Quotes about flow
page 7

Plutarch photo

“Cicero called Aristotle a river of flowing gold, and said of Plato's Dialogues, that if Jupiter were to speak, it would be in language like theirs.”

Plutarch (46–127) ancient Greek historian and philosopher

Life of Cicero
Bartlett's Familiar Quotations, 10th ed. (1919)

Jane Roberts photo

“The modern sensibility attempts to drain the contents of experience; these Greek poets strive to state the fact so poignantly that it becomes an ever-flowing spring — as Sappho says, "More real than real, more gold than gold."”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

The Greek Anthology (p. 59)
Classics Revisited (1968)

Lama Ole Nydahl photo
Haruki Murakami photo
Fritjof Capra photo
Ethan Hawke photo
Elia M. Ramollah photo
Arthur O'Shaughnessy photo
Amanda Wyss photo
Siddharth Katragadda photo

“The purest water is formed by flowing through the muddiest mountains”

Siddharth Katragadda (1972) Indian writer

page 45
Dark Rooms (2002)

Elizabeth Chase Allen photo

“Backward, flow backward, O tide of the years!
I am so weary of toil and of tears,—
Toil without recompense, tears all in vain!
Take them, and give me my childhood again!”

Elizabeth Chase Allen (1832–1911) American author, journalist, poet

Rock me to sleep, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Huey P. Newton photo

“A flowing river is an infinity of superimposed production belts.”

Malcolm de Chazal (1902–1981) Mauritian artist

Sens-plastique

Samuel Taylor Coleridge photo
Swami Vivekananda photo
Rachael Ray photo
Bernard Harcourt photo
Thomas Jefferson photo

“In England, where judges were named and removable at the will of an hereditary executive, from which branch most misrule was feared, and has flowed, it was a great point gained, by fixing them for life, to make them independent of that executive. But in a government founded on the public will, this principle operates in an opposite direction, and against that will. There, too, they were still removable on a concurrence of the executive and legislative branches. But we have made them independent of the nation itself. They are irremovable, but by their own body, for any depravities of conduct, and even by their own body for the imbecilities of dotage. The justices of the inferior courts are self- chosen, are for life, and perpetuate their own body in succession forever, so that a faction once possessing themselves of the bench of a county, can never be broken up, but hold their county in chains, forever indissoluble. Yet these justices are the real executive as well as judiciary, in all our minor and most ordinary concerns. They tax us at will; fill the office of sheriff, the most important of all the executive officers of the county; name nearly all our military leaders, which leaders, once named, are removable but by themselves. The juries, our judges of all fact, and of law when they choose it, are not selected by the people, nor amenable to them. They are chosen by an officer named by the court and executive. Chosen, did I say? Picked up by the sheriff from the loungings of the court yard, after everything respectable has retired from it. Where then is our republicanism to be found? Not in our constitution certainly, but merely in the spirit of our people. That would oblige even a despot to govern us republicanly. Owing to this spirit, and to nothing in the form of our constitution, all things have gone well. But this fact, so triumphantly misquoted by the enemies of reformation, is not the fruit of our constitution, but has prevailed in spite of it. Our functionaries have done well, because generally honest men. If any were not so, they feared to show it.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

1810s, Letter to H. Tompkinson (AKA Samuel Kercheval) (1816)

“In our online descriptions and program literature we describe the cloisters as a public sphere for networked interaction, the gathering place for students, professors, and librarians engaged in planning, evaluating, or reviewing the efforts of research and study utilizing the whole range of technologies of literacy. We go further and describe the task of the cloisters as to "channel flows of research, learning and teaching between the increasingly networked world of the library and the intimacy and engagement of our classrooms and other campus spaces". There we continue to explore the "collectible object", which I tentatively described in Othermindedness in terms of maintaining an archive of "the successive choices, the errors and losses, of our own human community" and suggesting that what constitutes the collectible object is the value which suffuses our choices. It seemed to me then that electronic media are especially suited to tracking such "changing change".
I think it still seems so to me now but I do fear we have lost track of the beauty and nimbleness of new media in representing and preserving the meaning-making quotidian, the ordinary mindfulness which makes human life possible and valuable.
It is interesting, I think, that recounting and rehearsing this notion leaves this interview layered and speckled with (self) quotations, documentations, implicit genealogies, images, and traditions of continuity, change, and difference. Perhaps the most quoted line of afternoon over the years has been the sentence "There is no simple way to say this."”

Michael Joyce (1945) American academic and writer

The same is true of any attempt to describe the way in which the collectible object participates in (I use this word as a felicitous shorthand for the complex of ideas involved in what I called "representing and preserving the meaning-making quotidian" above) the library as living archive.
An interview with Michael Joyce and review of Liam’s Going at Trace Online Writing Centre Archive (2 December 2002) http://tracearchive.ntu.ac.uk/review/index.cfm?article=33

Marie of Edinburgh, Queen of Romania photo
Corrado Maria Daclon photo
Wang Wei photo
John Ruysbroeck photo
David Bohm photo
Byron White photo

“While the collateral consequences of drugs such as cocaine are indisputably severe, they are not unlike those which flow from the misuse of other, legal, substances.”

Byron White (1917–2002) Associate Justice of the U.S. Supreme Court, American football player

Harmelin v. Michigan 501 U.S. 957 at 1023 (1991).

Michael Swanwick photo
Chinmayananda Saraswati photo

“Bhakti is the attitude of the mind, and jnana is the attitude of the intellect, both flow towards the Lord.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Kofi Annan photo
Manuel Castells photo
Folke Bernadotte photo
Adam Gopnik photo

“Theatre is simply in my BLOOD.. If they had to de-sanguinize me the BAD theatrical blood - or maybe that's MAGICAL blood - would simply flow back!”

Taubie Kushlick (1910–1991) South African actor and director

Sunday Times interview (1980s)

Gautama Buddha photo
Matthew Arnold photo
Amy Lowell photo
Lil Wayne photo

“Mel Gibson flow, Lethal Weapon, 'book 'em Danny!”

Lil Wayne (1982) American rapper, singer, record executive and businessman

I'm Me
Official Mix tapes, The Leak (2007)

Jones Very photo
Joseph Smith, Jr. photo
Conrad Aiken photo

“We flow, we descend, we turn... and the eternal dreamer
Moves among us like light, like evening air...”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Mary Midgley photo
Quentin Crisp photo
Kent Hovind photo
Erasmus Darwin photo
Conrad Aiken photo
Slim Burna photo
John Lancaster Spalding photo

“What we think out for ourselves forms channels in which other thoughts will flow.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 274

Bhakti Tirtha Swami photo
Joan Maragall photo
James Anthony Froude photo
Muhammad photo

“Jabir reported that the Messenger of Allah, may Allah bless him and grant him peace, said, "The metaphor of the five prayers is that of an sizeable flowing river at the door of one of you in which he washes five times every day."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Riyadh-as-Saliheen by Imam Al-Nawawi, volume 5, hadith number 1043
Sunni Hadith
Variant: Jabir reported that the Messenger of Allah, may Allah bless him and grant him peace, said, "The metaphor of the five prayers is that of an sizeable flowing river at the door of one of you in which he washes five times every day."

Steve Allen photo
G. I. Gurdjieff photo
Adelaide Anne Procter photo

“Dreams grow holy put in action; work grows fair through starry dreaming,
But where each flows on unmingling, both are fruitless and in vain.”

Adelaide Anne Procter (1825–1864) English poet and songwriter

"Philip and Mildred".
Legends and Lyrics: Second Series (1861)

Avner Strauss photo

“Words flow under a bridge of silence.”

Avner Strauss (1954) Israeli musician

A Song For You (1980).

Walter Bagehot photo
George Bernard Shaw photo
Rollo May photo
Samuel Johnson photo

“Fears of the brave, and follies of the wise!
From Marlb'rough's eyes the streams of dotage flow,
And Swift expires, a driv'ler and a show.”

Samuel Johnson (1709–1784) English writer

Source: Vanity of Human Wishes (1749), Line 316

Jim Baggott photo
T. E. Lawrence photo
Vannevar Bush photo
Yasunari Kawabata photo
Ha-Joon Chang photo
Thomas Piketty photo
James Thomson (poet) photo
Albrecht Thaer photo
Julian of Norwich photo
Learned Hand photo

“Life is made up of a series of judgments on insufficient data, and if we waited to run down all our doubts, it would flow past us.”

Learned Hand (1872–1961) American legal scholar, Court of Appeals judge

"On Receiving an Honorary Degree" (1939).
Extra-judicial writings

Corrado Maria Daclon photo
A. P. J. Abdul Kalam photo
Jane Austen photo
Johnny Cash photo
Wang Wei photo

“The bright moon shines between the pines.
The crystal stream flows over the pebbles.”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"Autumn Twilight in the Mountains" (山居秋暝), trans. Kenneth Rexroth

Ignatius Sancho photo
Garrison Keillor photo
Kevin Kelly photo

“It's a "hits" economy where resources flow to those that show some life. If a new novel, new product, or new service begins to succeed it is fed more; if it falters its left to wither.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995), New Rules for the New Economy: 10 Radical Strategies for a Connected World (1999)

Thomas Carlyle photo
Vannevar Bush photo
Gore Vidal photo
Alexander Maclaren photo
John of St. Samson photo
Didier Sornette photo
Johannes Tauler photo
Homér photo

“The gods don't hand out all their gifts at once,
not build and brains and flowing speech to all.”

VIII. 167–168 (tr. Robert Fagles).
Odyssey (c. 725 BC)

Frank Wilczek photo
Isaac Barrow photo
Yu Kwang-chung photo

“The Yellow River flows torrential in my veins.
China is me I am China.”

Yu Kwang-chung (1928–2017) Taiwanese poet

"Music Percussive", in An Anthology of Contemporary Chinese Literature. Taiwan: 1949–1974. Vol. I: Poems and Essays, eds. Pang-yuan Chi et al. (Taipei: National Institute for Compilation and Translation, 1977), p. 113

Charles Baudelaire photo

“A man who from the beginning has long been soaked in the languid atmosphere of a woman, the scent of her hands, her bosom, her knees, her hair, her lithe and flowing clothes,Sweet bath, suavely
Scented with ointments,has acquired a delicacy of skin, a refinement of tone, a kind of androgyny without which the toughest and most virile of geniuses remains, when it comes to artistic perfection, an incomplete being.”

<p>L’homme qui, dès le commencement, a été longtemps baigné dans la molle atmosphère de la femme, dans l’odeur de ses mains, de son sein, de ses genoux, de sa chevelure, de ses vêtements souples et flottants,</p><p>Dulce balneum suavibus
Unguentatum odoribus,</p><p>y a contracté une délicatesse d’épiderme et une distinction d’accent, une espèce d’androgynéité, sans lesquelles le génie le plus âpre et le plus viril reste, relativement à la perfection dans l’art, un être incomplet.</p>
"Un mangeur d'opium," VII: Chagrins d'enfance http://fr.wikisource.org/wiki/Les_Paradis_artificiels_-_II#VII_CHAGRINS_D.E2.80.99ENFANCE
Les paradis artificiels (1860)

Nastassja Kinski photo

“I always fall in love with someone while I'm working in a film. It's a joy to get up in the morning. Sometimes when I'm not infatuated, I just make things up in my mind. Making a film is such an intense thing. You're eliminating everything in your life and you're absorbed into the world of the movie. It's exciting. It's like somebody saying you have an illness and you only have this short time to live. Then you live it that life is over with. Good-bye. You never see any of the people again. But meanwhile you have this short life in which you can do and feel and fantasize about all kinds of things because you know it will soon be over. So I always fall in love. Then you slip out of it, like a skin you take off, and you're naked and you're cold but it's exciting because there is going to be something new. My relationships are as intense and as giving and as short as my parts are. I would pump everything into a person. I would give my left arm that it was for life, but it dies so shortly. And when it dies, it doesn't even leave traces. The relationship vanishes into space. When I finish a part, it's the same feeling. I leave people and people leave me, I leave parts and parts leave me. I say it is 'the flow of life,' but it affects me terribly. Every once in a while I have such a breakdown, question every move.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

Arthur Hugh Clough photo
Michael Swanwick photo
Kenneth Arrow photo