Quotes from book
Les Paradis artificiels

Name: Les Paradis artificiels
Author: Charles Baudelaire

Charles BaudelaireOriginal title Les Paradis artificiels, Opium et Haschisch (French, 1860)

Les Paradis Artificiels is a book by French poet Charles Baudelaire, first published in 1860, about the state of being under the influence of opium and hashish. Baudelaire describes the effects of the drugs and discusses the way in which they could theoretically aid mankind in reaching an "ideal" world. The text was influenced by Thomas de Quincey's Confessions of an English Opium-Eater and Suspiria de Profundis.Baudelaire analyzes the motivation of the addict, and the individual psychedelic experience of the user. His descriptions have foreshadowed other such work that emerged later in the 1960s regarding LSD.

“Alas, the vices of man, as horrifying as they are presumed to be, contain proof (if only in their infinite expansiveness!) of his bent for the infinite.”

Charles Baudelaire book Les Paradis artificiels

Hélas! les vices de l’homme, si pleins d’horreur qu’on les suppose, contiennent la preuve (quand ce ne serait que leur infinie expansion!) de son goût de l’infini. "Le poème du haschisch," I: Le goût de l’infini http://fr.wikisource.org/wiki/Les_Paradis_artificiels_-_I Les paradis artificiels (1860)

“A man who from the beginning has long been soaked in the languid atmosphere of a woman, the scent of her hands, her bosom, her knees, her hair, her lithe and flowing clothes,Sweet bath, suavely
Scented with ointments,has acquired a delicacy of skin, a refinement of tone, a kind of androgyny without which the toughest and most virile of geniuses remains, when it comes to artistic perfection, an incomplete being.”

Charles Baudelaire book Les Paradis artificiels

L’homme qui, dès le commencement, a été longtemps baigné dans la molle atmosphère de la femme, dans l’odeur de ses mains, de son sein, de ses genoux, de sa chevelure, de ses vêtements souples et flottants,Dulce balneum suavibus Unguentatum odoribus,y a contracté une délicatesse d’épiderme et une distinction d’accent, une espèce d’androgynéité, sans lesquelles le génie le plus âpre et le plus viril reste, relativement à la perfection dans l’art, un être incomplet. "Un mangeur d'opium," VII: Chagrins d'enfance http://fr.wikisource.org/wiki/Les_Paradis_artificiels_-_II#VII_CHAGRINS_D.E2.80.99ENFANCE Les paradis artificiels (1860)