell, in the year 1757, which you transmitted to me by order of the lords of the admiralty, I think it necessary to acquaint you, that, upon examining those observations, I perceived that they were not in all respects accompanied with such circumstances as are requisite for forming a right judgment of the accuracy and certainty with which observations proper for finding the longitude at sea by the moon can in fact be taken; for which reason I delayed giving my opinion upon this point till I could have an opportunity of comparing a greater variety of observations, made at different times, and with different instruments: such an opportunity having lately been given me by captain Campbell, who has favoured me with a copy of several observations that were made by him in 1758 and 1759, I now beg leave to lay before their lordships the result of the comparisons which I have made.”

James Bradley (1693–1762) English astronomer; Astronomer Royal

Miscellaneous Works and Correspondence (1832), To Mr. Cleveland Secretary of the Admiralty (April 14, 1760)

Thinking, Time, Sea

“I have always felt rather badly for orchestra musicians, especially the stringed instrument player who certainly in his youth expected to be a virtuoso… I admire their patience and ability, and through the years have made the effort to show them my respect and – love in many instances.”

Pierre Monteux (1875–1964) French conductor

From Monteux, Doris G (1965). It's All in the Music: The Life and Work of Pierre Monteux. New York: Farrar, Straus and Giroux. OCLC 604146, p. 197

Love, Youth, Effort, Patience

“The class of big capitalists, who, in all civilized countries, are already in almost exclusive possession of all the means of subsistance and of the instruments (machines, factories) and materials necessary for the production of the means of subsistence. This is the bourgeois class, or the bourgeoisie.”

Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher

(1847)

Country

“Men are the dominant sign-using animals. Animals other than man do, of course, respond to certain things as signs of something else, but such signs do not attain the complexity and elaboration which is found in human speech, writing, art, testing devices, medical diagnosis, and signaling instruments. Science and signs are inseparably interconnected, since science both presents men with more reliable signs and embodies its results is systems of signs. Human civilization is dependent upon signs and systems of signs, and the human mind is inseparable from the functioning of signs - if indeed mentality is not to be identified with such functioning.”

Charles W. Morris (1903–1979) American philosopher

Source: "Foundations of the Theory of Signs," 1938, p. 1 (1971:17), Lead paragraph first chapter

Men, Art, Science, Animals

“Man's greatest advances these last few generations have been made by the application of human intelligence to the management of matter. Now we are confronted by a more difficult problem, the application of intelligence to the management of human relations. Unless we can advance in that field also, the very instruments that man's intelligence has created may be the instruments of his destruction.”

Norman Angell (1872–1967) British politician

Peace and the Public Mind (1935)

Intelligence, Problem

“Is there an observation which is not the instrument of thought?”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

2nd Public Talk, Brockwood Park, UK (26th August 1979)
1970s

“It makes no sense to regard the right of suffrage as a utopian product of fantasy, cut loose from social reality. And it is for this reason that it is not a serious instrument of the proletarian dictatorship. It is an anachronism, an anticipation of the juridical situation which is proper on the basis of an already completed socialist economy, but is not in the transition period of the proletarian dictatorship.”

Rosa Luxemburg (1871–1919) Polish Marxist theorist, socialist philosopher, and revolutionary

Source: The Russian Revolution (1918), Chapter Five, "The Question of Suffrage"

Reality, Sense

“Contenting myself, accordingly, with a gesture of loving sympathy, I left the room. Whether she did or did not throw a handsomely bound volume of the Works of Alfred, Lord Tennyson, at me, I am not in a position to say. I had seen it lying on the table beside her, and as I closed the door I remember receiving the impression that some blunt instrument had crashed against the woodwork, but I was feeling too pre-occupied to note and observe.”

P.G. Wodehouse book Right Ho, Jeeves

Right Ho, Jeeves (1934)

Love, Feeling, Lying

“The great pontiff took the floor to argue the case against me. I don't remember his harangue, because I was too horrified to understand such a discordant voice, and because he made his speech with a musical instrument so loud it deafened me. He had deliberately chosen a trumpet. The violence of its martial tone was supposed to make the people call for my death and to keep them from thinking rationally, as happens in our armies, where the din of trumpets and drums prevents the soldier from thinking about the importance of his life.”

Cyrano de Bergerac (1619–1655) French novelist, dramatist, scientist and duelist

The Other World (1657)

Life, Death, People, Music

“We must remember that machines do not, as in the capitalist system, compete with workers or enslave workers. Workers must view machines as the liberators of their force. Machines are placed at the service of workers as soon as the exploitation of man by man stops. And that is what we are striving for: we are trying to turn machines into liberating instruments of peasants, so they will have more time for leisure, so they will have more time to study, to develop in every sense, to achieve the most important thing we must achieve: individuals developed to the full, this is the aim we are all struggling for.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Speech at the National Sugar Plenary Meeting in Camagüey, February 9, 1963 Ernesto Che Guevera. Escritos y discursos. Op. cit., vol. 7.
On Automation (1963)

Sense, Study, Time

“J. B. S. Haldane counts fanaticism among the only four really important inventions made between 3000 B. C and 1400 A. D. It was a Judaic-Christian invention. And it is strange to think that in receiving this malady of the soul the world also received a miraculous instrument for raising societies and nations from the dead—an instrument of resurrection.”

Eric Hoffer book The True Believer

Section 125, Ch.18 Good and Bad Mass Movements, citing Haldane's The Inequality of Man (1938)
The True Believer (1951), Part Four: Beginning and End

World, Soul, Thinking, Dead

“The only vestige of these musical vagrants now remaining, is to be found in the blind fiddlers wandering about the country, and the ballad singers, who frequently accompany their ditties with instrumental music, especially the fiddle, vulgarly called a crowd, and the guitar. And here we may observe, that the name of fiddlers was applied to the minstrels as early at least as the fourteenth century: it occurs in the Vision of Pierce the Ploughman, where we read, "not to fare as a fydeler, or a frier, to seke feastes."”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 186
The Sports and Pastimes of the People of England (1801), Minstrels

Music, Reading, Country

“The critical sense is so far from frequent that it is absolutely rare, and the possession of the cluster of qualities that minister to it is one of the highest distinctions… In this light one sees the critic as the real helper of the artist, a torchbearing outrider, the interpreter, the brother… Just in proportion as he is sentient and restless, just in proportion as he reacts and reciprocates and penetrates, is the critic a valuable instrument.”

Henry James (1843–1916) American novelist, short story author, and literary critic

Criticism.

Sense, Light

“On August 8, 1944, when Himmler appointed SS General Kammler Commissioner General for the A-4 program, it looked as though the struggle for control had come to an end. I felt like a man who has devoted years of toil and affection to making a superb violin, a masterpiece which needs only tuning, and who then has to look on helplessly while the instrument is grabbed by a tough, unmusical woodman and scraped with a jagged lump of wood.”

Walter Dornberger (1895–1980) German general

“There's no record industry, and so musicians I know, because I get mail from young musicians, I mean, they're really just struggling to survive, because they're not gonna get a record contract! So what are they doing? To survive? Like I did? I mean, okay I drove trucks, and sold caviar and repaired instruments just to survive. But in the end, you know, I'm in the studio, you know, recording rock music, pop music, whatever! Whatever gives me money to put in my, you know, food in my mouth. And so there's a lot of great musicians today, they're just looking for a gig! And what are the gigs that are going around? The gigs with pop bands or with smooth jazz, funky jazz, you know, a lot of this kind of cliched music. I'm sorry to criticize it like that, but I grew up with Tony (Williams) and you know Miles (Davis), (John) Coltrane, and real things, where there's blood all over the floor, blood all over the stage, that's what the passion's all about.”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On record industry, as quoted in "John McLaughlin: State of the Musical Arts", by The Snapshots Foundation; directed by Jonathan Bewley, YouTube, Jul 11, 2014 https://www.youtube.com/watch?v=utqp7ECKUl0

Money, Food, Music, Passion

“Culture is an instrument wielded by professors to manufacture professors, who, when their turn comes, will manufacture professors.”

Simone Weil book The Need for Roots

HTTP://BOOKS. GOOGLE. COM/books? id=zacmeILjLvIC&q=%22culture+as+we+know+it+is+an+instrument+manipulated+by+teachers+for+manufacturing+more+teachers+who+in+their+turn+will+manufacture+still+more+teachers%22&pg=PA65#v=onepage
La culture est un instrument manié par des professeurs pour fabriquer des professeurs qui à leur tour fabriqueront des professeurs.
http://books.google.com/books?id=33rE96fD8h8C&q=%22La+culture+est+un+instrument+mani%C3%A9+par+des+professeurs+pour+fabriquer+des+professeurs+qui+%C3%A0+leur+tour+fabriqueront+des+professeurs%22&pg=PA65#v=onepage
The Need for Roots, part 2: Uprootedness, chapter 1: Uprootedness in the Towns (1949)

“In an age of democracy and of peaceful or warlike communion among all parts of humanity, philosophy, like poetry and politics, must be prophetic. The content of its prophecy is a vision of how it is that we may respond, right now and with the instruments at hand, to the experience of being lost in a void that is made up of time, into the beginning and end of which we cannot see, and that is indifferent to our concerns. It is a prophecy of the path of our unchaining and of our ascent in a world of time, in which we remain always bound to death and forever denied insight into the ultimate nature of reality…. No philosopher or philosophical tradition in the last two centuries has had a monopoly on this prophecy. It is everywhere.”

Roberto Mangabeira Unger book The Self Awakened: Pragmatism Unbound

Source: The Self Awakened: Pragmatism Unbound (2007), p. 27

Death, Age, World, Peace

“Organizations have been viewed from many perspectives. Depending upon the background and interests of the investigators, the dimensions and characteristics of organizations that are emphasized vary greatly. However, there does appear to be some agreement about the fact that organizations generally develop as instruments for attaining specific goals, and that they are likely to emerge in situations where people recognize a common or complementary advantage that can best be served through collective, as opposed to individual, action.”

Arthur G. Bedeian (1946) American business theorist

Source: Organizations: Theory and Analysis, 1984, p. 3 (1984; 2)

People, Appearance, Dependency

“They want to hurry things quicker than the Almighty means them to go. I don't altogether blame them either, for I'm mortally impatient myself. But it s no good thinking that saying a thing should be so will make it so. We're not the Creator of this universe. You've got to judge results according to your instruments.”

John Buchan book The Path of the King

Source: The Path of the King (1921), Ch. XIV "The End of the Road", III

Thinking, Universe

“I was never drawn to experiment with language; I take note of such experiments, but avoid them in my own writing. The reason is that the substance of life claims me completely. To indulge in linguistic experiments is to ignore the greater part of this substance, leaving all but a tiny portion untouched and unused, as if a musician were to ceaselessly play an instrument with his little finger only.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 3
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Life, Parting

“Follett was always preoccupied with the dynamic view of organization, with the thing in process, so to speak. Authority, Power, Leadership, the Giving of Orders, Conflict, Conciliation — all her keywords are active words. There is a static or structural approach to the problem of organization which has its value; but those who are most convinced of the importance of such structural analysis would be the first to admit that it is only a step on the journey, an instrument of thought; it is not and cannot be complete in itself; it is only the anatomy of the subject. As in medicine, the study of anatomy may be an essential discipline, but it is in the physiology and psychology of the individual patient that that discipline finds its working justification.
Thus the four principles which she finally arrived at to express her view of organization were all active principles. In her own words, they are:
"1. Co-ordination by direct contact of the responsible people concerned.
2. Co-ordination in the early stages.
3. Co-ordination as a reciprocal relating of all the features in a situation.
4. Co-ordination as a continuing process."”

Henry C. Metcalf (1867–1942) American business theorist

Since these principles are carefully explained and illustrated by Miss Follett herself in the final paper in this volume, we must content ourselves here with merely this concise statement of them.
Source: Dynamic administration, 1942, p. xxvi

People, Problem, Study

“But let us not speak anymore of books and theories on paper. Now then, did you see my exhibition? As you may remember, 1 gathered in 'Cahiers d'Art' ten very recent paintings, twenty-five gouaches and watercolors, also recent, and twenty-eight drawings that span the period from 1910-1934. In the majority of the compositions on canvas I used a sand technique more or less consistently.... but I usually don't distinguish between traditional oil painting, gouache, tempera and watercolor, and I even simultaneously use the various techniques in the same work. What is essential for me is to be able to clearly convey what I want, to recount my dream. / consider both technique and form to be mere instruments of expression, and my stories, furthermore, are not narrative or historical in character, but purely pictorial.”

Wassily Kandinsky (1866–1944) Russian painter

From an interview, 28 July 1935, in the Italian daily newspaper 'Lavoro fascista'; as quoted in Kandinsky in Paris: 1934-1944 - exhibition catalog, published by The Solomon K. Guggenheim Foundation, New York, 1985, p. 30
1930 - 1944

Books, Dreams, Drawing, Painting

“The more ideas have become automatic, instrumentalized, the less does anybody see in them thoughts with a meaning of their own. They are considered things, machines. Language has been reduced to just another tool in the gigantic apparatus of production in modern society.”

Max Horkheimer book Eclipse of Reason

Source: Eclipse of Reason (1947), pp. 21-22.

Idea

“To deduce the laws of the symbols of Logic from a consideration of those operations of the mind which are implied in the strict use of language as an instrument of reasoning.”

George Boole (1815–1864) English mathematician, philosopher and logician

Source: 1850s, An Investigation of the Laws of Thought (1854), p. 42

Law

“When the bow and the sling were laid aside in favour of the gun, prudence naturally forbade the putting an instrument of so dangerous a nature into the hands of children; they however provided themselves a substitute for the gun…”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 379
The Sports and Pastimes of the People of England (1801), Gun safety

Children, Nature

“Barometer, n. An ingenious instrument which indicates what kind of weather we are having.”

Ambrose Bierce book The Devil's Dictionary

The Devil's Dictionary (1911)

Weather

“I maintain that education is a prime instrument of national purpose and that the quality of its education is inseparably involved in the quality of the nation.”

Zakir Hussain (politician) (1897–1969) 3rd President of India

Source: Philosophy of Education, p. 86.

Education

“I look on myself as an instrument of the Almighty and go on my way regardless of transient opinions and views.”

Wilhelm II, German Emperor (1859–1941) German Emperor and King of Prussia

Speech at Koenigsberg (25 August 1910), quoted in Michael Balfour, The Kaiser and His Times (London: Penguin, 1975), p. 157
1910s

Way

“An instrument is not important. It is the way one plays that is important. Instruments don’t play by themselves. A piano is certainly not a better instrument than a synthesizer, but if a synthesizer is played like a piano, it becomes a very bad instrument. It doesn’t work. You can’t play a trumpet like a violin—it doesn’t go. That’s the problem—the players, not the instrument. Any instrument is a wonderful thing.”

Joe Zawinul (1932–2007) austrian composer and pianist

On how a musician's way of playing is important
Prasad interview (1997)

Way, Problem

“Man had dominated the Earth by virtue of a single assumption: that an effect could be traced to a cause, itself the effect of a previous cause. Manipulation of this basic law yielded rich results; there seemed no need for any other tool or instrumentality. Man congratulated himself on his generalized structure. He could live on desert, on plain or ice, in forest or in city; Nature had not shaped him to a special environment.
He was unaware of his vulnerability. Logic was the special environment; the brain was the special tool.”

Jack Vance (1916–2013) American mystery and speculative fiction writer

Infinity Science Fiction (July 1957)
Short fiction, The Men Return (1957)

Law, Nature

“When the year was completed, I began to examine and compare my observations, and having pretty well satisfied myself as to the general laws of the phenomena, I then endeavored to find out the cause of them. I was already convinced that the apparent motion of the stars was not owing to the nutation of the earth's axis. The next thing that offered itself was an alteration in the direction of the plumb-line with which the instrument was constantly rectified; but this upon trial proved insufficient. Then I considered what refraction might do, but here also nothing satisfactory occurred. At length I conjectured that all the phenomena hitherto mentioned, proceeded from the progressive motion of light and the earth's annual motion in its orbit. For I perceived that, if light was propagated in time, the apparent place of a fixed object would not be the same when the eye is at rest, as when it is moving in any other direction than that of the line passing through the eye and the object; and that, when the eye is moving in different directions, the apparent place of the object would be different.”

James Bradley (1693–1762) English astronomer; Astronomer Royal

As quoted by W. S. Eichelberger, "The Distances of the Heavenly Bodies," http://www.jstor.org/stable/1639343 Science New Series, Vol. 43, No. 1110 (Apr. 7, 1916), pp. 475-483.

Law, Star, Light, Time

“Don’t conduct solo instruments in solo passages; don’t worry or annoy sections or players by looking intently at them in ‘ticklish’ passages”

Pierre Monteux (1875–1964) French conductor

“This is the sort of advice and counsel you might find yourself delivering one day to a future President or Secretary of Defense. When you do, make sure it your best, most independent military opinion—neither constrained nor contaminated by personal politics. Part of the deal we made when we joined up was to willingly subordinate our individual interests to the greater good of protecting national interests. The military as an institution must remain a neutral instrument of the state, no matter which party holds sway. We give our best advice beforehand. If it's followed, great. If it's not, we have only two choices. Obey the orders we have been given, carrying them out with the professionalism and loyalty they deserve or vote with our feet. That's it. We don't get to debate those orders after the fact. We don't get to say, "Well, it's not how I would have done it," or "If only they had listened to ME." Too late at that point … and too cowardly. Few things are more damaging to our democracy than a military officer who doesn't have the moral courage to stand up for what's right or the moral fiber to step aside when circumstances dictate.”

Michael Mullen (1946) U.S. Navy admiral and 17th Chairman of the Joint Chiefs of Staff

USNA Commencement Address in Annapolis, MD (23 May 2008) http://www.jcs.mil/chairman/speeches/USNACommencementAddress2008.html

Democracy, Courage, Future, Parting

“Silence is the bluntest of blunt instruments.”

Erica Jong book Fear of Flying

Fear of Flying (1973)

Silence

“The castle was far more than a walled and turreted fortress; it was an instrument of social control and the symbol of power, authority, and wealth.”

Marilyn Stokstad (1929–2016) art historian

Preface
Medieval castles (2005)

Wealth

“After all, if there is no class stratification in a society, it follows that there is no state, because the state arose as an instrument to be used by a particular class to control the rest of society in its own interests.”

Walter Rodney book How Europe Underdeveloped Africa

Source: How Europe Underdeveloped Africa (1972), p. 76.

“So, if you played a C major chord to pretty much any person on the planet, they'd say that it sounds "harmonious" (or pleasing, or happy, etc, etc). But now when you want to put chords and melodies in an ordering and make a larger piece called a "song", then that is a much more difficult process, and gets very subjective. At that point, it's not just the chords, it's the lyrics, rhythms, instrumentation, tempo, intensity, any number of other things that goes into a song… so many variables that it's almost impossible to predict how a song will affect a given person.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Personality, Happiness

“With what philosophical point of view did I begin my career as teacher? Looking back to that period, I see that it was a rather inchoate form of idealism, reflecting the liberal Protestant orientation I had then adopted. This idealism was gradually revised to make room for major aspects of Deweyan instrumentalism. In my years at Columbia, Dewey had impressed me as a person, and during my decade in Chicago, in close contact with colleagues whom he had deeply influenced, I came to accept what appeared to be the core of his contribution to philosophy. But continued sensitivity to insights from various quarters prevented me from becoming a disciple of any one philosopher or philosophical school.”

Edwin Arthur Burtt (1892–1989) American philosopher

Burtt (1972), cited in: D. Villemaire, (2002), E.A. Burtt, Historian and Philosopher: : A Study of the Author of The Metaphysical Foundations of Modern Physical Science. p. 20

School, Teachers, Appearance, Personality

“The mind of man may be compared to a musical instrument with a certain range of notes, beyond which in both directions we have an infinitude of silence.”

John Tyndall (1820–1893) British scientist

Matter and Force.
Fragments of Science, Vol. II (1879)

Music, Silence

“I am prepared to concede without further argument that all the theoretical constructions, including geometry, which are used in the various branches of physics are only imperfect instruments to enable the world of empirical fact to be reconstructed in our minds.”

Richard von Mises (1883–1953) Austrian physicist and mathematician

First Lecture, The Definition of Probability, p. 8
Probability, Statistics And Truth - Second Revised English Edition - (1957)

World

“. The central theme of contemporary autonomist Marxism is a shift from giant organizations and insurrectional seizure to gradualism and Exodus. The rapid transformation of the working class, the blurring of the lines between work and the rest of life, and the shift in meeting a growing share of our needs into the informal and social economy, mean that the Old Left’s workerism (and like Harry Cleaver, I include syndicalism and council communism in the Old Left), its focus on the production process as the center of society, and its treatment of the industrial proletariat as the subject of history, have become obsolete. In this regard, read Toni Negri’s contrast of the Multitude to previous Old Left ideas of the proletariat. Mostly, I call it a heroic fantasy because any model that envisions a post-capitalist transition based on the universal adoption of any monolithic, schematized social model is as ridiculous as Socrates and Glaucon discussing what musical instruments and poetic metres will be permitted in the perfect state. The real world version of the post-capitalist transition — just as with the transition to capitalism five centuries earlier — isn’t a matter of any single cohesive social class, as the subject of history, systematically remaking the world guided by some single, comprehensive ideology, and organized around a uniform institutional model. It’s a matter of a wide variety of prefigurative institutions and technological building blocks that already exist in the present society, continuing to grow and coalesce together until they reach sufficient critical mass for a phase transition — a phase transition whose outlines can only be guessed at in the most general terms. This is the model advocated by Michel Bauwens, by Paul Mason, by John Holloway, by Peter Frase, and by a lot of other people who can hardly be fitted into any American individualist ghetto.”

Kevin Carson (1963) American academic

'In Which the Anarcho-Syndicalists Discover C4SS' (2016)
Other Writing

Life, People, World, Music

“A man may as well hew marble without tools, or paint without colors or instruments, or build without materials, as perform any acceptable service without the graces of the Spirit, which are both the materials and instruments in the work.”

Joseph Alleine (1634–1668) Pastor, author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 320.

Color, Painting

“The Reason of the present Animadversions. …How far Hevelius has proceeded. That his instruments do not much exceed Ticho. The bigness, Sights and Divisions, not considerably differing. Ticho not ignorant of his new way of Division. …That so great curiosity as Hevelius strives for is needless without the use of Telescopic Sights, the power of the naked eye being limited. That no one part of an Instrument should be more perfect than another. …
That if Hevelius could have been prevail'd on by the Author to have used Telescopic Sights, his observations might have been 40 times more exact than they are.
That Hevelius his Objections against Telescopic sights are of no validity; but the Sights without Telescopes cannot distinguish a less angle then half a Minute.
That an Instrument of 3 foot Radius with Telescopes, will do more then one of 3 score foot Radius with common Sights, the eye being unable to distinguish. This is proved by the undiscernableness of spots in the Moon, and by an Experiment with Lines on a paper, by which a Standard is made of the power of the eye. …
A Conclusion of the Animadversions. That the learn'd World is obllig'd to Hevelius for what he hath done, but would have more, if he had used other instruments.
That the Animadvertor both contrived some hundreds of Instruments, each of very great accurateness for taking Angles, Levels, &c.; and a particular Arithmetical lnstrument for performing all Operations in Arithmetick, with the greatest ease, swiftness and certainty imaginable.
That the Reader may be the more certain of this, the Author describes an Instrument for taking Angles in the Heavens…”

Robert Hooke (1635–1703) English natural philosopher, architect and polymath

Contents, Animadversions on the First Part of the Machina Coelestis of the Astronomer Johannes Hevelius https://books.google.com/books?id=KAtPAAAAcAAJ (1674)

World, Way, Imagination, Time

“The observer usually will see what his fears and hopes and learning teach him to see. But if he can escape these demands that hold up a mirror to himself, then perhaps some of the implications of the work may be felt. But whatever is seen of felt it should be remembered that for me these paintings had to be something else. It is the price one has to pay for clarity when one’s means are honoured only as an instrument of seduction or assault.”

Clyfford Still (1904–1980) American artist

Letter to Dorothy Miller February 5, 1952; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 193
1950s

Fear, Hope, Learning, Painting

“To the true African journalist, his newspaper is a collective organizer, a collective instrument of mobilization and a collective educator—a weapon, first and foremost, to overthrow colonialism and imperialism and to assist total African independence and unity.”

Kwame Nkrumah (1909–1972) Pan Africanist and First Prime Minister and President of Ghana

At the Second Conference of African Journalists; Accra, November 11, 1963. http://nkrumahinfobank.org/article.php?id=441&c=51

Education

“A man that is not afraid of a Lion is afraid of a Cat; not afraid of starving, and yet is afraid of some joint of meat at the table, presented to feed him; not afraid of the sound of drums, and trumpets, and shot, and those, which they seek to drown, the last cries of men, and is afraid of some particular harmonious instrument; so much afraid, as that with any of these the enemy might drive this man, otherwise valiant enough, out of the field.”

John Donne (1572–1631) English poet

VI. Metuit. The physician is afraid
Devotions Upon Emergent Occasions (1624)

Men, Cats

“The more I deepen the topic of regions (I'm in Milan for this reason), the more I am dismayed by having to write about it. It doesn't take much to understand that what these Lombard regionalists are pursuing, knowingly or unknowingly, is a Cisalpine secessionist plan. And, once they've had the instrument, they'll manage to realize it. There's a reason why Bassetti already no longer speaks of a "Lombardy region", but of a "Padania region", of which the rest of Italy would be but an appendix. If they'll succeed (and they will succeed), farewell Risorgimento! It wasn't but a fiction, agreed, and in practice it has failed. But with what will we replace it?”

Indro Montanelli (1909–2001) Italian journalist

Diari 1957-78, ed. Rizzoli, 26 September 1972.
1950s - 1990s

Understanding

“The things that are most important to me in such a project are perfectionism and truth. Truth of interpretation, truth of sound, truth of the instrument, truth of the hall, truth lastly of all.”

Burkard Schliessmann classical pianist

This means ‘Artistic Integrity’ to me.
Talkings about Chopin and Schumann

Truth

“We are not to issue process here as instruments or conduit-pipes, but judicially as Judges: and it will not be an objection to say, that we may award process at all hazards, and let the party grieved come after and plead to it; for we shall never grant an ill-writ, that the party may avoid it in pleading.”

John Holt (Lord Chief Justice) (1642–1710) English lawyer and Lord Chief Justice of England

Lucy v. Bishop of St. David's (1702), 7 Mod. 59.

“A ladder is the instrument of ascent; it symbolises intensity rising to a climax. this, too, is the meaning of prayer.”

Elie Munk (1900–1981) French rabbi

page 11
The World of Prayer, vol. 1

“It is my opinion, that this kingdom has no right to lay a tax upon the colonies. At the same time I assert the authority of this kingdom over the colonies to be sovereign and supreme in every circumstance of Government and legislation whatsoever. The colonists are the subjects of this kingdom, equally entitled with yourselves to all the natural rights of mankind and the peculiar privileges of Englishmen… The Americans are the sons, not the bastards, of England. Taxation is no part of the governing or legislative power… When, therefore, in this House we give and grant, we give and grant what is our own. But in an American tax, what do we do? We, your Majesty's Commons for Great Britain, give and grant to your Majesty,— what? Our own property?— No! We give and grant to your Majesty, the property of your Majesty's Commons of America… The distinction between legislation and taxation is essentially necessary to liberty… There is an idea in some, that the colonies are virtually represented in this House… Is he represented by any knight of the shire, in any county in this kingdom?… Or will you tell him that he is represented by any representative of a borough?— a borough which perhaps its own representatives never saw.— This is what is called the rotten part of the constitution. It cannot continue a century. If it does not drop, it must be amputated… I rejoice that America has resisted. Three millions of people so dead to all the feelings of liberty, as voluntarily to let themselves be made slaves, would have been fit instruments to make slaves of all the rest… The gentleman asks, When were the colonies emancipated? I desire to know when were they made slaves?”

William Pitt, 1st Earl of Chatham (1708–1778) British politician

Speech in the House of Commons on the Stamp Act (14 January 1766), quoted in William Pitt, The Speeches of the Right Honourable the Earl of Chatham in the Houses of Lords and Commons: With a Biographical Memoir and Introductions and Explanatory Notes to the Speeches (London: Aylott & Jones, 1848), pp. 71-6.

People, Feeling, Idea, Nature

“Nuclear power started in weaponry. It was designed for war. And any instrument that has its origins in war always has the potential for war. First because the material you need to make bombs, you’re multiplying it though nuclear power, you’re taking uranium and turn it into plutonium. Second by equipping governments and private companies with this potential, in society you spread this potential, that here is a weapon of mass destruction available. This is exactly what happened with fertilizers. Chemical fertilizers came from explosive factories are increasingly used in terrorist attacks.”

Vandana Shiva (1952) Indian philosopher

On nuclear power, as quoted in " Koodankulam Must Be Stopped: Vandana Shiva http://www.dianuke.org/koodankulam-must-be-stopped-vandana-shiva/", DiaNuke (29 May 2012)

War

“If people would turn their TVs off for half the time, study science and practice an instrument, they'd be virtuosos and have Ph. Ds!”

Philippe Kahn (1952) Entrepreneur, camera phone creator

Interview with the Times reporter, 2002.

People, Study, Science, Time

“Industry must further expand its horizon of thinking and action Industry must further expand its horizon of thinking and action. It must assume the role of an enlightened industrial statesmanship. To the extent that it accepts such broadened responsibilities, to that degree does it assure the maintenance of private enterprise, and with it the exercise of free initiative as the most efficient creator of wealth.
During the past few years it has become the vogue to discredit every instrumentality of accomplishment, be it the individual or the machine. It has been said that American industry is selfish. It would be far more just to say that it has been preoccupied — preoccupied in exploring the secrets of nature and creating a continuous flow of new products.
But, as we look forward, and as we analyze the evolution that has occurred, I am convinced that industry's responsibilities can no longer be adequately discharged, however efficient and effective it may be, with the mere physical production of goods and services.”

Alfred P. Sloan (1875–1966) American businessman

as cited in: Thurman Arnold. The Folklore of Capitalism. (2000), p. 72
New York Times interview, 1935

Secret, Exercises, Nature, Thinking

“When we use a tool in everyday life, it usually remains a detached instrument under my control and activated only when, where, and how I decide. … In contrast, conceptual innovations often “stick,” escape our control and become part of reality itself. Once Hobbes invents the idea of the “state” this idea can come into contact with real social forces with unforeseeable results. The “tool” develops a life of its own, and can become an inextricable part of the fabric of life itself.”

Raymond Geuss book Philosophy and Real Politics

Source: Philosophy and Real Politics (2008), p. 49.

Life, Idea, Reality, Parting

“In 'pure' instrumental music, the strategies chosen by composers to create unity were responsive to the tenets of Romanticism…Even in the absence of an explicit program, motivic continuity created a kind of narrative coherence. Like the chief character in a novel, the 'fortunes' of the main motive--its development, variation, and encounters with other 'protagonists'--served as a source of constancy throughout the unfolding of the musical process.”

Leonard B. Meyer (1918–2007) American composer and philosopher

Style and Music: Theory, History, and Ideology (1989), ISBN 0226521524

Music, Motivation

“Why does the drum, of all instruments, have the greatest potential for life enhancement? I don't really know but here are some thoughts. First of all, there are no notes, therefore fewer judgments to be made by yourself and by others. There will be less right and wrong—especially if there is no counting. Is it the vibrating membrane? So alive! Is it because of its roundness? What I do know, is that everyone's association with the drum is with Life, with Heart—even more with the Mother.”

John Diamond (doctor) (1934) Australian doctor

Source: The Way of the Pulse: Drumming with Spirit (1999), p. 79

Life, Heart

“Thou and I are but the blind instruments of some irresistible fatality, that hurries us along, like goodly vessels driving before the storm, which are dashed against each other, and so perish.”

Walter Scott book Ivanhoe

Source: Ivanhoe (1819), Ch. 39, De Bois-Guilbert speaking to Rebecca.

“Memory strength is also a function of how much we care about the experience. …If I'm playing an instrument I like, and whose sound pleases me in and of itself… caring leads to attention, and together they lead to measurable neurochemical changes. Dopamine, the neurotransmitter associated with emotional regulation, alertness, and mood, is released, and the dopaminergic system aids in encoding the memory trace.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Mood, Memory, Change

“We must bear in mind that imperialism is a world system, the last stage of capitalism — and it must be defeated in a world confrontation. The strategic end of this struggle should be the destruction of imperialism. Our share, the responsibility of the exploited and underdeveloped of the world is to eliminate the foundations of imperialism: our oppressed nations, from where they extract capitals, raw materials, technicians and cheap labor, and to which they export new capitals — instruments of domination — arms and all kinds of articles; thus submerging us in an absolute dependence.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Message to the Tricontinental (1967)

World, Dependency

“Everything vanishes around me, and works are born as if out of the void. Ripe, graphic fruits fall off. My hand has become the obedient instrument of a remote will.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (January/February 1918), # 1104, The Diaries of Paul Klee, 1898-1918 (p. 387)
1916 - 1920

“The leaders of this movement [The Religious Right in the United States], while accepting the biblical doctrine regarding the radical corruption of human nature by sin, in effect exempt themselves as "born-again Christians" from its operation. They identify their own cause unconditionally with the cause of God, regard their critics as agents of Satan, and are apparently prepared to see the human race obliterated in an apocalyptic catastrophe in which the nuclear arsenal of the United States is the instrument of Jesus for the fulfillment of his purpose against the Soviet Union as the citadel of evil. This confusion of a particular and fallible set of political and moral judgements with the cause of Jesus Christ is more dangerous than the open rejection of the claim of Christ in Islam […. ] The "Religious Right" uses the name of Jesus to cover the absolute claims of one national tradition.”

Lesslie Newbigin (1909–1998) Christian missionary

Foolishness to the Greeks. Eerdmans, 1986, 116.

God, Nature, Evil, Christ

“The notion that truths external to the mind may be known by intuition or consciousness, independently of observation and experience, is, I am persuaded, in these times, the great intellectual support of false doctrines and bad institutions. By the aid of this theory, every inveterate belief and every intense feeling, of which the origin is not remembered, is enabled to dispense with the obligation of justifying itself by reason, and is erected into its own all-sufficient voucher and justification. There never was such an instrument devised for consecrating all deep-seated prejudices.”

John Stuart Mill book Autobiography

Source: Autobiography (1873), Ch. 7: General View of the Remainder of My Life (p. 158)

Truth, Feeling, Support, Time

“If our society ever opted for Orwell’s Big Brother approach, the instrument of choice for oppression would have to be the credit wake. In a totally noncash economy with only a vestigial barter black market, a person’s activities could be tracked in real time by monitoring the credit wake of his or her universal card. There were strict laws protecting card privacy but laws had a bad habit of being ignored or abrogated when societal push came to totalitarian shove.”

Dan Simmons book Hyperion

Source: Hyperion (1989), Chapter 5 (p. 345)

Law, Universe, Time, Personality

“In conversing with persons who are not officially attached to Observatories or in other ways professionally cognizant of the technicalities of practical Astronomy but who nevertheless display great interest… these persons appear to regard the determination of measures like those of the distance of the Sun and Moon as mysteries beyond ordinary comprehension… [and] when persons well acquainted with the general facts of Astronomy are introduced into an Observatory, they are for the most part utterly unable to understand anything which they see…
The measure of the Moon's distance involves no principle more abstruse than the measure of the distance of a tree on the opposite bank of a river. The principles of construction of the best Astronomical instruments are as simple and as closely referred to matters of common school-education and familiar experience, as are those of the common globes, the steam engine, or the turning-lathe; the details are usually less complicated.”

George Biddell Airy (1801–1892) English mathematician and astronomer

Introduction
Popular Astronomy: A Series of Lectures Delivered at Ipswich (1868)

Education, School, Way, Understanding

“Faith, considered as a habit, is no more precious than other gracious habits are; but considered as an instrument to receive Christ and His righteousness, it excels them all; and this instrumentality of faith is noted in the phrases, "by faith," and "through faith."”

John Flavel (1627–1691) English Presbyterian clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 236.

Faith, Christ

“You can teach the writing of verse.. like prose.. an instrument.. and the recognition of true poetry. The rest, writers must teach them selves.”

John Hollander (1929–2013) American poet

Interview with J D McCarthy 'The Art of Poetry' no 35 Fall 1985

“In the first place, the meaning of the Constitution never varies. It means today exactly what it meant on the day of its adoption. To hold otherwise would destroy the judicial character of the Supreme Court, and make the continuance of our "unalienable" rights completely uncertain. This has been forcibly stated in South Carolina vs. United States, 199 U. S., at 448: "The Constitution is a written instrument. As such its meaning does not alter. That which it meant when adopted it means now. * * * Those things which are within its grants of power, when made, are still within them, and those things not within remain still excluded. * * * Any other rule of construction, would abrogate the judicial character of this Court, and make it the mere reflex of the popular opinion or passion of the day."”

George Howard Earle, Jr. (1856–1928) American lawyer

From Is Capital Income? (1921) by George H. Earle, Jr.

Passion

“The creation of crimes after the commission of the fact, or, in other words, the subjecting of men to punishment for things which, when they were done, were breaches of no law, and the practice of arbitrary imprisonments, have been, in all ages, the favorite and most formidable instruments of tyranny.”

Alexander Hamilton Federalist Papers

No. 84
The Federalist Papers (1787–1788)

Men, Age, Law

“Love of my home, my wife and my children./ Love for the earth that helps me live./ Love for education and of work./ Love of others who work for the common good./ Love of justice as the instrument that provides equilibrium for human dignity./ Love of peace in order to enjoy one's life./ Love of freedom, but not the freedom acquired at the expense of others’ freedom, but rather the freedom of all./ Love of freedom to live and exist, for the existence of my children, in my home, in my town, my city, among neighbouring people./ Love for freedom in the environment in which we are required to forge our destiny./ Love of freedom without yokes: nor ours nor foreign.”

Víctor Jara (1932–1973) Pro teacher, theatre director, poet, singer-songwriter, and political activist

When asked, four days before the military coup of September 11, 1973, what the word ‘Love’ meant to him.
Section: Biography/Victor y el amor of http://www.fundacionvictorjara.cl/ 10/04/2007

Love, Life, Children, People