Quotes about harmony
page 5

Arthur Wesley Dow photo

“Great art should come from the harmony of two lines.”

Arthur Wesley Dow (1857–1922) painter from the United States

Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers, Boston (1899)
Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers, Boston (1899)

Herbert Marcuse photo
Richard Cobden photo
Daniel Webster photo
Karen Armstrong photo
George William Russell photo

“When steam first began to pump and wheels go round at so many revolutions per minute, what are called business habits were intended to make the life of man run in harmony with the steam engine, and his movement rival the train in punctuality.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

As quoted in The School as a Home for the Mind : Creating Mindful Curriculum, Instruction, and Dialogue (2007) by Arthur L. Costa, p. 91

Imelda Marcos photo
Russell Brand photo
Kenneth N. Waltz photo

“In anarchy there is no automatic harmony.”

Source: Man, the State, and War (1959), Chapter VI, The Third Image, p. 160

Gustave Geffroy photo

“From now on whatever the hour represented on the canvas, a supreme accord will be wrought amongst all the parts of the subject: the water, the sky, the clouds, the foliage, reunified by the atmosphere, will form a whole of an irreproachable homogeneity, a grandiose and charming image of natural harmony.”

Gustave Geffroy (1855–1926) French writer

1898 in: Steven Z. Levine, ‎Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93: presented as "account at the time of the reexhibition of the seven Cathedrals in 1898."

Kuruvilla Pandikattu photo
Henry Brougham, 1st Baron Brougham and Vaux photo
Harold Wilson photo
Henri Poincaré photo
Carole King photo
John D. Rockefeller, Jr. photo
Margaret Sanger photo
Walter Cronkite photo
Thomas Carlyle photo
Seba Johnson photo
Franz Marc photo

“In war we are all equal, but among a thousand good men, a bullet hit an irreplaceable one... We painters know well that with the loss of his harmony [ of August Macke ], the color in German art will become many shades paler..”

Franz Marc (1880–1916) German painter

Quote of Franz Marc, in exhibition-text 'Die Blaue Reiter', Gemeentemuseum the Hague, Netherlands 2010
c. 1914/15, on the death of his close friend August Macke, who fell in the first months of World War 1.
1915 - 1916

Albert Einstein photo

“In view of such harmony in the cosmos which I, with my limited human mind, am able to recognise, there are yet people who say there is no God. But what makes me really angry is that they quote me for support of such views.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Statement to German anti-Nazi diplomat and author Prince Hubertus zu Lowenstein around 1941, as quoted in his book Towards the Further Shore : An Autobiography (1968)
Attributed in posthumous publications

Cormac McCarthy photo
Ernest Flagg photo
Ernesto Che Guevara photo
Dinesh D'Souza photo
Ambrose Bierce photo
Louis Sullivan photo
Peter Paul Rubens photo

“Nearby…. are monsters personifying Pestilence and Famine, those inseparable partners of War. On the ground, turning her back, lies a woman with a broken lute representing Harmony… [T]here is also a mother with a child in her arms indicating that fecundity, procreation and charity are thwarted by War, which corrupts and destroys everything.”

Peter Paul Rubens (1577–1640) Flemish painter

Rubens is describing his painting 'The Horrors of War' https://upload.wikimedia.org/wikipedia/commons/a/a7/Rubens_-_The_Consequences_of_War.jpg 1637
In a letter to Justus Sustermans, c. 1637 (Rubens' agent at the Medici court in Florence); as quoted in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 180
Simon Schrama describes: The blue skies in the painting are overwhelmed by smoky darkness.. ..despite support from the usual team of putti and her own spectacularly opulent charms, Venus is losing the battle for Mars's attentions to the Fury Alecto
1625 - 1640

John Cage photo
John Constable photo
Caspar David Friedrich photo
Basil of Caesarea photo
Ernesto Che Guevara photo
William James photo
Daniel De Leon photo
Margaret Fuller photo

“Heroes have filled the zodiac of beneficent labors, and then given up their mortal part to the fire without a murmur. Sages and lawgivers have bent their whole nature to the search for truth, and thought themselves happy if they could buy, with the sacrifice of all temporal ease and pleasure, one seed for the future Eden. Poets and priests have strung the lyre with heart-strings, poured out their best blood upon the altar which, reare'd anew from age to age, shall at last sustain the flame which rises to highest heaven. What shall we say of those who, if not so directly, or so consciously, in connection with the central truth, yet, led and fashioned by a divine instinct, serve no less to develop and interpret the open secret of love passing into life, the divine energy creating for the purpose of happiness; — of the artist, whose hand, drawn by a preexistent harmony to a certain medium, moulds it to expressions of life more highly and completely organized than are seen elsewhere, and, by carrying out the intention of nature, reveals her meaning to those who are not yet sufficiently matured to divine it; of the philosopher, who listens steadily for causes, and, from those obvious, infers those yet unknown; of the historian, who, in faith that all events must have their reason and their aim, records them, and lays up archives from which the youth of prophets may be fed. The man of science dissects the statement, verifies the facts, and demonstrates connection even where he cannot its purpose·”

Woman in the Nineteenth Century (1845)

George Benson photo
Jacques Ellul photo
Roger Fry photo
Marianne von Werefkin photo
Sarvepalli Radhakrishnan photo

“In the mystic traditions of the different religions we have a remarkable unity of spirit. Whatever religion they may profess, they are spiritual kinsmen. While the different religions in their historic forms bind us to limited groups and militate against the development of loyalty to the world community, the mystics have already stood for the fellowship of humanity in harmony with the spirit of the mystics of ages gone by.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Words of Sarvepalli Radhakrishnan, quoted by Haile Selassie in an address http://www.jah-rastafari.com/selassie-words/show-jah-word.asp?word_id=radhakrishan during the Indian President's state visit to Ethiopia (13 October 1965), quoted in Foreign Affairs Record Vol. 11-12 (1965-1966) by India Ministry of External Affairs, p. 266; Radhakrishnan is also quoted as having made these remarks in The Visva-Bharati Quarterly Vol. 5 (1939-1940)

Edwin Hubbell Chapin photo

“Through all God's works there runs a beautiful harmony. The remotest truth in His universe is linked to that which lies nearest the throne.”

Edwin Hubbell Chapin (1814–1880) American priest

Source: Dictionary of Burning Words of Brilliant Writers, P. 531.

William John Macquorn Rankine photo
Rudolf Steiner photo
Theo van Doesburg photo
Vanna Bonta photo

“Poetry emulates the Cosmos perhaps because the Cosmos itself is the grandest conceivable example of rhythm, rhyme, harmony and concinnity.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Charles Lamb photo

“Sentimentally I am disposed to harmony; but organically I am incapable of a tune.”

A Chapter on Ears; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Essays of Elia (1823)

Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Edmund Burke photo
Nisargadatta Maharaj photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

William Hazlitt photo
Humberto Maturana photo

“Coherence and harmony in relations and interactions between the members of a human social system are due to the coherence and harmony of their growth in it, in an ongoing social learning which their own social ( linguistic) operation defines and which is possible thanks to the genetic and ontogenetic processes that permit structural plasticity of the members.”

Humberto Maturana (1928) Chilean biologist and philosopher

Source: The tree of Knowledge (1987), p. 199 as cited in: Vincent Kenny (1989) " Life, the Multiverse and Everything; an Introduction to the Ideas of. Humberto Maturana http://www.oikos.org/vinclife.htm".

Frank Wilczek photo

“You can play the piano with the white keys only or you can play it with only the black keys. But for harmony you must use the black and the white keys.”

Ernest Debrah (1947–2016) Ghanian politician

On the Economic Partnership Agreement (EPA), in Will Ross, " Africans wary of Europe's trade offer http://news.bbc.co.uk/2/hi/africa/7134407.stm", BBC (8 December, 2007).

Robert Grosseteste photo
John Muir photo

“Plants, animals, and stars are all kept in place, bridled along appointed ways, with one another, and through the midst of one another — killing and being killed, eating and being eaten, in harmonious proportions and quantities.”

John Muir (1838–1914) Scottish-born American naturalist and author

" Wild Wool http://books.google.com/books?id=LcIRAAAAYAAJ&pg=P361", Overland Monthly, volume 14, number 4 (April 1875) pages 361-366 (at page 364); reprinted in Steep Trails (1918), chapter 1
1870s

C. Rajagopalachari photo
Carl Sagan photo
Matthew Henry photo

“In all God's providences, it is good to compare His word and His works together; for we shall find a beautiful harmony between them, and that they mutually illustrate each other.”

Matthew Henry (1662–1714) Theologician from Wales

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 281.

Letitia Elizabeth Landon photo
Francis Bacon photo
Willem Roelofs photo

“Paint studies of parts, for instance a piece of land, a group of trees or things like that, but always in a way that people can understand these things in relation with the whole landscape, by adding behind that group of trees the air in a right tone color and thereby in connection with the trees... Furthermore studies of a whole, preferably very simple subjects - A meadow with horizon and a piece of air to examine further the general tone color, the harmony of the whole.... and study nature even more by thinking about it than working after it.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schilder studies van gedeelten, bv. een stuk grond, een boomgroep of dergelijke maar toch altijd zóó dat men die in verband met het geheele landschap begrijpen kan, door achter die boomgroep de lucht juist van toon en daardoor in verband met de boomen er bij te schilderen.. .Verder studies van een geheel, liefst zeer eenvoudige sujetten - Eene weide met horizon en stuk lucht. Om nog meer de algemeene toon, de harmonie van het geheel na te gaan.. ..en bestudeer de natuur nog meer met er over te denken dan met er na [naar!?] te werken.
Quote from a letter of Roelofs to his pupil Hendrik W. Mesdag, 27 May 1866; as cited by De Bodt, in Halverwege Parijs, Willem Roelofs en de Nederlandse Schilderskolonie in Brussel, Gent, 1995a, p. 238
1860's

Archibald Alexander Hodge photo
Henry Gantt photo

“The greatest problem before engineers and managers today is the economical utilization of labor. The limiting of output by the workman, and the limiting by the employer of the amount a workman is allowed to earn, are both factors which militate against that harmonious co-operation of employer and employee which is essential to their highest common good.”

Henry Gantt (1861–1919) American engineer

H.L. Gantt (1904) paper presented before the International Congress of Arts and Sciences at the Louisiana Purchase Exhibition, St. Louis, 1904. Published in: H.L. Gantt (1910) Work, Wages, and Profits: Their Influence on the Cost of Living. 1910.

James Frazer photo
Koila Nailatikau photo
Baruch Spinoza photo

“I believe in Spinoza's God, who reveals himself in the lawful harmony of the world, not in a God who concerns himself with the fate and the doings of mankind.”

Baruch Spinoza (1632–1677) Dutch philosopher

Albert Einstein, in response to the telegrammed question of New York's Rabbi Herbert S. Goldstein in (24 April 1929) ; he later expanded on his comments about Spinoza's and his own ideas on religion elsewhere : "I can understand your aversion to the use of the term "religion" to describe an emotional and psychological attitude which shows itself most clearly in Spinoza … I have not found a better expression than "religious" for the trust in the rational nature of reality that is, at least to a certain extent, accessible to human reason." — as quoted in Einstein : Science and Religion by Arnold V. Lesikar
A - F

Max Horkheimer photo
Aung San Suu Kyi photo
Theodosius Dobzhansky photo

“According to Goldschmidt, all that evolution by the usual mutations—dubbed "micromutations"—can accomplish is to bring about "diversification strictly within species, usually, if not exclusively, for the sake of adaptation of the species to specific conditions within the area which it is able to occupy." New species, genera, and higher groups arise at once, by cataclysmic saltations—termed macromutations or systematic mutations—which bring about in one step a basic reconstruction of the whole organism. The role of natural selection in this process becomes "reduced to the simple alternative: immediate acceptance or rejection." A new form of life having been thus catapulted into being, the details of its structures and functions are subsequently adjusted by micromutation and selection. It is unnecessary to stress here that this theory virtually rejects evolution as this term is usually understood (to evolve means to unfold or to develop gradually), and that the systematic mutations it postulates have never been observed. It is possible to imagine a mutation so drastic that its product becomes a monster hurling itself beyond the confines of species, genus, family, or class. But in what Goldschmidt has called the "hopeful monster" the harmonious system, which any organism must necessarily possess, must be transformed at once into a radically different, but still sufficiently coherent, system to enable the monster to survive. The assumption that such a prodigy may, however rarely, walk the earth overtaxes one's credulity, even though it may be right that the existence of life in the cosmos is in itself an extremely improbable event.”

Genetics and the Origin of Species (1941) 2nd revised edition

Shankar Dayal Sharma photo
Koichi Tohei photo
Carl XVI Gustaf of Sweden photo

“For me it is important to live in harmony with developments in Sweden and all over the changing world around us that we are actually part of.”

Carl XVI Gustaf of Sweden (1946) King of Sweden

royalcorrespondent.com http://royalcorrespondent.com/2013/02/15/an-interview-with-his-majesty-king-carl-xvi-gustaf-of-sweden/

Aldo Leopold photo

“Bread and beauty grow best together. Their harmonious integration can make farming not only a business but an art; the land not only a food-factory but an instrument for self-expression, on which each can play music to his own choosing.”

Aldo Leopold (1887–1948) American writer and scientist

"The Conservation Ethic" [1933]; Published in The River of the Mother of God and Other Essays by Aldo Leopold, Susan L. Flader and J. Baird Callicott (eds.) 1991, p. 191.
1930s

Charles Manson photo

“I wanna say this to every man that has a mind, to all the intelligent life forms that exist on this planet Earth. I wish the British would say this to the Scottish Rites and the Masons and all the people with minds who have degrees of knowledge, and who are aware of courts, laws, United Nations, governments.
In the 40s, we had a war, and all of our economies went towards this war effort. The war ended on one level, but we wouldn't let it end on the other levels. We kept buying and selling this war. I'm not locked in the penitentiary for crimes, I'm locked in the Second World War. I'm locked in the Second World War with this decision to bring to the World Court - there must be a One World Court, or we're all gonna be devoured by crime.
Crime, and the definition of crime comes from Nuremberg, when the judges decided that they wanted to call Second World War a crime. Honor and war is not a crime. Crime is bad. When you go to war and you're a soldier, and you fight for your God and your country, that's not criminal. That's honorable. That's what you must do to be a man. If you don't fight for your God and your country, you're not worth anything. If you have no honor, then you're not worth petty's pigs.
Truth is, we've got to overturn this decision that you made in the Second World War, or the Second World War will never end. Degrees of the war was written in Switzerland, in Geneva, at conferences that were made by the men at the tables, clearly stated that anyone in uniform would be given the respect of their rank and their uniforms. Then when the United States and got all the Germans in handcuffs, they started breaking their own rules. And they've been breaking their own rules ever since. War is not a crime, but if you judge war as a crime in a court room, then turn around: If 2 + 3 = 5, and 3 + 2 = 5; if you say war is a crime, then crime becomes your war. I am, by all standards, a prisoner of war.
I've been a prisoner of war since 1944 in Juvenile Hall, for setting a school building on fire in Indianapolis, Indiana. I've been locked up 45 years trying to figure out why I got to be a criminal. It matters not whether I want to be; you've got to keep criminals going to keep the war going because that's your economy, your whole economy is based on the war. You've got to get your dollar bills off the war, you've got your silver market sterling off of the war, you've got to take your gold and your diamonds off of the war - You've got to overturn that decision, that hung 6000 men by the neck.
You killed 6000 soldiers for obeying orders. It's wrong. And the world has got to accept that's wrong. When you accept you're wrong, and you say you're sorry for all the things you've done, then that will be a note on that court, and we'll have some harmony going on this planet Earth, now.”

Charles Manson (1934–2017) American criminal and musician

Interview with Bill Murphy (1994) http://www.youtube.com/watch?v=XAjh_wOByoY

John Adams photo

“As the government of the United States is not, in any sense, founded on the Christian Religion,—as it has in itself no character of enmity against the laws, religion or tranquility of Musselmen … it is declared … that no pretext arising from religious opinions shall ever produce an interruption of the harmony existing between the two countries.”

John Adams (1735–1826) 2nd President of the United States

Article 11 http://avalon.law.yale.edu/18th_century/bar1796t.asp#art11 of the Treaty of Tripoli (signed at Tripoli on November 4, 1796, and at Algiers on January 3, 1797 and received ratification unanimously from the U.S. Senate on June 7, 1797; it was signed into law by John Adams (the original language is by Joel Barlow, U.S. Consul); This phrase has also sometimes been misattributed to George Washington, and has also been misquoted as "This nation of ours was not founded on Christian principles".
Misattributed

Henri Matisse photo
Werner von Siemens photo
Camille Pissarro photo
George H. W. Bush photo
Ron Paul photo
Georges Seurat photo

“The frame [is no longer as in the beginning version] is in a harmony opposed to those of the tones, tints, and lines of the [motif of the] picture.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Jacob Bronowski photo
Naum Gabo photo
David Bohm photo
Enrique Peña Nieto photo
Émile Durkheim photo