Quotes about greatness
page 55

Lizabeth Scott photo

“I loved making films. There was something about that lens that I adored, and it adored me back. So we were a great combination.”

Lizabeth Scott (1922–2015) American actress and singer

Colker, David (February 6, 2015). " From the Archives: Lizabeth Scott dies at 92; sultry leading woman of film noir http://www.latimes.com/local/obituaries/la-me-lizabeth-scott-20150206-story.html". Los Angeles Times

David Lloyd George photo
Lily Tomlin photo

“Wouldn't it be great if we all grew up to be what we wanted to be? The world would be full of nurses, firemen, and ballerinas.”

Lily Tomlin (1939) American actress, comedian, writer, and producer

Saturday Night Live (1975)

Edwin Abbott Abbott photo
Thomas Beecham photo

“The grand tune is the only thing in music that the great public really understands.”

Thomas Beecham (1879–1961) British conductor and impresario

Conductors by John L. Holmes (1988) pp 31-37 ISBN 0-575-04088-2

Honoré de Balzac photo

“Love in the abstract is not enough for a great man in poverty; he has need of its utmost devotion… She who is really a wife, one in heart, flesh, and bone, must follow wherever he leads, in whom her life, her strength, her pride, and happiness are centered.”

Honoré de Balzac (1799–1850) French writer

L'amour abstrait ne suffit pas à un homme pauvre et grand, il en veut tous les dévouements... La véritable épouse en cœur, en chair et en os, se laisse traîner là où va celui en qui réside sa vie, sa force, sa gloire, son bonheur.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart

Gerhard Richter photo
Werner von Siemens photo
PZ Myers photo

“People who say this cracker is literally and physically the body of their god and that I'm doing this great act of heresy and sacrilege and horror -- even though I didn't actually do anything to it -- is disturbing. It's like discovering there are witch doctors lurking in your community and they've been doing weird practices.”

PZ Myers (1957) American scientist and associate professor of biology

Commenting on a Eucharist in [Paul Schmelzer, http://minnesotaindependent.com/view/mnindy-interview, Unrepentant science-heathen PZ Myers still intends to prove 'this cracker is nothing', Minnesota Independent, 2008-07-15]

Mahmud of Ghazni photo

“The battle raged with great fury: victory was long doubtful, till two Indian princes, Brahman Dew and Dabishleem, with other reinforcements, joined their countrymen during the action, and inspired them with fresh courage. Mahmood at this moment perceiving his troops to waver, leaped from his horse, and, prostrating himself before God implored his assistance' At the same time he cheered his troops with such energy, that, ashamed to abandon their king, with whom they had so often fought and bled, they, with one accord, gave a loud shout and rushed forwards. In this charge the Moslems broke through the enemy's line, and laid 5,000 Hindus dead at their feet' On approaching the temple, he saw a superb edifice built of hewn stone. Its lofty roof was supported by fifty-six pillars curiously carved and set with precious stones. In the centre of the hall was Somnat, a stone idol five yards in height, two of which were sunk in the ground. The King, approaching the image, raised his mace and struck off its nose. He ordered two pieces of the idol to be broken off and sent to Ghizny, that one might be thrown at the threshold of the public mosque, and the other at the court door of his own palace. These identical fragments are to this day (now 600 years ago) to be seen at Ghizny. Two more fragments were reserved to be sent to Mecca and Medina. It is a well authenticated fact, that when Mahmood was thus employed in destroying this idol, a crowd of Brahmins petitioned his attendants and offered a quantity of gold if the King would desist from further mutilation. His officers endeavoured to persuade him to accept of the money; for they said that breaking one idol would not do away with idolatry altogether; that, therefore, it could serve no purpose to destroy the image entirely; but that such a sum of money given in charity among true believers would be a meritorious act. The King acknowledged that there might be reason in what they said, but replied, that if he should consent to such a measure, his name would be handed down to posterity as 'Mahmood the idol-seller', whereas he was desirous of being known as 'Mahmood the destroyer': he therefore directed the troops to proceed in their work'…'The Caliph of Bagdad, being informed of the expedition of the King of Ghizny, wrote him a congratulatory letter, in which he styled him 'The Guardian of the State, and of the Faith'; to his son, the Prince Ameer Musaood, he gave the title of 'The Lustre of Empire, and the Ornament of Religion'; and to his second son, the Ameer Yoosoof, the appellation of 'The Strength of the Arm of Fortune, and Establisher of Empires.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

Edgar Guest photo
Steven Erikson photo
Park Benjamin, Sr. photo

“Great faith it needs, according to my view,
To trust in that which never could be true.”

Park Benjamin, Sr. (1809–1864) American journalist

Infatuation.

“When I am on my own and quiet, the landscape tells you a great deal and Turner and Cotman talk to me from the clouds.”

Rigby Graham (1931–2015) British author and illustrator

Obituary, Daily Telegraph,London, 20th May 2015

David Dixon Porter photo
Augustus De Morgan photo
Bill Nye photo

“The invention process is a great exercise for kids. It compels them to define an actual problem, formulate an original solution, develop a product, and share the results or products with their friends and peers.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NewsBank, Nurturing the inventor in your child, Southwest Times Record, Fort Smith, Arkansas, August 25, 2000, Pam Cloud Smith]

Samuel Johnson photo
Bill Gates photo
Cecil Rhodes photo
Oliver Wendell Holmes photo
Fyodor Dostoyevsky photo
Burkard Schliessmann photo
Wassily Kandinsky photo
Robert A. Taft photo

“If Brideshead Revisited is not a great book, it's so like a great book that many of us, at least while reading it, find it hard to tell the difference.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Borgias on my mind'
Essays and reviews, Glued to the Box (1983)

Alastair Reynolds photo
Oriana Fallaci photo
Arthur Schopenhauer photo

“We should judge university philosophy … by its true and proper aim: … that the junior barristers, solicitors, doctors, probationers, and pedagogues of the future should maintain, even in their innermost conviction, the same line of thought in keeping with the aims and intentions that the State and its government have in common with them. I have no objection to this and so in this respect have nothing to say. For I do not consider myself competent to judge of the necessity or needlessness of such a State expedient, but rather leave it to those who have the difficult task of governing men, that is to say, of maintain law and order, … and of protecting the few who have acquired property from the immense number of those who have nothing but their physical strength. … I certainly do not presume to argue with them over the means to be employed in this case; for my motto has always been: “Thank God, each morning, therefore, that you have not the Roman realm to care for!” [Goethe, Faust] But it was these constitutional aims of university philosophy which procured for Hegelry such an unprecedented ministerial favor. For it the State was “the absolute perfect ethical organism,” and it represented as originating in the State the whole aim of human existence. Could there be for future junior barristers and thus for state officials a better preparation than this, in consequence whereof their whole substance and being, their body and soul, were entirely forfeited to the State, like bees in a beehive, and they had nothing else to work for … except to become efficient wheels, cooperating for the purpose of keeping in motion the great State machine, that ultimus finis bonorum [ultimate good]? The junior barrister and the man were accordingly one and the same. It was a real apotheosis of philistinism.”

Inzwischen verlangt die Billigkeit, daß man die Universitätsphilosophie nicht bloß, wie hier gescheht!, aus dem Standpunkte des angeblichen, sondern auch aus dem des wahren und eigentlichen Zweckes derselben beurtheile. Dieser nämlich läuft darauf hinaus, daß die künftigen Referendarien, Advokaten, Aerzte, Kandidaten und Schulmänner auch im Innersten ihrer Ueberzeugungen diejenige Richtung erhalten, welche den Absichten, die der Staat und seine Regierung mit ihnen haben, angemessen ist. Dagegen habe ich nichts einzuwenden, bescheide mich also in dieser Hinsicht. Denn über die Nothwendigkeit, oder Entbehrlichkeit eines solchen Staatsmittels zu urtheilen, halte ich mich nicht für kompetent; sondern stelle es denen anheim, welche die schwere Aufgabe haben, Menschen zu regieren, d. h. unter vielen Millionen eines, der großen Mehrzahl nach, gränzenlos egoistischen, ungerechten, unbilligen, unredlichen, neidischen, boshaften und dabei sehr beschränkten und querköpfigen Geschlechtes, Gesetz, Ordnung, Ruhe und Friede aufrecht zu erhalten und die Wenigen, denen irgend ein Besitz zu Theil geworden, zu schützen gegen die Unzahl Derer, welche nichts, als ihre Körperkräfte haben. Die Aufgabe ist so schwer, daß ich mich wahrlich nicht vermesse, über die dabei anzuwendenden Mittel mit ihnen zu rechten. Denn „ich danke Gott an jedem Morgen, daß ich nicht brauch’ für’s Röm’sche Reich zu sorgen,”—ist stets mein Wahlspruch gewesen. Diese Staatszwecke der Universitätsphilosophie waren es aber, welche der Hegelei eine so beispiellose Ministergunft verschafften. Denn ihr war der Staat „der absolut vollendete ethische Organismus,” und sie ließ den ganzen Zweck des menschlichen Daseyns im Staat aufgehn. Konnte es eine bessere Zurichtung für künftige Referendarien und demnächst Staatsbeamte geben, als diese, in Folge welcher ihr ganzes Wesen und Seyn, mit Leib und Seele, völlig dem Staat verfiel, wie das der Biene dem Bienenstock, und sie auf nichts Anderes, weder in dieser, noch in einer andern Welt hinzuarbeiten hatten, als daß sie taugliche Räder würden, mitzuwirken, um die große Staatsmaschine, diesen ultimus finis bonorum, im Gange zu erhalten? Der Referendar und der Mensch war danach Eins und das Selbe. Es war eine rechte Apotheose der Philisterei.
Sämtliche Werke, Bd. 5, p. 159, E. Payne, trans. (1974) Vol. 1, pp. 146-147
Parerga and Paralipomena (1851), On Philosophy in the Universities

Hillary Clinton photo

“I think there are a lot of great ideas out in America, and I want you to have a say in your government. And that means we have to get unaccountable money out of our politics, overturn Citizens United, and expand voting rights, not restrict them.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), Speech in Warren, Michigan (August 11, 2016)

George W. Bush photo
Louis Agassiz photo

“The crust of our earth is a great cemetery, where the rocks are tombstones on which the buried dead have written their own epitaphs.”

Louis Agassiz (1807–1873) Swiss naturalist

Geological Sketches (1870), ch. 2, p. 31 https://babel.hathitrust.org/cgi/pt?id=hvd.32044018968388;view=1up;seq=49

William H. Rehnquist photo

“It has been said that Sweden's loss has been America's gain, and I think this is true. Swedish immigrants and their descendants have contributed a great deal to America and it is worthwhile to remember our Swedish heritage.”

William H. Rehnquist (1924–2005) Chief Justice of the United States

Address at a Swedish Colonial Society luncheon in Philadelphia (9 April 2001).
Books, articles, and speeches

Susan Cooper photo
George W. Bush photo
Franz von Papen photo
Germaine Greer photo
Stephen Baxter photo

“He set no great value on money, or, perhaps, to speak properly, he set on it no more than its true value.”

Stephen Baxter (1957) author

Source: Ages in Chaos (2003), Chapter 8, “A cursed country where one has to shape everything out of a block” (p. 68)

Alan Menken photo

“Collaboration is being open to each other's ideas and benefiting from each other's perspectives in an open way. Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work — it's easier to do it in a collaboration than on your own.”

Alan Menken (1949) American musical theatre and film composer and pianist.

BWW EXCLUSIVE: Alan Menken Talks TANGLED, SISTER ACT, LEAP OF FAITH, HUNCHBACK, ALADDIN & More" in Broadway World (15 November 2010) http://broadwayworld.com/article/BWW_EXCLUSIVE_Alan_Menken_Talks_TANGLED_SISTER_ACT_LEAP_HUNCHBACK_ALADDIN_More_20101115_page2#ixzz15WG7uJFs.

Paul Ryan photo
Paula Modersohn-Becker photo
Ann Coulter photo
Michael Moore photo

“They are possibly the dumbest people on the planet… in thrall to conniving, thieving, smug pricks. We Americans suffer from an enforced ignorance. We don't know about anything that's happening outside our country. Our stupidity is embarrassing. National Geographic produced a survey which showed that 60 percent of 18-25 year olds don't know where Great Britain is on a map. And 92 percent of us don't own a passport.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

On the American public, as quoted in "The Awkward Conscience of a Nation" in The Daily Mirror (3 November 2003); also partly quoted in "The company they keep" by Michael Barone, in U.S.News & World Report (12 July 2004) http://www.usnews.com/usnews/opinion/articles/040712/12barone.htm
2004

Thornton Wilder photo
Marcel Duchamp photo
Camille Paglia photo
Philip Roth photo

“When the whole world doesn't believe in God, it will be a great place.”

Philip Roth (1933–2018) American novelist

Interview on CBS, 03 October 2010 https://www.youtube.com/watch?v=ZNv_a1CbX30, Philip Roth on Fame, Sex, and God http://www.cbsnews.com/news/philip-roth-on-fame-sex-and-god/ (3 October 2010)

Richard Baxter photo
Gerard Bilders photo

“I have seen pictures [on the Salon of Brussel, 1860], of which I had never dreamed and in which I found all that my heart desires, all that I nearly always miss in the Dutch painters. Troyon, Courbet, Diaz, Dupré [all painters of the School of Barbizon, Robert Fleury have made a great impression on me. I am a good Frenchman, therefore; but, as Simon van den Berg says, it is just because I am a good Frenchman that I am a good Dutchman, since the great Frenchmen of today and the great Dutchmen of the past have much in common. Unity, restfulness, earnestness and, above all, an inexplicable intimacy with nature are what struck me most in these pictures. There were certainly also a few good Dutch pieces, but, generally speaking, when you place them next to the great Parisians, they lack that mellowness, that quality which, so to speak, resembles the deep tones of an organ. And yet this luxurious manner came originally from Holland, from our steaming, fat-coloured Holland! They were courageous pictures; there was a heart and a soul in them.”

Gerard Bilders (1838–1865) painter from the Netherlands

Quote from Bilders in his letter (End of 1860); as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908
1860's

Robert P. George photo
James Bryce, 1st Viscount Bryce photo
Christopher Hitchens photo
Charles James Fox photo

“[Napoleon has now] surpassed…Alexander & Caesar, not to mention the great advantage he has over them in the Cause he fights in.”

Charles James Fox (1749–1806) British Whig statesman

Letter to Denis O'Bryen (16 July 1800), quoted in L. G. Mitchell, Charles James Fox (London: Penguin, 1997), p. 167.
1800s

Shah Jahan photo
Yehudi Menuhin photo
William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

Jane Roberts photo
William Congreve photo

“I find we are growing serious, and then we are in great danger of being dull.”

Act II, scene vii
The Old Bachelor (1693)

Titian photo
John Allen Fraser photo

“A careful and sympathetic sense of humour can also be a great asset when there is need to get out of difficult situations gracefully.”

John Allen Fraser (1931) Canadian politician

Source: The House Of Commons At Work (1993), Chapter 4, The Office of Speaker of the House of Commons, p. 55

Jack Layton photo
Stanley Baldwin photo
Michelle Phillips photo

“I was so lucky to have been surrounded by really great actors. Everybody in that movie was a real actor: Warren Oates, Ben Johnson, Cloris Leachman, Richard Dreyfuss, Harry Dean Stanton. It was just a wonderful, wonderful experience for me and I had so much support and so much help and so much encouragement.”

Michelle Phillips (1944) Singer, actress

On her first acting role in Dillinger (1973), The Huffington Post http://www.huffingtonpost.com/entry/chats-with-esperanza-spalding-michelle-phillips-lee_us_57b32bc0e4b0567d4f130aab (August 25, 2016)

Alexandra Kollontai photo
Asger Jorn photo
James Madison photo
Franz Halder photo

“The Führer confirms my impressions of yesterday. He would like an understanding with Great Britain. He knows that war with the British will be hard and bloody, and knows also that people everywhere today are averse to bloodshed.”

Franz Halder (1884–1972) German general

July 14, 1940 diary entry, quoted in "Their Finest Hour" - Page 230 - by Winston Churchill - History - 1986.
Sourced Encyclopedia of the Third Reich Louis L. Snyder

Oliver Sacks photo
André Maurois photo

“A great statesman, like a good housekeeper, knows that cleaning has to be done every morning.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Leadership

Joseph Campbell photo
Oliver Wendell Holmes photo
Richard Feynman photo
Ian Bremmer photo

“The great thing about the U. S. economy right now is that we are the smart kids in the stupid-kid class. America has fiscal problems and gridlock issues and polarity and partisanship in Congress -- and yet, compared to Japan and Europe, the U. S. looks great.”

Ian Bremmer (1969) American political scientist

"Capitalism's State of Play," http://online.barrons.com/article/SB127206429298081857.html#articleTabs_panel_article%3D1 Barron's (April 24, 2010).

Adyashanti photo
Margaret Thatcher photo
Vitruvius photo

“Apollo at Delphi, through the oracular utterance of his priestess, pronounced Socrates the wisest of men. Of him it is related that he said with sagacity and great learning that the human breast should have been furnished with open windows, so that men might not keep their feelings concealed, but have them open to the view. Oh that nature, following his idea, had constructed them thus unfolded and obvious to the view.”
Delphicus Apollo Socratem omnium sapientissimum Pythiae responsis est professus. Is autem memoratur prudenter doctissimeque dixisse, oportuisse hominum pectora fenestrata et aperta esse, uti non occultos haberent sensus sed patentes ad considerandum. Utinam vero rerum natura sententiam eius secuta explicata et apparentia ea constituisset!

Preface, Sec. 1
De architectura (The Ten Books On Architecture) (~ 15BC), Book III

John Cotton Dana photo

“A great department store, easily reached, open at all hours, is more like a good museum of art than any of the museums we have yet established.”

John Cotton Dana (1856–1929) American librarian and museum director

New York Times, March 16, 2010 http://www.nytimes.com/2010/03/17/arts/17iht-rartmuseums.html

Gerard Bilders photo

“I agree completely with your remark that in the struggle against nature lies already a part of art, and really pleasant is for me already the feeling of returning as a victor from small skirmishes, although in the great battle one always feels still defeated. As you advised me, I have made sketches of skies, indicating the effect in them, and making a note for the important colors; I also did better in making a small sky; at least people think so.”

Gerard Bilders (1838–1865) painter from the Netherlands

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Gerard Bilders' brief, in het Nederlands: Uwe opmerking, dat in den strijd tegen de natuur reeds een gedeelte der kunst ligt, vind ik volkomen juist, en regt aangenaam is reeds het gevoel, waarmede men als overwinnaar terugkeert uit kleine schermutselingen, hoewel men zich in den grooten slag toch steeds als verslagen gevoelt. Zoo als u mij aanraadt, heb ik schetsen van luchten gemaakt, het effect er in aangeduid en de voornaamste kleuren er bij geschreven; ik ben dan nu ook in een klein luchtje wat beter geslaagd; men vindt het ten minste.
Quote of Gerard Bilders, in a letter to his maecenas Johannes Kneppelhout, 5 Feb. 1858; from an excerpt of this letter https://rkd.nl/nl/explore/excerpts/526, in the RKD-Archive, The Hague
1850's

George Canning photo

“I for my part still conceive it to be the paramount duty of a British member of parliament to consider what is good for Great Britain…I do not envy that man's feelings, who can behold the sufferings of Switzerland, and who derives from that sight no idea of what is meant by the deliverance of Europe. I do not envy the feelings of that man, who can look without emotion at Italy – plundered, insulted, trampled upon, exhausted, covered with ridicule, and horror, and devastation – who can look at all this, and be at a loss to guess what is meant by the deliverance of Europe? As little do I envy the feelings of that man, who can view the peoples of the Netherlands driven into insurrection, and struggling for their freedom against the heavy hand of a merciless tyranny, without entertaining any suspicion of what may be the sense of the word deliverance. Does such a man contemplate Holland groaning under arbitrary oppressions and exactions? Does he turn his eyes to Spain trembling at the nod of a foreign master? And does the word deliverance still sound unintelligibly in his ear? Has he heard of the rescue and salvation of Naples, by the appearance and the triumphs of the British fleet? Does he know that the monarchy of Naples maintains its existence at the sword's point? And is his understanding, and his heart, still impenetrable to the sense and meaning of the deliverance of Europe?”

George Canning (1770–1827) British statesman and politician

Speech in 1798, quoted in Wendy Hinde, George Canning (London: Purnell Books Services, 1973), p. 66.

Józef Piłsudski photo

“(About Poland) A great nation, only the people are cunts.”

Józef Piłsudski (1867–1935) Polish politician and Prime Minister

Józef Piłsudski, Myśli i wypsknięcia, Warszawa 2010, p. 41.
Attributed

Alan Shepard photo

“If we had said 30 years ago that we were going to have only two incidents with casualties, we would have thought, 'Boy, that's great. To me, that indicates that the program has really exceeded what the early expectations were.”

Alan Shepard (1923–1998) American astronaut

Beth Dickey, Reuters (May 5, 1991) "First American in Space Marks 30th Anniversary", The Commercial Appeal, p. A2.

Robert Cecil, 1st Viscount Cecil of Chelwood photo
Matthew Prior photo
Russell L. Ackoff photo
Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Edmund Burke photo
Gerald Ford photo

“It's the quality of the ordinary, the straight, the square, that accounts for the great stability and success of our nation. It's a quality to be proud of. But it's a quality that many people seem to have neglected.”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

As quoted by TIME magazine (28 January 1974)
1970s

Eugene V. Debs photo

“When great changes occur in history, when great principles are involved, as a rule the majority are wrong.”

Eugene V. Debs (1855–1926) American labor and political leader

Speech in Cleveland, Ohio.(Sept. 11, 1918) Eugene V. Debs Speaks, ed. Jean Y. Tussey (1970)

Sri Aurobindo photo
Johann Hari photo
K. R. Narayanan photo
Wentworth Miller photo

“A great book provides escapism for me. The artistry and the creativity in a story are better than any drugs.”

Wentworth Miller (1972) British-born American actor

Movie Tome. 27 Aug 2009. http://www.movietome.com/people/714/wentworth-miller/trivia.html

George Savile, 1st Marquess of Halifax photo

“A very great Memory often forgetteth how much Time is lost by repeating things of no Use.”

George Savile, 1st Marquess of Halifax (1633–1695) English politician

On King Charles II’s memory.
A Character of King Charles II (1750)