Quotes about harmony
page 7

Lupe Fiasco photo
Alexis De Tocqueville photo
Isaac Barrow photo

“These Disciplines [mathematics] serve to inure and corroborate the Mind to a constant Diligence in Study; to undergo the Trouble of an attentive Meditation, and cheerfully contend with such Difficulties as lie in the Way. They wholly deliver us from a credulous Simplicity, most strongly fortify us against the Vanity of Scepticism, effectually restrain from a rash Presumption, most easily incline us to a due Assent, perfectly subject us to the Government of right Reason, and inspire us with Resolution to wrestle against the unjust Tyranny of false Prejudices. If the Fancy be unstable and fluctuating, it is to be poised by this Ballast, and steadied by this Anchor, if the Wit be blunt it is sharpened upon this Whetstone; if luxuriant it is pared by this Knife; if headstrong it is restrained by this Bridle; and if dull it is roused by this Spur. The Steps are guided by no Lamp more clearly through the dark Mazes of Nature, by no Thread more surely through the intricate Labyrinths of Philosophy, nor lastly is the Bottom of Truth sounded more happily by any other Line. I will not mention how plentiful a Stock of Knowledge the Mind is furnished from these, with what wholesome Food it is nourished, and what sincere Pleasure it enjoys. But if I speak farther, I shall neither be the only Person, nor the first, who affirms it; that while the Mind is abstracted and elevated from sensible Matter, distinctly views pure Forms, conceives the Beauty of Ideas, and investigates the Harmony of Proportions; the Manners themselves are sensibly corrected and improved, the Affections composed and rectified, the Fancy calmed and settled, and the Understanding raised and excited to more divine Contemplation. All which I might defend by Authority, and confirm by the Suffrages of the greatest Philosophers.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 31: Prefatory Oration

Sathya Sai Baba photo
John Muir photo

“Storms of every sort, torrents, earthquakes, cataclysms, "convulsions of nature," etc., however mysterious and lawless at first sight they may seem, are only harmonious notes in the song of creation, varied expressions of God's love.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Fountains and Streams of the Yosemite National Park http://books.google.com/books?id=2CsRAAAAMAAJ&pg=PA556", The Atlantic Monthly, volume LXXXVII, number 519 (January 1901) pages 556-565 (at page 565); reprinted in Our National Parks http://www.sierraclub.org/john_muir_exhibit/writings/our_national_parks/ (1901), chapter 8: The Fountains and Streams of the Yosemite National Park
1900s, Our National Parks (1901)

Timothy Leary photo
Homér photo
George Carlin photo

“The planet is fine. The people are [bleeped out]. Because everyone is trying to save the planet. The planet doesn’t need that. The planet will take care of itself. People are selfish. And that's what they're doing is trying to save the planet for themselves to have a nicer place to live. They don't care about the planet in theory. They just care about having a comfortable place. And these people with the fires and the floods and everything, they overbuild, they put nature to the test and they get what's coming to them. That's what I say. That's what's happening, and I can't wait for the sea levels to rise. I can't wait for some of these cities to disappear. There are places that are going to go away. The map is going to change and that's because -- people think nature is outside of them. They don't take into them the idea that we are part of it. They say, "oh, we're going for a nature walk. We're going to the country because we like nature." Nature is in here. [points to chest] And if you're in tune with it, like the Indians, the Hopis, especially, the balance of life, the balance, the harmony of nature, if you understand that, you don't overbuild. You don’t do all this moron stuff.”

George Carlin (1937–2008) American stand-up comedian

The View, 24 October 2007 http://newsbusters.org/blogs/justin-mccarthy/2007/10/24/george-carlins-view-wildfire-victims-get-whats-coming-them
Interviews, Television Appearances

Horace photo

“What the discordant harmony of circumstances would and could effect.”
Quid velit et possit rerum concordia discors

Book I, epistle xii, line 19
Epistles (c. 20 BC and 14 BC)

Marcus Aurelius photo
Joseph Dietzgen photo
Gwendolyn Brooks photo

“Say to them,
say to the down-keepers,
the sun-slappers,
the self-soilers,
the harmony-hushers,
"even if you are not ready for day
it cannot always be night."”

Gwendolyn Brooks (1917–2000) American writer

You will be right.
Speech to the Young : Speech to the Progress-Toward

Henri-Frédéric Amiel photo
Francis Pegahmagabow photo

“My mother [Eva] told me he used to go behind enemy lines, rub shoulders with the enemy forces and never get caught. … He was always saying how we have to live in harmony with all living things in this world.—Duncan Pegahmagabow”

Francis Pegahmagabow (1891–1952) World War I sniper

son
[harv, June 30, 2005, 2005, http://www.vac-acc.gc.ca/remembers/sub.cfm?source=history/other/native/peaceful, Native Soldiers - Foreign Battlefields, Veterans Affairs Canada, 2010-05-11, Veterans Affairs Canada]

Piet Mondrian photo
Sören Kierkegaard photo
Anna Yesipova photo
Vanna Bonta photo

“These elements — rhythm, rhyme, harmony and concinnity — can inevitably be identified within whatever is proclaimed 'poetry.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Nisargadatta Maharaj photo
Emma Goldman photo
Joanna MacGregor photo
Richard Hooker photo

“Of Law there can be no less acknowledged than that her seat is the bosom of God, her voice the harmony of the world. All things in heaven and earth do her homage,—the very least as feeling her care, and the greatest as not exempted from her power.”

Richard Hooker (1554–1600) English bishop and Anglican Divine

Of the Lawes of Ecclesiastical Politie (1594), Book I, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Georges Braque photo

“You see, I have made a great discovery. I no longer believe in anything. Objects don't exist for me except in so far as a rapport exists between them or between them and myself. When one attains this harmony, one reaches a sort of intellectual non-existence — what I can only describe as a sense of peace, which makes everything possible and right. Life then becomes a perpetual revelation. That is true poetry.”

Georges Braque (1882–1963) French painter and sculptor

Quote from The Power of Mystery (7 December 1957), a London Observer interview with John Richardson, as quoted in Braque: The Late Works (1997), by John Golding, Introduction, p. 10
unsourced variant translation: I made a great discovery. I don't believe in anything anymore. Objects do not exist for me, except that there is a harmonious relationship among them, and also between them and myself. When one reaches this harmony, one reaches a sort of intellectual void. This was everything becomes possible, everything becomes legitimate, and life is a perpetual revelation. This is true song.
1946 - 1963

Ferdinand Hodler photo
William Moulton Marston photo

“If, as psychologists, we follow the analogy of the other biological sciences, we must expect to find normalcy synonymous with maximal efficiency of function. Survival of the fittest means survival of those members of a species whose organisms most successfully resist the encroachments of environmental antagonists, and continue to function with the greatest internal harmony. In the field of emotions, then, why would we alter this expectation? Why should we seek the spectacularly disharmonious emotions, the feelings that reveal a crushing of ourselves by environment, and consider these affective responses as our normal emotions? If a jungle beast is torn and wounded during the course of an ultimately victorious battle, it would be a spurious logic indeed that attributed its victory to its wounds. If a human being be emotionally torn and mentally disorganized by fear or rage during a business battle from which, ultimately, he emerges victorious, it seems equally nonsensical to ascribe his conquering strength to those emotions symptomatic of his temporary weakness and defeat. Victory comes in proportion as fear is banished. Perhaps the battle may be won with some fear still handicapping the victor, but that only means that the winner's maximal strength was not required.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Source: The Emotions of Normal People (1928), p.2

Harry Chapin photo
Philip Melanchthon photo

“But I hope that by the decision and authority of wise princes that sometime devout and learned men from the churches of other nations and of ours may be summoned together to deliberate about all the controversies and that there be handed down to posterity one harmonious, true, and clear form of doctrine, without any ambiguity. Meanwhile, as far as possible, let us encourage the union of our churches with measured advice.”
Opto autem, ut sapientum Principum consilio, et autoritate aliquando, et ex aliarum gentium Ecclesiis, et nostris, pii et eruditi viri convocentur, ut de omnibus controversiis deliberetur, et una consentiens forma doctrinae vera et perspicua, sine ulla ambiguitate posteritati tradatur.

Philip Melanchthon (1497–1560) German reformer

Letter to Elector Friedrich of the Palatinate, November 1, 1559. In The Peter Martyr Library: Dialogue on the Two Natures in Christ, Pietro Martire Vermigli, John Patrick Donnelly, trans. & ed, Thomas Jefferson University Press, 1995, ISBN 0940474336 ISBN 978-0940474338, vol. 2, p. 167. http://books.google.com/books?id=dkTspOwegEsC&pg=PA167&dq=%22true,+and+clear+form+of+doctrine,+++without+any+ambiguity%22&hl=en&ei=2XUqTJCjGY2inQf_q93VDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CC0Q6AEwAQ#v=onepage&q=%22true%2C%20and%20clear%20form%20of%20doctrine%2C%20%20%20without%20any%20ambiguity%22&f=false. Primary source: Corpus Reformatorum, 1842, Volume 9, p. 961. http://books.google.com/books?id=mMk8AAAAYAAJ&pg=PA1559-IA6&dq=%22una+consentiens+forma+doctrinae+vera+et+perspicua%22&hl=en&ei=Wf4jTMOpIML78AaryfzcBQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCgQ6AEwAA#v=onepage&q=%22una%20consentiens%20forma%20doctrinae%20vera%20et%20perspicua%22&f=false
Alternate translation: Moreover, I desire that with the plan of the wise rulers and with their authority, pious and learned men at some time be called together both from our own churches and the churches of other nations in order that there might be a deliberation about all these controversies, and that one consenting form of doctrine, true and clear and without any ambiguity, might be handed down to posterity.
In Melanchthon in English: New Translations into English with a Registry of Previous Translations: A Memorial to William Hammer (1909-1976), Lowell C. Green, Charles D. Froehlich, Center for Reformation Research, 1982, p. 24. http://books.google.com/books?id=kkoXAAAAIAAJ&q=%22Elector+Friedrich+of+the+Palatinate%22+english&dq=%22Elector+Friedrich+of+the+Palatinate%22+english&hl=en&ei=LIUqTNelDYPlnQeG85GYAQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCsQ6AEwAA

Wan Azizah Wan Ismail photo

“This is a new government, a new environment in that sense. The change of democracy happened peacefully. The harmony that we show and practice is important.”

Wan Azizah Wan Ismail (1952) Malaysian politician

Wan Azizah Wan Ismail (2018) cited in " China and Malaysia ties continue to prosper: Wan Azizah http://www.thesundaily.my/news/2018/07/21/china-and-malaysia-ties-continue-prosper-wan-azizah" on The Sun Daily, 21 July 2018

Tenzin Gyatso photo
Jesse Ventura photo
Adam Smith photo

“In the languor of disease and the weariness of old age, the pleasures of the vain and empty distinctions of greatness disappear. To one, in this situation, they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him. In his heart he curses ambition, and vainly regrets the ease and the indolence of youth, pleasures which are fled for ever, and which he has foolishly sacrificed for what, when he has got it, can afford him no real satisfaction. In this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation, and to consider what it is that is really wanting to his happiness. Power and riches appear then to be, what they are, enormous and operose machines contrived to produce a few trifling conveniencies to the body, consisting of springs the most nice and delicate, which must be kept in order with the most anxious attention, and which, in spite of all our care, are ready every moment to burst into pieces, and to crush in their ruins their unfortunate possessor. …
But though this splenetic philosophy, which in time of sickness or low spirits is familiar to every man, thus entirely depreciates those great objects of human desire, when in better health and in better humour, we never fail to regard them under a more agreeable aspect. Our imagination, which in pain and sorrow seems to be confined and cooped up within our own persons, in times of ease and prosperity expands itself to every thing around us. We are then charmed with the beauty of that accommodation which reigns in the palaces and economy of the great; and admire how every thing is adapted to promote their ease, to prevent their wants, to gratify their wishes, and to amuse and entertain their most frivolous desires. If we consider the real satisfaction which all these things are capable of affording, by itself and separated from the beauty of that arrangement which is fitted to promote it, it will always appear in the highest degree contemptible and trifling. But we rarely view it in this abstract and philosophical light. We naturally confound it, in our imagination with the order, the regular and harmonious movement of the system, the machine or economy by means of which it is produced. The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand, and beautiful, and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it.
And it is well that nature imposes upon us in this manner. It is this deception which rouses and keeps in continual motion the industry of mankind.”

Chap. I.
The Theory of Moral Sentiments (1759), Part IV

John Adams photo

“[N]o pretext, arising from religious opinions, shall ever produce an interruption of the harmony existing between the two countries.”

John Adams (1735–1826) 2nd President of the United States

Treaty with the bey of Tunis https://web.archive.org/web/20150712204904/http://iipdigital.usembassy.gov/st/english/publication/2013/11/20131104285694.html#axzz3sjER1BV1 (1797).
1790s

Paul Sérusier photo

“[.. according to Gauguin ] the impression of nature must be wedded to the aesthetic sentiment which chooses, arranges, simplifies and synthesizes. The painter ought not to rest until he has given birth to the child of his imagination.... begotten in a union of his mind with reality. Gauguin insisted on a logical construction of composition, on a harmonious apportionment of light and dark colors, the simplification of forms and proportions, so as to endow the outline's of forms with a powerful and eloquent expression.... He also insisted upon luminous and pure colors.”

Paul Sérusier (1864–1927) French painter

Paul Sérusier's quote in 1888, about Paul Gauguin; in Pierre Bonnard, John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 13
Sérusier encountered in his summer vacation in Pont-Aven in Brittany [Summer 1888], briefly Paul Gauguin. He also made there a small landscape, painted under Gauguin's direction. Back in Paris, October 1888, Sérusier explained his Nabis friends (Denis, Pierre Bonnard and Vuillard) the artistic lessons Paul Gauguin taught him - as reported by John Rewald in his book Pierre Bonnard, p. 13-14

Eugène Delacroix photo
Samuel Johnson photo
Paul Gauguin photo

“Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem?”

Paul Gauguin (1848–1903) French Post-Impressionist artist

in a letter to Charles Morice (July 1901), from French Paintings and Painters from the Fourteenth Century to Post-Impressionism, ed. Gerd Muesham [Frederick Ungar, 1970, ISBN 0-8044-6521-5], p. 551
1890s - 1910s

Ilya Bolotowsky photo

“Abstract art.. searches for new ways to achieve harmony and equilibrium.”

Ilya Bolotowsky (1907–1981) artist

Quoted in An Interview with Ilya Bolotowsky conducted by Paul Cummings for the Archives of American Art (24 April 1968)

Stuart Merrill photo

“Sonorous immensity of the seas of Harmony
Where dreams like ships that shake in the profound,
Voyage to the unknown, their sails bent to infinity,
Billowing with anguish in the gusts of Sound.”

Stuart Merrill (1863–1915) American poet, who wrote mostly in the French language

Sonore immensité des mers de l’Harmonie,
Où les rêves, vaisseaux pris d’un vaste frisson,
Voguent vers l’inconnu, leur voilure infinie
Claquant aven angoisse aux bourrasques du Son!
"Pendant qu’elle chantait", from Les gammes, translated by Catherine Perry and Henry Weinfield in The White Tomb: Selected Writing, Talisman House, 1999.

Subramanian Swamy photo

“He (President Obama) should mind his own business. Two million Hindus who are working there (in the US) are not allowed to build their temples; they are not allowed to celebrate Diwali. He only gives lectures here. He says in America they have worked out a harmony. In America, the majority was brutalising the minority. In India, for 800 years, the Islamic minority was brutalising the majority Hindus.”

Subramanian Swamy (1939) Indian politician

On Barack Obama's speech on religious tolerance in India, "Obama shouldn't lecture India on religious tolerance: Swamy" http://zeenews.india.com/news/india/obama-shouldnt-lecture-india-on-religious-tolerance-swamy_1537615.html, Zee News (28 Janauary 2015)
2015-Present

James McNeill Whistler photo
Thomas Gainsborough photo
Yehudi Menuhin photo

“Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: Jamesh A. Leit, George Whalley Symboles Dans la Vie Et Dans L'art http://books.google.co.in/books?id=pRZEKhofl_gC&pg=PA29, McGill-Queen's Press - MQUP, 1987, p. 29

Eduardo Torroja photo
Nicomachus photo
Jean Sibelius photo

“If we understood the world, we would realize that there is a logic of harmony underlying its manifold apparent dissonances.”

Jean Sibelius (1865–1957) Finnish composer of the late Romantic period

Henry Thomas & Dana Lee Thomas Living Biographies of Great Composers (Garden City (NY): Blue Ribbon, [1940] 1946) p. 309.
Said in 1907, in conversation with Gustav Mahler.

Gerhard Richter photo
Rashi photo
Paul Signac photo
Calvin Coolidge photo
Alfred de Zayas photo
Zisi photo

“When the passions, such as joy, anger, grief, and pleasure, have not awakened, that is our central self, or moral being (chung). When these passions awaken and each and all attain due measure and degree, that is harmony, or the moral order (ho). Our central self or moral being is the great basis of existence, and harmony or moral order is the universal law in the world.
When our true central self and harmony are realised, the universe then becomes a cosmos and all things attain their full growth and development.”

Zisi (-481–-402 BC) Chinese philosopher

Variant translation: "Before joy, anger, sadness and happiness are expressed, they are called the inner self; when they are expressed to the proper degree, they are called harmony. The inner self is the correct foundation of the world, and harmony is the illustrious Way. When a man has achieved the inner self and harmony, the heaven and earth are orderly and the myriad things are nourished and grow thereby."
As translated by Lin Yutang in The Importance of Living (1937), pp. 143–144
Source: The Doctrine of the Mean, p. 104

Henri Poincaré photo

“Does the harmony the human intelligence thinks it discovers in nature exist outside of this intelligence? No, beyond doubt, a reality completely independent of the mind which conceives it, sees or feels it, is an impossibility.”

Cette harmonie que l’intelligence humaine croit découvrir dans la nature, existe-t-elle en dehors de cette intelligence ? Non, sans doute, une réalité complètement indépendante de l’esprit qui la conçoit, la voit ou la sent, c’est une impossibilité.
Introduction, p. 14
The Value of Science (1905)

Sun Myung Moon photo

“Jesus said, "I am the way, the truth, and the life." In order for you yourself to become the way, the truth, and the life, you must embrace the whole universe and bring harmony to it.”

Sun Myung Moon (1920–2012) Korean religious leader

For Whom Are We Living http://www.tparents.org/Moon-Talks/sunmyungmoonpre67/Sm570407.htm, (1957-04-07)

Thomas Carlyle photo

“At bottom, it is the Poet's first gift, as it is all men's, that he have intellect enough. He will be a Poet if he have: a Poet in word; or failing that, perhaps still better, a Poet in act. Whether he write at all; and if so, whether in prose or in verse, will depend on accidents: who knows on what extremely trivial accidents, — perhaps on his having had a singing-master, on his being taught to sing in his boyhood! But the faculty which enables him to discern the inner heart of things, and the harmony that dwells there (for whatsoever exists has a harmony in the heart of it, or it would not hold together and exist), is not the result of habits or accidents, but the gift of Nature herself; the primary outfit for a Heroic Man in what sort soever. To the Poet, as to every other, we say first of all, See. If you cannot do that, it is of no use to keep stringing rhymes together, jingling sensibilities against each other, and name yourself a Poet; there is no hope for you. If you can, there is, in prose or verse, in action or speculation, all manner of hope. The crabbed old Schoolmaster used to ask, when they brought him a new pupil, 'But are ye sure he's not a dunce?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Why, really one might ask the same thing, in regard to every man proposed for whatsoever function; and consider it as the one inquiry needful: Are ye sure he's.
1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Theodore Roszak photo

“The alchemists of the ancient world had a teaching: "As above, so below." Four words that contain an entire cosmology…. a grand cosmic unity, a harmony resounding in the mind of God.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

The Voice of the Earth: An Exploration of Ecopsychology (2001)

“No one can describe the disappointment, I had after losing to Lenda Murray in 2003 Ms Olympia when I clearly know and others knew I beat her by a land slide… Ok Lenda has great delts maybe the best in the business… A wonderful shape to her physique nice round bellies to her muscles "BUT" let the story be told she didn't have all the HARMONY the lines not to mention the definition I display that year..”

Iris Kyle (1974) American bodybuilder

2012-02-05
An Exclusive Interview With the Ms. Olympia Champion Iris Kyle
RX Muscle
Internet
http://www.rxmuscle.com/rx-girl-articles/female-bodybuilding/4986-an-exclusive-interview-with-the-ms-olympia-champion-iris-kyle.html
Sourced quotes, 2012

John Woolman photo
Sir Alexander Cockburn, 12th Baronet photo
Nicholas Serota photo
Gino Severini photo
David Cameron photo

“We will reflect the country we aspire to govern, and the sound of modern Britain is a complex harmony, not a male voice choir.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Speech aimed at Liberal Democrats: join me in my mission http://www.theguardian.com/politics/2005/dec/16/conservatives.liberaldemocrats (16 December 2005)
2000s, 2005

Gerald Ford photo
Paul Watson photo

“Intelligence is the ability of a species to live in harmony with its environment.”

Paul Watson (1950) Canadian environmental activist

Worldfest video http://www.youtube.com/watch?v=PnhqmF-RBu4

Wassily Kandinsky photo

“I would love to paint a large landscape of Moscow — taking elements from everywhere and combining them into a single picture—weak and strong parts, mixing everything together in the same way as the world is mixed of different elements. It must be like an orchestra... Suddenly I felt that my old dream was closer to coming true. You know that I dreamed of painting a big picture expressing joy, the happiness of life and the universe. Suddenly I feel the harmony of colors and forms that come from this world of joy.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from Kandinsky's letter to Gabriele Münter, June 1916; as cited in lrike Becks-Malorny, Wassily Kandinsky, 1866–1944: The Journey to Abstraction [Cologne: Taschen, 1999], pp. 115, 118
Kandinsky left Münter and Murnau in 1914, because the first World War started and Kandinsky had a Russian nationality
1916 -1920

B.K.S. Iyengar photo

“Asanas keep the body healthy and strong and in harmony with nature.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: International Society for Phenomenology, Fine Arts, and Aesthetics. Conference Harvard Divinity School) Gardens and the Passion for the Infinite, Volume 78 http://books.google.co.in/books?id=GuImRK8_SRAC&pg=PA87, Springer Science & Business Media, 31 January 2003, p. 87

Henry Moore photo
Evgeny Baratynsky photo

“The mysterious power of harmony
Will expiate a heavy delusion
And tame a revolting desire.”

Evgeny Baratynsky (1800–1844) Russian poet

Sacred song heals the sick spirit

Hermann Hesse photo

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

The Glass Bead Game (1943)

Wassily Kandinsky photo
Piet Mondrian photo
Sallust photo

“For harmony makes small states great, while discord undermines the mightiest empires.”
Nam concordia parvae res crescunt, discordia maxumae dilabuntur.

X.6
Bellum Iugurthinum

Henry Adams photo
Don Marquis photo
Joseph Stella photo
Ron Paul photo
John Muir photo

“Many lawless mysteries vanish, and harmonies take their places.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1900s, Our National Parks (1901), chapter 9: The Sequoia and General Grant National Parks

George Holmes Howison photo

“Freedom and determinism are only the obverse and the reverse of the two-faced fact of rational self-activity. Freedom is the thought-action of the self, defining its specific identity, and determinism means nothing but the definite character which the rational nature of the action involves. Thus freedom, far from disjoining and isolating each self from other selves, especially the Supreme Self, or God, in fact defines the inner life of each, in its determining whole, in harmony with theirs, and so, instead of concealing, opens it to their knowledge — to God, with absolute completeness eternally, in virtue of his perfect vision into all possible emergencies, all possible alternatives; to the others, with an increasing fulness, more or less retarded, but advancing toward completeness as the Rational Ideal guiding each advances in its work of bringing the phenomenal or natural life into accord with it. For our freedom, in its most significant aspect, means just our secure possession, each in virtue of his self-defining act, of this common Ideal, whose intimate nature it is to unite us, not to divide us; to unite us while it preserves us each in his own identity, harmonising each with all by harmonising all with God, but quenching none in any extinguishing Unit. Freedom, in short, means first our self-direction by this eternal Ideal and toward it, and then our power, from this eternal choice, to bring our temporal life into conformity with it, step by step, more and more.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.375-6

Theo van Doesburg photo
Nayef Al-Rodhan photo

“Harmonious interstate relations will be guided by the paradigm of Symbiotic Realism that stresses the importance of absolute rather than relative gains.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Sustainable History and the Dignity of Man (2009), p.28

Slavoj Žižek photo
Robert G. Ingersoll photo
Bill Mollison photo
Richard Lovelace photo

“Oh, could you view the melody
Of every grace
And music of her face,
You'd drop a tear;
Seeing more harmony
In her bright eye
Than now you hear.”

Richard Lovelace (1617–1658) English writer and poet

Orpheus to Beasts. Compare: "There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we may maintain the music of the spheres", Thomas Browne, Religio Medici, Part ii, Section ix; "The mind, the music breathing from her face", Lord Byron, Bride of Abydos (1813), canto i, stanza 6.
Lucasta (1649)

Isadora Duncan photo
Albert Camus photo
Paul Gauguin photo

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

John Gray photo
Nelson Mandela photo
Ahad Ha'am photo