“Turn the other cheek too often and you get a razor through it.”
John Lydon (1956) English singer, songwriter, and musician
Source: [John, Tobler, 1992, NME Rock 'N' Roll Years, 1st, Reed International Books Ltd, London, 303, CN 5585]
Source: Seth Speaks (1972), p. 171
“Turn the other cheek too often and you get a razor through it.”
John Lydon (1956) English singer, songwriter, and musician
Source: [John, Tobler, 1992, NME Rock 'N' Roll Years, 1st, Reed International Books Ltd, London, 303, CN 5585]
James K. Morrow book Only Begotten Daughter
Source: Only Begotten Daughter (1990), Chapter 15 (p. 260)
“Turning the other cheek is a kind of moral jiu-jitsu.”
Gerald Stanley Lee (1862–1944) Americna minister
Book IV, Chapter X.
Crowds (1913)
Marvin Minsky (1927–2016) American cognitive scientist
In "The Many Minds of Marvin Minsky (R.I.P.)" by John Horgan, Scientific American Blogs, 26 January 2016 http://blogs.scientificamerican.com/cross-check/the-many-minds-of-marvin-minsky-r-i-p/
“Attack life, it's going to kill you anyway.”
Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor
Anton LaVey book The Satanic Bible
The Satanic Bible (1969)
Hunter S. Thompson (1937–2005) American journalist and author
Source: Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century
George Orwell (1903–1950) English author and journalist
"Lear, Tolstoy and the Fool," Polemic (March 1947)
Context: Shakespeare starts by assuming that to make yourself powerless is to invite an attack. This does not mean that everyone will turn against you (Kent and the Fool stand by Lear from first to last), but in all probability someone will. If you throw away your weapons, some less scrupulous person will pick them up. If you turn the other cheek, you will get a harder blow on it than you got on the first one. This does not always happen, but it is to be expected, and you ought not to complain if it does happen. The second blow is, so to speak, part of the act of turning the other cheek. First of all, therefore, there is the vulgar, common-sense moral drawn by the Fool: "Don't relinquish power, don't give away your lands." But there is also another moral. Shakespeare never utters it in so many words, and it does not very much matter whether he was fully aware of it. It is contained in the story, which, after all, he made up, or altered to suit his purposes. It is: "Give away your lands if you want to, but don't expect to gain happiness by doing so. Probably you won't gain happiness. If you live for others, you must live for others, and not as a roundabout way of getting an advantage for yourself."