Quotes about eye
page 50

Gene Wolfe photo
Edmund Spenser photo

“As the great eye of heaven, shyned bright,
And made a sunshine in the shady place.”

Canto 3, stanza 4
The Faerie Queene (1589–1596), Book I

Jules Dupré photo

“To have that under one's eyes and not paint it is stupid.”

Jules Dupré (1811–1889) French painter

Dupré, quoted by Albert Wolff, 1880's, Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choice of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 35
Jules Dupré was passing some Summer-weeks at Cayeux-sur-Mer, looking out on the sea from his window. From this day he transformed in a painter of marines; according to Wolff

George Eliot photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Nicolaus Copernicus photo
Jopie Huisman photo

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

Brandon Boyd photo

“Whatever tomorrow brings, I'll be there with open arms and open eyes.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Make Yourself (1999)

Kate Bush photo

“Ooh, he's here again,
The man with the child in his eyes.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

J.C. Ryle photo
Walter Savage Landor photo
Mickey Spillane photo
Aristarchus of Samos photo
T.S. Eliot photo
Karel Čapek photo
Van Morrison photo

“Well it's a marvellous night for a moondance,
With the stars up above in your eyes.
A fantabulous night to make romance,
'Neath the cover of October skies.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Moondance
Song lyrics, Moondance (1970)

David Brin photo
Sören Kierkegaard photo
Eli Noam photo

“We need to recognise that the entire information sector—from music to newspapers to telecoms to internet to semiconductors and anything in-between—has become subject to a gigantic market failure in slow motion. A market failure exists when market prices cannot reach a self-sustaining equilibrium. The market failure of the entire information sector is one of the fundamental trends of our time, with far-reaching long-term effects, and it is happening right in front of our eyes.”

Eli Noam (1946) professor of Finance and Economics at the Columbia Business School

Eli Noam in: " Eli Noam: Market failure in the media sector http://www.citi.columbia.edu/elinoam/FT/2-16-04/MarketFailure.htm" at news.ft.com, February 16 2004
The context of this quote was a digression on the media, telecommunication, information technology, and internet industries.

Nathaniel Hawthorne photo
Charles Kingsley photo
John Millington Synge photo
Jack Vance photo

“You are a particularly clever girl: almost as clever as you are appealing to the eye.”

Source: Lyonesse Trilogy (1983-1989), The Green Pearl (1985), Chapter 16, section 3 (p. 635)

Colin Wilson photo
Aldo Leopold photo
Aymeric Caron photo
Kage Baker photo
Robert Frost photo

“I stopped my song and almost heart,
For any eye is an evil eye
That looks in onto a mood apart.”

Robert Frost (1874–1963) American poet

" A Mood Apart http://www.cod.edu/dept/kiesback/lizkies/frost.htm#mood" (1947)
1940s

Nicomachus photo
Amanda Lear photo

“People only know me as a celebrity and don't realize how much more important art is to me than makeup and set costumes. Show business pays the rent, but painting is my only true passion, so I define myself as a painter who works in show business. Art is a kind of therapy to me, thanks to which I can interpret my feelings. An empty canvas before my eyes is synonymous with the absolute freedom of expression.”

Amanda Lear (1939) singer, lyricist, composer, painter, television presenter, actress, model

http://www.eventiesagre.it/Eventi_Mostre/18010_Sogni+Miti+Colori.html, Eventi Mostre. Sogni Miti Colori 07/06/2008-30/06/2008 Pietrasanta (LU), Toscana, www.eventiesagre.it, Italian, 28 February 2013

Alexander Pope photo

“By foreign hands thy dying eyes were closed,
By foreign hands thy decent limbs composed,
By foreign hands thy humble grave adorned,
By strangers honored, and by strangers mourned.”

Alexander Pope (1688–1744) eighteenth century English poet

Source: The Works of Mr. Alexander Pope (1717), Elegy to the Memory of an Unfortunate Lady, Line 51.

Noel Coward photo

“It's such a surprise
For Eastern eyes
To see,
That though the English are effete,
They're quite impervious to heat.”

Noel Coward (1899–1973) English playwright, composer, director, actor and singer

Mad Dogs and Englishmen (1930)

Adolf Hitler photo
Dylan Moran photo

“Your nose hair… which is grey… is in my eye.”

Dylan Moran (1971) Irish actor and comedian

On how to hurt the ones you really love.
Like, Totally (2006)

Alan Ayckbourn photo

“A comedy is just a tragedy interrupted, I once said. Do you finish with the kiss or when she opens her eyes to tell him she loves him and sees blonde hairs on his collar?”

Alan Ayckbourn (1939) English playwright

"A Crash Course in Playwriting" (1993) http://education.alanayckbourn.net/EducationInterviewsPlaywriting.htm.

“I am now further convinced that there is something to be said in general for studying the history of a lost cause. Perhaps our education would be more humane in result if everyone were required to gain an intimate acquaintance with some coherent ideal that failed in the effort to maintain itself. It need not be a cause which was settled by war; there are causes in the social, political, and ecclesiastical worlds which would serve very well. But it is good for everyone to ally himself at one time with the defeated and to look at the “progress” of history through the eyes of those who were left behind. I cannot think of a better way to counteract the stultifying “Whig” theory of history, with its bland assumption that every cause which has won has deserved to win, a kind of pragmatic debasement of the older providential theory. The study and appreciation of a lost cause have some effect of turning history into philosophy. In sufficient number of cases to make us humble, we discover good points in the cause which time has erased, just as one often learns more from the slain hero of a tragedy than from some brassy Fortinbras who comes in at the end to announce the victory and proclaim the future disposition of affairs. It would be perverse to say that this is so of every historical defeat, but there is enough analogy to make it a sober consideration. Not only Oxford, therefore, but every university ought to be to some extent“the home of lost causes and impossible loyalties.””

Richard M. Weaver (1910–1963) American scholar

It ought to preserve the memory of these with a certain discriminating measure of honor, trying to keep alive what was good in them and opposing the pragmatic verdict of the world.
"Up from Liberalism” Modern Age Vol. 3, No. 1 (Winter 1958-1959), p. 25, cols. 1-2.

Hermann Hesse photo

“We were picking apart a problem in linguistic history and, as it were, examining close up the peak period of glory in the history of a language; in minutes we had traced the path which had taken it several centuries. And I was powerfully gripped by the vision of transitoriness: the way before our eyes such a complex, ancient, venerable organism, slowly built up over many generations, reaches its highest point, which already contains the germ of decay, and the whole intelligently articulated structure begins to droop, to degenerate, to totter toward its doom. And at the same time the thought abruptly shot through me, with a joyful, startled amazement, that despite the decay and death of that language it had not been lost, that its youth, maturity, and downfall were preserved in our memory, in our knowledge of it and its history, and would survive and could at any time be reconstructed in the symbols and formulas of scholarship as well as in the recondite formulations of the Glass Bead Game. I suddenly realized that in the language, or at any rate in the spirit of the Glass Bead Game, everything actually was all-meaningful, that every symbol and combination of symbols led not hither and yon, not to single examples, experiments, and proofs, but into the center, the mystery and innermost heart of the world, into primal knowledge. Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created.”

The Glass Bead Game (1943)

Eliza Farnham photo
Tad Williams photo

“Tiamak closed his eyes to make a short prayer of thanks, hoping that the gods, like children, could be confirmed in good behavior by praise.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, To Green Angel Tower (1993), Part 1, Chapter 13, “The Nest Builders” (p. 405).

Zail Singh photo
Kate Bush photo

“Emma's come down.
She's stopped the light
Shining out of her eyes.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

William Beckford photo

“When he was angry, one of his eyes became so terrible, that no person could bear to behold it; and the wretch upon whom it was fixed, instantly fell backward, and sometimes expired. For fear, however, of depopulating his dominions, and making his palace desolate, he but rarely gave way to his anger.”

Quand il étoit en colère, un de ses yeux devenoit si terrible qu'on n'en pouvoit pas soutenir les regards: le malheureux sur lequel il le fixoit tomboit à la renverse, & quelquefois même expiroit à l'instant. Aussi, dans la crainte de dépeupler ses états, & de faire un désert de son palais, ce prince ne se mettoit en colère que très-rarement.
Source: Vathek, P. 3; translation p. 1.

Max Beckmann photo
Paul Cézanne photo

“Here you are, put this somewhere, on your work table. You must always have this before your eyes... It's a new order of painting. Our Renaissance starts here... There's a pictorial truth in things. This rose and this white lead us to it by a path hitherto unknown to our sensibility..”

Paul Cézanne (1839–1906) French painter

Cezanne is referring in this quote to a photo of the painting 'Olypmpia', painted by Manet
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 71, in: 'What I know or have seen of his life'

Mary Wollstonecraft Shelley photo
Torquato Tasso photo

“Black was this queen as jet, yet on her eyes
Sweet loveliness in black attired lies.”

Torquato Tasso (1544–1595) Italian poet

Bruna e si, ma il bruno il bel non toglie.
Canto XII, stanza 21 (tr. Fairfax)
Gerusalemme Liberata (1581)

Stevie Wonder photo
Joyce Carol Oates photo
Mani Madhava Chakyar photo

““His eyes were the unrivaled wonder of Abhinaya”
- P. T. Narendra Menon (connoisseur of art), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Source: Abhinaya and Netrābhinaya, P.T. Narendra Menon, Kulapati of Koodiyattam, Sruti- India's premier Music and Dance magazine, August 1990 issue (71).

George Horne photo

“He who seldom thinks of heaven is not likely to get thither; as the only way to hit the mark is to keep the eye fixed upon it.”

George Horne (1730–1792) English churchman, writer and university administrator

George Horne, Aphorisms and Opinions of Dr. George Horne http://books.google.com/books?id=lJECAAAAQAAJ 1857, p. 39

Ingmar Bergman photo

“You find him disgusting with his thick mouth and ugly body and wet appealing eyes. You think he's disgusting and you're afraid.”

Ingmar Bergman (1918–2007) Swedish filmmaker

"Alma" (Bibi Andersson) in Persona (1966).
Films

John Godfrey Saxe photo
Anna Laetitia Barbauld photo

“So fades a summer cloud away;
So sinks the gale when storms are o’er;
So gently shuts the eye of day;
So dies a wave along the shore.”

Anna Laetitia Barbauld (1743–1825) English author

The Death of the Virtuous. Compare: "The daisie, or els the eye of the day", Geoffrey Chaucer, Prologue of the Legend of Good Women, line 183.
Bartlett's Familiar Quotations, 10th ed. (1919)

Roberto Bolaño photo
Dietrich Bonhoeffer photo

“The disciples realized that they too were his enemies, and that he had overcome them by his love. It is this that opens the disciple’s eyes, and enables him to see his enemy as a brother.”

Dietrich Bonhoeffer (1906–1945) German Lutheran pastor, theologian, dissident anti-Nazi

Source: Discipleship (1937), The Enemy, the "Extraordinary", p. 150.

Patton Oswalt photo

“The angry "@" tweets from my hammer toed followers opened my eyes. "Pedo-phobe" shaming hurts us all. I am a PROUD pedophile!”

Patton Oswalt (1969) stand-up comedian

9 July 2013 tweet https://twitter.com/pattonoswalt/status/354640013004259328 on Twitter ( archived http://archive.is/pHDAR)

Ayumi Hamasaki photo
Jeffrey Moussaieff Masson photo
Frederick William Faber photo
Dejan Stojanovic photo

“With open eyes, you watch; with closed eyes, you see.”

“A Book,” p. p. 92
The Creator (2000), Sequence: “Nostalgic Elements”

Georges Clemenceau photo

“For you a hundred years is a very long time; for us it does not amount to much. I knew men who had seen Napoleon with their own eyes. We have our conception of history and it cannot be the same as yours.”

Georges Clemenceau (1841–1929) French politician

Remarks to Woodrow Wilson (28 March 1919), quoted in Anthony Adamthwaite, Grandeur and Misery: France's Bid for Power in Europe 1914-1940 (London: Arnold, 1995), p. 49.
Prime Minister

Charles Dickens photo
Paul Gauguin photo

“Your Nordic blue eyes looked attentively at the paintings hanging on the walls. I felt stirrings of rebellion: a whole clash between your civilization and my barbarism. Civilization from which you suffer. Barbarism which for me is a rejuvenation.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Original: Votre œil bleu du nord regardait attentivement les tableaux pendus aux murs. J’eus comme le pressentiment d’une révolte : tout un choc entre votre civilisation et ma barbarie. Civilisation dont vous souffrez. Barbarie qui est pour moi un rajeunissement.
Source: 1890s - 1910s, The Writings of a Savage (1996), p. 105: quote from his letter to August Strindberg (5 May 1895)

Luise Rainer photo

“How can you close your eyes and say this has nothing to do with me? I'm not speaking about politics. Politics is a terrible thing. Everyone wants power.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Of the bombing of Kosovo
Article in Movie Maker http://www.moviemaker.com/directing/article/luise_rainer_3324/

Samuel Butler photo
Ben Croshaw photo

“I rolled my eyes at Rose, but she returned the look with a scowl which suggested that, if we ever got out of this alive, she would have some issues to address with myself and my polaroid camera.”

Ben Croshaw (1983) English video game journalist

Source: Fullyramblomatic Novels, Articulate Jim: A Search For Something, Chapter Nine

Cat Stevens photo
Laisenia Qarase photo
Pope Pius X photo

“Truly we are passing through disastrous times, when we may well make our own the lamentation of the Prophet: "There is no truth, and there is no mercy, and there is no knowledge of God in the land" (Hosea 4:1). Yet in the midst of this tide of evil, the Virgin Most Merciful rises before our eyes like a rainbow, as the arbiter of peace between God and man.”

Pope Pius X (1835–1914) Catholic Pope and saint

Statement prior to World War I, quoted in Biographical profile at Living Water Community http://livingwatercommunity.com/saiints/st%20Pius%20X.htm, and partially in A Treasury of Saints : 100 Saints : Their Lives and Times (2002) by Malcolm Day, and St. Mary's Catholic Church, Dubai http://www.saintmarysdubai.com/stoftheday.asp?id=184

John Angell James photo

“Christ is the chief object proposed to the sinner in the New Testament. The eye that sweeps round the whole circle of Divine truth must rest in Him as the centre.”

John Angell James (1785–1859) British abolitionist

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 64.

Algernon Charles Swinburne photo
Robert M. Pirsig photo
Heinrich Wilhelm Matthäus Olbers photo

“Should there really be suns in the whole infinite space, they can be at approximately the same distance from one another, or distributed over galaxies, hence would be in infinite quantities, and consequently the whole sky should be as bright as the sun. Clearly, each line which can conceivably be drawn from our eye will necessarily end on one of the stars and each point on the sky would send us starlight, that is, sunlight.”

Heinrich Wilhelm Matthäus Olbers (1758–1840) German physician and astronomer

Sind wirklich im ganzen unendlichen Raum Sonnen vorhanden, sie mögen nun in ungefähr gleichen Abständen von einander, oder in Milchstrassen-Systeme vertheilt sein, so wird ihre Menge unendlich, und da müsste der ganze Himmel ebenso hell sein, wie die Sonne. Denn jede Linie, die ich mir von unserm Auge gezogen denken kann, wird nothwendig auf irgend einen Fixstern treffen, und also müßte uns jeder Punkt am Himmel Fixsternlicht, also Sonnenlicht zusenden.
Olbers' paradox, expressed in [Ueber die Durchsichtigkeit des Weltraums, Astronomisches Jahrbuch für das Jahr 1826, J. Bode. Berlin, Späthen 1823, 110-121]

Richard Holbrooke photo
Giorgio de Chirico photo

“What I hear is valueless; only what I see is living, and when I close my eyes my vision is even more powerful.”

Giorgio de Chirico (1888–1978) Italian artist

as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p . 232
1908 - 1920, On Mystery and Creation, Paris 1913

Graham Greene photo
John Moffat photo
Francis Escudero photo
Joseph Joubert photo
Basil of Caesarea photo
Robert G. Ingersoll photo

“Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

What Is Religion? (1899) is Ingersoll's last public address, delivered before the American Free Religious association, Boston, June 2, 1899. Source: The Works of Robert G. Ingersoll, Dresden Memorial Edition Volume IV, pages 477-508, edited by Cliff Walker. http://www.positiveatheism.org/hist/ingwhatrel.htm

“Men are not in hell because God is angry with them. They are in wrath and darkness because they have done to the light, which infinitely flows forth from God, as that man does to the light who puts out his own eyes.”

William Law (1686–1761) English cleric, nonjuror and theological writer

As quoted in Art and the Message of the Church (1961) by Walter Ludwig Nathan, p. 120.

Thornton Wilder photo
Thomas Aquinas photo
Linda McQuaig photo
Francesco Berni photo
Philip Wollen photo

“Every morsel of meat we eat is slapping the tear-stained face of a starving child. When I look into her eyes, do I remain silent?”

Philip Wollen (1950) Australian philanthropist

"Animals Should Be Off the Menu" (2012)

Letitia Elizabeth Landon photo
Clive Staples Lewis photo