Quotes about harmony
page 8

Edward Bernays photo
Mark Rothko photo
James Clerk Maxwell photo
Zakir Hussain (politician) photo
Arthur Wesley Dow photo

“Painting, which is essentially a rhythmic harmony of coloured spaces.”

Arthur Wesley Dow (1857–1922) painter from the United States

Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers, Boston (1899)

Florbela Espanca photo

“Your hands tremble as they caress and woo me…
My amber body, harmonious and young,
Is like a jasmin vine deliciously high-strung
Drunk with sunlight, with pleasure and perfume!”

Florbela Espanca (1894–1930) Portuguese poet

As tuas mãos tacteiam-me a tremer...
Meu corpo de âmbar, harmonioso e moço
É como um jasmineiro em alvoroço
Ébrio de sol, de aroma, de prazer!
Quoted in Florbela Espanca (1984), p. 13
Translated by John D. Godinho
The Flowering Heath (1931), "Toledo"

John Cage photo
Laisenia Qarase photo

“Religious harmony is a desirable thing. But it takes two to play the game. Unfortunately such a sentiment holds a low position in Islamic theology.”

Ram Swarup (1920–1998) Indian historian

Quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 7

Donald J. Trump photo
Wahbi Al-Hariri photo

“When a man's work is full of life and in harmony with his environment, it becomes a work worth studying.”

Wahbi Al-Hariri (1914–1994) Artist, architect, author

Wahbi al-Hariri-Rifai (1984), Traditional Architecture of Saudi Arabia-Drawings by Wahbi Al-Hariri-Rifai http://books.google.nl/books?id=iAr71OT2S10C&redir_esc=y - Smithsonian Exhibit Booklet - 1984, Washington, D.C.: GDG Exhibits Trust, GGKEY:XRBJ2X83K1K, retrieved on 24 June 2013. Quoted from the back cover of the book.

Camille Pissarro photo

“.. I saw Gauguin; he told me his theories about art and assured me that the young [artists] would find salvation by replenishing themselves at remote and savage sources. I told him that this art did not belong to him, that he was a civilized man and hence it was his function to show us harmonious things. We parted, each unconvinced. Gauguin is certainly not without talent, but how difficult it is for him to find his own way! He is always poaching on someone's ground; now he is pillaging the savages of Oceania.”

Camille Pissarro (1830–1903) French painter

Quote about Paul Gauguin 23 Nov. 1893, in Racontars d'un Rapin, Paul Gauguin; as quoted by John Rewald, in 'Introduction' of Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 221
1890's

Shamini Flint photo
Max Pechstein photo
Benjamin Spock photo

“I would say that the surest measure of a man's or a woman's maturity is the harmony, style, joy, and dignity he creates in his marriage, and the pleasure and inspiration he provides for his spouse.”

Benjamin Spock (1903–1998) American pediatrician and author of Baby and Child Care

Quoted in Older & Wiser Edited by G. B. Dianda and B. J. Hofmayer (1995)

Frederick Douglass photo
Kenneth N. Waltz photo
Alexander Pope photo
Sir William Hamilton, 9th Baronet photo

“Let me remind you that science is not necessarily wisdom. To know, is not the sole nor even the highest office of the intellect; and it loses all its glory unless it act in furtherance of the great end of man's life. That end is, as both reason and revelation unite in telling us, to acquire the feelings and habits that will lead us to love and seek what is good in all its forms, and guide us by following its traces to the first Great Cause of all, where only we find it pure and unclouded.
If science be cultivated in congruity with this, it is the most precious possession we can have— the most divine endowment. But if it be perverted to minister to any wicked or ignoble purpose — if it even be permitted to take too absolute a hold of the mind, or overshadow that which should be paramount over all, the perception of right, the sense of Duty — if it does not increase in us the consciousness of an Almighty and All-beneficent presence, — it lowers instead of raising us in the great scale of existence.
This, however, it can never do but by our fault. All its tendencies are heavenward; every new fact which it reveals is a ray from the origin of light, which leads us to its source. If any think otherwise, their knowledge is imperfect, or their understanding warped, or darkened by their passions. The book of nature is, like that of revelation, written by God, and therefore cannot contradict it; both we are unable to read through all their extent, and therefore should neither wonder nor be alarmed if at times we miss the pages which reconcile any seeming inconsistence. In both, too, we may fail to interpret rightly that which is recorded; but be assured, if we search them in quest of truth alone, each will bear witness to the other, — and physical knowledge, instead of being hostile to religion, will be found its most powerful ally, its most useful servant. Many, I know, think otherwise; and because attempts have occasionally been made to draw from astronomy, from geology, from the modes of the growth and formation of animals and plants, arguments against the divine origin of the sacred Scripture, or even to substitute for the creative will of an intelligent first cause the blind and casual evolution of some agency of a material system, they would reject their study as fraught with danger. In this I must express my deep conviction that they do injury to that very cause which they think they are serving.
Time will not let me touch further on the cavils and errors in question; and besides they have been often fully answered. I will only say, that I am here surrounded by many, matchless in the sciences which are supposed so dangerous, and not less conspicuous for truth and piety. If they find no discord between faith and knowledge, why should you or any suppose it to exist? On the contrary, they cannot be well separated. We must know that God is, before we can confess Him; we must know that He is wise and powerful before we can trust in Him, — that He is good before we can love Him. All these attributes, the study of His works had made known before He gave that more perfect knowledge of himself with which we are blessed. Among the Semitic tribes his names betoken exalted nature and resistless power; among the Hellenic races they denote his wisdom; but that which we inherit from our northern ancestors denotes his goodness. All these the more perfect researches of modern science bring out in ever-increasing splendour, and I cannot conceive anything that more effectually brings home to the mind the absolute omnipresence of the Deity than high physical knowledge. I fear I have too long trespassed on your patience, yet let me point out to you a few examples.
What can fill us with an overwhelming sense of His infinite wisdom like the telescope? As you sound with it the fathomless abyss of stars, till all measure of distances seems to fail and imagination alone gauges the distance; yet even there as here is the same divine harmony of forces, the same perfect conservation of systems, which the being able to trace in the pages of Newton or Laplace makes us feel as if we were more than men. If it is such a triumph of intellect to trace this law of the universe, how transcendent must that Greatest over all be, in which it and many like it, have their existence! That instrument tells us that the globe which we inhabit is but a speck, the existence of which cannot be perceived beyond our system. Can we then hope that in this immensity of worlds we shall not be overlooked? The microscope will answer. If the telescope lead to one verge of infinity, it brings us to the other; and shows us that down in the very twilight of visibility the living points which it discloses are fashioned with the most finished perfection, — that the most marvellous contrivances minister to their preservation and their enjoyment, — that as nothing is too vast for the Creator's control, so nothing is too minute or trifling for His care. At every turn the philosopher meets facts which show that man's Creator is also his Father, — things which seem to contain a special provision for his use and his happiness : but I will take only two, from their special relation to this very district. Is it possible to consider the properties which distinguish iron from other metals without a conviction that those qualities were given to it that it might be useful to man, whatever other purposes might be answered by them. That it should. be ductile and plastic while influenced by heat, capable of being welded, and yet by a slight chemical change capable of adamantine hardness, — and that the metal which alone possesses properties so precious should be the most abundant of all, — must seem, as it is, a miracle of bounty. And not less marvellous is the prescient kindness which stored up in your coalfields the exuberant vegetation of the ancient world, under circumstances which preserved this precious magazine of wealth and power, not merely till He had placed on earth beings who would use it, but even to a late period of their existence, lest the element that was to develope to the utmost their civilization and energy migbt be wasted or abused.
But I must conclude with this summary of all which I would wish to impress on your minds—* that the more we know His works the nearer we are to Him. Such knowledge pleases Him; it is bright and holy, it is our purest happiness here, and will assuredly follow us into another life if rightly sought in this. May He guide us in its pursuit; and in particular, may this meeting which I have attempted to open in His name, be successful and prosperous, so that in future years they who follow me in this high office may refer to it as one to be remembered with unmixed satisfaction.”

Robinson in his 1849 adress, as quoted in the Report of the Nineteenth Meeting of the British Association for the Advancement of Science https://archive.org/stream/report36sciegoog#page/n50/mode/2up, London, 1850.

Baruch Spinoza photo
Douglas Adams photo
Fritjof Capra photo
Theo van Doesburg photo
Lewis Morris (poet) photo

“Rest springs from strife and dissonant chords beget
Divinest harmonies.”

Lewis Morris (poet) (1833–1907) Welsh poet in the English language

Love's Suicide, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

John Muir photo
Alexander McCall Smith photo
Joseph H. Hertz photo

“Everything in the Universe was as the Creator willed it — nothing superfluous, nothing lacking — a harmony.”

Joseph H. Hertz (1872–1946) British rabbi

Genesis I, 31 (p. 5)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8

Pope Benedict XVI photo
Paul Gauguin photo

“[In] painting…all sensations are condensed, everyone…with a single glance [has] his soul invaded by the most profound recollections…everything is summed up in one instant. Like music, it acts on the soul through the intermediary of the senses: harmonious colors correspond to the harmonies of sound.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote from Gauguin's unfinished essay 'Notes Synthetiques', published in the July / September 1910 issue of ' Vers et Prose' XXII, pp. 51-55, as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 23
Gauguin's essay 'Notes Synthetiques' was written in Pont -Aven in 1888 and left incomplete. His essay was first published in 'Vers et Prose' XXII
1890s - 1910s

Ellen G. White photo
Stevie Nicks photo
Kapil Sibal photo

“Producers nowadays want item numbers. So I have penned one for this film. Cinema is the most effective way of creating awareness and spreading social message. Through this film I would like to convey the message of happiness, humanity and harmony.”

Kapil Sibal (1948) Indian lawyer and politician

On composing the lyrics for a song for a film, as quoted in Kapil Sibal pens item number for Bollywood film http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Kapil-Sibal-pens-item-number-for-Bollywood-film/articleshow/47221241.cms, The Times of India (10 May 2015)

Paul Cézanne photo

“And art puts us, I believe, in a state of grace in which we experience a universal emotion in an, as it were, religious but in the same time perfectly natural way. General harmony, such as we find in colour, is located all around us.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 151, in: 'What he told me – I. The motif'

Albert Einstein photo
Lewis H. Morgan photo

“Since the advent of civilization, the outgrowth of property has been so immense, its forms so diversified, its uses so expanding and its management so intelligent in the interests of its owners, that it has become, on the part of the people, an unmanageable power. The human mind stands bewildered in the presence of its own creation. The time will come, nevertheless, when human intelligence will rise to the mastery over property, and define the relations of the state to the property it protects, as well as the obligations and the limits of the rights of its owners. The interests of society are paramount to individual interests, and the two must be brought into just and harmonious relations. A mere property career is not the final destiny of mankind, if progress is to be the law of the future as it has been of the past. The time which has passed away since civilization began is but a fragment of the past duration of man’s existence; and but a fragment of the ages yet to come. The dissolution of society bids fair to become the termination of a career of which property is the end and aim; because such a career contains the elements of self-destruction. Democracy in government, brotherhood in society, equality in rights and privileges, and universal education, foreshadow the next higher plane of society to which experience, intelligence and knowledge are steadily tending. It will be a revival, in a higher form, of the liberty, equality and fraternity of the ancient gentes.”

Lewis H. Morgan (1818–1881) United States ethnologist

As quoted in Friedrich Engels's Origins of the Family, Private Property, and the State http://www.marxists.org/archive/marx/works/1884/origin-family/ch09.htm

Vitruvius photo
Robert T. Bakker photo
Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Alexander Bogdanov photo
John Kenneth Galbraith photo
Jane Roberts photo

“To create a harmonious inner existence is a positive act with far-reaching effects, and not an act of isolation. To desire peace strongly is to help achieve it.”

Jane Roberts (1929–1984) American Writer

Session 337, Page 16
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 8

Emily Dickinson photo
Jordan Peterson photo

“The moral relativists ask: what do you mean by should? Here's how you should act: Act in a way so that things are good for you like they would be for someone you're taking care of. But they have to be good for you in a way that's also good for your family, and they have to be good for you and your family also in a way that's good for society (and maybe even good for the broader environment if you can manage that), so it's balanced at all those levels. And it has to be good for you, your family, and society right now, AND next week, AND next month, AND a year from now, AND ten years from now. It's this harmonious balancing of multiple layers of Being simultaneously, and that's a Darwinian reality, I would say. Your brain is actually attuned to tell you when you are doing that. And the way it tells you is that it reveals that what you're doing is meaningful. That's the sign. Your nervous system is adapted to do this. It's adapted to exist on the edge between order and chaos. Chaos is where things are so complex that you can't handle it, and order is where things are so rigid that it's too restrictive. In between that, there's a place. It's a place that's meaningful. It's where you're partly stabilized, and partly curious. You're operating in a manner that increases your scope of knowledge, so you're inquiring and growing, and at the same time you're stabilizing and renewing you, your family, society, nature; now, next week, next month, and next year. When you have an intimation of meaning, then you know you're there.""Lies and deception destroy people's lives. When they start telling the truth and acting it out, things get a lot better.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

“Voyaging into the night, one knows exactly where, on a known vessel, an absolute harmony with the elements of the unreal. [1959, reacting on a remark of Robert Motherwell ]”

Ad Reinhardt (1913–1967) American painter

1956 - 1967
Source: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 152

William Hazlitt photo

“Horus non numero nisi serenas—"I count only the hours that are serene"—is the motto of a sundial near Venice. There is a softness and a harmony in the words and in the thought unparalleled.”

William Hazlitt (1778–1830) English writer

" On a Sun-Dial http://www.blupete.com/Literature/Essays/Hazlitt/Sundial.htm" (New Monthly Magazine, October 1827)
Men and Manners: Sketches and Essays (1852)

Harriet Beecher Stowe photo
James Beattie photo
Glenn Gould photo
Camille Paglia photo
James Grant Wilson photo

“Poetry, the noble brotherhood who speak in tones of harmony, grandeur & pathos.”

James Grant Wilson (1832–1914) Union Army general

Preface to Poets & Poetry of Scotland Vol 1 , Blackie & Son , Edinburgh 1876

Malcolm Muggeridge photo
Howard Bloom photo
Jerry Coyne photo

“…the harmony of the universe is preserved…”

Paul DiLascia (1959–2008) American software developer

1995/10
Misc

Johannes Kepler photo

“The wisdom of the Lord is infinite as are also His glory and His power. Ye heavens, sing His praises., sun, moon, and planets, glorify Him in your ineffable language! Praise Him, celestial harmonies, and all ye who can comprehend them! And thou, my soul, praise thy Creator! It is by Him and in Him that all exist.”

Harmonices Mundi (1618)
Source: Reported in Methodist Review (1873), vol. 55, pp. 187–88.
Source: As quoted in Forty Thousand Sublime and Beautiful Thoughts (1904) ed. Charles Noel Douglas, p. 845. https://books.google.com/books?id=I0ZAAQAAMAAJ&pg=PA845

Andrew Sega photo
William O. Douglas photo
Jean Baptiste Massillon photo
Ernest Flagg photo
Barbara Hepworth photo
Mata Amritanandamayi photo
Barbara Hepworth photo
Gideon Mantell photo
Freeman Dyson photo
Kathy Freston photo
Peter Kropotkin photo

“ANARCHISM (from the Gr. ἅν, and άρχη, contrary to authority), the name given to a principle or theory of life and conduct under which society is conceived without government — harmony in such a society being obtained, not by submission to law, or by obedience to any authority, but by free agreements concluded between the various groups, territorial and professional, freely constituted for the sake of production and consumption, as also for the satisfaction of the infinite variety of needs and aspirations of a civilized being. In a society developed on these lines, the voluntary associations which already now begin to cover all the fields of human activity would take a still greater extension so as to substitute themselves for the state in all its functions. They would represent an interwoven network, composed of an infinite variety of groups and federations of all sizes and degrees, local, regional, national and international temporary or more or less permanent — for all possible purposes: production, consumption and exchange, communications, sanitary arrangements, education, mutual protection, defence of the territory, and so on; and, on the other side, for the satisfaction of an ever-increasing number of scientific, artistic, literary and sociable needs. Moreover, such a society would represent nothing immutable. On the contrary — as is seen in organic life at large — harmony would (it is contended) result from an ever-changing adjustment and readjustment of equilibrium between the multitudes of forces and influences, and this adjustment would be the easier to obtain as none of the forces would enjoy a special protection from the state.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Kropotkin's entry on "Anarchism" in the Encyclopædia Britannica (1910) http://dwardmac.pitzer.edu/Anarchist_Archives/kropotkin/britanniaanarchy.html

John Archibald Wheeler photo

“Of all heroes, Spinoza was Einstein's greatest. No one expressed more strongly than he a belief in the harmony, the beauty, and most of all the ultimate comprehensibility of nature.”

John Archibald Wheeler (1911–2008) American physicist

"Albert Einstein" in Biographical Memoirs (1980) Vol. 51, National Academy of Sciences.

Atal Bihari Vajpayee photo
Sun Myung Moon photo
John Donne photo
David Frawley photo

“It is not necessary to live in India to be a Hindu. In fact one must live in harmony with the land where one is located to be a true Hindu.”

David Frawley (1950) American Hindu teacher

How I Became A Hindu - My Discovery Of Vedic Dharma

E.M. Forster photo
Nicolaus Copernicus photo
Pope Benedict XVI photo
Henri Matisse photo
John Milton photo

“Untwisting all the chains that tie
The hidden soul of harmony.”

John Milton (1608–1674) English epic poet

Source: L'Allegro (1631), Line 143

Erich Fromm photo
Maurice de Vlaminck photo
Luther Burbank photo
Helen Clark photo

“The carrot is a happy and harmonious society, the only stick is shame.”

Helen Clark (1950) 37th Prime Minister of New Zealand

On the 2015 United Nations Climate Change Conference goals – Reuters https://uk.reuters.com/article/development-goals-summit-idUKL5N11T4OC20150923 (23 September 2015)

Tristan Tzara photo
Louis Pasteur photo

“Starting with the Swadeshi Movement in Bengal, this flattering of Muslims by praising Islam culminated in Mahatma Gandhi’s sarva-dharma-samabhava - the opiate which lulled the Hindus into a deep slumber such as they had never known vis-à-vis Muslim aggression…. Anyone who questioned the pious proposition that the Quran was as good as the Vedas and the Puranas, ran the risk of being nailed down as an “enemy of communal harmony”….. That part of the “Muslim minority” which had voted for Pakistan but had chosen to stay in India, restarted the old game when India was proclaimed a secular state pledged to freedom of propagation for all religions. It revived its tried and tested trick of masquerading as a “poor and persecuted minority”. It cooked up any number of Pirpur Reports. The wail went up that the “lives, liberties and honour of the Muslims were not safe” in India, in spite of India’s “secular pretensions”. At the same time, street riots were staged on every possible pretext. The “communal situation” started becoming critical once again. …. And once again, the political leadership came out with a make-belief. The big-wigs from all political parties were collected in a “National Integration Council”. It was pointed out by the leftist professors that the major cause of “communal trouble” was the “bad habit” of living in the past on the part of “our people”. Most of the politicians knew no history and no religion for that matter. They all agreed with one voice that Indian history, particularly that of the “medieval Muslim period”, should be re-written. That, they pleaded, was the royal road to “national integration.””

The Calcutta Quran Petition (1986)

Le Corbusier photo