Quotes about impress
page 7

Leo Tolstoy photo
Morrissey photo

“M: If you cannot impress people simply by being part of the great fat human race, then you really do have to develop other skills. And if you don't impress people by the way you look, then you really do have to develop other skills. And if you are now going to ask is everything I did just a way to gain some form of attention, well that's not entirely true. It is in a small way, but that's in the very nature of being alive.
PM: Wanting to be loved?
M: To be seen, above all else. I wanted to be noticed, and the way I lived and do live has a desperate neurosis about it because of that. All humans need a degree of attention. Some people get it at the right time, when they are 13 or 14, people get loved at the right stages. If this doesn't happen, if the love isn't there, you can quite easily just fade away. … In a sense I always felt that being troubled as a teenager was par for the course. I wasn't sure that I was dramatically unique. I knew other people who were at the time desperate and suicidal. They despised life and detested all other living people. In a way that made me feel a little bit secure. Because I thought, well, maybe I'm not so intense after all. Of course, I was. I despised practically everything about human life, which does limit one's weekend activities”

Morrissey (1959) English singer

From "Wilde child", interview by Paul Morley, Blitz (April 1988).
In interviews etc., About himself and his work

Susan Neiman photo
Will Eisner photo
Max Beckmann photo
Vasil Bykaŭ photo
Edward Albee photo
Tryon Edwards photo

“Anecdotes are sometimes the best vehicles of truth, and if striking and appropriate are often more impressive and powerful than argument.”

Tryon Edwards (1809–1894) American theologian

Source: A Dictionary of Thoughts, 1891, p. 20.

David Gerrold photo

“Auberson’s first impression of the man was of eight pounds of potatoes in a ten-pound sack.”

Section 16 (p. 82)
When HARLIE Was One (1972)

Ralph Steadman photo
Tomas Kalnoky photo
Rudolf Höss photo
Nat Friedman photo
James Bryce, 1st Viscount Bryce photo
James David Forbes photo

“Most merciful and gracious God, who hast preserved me unto this hour, I most humbly acknowledge Thee as the guide and companion of my youth. Thou hast protected me through the dangers of infancy and childhood, and in my youth Thou didst bless me with the full enjoyment, the happy intimacy, of the best of fathers. Be as gracious and merciful then as Thou hast hitherto been, now that I am about to enter a new stage of existence. Teach me, I beseech Thee, to strengthen in my soul the cultivation of Thy truth, the recollection of the uncertainty of life, the greatness of the objects for which I was created. Revive those delightful religious impressions which in early days I felt more strongly than now; and as Thou hast been pleased lately to permit me to look to a way of life to which formerly I dared not to do, let the leisure I shall enjoy enlarge my warmth of heart towards Thee. Make every branch of study which I may pursue strengthen my confidence in Thy ever-ruling providence, that, undeceived by views of false philosophy, I may ever in singleness of heart elevate my mind from Thy works unto Thy divine essence. Keep from me a vain and overbearing spirit; let me- ever have a thorough sense of my own ignorance and weakness; and keep me through all the trials and troubles of a transitory state in body and soul unto everlasting life, for Jesus Christ's sake. Amen.”

James David Forbes (1809–1868) Scottish physicist and glaciologist

"Completing my Twenty-first Year" (1839), a prayer written by Forbes on April 20th, 1830. Life and letters of James David Forbes p. 450.

Gerard Manley Hopkins photo
Gideon Mantell photo
Willem Roelofs photo

“I certainly believe that the simple landscape which seems less impressive is the nature that is most proper to paint. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik geloof beslist dat de natuur die het meest geschikt is om na te schilderen, het eenvoudige landschap is dat weinig indrukwekkend lijkt.
as cited in Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850, Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 16 – note 2
undated quotes

Paul Scofield photo

“I found at this point that effective acting wasn't what I wanted to do, that I didn't want to make effects, that I wanted, as it were, to leave an impression of a particular kind of human being.”

Paul Scofield (1922–2008) English actor

Quoted in Garry O'Connor, Paul Scofield: An Actor for All Seasons (Applause Books, 2002, ISBN 1-557-83499-7), ch. 22 (p. 131)

P.G. Wodehouse photo
Frederick Douglass photo

“What he wanted was to make his proclamation as effective as possible in the event of such a peace. He said, in a regretful tone, 'The slaves are not coming so rapidly and so numerously to us as I had hoped'. I replied that the slaveholders knew how to keep such things from their slaves, and probably very few knew of his proclamation. 'Well', he said, 'I want you to set about devising some means of making them acquainted with it, and for bringing them into our lines'. He spoke with great earnestness and much solicitude, and seemed troubled by the attitude of Mr. Greeley, and the growing impatience there was being manifested through the North at the war. He said he was being accused of protracting the war beyond its legitimate object, and of failing to make peace when he might have done so to advantage. He was afraid of what might come of all these complaints, but was persuaded that no solid and lasting peace could come short of absolute submission on the part of the rebels, and he was not for giving them rest by futile conferences at Niagara Falls, or elsewhere, with unauthorized persons. He saw the danger of premature peace, and, like a thoughtful and sagacious man as he was, he wished to provide means of rendering such consummation as harmless as possible. I was the more impressed by this benevolent consideration because he before said, in answer to the peace clamor, that his object was to save the Union, and to do so with or without slavery. What he said on this day showed a deeper moral conviction against slavery than I had ever seen before in anything spoken or written by him. I listened with the deepest interest and profoundest satisfaction, and, at his suggestion, agreed to undertake the organizing a band of scouts, composed of colored men, whose business should be somewhat after the original plan of John Brown, to go into the rebel States, beyond the lines of our armies, and carry the news of emancipation, and urge the slaves to come within our boundaries.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 434–435.

Roger Waters photo
Vanna Bonta photo

“One impression I had was how zero zero gravity is.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Universe - Sex in Space (2008)

Ray Harryhausen photo
Franklin D. Roosevelt photo

“Are you laboring under the impression that I read these memoranda of yours? I can't even lift them.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

Comment to economic advisor Leon Henderson, as quoted in Ambassador's Journal: A Personal Account of the Kennedy Years (1969) by John Kenneth Galbraith, p. 225
Posthumous publications

Tryon Edwards photo
Martin Amis photo
Greg Egan photo
Calvin Coolidge photo
Bhakti Tirtha Swami photo
Erving Goffman photo
James Frazer photo
Mikhail Bulgakov photo

“Foreign visitors... how impressed you all are with foreign visitors! But they come in many different varieties.”

Book One in 'The Evil Apartment', B/O
The Master and Margarita (1967)

Maxwell D. Taylor photo
Erik Naggum photo
P.G. Wodehouse photo
Princess Marie of Denmark photo
José Rizal photo
Noam Chomsky photo

“As for drugs, my impression is that their effect was almost completely negative, simply removing people from meaningful struggle and engagement. Just the other day I was sitting in a radio studio waiting for a satellite arrangement abroad to be set up. The engineers were putting together interviews with Bob Dylan from about 1966-7 or so (judging by the references), and I was listening (I'd never heard him talk before — if you can call that talking). He sounded as though he was so drugged he was barely coherent, but the message got through clearly enough through the haze. He said over and over that he'd been through all of this protest thing, realized it was nonsense, and that the only thing that was important was to live his own life happily and freely, not to "mess around with other people's lives" by working for civil and human rights, ending war and poverty, etc. He was asked what he thought about the Berkeley "free speech movement" and said that he didn't understand it. He said something like: "I have free speech, I can do what I want, so it has nothing to do with me. Period."”

Noam Chomsky (1928) american linguist, philosopher and activist

If the capitalist PR machine [term used in the question] wanted to invent someone for their purposes, they couldn't have made a better choice.
Reply (via email) to Douglas Lain, June 1994 https://web.archive.org/web/20021214024709/http://www.douglaslain.com/diet-soap.html
Quotes 1990s, 1990-1994

Kwame Nkrumah photo

“I was introduced to the great philosophical systems of the past to which the Western universities have given their blessing, arranging and classifying them with the delicate care lavished on museum pieces. When once these systems were so handled, it was natural that they should be regarded as monuments of human intellection. And monuments, because they mark achievements at their particular point in history, soon become conservative in the impression which they make on posterity. I was introduced to Plato, Aristotle, Descartes, Kant, Hegel, Schopenhauer, Nietzsche, Marx and other immortals, to whom I should like to refer as the university philosophers. But these titans were expounded in such a way that a student from a colony could easily find his breast agitated by Conflicting attitudes. These attitudes can have effects which spread out over a whole society, should such a student finally pursue a political life. A colonial student does not by origin belong to the intellectual history in which the university philosophers are such impressive landmarks. The colonial student can be so seduced by these attempts to give a philosophical account of the universe, that surrenders his whole personality to them. When he does this, he loses sight of the fundamental social fact that he is a colonial subject. In this way, he omits to draw from his education and from the concern displayed by the great philosophers for human problems, anything which he might relate to the very real problem of colonial domination, which, as it happens, conditions the immediate life of every colonized African. With single-minded devotion, the colonial student meanders through the intricacies of the philosophical systems. And yet these systems did aim at providing a philosophical account ofthe world in the circumstances and conditions of their time. For even philosophical systems are facts of history. By the time, however, that they come to be accepted in the universities for exposition, they have lost the vital power which they had at their first statement, they have shed their dynamism and polemic reference. This is a result of the academic treatment which they are given. The academic treatment is the result of an attitude to philosophical systems as though there was nothing to them hut statements standing in logical relation to one another. This defective approach to scholarship was suffered hy different categories of colonial student. Many of them had heen handpicked and, so to say, carried certificates ofworthiness with them. These were considered fit to become enlightened servants of the colonial administration. The process by which this category of student became fit usually started at an early age, for not infrequently they had lost contact early in life with their traditional background. By reason of their lack of contact with their own roots, they became prone to accept some theory of universalism, provided it was expressed in vague, mellifluous terms. Armed with their universalism, they carried away from their university courses an attitude entirely at variance with the concrete reality of their people and their struggle. When they came across doctrines of a combative nature, like those of Marxism, they reduced them to arid abstractions, to common-room subtleties. In this way, through the good graces oftheir colonialist patrons, these students, now competent in the art of forming not a concrete environmental view of social political problems, but an abstract, 'liberal' outlook, began to fulfil the hopes and expectations oftheir guides and guardians.”

Kwame Nkrumah (1909–1972) Pan Africanist and First Prime Minister and President of Ghana

Source: Consciencism (1964), Introduction, pp. 2-4.

Jean Dubuffet photo

“Fautrier's exhibition [in Paris 1945] made an extremely strong impression on me. Art had never before appeared so fully realised in its pure state. The word 'art' had never before been so loaded with meaning for me.”

Jean Dubuffet (1901–1985) sculptor from France

Source: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, pp. 23,28: quote in Dubuffet's letter to Jean Paulhan (letter 108)

Paul Klee photo

“Tunis. My head is full of the impressions of last night's walk. Art-Nature-Self. Went to work at once and painted in watercolour in the Arab quarter. Began the synthesis of urban architecture and pictorial architecture. Not yet pure, but quite attractive, somewhat too much of the mood, the enthusiasm of traveling in it-the Self, in a word. Things will no doubt get more objective later, once the intoxication has worn off a bit.”

Paul Klee (1879–1940) German Swiss painter

Diary-note, 7 April 1914; # 926-f; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html
The evening of their arrival, Dr. Jaggi took the 3 artists Klee, August Macke and Louis Moilliet on 'a nocturnal walk through the Arab city' Tunis. Klee wrote this note next day.
1911 - 1914, Diary-notes from Tunisia' (1914)

Kent Hovind photo
James Braid photo
Uri Avnery photo
William Hazlitt photo
Otto Weininger photo
Katie Hopkins photo
Zach Galifianakis photo

“This is my impression of a Southern woman. "Tsk, I am so mad at the Taliban right now!"”

Zach Galifianakis (1969) American actor and comedian

Live at the Purple Onion (2007)

Maurice Merleau-Ponty photo
Charles Lyell photo
Richard Feynman photo
Henri of Luxembourg photo

“Faced with events of such magnitude [as the First World War], we share the same sense of helplessness, with the impression that things are imposed on us by fate or an external force. Yet it is Man who writes history.”

Henri of Luxembourg (1955) Grand Duke (head of state) of the Grand Duchy of Luxembourg

Christmas message http://www.monarchie.lu/fr/actualites/discours/2014/12/discours-noel-lu/index.html (25 December 2015)
Society

George Gilfillan photo

“The language of poetry is the only speech which has in it the power of permanent impression”

George Gilfillan (1813–1878) Scottish writer

Introduction
Bards of the Bible, 1850

Arthur Schopenhauer photo

“A book can never be anything more than the impression of its author’s thoughts.”

Arthur Schopenhauer (1788–1860) German philosopher

The value of these thoughts lies either in the matter about which he has thought, or in the form in which he develops his matter — that is to say, what he has thought about it.
Essays, On Authorship and Style

Thaddeus Stevens photo

“There is a wrong impression about one of the candidates. There is no such person running as James Buchanan. He is dead of lock-jaw. Nothing remains but a platform and a bloated mass of political putridity.”

Thaddeus Stevens (1792–1868) American politician

As quoted in Selected Papers of Thaddeus Stevens https://books.google.com/books?id=A0Fs655TKfsC&pg=PA154&lpg=PA154&dq=%22Nothing+remains+but+a+platform+and+a+bloated+mass+of+political+putridity%22&source=bl&ots=oqB1kBMZ_i&sig=KmEw-qDWsNFXiJ8PVI78z7q-iSQ&hl=en&sa=X&ved=0ahUKEwiW1eakxNLLAhUJFT4KHUioB4UQ6AEIHDAA#v=onepage&q=%22Nothing%20remains%20but%20a%20platform%20and%20a%20bloated%20mass%20of%20political%20putridity%22&f=false

“I would like to congratulate everybody with the commencement of the "Combined Endeavour 2007" military exercises. This exercise is running simultaneously in Armenia and Germany. We have about 130 participants from 6 countries, this being evidence of importance and actuality of the event. It is notable that the cooperation between the Ministry of Defence of Armenia and the US European Command is developing and implementing a number of projects, and the vivid evidence of this cooperation is this military exercise. This is not the first military exercise in Armenia. Since 2003, we have hosted a number of military exercises organized with the NATO/PfP and the US European Command. It is important that the running of military exercises in Armenia is growing into a good tradition. Especially since, we already have an arrangement of hosting "Cooperative Longbow/Lancer" military exercises in Armenia for 2008. I would also like to mention with appreciation that the planning conference and working meetings before the military exercise would be held in a constructive atmosphere. We have effectively managed to run all preparation activities with joint efforts of the US European Command, the MOD of Armenia and other partners. The communication field is that chain which has fundamental importance for realizing multinational activities. The effectiveness and successes of our cooperation is related to that. This military exercise not only supports the testing of capabilities of participating units and experts, but also an opportunity for developing effective mechanisms for ensuring an interoperability and carrying out the tasks jointly. It is not accidental that Armenia has always expressed its readiness to host such kinds of events, and all participants have been trying to create appropriate conditions for their work. Taking this opportunity, one more time, I would like to thank all participants for their presence here and the US European command for their assistance in organizational matters. I am sure that due to our joint activities, the military exercise would be on a high professional and organizational level. I also hope that while you are in Armenia, you have a chance to make yourselves familiar with our history, culture and will have wonderful impressions. I am sure that on the 10th of May, after the completion of the military exercise, we will ascertain one more time that another multinational military exercise was held with success and fulfilled its tasks. I would like to wish all participants fruitful work and further success. I allow the commencement of the opening of the "Combined Endeavour 2007" military exercise.”

Mikael Harutyunyan (1946) Armenian general

Quoted in 2007 article. [April 27, 2007]

H. G. Wells photo
Gary Oldman photo
Colin Wilson photo
Hugh Laurie photo
Mohammad Reza Pahlavi photo
Colin Wilson photo
Patrick Modiano photo
Jon Stewart photo

“[mobster impression] Hey! Nice nominee you got there. [sniff, tightens tie] Be a shame if something happened to him, Mr. President. Know what I mean?”

Jon Stewart (1962) American political satirist, writer, television host, actor, media critic and stand-up comedian

The Daily Show, February 21, 2013 http://thedailyshow.cc.com/videos/vqslp2/doc-blockers/

George Hendrik Breitner photo

“.. in an review of the exhibition in Arti, [in Amsterdam] you say that most of my submissions are not meant as a study. I don't know what you mean by study. I understand a study as a work I am painting directly after nature, with the aim hold on the casual tone, color and line. All of mine that is presented there, is immediately felt in nature and not one of the sketches is done by heart after received impressions for any paintings. I thought I had to tell you this, because then you might get a different view of it - whether you think they are more worthy or not because of this, I don't want to judge.... yours GH Breitner”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

Mejufvrouw In een stukje over de Tent. in Arti zegt u dat het meerendeel van mijn inzending niet als studie bedoeld zijn. Ik weet niet wat u onder studie verstaat. Ik versta daar onder wat men direct naar de natuur schilderd om de toevallige toon kleur en lijn vast te houden. Na alles wat er van mij is. is dadelijk naar de natuur ervaren en zijn geen van allen [1:2] schetsen uit het hoofd gedaan na ontvangen indrukken voor eventuelen schilderijen. Ik meende u dat te moeten zeggen omdat u er dan misschien een anderen kijk op krijgt of u vind dat ze daarom verdienstelijker zijn of niet wil ik niet beoordeelen.. ..Hoogachtend uw GH Breitner
quote of Breitner in a letter to art-critic Grada Hermina Marius, 22 Feb. 1908; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/951
1900 - 1923

C. Wright Mills photo
Primo Levi photo

“Interviewer: Is it possible to abolish man's humanity?
Levi: Unfortunately, yes. Unfortunately, yes; and that is really the characteristic of the Nazi lager [concentration camp]. About the others, I don't know, because I don't know them; perhaps in Russia the same thing happens. It's to abolish man's personality, inside and outside: not only of the prisoner, but also of the jailer. He too lost his personality in the lager.
These are two different itineraries, but with the same result, and I would say that only a few had the good fortune of remaining aware during their imprisonment; some regained their awareness of the experience later, but during it, they had lost it; many forgot everything. They did not record their experiences in their mind. They didn't impress on their memory track. Thus it happened to all, a profound modification in their personality. Most of all, our sensibility lost sharpness, so that the memories of our home had fallen into second place; the memory of family had fallen into second place in face of urgent needs, of hunger, of the necessity to protect oneself against cold, beatings, fatigue… all of this brought about some reactions which we could call animal-like; we were like work animals.
It is curious how this animal-like condition would repeat itself in language: in German there are two words for eating. One is essen and it refers to people, and the other is fressen, referring to animals. We say a horse frisst, for example, or a cat. In the lager, without anyone having decided that it should be so, the verb for eating was fressen. As if the perception of the animalesque regression was clear to all.”

Primo Levi (1918–1987) Italian chemist, memoirist, short story writer, novelist, essayist

Interview http://www.inch.com/~ari/levi1.html with Daniel Toaff, Sorgenti di Vita (Springs of Life), a program on the Unione Comunita Israelitiche Italiane, Radiotelevisione Italiana [RAI] (25 March 1983); translated by Mirto Stone

Albert Einstein photo

“I was sitting in a chair in the patent office at Bern when all of sudden a thought occurred to me: If a person falls freely he will not feel his own weight. I was startled. This simple thought made a deep impression on me. It impelled me toward a theory of gravitation.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Einstein in his Kyoto address (14 December 1922), talking about the events of "probably the 2nd or 3rd weeks" of October 1907, quoted in Why Did Einstein Put So Much Emphasis on the Equivalence Principle? by Dr. Robert J. Heaston http://www.worldnpa.org/pdf/abstracts/abstracts_23.pdf in Equivalence Principle – April 2008 (15th NPA Conference) who cites A. Einstein. “How I Constructed the Theory of Relativity,” Translated by Masahiro Morikawa from the text recorded in Japanese by Jun Ishiwara, Association of Asia Pacific Physical Societies (AAPPS) Bulletin, Vol. 15, No. 2, pp. 17-19 (April 2005)
1920s

Lois McMaster Bujold photo
Robert S. Kaplan photo
William Westmoreland photo
Wassily Kandinsky photo
Dennis Skinner photo
Edward Hopper photo
Friedrich Engels photo
Walter Slezak photo

“Spending money you don't have for things you don't need to impress people you don't like.”

Walter Slezak (1902–1983) actor

Quoted as "Actor Walter Slezak's version of "keeping up with the Joneses"": in LOOK magazine, Vol. 21 number 14 (July 9, 1957) p. 10 http://books.google.com/books?id=-NERAQAAMAAJ&q=%22impress+people%22, in LOOK's permanent category of quotes "WHAT THEY ARE SAYING".
Already in 1905 W.T. O'Connor had stated that advertising was "The gentle art of persuading the public to believe that they want something they don't need" in "Advertising Definitions", in Ad Sense, Vol. 19, No. 2 (August 1905), p. 121 http://books.google.com/books?id=zPRKAAAAYAAJ&q=%22W.+T.+O%27CONNOR%22, and in 1931 one finds Will Rogers being quoted with advertising "as something that makes you spend money you haven't got for things you don't want." But this complete statement with the finale "to impress people you don't like" seems to have originated with Slezak. However, Quote Investigator https://quoteinvestigator.com/2016/04/21/impress/ instead traces the quotation back to American humorist Robert Quillen, who wrote in 1928: "Americanism: Using money you haven't earned to buy things you don't need to impress people you don't like."

Włodzimierz Ptak photo
Thomas Rex Lee photo
Gerard Bilders photo

“It is not my aim and object to paint a cow for the cow's sake or a tree for the tree's, but by means of the whole to create a beautiful and huge impression which nature sometimes creates, also with most simple means. (translation from the Dutch original: Fons Heijnsbroek)”

Gerard Bilders (1838–1865) painter from the Netherlands

version in original Dutch / citaat van Bilders' brief, in het Nederlands: Het is mijn doel niet eene koe te schilderen om de koe, noch een boom om den boom; het is om door het geheel een indruk te weeg te brengen, dien de natuur somtijds maakt, een grootschen, schoonen indruk, ook door de eenvoudigste middelen.
Quote of Gerard Bilders in his letter c. 1861-1864; as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908
1860's

Kirsten Gillibrand photo

“As a 10-year-old girl, I would listen to my grandmother discuss issues, and she made a lasting impression on me.”

Kirsten Gillibrand (1966) United States Senator from New York

Talking about her grandmother, Polly Noonan, leader of the powerful Democratic machine in Albany and confidant of long-time mayor Erastus Corning 2nd, Albany Times-Union, October 16, 2008

Iain Banks photo
Irene Dunne photo

“Sometimes I think these self-righteous labors are attempts to impress myself rather than sincere strides toward God.”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

David Dixon Porter photo

“Why, Mister President, the general impression is that Grant won the battle of Shiloh; as he commanded the army, he would seem entitled to the credit.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), pp. 122–123

Aldo Capitini photo
James Jeans photo
Perry Anderson photo
Antonio Gramsci photo

“It is all a matter of comparing one’s own life with something worse and consoling oneself with the relativity of human fortunes. When I was eight or nine I had an experience which came clearly to mind when I read your advice. I used to know a family in a little village near mine: father, mother and sons: they were small landowners and had an inn. Very energetic people, especially the woman. I knew (I had heard) that besides the sons we knew, this woman had another son nobody had seen, who was spoken of in whispers, as if he were a great disgrace for the mother, an idiot, a monster or worse. I remember that my mother referred to this woman often as a martyr, who made great sacrifices for this son, and put up with great sorrows. One Sunday morning about ten, I was sent to this woman’s: I had to deliver some crocheting and get the money. I found her shutting the door, dressed up to go out to mass, she had a hamper under her arm. On seeing me she hesitated then decided. She told me to accompany her to a certain place, and that she would take delivery and give me the money on our return. She took me out of the village, into an orchard filled with rubbish and plaster; in one corner there was a sort of pig sty, about four feet high, and windowless, with only a strong door. She opened the door and I could hear an animal-like howling. Inside was her son, a robust boy of 18, who couldn’t stand up and hence scraped along on his seat to the door, as far as he was permitted to move by a chain linked to his waist and attached to the ring in the wall. He was covered with filth, and his eyes shone red, like those of a nocturnal animal. His mother dumped the contents of her basket – a mixed mess of household leftovers – into a stone trough. She filled another trough with water, and we left. I said nothing to my mother about what I had seen, so great an impression it had made on me, and so convinced was I that nobody would believe me. Nor when I later heard of the misery which had befallen that poor mother, did I interrupt to talk of the misery of the poor human wreck who had such a mother.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

Gramsci, 1965, p. 737 cited in Davidson, 1977, p. 35.

Georges Braque photo

“I couldn't portray a women in all her natural loveliness.... I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.”

Georges Braque (1882–1963) French painter and sculptor

Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34
1908 - 1920

Irene Dunne photo

“If I arrived in Hollywood today, I would keep reminding myself not to try to make a big impression.”

Irene Dunne (1898–1990) American actress

If You Want Success (Screenland Interview) (1961)

Mary Midgley photo
Roger Penrose photo