“Music is natural law as related to the sense of hearing.”
The Path to the New Music
“Music is natural law as related to the sense of hearing.”
The Path to the New Music
"Sources of Intolerance"
1930s, Has Religion Made Useful Contributions to Civilization? (1930)
Mal sabendo ainda soletrar, já lia, sem perceber que estava lendo. Identificar na escrita do jornal uma palavra que eu conhecesse era como encontrar um marco na estrada a dizer-me que ia bem, que seguia na boa direcção. E foi assim, desta maneira algo invulgar, Diário após Diário, mês após mês, fazendo de conta que não ouvia as piadas dos adultos da casa, que se divertiam por estar eu a olhar para o jornal como se fosse um muro, que a minha hora de os deixar sem fala chegou, quando, um dia, de um fôlego, li em voz alta, sem titubear, nervoso mas triunfante, umas quantas linhas seguidas.
Source: Small Memories (2006), pp. 87–88
Discussing the murder of Georgann Hawkins to Detective Robert Keppel, days before his execution. Quoted in Keppel, Robert (2005) The Riverman, Ted Bundy and I Hunt for the Green River Killer. Simon and Schuster, pp. 29
Homilies on the Statues http://www.ccel.org/ccel/schaff/npnf109/Page_472.html, Homily XX
On his go-ahead home run in the 2005 National League Championship Series against the Houston Astros http://sports.ign.com/articles/709/709384p1.html
Interview at Susan G. Komen for the Cure (October 2011) http://www.kstreetkate.net/2011/10/jennifer-beals-honors-promise-talks.html
Every Time You Lie
Lyrics, Here We Go Again (2009)
The Evening Standard Staff (June 21, 2007) "Evening Standard: F1 made me deaf, says Walker", The Evening Standard.
Interviews
Sonnet http://books.google.com/books?id=SDgOAQAAMAAJ&q="Oh+Death+will+find+me+long+before+I+tire+Of+watching+you"&pg=PA47#v=onepage (1908-1910)
2008, A More Perfect Union (March 2008)
2014, Sixth State of the Union Address (January 2014)
Tractatus de indulgentiis per Doctorem Martinum ordinis s. Augustini Wittenbergae editus., or, A Treatise on Indulgences Published by Doctor Martin of the Order of St. Augustine in Wittenberg. To Archbishop Albrecht of Mainz (31 October 1517) Luther's "forgotten" treatise was found in the Mainz archives “among the papers making up the correspondence between Archbishop Albrecht and the Mainz University faculty in December 1517” and published by F. Herrmann in the Zeitschrift für Kirchengeschichte (ZKG) in 1907, vol. 28, pp. 370-373. Catholic Luther scholar Jared Wicks S. J. believes this early treatise to be of considerable historical significance: "This document is the short treatise sketching a tentative theology of indulgences which Luther sent to Archbishop Albrecht of Mainz and Magdeburg on that fateful October 31, 1517. The other two documents of Luther's intervention are well known. First, there was the respectful, though urgent letter to the Archbishop in which Luther related the misunderstandings being spread by Tetzel's preaching and in which he begged the Archbishop to issue new instructions which would bring Tetzel under control. Secondly, there was the list of Latin theses on the doctrine and practice of indulgences which Luther intended to use as the basis of a theological discussion of the many vexed questions in this area. The third document sent to Albrecht, Luther's treatise, has not received the attention it deserves from historians and theologians studying the beginning of the Reformation. This is most regrettable, since the treatise depicts in orderly and succinct fashion Luther's understanding of indulgences in 1517 and reveals his conception of their limited role in Christian living. The treatise gives us the theological standpoint on which Luther based his intervention, and it shows in miniature the rich Augustinian spirituality of penance and progress that he had forged in his early works. ...[T]he great tragedy of 1517 was that the barbed [95] theses spread over Germany in a matter of weeks, and this penetrating little treatise fell into dusty oblivion."
Martin Luther's Treatise on Indulgences, Theological Studies 28 (1967), pp. 481-482, 518. http://www.google.com/search?tbm=bks&hl=en&q=%22forgotten+document+in+luther%27s%22&btnG=#hl=en&q=%22forgotten%20document%20in%20luther%27s%22&um=1&bpcl=35466521&psj=1&ie=UTF-8&sa=N&tab=pw&psj=1&ei=Y-6JUJ-mL4eo8gShuYDIBQ&bav=on.2,or.r_gc.r_pw.r_qf.&fp=e5b835ba41618e18&biw=1232&bih=702 http://www.google.com/search?tbm=bks&hl=en&q=%22forgotten+document+in+luther%27s%22&btnG=#hl=en&q=%22forgotten+document+in+luther%27s%22&um=1&bpcl=35466521&psj=1&ie=UTF-8&tbo=u&tbm=bks&source=og&sa=N&tab=wp&psj=1&bav=on.2,or.r_gc.r_pw.r_qf.&fp=4fa257fccf8e3a83&biw=1232&bih=702
The Second Coming (1919)
Context: p>Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?</p
The Saviors of God (1923)
Context: With clarity and quiet, I look upon the world and say: All that I see, hear, taste, smell, and touch are the creations of my mind.
The sun comes up and the sun goes down in my skull. Out of one of my temples the sun rises, and into the other the sun sets.
The stars shine in my brain; ideas, men, animals browse in my temporal head; songs and weeping fill the twisted shells of my ears and storm the air for a moment.
Hor-watit signifies "the only Horus
Djeser-Djeseru inscriptions
Context: Hear ye, all persons! Ye people as many as ye are! I have done things according to the design of my heart. … I have restored that which was in ruins, I have raised up that which was unfinished since the Asiatics were in the midst of the Northland, and the barbarians were in the midst of them, overthrowing that which was made, while they ruled in ignorance of Re. He did not do according to the divine command until my majesty. When I was firm upon the throne of Re, I was ennobled until the two periods of years... I came as Hor-watit flaming against my enemies.
On My Philosopy (1941)
Context: Our questions and answers are in part determined by the historical tradition in which we find ourselves. We apprehend truth from our own source within the historical tradition.
The content of our truth depends upon our appropriating the historical foundation. Our own power of generation lies in the rebirth of what has been handed down to us. If we do not wish to slip back, nothing must be forgotten; but if philosophising is to be genuine our thoughts must arise from our own source. Hence all appropriation of tradition proceeds from the intentness of our own life. The more determinedly I exist, as myself, within the conditions of the time, the more clearly I shall hear the language of the past, the nearer I shall feel the glow of its life.
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death.
fabricated, on the one hand, by short-sighted religious people who confound a certain branch of science, theology, with religion; and, on the other, by equally short-sighted scientific people who forget that science takes for its province only that which is susceptible of clear intellectual comprehension; and that, outside the boundaries of that province, they must be content with imagination, with hope, and with ignorance.
"The interpreters of Genesis and the interpreters of Nature" (1885) http://aleph0.clarku.edu/huxley/CE4/GeNat.html
1880s
“And may the last voice you hear be mine!”
http://www.slideshare.net/hazman/frank-sinatra-2436159
“The voice of the intellect is a soft one, but it does not rest until it has gained a hearing.”
1920s, The Future of an Illusion (1927)
Context: The voice of the intellect is a soft one, but it does not rest until it has gained a hearing. Ultimately, after endlessly repeated rebuffs, it succeeds. This is one of the few points in which it may be optimistic about the future of mankind, but in itself it signifies not a little.
John Proctor
The Crucible (1953)
Context: A fire, a fire is burning! I hear the boot of Lucifer, I see his filthy face! And it is my face, and yours, Danforth! For them that quail to bring men out of ignorance, as I have quailed, and as you quail now when you know in all your black hearts that this be fraud — God damns our kind especially, and we will burn, we will burn together!
Khrushchev's reply when the Swedish prime minister Erlander assured him that Sweden had no intention of repeating the 1709 Battle of Poltava in eastern Ukraine between Russia and Sweden. From a Swedish-Soviet summit which began on March 30, 1956, in Moscow, as quoted in Raoul Wallenberg (1985) by Eric Sjöquist, p. 125 ISBN 9153650875
“I would that every one could hear the Voice as I hear it.”
Third public examination (24 February 1431) http://www.stjoan-center.com/Trials/sec03.html; part of this testimony has sometimes been paraphrased: If I am not in the state of grace, may God put me there; and if I am, may God so keep me.
Trial records (1431)
Context: The light comes at the same time as the Voice. … I will not tell you all; I have not leave; my oath does not touch on that. My Voice is good and to be honored. I am not bound to answer you about it. I request that the points on which I do not now answer may be given me in writing. … You shall not know yet. There is a saying among children, that 'Sometimes one is hanged for speaking the truth.'" [She is asked : Do you know if you are in the grace of God? ] If I am not, may God place me there; if I am, may God so keep me. I should be the saddest in all the world if I knew that I were not in the grace of God. But if I were in a state of sin, do you think the Voice would come to me? I would that every one could hear the Voice as I hear it.
“Scholars of the highest class, when they hear about the Tao, take it and practice it earnestly.”
Source: Tao Te Ching, Ch. 41
Context: Scholars of the highest class, when they hear about the Tao, take it and practice it earnestly.
Scholars of the middle class, when they hear of it, take it half earnestly.
Scholars of the lowest class, when they hear of it, laugh at it.
Without the laughter, there would be no Tao.
“It’s a record that I still can play to this day, and still hear new things.”
The Kate Bush Story (2014)
Context: My favourite album by her is The Dreaming, and I think she produced that one herself. That got a lot of criticism — but I loved it. It was overloaded with textures, and tones and all manner of things. It’s a record that I still can play to this day, and still hear new things.
Sagredo
Variant translation: I cannot without great wonder, nay more, disbelief, hear it being attributed to natural bodies as a great honor and perfection that they are impassable, immutable, inalterable, etc.: as conversely, I hear it esteemed a great imperfection to be alterable, generable, and mutable. It is my opinion that the earth is very noble and admirable by reason of the many and different alterations, mutations, and generations which incessantly occur in it. And if, without being subject to any alteration, it had been one great heap of sand, or a mass of jade, or if, since the time of the deluge, the waters freezing which covered it, it had continued an immense globe of crystal, wherein nothing had ever grown, altered, or changed, I should have esteemed it a wretched lump of no benefit to the Universe, a mass of idleness, and in a word superfluous, exactly as if it had never been in Nature. The difference for me would be the same as between a living and a dead creature. I say the same concerning the Moon, Jupiter, and all the other globes of the Universe.
The more I delve into the consideration of the vanity of popular discourses, the more empty and simple I find them. What greater folly can be imagined than to call gems, silver, and gold noble, and earth and dirt base? For do not these persons consider that if there were as great a scarcity of earth as there is of jewels and precious metals, there would be no king who would not gladly give a heap of diamonds and rubies and many ingots of gold to purchase only so much earth as would suffice to plant a jessamine in a little pot or to set a tangerine in it, that he might see it sprout, grow up, and bring forth such goodly leaves, fragrant flowers, and delicate fruit? It is scarcity and plenty that makes things esteemed and despised by the vulgar, who will say that there is a most beautiful diamond, for it resembles a clear water, and yet would not part from it for ten tons of water. 'These men who so extol incorruptibility, inalterability, and so on, speak thus, I believe, out of the great desire they have to live long and for fear of death, not considering that, if men had been immortal, they would not have come into the world. These people deserve to meet with a Medusa's head that would transform them into statues of diamond and jade, that so they might become more perfect than they are.
Part of this passage, in Italian, I detrattori della corruptibilitá meriterebber d'esser cangiati in statue., has also ben translated into English as "Detractors of corruptibility deserve being turned into statues."
Dialogo sopra i due massimi sistemi del mondo. (PDF) http://www.liberliber.it/biblioteca/g/galilei/le_opere_di_galileo_galilei_edizione_nazionale_sotto_gli_etc/pdf/le_ope_p.pdf, Le Opere di Galileo Galilei vol. VII, pg. 58.
Compare Maimonides "If man were never subject to change there could be no generation; there would be one single being..." Guide for the Perplexed (c. 1190)
Dialogue Concerning the Two Chief World Systems (1632)
Context: I cannot without great astonishment — I might say without great insult to my intelligence — hear it attributed as a prime perfection and nobility of the natural and integral bodies of the universe that they are invariant, immutable, inalterable, etc., while on the other hand it is called a great imperfection to be alterable, generable, mutable, etc. For my part I consider the earth very noble and admirable precisely because of the diverse alterations, changes, generations, etc. that occur in it incessantly. If, not being subject to any changes, it were a vast desert of sand or a mountain of jasper, or if at the time of the flood the waters which covered it had frozen, and it had remained an enormous globe of ice where nothing was ever born or ever altered or changed, I should deem it a useless lump in the universe, devoid of activity and, in a word, superfluous and essentially non-existent. This is exactly the difference between a living animal and a dead one; and I say the same of the moon, of Jupiter, and of all other world globes.
The deeper I go in considering the vanities of popular reasoning, the lighter and more foolish I find them. What greater stupidity can be imagined than that of calling jewels, silver, and gold "precious," and earth and soil "base"? People who do this ought to remember that if there were as great a scarcity of soil as of jewels or precious metals, there would not be a prince who would not spend a bushel of diamonds and rubies and a cartload of gold just to have enough earth to plant a jasmine in a little pot, or to sow an orange seed and watch it sprout, grow, and produce its handsome leaves, its fragrant flowers, and fine fruit. It is scarcity and plenty that make the vulgar take things to be precious or worthless; they call a diamond very beautiful because it is like pure water, and then would not exchange one for ten barrels of water. Those who so greatly exalt incorruptibility, inalterability, etc. are reduced to talking this way, I believe, by their great desire to go on living, and by the terror they have of death. They do not reflect that if men were immortal, they themselves would never have come into the world. Such men really deserve to encounter a Medusa's head which would transmute them into statues of jasper or of diamond, and thus make them more perfect than they are.
Originally delivered as a lecture (late 1927); Pure Poetry: Notes for a Lecture The Creative Vision (1960)
Context: For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error. He will not have to make this matter and means submit to any modification; he need only assemble elements which are clearly defined and ready-made. But in how different a situation is the poet! Before him is ordinary language, this aggregate of means which are not suited to his purpose, not made for him. There have not been physicians to determine the relationships of these means for him; there have not been constructors of scales; no diapason, no metronome, no certitude of this kind. He has nothing but the coarse instrument of the dictionary and the grammar. Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.
Oui interview (1979)
Context: Just because somebody hears something you say, or reads something that you write, doesn’t mean you’ve reached them. With reading comprehension being what it is in the U. S., you can safely toss that one out the window. If you want to judge by the listening habits of people who buy records, the first thing they do is put it on and talk over it.
Book X : The Pope.
The Ring and the Book (1868-69)
Context: What wonder if the novel claim had clashed
With old requirement, seemed to supersede
Too much the customary law? But, brave,
Thou at first prompting of what I call God,
And fools call Nature, didst hear, comprehend,
Accept the obligation laid on thee,
Mother elect, to save the unborn child,
As brute and bird do, reptile and the fly,
Ay and, I nothing doubt, even tree, shrub, plant
And flower o' the field, all in a common pact
To worthily defend the trust of trusts,
Life from the Ever Living: — didst resist —
Anticipate the office that is mine —
And with his own sword stay the upraised arm,
The endeavour of the wicked, and defend
Him who, — again in my default, — was there
For visible providence: one less true than thou
To touch, i' the past, less practised in the right,
Approved less far in all docility
To all instruction, — how had such an one
Made scruple "Is this motion a decree?"
Napoleon : In His Own Words (1916)
Context: It is not that addresses at the opening of a battle make the soldiers brave. The old veterans scarcely hear them, and recruits forget them at the first boom of the cannon. Their usefulness lies in their effect on the course of the campaign, in neutralizing rumors and false reports, in maintaining a good spirit in the camp, and in furnishing matter for camp-fire talk. The printed order of the day should fulfill these different ends.
The Green Mile (1996)
Context: I'm rightly tired of the pain I hear and feel, boss. I'm tired of bein on the road, lonely as a robin in the rain. Not never havin no buddy to go on with or tell me where we's comin from or goin' to or why. I'm tired of people bein ugly to each other. It feels like pieces of glass in my head. I'm tired of all the times I've wanted to help and couldn't. I'm tired of bein in the dark. Mostly it's the pain. There's too much. If I could end it, I would. But I cain't.
“I'd much rather hear you say, "I've come awake," than hear you say, "I'm sorry."”
"A Changed Person", p. 96
Awareness (1992)
Context: It's only when you become love — in other words, when you have dropped your illusions and attachments — that you will "know." As you identify less and less with the "me," you will be more at ease with everybody and with everything. Do you know why? Because you are no longer afraid of being hurt or not liked. You no longer desire to impress anyone. Can you imagine the relief when you don't have to impress anybody anymore? Oh, what a relief. Happiness at last! You no longer feel the need or the compulsion to explain things anymore. It's all right. What is there to be explained? And you don't feel the need or compulsion to apologize anymore. I'd much rather hear you say, "I've come awake," than hear you say, "I'm sorry." I'd much rather hear you say to me, "I've come awake since we last met; what I did to you won't happen again," than to hear you say, "I'm so sorry for what I did to you."
“Just always be waiting for me, and then some night you will hear me crowing.”
Source: Peter and Wendy (1911), Ch. 17
Context: The last thing he ever said to me was, "Just always be waiting for me, and then some night you will hear me crowing."
Black Elk Speaks (1961)
Context: To the center of the world you have taken me and showed the goodness and the beauty and the strangeness of the greening earth, the only mother — and there the spirit shapes of things, as they should be, you have shown to me and I have seen. At the center of this sacred hoop, you have said that I should make the tree to bloom.
With tears running, O Great Spirit, Great Spirit, my Grandfather — with running tears I must say now that the tree has never bloomed. A pitiful old man, you see me here, and I have fallen away and have done nothing. Here at the center of the world, where you took me when I was young and taught me; here, old, I stand, and the tree is withered, Grandfather, my Grandfather!
Again, and maybe the last time on this earth, I recall the great vision you sent me. It may be that some little root of the sacred tree still lives. Nourish it then, that it may leaf and bloom and fill with singing birds. Hear me, not for myself, but for my people; I am old. Hear me that they may once more go back into the sacred hoop and find the good red road, the shielding tree!
“Oh, I am heartily tired of hearing about what Lee is going to do.”
As quoted in "Campaigning with Grant" http://books.google.com/books?id=Y7TPAAAAMAAJ&q="Oh+I+am+heartily+tired+of+hearing+about+what+Lee+is+going+to+do+Some+of+you+always+seem+to+think+he+is+suddenly+going+to+turn+a+double+somersault+and+land+in+our+rear+and+on+both+of+our+flanks+at+the+same+time+Go+back+to+your+command+and+try+to+think+what+we+are+going+to+do+ourselves+instead+of+what+Lee+is+going+to+do"&pg=PA230#v=onepage (December 1896), by General Horace Porter, The Century Magazine.
1860s
Context: Oh, I am heartily tired of hearing about what Lee is going to do. Some of you always seem to think he is suddenly going to turn a double somersault, and land in our rear and on both of our flanks at the same time. Go back to your command, and try to think what we are going to do ourselves, instead of what Lee is going to do.
Speech https://api.parliament.uk/historic-hansard/commons/1855/feb/23/supply-ministerial-explanations to the House of Commons (23 February 1855) opposing the Crimean War.
1850s
Context: The angel of death has been abroad throughout the land; you may almost hear the beating of his wings. There is no one, as when the first-born were slain of old, to sprinkle with blood the lintel and the two sideposts of our doors, that he may spare and pass on; he takes his victims from the castle of the noble, the mansion of the wealthy, and the cottage of the poor and the lowly, and it is on behalf of all these classes that I make this solemn appeal.
The Inferno (1917), Ch. XVII
Context: I shall not be able to listen any more, or look into the room, or hear anything distinctly. And I, who have not cried since my childhood, I cry now like a child because of all that I shall never have. I cry over lost beauty and grandeur. I love everything that I should have embraced.
Here they will pass again, day after day, year after year, all the prisoners of rooms will pass with their kind of eternity. In the twilight when everything fades, they will sit down near the light, in the room full of haloes. They will drag themselves to the window's void. Their mouths will join and they will grow tender. They will exchange a first or a last useless glance. They will open their arms, they will caress each other. They will love life and be afraid to disappear. Here below they will seek a perfect union of hearts. Up above they will seek everlastingness among the shades and a God in the clouds.
Entering the Castle : An Inner Path to God and Your Soul (2007), p. 57
Context: The Soul is a fact, but it is not physical. … Survivors of near-death experiences attest that some part of them apparently detaches from their physical bodies following the death of the body, but while that is proof of the soul for them, it does not prove it to us. The Soul is like divine music that only God can hear; it is the force of endless resurrection; the soul is like a fire that never goes out.
My Day (1935–1962)
Context: What is going on in the Un-American Activities Committee worries me primarily because little people have become frightened and we find ourselves living in the atmosphere of a police state, where people close doors before they state what they think or look over their shoulders apprehensively before they express an opinion.
I have been one of those who have carried the fight for complete freedom of information in the United Nations. And while accepting the fact that some of our press, our radio commentators, our prominent citizens and our movies may at times be blamed legitimately for things they have said and done, still I feel that the fundamental right of freedom of thought and expression is essential. If you curtail what the other fellow says and does, you curtail what you yourself may say and do.
In our country we must trust the people to hear and see both the good and the bad and to choose the good. The Un-American Activities Committee seems to me to be better for a police state than for the USA. (29 October 1947)
Quoted in Alexandria Ocasio-Cortez met Greta Thunberg: 'Hope is contagious', The Guardian, Emma Brockes https://www.theguardian.com/environment/2019/jun/29/alexandria-ocasio-cortez-met-greta-thunberg-hope-contagious-climate|When (29 June 2019)
2019
“You believe whatever you hear? Then hear from me!”
MISCONCEPTIONS ABOUT ISLAM https://www.youtube.com/watch?v=ptFAozgMj60
Letter to the Louis D. Oaks, Los Angeles Chief of Police (17 May 1923)
Cagliostro: the Splendour And Misery of a Master of Magic by W.R.H. Trowbridge, (William Rutherford Hayes), (August 1910) https://onlinebooks.library.upenn.edu/webbin/book/lookupname?key=Trowbridge%2c%20W%2e%20R%2e%20H%2e%20%28William%20Rutherford%20Hayes%29%2c%201866%2d1938
The Immortal Profession: The Joys of Teaching and Learning (1976)
Dr. Díaz, Vice-Rector. Salamanca University. Salamanca, Spain. June 2003
About, 2000s
“We are not going to continue until we hear the fucking roof rattle.”
Black Sabbath Reunion Disc 2 Iron Man intro (track 5).
Cosmopolitan (April 2010). https://www.snopes.com/fact-check/lady-gaga-ex-boyfriend-quote/
Quoted in 'You don't want to go to war with a president' https://www.politico.com/news/2020/03/03/anthony-fauci-trump-coronavirus-crisis-118961, 3 March 2020, Politico
The Interview https://www.morrisseycentral.com/messagesfrommorrissey/234417-the-interview, June 24 2019, morrisseycentral.com
About the Notre Dame fire
(Oh Shivaji! This land of the Aryans
has been repeatedly attacked by the Mlechchhas non-Indians).
English translation. From a poem by V. D. Savarkar, quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)
Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 1
Original: (de) "... in Flucht geschlagen,
wähnt er zu jagen;
hört nicht sein eigen Schmerzgekreisch,
wenn er sich wühlt ins eig'ne Fleisch,
wähnt Lust sich zu erzeigen!"
2009
“The smart leader never asks the question he doesn't want to hear the answer!”
Turkish Wikipedia
https://quotestats.com/topic/attila-hun-quotes/
Everything is mine, for all that is God’s seem to be wholly mine. I am mute and lost in God...God so transforms the soul in Him that it knows nothing other than God, and He continues to draw it up into His fiery love until He restores it to that pure state from which it first issued
Source: Life and Doctrine, p. 50
“If I knew I was going to die today, I think I should still want to hear the cricket scores.”
Source: Quoted in The Joy of Cricket (ed. John Bright-Holmes, 1984)
“O learn to read what silent love hath writ: To hear with eyes belongs to love´s fine wit.”
Source: Sonnet XXIII
Context: As an unperfect actor on the stage,
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart;
So I, for fear of trust, forget to say
The perfect ceremony of love’s right,
And in mine own love’s strength seem to decay,
O’ercharged with burthen of mine own love’s might.
O, let my books be then the eloquence
And dumb presagers of my speaking breast;
Who plead for love, and look for recompense,
More than that tongue that more hath more express’d.
O, learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.
Source: The Heart of the Buddha's Teaching: Transforming Suffering into Peace, Joy, and Liberation
“He who walks out of step hears another drum.”
Variant: He who marches out of line hears another drum.
Source: One Flew Over the Cuckoo's Nest (1962), Ch. 1
Source: Magic Shifts
Source: Upstream: Selected Essays
“when the phone rings
I too would like to hear words
that might ease
some of this.”
Source: Love Is a Dog from Hell
“You are a light that will always guide me, a whisper I'll always strain to hear.”
Source: Maverick
“You must let suffering speak, if you want to hear the truth”