Quotes about handful
page 56

Rudyard Kipling photo
Walter Ulbricht photo

“It has to look democratic, but we must have everything in [our] hand.”

Walter Ulbricht (1893–1973) German politician

Es muss demokratisch aussehen, aber wir müssen alles in der Hand haben.
1945, in: Wolfgang Leonhard: Child of the revolution. Transl. by C. M. Woodhouse. London (Collins) 1957. Brandenburgische Landeszentrale für politische Bildung (archiviert bei archive.org) https://web.archive.org/web/20110111220208/http://www.politische-bildung-brandenburg.de/demokratie/themen/spielregeln/realpolitik.htm (Brandenburg State Institution for Political Education)

James Fenimore Cooper photo

“For ourselves, we firmly believe that the finger of Providence is pointing the way to all races, and colors, and nations, along the path that is to lead the east and the west alike to the great goal of human wants. Demons infest that path, and numerous and unhappy are the wanderings of millions who stray from its course; sometimes in reluctance to proceed; sometimes in an indiscreet haste to move faster than their fellows, and always in a forgetfulness of the great rules of conduct that have been handed down from above. Nevertheless, the main course is onward; and the day, in the sense of time, is not distant, when the whole earth is to be filled with the knowledge of the Lord, "as the waters cover the sea.
One of the great stumbling-blocks with a large class of well-meaning, but narrow-judging moralists, are the seeming wrongs that are permitted by Providence, in its control of human events. Such persons take a one-sided view of things, and reduce all principles to the level of their own understandings. If we could comprehend the relations which the Deity bears to us, as well as we can comprehend the relations we bear to him, there might be a little seeming reason in these doubts; but when one of the parties in this mighty scheme of action is a profound mystery to the other, it is worse than idle, it is profane, to attempt to explain those things which our minds are not yet sufficiently cleared from the dross of earth to understand.”

James Fenimore Cooper (1789–1851) American author

Preface
Oak Openings or The bee-hunter (1848)

Bill Bryson photo
Alice A. Bailey photo

“Let us look for a moment at the erroneous interpretations given to the Gospel story. The symbolism of that Gospel story — an ancient story-presentation often presented down the ages, prior to the coming of the Christ in Palestine — has been twisted and distorted by theologians until the crystalline purity of the early teaching and the unique simplicity of the Christ have disappeared in a travesty of errors and in a mummery of ritual, money and human ambitions. Christ is pictured today as having been born in an unnatural manner, as having taught and preached for three years and then as having been crucified and eventually resurrected, leaving humanity in order to "sit on the right hand of God," in austere and distant pomp. Likewise, all the other approaches to God by any other people, at any time and in any country, are regarded by the orthodox Christian as wrong approaches […] Every possible effort has been made to force orthodox Christianity on those who accept the inspiration and the teachings of the Buddha or of others who have been responsible for preserving the divine continuity of revelation. The emphasis has been, as we all well know, upon the "blood sacrifice of the Christ" upon the Cross and upon a salvation dependent upon the recognition and acceptance of that sacrifice. The vicarious at-one-ment has been substituted for the reliance which Christ Himself enjoined us to place upon our own divinity; the Church of Christ has made itself famous and futile (as the world war proved) for its narrow creed, its wrong emphases, its clerical pomp, its spurious authority, its material riches and its presentation of a dead Christ. His resurrection is accepted, but the major appeal of the churches has been upon His death.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Reappearance of the Christ (1948), Chapter IV: The Work of the Christ Today and in the Future, p. 64

John Desmond Bernal photo

“At different stages in the educational process different changes are required. In schools the chief need is for a general change in the attitude towards science, which should be from the beginning an integral part and not a mere addition, often an optional addition, to the curriculum. Science should be taught not merely as a subject but should come into all subjects. Its importance in history and in modern life should be pointed out and illustrated. The old contrast, often amounting to hostility, between scientific and humane subjects need to be broken down and replaced by a scientific humanism. At the same time, the teaching of science proper requires to be humanized. The dry and factual presentation requires to be transformed, not by any appeal to mystical theory, but by emphasizing the living and dramatic character of scientific advance itself. Here the teaching of the history of science, not isolated as at present, but in close relation to general history teaching, would serve to correct the existing atmosphere of scientific dogmatism. It would show at the same time how secure are the conquests of science in the control they give over natural processes and how insecure and provisional, however necessary, are the rational interpretations, the theories and hypotheses put forward at each stage. Past history by itself is not enough, the latest developments of science should not be excluded because they have not yet passed the test of time. It is absolutely necessary to emphasize the fact that science not only has changed but is continually changing, that it is an activity and not merely a body of facts. Throughout, the social implications of science, the powers that it puts into men's hands, the uses they could make of them and those which they in fact do, should be brought out and made real by a reference to immediate experience of ordinary life.”

John Desmond Bernal (1901–1971) British scientist

Source: The Social Function of Science (1939), p. 246 : How such a method of teaching could become an integral part of general education is sketched by H. G. Wells' British Association address, "The Informative Content of Education," reprinted in World Brain (Mathuen, 1938).

Maurice de Vlaminck photo
Letitia Elizabeth Landon photo
Amy Tan photo
Mahmud of Ghazni photo
Bill Nye photo

“People like to grab stuff, hold things in their hands and make things happen. Children’s museums are ideal for these kinds of things. There’s nothing more fun, to me.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NewsBank, Mark Bennett, Bill Nye still rocking science - TV personality making weekend appearance in town to help open Children's Museum, The Tribune-Star, Terre Haute, Indiana, September 24, 2010]

Cesare Pavese photo
Paul Klee photo
George C. Lorimer photo
Robert Benchley photo
Warren Farrell photo
Solomon photo
Robert J. Sawyer photo
Immanuel Kant photo
William Blake photo

“In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?”

William Blake (1757–1827) English Romantic poet and artist

St. 2
1790s, The Tyger (1794)

George Curzon, 1st Marquess Curzon of Kedleston photo

“I believe that the Durbar, more than any event in modern history, showed to the Indian people the path which, under the guidance of Providence, they are treading, taught the Indian Empire its unity, and impressed the world with its moral as well as material force. It will not be forgotten. The sound of the trumpets has already died away; the captains and the kings have departed; but the effect produced by this overwhelmingly display of unity and patriotism is still alive and will not perish. Everywhere it is known that upon the throne of the East is seated a power that has made of the sentiments, the aspirations, and the interests of 300 millions of Asiatics a living thing, and the units in that great aggregation have learned that in their incorporation lies their strength. As a disinterested spectator of the Durbar remarked, Not until to-day did I realise that the destinies of the East still lie, as they always have done, in the hollow of India’s hand. I think, too, that the Durbar taught the lesson not only of power but of duty. There was not an officer of Government there present, there was not a Ruling Prince nor a thoughtful spectator, who must not at one moment or other have felt that participation in so great a conception carried with it responsibility as well as pride, and that he owed something in return for whatever of dignity or security or opportunity the Empire had given him.”

George Curzon, 1st Marquess Curzon of Kedleston (1859–1925) British politician

Budget Speech (25 March 1903), quoted in Lord Curzon in India, Being A Selection from His Speeches as Viceroy & Governor-General of India 1898-1905 (London: Macmillan, 1906), pp. 308-309.

Florbela Espanca photo

“Your hands tremble as they caress and woo me…
My amber body, harmonious and young,
Is like a jasmin vine deliciously high-strung
Drunk with sunlight, with pleasure and perfume!”

Florbela Espanca (1894–1930) Portuguese poet

As tuas mãos tacteiam-me a tremer...
Meu corpo de âmbar, harmonioso e moço
É como um jasmineiro em alvoroço
Ébrio de sol, de aroma, de prazer!
Quoted in Florbela Espanca (1984), p. 13
Translated by John D. Godinho
The Flowering Heath (1931), "Toledo"

Christopher Hitchens photo
Scott McNealy photo
Martin Amis photo
Niklaus Wirth photo

“During the process of stepwise refinement, a notation which is natural to the problem in hand should be used as long as possible.”

Niklaus Wirth (1934) Swiss computer scientist

Program Development by Stepwise Refinement (1971)

Joseph Hayne Rainey photo

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Rowland Hill (preacher) photo
Mario Cuomo photo
Matthew Simpson photo
Jackie DeShannon photo

“Her hair is Harlow gold
Her lips a sweet surprise
Her hands are never cold
She's got Bette Davis eyes”

Jackie DeShannon (1941) American singer-songwriter

"Bette Davis Eyes" (1975); written with Donna Weiss

Nicholas Sparks photo
Emily Dickinson photo
David Lloyd George photo

“The Duke of Devonshire issues a circular applying for subscriptions to oppose this Bill, and he charges us with the robbery of God. Why, does he not know—of course he knows—that the very foundations of his fortune are laid deep in sacrilege, fortunes built out of desecrated shrines and pillaged altars…I say that charges of this kind brought against a whole people…ought not to be brought by those whose family trees are laden with the fruits of sacrilege. I am not complaining that ancestors of theirs did it, but they are still in the enjoyment of the same property, and they are subscribing out of that property to leaflets which attack us and call us thieves. What is their story? Look at the whole story of the pillage of the Reformation. They robbed the Catholic Church, they robbed the monasteries, they robbed the altars, they robbed the almshouses, they robbed the poor, and they robbed the dead. Then they come here when we are trying to seek, at any rate to recover some part of this pillaged property for the poor for whom it was originally given, and they venture, with hands dripping with the fat of sacrilege, to accuse us of robbery of God.”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1912/may/16/second-reading-fourth-days-debate in the House of Commons (12 May 1912) on the Bill to disestablish the Anglican church in Wales
Chancellor of the Exchequer

André Gide photo
Jimmy Carter photo
Dashiell Hammett photo
John Dewey photo
Karen Lord photo

“Ansige unreeled the tale of his tribulations, thoroughly ransacking the truth and then dipping into the bag of embellishment and sprinkling with a free hand.”

Karen Lord (1968) Barbadian novelist and sociologist of religion

Source: Redemption in Indigo (2010), Chapter 2 “Ansige Eats Lamb and Murders a Peacock” (p. 17)

Charles Dickens photo

“It was a good thing to have a couple of thousand people all rigid and frozen together, in the palm of one's hand.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

About having a book
Letter to Mrs. Richard Watson (7 December 1857)

Frederic Dan Huntington photo
Bill McKibben photo
William Hazlitt photo
William Julius Mickle photo
Étienne de La Boétie photo

“Resolve to serve no more, and you are at once freed. I do not ask that you place hands upon the tyrant to topple him over, but simply that you support him no longer; then you will behold him, like a great Colossus whose pedestal has been pulled away, fall of his own weight and break in pieces.”

Soyez résolus à ne plus servir, et vous voilà libres. Je ne vous demande pas de le pousser, de l'ébranler, mais seulement de ne plus le soutenir, et vous le verrez, tel un grand colosse dont on a brisé la base, fondre sous son poids et se rompre.
Discourse on Voluntary Servitude (1548)

Judith Sheindlin photo

“to a defendant raising his hand to speak while plaintiff is speaking: You wanna lose, fast?”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=xZHLf_kXgeU
Quotes from Judge Judy cases, Dress, stand, speak properly

Ken Ham photo

“Who says that Adam didn’t write and hand down writings to Noah who brought them on board the ark?”

Ken Ham (1951) Australian young Earth creationist

As quoted in My Encounter with Ken Ham's Giant Ark http://www.christianitytoday.com/ct/2016/july-web-only/ken-ham-ark-encounter-visit.html?start=1, Christian Post (July 22, 2016)

Ben Gibbard photo
Taisen Deshimaru photo

“To receive everything, one must open one's hands and give.”

Taisen Deshimaru (1914–1982) Japanese Buddhist monk

As quoted in Treasury of Spiritual Wisdom : A Collection of 10,000 Powerful Quotations (2003) by Andy Zubko, p. 184

Jean Metzinger photo
William S. Burroughs photo

“Last night I woke up with someone squeezing my hand. It was my other hand.”

Habit Notes continued
Naked Lunch (1959)

Torquato Tasso photo

“Eròtimo cries: 'Not science (I am sure)
nor my poor mortal hands here work your cure.”

Torquato Tasso (1544–1595) Italian poet

Grida Erotimo allor: l'arte maestra
Te non risana, o la mortal mia destra.
Canto XI, stanza 74 (tr. Wickert)
Gerusalemme Liberata (1581)

Stephen King photo

“He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boogie of electricity- Available At Your Nearest Switch plate Or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nerdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too- Shower With A Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who's out there? you howled in the dark when you were all frightened and all alone, and it was his answer that came back: Don't be afraid, it's just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let's go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar cast of the fingernails following asphyxiation- in its final grim struggle to survive the brain takes all oxygen that is left, even that in those living cells under the nails. Hi, folks, my name's Oz the Gweat and Tewwible, but you can call me Oz if you want- hell, we're old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can't stay, got to see a woman about a breech birth, then I've got a little smoke-inhalation job to do in Omaha.”

Pet Sematary (1983)

Clifford D. Simak photo
Mickey Spillane photo

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

The Big Kill (1951)

Edward Thomas photo
A. P. J. Abdul Kalam photo
Jean Paul Sartre photo
Glenn Beck photo

“Glenn Beck: How many people here identify themselves as African Americans?
[audience raises hands]
Glenn Beck: Why?
Panelist: It's interchangeable.
Glenn Beck: Why not identify yourself as Americans?
Panelist: But people can look at you and tell you're black, you can't escape that.
Glenn Beck: Yeah, but I don't identify myself as white or a white American.”

Glenn Beck (1964) U.S. talk radio and television host

Glenn Beck
Television
Fox News
2009-11-13
Beck: I don't identify as white, why do black people identify as black?
Media Matters for America
2009-11-13
http://mediamatters.org/mmtv/200911130029
2000s, 2009

Joseph Addison photo

“Charity is a virtue of the heart, and not of the hands.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 166.
The Guardian (1713)

Ossip Zadkine photo
Thomas Brooks photo

“The flower you hold in your hands was born today and is already your age.”

Antonio Porchia (1885–1968) Italian Argentinian poet

La flor que tienes en tus manos ha nacido hoy y ya tiene tu edad.
Voces (1943)

Orson Scott Card photo
Jean Paul Sartre photo
Edwin Abbott Abbott photo
Tony Blair photo
Abd al-Karim Qasim photo
Joseph Conrad photo
Danish Kaneria photo

“Leg spin is an art. Not everybody has that art. Two or three people in the world can do what I do. Because of His help, His hand on me, I am going forward. That makes me down to earth and humble enough.”

Danish Kaneria (1980) Pakistani cricketer

Kaneria describing the role that his faith plays in his life and cricket, interview on Times Online http://www.timesonline.co.uk/tol/sport/cricket/article580943.ece (October 21 2005)

Martin Luther King, Jr. photo
Norbert Wiener photo
François Fénelon photo
Phil Brooks photo

“Isn't this the prettiest little thing you've ever seen? It was over a year ago I held this belt high in the air after I fought for it for the first time in Dayton, Ohio against Samoa Joe and I proclaimed this belt the most important thing to me. Right now, in my hands, as of this day 6/18/05, THIS becomes the most important belt in the world! This belt in the hands of any other man is just a belt, but in my hands it becomes power. Just like this microphone in the hands of any of the boys in the back is just a microphone, but in the hands of a dangerous man like myself it becomes a pipe-bomb. These words that I speak spoken by anybody else are just words strung loosely together to form sentences. What I say I mean, and what I mean I say, and they become anthems! You see, if I could be afforded the time here a little bit of a story. There was once an old man, walking home from work. He was walking in the snow, and he stumbled upon a snake frozen in the ice. He took that snake, and he brought it home, and he took care of it, and he thawed it out, and he nursed it back to health. And as soon as that snake was well enough, it bit the old man. And as the old man lay there dying he asked the snake, 'Why? I took care of you. I loved you. I saved your life.' And that snake looked that man right in the eye and said, 'You stupid old man. I'm a snake.' The greatest thing the devil ever did was make you people believe he didn't exist… and you're looking at him right now! I AM THE DEVIL HIMSELF! And all of you stupid, mindless people fell for it! You all believed in the same make-believe superhero that the legendary Ricky 'The Dragon' Steamboat saw some year ago today. No, you see, you don't know anything. You followed me hook-line and sinker, all of you did, and I'm not mad at you… I just feel sorry for you. This belongs to me! Everything you see here belongs to me, and I did what I had to do to get my hands on this. Now I am the GREATEST PRO WRESTLER walkin' the Earth today! This is my stage, this is my theater, you are my puppets! When I pulled those marionette strings, and I moved your emotions, and I played with them, and honestly it's 'cause I get off on it. I hate each and every single one of you with a thousand burns and I will not stop… I will not stop until I prove that I am better than you, that I am better than Low Ki, that I am better than AJ Styles! I'm better than Samoa Joe. Ladies and gentlemen, the champ is here! You don't have to love it, but you better learn to accept it. 'Cause I'm taking this with me, and there's not a single person in that locker room that can stop me!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ring of Honor, Death Before Dishonor III. June 18th, 2005.
This promo took place directly after Punk defeated Austin Aries for the ROH World Championship proceeding to turn the, at the time face, Punk heel. Directly after this promo Christopher Daniels made his first appearance in ROH in over a year to challenge for the belt. This promo also made reference to an old parable http://www.snopes.com/critters/malice/scorpion.htm about an animal doing an act of kindness to another creature that is venomous and being surprised when the animal injects the venom to the creature after the act of kindness who then proceeds to explain it is their nature to perform the act.
Ring of Honor

Thom Yorke photo

“Time is running out for us
But you just move the hands upon the clock
You throw coins in the wishing well
For us
You just move your hands upon the wall”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

"The Clock"
Lyrics, The Eraser (2006)

Wilfred Thesiger photo
Robert Musil photo
Conrad Aiken photo
William Williams Pantycelyn photo

“Guide me, O Thou great Jehovah,
Pilgrim through this barren land;
I am weak, but Thou art mighty;
Hold me with Thy powerful hand;
Bread of heaven!
Feed me till I want no more.”

William Williams Pantycelyn (1717–1791) Welsh hymnwriter

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 263.

Jorge Luis Borges photo

“We bear it calmly, though a ponderous woe,
And still adore the hand that gives the blow.”

John Pomfret (1667–1702) English poet

Verses to his Friend under Affliction. Compare: " Bless the hand that gave the blow", John Dryden, The Spanish Friar (1681), Act ii. Sc. 1.

Benno Moiseiwitsch photo
Robert Fripp photo
Shamini Flint photo
Helen Keller photo
Syed Ahmed Khan photo