Quotes about image
page 14

“We should forever keep in mind that we must not brood on the wickedness of man, but realize that he is God’s image bearer.”

John Calvin (1509–1564) French Protestant reformer

Page 38.
Golden Booklet of the True Christian Life (1551)

God

“America washes its dirty linen in public. When scandals such as this one hit, they do sully America's image in the world. But what usually also gets broadcast around the world is the vivid reality that the United States forces accountability and punishes wrongdoing, even at the highest levels.”

Fareed Zakaria (1964) Indian-American journalist and author

[Fareed, Zakaria, http://www.msnbc.msn.com/id/9939154/site/newsweek/, Pssst … Nobody Loves a Torturer, Newsweek, November 14, 2005, 2006-09-01]

World, Reality

“In your denunciations of the Abu Ghraib photos, you've used words like sickening, disgusting, and reprehensible. Will you have any words left to adequately describe the pictures from Saddam's rape rooms and torture chambers? Will Americans ever see those images?”

Jeff Gannon (1957) American journalist

May 10, 2004
Questions asked at Press Conferences

Photo

“…The fortress of Badalgarh, which lies below the fortress of Gwaliar, a very lofty structure, was taken from Rai Man Singh and fell into the hands of the Muslims, and a brazen animal which was worshipped by the Hindus also fell into their hands, and was sent by them to Agra, whence it was sent by Sultan Ibrahim to Dihli, and was put over the city gate. The image was removed to Fathpur in the year AH 992 (AD 1584), ten years before the composition of this history, where it was seen by the author of this work. It was converted into gongs, and bells, and implements of all kinds.”

`Abd al-Qadir Bada'uni book Muntakhab-ut-Tawarikh

Sultan Ibrahim Lodi (AD 1517-1526) Gwalior (Madhya Pradesh)
Muntakhab-ut-Tawarikh

History, Animals

“Strange, but when he closed his eyes he had an image of the hotel above them restored to its former grandeur. A concierge and porter in the lobby. Someone behind the desk waiting to take his key. Sintra in an evening gown. They’d be about to take a motored vehicle to the opera. The streets would be busy with merchants and people coming home from work. The buildings, the storefronts, would be bright and cheery with lights. Like it had been in those mayfly beautiful moments between wars, before the Rising.”

Jeff VanderMeer book Finch

Source: Finch (2009), p. 325

War, People, Beauty, Home

“Lull'd in the countless chambers of the brain,
Our thoughts are link'd by many a hidden chain.
Awake but one, and lo, what myriads rise!
Each stamps its image as the other flies!”

Alexander Pope (1688–1744) eighteenth century English poet

Samuel Rogers, in The Pleasures of Memory (1792), Part http://www.gutenberg.org/files/13586/. Misattributed

“In the [art-magazine] 'Kunst-Kronijk' my work 'Monastic corridor' came under your eyes; it is after a drawing that I started at Kleve after Nature and of which the painting is now almost finished. I believe, you know Kleve. The smallest of the Catholic Churches is a kind of monastery church; it has a nice sacristy, and the passage along the building gave me the motive of which you saw the lithography. On the same spot I designed a sketch in the 'Paarden-posterij' [Horse post-location] (where the cars are stored at Emmerich). I later made it a drawing - one of my best, and also the construction of it is now already in oil, to be completed soon. As motive, aspect, effect, etc. it pleases everyone - it is a real stable with lots of horses in it, and yet I do not have to make an enormous effort to paint the horses. As they are in the stable, they take the mysterious part [of the image]. Who knows, the K[unst]-K[ronyk] will produce a reproduction of it.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van. Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek) 1860's

Art, Cars, Motivation, Nature

“With respect to the mathematical part of optics, the curvature of the images, formed by lenses and mirrors, has been correctly investigated, and the inaccuracy of some former estimations has been demonstrated.”

Thomas Young (scientist) (1773–1829) English polymath

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Mathematics, Parting

“Working class communities in this country are rough communities. It was never gonna be doctors and nurses to stand up to militant Islam in the streets of this country. When we first formed, we faced a very violent response by members of the Muslim community who would come out. And images were sent across this country of our supporters on the floor getting their heads kicked in. Now, when we went to our next demonstration, how many 30-year-old school teachers are going to come out and oppose militant Islam?”

Tommy Robinson (1982) English right-wing activist

CBN News interview

School, Communication, Support, Teachers

“The Sultan is not slack in jihad. He never lets go of his spear or bridle in pursuing jihad by land and sea routes. This is his main occupation which engages his eyes and ears. He has spent vast sums for the establishment of the faith and the spread of Islam in these lands, as a result of which the light of Islam has reached the inhabitants and the flash of the true faith brightened among them. Fire temples have been destroyed and the images and idols of Budd have been broken, and the lands have been freed from those who were not included in the darul Islam, that is, those who had refused to become zimmis. Islam has been spread by him in the far east and has reached the point of sunrise. In the words of Abu Nasr al-Aini, he has carried the flags of the followers of Islam where they had never reached before and where no chapter or verse (of the Quran) had ever been recited. Thereafter he got mosques and places of worship erected, and music replaced by call to prayers (azan), and the incantations of fire-worshippers stopped by recitations of the Quran. He directed the people of Islam towards the citadels of the infidels and, by the grace of Allah, made them (the believers) inheritors of wealth and land and that country which they (the believers) had never trodden upon.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Tughlaq Kalina Bharata, Persian texts translated into Hindi by S.A.A. Rizvi, 2 Volumes, Aligarh, 1956-57. p. 325 ff. Vol I. (Shihabuddin Al Umari.) Also quoted (using a different translation) in Jain, Meenakshi (2011). The India they saw: Foreign accounts. 8th to 15th Centuries, p. 274.

People, Faith, Music, Light

“I realized in and instant that I desired false gods because Jesus wouldn't jump through my hoops, and I realized that, like Tony, my faith was about image and ego, not about practicing spirituality.”

Donald Miller book Blue Like Jazz: nonreligious thoughts on Christian spirituality

Blue Like Jazz (2003, Nelson Books)

God, Faith, Falseness

“.. the paint marks [in Impressionist paintings] placed apparently without order and which suddenly became magnificently ordered if one knew how to make the right distance.... to communicate a deep, sun-drenched image of a stream, landscape or face.... My eyes were popping out of my head.”

Salvador Dalí (1904–1989) Spanish artist

as cited in The Unspeakable confessions of Salvador Dali, Parinaud, ed. W. H. Allen, London 1976, p. 42
Quotes of Salvador Dali, 1971 - 1980, Comment on deviant Dali, les aveux inavouables de Salvador Dali

Communication, Sun, Painting

“The texture of the printed image is of such peculiar character that neither brush or liquid paint seem capable of imitating it.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 90

Painting

“My mom always taught me to hold my head up high and be strong and confident in everything I do. … I’ve been interested in fitness and nutrition for most of my life. I became a vegetarian at a very young age and had to learn how to get the proper nutrition to my body. Over a 15-year process I visited trainers, dietitians and doctors; read hundreds of books and studies; and eventually became a personal trainer and fitness nutritionist myself. I want to use all of my real-life experience and the science behind my certifications to help educate everyone struggling with their body image. … Modeling is a lot of hard work and you have to have a very strong sense of self and confidence to succeed.”

Jayde Nicole (1986) Canadian model, Playboy's Playmate of the Month January 2007 and Playmate of the Year 2008

"Jayde Nicole, Miss 2008, Interview", in RunwayLive.com (20 August 2011) https://www.runwaylive.com/3306-jayde-nicole-miss-2008-interview.html.

Life, Books, Age, Education

“That image or rather that Person, so human, yet so entirely Divine, has a power to fill the imagination, to arrest the affections, to deepen and purify the conscience, which nothing else in the world has.”

John Campbell Shairp (1819–1885) British writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 61.

World, Imagination, Personality

“A programming language is like a natural, human language in that it favors certain metaphors, images, and ways of thinking. The language used strongly colors the computer culture. It would seem to follow that educators interested in using computers and sensitive to cultural influences would pay particular attention to the choice of language. But nothing of the sort has happened. On the contrary, educators… have accepted certain programming languages in much the same way as they accepted the QWERTY keyboard. An informative example is the way in which the programming language BASIC has established itself as the obvious language to use in teaching children how to program computers… Today, and in fact for several years now, the cost of computer memory has fallen to the point where any remaining economic advantages of using BASIC are insignificant. Yet in most high schools, the language remains almost synonymous with programming, despite the existence of other computer languages that are demonstrably easier to learn and are richer in the intellectual benefits that can come from learning them. The situation is paradoxical. The computer revolution has scarcely begun, but is already breeding its own conservatism.”

Seymour Papert book Mindstorms: Children, Computers, and Powerful Ideas

Source: Mindstorms: Children, Computers, and Powerful Ideas (1980), Chapter 1, Computers and Computer Cultures

Children, Education, School, Color

“It’s to me this evening something has to happen, to my body as in myth and metamorphosis, this old body to which nothing ever happened, or so little, which never met with anything, wished for anything, in its tarnished universe, except for the mirrors to shatter, the plane, the curved, the magnifying, the minifying, and to vanish in the havoc of its images.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

The Calmative (1946)

Universe

“Overcoming prejudice: the only possible way through love, which creates no graven images.”

Max Frisch (1911–1991) Swiss playwright and novelist

Sketchbook 1946-1949

Love, Way

“Well, you know, I think a lot of people are in this fight. I mean, they sacrifice peace of mind when they see the terrible images of violence on TV every night.”

George W. Bush (1946) 43rd President of the United States

NewsHour interview http://www.pbs.org/newshour/bb/white_house/jan-june07/bush_01-16.html with Jim Lehrer in response to the question “Why have you not asked more Americans to sacrifice something?” regarding the Iraq War (January 16, 2007) 2000s, 2007

People, Peace, Thinking, Fight

“… and what you are left with is a premonition of the way your life will fade behind you, like a book you have read too quickly, leaving a dwindling trail of images and emotions until all you can remember is a name.”

Jay McInerney book Bright Lights, Big City

Bright Lights, Big City (1984)

Life, Books, Way, Reading

“The money received for sales has no other significance or value than its power to buy, and trade can only be imaged truly as an exchange of goods for goods in which the processes of selling and of buying are complementary.”

J.A. Hobson (1858–1940) English economist, social scientist and critic of imperialism

p, 125
The Morals of Economic Irrationalism (1920)

Money

“Although I like to be thought of as a tough rugby-playing Welsh miner's son, able to take on the world, the reality is that this image is just superficial. I am the reverse of what people think.”

Richard Burton (1925–1984) Welsh actor

In Richard Burton Biography, IMDb

People, World, Thinking, Reality

“We are approaching a millennium; the year 2000 draws on apace. The last time mankind had this experience a chaos comparable to our own was observable in many parts of the world; monsters and portents were reported from all quarters of the globe. We need not believe in these monsters and portents as actualities any more than we need believe the reports of flying saucers today; what is significant is that men yielded to an inner compulsion to fancy such things, and in this sense they were artistic creations rooted in fear much as are the pictures and images which we have been discussing.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Men, World, Fear, Sense

“One demand for a concept of need arises because the concept of demand itself has serious weaknesses and limitations. It assumes away, for instance, a serious epistemological problem. The very idea of autonomous choice implies first that the chooser knows the real alternatives which are open to him, and second that he makes the choice according to value criteria or a utility function which he will not later regret. Both the image of the field of choice and the utility function have a learning problem which, by and large, economists have neglected. This problem is particularly acute in the case of medical care, where the demander is usually a layman faced with professional suppliers who know very much more than he does. The demand for medical care, indeed, is primarily a demand for knowledge or at least the results of knowledge…”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1967) "The Concept of Need for Health Services" as cited in: Gregory Parston (1980) Planners, Politics, and Health Services. p. 99
1960s

Idea, Knowledge, Problem, Learning

“Will any dare to speak against loving the Lord our God with all our heart, and our neighbour as ourselves? against a renewal of heart, not only in part, but in the whole image of God? Who is he that will open his mouth against being cleansed from all pollution both of flesh and spirit; or against having all the mind that was in Christ, and walking in all things as Christ walked? What man, who calls himself a Christian, has the hardiness to object to the devoting, not a part, but all our soul, body, and substance to God?”

John Wesley (1703–1791) Christian theologian

Source: A Plain Account of Christian Perfection (1766)

Love, God, Soul, Heart

“It rained. The procession of weary soldiers became a bedraggled train, despondent and muttering, marching with churning effort in a trough of liquid brown mud under a low, wretched sky. Yet the youth smiled, for he saw that the world was a world for him, though many discovered it to be made of oaths and walking sticks. He had rid himself of the red sickness of battle. The sultry nightmare was in the past. He had been an animal blistered and sweating in the heat and pain of war. He turned now with a lover's thirst to images of tranquil skies, fresh meadows, cool brooks — an existence of soft and eternal peace.
Over the river a golden ray of sun came through the hosts of leaden rain clouds.”

Stephen Crane book The Red Badge of Courage

Source: The Red Badge of Courage (1895), Ch. 24

Pain, War, Youth, World

“When a San Shaman goes into a trance, he harnesses that power, becomes part of the world beyond, becomes invisible to the singers and dancers around him, and draws images on the rock face. Ask the San who drew the images, and they say the spirits. And the rock face is more than a surface for the paint; it is the boundary of this world and the world beyond. …part of the meaning of it all, and the rock shelter itself assumes a special status, a place of veneration.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

World, Parting, Drawing, Painting

“Dear God, sorry to disturb you, but…
I feel that I should be heard loud and clear.
We all need a big reduction in amount of tears
And all the people that you made in your image,
See them fighting in the street
'Cause they can't make opinions meet about God,
I can't believe in you.”

Andy Partridge (1953) British musician

"Dear God".
Skylarking (1986)

God, People, Feeling, Tear

“His [Marcel Duchamp's] idea was that anything could be art by focusing the mind to think of it as art. My images are similar but at the time my work was first being shown, 1958-'59, I was unfamiliar with Duchamp and Dada. Everyone said my work was Dada, so I read on it, went to Philadelphia to see the Arensberg Duchamp collection, was delighted by it and later met him (Duchamp)... But it was all more a coincidence. Perhaps it’s that certain ideas get into the air, ideas that come out of our living and out of the environment automatically.”

Jasper Johns (1930) American artist

Daily Close-up, after the Flag, Roberta Brandes Gratz, New York Post, 30 December 1970, p. 25
1970s

Art, Idea, Thinking, Time

“There is a difference in printing greater depth to any portion with the negative and shading down without the negative. In the former case we get a deeper and stronger image, still preserving to a great extent the relative contrasts between the lights and shades in that portion. This is not always what we require. In order to concentrate attention upon that is, to emphasize, some particular spot, it may be desirable to shade down and flatten some portion.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 88

Light

“Multimodal presentations have an inherent critical potential to the extent that we learn how to use the images to deconstruct the viewpoint of the text, and the text to subvert the naturalness of the image.”

Jay Lemke (1946) American academic

Lemke, J. (2005). "Towards critical multimedia literacy: Technology, research, and politics." In McKenna, M., Reinking, D., Labbo, L. & Kieffer, R. (Eds.), Handbook of literacy and technology. Mahwah, New Jersey: Erlbaum (LEA Publishing). p. 4

Nature, Learning

“While this bourgeois order found its rich—and even affirmative—representation in art and literature, … it remained an order which was over-shadowed, broken, refuted by another dimension which was irreconcilably antagonistic to the order of business, indicting it and denying it. And in the literature, this other dimension is represented not by the religious, spiritual, moral heroes (who often sustain the established order) but rather by such disruptive characters as the artist. the prostitute, the adulteress, the great criminal and outcast, the warrior, the rebel-poet, the devil, the fool—those who don't earn a living, at least not in an orderly and normal way. To be sure, these characters have not disappeared from the literature of advanced industrial society, but they … perform a function very different from and even contrary to that of their cultural predecessors. They are no longer images of another way of life but rather freaks or types of the same life, serving as an affirmation rather than negation of the established order.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 58-59

Life, Fools, Art, Way

“I had at one point this rather depressing image of some alien culture seeing the death of this planet - coming down in their spaceships and sniffing around; finding all our skeletons sitting around our TV sets and trying to work out why our end came before its time and they come to the conclusion that we amused ourselves to death..”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Amused to Death syndicate Radio Premiere, 1992
Music

Death, Time

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Life, God, Hostility, World

“The linga he raised was the stone of Somnath, for soma means the moon and natha means master, so that the whole word means master of the moon. The image was destroyed by the Prince Mahmud, may God be merciful to him! - AH 416. He ordered the upper part to be broken and the remainder to be transported to his residence, Ghaznin, with all its coverings and trappings of gold, jewels, and embroidered garments. Part of it has been thrown into the hippodrome of the town, together with the Cakrasvamin, an idol of bronze, that had been brought from Taneshar. Another part of the idol from Somanath lies before the door of the mosque of Ghaznin, on which people rub their feet to clean them from dirt and wet.”

Al-Biruni book Alberuni's India

E.C. Sachau (tr.), Alberuni's India, New Delhi Reprint, 1983
From Alberuni's India

God, People, Parting

“If I had a chance for another life, I would certainly choose a better complexion… I rather like my reputation, actually, that of a spoiled genius from the Welsh gutter, a drunk, a womanizer; it's rather an attractive image. When he reached the age of 50, after a five-year career slump. I can only say with Edith Piaf, 'Je ne regrette rien.”

Richard Burton (1925–1984) Welsh actor

In "Richard Burton, 58, is Dead; Rakish Stage and Screen Star"

Life, Age, Chance

“Send forth the child and childish man together, and blush for the pride that libels our own old happy state, and gives its title to an ugly and distorted image.”

Charles Dickens book The Old Curiosity Shop

Source: The Old Curiosity Shop (1841), Ch. 12

Happiness

“The evolutionary vision is agnostic in regard to systems in the universe of greater complexity than those of which human beings have clear knowledge. It recognizes aesthetic, moral, and religious ideas and experiences as a species, in this case of mental structures or of images, which clearly interacts with other species in the world's great' ecosystem.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1970s, Ecodynamics: A New Theory Of Societal Evolution, 1978, p. 20

World, Idea, Knowledge, Universe

“Equally important to not appearing "trigger-happy" is not to appear prone to either accidents or miscalculations. Who wants to live in the 1960's and 1970's in the same world with a hostile strategic force that might inadvertently start a war? Most people are not even willing to live with a friendly strategic force that may not be reliably controlled. The worst way for a country to start a war is to do it accidentally, without any preparations. That might initiate an all- out "slugging match" in which only the most alert portion of the forces gets off in the early phase. Both sides are thus likely to be clobbered," both because the initial blow was not large enough to be decisive and because the war plans are likely to be inappropriate. To repeat: On all these questions of accident, miscalculation, unauthorized behavior, trigger-happy postures, and excessive destructiveness, we must satisfy ourselves and our allies, the neutrals, and, strangely important, our potential enemies. Since it is almost inevitable that the future will see more discussion of these questions, i will be important for us not only to have made satisfactory preparations, but also to have prepared a satisfactory story. Unless every-body concerned, both laymen and experts, develops a satisfactory image of strategic forces as contributing more to security than insecurity it is most improbable that the required budgets, alliances, and intellectual efforts will have the necessary support. To the extent that people worry about our strategic forces as themselves exacerbating or creating security problems, or confuse symptoms with the disease, we may anticipate a growing rejection of military preparedness as an essential element in the solution to our security problem and a turning to other approaches not as a complement and supplement but as an alternative. In particular, we are likely to suffer from the same movement toward "responsible" budgets pacifism, and unilateral and universal disarmament that swept through England in the 1920's and 1930's. The effect then was that England prematurely disarmed herself to such an extent that she first almost lost her voice in world affairs, and later her independence in a war that was caused as much by English weakness as by anything else.”

Herman Kahn (1922–1983) American futurist

The Magnum Opus; On Thermonuclear War

Hostility, War, People, World

“Abraham … was sunk in Ur of the Chaldees among foolish idolaters. His father and mother and all the people worshipped the stars. … He knew that all were mistaken and that what caused them to err was worship of the images which drove the Truth out of their minds. … It was proper to destroy and smash the idols so that the people should not err by them like those who think there is no god save images.”

Maimónides book Mishneh Torah

Treatise 4: “Idolatry,” H. Russell, trans. (1983), p. 73
Mishneh Torah (c. 1180)

God, People, Truth, Star

“We were snatched away and given alone into the hands of people who believed that it was their duty to break us and remake us in the Christian American image. And, of course, breaking people is much easier than putting them together again.
So much agony caused, so much evil done in God’s name.”

Octavia E. Butler book Parable of the Talents

Source: Parable of the Talents (1998), Chapter 15 (p. 288)

God, People, Evil

“[There will be movement toward] behavioral economics… [which] involves study of those aspects of men’s images, or cognitive and affective structures that are more relevant to economic decisions.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1958) "Contemporary Economic Research". In Donald P. Ray (ed.). Trends in Social Science, pp. 9-26. as cited in: James Alm (2011) Testing Behavioral Public Economics Theories in the Laboratory http://econ.tulane.edu/RePEc/pdf/tul1102.pdf. Working paper. Alm proceeds by stating: "Given the essential role of psychological insights in the field, together with the obvious truism that all economics concerns “behavior” in one form or another, a more descriptive name for the field is perhaps “cognitive economics”, as recognized early on by Boulding (1958)." 1950s

Men, Behavior, Decision, Study

“In this return in love in the divine ground every divine way and activity and all the attributes of the persons are swallowed up in the rich compass of the essential unity. All the divine means and all conditions, and all living images which are reflected in the mirror of truth, lapse in the onefold and ineffable waylessness beyond reason. Here there is nothing but eternal rest in the fruitive embrace of outpouring love.”

John Ruysbroeck (1293–1381) Flemish mystic

Gnostic Society Library, From the Western Mystical tradition http://www.gnosis.org/library/coll.htm The Spiritual Espousals (c. 1340)

Love, Truth, Way, Personality

“But because of the way in which depictions represent, there is a correspondence between parts and spatial relations of the representation and those of the object; this structural mapping, which confers a type of resemblance, underlies the way images convey specific content. In this respect images are like pictures. Unlike words and symbols, depictions are not arbitrarily paired with what they represent.”

Stephen Kosslyn (1948) American psychologist

Stephen M. Kosslyn, ‎William L. Thompson, ‎Giorgio Ganis (2006), The Case for Mental Imagery. p. 44; Cited in: Michael R. W. Dawson (2013). Mind, Body, World: Foundations of Cognitive Science. p. 108

Way, Parting

“I am not speaking, obviously, to the laughing hyenas who enjoy seeing images of the wreckage and snicker good–it–serves–the–Americans–right. I am speaking to those who, though not stupid or evil, are wallowing in prudence and doubt. And to them I say: "Wake up, people. Wake up!!" Intimidated as you are by your fear of going against the current—that is, appearing racist (a word which is entirely inapt as we are speaking not about a race but about a religion)—you don’t understand or don’t want to understand that a reverse–Crusade is in progress. Accustomed as you are to the double–cross, blinded as you are by myopia, you don’t understand or don’t want to understand that a war of religion is in progress. Desired and declared by a fringe of that religion, perhaps, but a war of religion nonetheless. A war which they call Jihad. Holy War. A war that might not seek to conquer our territory, but that certainly seeks to conquer our souls. That seeks the disappearance of our freedom and our civilization. That seeks to annihilate our way of living and dying, our way of praying or not praying, our way of eating and drinking and dressing and entertaining and informing ourselves. You don’t understand or don’t want to understand that if we don’t oppose them, if we don’t defend ourselves, if we don’t fight, the Jihad will win. And it will destroy the world that for better or worse we’ve managed to build, to change, to improve, to render a little more intelligent, that is to say, less bigoted—or even not bigoted at all. And with that it will destroy our culture, our art, our science, our morals, our values, our pleasures… Christ! Don’t you realize that the Osama Bin Ladens feel authorized to kill you and your children because you drink wine or beer, because you don’t wear your beard long or a chador, because you go to the theater or the movies, because you listen to music and sing pop songs, because you dance in discos or at home, because you watch TV, wear miniskirts or short–shorts, because you go naked or half naked to the beach or the pool, because you *** when you want and where you want and who you want? Don’t you even care about that, you fools? I am an atheist, thank God. And I have no intention of letting myself be killed for it.”

Oriana Fallaci book The Rage and the Pride

"Rage and the Pride">Oriana Fallaci - The Rage and the Pride http://www.amazon.co.uk/Rage-Pride-Oriana-Fallaci/dp/084782599X - Universe Publishing; Intl edition, 2002, ISBN 9780847825998

God, War, Children, People

“The usual image of war today held by many experts as well as most laymen can be summed up in the phrase "orgiastic spasm of destruction," or, "spasm war." Many believe that if one single button is pressed all the buttons will be pressed, and that some 30 minutes or so later missiles will rain enough destruction to terminate the defender's existence as a nation; subsequently, some minutes or hours later, a similar rain of death and destruction will annihilate the attacking nation. Within perhaps an hour or two the war will be effectively over-both combatants having received death blows-with only one question left; "How bad will the radiation be for the rest of the world?"”

Herman Kahn (1922–1983) American futurist

Herman Kahn. " Thinking about the unthinkable." Horizon Press.(1962) pg: 59

Death, War, World, Question

“The holy man, persuaded that they belonged to some idolatrous people and that in their own language they gave adherence to the Christian faith, invited them to receive baptism.
"I think," said he to them, "that you bathe often, for all the hollows of the rocks are full of pure water, and as I came to your assembly I saw several of you plunging into these natural baths. Now purity of body is the image of spiritual purity."
And he taught them the origin, the nature, and the effects of baptism.
"Baptism," said he to them, "is Adoption, New Birth, Regeneration, Illumination."
And he explained each of these points to them in succession.
Then, having previously blessed the water that fell from the cascades and recited the exorcisms, he baptized those whom he had just taught, pouring on each of their heads a drop of pure water and pronouncing the sacred words.
And thus for three days and three nights he baptized the birds.”

Anatole France book Penguin Island

Book I : The Beginnings, Ch. V : The Baptism Of The Penguins
Penguin Island (1908)

People, Faith, Birth, Nature

“The American elite does not have any real image of peace — other than as an uneasy interlude existing precariously by virtue of the balance of mutual fright. The only seriously accepted plan for peace is the full loaded pistol. In short, war or a high state of war-preparedness is felt to be the normal and seemingly permanent condition of the United States.”

C. Wright Mills book The Power Elite

The Power Elite (1956)

War, Peace

“I think it's interesting being American, the expectations for an American guy, and the image that has to be projected. 'Oh, I can't wear pink,' that kind of stuff. There's none of that in Europe.”

Beck (1970) American Musician (b.1970)

Black Book magazine, Fall 2002

Guy, Thinking

Mahmud of Ghazni (971–1030) Sultan of Ghazni

E.C. Sachau (tr.), Alberuni's India, New Delhi Reprint, 1983, p. 102-103
Quotes from Muslim medieval histories

God, People, Parting

“The existence of antagonistic "conspiracies" was recognized by the defenders of religious and political views. Iconoclasts knew that images might distort the basic message of their creed (which consisted of words and resided in Holy Books). Church architecture and church music were adapted to the needs of the Holy Faith. Alternative styles were either fought or made part of religious PR. I conclude that our 'field of experience' is molded, overlaid, and 'conspired' against not just by language, but by numerous other patterns and institutions, many of them in mutual conflict. An inference from a style, a particular linguistic apparatus, or, more recently, from scientific beliefs, to a cosmology, corresponding ways of life and an all-embracing "spirit of the age therefore needs special support; it cannot be made as a matter of course.”

Paul Karl Feyerabend (1924–1994) Austrian-born philosopher of science

pg 28.
Conquest of Abundance (2001 [posthumous])

Life, Books, Age, Faith

“From the day of our Founding, we have proclaimed that every man and woman on this earth has rights, and dignity, and matchless value, because they bear the image of the Maker of Heaven and earth. Across the generations we have proclaimed the imperative of self-government, because no one is fit to be a master, and no one deserves to be a slave.”

George W. Bush (1946) 43rd President of the United States

2000s, 2005, Second Inaugural Address (January 2005)

“This image of herself as a not ordinary women, an image which was trembling now in his eyes, might suddenly disappear. Nothing more difficult to live up to than men’s dreams.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Children of the Albatross (1947)

Women, Men, Dreams

“In the sweetly constituted mind of Sir Philip Sidney, it seems as if no ugly thought or unhandsome meditation could find a harbour. He turned all that he touched into images of honour and virtue.”

Philip Sidney (1554–1586) English diplomat

Charles Lamb "Characters of Dramatic Writers, Contemporary with Shakspeare", in Thomas Hutchinson (ed.) The Works in Prose and Verse of Charles and Mary Lamb (1908) vol. 1, p. 70.
Criticism

“Here we could use the distinction elaborated by Kovel's White Racism - between dominative and aversive racism. In Nazi ideology, all human races form a hierarchical, harmonious, whole (the 'destiny' of the Aryans at the top is to rule, while the Blacks, Chinese and others have to serve) a all races except the Jews: they have no proper place; their very identity is fake, it consists in trespassing the frontiers, in introducing unrest, antagonism, in destabilizing the social fabric. As such, Jews plot with other races and prevent them from putting up with their proper place - they function as a hidden Master aiming at world domination: they are a counter-image of the Aryans themselves, a kind of negative, perverted double; their is why they must be exterminated, while other races have only to occupy their proper place.”

Slavoj Žižek book The Sublime Object of Ideology

143
The Sublime Object of Ideology (1989)

World

“Everything possible to be believed is an image of the truth.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Seventh Son (1987), Chapter 10.

Truth

“By loose coupling, the author intends to convey the image that coupled events are responsive, but that each event also preserves its own identity and some evidence of its physical or logical separateness. Thus, in the case of an educational organization, it may be the case that the counselor's office is loosely coupled to the principal's office. The image is that the principal and the counselor are somehow attached, but that each retains some identity and separateness and that their attachment may be circumscribed, infrequent, weak in its mutual affects, unimportant, and/or slow to respond.”

Karl E. Weick (1936) Organisational psychologist

Source: 1970s, "Educational organizations as loosely coupled systems," 1976, p. 3

Education

“This language controls by reducing the linguistic forms and symbols of reflection, abstraction, development, contradiction; by substituting images for concepts. It denies or absorbs the transcendent vocabulary; it does not search for but establishes and imposes truth and falsehood.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), p. 103

Truth, Search

“When you think of the visual style, when you think of the visual language of a film there tends to be a natural separation of the visual style and the narrative elements, but with the great, whether it is Stanley Kubrick, Terrence Malick or Hitchcock what you're seeing is inseparable, a vital relationship between the images and the story he's telling.”

Christopher Nolan (1970) British–American film director, screenwriter, and producer

Chistopher Nolan and David Fincher featurette on Movieweb http://www.movieweb.com/movie/the-tree-of-life-2011/christopher-nolan-and-david-fincher-featurette

Nature, Thinking

“There are things and there are faces which, when felt or seen for the first time, stamp themselves upon the mind like a sun image on a sensitized plate and there remain unalterably fixed.”

H. Rider Haggard (1856–1925) English writer of adventure novels

Colonel Quaritch, V. C.: A Tale of Country Life (1888), CHAPTER I, HAROLD QUARITCH MEDITATES

Time, Sun

“For those of us who have been thrown into hell, mysterious melodies and the torturing images of a vanished beauty will always bring us, in the midst of crime and folly, the echo of that harmonious insurrection which bears witness, throughout the centuries, to the greatness of humanity.”

Albert Camus book The Rebel

The Rebel (1951)

Beauty, Hell

“And I do know about body image. About worrying about it. I made my living being 20 or 30 pounds heavier than the average model. And that's where I got famous. Victoria's Secret said I sold more bras and panties than anybody else, and I was traipsing down that runway with 30 pounds more booty than the other girls. So it had a lot to do with my success, my weight, but it's also always been an issue for me, so I can relate.”

Tyra Banks (1973) American model, author and television personality

Euan Ferguson (April 15, 2007) "Interview: Tyra Banks - The supermodel turned spokeswoman" http://www.guardian.co.uk/lifeandstyle/2007/apr/15/fashion.features5, The Guardian, Guardian News and Media Limited.

Secret, Girl, Success

“The image, more interesting than its original, has become the original. The shadow has become the substance.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 204.

“I was also not willing to accept the orders of the leaders regarding my personal life or the personal lives of the other members. I had refused to allow the government to tell me how to live, so why should I allow the leadership of Progressive Labor to reorient my life?… Open criticism of the leadership dictums did not sit well with them, and they immediately began to accuse me of ‘trying to create a splinter group.’… The leaders became so paranoid over the issue of their ‘public image’ that they told members to shave their mustaches, wear coats and ties, forget the cowboy boots, be careful whom they are seen with, stay away from people who take dope, date only certain girls, attend classes regularly, and watch their language in public. Strange concerns, indeed, for Communists who at times attempted to pose as libertarians!”

Phillip Abbott Luce (1935–1998)

Source: The New Left: The Resurgence of Radicalism Among American Students (1966), p. 44

Life, People, Girl, Time

“Until Abstract Expressionism you had to have something to paint about, some kind of subject matter. Even though Kandinsky and w:Arthur Dove were improvising earlier, it didn't take. They had to have symbols, suggested natural images or geometry, which was something real structurally. That gave them something to paint about. What was new was the idea that something you looked at could be like something you heard.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 8
Conversation with Karen Wilkin' (1986-1988)

Idea, Nature, Painting

“[…] The image superimposed on Ricci's field of view by his visor display showed a pair of guards in hooded parkas, goggles, and wool scarves taking relaxed strides along their patrol of the building's north side. Their shoulder-slung FN P90 assault weapons fired the same ammunition as his FN Five-seveN pistol: small rounds, big punch. […]”

Tom Clancy (1947–2013) American author

With Jerome Preisler and Martin H. Greenberg; Bio-Strike (2000), p. 405
2000s

“The experience of the moment is what's important, and somehow the image, the 'thing' is left over.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel – the complete sculptures,' (1990) not-paged

“Of this Shakspeare of ours, perhaps the opinion one sometimes hears a little idolatrously expressed is, in fact, the right one; I think the best judgement not of this country only, but of Europe at large, is slowly pointing to the conclusion, That Shakspeare is the chief of all Poets hitherto; the greatest intellect who, in our recorded world, has left record of himself in the way of Literature. On the whole, I know not such a power of vision, such a faculty of thought, if we take all the characters of it, in any other man. Such a calmness of depth; placid joyous strength; all things imaged in that great soul of his so true and clear, as in a tranquil unfathomable sea!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

World, Way, Soul, Literature

“The hallucinatory drugs only reveal the world of images we contain but do not teach us interpretation, illumination, or enlightenment.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

World

“The village of Sattara near Aurangabad was my hunting ground. Here on the top of a hill, stood a temple with an image of Khande Rai. By God's grace I demolished it, and forbade the temple dancers (muralis) to ply their shameful profession.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Satara (Maharashtra) Kalimat-i-Tayyibat, quoted in Sarkar, Jadu Nath, History of Aurangzeb, Vol. II, p. 94 https://archive.org/details/in.ernet.dli.2015.62677/page/n293 Quotes from late medieval histories

God

“There is a kind, I might almost say, of artistic satisfaction, when we are able to survey the enormous wealth of Nature as a regularly ordered whole — a kosmos, an image of the logical thought of our own mind.”

Hermann von Helmholtz (1821–1894) physicist and physiologist

"On the Conservation of Force" (1862), p. 279
Popular Lectures on Scientific Subjects (1881)

Nature, Wealth

“What the Big Bang theory tells us, is that at least our region of the universe 13.82 years ago, was an extremely hot, dense uniform soup of particles which in the conventional standard Big Bang model filled literally all of space—and now we certainly believe that it filled essentially all of the space that we have access to—uniformly. …This is contrary to a popular cartoon image of the Big Bang, which is just plain wrong. The cartoon image of the Big Bang is the image of a small egg of highly dense matter that then exploded and spewed out into empty space. That is not the scientific picture of the Big Bang. …If there was a small egg that exploded into empty space, you would certainly expect that today you would see something different if you were looking towards where the egg was, versus looking the opposite direction, but we don't see any effect like that. When we look around the sky the universe looks completely uniform, on average, in all directions, to a very high degree of accuracy… So we don't see a sign of an egg having happened anywhere. Rather, the Big Bang seems to have happened everywhere, uniformly.”

Alan Guth (1947) American theoretical physicist and cosmologist

Lecture 1: Inflationary Cosmology: Is Our Universe Part of a Multiverse? Part I.
The Early Universe (2012)

Universe

“The rash assertion that 'God made man in His own image' is ticking like a time bomb at the foundation of many faiths, and as the hierarchy of the universe is disclosed to us, we may have to recognize this chilling truth: if there are any gods whose chief concern is man, they cannot be very important gods.”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

Space and the Spirit of Man (1965)

God, Truth, Faith, Universe

“Peel your own image from the mirror.
Sit. Feast on your life.”

Derek Walcott (1930–2017) Saint Lucian–Trinidadian poet and playwright

"Love after Love"
"A Far Cry from Africa" (1962), Collected Poems, 1948-1984 (1986)

Life

“Abstractions and references must be totally avoided. In our freedom of invention we must succeed in constructing a world that can be measured only in its own terms. We absolutely cannot consider the picture as a space onto which to project our mental scenography. It is the area of freedom in which we search for the discovery of our first images. Images which are absolute as possible, which cannot be valued for that which they record, explain and express, but only for that which they are to be.”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 18-19

World, Search, Freedom

“The image of rock and roll since Elvis has ranged from teen rebellion to challenging of the status quo. It represented freedom in the 60's, but lately it represents corporate hegemony, the opposite of what hippies envisioned at Woodstock. The RIAA to many consumers today symbolizes oppression, oppression of both artist and consumer.”

Richard Menta American journalist

Source The RIAA Settles Fast With 12-year-old Trader http://web.archive.org/web/20041010141527/http://www.mp3newswire.net/stories/2003/brianna_laHara.html - 9/10/2003 Quotes from the MP3 Newswire

Freedom

“While people are engaged in creating a totally different world, they always form vivid images of the preceding world.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 21

People, World

“The famous physicist Wolfgang Pauli is said to have remarked that the deepest pleasure in science comes from finding an instantiation, a home, for some deeply felt, deeply held image.”

Stuart Kauffman (1939) American biophysicist

Source: The origins of order: Self-organization and selection in evolution (1993), p. vii

Pleasure, Home, Science

“Udnie – I see Again in Memory my Dear Udnie' is no more the portrait of a young girl than 'Edtaonisl' (counterpart of his work 'Udnie'] is the image of a prelate, as we ordinarily conceive of them. They are [both] memories of America, evocations of over there which, subtly set down like musical chords, become representative of an idea, a nostalgia, a fleeting impression.”

Francis Picabia (1879–1953) French painter and writer

'Udnie – I see Again in Memory my Dear Udnie' is the title of a painting, he made in 1913; a memory of the dances performed by Stasia Napierkowska on the ship to New York, to visit the w:Armory Show, where Picabia was presented in 1913 as a 'leading Cubist painter'
1910's
Source: 'Ecrits: vol. 1', 1913 - 1920, Picabia, Belfond, Paris, p. 26

Music, Girl, Idea, Nostalgia

“Moreover, according to Alexander, the “troubled mathematical martyr,” exemplified not only by Galois but also by Abel, János Bolyai, Riemann, Cantor, Gödel, Turing, John Nash, Grothendieck, Perelman, and even, in a certain sense, Cauchy, remains to this day the dominant image of the “ideal mathematician,” long after the romantic paradigm was exhausted in the arts.”

Michael Harris (1954) American mathematician

Source: Mathematics without Apologies: Portrait of a Problematic Vocation, 2015, pp. 147-148

Art, Mathematics, Sense

“Astaire really sweat - he toiled. He was a humorless Teutonic man, the opposite of his debonair image in top hat and tails. I liked him because he was an entertainer and an artist. There's a distinction between them. An artist is concerned only with what is acceptable to himself, where an entertainer strives to please the public. Astaire did both. Louis Armstrong was another one.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Artie Shaw on his collaboration with Astaire in Second Chorus (1940) as interviewed in Fantle, Dave and Johnson, Tom. Reel to Real. Badger Books LLC, 2004, p. 304. ISBN 1932542043.

“A book, like a landscape, is a state of consciousness varying with readers. There exists some book, pamphlet, article in an encyclopaedia, or possibly an old clipping from a newspaper that once set you thinking; there may be many; indeed you may be one of those rare beings with whom a few lines of print are food enough or thought because, as Lamartine says, their thoughts think themselves. The sometimes evocative for you may be poetry, history, philosophy, the sciences, or moral sciences, i. e. the progress of mankind. Some people who go to sleep over a volume will be interested by a review which they think more condensed or better within their reach. Read reviews if they help you to think, that is. to say if they leave in your mind images that will go on living when you have forgotten where they came from. Read a Shakespeare calendar at the rate of four lines a day, if Shakespeare quotations have on you the magic influence they have on some people; read algebra, read the lives of great inventors or of great businessmen, read that kind of books which you and nobody else know to be thought-productive for you.”

Ernest Dimnet (1866–1954) French writer

Source: The Art of Thinking (1928), p. 122

People, Books, Food, History

“A work is imaginative in virtue of the power of its images over our emotions; not in virtue of any rarity or surprisingness in the images themselves.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Imagination

“A painting to me is primarily a verb, not a noun, an event first and only secondarily an image.”

Elaine de Kooning (1918–1989) American painter

as quoted in "It is", No.4, Autumn, 1959 http://www.worldcat.org/oclc/79463183&referer=brief_results Magazine for Abstract Art, Second Half Publishing Co., New York pp. 29,30 1950 - 1971

Painting

“Image…that which presents an intellectual and emotional complex in an instant of time.”

Ezra Pound (1885–1972) American Imagist poet and critic

"Poetry: A Few Don'ts by an Imagist", Poetry: A Magazine of Verse (March 1913)

Time

“Print also created new literary forms and altered ideas of literary style. Medieval poetry was conceived for the ear, and each poem had to stand the test of recitation. In addition, medieval audiences were not always interested in the poet himself, since his work was known to them only through the interpretations of minstrels, who frequently rephrased poems to suit their own image and images. The printed page changed these conditions. Slowly, the printed poet came into a new relationship with his reader. He learned not to be so repetitive as his predecessors since a reader could be depended upon to return as often as needed to uncompromised passages. …After the flowering of dramatic poetry during the Elizabethan Age, the printed page substituted for the theater, and millions of children came to know Shakespeare only through this form.”

Neil Postman (1931–2003) American writer and academic

Teaching as a Subversive Activity (1969)

Children, Age, Flowers, Idea

“It is never difficult to see images – when the principle of the image is embedded in the soul.”

Marsden Hartley (1877–1943) American artist

Hartley to Kuntz, April 4, 1932; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 124
1931 - 1943

Soul

“I'm a failure as a woman. My men expect so much of me, because of the image they've made of me — and that I've made of myself — as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Statement c. 1962, as quoted in Marilyn (1992) by Peter Harry Brown and Patte B. Barham, Ch. 30
Variant: I'm a failure as a woman. My men expect so much of me, because of the image they've made of me — and that I've made of myself — as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it.

Men, Sex, Failure

“The year 1680 AD brought an equally “rich harvest” for Islam. Maasir-i-Alamgiri goes ahead: “On 6th January 1680 A. D. Prince Mohammad Azam and Khan Jahan Bahadur obtained permission to visit Udaipur. Ruhullah Khan and Yakkattaz Khan also proceeded thither to effect the destruction of the temples of the idolators. These edifices situated in the vicinity of the Rana’s palace were among the wonders of the age, and had been erected by the infidels to the ruin of their souls and the loss of their wealth… Pioneers destroyed the images. On 24th January the king visited the tank of Udayasagar. His Majesty ordered all three of the Hindu temples to be levelled with the ground….”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231 Ch. 7.
Quotes from late medieval histories, 1680s

Age, Soul, Loss, Wealth

“Our nation should always derive its character directly from the people and let this be the strength and the image to be presented to the world — the character of the American people.
To our friends and allies I say that what unites us through our common dedication to democracy is much more important than that which occasionally divides us on economics or politics. To the nations that seek to lift themselves from poverty I say that America shares your aspirations and extends its hand to you. To those nation-states that wish to compete with us I say that we neither fear competition nor see it as an obstacle to wider cooperation. To all people I say that after two hundred years America still remains confident and youthful in its commitment to freedom and equality, and we always will be.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Pre-Presidency, First Presidential Nomination Acceptance Speech (1976)

People, Youth, World, Fear

“I had the image of a spiritual person, but I was bowing down to the idols of religiosity and philosophy.”

Donald Miller book Blue Like Jazz: nonreligious thoughts on Christian spirituality

Blue Like Jazz (2003, Nelson Books)

Personality

“The worship of images is intimately connected with that of the saints. They were rejected by the primitive Christians; but St Irenæus, who lived in the second century, relates that there was a sect of heretics, the Carpocratians, who worshipped, in the manner of Pagans, different images representing Jesus Christ, St Paul, and others. The Gnostics had also images; but the church rejected their use in a positive manner, and a Christian writer of the third century, Minutius Felix, says that “the Pagans reproached the Christians for having neither temples nor simulachres;” and I could quote many other evidences that the primitive Christians entertained a great horror against every kind of images, considering them as the work of demons. It appears, however, that the use of pictures was creeping into the church already in the third century, because the council of Elvira in Spain, held in 305, especially forbids to have any picture in the Christian churches. These pictures were generally representations of some events, either of the New 5 In his Treatise given below. 11 or of the Old Testament, and their object was to instruct the common and illiterate people in sacred history, whilst others were emblems, representing some ideas connected with the doctrines [008] of Christianity. It was certainly a powerful means of producing an impression upon the senses and the imagination of the vulgar, who believe without reasoning, and admit without reflection; it was also the most easy way of converting rude and ignorant nations, because, looking constantly on the representations of some fact, people usually end by believing it. This iconographic teaching was, therefore, recommended by the rulers of the church, as being useful to the ignorant, who had only the understanding of eyes, and could not read writings.6 Such a practice was, however, fraught with the greatest danger, as experience has but too much proved. It was replacing intellect by sight.7 Instead of elevating man towards God, it was bringing down the Deity to the level of his finite intellect, and it could not but powerfully contribute to the rapid spread of a pagan anthropomorphism in the church.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), p. 10-11

God, People, Way, Quotes

“We must begin by distinguishing between visual mental imagery and visual perception: Visual perception occurs while a stimulus is being viewed, and includes functions such as visual recognition (i. e., registering that a stimulus is familiar) and identification (i. e., recalling the name, context, or other information associated with the object). Two types of mechanisms are used in visual perception: “bottom-up” mechanisms are driven by the input from the eyes; in contrast, “top-down” mechanisms make use of stored information (such as knowledge, belief, expectations, and goals). Visual mental imagery is a set of representations that gives rise to the experience of viewing a stimulus in the absence of appropriate sensory input. In this case, information in memory underlies the internal events that produce the experience. Unlike afterimages, mental images are relatively prolonged.”

Stephen Kosslyn (1948) American psychologist

Stephen M. Kosslyn, "Mental images and the brain." Cognitive Neuropsychology 22.3-4 (2005): p. 334

Knowledge, Memory

“Sitting back in the hard plastic chair on the hotel roof, I reflected on that talk I'd given to the CENTCOM intelligence staff the previous Friday. America was in deep shock, reeling from the images of airliners smashing into buildings and those proud towers collapsing like flaming tinsel. Would my fellow citizens now be persuaded to abandon their hard-won individual freedoms to earn a bit more security in a clearly insecure world? As I stood up, another thought struck me. Today is like Pearl Harbor. The world was one way before today, and will never be that way again. We stand at a crease in history.”

Tommy Franks (1945) United States Army general

Source: American Soldier (2004), p. 246

World, Way, History, Intelligence

“It’s not a matter of imaging, despite what a lot of people would feel that it is. I’ve never presented myself in a way that I don’t feel comfortable with; I’ve never presented myself in a way to appeal to anybody. For the most part the way I’ve always looked to not appeal to most people. Really, my aesthetic was really more of a terrorism or violence than it was something to attract; more of a representation of my detachment than anything else — though it’s not always a very conscious thing.”

Davey Havok (1975) American singer

Skinnie magazine, March 2010, p. 29

People, Way, Feeling, Parting

“For in the Spirit-World there is Reality; as the process of differentiation proceeds, illusion is produced, and it is this mind, this growing mind, that makes the illusion. It is this growing mind that has endless images and pictures, that has the image-making faculty which we speak of as imagination, that has the reasoning faculty which builds on the airy picture that it has made— it is this which is the real creator of illusion, it is this which slays the Real, so far as the disciple is concerned, and his first work as disciple will be to slay the slayer.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

Source: https://theosophy.world/sites/default/files/ebooks/Annie%20Besant-In-The-Outer-Court.pdf In the Outer Court, 1895, p. 57

World, Imagination, Reality

“The suburban housewife — she was the dream image of the young American women and the envy, it was said, of women all over the world. The American housewife — freed by science and labor-saving appliances from the drudgery, the dangers of childbirth, and the illnesses of her grandmother … had found true feminine fulfilment.”

Betty Friedan book The Feminine Mystique

Source: The Feminine Mystique (1963), Ch. 1 "The Problem That Has No Name"

Women, World, Dreams, Science

“With TV, came the icon, the inclusive image, the inclusive political posture or stance.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 191

““In AH 631 he invaded Malwah, and after suppressing the rebels of that place, he destroyed that idol-temple which had existed there for the past three hundred years…. “Next he turned towards Ujjain and conquered it, and after demolishing the idol-temple of Mahakal, he uprooted the statue of Bikramajit together with all other statues and images which were placed on pedestals, and brought them to the capital where they were laid before the Jami‘ Masjid for being trodden under foot by the people.”110”

Iltutmish (1210–1236) Sultan of Mamluk Sultanate

Vidisha and Ujjain (Madhya Pradesh) Tarikh-i-Mubarak Shahi, of Yahya Sirhindi, Translated from the Urdu version by Dr. Ãftab Asghar, second edition, Lahore. 1982.

People, Past

“The world becomes an apparently infinite,
yet possibly finite, card game.
Image combinations,
permutations,
comprise the world game.”

Jim Morrison (1943–1971) lead singer of The Doors

The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision

World, Game

Quotes about image page 14

Quotes about image
page 14