Quotes about image
page 14

John Calvin photo

“We should forever keep in mind that we must not brood on the wickedness of man, but realize that he is God’s image bearer.”

John Calvin (1509–1564) French Protestant reformer

Page 38.
Golden Booklet of the True Christian Life (1551)

Fareed Zakaria photo

“America washes its dirty linen in public. When scandals such as this one hit, they do sully America's image in the world. But what usually also gets broadcast around the world is the vivid reality that the United States forces accountability and punishes wrongdoing, even at the highest levels.”

Fareed Zakaria (1964) Indian-American journalist and author

[Fareed, Zakaria, http://www.msnbc.msn.com/id/9939154/site/newsweek/, Pssst … Nobody Loves a Torturer, Newsweek, November 14, 2005, 2006-09-01]

Jeff VanderMeer photo
Alexander Pope photo

“Lull'd in the countless chambers of the brain,
Our thoughts are link'd by many a hidden chain.
Awake but one, and lo, what myriads rise!
Each stamps its image as the other flies!”

Alexander Pope (1688–1744) eighteenth century English poet

Samuel Rogers, in The Pleasures of Memory (1792), Part http://www.gutenberg.org/files/13586/.
Misattributed

Johannes Bosboom photo

“In the [art-magazine] 'Kunst-Kronijk' my work 'Monastic corridor' came under your eyes; it is after a drawing that I started at Kleve after Nature and of which the painting is now almost finished. I believe, you know Kleve. The smallest of the Catholic Churches is a kind of monastery church; it has a nice sacristy, and the passage along the building gave me the motive of which you saw the lithography. On the same spot I designed a sketch in the 'Paarden-posterij' [Horse post-location] (where the cars are stored at Emmerich). I later made it a drawing - one of my best, and also the construction of it is now already in oil, to be completed soon. As motive, aspect, effect, etc. it pleases everyone - it is a real stable with lots of horses in it, and yet I do not have to make an enormous effort to paint the horses. As they are in the stable, they take the mysterious part [of the image]. Who knows, the K[unst]-K[ronyk] will produce a reproduction of it.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van.
Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek)
1860's

Thomas Young (scientist) photo
Tommy Robinson photo
Muhammad bin Tughluq photo

“The Sultan is not slack in jihad. He never lets go of his spear or bridle in pursuing jihad by land and sea routes. This is his main occupation which engages his eyes and ears. He has spent vast sums for the establishment of the faith and the spread of Islam in these lands, as a result of which the light of Islam has reached the inhabitants and the flash of the true faith brightened among them. Fire temples have been destroyed and the images and idols of Budd have been broken, and the lands have been freed from those who were not included in the darul Islam, that is, those who had refused to become zimmis. Islam has been spread by him in the far east and has reached the point of sunrise. In the words of Abu Nasr al-Aini, he has carried the flags of the followers of Islam where they had never reached before and where no chapter or verse (of the Quran) had ever been recited. Thereafter he got mosques and places of worship erected, and music replaced by call to prayers (azan), and the incantations of fire-worshippers stopped by recitations of the Quran. He directed the people of Islam towards the citadels of the infidels and, by the grace of Allah, made them (the believers) inheritors of wealth and land and that country which they (the believers) had never trodden upon.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Tughlaq Kalina Bharata, Persian texts translated into Hindi by S.A.A. Rizvi, 2 Volumes, Aligarh, 1956-57. p. 325 ff. Vol I. (Shihabuddin Al Umari.) Also quoted (using a different translation) in Jain, Meenakshi (2011). The India they saw: Foreign accounts. 8th to 15th Centuries, p. 274.

Salvador Dalí photo

“.. the paint marks [in Impressionist paintings] placed apparently without order and which suddenly became magnificently ordered if one knew how to make the right distance.... to communicate a deep, sun-drenched image of a stream, landscape or face.... My eyes were popping out of my head.”

Salvador Dalí (1904–1989) Spanish artist

as cited in The Unspeakable confessions of Salvador Dali, Parinaud, ed. W. H. Allen, London 1976, p. 42
Quotes of Salvador Dali, 1971 - 1980, Comment on deviant Dali, les aveux inavouables de Salvador Dali

Alfred Horsley Hinton photo

“The texture of the printed image is of such peculiar character that neither brush or liquid paint seem capable of imitating it.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 90

Jayde Nicole photo
John Campbell Shairp photo
Seymour Papert photo
Samuel Beckett photo
Max Frisch photo

“Overcoming prejudice: the only possible way through love, which creates no graven images.”

Max Frisch (1911–1991) Swiss playwright and novelist

Sketchbook 1946-1949

George W. Bush photo

“Well, you know, I think a lot of people are in this fight. I mean, they sacrifice peace of mind when they see the terrible images of violence on TV every night.”

George W. Bush (1946) 43rd President of the United States

NewsHour interview http://www.pbs.org/newshour/bb/white_house/jan-june07/bush_01-16.html with Jim Lehrer in response to the question “Why have you not asked more Americans to sacrifice something?” regarding the Iraq War (January 16, 2007)
2000s, 2007

Jay McInerney photo
Richard Burton photo
John Wesley photo
Stephen Crane photo
Richard Leakey photo
Andy Partridge photo
Alfred Horsley Hinton photo

“Multimodal presentations have an inherent critical potential to the extent that we learn how to use the images to deconstruct the viewpoint of the text, and the text to subvert the naturalness of the image.”

Jay Lemke (1946) American academic

Lemke, J. (2005). "Towards critical multimedia literacy: Technology, research, and politics." In McKenna, M., Reinking, D., Labbo, L. & Kieffer, R. (Eds.), Handbook of literacy and technology. Mahwah, New Jersey: Erlbaum (LEA Publishing). p. 4

Herbert Marcuse photo
Roger Waters photo
Hermann Hesse photo

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

The Glass Bead Game (1943)

Al-Biruni photo
Richard Burton photo
Charles Dickens photo
Herman Kahn photo

“Equally important to not appearing "trigger-happy" is not to appear prone to either accidents or miscalculations. Who wants to live in the 1960's and 1970's in the same world with a hostile strategic force that might inadvertently start a war? Most people are not even willing to live with a friendly strategic force that may not be reliably controlled. The worst way for a country to start a war is to do it accidentally, without any preparations. That might initiate an all- out "slugging match" in which only the most alert portion of the forces gets off in the early phase. Both sides are thus likely to be clobbered," both because the initial blow was not large enough to be decisive and because the war plans are likely to be inappropriate. To repeat: On all these questions of accident, miscalculation, unauthorized behavior, trigger-happy postures, and excessive destructiveness, we must satisfy ourselves and our allies, the neutrals, and, strangely important, our potential enemies. Since it is almost inevitable that the future will see more discussion of these questions, i will be important for us not only to have made satisfactory preparations, but also to have prepared a satisfactory story. Unless every-body concerned, both laymen and experts, develops a satisfactory image of strategic forces as contributing more to security than insecurity it is most improbable that the required budgets, alliances, and intellectual efforts will have the necessary support. To the extent that people worry about our strategic forces as themselves exacerbating or creating security problems, or confuse symptoms with the disease, we may anticipate a growing rejection of military preparedness as an essential element in the solution to our security problem and a turning to other approaches not as a complement and supplement but as an alternative. In particular, we are likely to suffer from the same movement toward "responsible" budgets pacifism, and unilateral and universal disarmament that swept through England in the 1920's and 1930's. The effect then was that England prematurely disarmed herself to such an extent that she first almost lost her voice in world affairs, and later her independence in a war that was caused as much by English weakness as by anything else.”

Herman Kahn (1922–1983) American futurist

The Magnum Opus; On Thermonuclear War

Maimónides photo
Octavia E. Butler photo

“[There will be movement toward] behavioral economics… [which] involves study of those aspects of men’s images, or cognitive and affective structures that are more relevant to economic decisions.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1958) "Contemporary Economic Research".  In Donald P. Ray (ed.). Trends in Social Science, pp. 9-26. as cited in: James Alm (2011) Testing Behavioral Public Economics Theories in the Laboratory http://econ.tulane.edu/RePEc/pdf/tul1102.pdf. Working paper.
Alm proceeds by stating: "Given the essential role of psychological insights in the field, together with the obvious truism that all economics concerns “behavior” in one form or another, a more descriptive name for the field is perhaps “cognitive economics”, as recognized early on by Boulding (1958)."
1950s

John Ruysbroeck photo
Oriana Fallaci photo

“I am not speaking, obviously, to the laughing hyenas who enjoy seeing images of the wreckage and snicker good–it–serves–the–Americans–right. I am speaking to those who, though not stupid or evil, are wallowing in prudence and doubt. And to them I say: "Wake up, people. Wake up!!" Intimidated as you are by your fear of going against the current—that is, appearing racist (a word which is entirely inapt as we are speaking not about a race but about a religion)—you don’t understand or don’t want to understand that a reverse–Crusade is in progress. Accustomed as you are to the double–cross, blinded as you are by myopia, you don’t understand or don’t want to understand that a war of religion is in progress. Desired and declared by a fringe of that religion, perhaps, but a war of religion nonetheless. A war which they call Jihad. Holy War. A war that might not seek to conquer our territory, but that certainly seeks to conquer our souls. That seeks the disappearance of our freedom and our civilization. That seeks to annihilate our way of living and dying, our way of praying or not praying, our way of eating and drinking and dressing and entertaining and informing ourselves. You don’t understand or don’t want to understand that if we don’t oppose them, if we don’t defend ourselves, if we don’t fight, the Jihad will win. And it will destroy the world that for better or worse we’ve managed to build, to change, to improve, to render a little more intelligent, that is to say, less bigoted—or even not bigoted at all. And with that it will destroy our culture, our art, our science, our morals, our values, our pleasures… Christ! Don’t you realize that the Osama Bin Ladens feel authorized to kill you and your children because you drink wine or beer, because you don’t wear your beard long or a chador, because you go to the theater or the movies, because you listen to music and sing pop songs, because you dance in discos or at home, because you watch TV, wear miniskirts or short–shorts, because you go naked or half naked to the beach or the pool, because you *** when you want and where you want and who you want? Don’t you even care about that, you fools? I am an atheist, thank God. And I have no intention of letting myself be killed for it.”

"Rage and the Pride">Oriana Fallaci - The Rage and the Pride http://www.amazon.co.uk/Rage-Pride-Oriana-Fallaci/dp/084782599X - Universe Publishing; Intl edition, 2002, ISBN 9780847825998

Herman Kahn photo
Anatole France photo
C. Wright Mills photo
Beck photo
Mahmud of Ghazni photo
Paul Karl Feyerabend photo
George W. Bush photo
Anaïs Nin photo
Philip Sidney photo

“In the sweetly constituted mind of Sir Philip Sidney, it seems as if no ugly thought or unhandsome meditation could find a harbour. He turned all that he touched into images of honour and virtue.”

Philip Sidney (1554–1586) English diplomat

Charles Lamb "Characters of Dramatic Writers, Contemporary with Shakspeare", in Thomas Hutchinson (ed.) The Works in Prose and Verse of Charles and Mary Lamb (1908) vol. 1, p. 70.
Criticism

Slavoj Žižek photo
Orson Scott Card photo

“Everything possible to be believed is an image of the truth.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Seventh Son (1987), Chapter 10.

Herbert Marcuse photo
Christopher Nolan photo
H. Rider Haggard photo

“There are things and there are faces which, when felt or seen for the first time, stamp themselves upon the mind like a sun image on a sensitized plate and there remain unalterably fixed.”

H. Rider Haggard (1856–1925) English writer of adventure novels

Colonel Quaritch, V. C.: A Tale of Country Life (1888), CHAPTER I, HAROLD QUARITCH MEDITATES

Albert Camus photo
Tyra Banks photo
Daniel J. Boorstin photo

“The image, more interesting than its original, has become the original. The shadow has become the substance.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 204.

Phillip Abbott Luce photo
Tom Clancy photo
Karel Appel photo

“The experience of the moment is what's important, and somehow the image, the 'thing' is left over.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel – the complete sculptures,' (1990) not-paged

Thomas Carlyle photo
Anaïs Nin photo
Aurangzeb photo

“The village of Sattara near Aurangabad was my hunting ground. Here on the top of a hill, stood a temple with an image of Khande Rai. By God's grace I demolished it, and forbade the temple dancers (muralis) to ply their shameful profession.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Satara (Maharashtra) Kalimat-i-Tayyibat, quoted in Sarkar, Jadu Nath, History of Aurangzeb, Vol. II, p. 94 https://archive.org/details/in.ernet.dli.2015.62677/page/n293
Quotes from late medieval histories

Hermann von Helmholtz photo

“There is a kind, I might almost say, of artistic satisfaction, when we are able to survey the enormous wealth of Nature as a regularly ordered whole — a kosmos, an image of the logical thought of our own mind.”

Hermann von Helmholtz (1821–1894) physicist and physiologist

"On the Conservation of Force" (1862), p. 279
Popular Lectures on Scientific Subjects (1881)

Alan Guth photo
Arthur C. Clarke photo
Derek Walcott photo

“Peel your own image from the mirror.
Sit. Feast on your life.”

Derek Walcott (1930–2017) Saint Lucian–Trinidadian poet and playwright

"Love after Love"
"A Far Cry from Africa" (1962), Collected Poems, 1948-1984 (1986)

Piero Manzoni photo

“The image of rock and roll since Elvis has ranged from teen rebellion to challenging of the status quo. It represented freedom in the 60's, but lately it represents corporate hegemony, the opposite of what hippies envisioned at Woodstock. The RIAA to many consumers today symbolizes oppression, oppression of both artist and consumer.”

Richard Menta American journalist

Source The RIAA Settles Fast With 12-year-old Trader http://web.archive.org/web/20041010141527/http://www.mp3newswire.net/stories/2003/brianna_laHara.html - 9/10/2003
Quotes from the MP3 Newswire

Marshall McLuhan photo

“While people are engaged in creating a totally different world, they always form vivid images of the preceding world.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 21

Stuart Kauffman photo

“The famous physicist Wolfgang Pauli is said to have remarked that the deepest pleasure in science comes from finding an instantiation, a home, for some deeply felt, deeply held image.”

Stuart Kauffman (1939) American biophysicist

Source: The origins of order: Self-organization and selection in evolution (1993), p. vii

Francis Picabia photo

“Udnie – I see Again in Memory my Dear Udnie' is no more the portrait of a young girl than 'Edtaonisl' (counterpart of his work 'Udnie'] is the image of a prelate, as we ordinarily conceive of them. They are [both] memories of America, evocations of over there which, subtly set down like musical chords, become representative of an idea, a nostalgia, a fleeting impression.”

Francis Picabia (1879–1953) French painter and writer

'Udnie – I see Again in Memory my Dear Udnie' is the title of a painting, he made in 1913; a memory of the dances performed by Stasia Napierkowska on the ship to New York, to visit the w:Armory Show, where Picabia was presented in 1913 as a 'leading Cubist painter'
1910's
Source: 'Ecrits: vol. 1', 1913 - 1920, Picabia, Belfond, Paris, p. 26

Fred Astaire photo

“Astaire really sweat - he toiled. He was a humorless Teutonic man, the opposite of his debonair image in top hat and tails. I liked him because he was an entertainer and an artist. There's a distinction between them. An artist is concerned only with what is acceptable to himself, where an entertainer strives to please the public. Astaire did both. Louis Armstrong was another one.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Artie Shaw on his collaboration with Astaire in Second Chorus (1940) as interviewed in Fantle, Dave and Johnson, Tom. Reel to Real. Badger Books LLC, 2004, p. 304. ISBN 1932542043.

Ernest Dimnet photo
George Henry Lewes photo

“A painting to me is primarily a verb, not a noun, an event first and only secondarily an image.”

Elaine de Kooning (1918–1989) American painter

as quoted in "It is", No.4, Autumn, 1959 http://www.worldcat.org/oclc/79463183&referer=brief_results Magazine for Abstract Art, Second Half Publishing Co., New York pp. 29,30
1950 - 1971

Ezra Pound photo

“Image…that which presents an intellectual and emotional complex in an instant of time.”

Ezra Pound (1885–1972) American Imagist poet and critic

"Poetry: A Few Don'ts by an Imagist", Poetry: A Magazine of Verse (March 1913)

Marsden Hartley photo

“It is never difficult to see images – when the principle of the image is embedded in the soul.”

Marsden Hartley (1877–1943) American artist

Hartley to Kuntz, April 4, 1932; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 124
1931 - 1943

Marilyn Monroe photo

“I'm a failure as a woman. My men expect so much of me, because of the image they've made of me — and that I've made of myself — as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Statement c. 1962, as quoted in Marilyn (1992) by Peter Harry Brown and Patte B. Barham, Ch. 30
Variant: I'm a failure as a woman. My men expect so much of me, because of the image they've made of me — and that I've made of myself — as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it.

Aurangzeb photo
Jimmy Carter photo
John Calvin photo

“The worship of images is intimately connected with that of the saints. They were rejected by the primitive Christians; but St Irenæus, who lived in the second century, relates that there was a sect of heretics, the Carpocratians, who worshipped, in the manner of Pagans, different images representing Jesus Christ, St Paul, and others. The Gnostics had also images; but the church rejected their use in a positive manner, and a Christian writer of the third century, Minutius Felix, says that “the Pagans reproached the Christians for having neither temples nor simulachres;” and I could quote many other evidences that the primitive Christians entertained a great horror against every kind of images, considering them as the work of demons. It appears, however, that the use of pictures was creeping into the church already in the third century, because the council of Elvira in Spain, held in 305, especially forbids to have any picture in the Christian churches. These pictures were generally representations of some events, either of the New 5 In his Treatise given below. 11 or of the Old Testament, and their object was to instruct the common and illiterate people in sacred history, whilst others were emblems, representing some ideas connected with the doctrines [008] of Christianity. It was certainly a powerful means of producing an impression upon the senses and the imagination of the vulgar, who believe without reasoning, and admit without reflection; it was also the most easy way of converting rude and ignorant nations, because, looking constantly on the representations of some fact, people usually end by believing it. This iconographic teaching was, therefore, recommended by the rulers of the church, as being useful to the ignorant, who had only the understanding of eyes, and could not read writings.6 Such a practice was, however, fraught with the greatest danger, as experience has but too much proved. It was replacing intellect by sight.7 Instead of elevating man towards God, it was bringing down the Deity to the level of his finite intellect, and it could not but powerfully contribute to the rapid spread of a pagan anthropomorphism in the church.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), p. 10-11

Tommy Franks photo
Davey Havok photo
Annie Besant photo
Betty Friedan photo
Marshall McLuhan photo

“With TV, came the icon, the inclusive image, the inclusive political posture or stance.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 191

Iltutmish photo
Jim Morrison photo

“The world becomes an apparently infinite,
yet possibly finite, card game.
Image combinations,
permutations,
comprise the world game.”

Jim Morrison (1943–1971) lead singer of The Doors

The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision