Quotes about image (1856 quotes, page 13)

“The utopian element in politics lies in the ability to disentangle the image of possible human association from forms of life that make people's material and moral ability depend on their acceptance of predetermined hierarchical and communal divisions. The struggle of this visionary politics is to deny the identification of society with a limited repertory of social forms. Such a repertory imprisons all experiments in practical collaboration, in self-expression and reconciliation, within a determinate scheme of ranks and divisions, of authoritative ideals, and of accepted contexts for the realization of these ideals.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Plasticity Into Power: Comparative-Historical Studies on the Institutional Conditions of Economic and Military Success (1987), p. 12

Life , People , Communication , Dependency

“Modern man, seeking a middle position in the evaluation of sense impression and thought, can, following Plato, interpret the process of understanding nature as a correspondence, that is, a coming into congruence of pre-existing images of the human psyche with external objects and their behaviour. Modern man, of course, unlike Plato, looks on the pre-existent original images also as not invariable, but as relative to the development of a conscious point of view, so that the word "dialectic" which Plato is fond of using may be applied to the process of development of human knowledge.”

Wolfgang Pauli (1900–1958) Austrian physicist, Nobel prize winner

Writings on Physics and Philosophy http://books.google.com/books?id=ueTd4g7pc5MC (1994) 16. "Science and Western Thought" p. 142

Understanding , Nature , Knowledge , Sense

“The basic bond of any society, culture, subculture, or organization is 'a public image.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 64, cited in: Carl H. Botan, Vincent Hazleton (2006) Public Relations Theory Two. p. 349. Botan & Hazleton explain: "Citizens have particular images (or conceptions) of their own nation in relations to other nations, and those images reflect specific values and emotions. People in one nation make attributions about those living in other nations even when they have not visited a particular country. When individuals discuss their personal images with others, they contribute to the creation of public images. The public images of nation-states emanate from a “universe of discourse” (Boulding, 1956, p. 15)."

“Normal science, the puzzle-solving activity we have just examined, is a highly cumulative enterprise, eminently successful in its aim, the steady extension of the scope and precision of scientific knowledge. In all these respects it fits with great precision the most usual image of scientific work. Yet one standard product of the scientific enterprise is missing. Normal science does not aim at novelties of fact or theory and, when successful, finds none.”

Thomas Kuhn book The Structure of Scientific Revolutions

Source: The Structure of Scientific Revolutions (1962), VI. Anomaly and the Emergence of Scientific Discoveries, p. 52

Knowledge , Science , Success

“The art of a great writer is seen in the perfect fitness of his expressions. He knows how to blend vividness with vagueness, knows where images are needed, and where by their vivacity they would be obstacles to the rapid appreciation of his thought.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Art , Perfection

“As I said, in the Fifties I had the 'angst' (= Dutch for 'fear') to survive materialistically. In the city Paris it was a battle. I painted with a knife and called the results 'human landscapes', abstract landscapes with human faces here and there. Today I can do without fight or struggle; every brushstroke now is ready, goes by itself: la peinture depouillé you could say. I discovered that in Picasso's late paintings. You look very closely but there is nothing anymore. He painted here and there a little bit; it is not finished, but once you step back you see a fantastic image, life by itself. I'm not fighting anymore; I'm floating, surfing on the wind.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Source: Karel Appel – the complete sculptures,' (1990), p. 95 'Quotes', K. Appel (1989)

Life , Fear , Fight , Painting

“Every day a sharp tool, a powerful destroyer, is necessary to cut away dullness, lobotomy, buzzing, belief in human beings, stagnancy, images, and accumulation. As soon as we stop believing in human beings, rather know we are dogs and trees, we'll start to be happy.”

Kathy Acker book Blood and Guts in High School

Blood and Guts in High School (1978)

Dogs , Tree , Happiness

“The soft seduction of consumer global capitalism reduce the nations of the West to a rootless mass of Americanised consumers, without identity, without pride and without a future. Children identify with the grotesque and vulgar instead of noble heroes and beautiful princesses in castles. Teenagers ape the antics of degenerate pop-stars whose example leads hundreds of thousands into the living death of drug addiction, not to mention the tragedy of the image conscious girls (mainly) who feel compelled to starve themselves to get "the look" and of course the spiralling number of abortions. Adults perform meaningless jobs, in conditions of mind-destroying boredom, to earn enough money to buy the latest needlessly created want to be pushed on television as the thing without which their neighbours will regard them as worthless failures. Old folk die unnoticed and lie rotting for weeks, even months, in barred and bolted flats in inhuman tower blocks, unofficial prisons which become tombs for those who no longer have any economic value. Do not be fooled by the glossy packaging of the consumer society. Where state socialism was a creed of terror and stagnation, capitalism is one of apathy and death.”

Nick Griffin (1959) British politician

Nick Griffin, The Deadly Twins.

Death , Money , Children , Lie

“Go away, image of my living mother, full of life, as I saw her in France for the last time. Go away! My mother's ghost.”

Albert Cohen (1895–1981) Swiss writer

Le livre de ma mère [The Book of My Mother] (1954)

Life , Time

“The emotional quality of what we moderns call our thought produces an extreme violence of conviction combined with extreme incoherence in our arguments. I refer here to ordinary people and not to an intellectual elite. We do not involve ourselves in studying the meaning and consequences of a fact calmly and objectively. The fact asserts itself through its image and associates itself in unchallengeable fashion with other images which, in this mode of thinking, are its true context. Emotions justify as well as provoke or command opinions, which still seem intellectual and reasoned.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 211
The Humiliation of the Word (1981)

People , Fashion , Thinking , Study

“The feelings and images aroused by the visible world are very difficult to express or are perhaps inexpressible with words because they are determined by forms, colors, space and light.”

Giorgio Morandi (1890–1964) Italian painter

in an interview with L. Vitali, 1957; as quoted in Morandi 1894 – 1964, published by Museo d'Arte Moderna di Bologna, ed: M. C. Bandera & R. Miracco - 2008; p. 295
1945 - 1964

World , Color , Feeling , Light

“A reference framework is required in order to locate events in time and space. With some contractions and omissions, Figure 1.1 shows the conventional divisions for the classical and medieval periods. Even before the birth of the idea of nationality, it is quite acceptable to refer to specific countries, such as Greece and Italy, whose boundaries are well defined. It is also usual to refer to areas in which there is felt to have been some degree of cultural unity —— for example, the Roman Empire and Islam. Sometimes space and time are embraced by one image: the Roman Empire can mean either the first four centuries of our era or the area under Roman dominion. Used with care, these concepts have value for some historical purposes, but they can be very misleading. In the first place, we have to bear in mind the shifting of frontiers; in AD 750, for example, the Iberian peninsula was predominantly Muslim while Asia Minor was Christian — by 1450 the reverse was the case. Also, and this can be more serious, the conventional divisions are associated most closely with political and military realities, and often have little bearing on intellectual or social activities.”

Donald Hill (1922–1994) British historian and engineer

A History of Engineering in Classical and Medieval Times, (1985), 1. Introduction.

Idea , Birth , Reality , Time

“Christ's Passion, viewed from within, is of a diversity that the biblical texts and images leave hidden; but numerous mystics through the centuries have been allowed to experience a great deal of it in ever-varying aspects—if only by drops, as it were, compared with the Son of God.”

Hans Urs Von Balthasar (1905–1988) Swedish Catholic theologian

First Glance at Adrienne von Speyr (1968)

God , Passion , Christ

“…he had found an image of one of the big Western-style business hotels along the waterfront: one of those places where it was possible to be a white person without attracting one’s own personal Stonehenge of cataleptic, openmouthed gapers.”

Neal Stephenson book Reamde

Xiamen, Day 4
Reamde (2011), Part I: Nine Dragons

Business , Personality

“And then the image, that well-nigh erased
Over the castle-gate he did behold,
Above a door well wrought in coloured gold
Again he saw; a naked girl with wings
Enfolded in a serpent's scaly rings.”

William Morris (1834–1896) author, designer, and craftsman

The Earthly Paradise (1868-70), The Lady of the Land

Girl

“We sent men with rifles into Afghanistan and Iraq, and we kept our best weapons in their silos. Even now, we're standing there dying, daring to do nothing decisive because we've declared ourselves to be better than our terrorist enemies, more moral, more civilized. Our image is at stake, we insist.
But we didn't come this far because we are made of sugar candy. Once upon a time, we elbowed our way onto and into this continent by giving smallpox-infected blankets to Native Americans. Yes, that was biological warfare. And we used every other weapon we could get our hands on, to grab this land from whomever, and we grew prosperous. And yes, we greased the skids with the sweat of slaves.
And so it goes with most great nation-states, which feeling guilty about their savage pasts, eventually civilize themselves out of business, and wind up invaded and ultimately dominated by the lean, hungry, up-and-coming who are not made of sugar candy.”

Paul Harvey (1918–2009) American broadcaster

Commenting on historical military and social policies, during his ABC News broadcast (23 June 2005); quoted in "Agression Dominates the Airwaves" by Saul Landau, at Transnational Institute (19 July 2005) http://www.tni.org/detail_page.phtml?act_id=1859&username=guest@tni.org&password=9999&publish=Y.

Men , Way , Feeling , Business

“I was consumed by a sea of people with heaven-bound hands, their eyes full of adoration for the guitar-carrying man on stage who, from his gentle doe eyes to his scraggly brown beard and flowing hair, served as stock-image white Jesus placeholder.”

Chris Stedman (1987) American activist

Source: Faitheist (2012), Chapter 3, “Conversion and Confusion” (p. 37)

People , Sea

“Radical groups in the 1960s developed a reputation for factionalism: organizations split because of disagreements on details of strategy, and then treated each other as enemies. Or at least, such is the image people have of them, whether or not it was true.
The relationship between the Free Software movement and the Open Source movement is just the opposite of that picture. We disagree on the basic principles, but agree more or less on the practical recommendations. So we can and do work together on many specific projects. 'We don't think of the Open Source movement as an enemy. The enemy is proprietary software.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

1990s, Why "Free Software" is better than "Open Source" (1998)

People , Thinking

“Much converse do I find in thee,
Historian of my infancy!
Float near me; do not yet depart!
Dead times revive in thee:
Thou bring'st, gay creature as thou art!
A solemn image to my heart.”

William Wordsworth (1770–1850) English Romantic poet

To a Butterfly (Stay Near Me), st. 1 (1801).

Art , Time , Heart , Dead

“Who is that goddess to whom men should pray
But her from whom their hearts have turned away,
Out of whose virgin being they were born,
Whose mother nature they have named in scorn
Calling its holy substance common clay.
Yet from this so despised earth was made
The milky whiteness of those queens who swayed
Their generations with a light caress,
And from some image of whose loveliness
The heart built up high heaven when it prayed.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

Men , Nature , Light , Heart

“Our image of God, whom we can’t see, is deeply affected by people, whom we can see.”

John Townsend (1952) Canadian clinical psychologist and author

Where Is God (2009, Thomas Nelson publishers)

God , People

“Image of beauty, when I gaze on thee,
Trembling I waken to a mystery,
How through one door we go to life or death
By spirit kindled or the sensual breath.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Life , Death , Beauty

“People state that the World is marching towards a prescribed goal laid down by the Creator, which means that no matter how brilliant the achievements of man may be, he can exert no influence whatever on the final result. No doubt man is a puny and insignificant creature in contrast with God, but If I were just to play a passive part like the animals, there would be no justification in endowing him with a free will and creating him to the image and likeness of His Creator. He could have been a Superior Animal only.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Planning for a Better World

God , People , World , Animals

“When was the last time you looked at anything, solely, and concentratedly, and for its own sake? Ordinary life passes in a near blur. If we go to the theatre or the cinema, the images before us change constantly, and there is the distraction of language. Our loved ones are so well known to us that there is no need to look at them, and one of the gentle jokes of married life is that we do not.”

Jeanette Winterson (1959) English writer

Art Objects (1995)

Love , Life , Change , Time

“The Bible says in Genesis 1, God said, I'm going to make man in my own image. If we're made in the image of God, why do we teach the kids grandpa was an ape? Now, evolution teaches we're getting better, and someday we are going to become god. The facts are we're getting worse. Things are falling apart. We have an incredible genetic load. We are mentally and physically deficient compared to Adam and Eve.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Garden of Eden

God

“Vision is the process of discovering from images what is present in the world, and where it is.”

David Marr (1945–1980) British neuroscientist and psychologist

Source: Vision, 1982, p. 3, cited in: M. R. Bennett, ‎P. M. S. Hacker (2012). History of Cognitive Neuroscience.

World

“The evidence … is always an exercise in suppressio veri suggestio falsi. For instance, Aurangzeb’s petty donations to 2-3 Hindu temples patronized by some pet Hindu courtiers, are played up with great fanfare. But his systematic demolition of thousands of Hindu temples and defilement of countless images of Gods and Goddesses, throughout his long reign, is never mentioned. Such pitiable attempts at pitting molehills of munificence against mountains of malevolence, go against all sense of proportion in judging a whole period of Indian history.”

Sita Ram Goel book The Story of Islamic Imperialism in India

The Story of Islamic Imperialism in India (1994)

God , Exercises , History , Mountain

““It is the principle of Business, which is more fundamental than the law of gravity. Wherever you go in the galaxy, you can find a food business, a housebuilding business, a war business, a peace business, a governing business, and so forth. And, of course, a God business, which is called ‘religion,’ and which is a particularly reprehensible line of endeavor. I could talk for a year on the perverse and nasty notions that the religions sell, but I’m sure you’ve heard it all before. But I’ll just mention one matter, which seems to underlie everything the religions preach, and which seems to me almost exquisitely perverse.”
“What’s that?” Carmody asked.
“It’s the deep, fundamental bedrock of hypocrisy upon which religion is founded. Consider: no creature can be said to worship if it does not possess free will. Free will, however, is free. And just by virtue of being free, is intractable and incalculable, a truly Godlike gift, the faculty that makes a state of freedom possible. To exist in a state of freedom is a wild, strange thing, and was clearly intended as such. But what do the religions do with this? They say, ‘Very well, you possess free will; but now you must use your free will to enslave yourself to God and to us.’ The effrontery of it! God, who would not coerce a fly, is painted as a supreme slavemaster! In the face of this, any creature with spirit must rebel, must serve God entirely of his own will and volition, or must not serve him at all, thus remaining true to himself and to the faculties God has given him.”
“I think I see what you mean,” Carmody said.
“I’ve made it too complicated,” Maudsley said. “There’s a much simpler reason for avoiding religion.”
“What’s that?”
“Just consider its style—bombastic, hortatory, sickly-sweet, patronizing, artificial, inapropos, boring, filled with dreary images or peppy slogans—fit subject matter for senile old women and unweaned babies, but for no one else. I cannot believe that the God I met here would ever enter a church; he had too much taste and ferocity, too much anger and pride. I can’t believe it, and for me that ends the matter. Why should I go to a place that a God would not enter?””

Robert Sheckley book Dimension of Miracles

Source: Dimension of Miracles (1968), Chapter 13 (pp. 88-89)

Women , God , War , Peace

“Surrealism in its first period offered specific methods for approaching the images of concrete irrationality. These methods, based on the exclusively passive and receptive role of the surrealist subject, are now [1935] in liquidation and giving place to new surrealist methods of systematic exploration of the irrational.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 13

““I think that I will not answer that question,” he said at last. “I would create as many false images as there were ears to hear me.”
“Half as many,” Clissum pointed out delicately.”

Jack Vance Dying Earth

Source: Dying Earth (1950-1984), Cugel's Saga (1983), Chapter 4, section 2, "The Caravan"

Question , Thinking , Falseness

“June 1, 2009 was the day that we were meant to go to the stadium and try and get the president's attention. It's a national holiday, it's broadcast across the country, and I showed up at the stadium. My friends did not show up. I found myself alone, and I didn't know what to do. I was scared, but I knew very well that that particular day, I had to make a decision. Was I able to live as a coward, like everyone else, or was I going to make a stand? And when the president stood up to speak, I found myself on my feet shouting at the president, telling him to remember the post-election violence victims, to stop the corruption. And suddenly, out of nowhere, the police pounced on me like hungry lions. They held my mouth and dragged me out of the stadium, where they thoroughly beat me up and locked me up in jail. I spent that night in a cold cement floor in the jail, and that got me thinking. What was making me feel this way? My friends and family thought I was crazy because of what I did, and the images that I took were disturbing my life. The images that I took were just a number to many Kenyans. Most Kenyans did not see the violence. It was a story to them. … That day in the stadium, I stood up as a smart coward. By that one action, I said goodbye to the 24 years living as a coward.”

Boniface Mwangi (1983) Kenyan photojournalist

The day I stood up alone

Life , Family , Way , Feeling

“The main difficulty in popularizing quantum physics is that we do not really know how to make images of it in our world. In this sense it is really counterintuitive.”

Alain Aspect (1947) French physicist

La principale difficulté pour vulgariser la physique quantique, c'est qu'on ne sait pas très bien comment en fabriquer des images dans notre monde. C'est en ce sens qu'elle est vraiment contre-intuitive.
Interview http://www.canalacademie.com/Alain-Aspect.html on the occasion of the CNRS Gold Medal Award Ceremony in December 2005.

World , Sense

“You can't blame me sure the killer was my son
but I didn't teach him to pull the trigger of the gun
It's the killing on this tv screen
you can't blame me it's those images he's seen.
Well you can't blame me says the media man
Well I wasn't the one who came up with the plan
And I just point my camera at what the people want to see
Man it's a two way mirror and you can't blame me.”

Jack Johnson (musician) (1975) American musician

Cookie Jar.
Song lyrics, On and On (2003)

People , Way

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Wisdom , Secret , Feeling , Thinking

“It is perhaps not a surprise that photography developed as a technological medium in the industrial age, when reality started to disappear. It is even perhaps the disappearance of reality that triggered this technical form. Reality found a way to mutate into an image.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

New millennium, Photography, or the Writing of Light, (2000)

Age , Way , Reality

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times.
As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

Love , People , Books , Way

“The family image, the family tradition, was that my parents were poor immigrants into East London, and that they thought that education was vitally important. But they both left school at fourteen, and so I grew up with the idea that, but for the opportunity, my parents would have been educated. That they were giving me this opportunity, and by golly, I better take advantage of it.”

Michael Marmot (1945) Professor of Epidemiology and Public Health

Interview, 18 March 2002

Education , School , Family , Idea

“The Saudi government has been pumping money in a quiet kind of revolution to shape Islam in its own images since 1973, [with] oil price rises. It wasn't a noisy revolution like the Iranian revolution was. It didn't have so much hubbub and noise associated with it and all. But it was quietly done [with] Saudi influence, using money, and the building of [madrassas] -- that is, religious schools and mosques all across the world. … The very particular kind of Islam associated with Saudi Arabia … is an upstart. It was created in the 18th century. It was constrained and confined entirely to the Arabian Peninsula right through to the late 1960s. All of a sudden, this [Wahhabi] Islam -- which is espoused by these young men, which considers even a Muslim like myself, because of my Shiite background, to be dirty or not a real Muslim … [is] probably the dominant form [of Islam] in the United States. It spreads from one end of the world to the next. It's been a quiet, silent revolution that's been happening, and suddenly exploded on the scene with Sept. 11.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

Men , Money , World , School

“About the only power you have is the power to discriminate. Living in a culture like this, you have to make choices and search out what has the most authentic content or substance. In the 1960s, while on LSD, I realized that my mind was a garbage receptacle of mass media images and input. I spent my whole childhood absorbing so much crap that my personality and mind are saturated with it. God only knows if that affects you physically! As a kid I became increasingly interested in earlier periods of culture. I turned into a little nostalgia boy, and I became steeped in the Our Gang fantasy from watching them on TV. So much so, that my speech patterns were affected. The style of those Our Gang comedies was so charming that I started acting and talking like Jackie Cooper and Alfalfa. They had these cute kids, artificial mannerisms. It must have been embarrassing for people to hear me talk like that.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 60

God , People , Search , Boy

“But after a while, some higher brain-center cut in, and I began being mentally able to fit the wildly changing scenery into a coherent four-dimensional whole. The process was really no more devious than the process by which one integrates the two hundred lines of a TV screen into a single two-dimensional image... which in turn is interpreted as a three-dimensional scene. It's just a matter of processing information. Impossible? I saw.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 106

Change

“I went into my own black-out period [1942-45] which lasted two or three years where the canvases would simply build up until they’d get like stone and it was always just a gray mess. The image wouldn’t emerge, but I worked pretty regularly. I was fighting to find I knew not what, but I could no longer stay with what I had.”

Lee Krasner (1908–1984) American artist

Source: Art Talk, Conversations with 15 woman artists 1975, p. 74.

Fight

“Myth is the system of basic metaphors, images, and stories that in-forms the perceptions, memories, and aspirations of a people; provides the rationale for its institutions, rituals and power structure; and gives a map of the purpose and stages of life.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 21

Life , People , Memory

“As far as dreams were concerned—well dreams are generated by the random processes of neural oscillation during the brain’s rest phases. What dreams do is cycle and recycle images and feelings, rationalisations and fears. There’s nothing special about that. It’s not the dreams that matter (chaff, mental turbulence, the rotating metal bars moving endlessly through the transparent tub of metaphorical slushy). It is what the problem-solving circuits in the mind make of the dreams. Dreams iterate and test mental schemas, discarding the maladaptive to return the adaptive to the slush to be reworked. Dreams are emotional preparations for solving problems—that is why we have evolved them, because problem-solving abilities are highly adaptive and thus strongly evolutionarily selected. Dreams intoxicate the individual out of reliance on common sense and preconception, and tempt her into the orbit of private logic. Dreams have utility.”

Adam Roberts book Jack Glass: The Story of a Murderer

Part 2, Chapter 3, “The Utility of Dreaming” (p. 119).
Jack Glass (2012)

Fear , Dreams , Feeling , Problem

“The Pop artists did images that anybody walking down Broadway could recognize in a split second – comics, picnic tables, men's trousers, celebrities, shower curtains, refrigerators, Coke bottles – all the great modern things that the Abstract Expressionists tried so hard not to notice at all.”

Andy Warhol (1928–1987) American artist

1960's
1975 - 1987

Men

“[A]ngels made no complaint about any of the creatures that were created during the six days of Creation, except about Man. This is because he was created in God's image and consists of Upper and Lower together. When the angels saw it, they were startled and bewildered. How would the pure, spiritual soul descend from its sublime degree, and come and dwell in the same abode with this filthy, beastly body? (…) The answer that came to them is is that there is already a tower filled abundantly, and empty of guests. To fill it with guests, we need the existence of this human, made of Upper and lower together (…) Know that this tower, filled abundantly, implies all the pleasure and the goodness for which He has created the creatures.”

Yehuda Ashlag (1886–1954) Orthodox Jewish Rabbi and Kabbalist

Assorted Themes, On Creation

God , Pleasure , Angels , Soul

“Through symbolism based on killing animals, we encounter politically laden images of absorption, control, domain, and the necessity of violence. This message of male dominance is conveyed through meat eating—both in its symbolism and reality.”

Carol J. Adams book The Sexual Politics of Meat

The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory (New York: Continuum, 1990), p. 189.

Reality , Animals

“In these days he promoted a bramin, by name Seeva Dew Bhut, to the office of prime minister, who embracing the Mahomedan faith, became such a persecutor of Hindoos that he induced Sikundur to issue orders proscribing the residence of any other than Mahomedans in Kashmeer; and he required that no man should wear the mark on his forehead, or any woman be permitted to burn with her husband’s corpse. Lastly, he insisted on all golden and silver images being broken and melted down, and the metal coined into money. Many of the bramins, rather than abandon their religion or their country, poisoned themselves; some emigrated from their native homes, while a few escaped the evil of banishment by becoming Mahomedans. After the emigration of the bramins, Sikundur ordered all the temples in Kashmeer to be thrown down; among which was one dedicated to Maha Dew, in the district of Punjhuzara, which they were unable to destroy, in consequence of its foundation being below the surface of the neighbouring water. But the temple dedicated to Jug Dew was levelled with the ground; and on digging into its foundation the earth emitted volumes of fire and smoke which the infidels declared to be the emblem of the wrath of the Deity; but Sikundur, who witnessed the phenomenon, did not desist till the building was entirely razed to the ground, and its foundations dug up….. “In another place in Kashmeer was a temple built by Raja Bulnat, the destruction of which was attended with a remarkable incident. After it had been levelled, and the people were employed in digging the foundation, a copper-plate was discovered, on which was the following inscription:- ‘Raja Bulnat, having built this temple, was desirous of ascertaining from his astrologers how long it would last, and was informed by them, that after eleven hundred years, a king named Sikundur would destroy it, as well as the other temples in Kashmeer’…Having broken all the images in Kashmeer, he acquired the title of the Iconoclast, ‘Destroyer of Idols’…”

Firishta (1560–1620) Indian historian

Sultãn Sikandar Butshikan of Kashmir (AD 1389-1413)Kashmir
Tãrîkh-i-Firishta

Money , People , Faith , Religion

“When we can build something like the Hubble telescope and fathom images of this vast cosmos of which we are a part, it really gives pause to wonder what and who we are within a larger framework than linear adventures at the shopping mall and taxes.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Parting

“The physicist … engages in complex and difficult calculations, involving the manipulating of ideal, mathematical quantities that, at first glance, are wholly lacking in the music of the living world and the beauty of the resplendent cosmos. It would seem as if there exists no relationship between these quantities and reality. Yet these ideal numbers that cannot be grasped by one's senses, these numbers that only are meaningful from within the system itself, only meaningful as part of abstract mathematical functions, symbolize the image of existence.”

Joseph B. Soloveitchik (1903–1993) American theologian

Source: Halakhic Man (1983), p. 83

World , Beauty , Music , Mathematics

“A world view is a coherent collection of concepts and theorems that must allow us to construct a global image of the world, and in this way to understand as many elements of our experience as possible.
Societies, as well as individuals, have always contemplated deep questions relating to their being and becoming, and to the being and becoming of the world. The configuration of answers to these questions forms their world view. Research on world views, although we are convinced of its practical value and necessity, will always be primarily an expression of a theoretical interest. It reflects the unlimited openness of the human mind to reality as a whole. Even if this research would not appear to be of any immediate value or necessity – quod non – we still should promote and encourage it energetically, because it also expresses the most unselfish striving of humanity “the desire to know,” a property of “Homo sapiens sapiens.””

Diederik Aerts (1953) Belgian theoretical physicist

Source: World views. From Fragmentation to Integration (1994), p. 8

World , Way , Understanding , Question

“It may not be factually true that Nero fiddled while Rome burned, but the saying has passed into common usage because the image has the ring of truth to it. Time and time again, the good and decent common people have manned the walls of the city, and have been ready to give their lives in its defense, only to discover too late that some silk-robed (expletive) has snuck out of the palace at midnight and thrown open the gates to the barbarians outside.”

Bill Whittle (1959) author, director, screenwriter, editor

The Undefended City https://www.nationalreview.com/2008/09/undefended-city-bill-whittle/, National Review (19 September 2008)
2000s

People , Truth , Time

“We are a society awash in skillfully manufactured lies. Solitude that makes thought possible—a removal from the electronic cacophony that besieges us—is harder and harder to find. We have severed ourselves from a print-based culture. We are unable to grapple with the nuances and complexity of ideas. We have traded ideas for fabricated clichés. We speak in the hollow language we are given by our corporate masters. Reality, presented to us as image, is unexamined and therefore false. We are culturally illiterate. And because of our cultural illiteracy we are easily manipulated and controlled.”

Chris Hedges (1956) American journalist

Speech at the American Political Science Association, September 3, 2016 http://www.truthdig.com/report/item/the_intellectuals_we_abandon_20160904

Idea , Reality , Solitude , Falseness

“Every presentation of philosophy, whether oral or written, is to be taken and can only be taken in the sense of a means. Every system is only an expression or image of reason, and hence only an object of reason, an object which reason—a living power that procreates itself in new thinking beings—distinguishes from itself and posits as an object of criticism. Every system that is not recognized and appropriated as just a means, limits and warps the mind for it sets up the indirect and formal thought in the place of the direct, original and material thought.”

Ludwig Feuerbach (1804–1872) German philosopher and anthropologist

Z. Hanfi, trans., in The Fiery Brook (1972), p. 67
Towards a Critique of Hegel’s Philosophy (1839)

Thinking , Sense

“…this visionary [ Emanuel Swedenborg in his book Heaven and Hell ] tells us, under the form of images, that each angel, each society of angels, and the whole of heaven comprehensively surveyed, appear in human form, and in the virtue of this human form the Lord rules them as one man.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), VII : Love, Suffering, Pity

Books , Angels , Hell , Appearance

“Imagination is the manipulation of images in one's head… the rational manipulation… as well as the literary and artistic manipulation.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

Imagination

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

Life , Age , Dreams , Art

“The activity of writing, then, is not to be distinguished from the activity of self-exploration. It consists in contemplating the sea of internal images, discerning connections, and setting these out in grammatical sentences (“I could never conceive of a network of meaning too complex to be expressed in a series of grammatical sentences,” says Murnane, whose views on grammar are firm, even pedantic.)”

J.M. Coetzee (1940) South African writer

“The quest for the girl from Bendigo Street,” The New York Review of Books, v. 59. n. 20, December 20, 2012

Sea

“Models of management sometimes come from task and function analyses of management jobs. Someone studies what managers do, or what duties and responsibilities they are expected to perform, and then develops a model or image of what competent management is (Mintzberg, 1973). Typically, task and function analyses result in detailed descriptions of what activities must be performed in the job. Often these are not arrayed in any order of importance or relevance to the particular job or to the desired output from someone performing the job. Such models have been tested, in that systematic research is conducted to determine if the dentified activities are part of the job. Unfortunately, models based on task or function analysis focus on the job and do not address the person in the job. In doing so, the models include many specific and detailed descriptions of activities, but no mention is made of the characteristics that enable or increase the likelihood of a person performing those activities. These models do not establish a casual link between characteristics of people and performance in a job.”

Richard Boyatzis (1946) American business theorist

Source: Competent manager (1982), p. 7-8.

People , Study , Parting , Personality

“I am a sportsman all over, and to the back-bone – 'Unting is all that's worth living for – all time is lost wot is not spent in 'unting – it is like the hair we breathe – if we have it not we die – it's the sport of kings, the image of war without its guilt, and only five-and-twenty per cent of its danger.”

Robert Smith Surtees (1805–1864) English writer

Source: Handley Cross (1843), Ch. 7

War , Sport , Time

“I believe that it is an honor beyond measure that Bar Ilan University and the Rennert Center would deem it proper to cast me among the ranks of our greatest defenders and champions. I know I do not deserve this distinction. I certainly do not believe that I have earned it. But I do know that since childhood I have strived to emulate the image of the watchman-or watchwoman-on the walls of Zion. And I pledge that I will continue throughout my life to strive to earn the distinction you bestow on me tonight.”

Caroline Glick (1969) deputy managing editor of the Jerusalem Post

Reprinted in [Bitton-Jackson, Livia, Caroline B. Glick: Woman of Valor - A Shackled Warrior, http://www.jewishpress.com/pageroute.do/38244, The Jewish Press, February 18, 2009]
At the presentation for her Guardian of Zion Award from the Ingeborg Rennert Center for Jerusalem Studies at Bar Ilan University where she delivered the keynote speech. (May 31, 2009)

Life , Universe , Childhood

“Just as the spinning and gathering of wool serve as the raw material for a weave, so the artist working with video selects images to serve as the basic substance of the work. All technology, in its capacity to instantly reproduce, store, and retrieve information, has moved continually in a direction that seeks to free us from laboring with our hands by giving us greater conceptual freedom to organize, select, and judge.”

Beryl Korot (1945) American artist

Source: Dachau 1974, by Beryl Korot, p. 76

Freedom

“I can illustrate the … approach with the … image of a nut to be opened. The first analogy that came to my mind is of immersing the nut in some softening liquid, and why not simply water? From time to time you rub so the liquid penetrates better, and otherwise you let time pass. The shell becomes more flexible through weeks and months — when the time is ripe, hand pressure is enough, the shell opens like a perfectly ripened avocado! A different image came to me a few weeks ago. The unknown thing to be known appeared to me as some stretch of earth or hard marl, resisting penetration … the sea advances insensibly in silence, nothing seems to happen, nothing moves, the water is so far off you hardly hear it … yet finally it surrounds the resistant substance.”

Alexander Grothendieck (1928–2014) French mathematician

C. McLarty, The Rising Sea: Grothendieck on simplicity and generality, in J. J. Gray and K.H. Parshall eds., Episodes in the History of Modern Algebra (1800–1950), Amer. Math. Soc., Providence, RI, 2007.Link http://math.stanford.edu/~vakil/216blog/FOAGjun1113public.pdf

Silence , Water , Appearance , Time

“Pluralistic democracies that respect human rights do not find themselves resorting to using lethal force against demonstrators. That’s what apartheid states do. But Israel has sold itself to the world as something else, a beacon of liberalism and democracy. Few things expose this image as a sham as well as massive non-violent mobilizations or civil disobedience.”

Yousef Munayyer American writer

In Gaza, Israel Aims To Massacre Hope (2018)

World , Democracy

“The work of art… in seemingly by-passing all difficulties, attains full freedom, thus in fact nourishing the prevailing ideology. It functions as a security valve for the system, an image of freedom in the midst of general alienation and finally as a bourgeois concept supposedly beyond all criticism, natural, above and beyond all ideology.”

Daniel Buren (1938) sculptor from France

Daniel Buren, "Critical Limits," (1970), in: Buren, Five Texts, trans. Laurent Sauerwein (New York: John Weber Gallery, 1973), p. 45
1970s

Art , Nature , Freedom

“Imagism was not Symbolism, but it proceeds from it”

John Gould Fletcher (1886–1950) American writer

Three Imagist Poets, The Little Review, 1916

“Both Abrams and Westmoreland would have been judged as authentic military "heroes" at a different time in history. Both men were outstanding leaders in their own right and in their own way. They offered sharply contrasting examples of military leadership, something akin to the distinct differences between Robert E. Lee and Ulysses S. Grant of our Civil War period. They entered the United States Military Academy at the same time in 1932- Westmoreland from a distinguished South Carolina family, and Abrams from a simpler family background in Massachusetts- and graduated together with the Class of 1936. Whereas Westmoreland became the First Captain (the senior cadet in the corps) during their senior year, Abrams was a somewhat nondescript cadet whose major claim to fame was as a loud, boisterous guard on the second-string varsity football squad. Both rose to high rank through outstanding performance in combat command jobs in World War II and the Korean War, as well as through equally commendable work in various staff positions. But as leaders they were vastly different. Abrams was the bold, flamboyant charger who wanted to cut to the heart of the matter quickly and decisively, while Westmoreland was the more shrewdly calculating, prudent commander who chose the more conservative course. Faultlessly attired, Westmoreland constantly worried about his public image and assiduously courted the press. Abrams, on the other hand, usually looked rumpled, as though he might have slept in his uniform, and was indifferent about his appearance, acting as though he could care less about the press. The sharply differing results were startling; Abrams rarely receiving a bad press report, Westmoreland struggling to get a favorable one.”

Bruce Palmer Jr. (1913–2000) United States Army Chief of Staff

Source: The 25-Year War: America's Military Role in Vietnam (1984), p. 134

Men , War , World , Family

“There was a time when intellectual meant someone who uses reason and intellect. Today, people who call themselves intellectuals are in a form of mental death spiral: they search for, and find, those index cards that support their world view, and clutch little red books like rosaries in the face of all external evidence. They are ruled by appeals to authority. Their self-image and sense of emotional well-being trumps any and all objective evidence to the contrary.”

Bill Whittle (1959) author, director, screenwriter, editor

RAFTS https://web.archive.org/web/20060621091445/http://www.ejectejecteject.com/archives/000132.html (18 June 2006)
2000s

Death , People , Books , World

“The other major impression to emerge from Magick Without Tears is that -- as odd as it sounds -- one of Crowley's chief drawbacks was his sense of humour. This is a disability he shares with Bernard Shaw: both were driven by a strange compulsion to be flippant. But when he becomes absorbed in an idea, Shaw can remain serious for a sufficiently long time to convince the reader of his intellectual stature. In Crowley, the flippancy has the tone of a schoolmaster trying to be funny for the benefit of the sixth form, or a muscular Christian trying to convince you that he isn't really religious. 'How can a yogi ever feel worried?... That question I have been expecting for a very long time!' (Crowley has never learned that exclamation marks give the impression of a gushing schoolgirl.) 'And what you expect is to see my middle stump break the wicket-keeper's nose, with the balls smartly fielded by Third Man and Short Leg!' It makes us aware that there was something wrong with Crowley's 'self-image.”

Colin Wilson (1931–2013) author

He is one of those people who, no matter how hard they try, never feel quite grown up.
Source: Aleister Crowley: The Nature of the Beast (1987), p. 150

People , Feeling , Idea , Question

“North Koreans now understand that South Korea is very rich. It is true, but there is a great difference between vaguely understanding something and having such graphic images of neighbors' prosperity flooding your daily life. As is usually the case, such pictures are liable to be exaggerated at first. An outsider in a rich country usually cannot immediately see the contradictions, problems and tensions that exist behind the sparking, glistening, glitzy facade. For the North Koreans, this picture of the South Korean prosperity would likely be seen as vivid proof of the complete failure of their leadership. The North Korean elite cannot even use the usual trick of putting the blame at the doors of their predecessors: This elite is hereditary, so the buck cannot be easily passed.”

Andrei Lankov (1963) Russian academic

The Folly of an Inter-Korean Confederation (October 2015)

Life , Failure , Understanding , Problem

“What I really want to do, it seems, is to paint a single form in the middle of a canvas... That's all a painter is, an image maker, is he not? And one would be a fool, some kind of fool, to want to paint a picture. The most powerful instinct is to paint a single form in its continuity, which is after all what a face is. This happens constantly on a picture. I remember last year I became so nervous about what I was doing that I finally reduce it down to the can on the palette with brushes in it. Well, that's real, tat can with brushes. And I painted the an with brushes sticking in it, and I couldn't tolerate it. I couldn't face it. It was as if it didn't contain enough of my thoughts or feelings about it.... I became signs. Exactly.... It seemed to become signs and symbols and I don't like signs.”

Phillip Guston (1913–1980) American artist

Source: 1950 - 1960, Interview with David Sylvester, BBC (March 1960), pp. 95

Fools , Feeling , Painting

“Just as the referential system of religion in the politics of indigenous peoples raises hackles with the sophisticated outside observer, so too does the self-referential language of motherhood and identification with the earth often used by women in these movements. In the postmodern, deconstructive mode now fashionable in anthropology, the very category of women is decried as essentialist.... We must go beyond deconstruction of the rhetoric to discover the incentives generating a common collective image among indigenous movements.”

June Nash (1927–2019) American anthropologist

Source: Foreword to Christine Eber,Christine Kovi (eds.), Women of Chiapas: Making History in Times of Struggle and Hope. (2003) p. xiv

Women , People , Religion , Fashion

“Well, a lot of times we are looking for a sign that tells us we're godly. We want to preach, or be a missionary or whatever, all to help ourselves believe that God is using us. We look everywhere but to God to make us feel godly. We try to convince others we are godly so that we can convince ourselves we are godly. The bottom line is that godliness is about relationship, not about image”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

God , Feeling , Time , Help

“The role of the artist, of course, has always been that of image-maker. Different times require different images.”

Adolph Gottlieb (1903–1974) American artist

1950s, Conversations With Artists, 1957

Time

“We would go out and ambush cops, but if we got caught we would blame it on them and claim innocence. I did that personally in the case I was involved in.… We went after the cops that night, but when we got caught we said they came after us. We always did that. When you talk about the legacy of the '60s, that's one legacy. That's what I try to address, because it helped to distort the image of the police, but I've come to the point where I realize that our police department is necessary.”

Eldridge Cleaver (1935–1998) American activist

Interview by Reason magazine (1986), referring to the death of Bobby Hutton
1980s

Help , Personality , Night

“[T]his film offers a nightmare image: the "Black Rebels," an outlaw motorcycle gang — a leather-jacketed pack who resemble storm troopers — terrorize a town. Their emblem is a death's head and crossed pistons and rods, and Marlon Brando, in his magnetic, soft-eyed youth, is their moody leader. The picture seemed to be frightened of its subject — the young nihilists who say "no" to American blandness and conformity — and reduced it as quickly as possible to the trivial meaninglessness of misunderstood boy meets understanding girl (Mary Murphy), but the audience savored the possibilities, and this clumsy, naive film was banned and argued about in so many countries that it developed a near-legendary status.”

Pauline Kael (1919–2001) American film critic

"The Wild One," p. 838.
5001 Nights at the Movies (1982)

Death , Youth , Girl , Boy

“For a man complaining about the agony of celebrity, he wasn't doing anything to stop perpetuating his image as America's premier outlaw journalist.”

William McKeen (1954) American academic

Source: Outlaw Journalist (2008), Chapter 13, Celebrity, p. 224

“My atheism, like that of Spinoza, is true piety toward the universe and denies only gods fashioned by men in their own image, to be servants of their human interests.”

Baruch Spinoza (1632–1677) Dutch philosopher

George Santayana, in "On My Friendly Critics", in Soliloquies in England (1922)

Men , God , Fashion , Universe

“January-February 1680: ‘The grand temple in front of the Maharana’s mansion (at Udaipur) – one of the wonderful buildings of the age, which had cost the infidels much money – was destroyed and its images broken.’ ‘On 24 January the Emperor went to view the lake Udaisagar and ordered all the three temples on its banks to be pulled down.’ ‘On 29 January Hasan Ali Khan reported that 172 other temples in the environs of Udaipur had been demolished.’ ‘On 22 February the Emperor went to look at Chitor, and by his order the 63 temples of the place were destroyed.’
10 August 1680: ‘Abu Turab returned to Court and reported that he had pulled down 66 temples in Amber’. 2 August 1680: ‘Temple of Someshwar in western Mewar ordered to be destroyed.’
September 1687: ‘On the capture of Golkonda, the Emperor appointed Abdur Rahim Khan as Censor of the city of Haidarabad with orders to put down infidel practices and (heretical) innovations and destroy the temples and build mosques on their sites.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Akhbarat. Jadunath Sarkar, History of Aurangzib, Volume III, Orient Longman, New Delhi, 1972 reprint, pp. 185–89., quoted from Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.
Quotes from late medieval histories, 1680s

Money , Age

“Like computer viruses, successful mind viruses will tend to be hard for their victims to detect. If you are the victim of one, the chances are that you won't know it, and may even vigorously deny it. Accepting that a virus might be difficult to detect in your own mind, what tell-tale signs might you look out for? I shall answer by imaging how a medical textbook might describe the typical symptoms of a sufferer”

Richard Dawkins book Viruses of the Mind

arbitrarily assumed to be male
Viruses of the Mind (1993)

Suffering , Chance , Success

“Materialism is the recognition of "objects in themselves", or outside the mind; ideas and sensations are copies of images of those objects.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Materialism and Empirio-Criticism (1908)

Idea

“When you visualized a man or woman carefully, you could always begin to feel pity— that was a quality God's image carried with it.”

Graham Greene book The Power and the Glory

The Power and the Glory (1940)

God , Feeling

“The recognition of certain basic impossibilities has laid the foundations of some major principles of physics and chemistry; similarly, recognition of the impossibility of understanding living things in terms of physics and chemistry, far from setting limits to our understanding of life, will guide it in the right direction. And even if the demonstration of this impossibility should prove of no great advantage in the pursuit of discovery, such a demonstration would help to draw a truer image of life and man than that given us by the present basic concepts of biology.”

Michael Polanyi (1891–1976) Hungarian-British polymath

Life's irreducible structure (1968)

Life , Understanding , Help , Drawing

“For me Ruisdael is the true man of poetry, the real poet. There is a world of sad, serious and beautiful thoughts in his paintings. They possess a soul and a voice that sounds deep, sad and dignified. They tell melancholic stories, speak of gloomy things and are witnesses of a sad spirit. I see him wander, turned in on himself, his heart opened to the beauties of nature, in accordance with his mood, on the banks of that dark gray stream that rustles and splashes along the reeds. And those skies!... In the skies one is completely free, untied, all of himself.... what a genius he is! He is my ideal and almost something perfect. When it storms and rains, and heavy, black clouds fly back and forth, the trees whiz and now and then a strange light breaks through the air, and falls down here and there on the landscape, and there is a heavy voice, a grand mood in nature; that is what he paints; that is what he [Ruysdael] is imaging.”

Gerard Bilders (1838–1865) painter from the Netherlands

(version in original Dutch / citaat van Bilders' brief, in het Nederlands:) Ruisdael is voor mij de ware man der poezië, de echte dichter. Daar is een wereld van droevige, ernstige schone gedachten in zijn schilderijen. Ze hebben een ziel en een stem, die diep, treurig, deftig klinkt. Zij doen weemoedige verhalen, spreken van sombere dingen, getuigen van een treurige geest. Ik zie hem dwalen, in zichzelf gekeerd, het hart geopend voor de schoonheden der natuur, in overeenstemming met zijn gemoed, aan de oevers van die donkere grauwe stroom die ritselt en plast langs het riet. En die luchten!.. .In de luchten is men geheel vrij, ongebonden, geheel zichzelf.. ..welke een genie is hij [Ruisdael]! Hij is mijn ideaal en bijna iets volmaakts.Als het stormt en regent, en zware, zwarte wolken heen en weer vliegen, de bomen suizen en nu en dan een wonderlijk licht door de lucht breekt en hier en daar op het landschap neervalt, en er een zware stem, een grootse stemming in de natuur is, dat schildert hij, dat geeft hij weer.
Source: 1860's, Vrolijk Versterven' (from Bilders' diary & letters), pp. 51+52, - quote from Bilders' diary, 24 March 1860, written in Amsterdam

World , Sadness , Beauty , Soul

“I have discovered in the Hebrew Bible teachings of righteousness, humaneness, and human dignity—at the source of my parents' teachings of mentschlichkeit—undreamt of in my prior philosophizing. In the idea that human beings are equally God-like, equally created in the image of the divine, I have seen the core principle of a humanistic and democratic politics, respectful of each and every human being, and a necessary correction to the uninstructed human penchant for worshiping brute nature or venerating mighty or clever men. In the Sabbath injunction to desist regularly from work and the flux of getting and spending, I have discovered an invitation to each human being, no matter how lowly, to step outside of time, in imitatio Dei, to contemplate the beauty of the world and to feel gratitude for its—and our—existence. In the injunction to honor your father and your mother, I have seen the foundation of a dignified family life, for each of us the nursery of our humanization and the first vehicle of cultural transmission. I have satisfied myself that there is no conflict between the Bible, rightly read, and modern science, and that the account of creation in the first chapter of Genesis offers "not words of information but words of appreciation," as Abraham Joshua Heschel put it: "not a description of how the world came into being but a song about the glory of the world's having come into being"—the recognition of which glory, I would add, is ample proof of the text's claim that we human beings stand highest among the creatures. And thanks to my Biblical studies, I have been moved to new attitudes of gratitude, awe, and attention. For just as the world as created is a world summoned into existence under command, so to be a human being in that world—to be a mentsch—is to live in search of our summons. It is to recognize that we are here not by choice or on account of merit, but as an undeserved gift from powers not at our disposal. It is to feel the need to justify that gift, to make something out of our indebtedness for the opportunity of existence. It is to stand in the world not only in awe of its and our existence but under an obligation to answer a call to a worthy life, a life that does honor to the special powers and possibilities—the divine-likeness—with which our otherwise animal existence has been, no thanks to us, endowed.”

Leon R. Kass (1939) American academic

Looking for an Honest Man (2009)

Life , Men , God , World

“(about people's image of him) "I think that has a lot to do with the expression that's on my face. People are born with certain faces, like my father was born with a face that people want to hit.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

laughs
http://www.followmearound.com/presscuttings.php?year=1995&cutting=19 source

People , Thinking

“To glorify man in his natural and unmodified self is no less surely, even if less obviously, idolatry than actually to bow down before a graven image.”

Irving Babbitt (1865–1933) American academic and literary criticism

Source: "English and the Discipline of Ideas" (1920), p. 67

Nature

“I do not know whether it was the will of God, or just an evolutionary accident, but as it happens I am Afrikaans. This is a circumstance with which I am normally perfectly content. The truth is that I actually do not think about it too much, just as I do not think about it too much that I have a liver. The current flutterings about Afrikaans, however, I find disturbing. It is not doing the image of Afrikaners, and hence also of Afrikaans, any good.A mere ten years after the end of apartheid (yes, there was such a thing, and it was evil) to beat one's chest in such a self-justificatory manner, is bad taste morally.…
We are … being called up by certain parties to mobilise for Afrikaans, to fight for the survival of Afrikaans, and for minority rights. The problem is, however, that I do not see myself currently as part of a minority. When, in the 1970s and 1980s, as an Afrikaner, I resisted apartheid – and not in the 1990s when it became fashionable – then I felt myself part of a minority. At present I mainly find myself with an enormous feeling of moral relief. I would now like to carry on with my life and make a constructive contribution at the level of content. I do not wish to have to write letters like this one.”

Paul Cilliers (1956–2011) South African philosopher

Paul Cilliers. A letter to The Burger, 10 October 2005; Cited in: Chris Brink (2006) No Lesser Place: The Taaldebat at Stellenbosch. p. 133

Life , God , Truth , Feeling

“[Concerning the love La Fontaine felt for animals] He follows their emotions, he represents their reasonings, he becomes tender, he becomes gay, he participates in their feelings. The factis, he lived in them. […] The animals contain all the materials of man-sensations, judgments, images.”

Hippolyte Taine (1828–1893) French critic and historian

La Fontaine et ses Fables (1853–1861), Hachette, 1911, p. 166 and 107; as quoted in Matthieu Ricard, A Plea for the Animals, trans. Sherab Chödzin Kohn, Shambhala Publications, 2016, p. 102.

Love , Feeling , Animals

“The onset of evolutionism brought with it the concept of branching phylogenies. The branching image, so clear and succinct, has come to underlie all our thinking about organisms and evolution.”

Stuart Kauffman (1939) American biophysicist

Source: The origins of order: Self-organization and selection in evolution (1993), p.5

Thinking

“Envisaging the whole range of foreign commerce… the image of it as a prize which governments can, and ought to win for their traders at the expense of the traders supported by other governments, has been a most fertile source of international misunderstanding.”

J.A. Hobson (1858–1940) English economist, social scientist and critic of imperialism

p, 125
The Morals of Economic Irrationalism (1920)

Support

“I believe that robotic thinking helps precision of psychological thought, and will continue to help it until psychophysiology is so far advanced that an image is nothing other than a neural event, and object constancy is obviously just something that happens in the brain. That time is still a long way off, and in the interval I choose to sit cozily with my robot, squeezing his hand and feeling a thrill -- a scientist's thrill -- when he squeezes mine back again.”

Edwin Boring (1886–1968) American psychologist

Edwin Boring (1946). Mind and mechanism; Cited in: Melford E. Spiro (1992) Anthropological Other Or Burmese Brother?: Studies in Cultural Analysis.. p. 68

Way , Feeling , Thinking , Time

“With the invention of printing, mass standardized culture had become possible.
With the inventions of photography and then cinema, the standardization of popular culture began to progress geometrically and its rate of change slowed down.
In addition, the complete documentation of daily life made possible by these technological advances presented the mass of humanity, for the first time in history, with a mirror in which to regard itself. Less and less had it been able to look away, as its own image became more detailed and perfect, especially with the burden of information that became available at the end of the twentieth century.
What this meant, in practical terms, was that retro was the only fashion.”

Kage Baker book The Life of the World to Come

Source: The Life of the World to Come (2004), Chapter 6, “Alec and His Friends” (p. 105)

Life , History , Fashion , Change

“It was a rather beggarly set of authorities that reinstated the charges against Christ's tenant two days later at that dreary place, Þingvellir by Öxará. Even the Danish proxy's booth was a shambles, as if the royal power no longer gave any thought to protecting its image of authoritarian splendor against Iceland's storms of wind and rain, which were so inseparable from its folk, crooked and frostbitten pieces of timberwood in the shape of humans. Iceland's weather was a mill that left nothing unpulverized but for the country's basalt peaks. It uprooted and demolished all human works, wiping away not only their color but also their form... The high court was convened in the dilapidated cottage that had once been called a courthouse. Its roof had been torn off, giving wind and rain free range throughout the hall. Mire that had run from the turf walls onto the rotten floorplanks hadn't been mucked out. Inward along the floorboards hobbled Jón Hreggviðsson from Rein, gray-haired, groaning, and puffing.”

Halldór Laxness (1902–1998) Icelandic author

Íslandsklukkan (Iceland's Bell) (1946), Part III: Fire in Copenhagen

Color , Christ , Weather , Country

“My image of a President before I came here, and before I had any hope of coming here, was that of a rubber-stamp President, to be frank. This is the image I got. But having come here, I find that the image is not quite correct. I thought, I will have lot of time, leisure for reading, writing, waking etc. But somehow I find I can't get it now. So, my image of a President is of a working President, not an executive President, but a working President, and working within the four corners of the Constitution. It gives very little direct power or influence to him to interfere in matters or affect the course of events, but there is a subtle influence of the office of the President on the executive and the arms of the government and on the public as a whole. It is a position which has to be used with the, what I should say, with a philosophy of indirect approach.”

K. R. Narayanan (1920–2005) 9th Vice President and the 10th President of India

Shri K. R. Narayanan President of India in Conversation with N. Ram on Doordarshan and All India Radio

Hope , Time , Reading

“Israel has extended its hand in peace from the moment it was established… In Israel our hope for peace never wanes. Our scientists, doctors, and innovators apply their genius to improve the world of tomorrow. Our artists, our writers, enrich the heritage of humanity. Now, I know that this is not exactly the image of Israel that is often portrayed…”

Benjamín Netanyahu (1949) Israeli prime minister

2010s, 2011
Source: Address to the U.N. General Assembly https://web.archive.org/web/20130615172321/http://www.mfa.gov.il/mfa/pressroom/2011/pages/remarks_pm_netanyahu_un_general%20_assembly_23-sep-2011.aspx (23 September 2011).

World , Peace , Hope

“In the beginning was the image.”

Asger Jorn (1914–1973) Danish artist

Title of one of his paintings (1965)
1959 - 1973, Various sources

“Nothing can be more shocking and horrid than one of our kitchens sprinkled with blood, and abounding with the cries of expiring victims, or with the limbs of dead animals scattered or hung up here and there. It gives one the image of a giant's den in a romance, bestrewed with scattered heads and mangled limbs.”

Alexander Pope (1688–1744) eighteenth century English poet

Spence's Anecdotes and The Guardian (21 May 1713); as quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), p. 132.

Animals , Dead

“Perhaps one day, when socialism is the State religion, there will be niches in the temples, with a little lamp in front, and inside, images of the Fathers of the Revolution: Proudhon complete with glasses, Bacunin looking like a bear under his Russian pelts, Karl Marx leaning on his staff – symbolic of the shepherd of souls.”

José Maria Eça de Queiroz book Cartas de Inglaterra

Talvez um dia, quando o socialismo for religião do Estado, se vejam em nichos de templo, com uma lamparina de frente, as imagens dos santos padres da revolução: Proudhon de óculos. Bakunine parecendo um urso sob as suas peles russas, Karl Marx apoiado ao cajado simbólico do pastor de almas tristes.
"Israelismo"; "Israelism" p. 50.
Cartas de Inglaterra (1879–82)

Religion , Soul

“The musician writes for the orchestra what his inner voice sings to him; the painter rarely relies without disadvantage solely upon the images which his inner eye presents to him; nature gives him his forms, study' governs his combinations of them”

Hermann Ebbinghaus (1850–1909) German psychologist

Source: Memory: A contribution to experimental psychology, 1885, p. 3

Nature , Study , Singing

“For an exercise, then, imagine for a while that the subjective world of your thoughts, feelings, inner images and fantasies represent the 'rockbed reality' from which individual physical events emerge. Look at the world for a change from the inside out, so to speak. Imagine that physical experience is somehow the materialization of your own subjective reality. Forget what you have learned about reactions and stimuli. Ignore for a time everything you have believed and see your thoughts as the real events. Try to view normal physical occurrences as the concrete physical reactions in space and time to your own feelings and beliefs. For indeed your subjective world causes your physical experience.”

Jane Roberts (1929–1984) American Writer

Session 830, Page 148
The Individual and the Nature of Mass Events, (1981)

World , Feeling , Exercises , Imagination

Quotes about image page 13

Quotes about image
page 13