Quotes about eye
page 49

Mark Hopkins (educator) photo
Ani DiFranco photo
Paul Morphy photo

“So still was he, that but for the searching intellect which glittered in his full dark eye, you might have taken him for a carven image as he pondered his moves. His bearing was mild and that of a refined gentleman, and he dealt the most crushing blows on his adversary with an almost womanly ease and grace.”

Paul Morphy (1837–1884) American chess player

Hugh Alexander Kennedy, quoted in The Westminster Papers: A Monthly Journal of Chess, Whist, Games of Skill and the Drama, Volume X https://play.google.com/books/reader?id=Bs9eAAAAcAAJ&printsec=frontcover&output=reader&hl=en&pg=GBS.RA1-PA40
About

“My eyes! what tiles and chimney-pots
About their heads are flying!”

William Pitt (ship-builder) English ship-builder

The Sailor's Consolation.

Mark Hopkins (educator) photo
Jay-Z photo

“No compass comes with this life, just eyes,
so to map it out you must look inside,
sure books could guide you but your heart defines you, chica”

Jay-Z (1969) American rapper, businessman, entrepreneur, record executive, songwriter, record producer and investor

"Beach Chair"
The Black Album (2003)

George Gordon Byron photo
Anton Chekhov photo
Sarada Devi photo

“If one calls upon Him repeatedly, He becomes compassionate; and so a devoted attachment comes into being. This love for love's sake should be hidden from all eyes.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

[In the Company of the Holy Mother, 295]

Akbar Hashemi Rafsanjani photo
Bernard Cornwell photo
Melanie Joy photo
Gillian Anderson photo

“I don't think I'd be very good at what you'd call an ordinary job. I think I might be an artist, mixed media. And that is still something I'm interested in pursuing at some point, but I have this fear of taking my eye off the ball, and get distracted from that acting thing.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

The Guardian "Gillian Anderson webchat – as it happened" http://www.theguardian.com/stage/live/2015/feb/06/gillian-anderson-webchat-young-vic-the-departure/ (February 6, 2015)
2010s

Russell Brand photo

“Liberals, unless they are professional politicians seeking votes in the hinterland, are not subject to strong feelings of national patriotism and are likely to feel uneasy at patriotic ceremonies. These, like the organizations in whose conduct they are still manifest, are dismissed by liberals rather scornfully as ‘flag-waving’ and ‘100 percent Americanism.’ The national anthem is not customarily sung or the flag shown, unless prescribed by law, at meetings of liberal associations. When a liberal journalist uses the phrase ‘patriotic organization,’ the adjective is equivalent in meaning to ‘stupid, reactionary and rather ludicrous.’ The rise of liberalism to predominance in the controlling sectors of American opinion is in almost exact correlation with the decline in the ceremonial celebration of the Fourth of July, traditionally regarded as the nation’s major holiday. To the liberal mind, the patriotic oratory is not only banal but subversive of rational ideals; and judged by liberalism’s humanitarian morality, the enthusiasm and pleasures that simple souls might have got from the fireworks could not compensate the occasional damage to the eye or finger of an unwary youngster. The purer liberals of the Norman Cousins strain, in the tradition of Eleanor Roosevelt, are more likely to celebrate UN day than the Fourth of July.”

James Burnham (1905–1987) American philosopher

James Burnham (1961) Suicide of the West; as cited in: Suicide of the West http://nlt.ashbrook.org/2006/03/suicide-of-the-west.php Posted by Steven Hayward on ashbrook.org 2006/03; And in 2012 on powerlineblog.com http://www.powerlineblog.com/archives/2012/01/suicide-of-the-west.php

Luigi Russolo photo
George W. Bush photo
Judith Krug photo

“I have a real problem when people say, "Well I walked by and you should have seen what was on the computer screen." Well, don't look, sweetie. It's none of your business. Avert your eyes.”

Judith Krug (1940–2009) librarian and freedom of speech proponent

"A Library That Would Rather Block Than Offend," by Pamela Mendels, The New York Times (January 18, 1997)

Alfred de Zayas photo

“If we want world peace, we must break the vicious circle of violence and reprisal, of an eye for an eye, of endless hate.”

Alfred de Zayas (1947) American United Nations official

Rights expert urges the UN General Assembly to adopt a more decisive role in peace-making (For International Day of Peace, Saturday 21 September 2013) http://dezayasalfred.wordpress.com/2013/09/26/rights-expert-urges-the-un-general-assembly-to-adopt-a-more-decisive-role-in-peace-making-for-international-day-of-peace-saturday-21-september-2013/.
2013, 2013 - International Peace Day

Poul Anderson photo
Ian Hislop photo
Brandon Boyd photo

“You act as if there's blinders on your eyes!”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, S.C.I.E.N.C.E. (1997)

Richie Sambora photo
Neal Stephenson photo
Firuz Shah Tughlaq photo
Van Morrison photo
Thomas Carlyle photo
Marisa Miller photo

“Well, beauty’s in the eye of the beholder… It’s all subjective. I’m kind of shy about it, but I’ll take it.”

Marisa Miller (1978) American model

http://www.maxim.com/girls/girls-of-maxim/44921/marisa-miller.html

Guillaume Apollinaire photo

“And for your eyes my life takes poison slowly.”

Et ma vie pour tes yeux lentement s'empoisonne
"Les colchiques" (The Saffrons), line 7; translation from Donald Revell (trans.) Alcools (Hanover, NH: Wesleyan University Press, 1995) p. 35.
Alcools (1912)

Kent Hovind photo
Lyndon B. Johnson photo
Letitia Elizabeth Landon photo
Christopher Golden photo
George Washington Plunkitt photo
William Cullen Bryant photo

“The little wind-flower, whose just opened eye
Is blue as the spring heaven it gazes at.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

A Winter Piece http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page24, st. 3 (1821)

Victor Villaseñor photo
George Gordon Byron photo
Aristarchus of Samos photo

“Proposition 11. The diameter of the moon is less than 2/45ths, but greater than 1/30th of the distance of the centre of the moon from our eye.”

Aristarchus of Samos ancient Greek astronomer and mathematician

p, 125
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)

“Just as beauty is in the eye of the beholder, leadership is in the eyes of the led.”

Kent Thiry (1956) Business; CEO of DaVita

Leadership Is in the Eyes of the Led, Says Thiry http://www.gsb.stanford.edu/news/headlines/vftt_thiry.html (2007)

Jeff Flake photo
John Buchan photo
Barbara Hepworth photo
Bruno Schulz photo
Simon Armitage photo
P.G. Wodehouse photo
Miguel de Cervantes photo

“The eyes those silent tongues of Love.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book II, Ch. 3.

John Bright photo
Dante Gabriel Rossetti photo

“The blessed damozel lean'd out
From the gold bar of Heaven;
Her eyes were deeper than the depth
Of waters still'd at even;
She had three lilies in her hand,
And the stars in her hair were seven.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

Stanza 1.
The Blessed Damozel http://www.cs.rice.edu/~ssiyer/minstrels/poems/715.html (1850)

Richard Watson photo

“Faith is seated in the understanding as well as in the will. It has an eye to see Christ as well as a wing to fly to Christ.”

Richard Watson (1781–1833) British methodist theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 219.

M. K. Hobson photo
Paula Modersohn-Becker photo
Nikos Kazantzakis photo
John Ogilby photo
Mona Charen photo
Max Beckmann photo
Ray Comfort photo
Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)

Samuel Butler photo

“Painters should remember that the eye, as a general rule, is a good, simple, credulous organ — very ready to take things on trust if it be told them with any confidence of assertion.”

Samuel Butler (1835–1902) novelist

The Credulous Eye
The Note-Books of Samuel Butler (1912), Part IX - A Painter's Views on Painting

Cat Stevens photo
Colley Cibber photo
Takuboku Ishikawa photo

“With the troubled eyes of a youth
I envied
Birds flying—
Flying they sang.”

Takuboku Ishikawa (1886–1912) Japanese writer

A Handful of Sand ("Ichiaku no Suna"), as translated by Shio Sakanishi

Caitlín R. Kiernan photo

“In the land of the blind, the one-eyed man will poke out his eye to fit in.”

Caitlín R. Kiernan (1964) writer

12 December 2010
Unfit for Mass Consumption (blog entries), 2010

Lin Yutang photo
Jean Paul Sartre photo
Giacomo Casanova photo
Will Cuppy photo

“To the seeing eye life is mostly Sparrows.”

Will Cuppy (1884–1949) American writer

The Sparrow
How to Tell Your Friends from the Apes (1931)

Robert Hooke photo

“The Reason of the present Animadversions. …How far Hevelius has proceeded. That his instruments do not much exceed Ticho. The bigness, Sights and Divisions, not considerably differing. Ticho not ignorant of his new way of Division. …That so great curiosity as Hevelius strives for is needless without the use of Telescopic Sights, the power of the naked eye being limited. That no one part of an Instrument should be more perfect than another. …
That if Hevelius could have been prevail'd on by the Author to have used Telescopic Sights, his observations might have been 40 times more exact than they are.
That Hevelius his Objections against Telescopic sights are of no validity; but the Sights without Telescopes cannot distinguish a less angle then half a Minute.
That an Instrument of 3 foot Radius with Telescopes, will do more then one of 3 score foot Radius with common Sights, the eye being unable to distinguish. This is proved by the undiscernableness of spots in the Moon, and by an Experiment with Lines on a paper, by which a Standard is made of the power of the eye. …
A Conclusion of the Animadversions. That the learn'd World is obllig'd to Hevelius for what he hath done, but would have more, if he had used other instruments.
That the Animadvertor both contrived some hundreds of Instruments, each of very great accurateness for taking Angles, Levels, &c.; and a particular Arithmetical lnstrument for performing all Operations in Arithmetick, with the greatest ease, swiftness and certainty imaginable.
That the Reader may be the more certain of this, the Author describes an Instrument for taking Angles in the Heavens…”

Robert Hooke (1635–1703) English natural philosopher, architect and polymath

Contents, Animadversions on the First Part of the Machina Coelestis of the Astronomer Johannes Hevelius https://books.google.com/books?id=KAtPAAAAcAAJ (1674)

Otto Neurath photo
Bryan Adams photo
Neil Young photo
Leo Tolstoy photo
Aimee Mann photo

“I look in your eyes
I realize what you've sold me
is love in a vacuum.
Love in a vacuum.”

Aimee Mann (1960) American indie rock singer-songwriter (born 1960)

"Love In A Vacuum" · Official video https://www.youtube.com/watch?v=O6eeURFNmxI
Song lyrics, Voices Carry (1985)

Leo Tolstoy photo
Edgar Degas photo
El Lissitsky photo

“Beware! By Allah the son of Abu Quhafah (Abu Bakr) dressed himself with it (the caliphate) and he certainly knew that my position in relation to it was the same as the position of the axis in relation to the hand-mill. The flood water flows down from me and the bird cannot fly upto me. I put a curtain against the caliphate and kept myself detached from it.
Then I began to think whether I should assault or endure calmly the blinding darkness of tribulations wherein the grown up are made feeble and the young grow old and the true believer acts under strain till he meets Allah (on his death). I found that endurance thereon was wiser. So I adopted patience although there was pricking in the eye and suffocation (of mortification) in the throat. I watched the plundering of my inheritance till the first one went his way but handed over the Caliphate to Ibn al-Khattab after himself.
(Then he quoted al-A`sha's verse):
My days are now passed on the camel's back (in difficulty) while there were days (of ease) when I enjoyed the company of Jabir's brother Hayyan.
It is strange that during his lifetime he wished to be released from the caliphate but he confirmed it for the other one after his death. No doubt these two shared its udders strictly among themselves. This one put the Caliphate in a tough enclosure where the utterance was haughty and the touch was rough. Mistakes were in plenty and so also the excuses therefore. One in contact with it was like the rider of an unruly camel. If he pulled up its rein the very nostril would be slit, but if he let it loose he would be thrown. Consequently, by Allah people got involved in recklessness, wickedness, unsteadiness and deviation.
Nevertheless, I remained patient despite length of period and stiffness of trial, till when he went his way (of death) he put the matter (of Caliphate) in a group and regarded me to be one of them. But good Heavens! what had I to do with this "consultation"? Where was any doubt about me with regard to the first of them that I was now considered akin to these ones? But I remained low when they were low and flew high when they flew high. One of them turned against me because of his hatred and the other got inclined the other way due to his in-law relationship and this thing and that thing, till the third man of these people stood up with heaving breasts between his dung and fodder. With him his children of his grand-father, (Umayyah) also stood up swallowing up Allah's wealth like a camel devouring the foliage of spring, till his rope broke down, his actions finished him and his gluttony brought him down prostrate.
At that moment, nothing took me by surprise, but the crowd of people rushing to me. It advanced towards me from every side like the mane of the hyena so much so that Hasan and Husayn were getting crushed and both the ends of my shoulder garment were torn. They collected around me like the herd of sheep and goats. When I took up the reins of government one party broke away and another turned disobedient while the rest began acting wrongfully as if they had not heard the word of Allah saying:
That abode in the hereafter, We assign it for those who intend not to exult themselves in the earth, nor (to make) mischief (therein); and the end is (best) for the pious ones. (Qur'an, 28:83)
Yes, by Allah, they had heard it and understood it but the world appeared glittering in their eyes and its embellishments seduced them. Behold, by Him who split the grain (to grow) and created living beings, if people had not come to me and supporters had not exhausted the argument and if there had been no pledge of Allah with the learned to the effect that they should not acquiesce in the gluttony of the oppressor and the hunger of the oppressed I would have cast the rope of Caliphate on its own shoulders, and would have given the last one the same treatment as to the first one. Then you would have seen that in my view this world of yours is no better than the sneezing of a goat.”

Known as the Sermon of ash-Shiqshiqiyyah (roar of the camel), It is said that when Amir al-mu'minin reached here in his sermon a man of Iraq stood up and handed him over a writing. Amir al-mu'minin began looking at it, when Ibn `Abbas said, "O' Amir al-mu'minin, I wish you resumed your Sermon from where you broke it." Thereupon he replied, "O' Ibn `Abbas it was like the foam of a Camel which gushed out but subsided." Ibn `Abbas says that he never grieved over any utterance as he did over this one because Amir al-mu'minin could not finish it as he wished to.
Nahj al-Balagha

Paul A. Samuelson photo

“…Their idol of Zur was of gold, and its eyes were two rubies. The zealous Musalmans cut off its hands and plucked out its eyes, and then remarked to the Marzaban how powerless was his idol to do either good or evil…”

Al-Baladhuri (806–892) historian

About Ibn Samurah at Seistan. Futuhu’l-Buldan by al-Biladhuri. in Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, Vol. II, pp. 413-14.

Charles Lamb photo

“I read your letters with my sister, and they give us both abundance of delight. Especially they please us two, when you talk in a religious strain,—not but we are offended occasionally with a certain freedom of expression, a certain air of mysticism, more consonant to the conceits of pagan philosophy, than consistent with the humility of genuine piety. To instance now in your last letter—you say, “it is by the press [sic], that God hath given finite spirits both evil and good (I suppose you mean simply bad men and good men), a portion as it were of His Omnipresence!” Now, high as the human intellect comparatively will soar, and wide as its influence, malign or salutary, can extend, is there not, Coleridge, a distance between the Divine Mind and it, which makes such language blasphemy? Again, in your first fine consolatory epistle you say, “you are a temporary sharer in human misery, that you may be an eternal partaker of the Divine Nature.” What more than this do those men say, who are for exalting the man Christ Jesus into the second person of an unknown Trinity,—men, whom you or I scruple not to call idolaters? Man, full of imperfections, at best, and subject to wants which momentarily remind him of dependence; man, a weak and ignorant being, “servile” from his birth “to all the skiey influences,” with eyes sometimes open to discern the right path, but a head generally too dizzy to pursue it; man, in the pride of speculation, forgetting his nature, and hailing in himself the future God, must make the angels laugh. Be not angry with me, Coleridge; I wish not to cavil; I know I cannot instruct you; I only wish to remind you of that humility which best becometh the Christian character. God, in the New Testament (our best guide), is represented to us in the kind, condescending, amiable, familiar light of a parent: and in my poor mind ’tis best for us so to consider of Him, as our heavenly Father, and our best Friend, without indulging too bold conceptions of His nature. Let us learn to think humbly of ourselves, and rejoice in the appellation of “dear children,” “brethren,” and “co-heirs with Christ of the promises,” seeking to know no further… God love us all, and may He continue to be the father and the friend of the whole human race!”

Charles Lamb (1775–1834) English essayist

Lamb's letter to Coleridge in Oct. 24th, 1796. As quoted in Works of Charles and Mary Lamb (1905). Letter 11.

Alice A. Bailey photo
Henry Kissinger photo

“Blessed are the people whose leaders can look destiny in the eye without flinching but also without attempting to play God.”

Henry Kissinger (1923–2023) United States Secretary of State

The End of the Road (1982), Ch. 25 "Years of Upheaval"
1980s

James Macpherson photo
Halldór Laxness photo
Tom Waits photo

“He was listening, too, for it is through the eyes and ears that one learns. A spiderweb of facts can tie up the lion of action; not to know is bad; not to strive to know is worse.”

Andre Norton (1912–2005) American writer of science fiction and fantasy

Source: Dragon Magic (1972), Chapter 3, “Sirrush-Lau” (p. 84)

John Ruysbroeck photo
Ray Charles photo

“Other arms reach out to me
Other eyes smile tenderly
Still in peaceful dreams I see
The road leads back to you.
Georgia, oh Georgia, no peace I find…
Just an old sweet song
Keeps Georgia on my mind.”

Ray Charles (1930–2004) American musician

Though renditions by Ray Charles are among the most popular and famous, the lyrics of "Georgia On My Mind" (1930) were written by Stuart Gorrell and the music by Hoagy Carmichael.
Misattributed

Luís de Camões photo

“Little by little it ebbs, this life,
if by any chance I am still alive;
my brief time passes before my eyes.
I mourn the past in whatever I say;
as each day passes, step by step
my youth deserts me—what persists is pain.”

Luís de Camões (1524–1580) Portuguese poet

Foge-me pouco a pouco a curta vida
(se por caso é verdade que inda vivo);
vai-se-me o breve tempo d'ante os olhos;
choro pelo passado e quando falo,
se me passam os dias passo e passo,
vai-se-me, enfim, a idade e fica a pena.
"Foge-me pouco a pouco a curta vida" http://www.poetryinternationalweb.net/pi/site/poem/item/8451, tr. Landeg White in The Collected Lyric Poems of Luis de Camoes (2016), p. 330
Lyric poetry, Sestina

James Macpherson photo

“All hail, Macpherson! hail to thee, Sire of Ossian! The Phantom was begotten by the suing embrace of all impudent Highlander upon a cloud of tradition—it travelled southward, where it was greeted with acclamation, and the thin Consistence took its course through Europe, upon the breath of popular applause. […] Having had the good fortune to be born and reared in a mountainous country, from my very childhood I have felt the falsehood that pervades the volumes imposed upon the world under the name of Ossian. From what I saw with my own eyes, I knew that the imagery was spurious. In Nature everything is distinct, yet nothing defined into absolute independent singleness. In Macpherson's work, it is exactly the reverse; every thing (that is not stolen) is in this manner defined, insulated, dislocated, deadened,—yet nothing distinct. It will always be so when words are substituted for things. […] Yet, much as those pretended treasures of antiquity have been admired, they have been wholly uninfluential upon the literature of the Country. No succeeding writer appears to have taught from them a ray of inspiration; no author, in the least distinguished, has ventured formally to imitate them—except the boy, Chatterton, on their first appearance. […] This incapacity to amalgamate with the literature of the Island, is, in my estimation, a decisive proof that the book is essentially unnatural; nor should I require any other to demonstrate it to be a forgery, audacious as worthless.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

William Wordsworth, "Essay Supplementary to the Preface" http://spenserians.cath.vt.edu/TextRecord.php?textsid=35963 in Poems by William Wordsworth, Vol. I (1815), pp. 363–365.
Criticism

Philip K. Dick photo