Quotes about feel
page 52

Parker Palmer photo
Subramanian Swamy photo

“I feel that only those who have been oppressed by the society and have been forced to live a backward life should given reservations. If Muslims want to study, then should be given scholarships, good schools, But Muslims and Christians can't have reservation as they have ruled our country.”

Subramanian Swamy (1939) Indian politician

On giving reservations to Muslims and Christians, as quoted in "Muslims and Christians shouldn't ask for reservation, says Subramanian Swamy" http://www.dnaindia.com/india/report-muslims-and-christians-shouldn-t-ask-for-reservation-says-subramanian-swamy-1995886, DNA India (16 June 2014)
2011-2014

Ursula K. Le Guin photo

“The experience was disagreeable. I began to feel like an atheist praying.”

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 18 “On the Ice” (p. 252)

Letitia Elizabeth Landon photo
Rollo May photo

“When people feel their insignificance as individual persons, they also suffer an undermining of their sense of human responsibility.”

Rollo May (1909–1994) US psychiatrist

Source: Psychology and the Human Dilemma (1967), p. 31

Auguste Rodin photo

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Winston S. Churchill photo

“…to-morrow the proclamation of her sovereignty will command the loyalty of her native land and of all other parts of the British Commonwealth and Empire. I, whose youth was passed in the august, unchallenged and tranquil glories of the Victorian Era, may well feel a thrill in invoking, once more, the prayer and the Anthem, GOD SAVE THE QUEEN.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Broadcast (7 February 1952) upon the accession of Elizabeth II, quoted in Winston Churchill, Stemming the Tide: Speeches 1951 and 1952 (London: Cassell & Co, 1953), p. 240
Post-war years (1945–1955)

Chaim Soutine photo
Winston S. Churchill photo
Bell Hooks photo
Baba Amte photo

“Each time you sit down to practice, take a few minutes to feel in your heart why this is important to you.”

Ken McLeod (1948) Canadian lama

Practice Tip http://eofcentre.wordpress.com/2012/06/25/just-practice-so-simple-really/. (2012-06-25) (Topic: Practice)

Katie Couric photo
Sholem Asch photo

“I can't remember ever feeling so glad that a movie was finally over. [Director George] Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.”

Stephanie Zacharek (1963) American film critic

Review http://salon.com/ent/movies/review/2002/05/16/attack_clones/index.html of Star Wars Episode II: Attack of the Clones (2002)

John Ruysbroeck photo

“And there you In a new embrace, with a new torrent of eternal love: all the elect, angels and men, from the last to the first are embraced It is a living and fruitful unity, which is the source and the fount of all life All creatures are there without themselves as in their eternal origin, One essence and one life with God These enlightened people are lifted up with free mind above reason…To the summit of their spirit Their naked understanding is penetrated with eternal clarity as the air is penetrated by the light of the sun. The bare elevated will is transformed and penetrated with fathomless love, just as iron is penetrated by the fire [God] gives Himself in the soul’s essence…Where the soul’s powers are unified…And undergo God’s transformation in simplicity. In this place all is full and overflowing, for the spirit feels itself as one truth and one richness. And one unity with God All spirits thus raised up Melt away and are annihilated by reason of enjoyment in God’s essence They fall away from themselves and are lost in a bottomless unknowingWith God they will ebb and flow, and will always be in repose…They are drunk with love and have passed away into God in a dark luminosity must accept that the Persons yield and lose themselves whirling in essential love, that is, in enjoyable unity; nevertheless, they always remain according to their personal properties In the working of the Trinity. You may thus understand that the divine nature is eternally at rest and without mode according to the simplicity of its essence. It is why all that God has chosen and enfolded with eternal personal love, he has possessed essentially, enjoyably in unity, with essential love.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

Krist Novoselic photo

“I do feel like, kinda like a misfit; usually I feel, inside, I'm a misfit. Like, I don't really watch sports, or a lot of…”

Krist Novoselic (1965) Croatian-American rock musician

1:46–1:55
"Nirvana's Krist Novoselic on Punk, Politics, & Why He Dumped the Dems" https://www.youtube.com/watch?v=k4TPRH2uK9w

Modest Mussorgsky photo
Pat Condell photo
Catherine the Great photo
Roger Ebert photo
Chris Cornell photo
Vātsyāyana photo

“Karma is the enjoyment of appropriate objects by the five senses of hearing, feeling, seeing, tasting and smelling, assisted by the mind together with the soul. The ingredient in this is a peculiar contact between the organ of sense and its object, and the consciousness of pleasure which arises from that contact is called Kama.”

Vātsyāyana Indian logician

Source: The Kama Sutra of Vatsyayana: Translated from the Sanskrit. In seven parts, with preface, introduction, and concluding remarks http://books.google.com/books?id=-ElAAQAAIAAJ&pg=PA18, Kama Shastra Society of London and Benares, 1883, P. 17

Charlotte Ross photo
Michelangelo Antonioni photo
Andy Warhol photo
Julian of Norwich photo
Andy Warhol photo
Nguyen Khanh photo
Max Scheler photo

“"This law of the release of tension through illusory valuation gains new significance, full of infinite consequences, for the ressentiment attitude. To its very core, the mind of ressentiment man is filled with envy, the impulse to detract, malice, and secret vindictiveness. These affects have become fixed attitudes, detached from all determinate objects. Independently of his will, this man's attention will be instinctively drawn by all events which can set these affects in motion. The ressentiment attitude even plays a role in the formation of perceptions, expectations, and memories. It automatically selects those aspects of experience which can justify the factual application of this pattern of feeling. Therefore such phenomena as joy, splendor, power, happiness, fortune, and strength magically attract the man of ressentiment. He cannot pass by, he has to look at them, whether he “wants” to or not. But at the same time he wants to avert his eyes, for he is tormented by the craving to possess them and knows that his desire is vain. The first result of this inner process is a characteristic falsification of the world view. Regardless of what he observes, his world has a peculiar structure of emotional stress. The more the impulse to turn away from those positive values prevails, the more he turns without transition to their negative opposites, on which he concentrates increasingly. He has an urge to scold, to depreciate, to belittle whatever he can. Thus he involuntarily “slanders” life and the world in order to justify his inner pattern of value experience.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Lily Tomlin photo

“Sometimes I feel like a figment of my own imagination.”

Lily Tomlin (1939) American actress, comedian, writer, and producer

As "Chrissy"
Contributions of Jane Wagner, The Search for Signs of Intelligent Life in the Universe (1985)

Richard Cobden photo
Roberto Clemente photo
Norbert Wiener photo
Nguyễn Du photo

“West Lake flower garden: a desert, now.
Alone, at the window, I read through old pages.
A smudge of rouge, a scent of perfume, but
I still weep.
Is there a Fate for books?
Why mourn for a half-burned poem?
There is nothing, there is no one to question,
and yet this misery feels like my own.
Ah, in another three hundred years
will anyone weep, remembering my fate?”

Nguyễn Du (1765–1820) Vietnamese poet

"Reading Hsiao-ch'ing", in The Harpercollins World Reader: The Modern World, eds. Mary Ann Caws and Christopher Prendergast (HarperCollins Publishers, 1994), ISBN 978-0065013832, p. 1411
Hsiao-Ching was "a seventeenth-century poet who was forced to become a concubine to a man whose jealous primary wife burned almost all of her poems" — David Damrosch, "Global Scripts and the Formation of Literary Traditions", in Approaches to World Literature (2013), p. 98

Sadik Kaceli photo
Alexandra Kollontai photo
Clarence Thomas photo
Neil Armstrong photo

“It would be impossible to overstate the appreciation that we on the crew feel for your dedication and the quality of your work.”

Neil Armstrong (1930–2012) American astronaut; first person to walk on the moon

40th anniversary of the Apollo 11 landing (2009)

Paul Klee photo
James Nachtwey photo
Cormac McCarthy photo
Alanis Morissette photo
Baba Amte photo
Garry Trudeau photo
Torrey DeVitto photo
Koila Nailatikau photo
Courtney Love photo
Arsène Wenger photo
John Banville photo
Craig Ferguson photo
George Borrow photo
John Updike photo
James Fenimore Cooper photo
Sarada Devi photo

“In the course of time one does not feel even the existence of God. After attaining enlightenment one sees that gods and deities are all Maya.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

[Swami Tapasyananda, Swami Nikhilananda, Sri Sarada Devi, the Holy Mother; Life and Conversations, 297]

Arthur Wesley Dow photo

“.. art lies in the fine choice. The artist does not teach us to see facts: he teaches us to feel harmonies.”

Arthur Wesley Dow (1857–1922) painter from the United States

"Talks on the Appreciation of Art", The Delinator (Jan 1915)
Other

Michelangelo Antonioni photo
Gloria Estefan photo
Marianne Moore photo

“I don't consider In Distrust of Merits a poem. It's just a burst of feelings. It's emotion recorded, a 'haphazard form ' a protest.”

Marianne Moore (1887–1972) American poet and writer

Interview with Grace Shulman. Quarterly Review of Literature 1969

Yolanda King photo
Max Scheler photo

“The “noble” person has a completely naïve and non-reflective awareness of his own value and of his fullness of being, an obscure conviction which enriches every conscious moment of his existence, as if he were autonomously rooted in the universe. This should not be mistaken for “pride.” Quite on the contrary, pride results from an experienced diminution of this “naive” self-confidence. It is a way of “holding on” to one’s value, of seizing and “preserving” it deliberately. The noble man’s naive self-confidence, which is as natural to him as tension is to the muscles, permits him calmly to assimilate the merits of others in all the fullness of their substance and configuration. He never “grudges” them their merits. On the contrary: he rejoices in their virtues and feels that they make the world more worthy of love. His naive self-confidence is by no means “compounded” of a series of positive valuations based on specific qualities, talents, and virtues: it is originally directed at his very essence and being. Therefore he can afford to admit that another person has certain “qualities” superior to his own or is more “gifted” in some respects—indeed in all respects. Such a conclusion does not diminish his naïve awareness of his own value, which needs no justification or proof by achievements or abilities. Achievements merely serve to confirm it. On the other hand, the “common” man (in the exact acceptation of the term) can only experience his value and that of another if he relates the two, and he clearly perceives only those qualities which constitute possible differences. The noble man experiences value prior to any comparison, the common man in and through a comparison. For the latter, the relation is the selective precondition for apprehending any value. Every value is a relative thing, “higher” or “lower,” “more” or “less” than his own. He arrives at value judgments by comparing himself to others and others to himself.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 54-55

Mikhail Kalashnikov photo
Rick Baker photo
Jane Roberts photo
Tobias Smollett photo

“As Love can exquisitely bless,
Love only feels the marvellous of pain;
Opens new veins of torture in the soul,
And wakes the nerve where agonies are born.”

Tobias Smollett (1721–1771) 18th-century poet and author from Scotland

Edward Young, The Brothers (1753), Act V, scene i.
Misattributed

Rana Bhagwandas photo
David Brooks photo
Charles Grey, 2nd Earl Grey photo
Madeleine Stowe photo

“The modern world, more than in any preceding epoch, feels the necessity to learn anew how to pray.”

Elie Munk (1900–1981) French rabbi

page 1
The World of Prayer, vol. 1

Marcus Tullius Cicero photo

“If, then, the things achieved by nature are more excellent than those achieved by art, and if art produces nothing without making use of intelligence, nature also ought not to be considered destitute of intelligence. If at the sight of a statue or painted picture you know that art has been employed, and from the distant view of the course of a ship feel sure that it is made to move by art and intelligence, and if you understand on looking at a horologe, whether one marked out with lines, or working by means of water, that the hours are indicated by art and not by chance, with what possible consistency can you suppose that the universe which contains these same products of art, and their constructors, and all things, is destitute of forethought and intelligence? Why, if any one were to carry into Scythia or Britain the globe which our friend Posidonius has lately constructed, each one of the revolutions of which brings about the same movement in the sun and moon and five wandering stars as is brought about each day and night in the heavens, no one in those barbarous countries would doubt that that globe was the work of intelligence.”
Si igitur meliora sunt ea quae natura quam illa quae arte perfecta sunt, nec ars efficit quicquam sine ratione, ne natura quidem rationis expers est habenda. Qui igitur convenit, signum aut tabulam pictam cum aspexeris, scire adhibitam esse artem, cumque procul cursum navigii videris, non dubitare, quin id ratione atque arte moveatur, aut cum solarium vel descriptum vel ex aqua contemplere, intellegere declarari horas arte, non casu, mundum autem, qui et has ipsas artes et earum artifices et cuncta conplectatur consilii et rationis esse expertem putare. [88] Quod si in Scythiam aut in Brittanniam sphaeram aliquis tulerit hanc, quam nuper familiaris noster effecit Posidonius, cuius singulae conversiones idem efficiunt in sole et in luna et in quinque stellis errantibus, quod efficitur in caelo singulis diebus et noctibus, quis in illa barbaria dubitet, quin ea sphaera sit perfecta ratione.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book II, section 34
De Natura Deorum – On the Nature of the Gods (45 BC)

Will Eisner photo
Nelson Algren photo
Yanni photo
Philipp Meyer photo
Vanessa Redgrave photo
Stanley A. McChrystal photo

“As visible symbols, soldiers often receive praise or condemnation, and both reactions feel curiously undeserved.”

Stanley A. McChrystal (1954) American general

Source: My Share Of The Task (2013), p. 13

Kwame Nkrumah photo
Juan Ramón Jimenéz photo

“I have a feeling that my boat
has struck, down there in the depths,
against a great thing.
And nothing
happens! Nothing … Silence … Waves.
— Nothing happens? Or Has everything happened,
and we are standing now, quietly, in the new life?”

Juan Ramón Jimenéz (1881–1958) Spanish poet

"Oceans", as translated by Robert Bly; quoted in Opening Our Moral Eye : Essays, Talks & Poems Embracing Creativity & Community (1996) by Mary Caroline Richards.

Donald J. Trump photo
Stevie Wonder photo
Bellamy Young photo
Francesco Berni photo

“Think not that aught the fury can surpass
Of woman, when she feels that she is scorned.”

Francesco Berni (1497–1535) Italian poet

Non crediate che sia maggiore sdegno,
Che quel di donna quando e dispregiata.
IX, 23
Rifacimento of Orlando Innamorato

Miguel de Unamuno photo
Robert Newman photo
Ben Croshaw photo
Dawn Richard photo
Carl Lewis photo
Ulysses S. Grant photo