Quotes about expression
page 32

“A neurosurgeon once told me about operating on the brain of a young man with epilepsy. As is customary in this kind of operation, the patient was wide awake, under only local anesthesia, while the surgeon delicately explored his exposed cortex, making sure that the parts tentatively to be removed were not absolutely vital by stimulating them electrically and asking the patient what he experienced. Some stimulations provoked visual flashes or hand-raisings, others a sort of buzzing sensation, but one spot produced a delighted response from the patient: "It's 'Outta Get Me' by Guns N'Roses, my favorite heavy metal [sic] band!"I asked the neurosurgeon if he had asked the patient to sing or hum along with the music, since it would be fascinating to learn how "high fidelity" the provoked memory was. Would it be in exactly the same key and tempo as the record? Such a song (unlike "Silent Night") has one canonical version, so we could simply have superimposed a recording of the patient's humming with the standard record and compare the results. Unfortunately, even though a tape recorder had been running during the operation, the surgeon hadn't asked the patient to sing along. "Why not?" I asked, and he replied: "I hate rock music!"Later in the conversation the neurosurgeon happened to remark that he was going to have to operate again on the same young man, and I expressed the hope that he would just check to see if he could restimulate the rock music, and this time ask the fellow to sing along. "I can't do that," replied the neurosurgeon, "since I cut out that part." "It was part of the epileptic focus?"”

Daniel Dennett book Consciousness Explained

I asked, and he replied, "No, I already told you — I hate rock music."
Source: Consciousness Explained (1991), p. 58-59

Hate, Hope, Music, Learning

“Mathematicians may flatter themselves that they possess new ideas which mere human language is yet unable to express. Let them make the effort to express these ideas in appropriate words without the aid of symbols, and if they succeed they will not only lay us laymen under a lasting obligation, but we venture to say, they will find themselves very much enlightened during the process, and will even be doubtful whether the ideas as expressed in symbols had ever quite found their way out of the equations of their minds.”

James Clerk Maxwell (1831–1879) Scottish physicist

"Thomson & Tait's Natural Philosophy" in Nature, Vol. 7 (Mar. 27, 1873) A review of Elements of Natural Philosophy https://archive.org/details/elementsnatural00kelvgoog (1873) by Sir W. Thomson, P. G. Tait. See Nature, Vol. 7-8, https://archive.org/details/nature7818721873lock Nov. 1872-Oct. 1873, pp. 399-400, or The Scientific Papers of James Clerk Maxwell, p. 328. https://books.google.com/books?id=lzlRAAAAYAAJ&pg=PA328

Way, Idea, Effort

“The government and intelligence services of the United States of America have attempted to make an example of me, a warning to all others who might speak out as I have. I have been made stateless and hounded for my act of political expression.”

Edward Snowden (1983) American whistleblower and former National Security Agency contractor

Edward Snowden accuses US of illegal, aggressive campaign in his first appearance in the airport http://www.guardian.co.uk/world/2013/jul/12/edward-snowden-accuses-us-illegal-campaign, published by The Guardian 12 July 2013. Interview with Glenn Greenwald, 6 June 2013, Part 2

Intelligence

“We bore round the point toward the old anchoring ground of the hide ships, and there, covering the sand hills and the valleys… flickering all over with the lamps of its streets and houses, lay a city of one hundred thousand inhabitants. The dock into which we drew, and the streets about it, were densely crowded with express wagons and handcarts… Though this crowd I made my way, along the well-built and well-light streets, as alive as by day, where boys in high-keyed voices where already crying the latest New York papers. When I awoke in the morning, and looked from my windows over the city of San Francisco, with its storehouses, towers, and steeples; its courthouses, theaters, and hospitals, its daily journals, its well-filled learned professions, its fortresses and lighthouses; its wharves and harbor… when I saw all these things, and reflected on what I once saw here, and what now surrounded me, I could scarcely keep my hold on reality at all, or the genuineness of anything.”

Richard Henry Dana Jr. (1815–1882) United States author and lawyer

Twenty-Four Years After (1869)

Way, Boy, Reality, Light

“I beseech you to take interest in these sacred domains so expressively called laboratories. Ask that there be more and that they be adorned for these are the temples of the future, wealth and well-being. It is here that humanity will grow, strengthen and improve. Here, humanity will learn to read progress and individual harmony in the works of nature, while humanity's own works are all too often those of barbarism, fanaticism and destruction.”

Louis Pasteur (1822–1895) French chemist and microbiologist

Statement of 1878, as quoted in Crystals and Life : A Personal Journey (2002) by Celerino Abad Zapatero, p. 139

Nature, Learning, Reading, Future

“Any test that turns on what is offensive to the community's standards is too loose, too capricious, too destructive of freedom of expression to be squared with the First Amendment. Under that test, juries can censor, suppress, and punish what they don’t like, provided the matter relates to "sexual impurity" or has a tendency "to excite lustful thoughts". This is community censorship in one of its worst forms. It creates a regime where in the battle between the literati and the Philistines, the Philistines are certain to win.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Dissenting, Roth v. United States, 354 U.S. 476, 512 (1957)
Judicial opinions

Communication, Freedom

“An energetic crudity, even a riotous absurdity, has more promise in it than a clever and elegant mediocrity, because it shows that the young man is speaking out of his own heart, and struggling to express himself in his own way rather than in the way he finds in other men's books. The early works of original writers are usually very bad; then succeeds a short interval of imitation in which the influence of some favourite author is distinctly traceable; but this does not last long, the native independence of the mind reasserts itself, and although perhaps academic and critical demands are somewhat disregarded, so that the original writer on account of his very originality receives but slight recognition from the authorities, nevertheless if there is any real power in the voice it soon makes itself felt in the world.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Men, Books, World, Way

“The Mathematical School; Although mathematical methods can be used by any school of management theory, and have been, I have chosen to group under a school those theorists who see management as a system of mathematical models and processes. Perhaps the most widely known group I arbitrarily so lump are the operations researchers or operations analysts, who have sometimes anointed themselves with the rather pretentious name of "management scientists." The abiding belief of this group is that, if management, or organization, or planning, or decision making is a logical process, it can be expressed in terms of mathematical symbols and relationships. The central approach of this school is the model, for it is through these devices that the problem is expressed in its basic relationships and in terms of selected goals or objectives.”

Harold Koontz (1909–1984)

Source: "The Management Theory Jungle," 1961, p. 181

School, Mathematics, Problem, Decision

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Cars, Reading, Parting

“In images of horror, and in a certain terrible greatness, our author comes far behind Chaucer. Whether they were not suited to the genius or the temper of Lydgate, I do not determine; but it is certain that, though they naturally seemed to present themselves, he has almost generally chose to avoid them: yet is there frequently a stiller kind of majesty both in his thought and expression, which makes one of his principal beauties.”

John Lydgate (1370–1450) monk and poet

Thomas Gray "Some Remarks on the Poems of Lydgate", in The Works of Thomas Gray (1858) vol. 5, pp. 308-9.
Criticism

Beauty, Nature

“Yes, they are beautiful… The shirt, the blouse are garments the folds of which yield simple planes and effects that, rightly rendered, are those of true sculpture. But there is something better still, and that is sackcloth. If I had clothed my 'Burghers of Calais' in sackcloth, they would certainly be more beautiful. I did not dare to. Some one else will do this and will succeed. It is sufficient to express an idea and leave it to its destiny.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 295-296; About the sculpture The Burghers of Calais

Beauty, Idea, Clothes

“The blues is an impulse to keep the painful details and episodes of a brutal experience alive in one's aching consciousness, to finger its jagged grain, and to transcend it, not by the consolation of philosophy, but by squeezing from it a near-tragic, near-comic lyricism. As a form the blues is an autobiographical chronicle of personal catastrophe expressed lyrically.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"Richard Wright's Blues" (1945), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 129.

Pain, Personality

“As to my freedom, which you say I can have, there is nothing to be gained on that score, as I got my free papers in 1864 from the Provost-Marshal-General of the Department of Nashville. Mandy says she would be afraid to go back without some proof that you were disposed to treat us justly and kindly; and we have concluded to test your sincerity by asking you to send us our wages for the time we served you. This will make us forget and forgive old scores, and rely on your justice and friendship in the future. I served you faithfully for thirty-two years, and Mandy twenty years. At twenty-five dollars a month for me, and two dollars a week for Mandy, our earnings would amount to eleven thousand six hundred and eighty dollars. Add to this the interest for the time our wages have been kept back, and deduct what you paid for our clothing, and three doctor's visits to me, and pulling a tooth for Mandy, and the balance will show what we are in justice entitled to. Please send the money by Adams's Express, in care of V. Winters, Esq., Dayton, Ohio. If you fail to pay us for faithful labors in the past, we can have little faith in your promises in the future.”

Jordan Anderson (1825–1907) Freed slave

"Letter from a Freedman to His Old Master"

Money, Friendship, Faith, Justice

“My book expresses, I rather say, contempt and hostility to this constant religious intimidation and clerical bullying to which we're being subjected. My book is part of an attempt to arrange and organize a push back against this…whether it's the parties of god destroying Iraqi civil society or bigots in America trying to have pseudo science taught in our schools or a pope who says that aids may be bad…and limbo by the way may have been a mistake, but let's talk about hell in any way…aids isn't as bad as condoms.”

Christopher Hitchens (1949–2011) British American author and journalist

Hannity's America, May 13, 2007 interview https://www.youtube.com/watch?v=dWoHh4_rVdg http://transcripts.wikia.com/wiki/Sean_Hannity_Christopher_Hitchens_Hannity%27s_America_May13%2C_2007?venotify=created
2000s, 2007

God, Hostility, Books, School

“When either sex suppresses the expression of feelings, it’s almost always b/c they don’t feel there is a safe environment to express them.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Women Can't Hear What Men Don't Say (2000), p. 16.

Sex, Feeling

“Gärtner by the results of these transformation experiments, was led to oppose the opinion of those naturalists who dispute the stability of plant species and believe in a continuous evolution of vegetation. He perceives in the complete transformation of one species into another an indubitable proof that species are fixed within limits beyond which they cannot change.
Although this opinion cannot be unconditionally accepted, we find on the other hand in Gartner's experiments a noteworthy confirmation of that supposition regarding variability of cultivated plants which has already been expressed.”

Gregor Mendel book Experiments in plant-hybridisation

Concluding paragraph
Experiments in plant-hybridisation (1865)

Change

“His pictures [of Nolde, which Jawlensky met in 1912] remind me of my own in the strength of their expression. I have a passionate love for Nolde and his art.”

Alexej von Jawlensky (1864–1941) Russian painter

quote of Jawlensky, 1912; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 118
1900 - 1935

Love, Art, Passion

“I remained there [in The Netherlands, 1914-18] for the duration of the war, continuing my work of abstraction in a series of church. facades, trees, houses, etc. But I felt that I still worked as an Impressionist and was continuing to express particular feelings, not pure reality. Although I was thoroughly conscious that we can never be absolutely 'objective', I felt that one can become less and less subjective, until the subjective no longer predominates in one's work. More and more I excluded from my painting all curved lines, until finally my compositions consisted only of vertical and horizontal lines which formed crosses, each separate and detached from the other. Observing sea, sky and stars, I sought to indicate their plastic function through a multiplicity crossing verticals and horizontals.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Source: Quote of Mondrian about 1914-1918; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 43

War, Feeling, Star, Reality

“The creative artist has an essential role in modern society. By expressing his individual ideas and emotions he adds to the sum of human awareness.”

Lloyd Goodrich (1897–1987) American art historian

'The Artist in American Society' - Colorado Magazine Vol. 15 No 2 Autumn 1966

Idea

“The cult of the Virgin, Mariolatry, which by the gradual elevation of the divine element in the Virgin has led almost to her deification, answers merely to the feeling that God should be a perfect man, that God should include in his nature the feminine element. The progressive exaltation of the Virgin Mary, the work of Catholic piety, having its beginning in the expression Mother of God, …has culminated in attributing to her the status of co-redeemer and in the dogmatic declaration of her conception without the stain of original sin. Hence she now occupies a position between Humanity and Divinity and nearer Divinity than Humanity. And it has been surmised that in course of time she may perhaps even come to be regarded as yet another personal manifestation of the Godhead.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), VIII : From God to God

God, Feeling, Nature, Time

“Your lordship, only worldly light in this age of ours, you can never be pleased with another man's work for there is no man who resembles you, nor one to equal you … It grieves me greatly that I cannot recapture my past, so as to longer be at your service. As it is, I can only offer you my future, which is short, for I am too old … That is all I have to say. Read my heart for "the quill cannot express good will."”

Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet

Letter to Tommaso dei Cavalieri (1 January 1533).

Age, Light, Reading, Past

“The idea of the paranoid style as a force in politics would have little contemporary relevance or historical value if it were applied only to men with profoundly disturbed minds. It is the use of paranoid modes of expression by more or less normal people that makes the phenomenon significant.”

Richard Hofstadter The Paranoid Style in American Politics

The Paranoid Style in American Politics (1964)

Men, People, Idea

“To be a teacher is my greatest work of art. The rest is the waste product, a demonstration. If you want to express yourself you must present something tangible. But after a while this has only the function of a historic document. Objects aren't very important any more. I want to get to the origin of matter, to the thought behind it.”

Joseph Beuys (1921–1986) German visual artist

1960's

Art, Teachers

“When it is stated in Genesis that God said to Adam, “Only from the tree of the knowledge of good and evil you must not eat,” it follows as a matter of course that Adam really has not understood this word, for how could he understand the difference between good and evil when this distinction would follow as a consequence of the enjoyment of the fruit. When it is assumed that the prohibition awakens the desire one acquires knowledge instead of ignorance, and in that case Adam must have had knowledge of freedom, because the desire was to use it. The explanation is therefore subsequent. The prohibition induces in him anxiety, for the prohibition awakens in him freedom’s possibility. What passed by innocence as the nothing of anxiety has now entered into Adam, and here again it is a nothing-the anxious possibility of being able. He has no conception of what he is able to do; otherwise-and this it what usually happens-that which comes later, the difference between good and evil, would have to be presupposed. Only the possibility of being able is present as a higher form of ignorance, as a higher expression of anxiety, because in a higher sense it both is and is not, because in a higher sense he both loves it and flees from it.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, The Concept of Anxiety (1844), p. 44-45

Love, God, Understanding, Knowledge

“If there is no freedom of expression, then the beauty of life is lost. Participation in a society is not an artistic choice, it’s a human need.”

Ai Weiwei (1957) Chinese concept artist

Solway, Diane. “Enforced Disappearance.” W Magazine, November 2011.
2010-, 2011

Life, Beauty, Freedom

“Occupational roles express the relationship between a production process and the social organization of the group. In one direction, they are related to tasks, which are related to each other; in the other, to people, who are also related to each other.”

Eric Trist (1909–1993) British scientist

Source: "Some Social and Psychological Consequences of the Long Wall Method of Coal-Getting", 1951, p. 14

People

“Khamenei is not the first ruler of Iran with whom poets have run into trouble. For some 12 centuries poetry has been the Iranian people’s principal medium of expression. Iran may be the only country where not a single home is found without at least one book of poems. Initially, Persian poets had a hard time to define their place in society. The newly converted Islamic rulers suspected the poets of trying to revive the Zoroastrian faith to undermine the new religion. Clerics saw poets as people who wished to keep the Persian language alive and thus sabotage the ascent of Arabic as the new lingua franca. Without the early Persian poets, Iranians might have ended up like so many other nations in the Middle East who lost their native languages and became Arabic speakers. Early on, Persian poets developed a strategy to check the ardor of the rulers and the mullahs. They started every qasida with praise to God and Prophet followed by panegyric for the ruler of the day. Once those “obligations” were out of the way they would move on to the real themes of the poems they wished to compose. Everyone knew that there was some trick involved but everyone accepted the result because it was good. Despite that modus vivendi some poets did end up in prison or in exile while many others spent their lives in hardship if not poverty. However, poets were never put to the sword. The Khomeinist regime is the first in Iran’s history to have executed so many poets. Implicitly or explicitly, some rulers made it clear what the poet couldn’t write. But none ever dreamt of telling the poet what he should write. Khamenei is the first to try to dictate to poets, accusing them of “crime” and” betrayal” if they ignored his injunctions.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

God, People, Books, Faith

“The party which is humorously called the Douglas Democracy no more recognizes the rights declared by the Declaration of Independence to be inalienable than does the party of the administration. Its leader repudiates the theory that the Constitution establishes slavery, but he does not perceive in it, or in the circumstances of its adoption, or in the expressed sentiments and actions of its framers, any reason to suppose that it favors liberty more than slavery. He leaves all human rights at the mercy of a majority, and insists that the Constitution does the same.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Democracy

“How are you doing, make a good, simple [and] true thing, for example… I believe I have found a good place for it. Namely, I spoke Mr. about you and he expressed his wish that you should show him something good..”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(translation from original Dutch, Fons Heijnsbroek, 2018, version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Hoe gaat het met je werk, maak vooral een goed eenvoudig [en] waar dingetje.. ..ik geloof er een goed plaatsje voor te hebben. namelijk ik sprak den Heer over jou en hij drukte de wensch uit dat je hem iets goeds moet laten zien.. Quote of Mauve in his letter to painter , 1866; as cited in Archive P.A. Scheen, collectie RKD Den Haag http://delamar.bntours.nl/!mad1832-bronnen.html Like 1860's

“Capitalism as a social order and as a creed is the expression of the belief in economic progress as leading toward the freedom and equality of the individual in a free and open society. Marxism expects this society to result from the abolition of private profit. Capitalism expects the free and equal society to result from the enthronement of private profit as supreme ruler of social behavior…”

Peter F. Drucker (1909–2005) American business consultant

Source: 1930s- 1950s, The End of Economic Man (1939), p. 37

Behavior, Freedom

“I'm not a career filmmaker and by that I'm not tearing down people who are, but I'm not Wes Anderson who can rent out a floor at the Chateau Marmont for a month to write my new screenplay--I have a life outside of filmmaking and after Buffalo '66, I genuinely thought I was done with making movies. But they pulled me back in. This Brown Bunny, it had something in it for me that I just had to say. I had to express it, it was in me and it ate its way out of me. I wished that it didn't, but it did and I was surprised to find myself shooting again.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

Film Freak Central Interview

Life, People, Way, Tear

“Luther understands monasticism as a product of an egoistic lovelessness that withdraws from one's duties in the world. By contrast, this-worldly work in a vocation appears to him to be a visible expression of brotherly love, a notion he anchors in a highly unrealistic manner indeed and in contrast—almost grotesquely—to the well-known passages of Adam Smith.”

Max Weber book The Protestant Ethic and the Spirit of Capitalism

Source: The Protestant Ethic and the Spirit of Capitalism (1905; 1920), Ch. 3 : Luther's Conception of the Calling

Love, World, Understanding, Appearance

“It had become an indisputable dogma that every expression in the same language must bear the same meaning in all peoples. And this was really the greatest affliction of the Select of that epoch, that they had to converse in the same tongue as the rabble, which had so often been desecrated in Parliaments, and assemblies, and lectures, and railway carriages; all of them, like Stendhal, would have given a great deal to have a langue sacre, comprehensible only by the few. All of them, like Goethe, allegorized meanings into their best works, in order to give the slip to prying snouts, and endeavoured to make themselves, as did Nietzsche, inaccessible, in order that “the swine might not break into the gardens.””

Oscar Levy (1867–1946) German physician and writer

Source: The Revival of Aristocracy (1906), p. 44.

People, Swine, Affliction

“The Romantic painters were already addicted to a cult of the horse as an aristocratic beast.... From Géricault and Constantin Guys [both Romantic French painters] to Degas and Dufy, this cult of the horse found its expression in a new attitude towards sport and military life... In Odilon Redon’s visionary renderings of horses and later in those of Picasso and Chirico, we then see the horse become part of the fauna of a world of dreams and myths.”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), p. 86

Life, World, Dreams, Guy

“There aren't enough swear-words in the English language, so now I'll have to call you perkeleen vittupää just to express my disgust and frustration with this crap.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

<nowiki>Re: [GIT pull https://www.mail-archive.com/linux-kernel@vger.kernel.org/msg467322.html, x86 updates for 3.11</nowiki>, Torvalds, Linus, 2013-07-13, 2013-07-15] 2010s, 2013

“I wanted to be free. I wanted to express desires on my own, to shape my own little life.”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

Life

“It must be confessed that the new quantum mechanics is far from satisfying the requirements of the layman who seeks to clothe his conceptions in figurative language. Indeed, its originators probably hold that such symbolic representation is inherently impossible. It is earnestly to be hoped that this is not their last word on the subject, and that they may yet be successful in expressing the quantum postulate in picturesque form.”

H. Stanley Allen (1873–1954) English Physicist

[1928, April 14, Introduction to Niels Bohr's The quantum postulate and recent developments of quantum theory, Nature, Suppl. No. 3050, 6, 52] As quoted by K. V. Laurikainen, The Origin and Development of the Idea of Complementarity, 1980.

Hope, Success, Clothes

“The great Cartesian invention had its roots in those famous problems of antiquity which originated in the days of Plato. In endeavoring to solve the problems of the trisection of an angle, of the duplication of the cube and of the squaring of the circle, the ruler and compass having failed them, the Greek geometers sought new curves. They stumbled on the conic sections…There we find the nucleus of the method which Descartes later erected into a principle. Thus Apollonius referred the parabola to its axis and principal tangent, and showed that the semichord was the mean propotional between the latus rectum and the height of the segment. Today we express this relation by x2 = Ly, calling the height the ordinate (y) and the semichord the abscissa (x); the latus rectum being… L. …the Greeks named these curves and many others… loci… Thus the ellipse was the locus of a point the sum of the distances of which from two fixed points was constant. Such a description was a rhetorical equation of the curve…”

Tobias Dantzig (1884–1956) American mathematician

Number: The Language of Science (1930)

Lying, Problem

“Everything is in decline the moment you stop giving the artist freedom. That goes for everywhere, but it is happening in America right now. I think record companies are at great fault. In general, they don’t want to develop talent, but rather get the most out of them in the short term. They’re steering people to do things they perhaps wouldn’t do but have to do and not everyone has the integrity to say “No way.” People are hungry and they have to make money and take care of their families, so it’s a great pressure. Only when you can afford it from an artistic or financial point of view can you express what you want to express.”

Joe Zawinul (1932–2007) austrian composer and pianist

On how the record industry in America represses artist freedom and talents from upcoming artists
Prasad interview (1997)

Money, People, Family, Way

“Totalitarian art must be a form of classicism: the state which is founded on order and subordination demands an art with a similar basis. Romantic painting, however popular, expresses the revolt of the individual. The State also requires an art of reason by which appropriate works may be produced as required. Inspiration is outside state control. The classic attitude toward subject matter — that it should be clear and unequivocal — supports the attitude of unquestioning belief. Add the fact that totalitarian art must be real enough to please the ignorant, ideal enough to commemorate a national hero, and well enough designed to present a memorable image, and one sees how perfectly The Death of Marat fills the bill. That it happens also to be a great work of art makes it dangerously misleading.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 1: David

Death, Art, Support, Painting

“They are the gateway for our modern esthetic development, the prophets of the new time. They are most of all, the primitives of the way they have begun; they have voiced most of all the imperative need of essential personalism, of direct expression of direct experience.”

Marsden Hartley (1877–1943) American artist

Quote from Whitman and Cézanne, in Adventures in the Arts, New York, Boni Liveright 1921; as cited in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 34
1921 - 1930

Way, Time, Personality

“To me, the circle and the square where the sky and the earth, as symbolized by the ancient Oriental religions; they formed a kind of rudimentary alphabet by means of which everything could be expressed with the most limited means. They evoked prehistoric runes and the early I-Ching, or Book of Changes.”

Michel Seuphor (1901–1999) designer, draughtsman, painter

Source: Abstract Painting (1964), p. 98

Books, Religion, Change

“And, indeed, there could not be any other grouping among our students, because they are the most responsive section of the intelligentsia, and the intelligentsia are so called just because they most consciously, most resolutely and most accurately reflect and express the development of class interests and political groupings in society as a whole.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Collected Works, Vol. 7, pp. 43–56
Collected Works

“She gathered herself together. No one could describe the scorn of her expression or the contemptuous hatred she put into her answer.
"You men! You filthy dirty pigs! You're all the same, all of you. Pigs! Pigs!"”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

"Sadie Thompson" in Altogether - Rain (1934)

Men

“I am often astonished at well-meaning, spiritual people who advocate beaming light toward world leaders, who scold activists for expressing anger toward authorities or police, who define compassion as loving the enemy — but somehow lose sight of the need to love our friends, our allies, and those who suffer at the hands of the perpetrators. I really don't feel much call to beam love and light at Bush or Cheney or the directors of the International Monetary Fund. Whether or not they suffer from lack of love is beyond me. From my perspective, they suffer from an excess of power, and I feel called to take it away from them. Because I do love the child in Iraq, the woman in the favela, the eighteen-year-old recruit to the Marines who never dreamed he was signing up to bomb civilians. I can't love them, or myself and my community, effectively if I can't articulate the real differences in interests and agendas between "us" and "them"”

Starhawk (1951) American author, activist and Neopagan

between those who have too little social power and those who have too much.
Toward an Activist Spirituality (2003)

Love, People, World, Dreams

“When the poet said that for him poetry was not a purpose, but a passion, he was also expressing the feelings of the true scientist to his own field.”

Varadaraja V. Raman (1932) American physicist

THOUGHTS ON SCIENCE AND LITERATURE’’
Truth and Tension in Science and Religion

Feeling, Passion

“Nobody, I think, ought to read poetry, or look at pictures or statues, who cannot find a great deal more in them than the poet or artist has actually expressed.”

Nathaniel Hawthorne book The Marble Faun

Source: The Marble Faun (1860), Chapter XLI: Snowdrops and Maidenly Delights

Thinking, Reading

“If the Hindus sang Vande Mãtaram in a public meeting, it was a ‘conspiracy’ to convert Muslims into kãfirs. If the Hindus blew a conch, or broke a coconut, or garlanded the portrait of a revered patriot, it was an attempt to ‘force’ Muslims into ‘idolatry’. If the Hindus spoke in any of their native languages, it was an ‘affront’ to the culture of Islam. If the Hindus took pride in their pre-Islamic heroes, it was a ‘devaluation’ of Islamic history. And so on, there were many more objections, major and minor, to every national self-expression. In short, it was a demand that Hindus should cease to be Hindus and become instead a faceless conglomeration of rootless individuals. On the other hand, the ‘minority community’ was not prepared to make the slightest concession in what they regarded as their religious and cultural rights. If the Hindus requested that cow-killing should stop, it was a demand for renouncing an ‘established Islamic practice’. If the Hindus objected to an open sale of beef in the bazars, it was an ‘encroachment’ on the ‘civil rights’ of the Muslims. If the Hindus demanded that cows meant for ritual slaughter should not be decorated and marched through Hindu localities, it was ‘trampling upon time-honoured Islamic traditions’. If the Hindus appealed that Hindu religious processions passing through a public thoroughfare should not be obstructed, it was an attempt to ‘disturb the peace of Muslim prayers’. If the Hindus wanted their native languages to attain an equal status with Urdu in the courts and the administration, it was an ‘assault on Muslim culture’. If the Hindus taught to their children the true history of Muslim tyrants, it was a ‘hate campaign against Islamic heroes’. And the ‘minority community’ was always ready to ‘defend’ its ‘religion and culture’ by taking recourse to street riots.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

Hate, Children, Peace, Religion

“I found, once I passed the age of forty, that I have a good sense of humor. It’s only through that I can keep stuﬀ oﬀ and go through my life. If you sit and try to take on everything that is going on out there, you’re going to end up with problems. That’s where I feel music. And music becomes the way in which I express feelings. And, because it allows me to have contact with my emotions, it’s a constant catharsis, not just playing and writing. By doing that, you alleviate something inside of you. And who knows where that comes from?”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Meet Clare Fischer" http://cdassassin.wordpress.com/2010/10/28/1999-interview-at-allaboutjazz-com/

Life, Age, Music, Way

“Do you see that corner of canvas there [of his painting 'La Ferme'], large as the hand, does it not seem to you that it far surpasses in intensity, in clearness, in expression, the rest of the canvas? [Sensier confirmed]. Well, then, all the rest must pass under the control of that little centre; all that which surrounds it submit itself to that diapason of light and the whole of the picture be as charged with life as that which you see there. Must we not incessantly lift ourselves, surpass ourselves, in this terrible profession of painter?”

Théodore Rousseau (1812–1867) French painter (1812-1867)

quote from a talk with Alfred Sensier, c. 1865; as cited in Barbizon days, Millet-Corot-Rousseau-Barye by Charles Sprague Smith, A. Wessels Company, New York, July 1902, pp. 159-60
the quote is pointing to his painting 'The Farm / La Ferme', upon which Rousseau had worked for years
1851 - 1867

Life, Light, Painting

“Every naturalism begins as involuntary naïveté. Initially, we cannot help thinking that the “order of things” is an objective order. For the first glance falls on the things and not on the “eyeglasses.” In the work of enlightenment, this first innocence becomes irretrievably lost. Enlightenment leads to the loss of naïveté and it furthers the collapse of objectivism through a gain in self-experience. It effects an irreversible awakening and, expressed pictorially, executes the turn to the eyeglasses, i. e., to one’s own rational apparatus. Once this consciousness of the eyeglasses has been awakened in a culture, the old naïveté loses its charm, becomes defensive, and is transformed into narrow-mindedness, which is intent on remaining as it is. The mythology of the Greeks is still enchanting; that of fascism is only stale and shameless. In the first myth, a step toward an interpretation of the world was taken; in simulated naïveté, an artful stupefaction (Verdummung) is at work—the predominant method of self-integration in advanced social orders.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 59

World, Art, Nature, Thinking

“We think of the world as containing particular things some of which are independent of ourselves; we think of the world's history as made up of particular episodes in which we may or may not have a part; and we think of these particular things and events as included in the topics of our common discourse, as things about which we can talk to each other. These are remarks about the way we think of the world, about our conceptual scheme. A more recognizably philosophical, though no clearer, way of expressing them would be to say that our ontology comprises objective particulars. It may comprise much else besides.”

P. F. Strawson (1919–2006) British philosopher

Source: Individuals (1959), p. 2.

World, Way, History, Thinking

“He has achieved success who has lived well, laughed often and loved much;
Who has gained the respect of intelligent men and the love of little children;
Who has filled his niche and accomplished his task;
Who has left the world better than he found it, whether by an improved poppy, a perfect poem, or a rescued soul;
Who has never lacked appreciation of earth's beauty or failed to express it;
Who has always looked for the best in others and given the best he had;
Whose life was an inspiration;
Whose memory a benediction.”

Bessie Anderson Stanley (1879–1952) American poet

What is success?, quoted in He Has Achieved Success Who Has Lived Well, Laughed Often and Loved Much, in QuoteInvestigator.com (26 June 2012) http://quoteinvestigator.com/2012/06/26/define-success/.

Love, Life, Men, Children

“All men forget that colors have to radiate to give the big [spiritual] expression.”

Jacoba van Heemskerck (1876–1923) Dutch painter

(translation from German, Fons Heijnsbroek, 2018, Dutch version, Nederlandse versie van citaat uit haar brief:) Alle mannen vergeten dat kleuren stralen moeten om de grote uitwerking te geven..
In her letter of 7 Jan. 1916; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5); Waanders, Zwolle, 2005, p. 193
her critic on artists like a. o. Piet Mondrian and Theo Van Doesburg
1910's

Men, Color, Forgetting

“The act of expressing oneself is a physical one. It materializes the thought.”

Asger Jorn (1914–1973) Danish artist

1949 - 1958, Speech to the Penguins' (1949)

“A sense of humor is a measurement of the extent to which we realize that we are trapped in a world almost totally devoid of reason. Laughter is how we express the anxiety we feel at this knowledge.”

Dave Barry (1947) American writer

Originally published in "Encyclopedia Tropicana: A Reference Book for the Modern World, Volume 1" by Joel Achenbach, The Miami Herald, May 4, 1986; quoted by Bryan Curtis, " Dave Barry: Elegy for the humorist http://slate.msn.com/id/2112218," Slate, January 12, 2005 Columns and articles

World, Feeling, Knowledge, Sense

“God is committed to developing a people who will reflect his character in this world, and his character always expresses concern and compassion for the afflicted.”

Bill Hybels (1951) American writer

Too Busy Not to Pray (2008, InterVarsity Press)

God, People, World, Affliction

“Magister Adler was deeply moved by something higher, but now when he wants to express his thoughts in words, wants to communicate, he confuses the subjective with the objective, his altered subjective state with an external event, the dawning of a light upon him with the coming into existence of something new outside him, the falling of the veil from his eyes with his having had a revelation. Subjectively his emotion is carried to the extreme; he wants to select the most powerful expression to describe it and by means of a mental deception grasps the objective qualification: having had a revelation.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

The Book of Adler, by Søren Kierkegaard, Hong 1998 p. 117
1840s, The Book on Adler (1846-1847)

Communication, Light

“In the first Manifesto that we launched on the 8th of March, 1910, from the stage of the Chiarella Theater in Turin, we expressed our deep-rooted disgust with, our proud contempt for, and our happy rebellion against vulgarity, mediocrity, the fanatical and snobbish worship of all that is old, attitudes which are suffocating Art in our Country.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

1910, Manifesto of Futurist Painters,' April 1910
Source: Rainey et al. (eds.) Futurism: An Anthology, (2009), p. 64 : Lead paragraph

Happiness, Art, Country

“In the hill country, civilization steals in last, and the people retain much of the crude but vigorous mode of expression of the colonial days and earlier.”

Robert E. Howard (1906–1936) American author

From a letter to Robert W. Gordon (February 15, 1926)
Letters

People, Country

“Our recent decisions make plain that we do not sit as a super-legislature to weigh the wisdom of legislation nor to decide whether the policy which it expresses offends the public welfare.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Writing for the court, Day-Brite Lighting, Inc. v. Missouri, 342 U.S. 421 (1952)
Judicial opinions

Wisdom, Decision

“It is possible to express the laws of thermodynamics in the form of independent principles, deduced by induction from the facts of observation and experiment, without reference to any hypothesis as to the occult molecular operations with which the sensible phenomena may be conceived to be connected; and that course will be followed in the body of the present treatise. But, in giving a brief historical sketch of the progress of thermodynamics, the progress of the hypothesis of thermic molecular motions cannot be wholly separated from that of the purely inductive theory.”

William John Macquorn Rankine (1820–1872) civil engineer

Source: A Manual of the Steam Engine and Other Prime Movers (1859), p. 27

Law

“Both sexes had an unconscious investment in keeping men from expressing feelings of fear and vulnerability.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Men, Fear, Sex, Feeling

“Soon after the military coup that deposed Egyptian President Mohamed Morsy, I announced that I would join the pro-Morsy demonstration outside of Cairo's Rabaa al-Adaweya square…I wished to protest the killing, forcible disappearance, and jailing of coup opponents…I declared publicly that I was going to Rabaa al-Adaweya to defend the gains of the Jan. 25, 2011, revolution -- freedom of expression, peaceful assembly, and the right of the people to select their rulers.”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

2010s, Morsy is the Arab World's Mandela (2013)

People, Peace, Freedom

“The Scriptures … tell us what man wanted to do when he created the city, what he was hoping to conquer, what he thought to establish. And this narrative of the origin of the city is essential, for we see there in its purest state, and expressed simply, the feelings of the builders. Such feelings are no longer evident in our modern day when the prodigious complexity of the world hides the simple plans of the never-changing human heart.”

Jacques Ellul book The Meaning of the City

Source: The Meaning of the City (1951), p. 7

World, Hope, Feeling, Change

“One of the objects of a newspaper is to understand popular feeling and to give expression to it; another is to arouse among the people certain desirable sentiments; and the third is fearlessly to expose popular defects.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Sect. 1
1900s, Hind Swaraj (1908)

People, Feeling, Understanding

“If philosophy aims at being a theoretical mode of thought and speech, can it have a rhetorical character and be expressed in rhetorical forms? The answer seems obvious. Theoretical thinking, as a rational process, excludes every rhetorical element because pathetic influences—the influences of feeling—disturb the clarity of rational thought. …
To prove means to show something to be something, on the basis of something. To have something through which something is shown and explained definitively is the foundation of our knowledge. Apodictic, demonstrative speech is the kind of speech which establishes the definition of a phenomenon by tracing it back to ultimate principles, or archai. It is clear that the first archai of any proof and hence of knowledge cannot be proved themselves because they cannot be the object of apodictic, demonstrative, logical speech; otherwise they would not be the first assertions. Their nonderivable, primary character is evident from the fact that we neither can speak nor comport ourselves without them, for both speech and human activity simply presuppose them. But if the original assertions are not demonstrable, what is the character of the speech in which we express them? Obviously this type of speech cannot have a rational-theoretical character….
Basic premises cannot have an apodictic, demonstrative character and structure but are thoroughly indicative….
Arche … cannot have a rational but only a rhetorical character. Thus the term "rhetoric" assumes a fundamentally new significance; "rhetoric" is not, nor can it be the art, the technique of an exterior persuasion; it is rather the speech which is the basis of the rational thought.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), pp. 18-19

Art, Feeling, Knowledge, Thinking

“Every one knows that the fine phrase "God geometrizes" is attributed to Plato, but few know where this famous passage is found, or the exact words in which it was first expressed. Those who, like the author, have spent hours and even days in the search of the exact statements, or the exact references, of similar famous passages, will not question the timeliness and usefulness of a book whose distinct purpose it is to bring together into a single volume exact quotations, with their exact references, bearing on one of the most time-honored, and even today the most active and most fruitful of all the sciences, the queen-mother of all the sciences, that is, mathematics.”

Robert Edouard Moritz (1868–1940) German mathematician

Robert Edouard Moritz. On Mathematics and Mathematicians https://archive.org/details/onmathematicsmat00mori, 1914, 1942, 1958; p. v; Preface, lead sentence

God, Books, Search, Mathematics

“We use the word divine because the word human is not big enough. He is so much more like God than any other. But the word “divine” is really only an expression of Christian agnosticism. I am quite ready to say that I believe in the divinity of Christ, but I do not know what it means, nor can I find anyone who can explain what it means, least of all some of the theologians from Paul onwards. I sincerely believe that he is the Savior of the World, and if I am immediately challenged about what he saves men from, my answer is that he saves men from the utter despair which would fall upon a thoughtful man, who, conscious of high aims and immense possibilities within himself, was condemned to try to achieve them without any aid save his own, and purely human help of his fellows.”

Leslie Weatherhead (1893–1976) English theologian

Source: The Christian Agnostic (1965), p.94

Men, God, World, Help

“I have always worked on the assumption that if something is valid and meaningful to me, it will also be valid and meaningful to many others. Not to everyone of course. On the basis of this assumption I do not think of an audience when I work, but only of my own reactions. By the same token I do not worry whether what I am doing is art or not. If what I paint is expressive, if it seems to communicate the feeling that is important to me, then I am not concerned if my work does not have marked earmarks of art. My work has been called abstract, surrealistic, totemistic and primitive.... I chose my own label and called my paintings 'Pictographs'..”

Adolph Gottlieb (1903–1974) American artist

Arts and Architecture, vol. 68, no 9, September 1951, p. 21.
1950s

Art, Feeling, Communication, Thinking

“The truth is that, from the immense spectacle of the world, each novelists retains the one adventure which enable shim to give expression to his own essential self, just as the painter sees in nature only pictures painted in his manner.”

André Maurois (1885–1967) French writer

The Art of Writing

Truth, World, Nature, Painting

“And if one is to express the great inevitable defeat that awaits us all, it must be done within the strict confines of dignity and beauty.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

As quoted in "2011's Prince of Asturias Prize for Letters" http://www.fpa.es/en/awards/2011/leonard-cohen-1/speech/

Beauty

“Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed; and if well composed I can hardly leave off looking at it.”

John Ruskin book Modern Painters

Volume V, part VIII, chapter I, section 2 (1860).
Modern Painters (1843-1860)

Truth, Nature

“There is, moreover, very little sense in preventing young people from giving expression to their ideas on the pretext that they have less experience than have older persons. There are many who may live a thousand years without encountering experience of any value. It could only be in a society of persons equally gifted that such an idea could have any meaning.”

Otto Weininger book Sex and Character

Source: Sex and Character (1903), p. 121.

People, Idea, Sense, Personality

“Road to Social Justice. The first and perhaps the most important of the factors which have contributed to our failure to make real impact on poverty expressed in terms of total number who live below the poverty line has clearly been the uncontrolled growth of our population… First, we must, at all costs, make a much more earnest effort at controlling the growth of our population. As it is, we are running out of time and there is no longer any possibility of preventing it from exceeding 1,000 million souls by the end of the century.”

J. R. D. Tata (1904–1993) Indian businessman

At The International Seminar of Economic Journalists, New Delhi, December 5, 1972.
Keynote: Excerpts from his speeches and chairman's statements to shareholders

Justice, Soul, Failure, Effort

“Money bequeathed to my wife "on the express condition that she remarry. I want at least one person to be truly bereaved by my death."”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Testamentary Will of Heinrich Heine (1856); no published source for this has been located.
Disputed

Death, Money, Personality

“Jewish folk music has made a most powerful impression on me. I never tire of delighting in it, it's multifaceted, it can appear to be happy while it is tragic. It's almost always laughter through tears. This quality of Jewish folk music is close to my ideas of what music should be. There should always be two layers in music. Jews were tormented for so long that they learned to hide their despair. They express despair in dance music.”

Dmitri Shostakovich book Testimony

Page 156
Testimony (1979)

Happiness, Music, Idea, Tear

“Flesh is our indisputable commonality. Whatever our race, our religion, our politics we are faced every morning with the fact of our bodies. Their frailties, their demands, their desires. And yet the erotic appetites that spring from - and are expressed through - those bodies, are so often a source of bitter dissension and division. Acts that offer a glimpse of transcendence to one group are condemned by another. We are pressured from every side - by peers, by church, by state - to accept the consensual definition of taboo; though so often what excites our imaginations most is the violation of taboo.”

Clive Barker (1952) author, film director and visual artist

Introduction to "One Flesh" exibition, April 4-27, 1997

Religion, Imagination, Spring

“Let us explain again by examples. In painting a person on a balcony, seen from inside the room do not limit the scene to what the square of the window renders visible; we try to render the sum total of visual sensations which the person on the balcony has experienced; the sun-baked throng in the street, the double row of houses which stretch to right and left, the beflowered balconies etc. This implies the simultaneity of the ambient, and, therefore, the dislocation and the dislocation and dismemberment of objects, the scattering and fusion of details, freed from accepted logic and independent from one another. In order to make the spectator live in the center of the picture, as we express it in our manifesto the picture must be the synthesis of what one remembers and what one sees. You must render the invisible which stirs lives beyond intervening obstacles, what we have on the right, or the left, or behind us, and not merely the small square of life artificially compressed, as it were, by the wings of a stage set. We have declared in our manifesto that what must be rendered is the dynamic sensation, that is to say, the particular rhythm of each object, its inclination, its movement, or more exactly, its interior force.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni is referring in this quote to the 'Manifesto of Futurist Painters' of 1910, and its core Futurist concept of dynamic sensation; p. 47.
1912, Les exposants au public', 1912

Life, Sun, Painting, Housing

“I am simply painting concrete representation of abstract emotions such as innocent love, ordinary happiness. I do want an emotional response. And I paint about emotions, not about lines. The truth is that it's not the lines that express the emotion. It's the scale of the composition. You know, if you go into a room that has perfect scale, you feel it... If the painting has perfect scale, it moves you. And you have different scale to show different emotions. It's the space between the lines that counts.”

Agnes Martin (1912–2004) American artist

after 2000, Agnes Martin: Between the Lines', 2002

Love, Happiness, Truth, Feeling

“Hayek fails to account either for the passion among intellectuals for equality, or for the resulting success of socialists and their egalitarian successors in driving the liberal idea from the stage of politics. This passion for equality is not a new thing, and indeed pre-dates socialism by many centuries, finding its most influential expression in the writings of Rousseau. There is no consensus as to how equality might be achieved, what it would consist in if achieved, or why it is so desirable in the first place. But no argument against the cogency or viability of the idea has the faintest chance of being listened to or discussed by those who have fallen under its spell.”

Roger Scruton (1944–2020) English philosopher

"Hayek and conservatism", in Edward Feser (ed.), The Cambridge Companion to Hayek (2006)

Idea, Passion, Chance, Success

“I tell you that I have nothing more to wish for. They were extremely pleased with my pictures, and expressed great satisfaction not only the King, but the Prince as well. Neither I nor my works deserve such recognition.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Don Martín Zapater, early Jan. 1779 https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 110 Early in January, 1779, Goya was presented to the Spanish King and the heir apparent, and kissed hands. They appreciated his pictures (cartoons), Goya made as designs for the royal tapestry factory, to cover the huge walls of the king's palace https://commons.wikimedia.org/wiki/Palacio_Real_de_Madrid 1770s

“Traditionalists value hierarchy. An infantile, immoral society deifies The Child. Kids should follow Florence King's injunction that "children have no business expressing opinions on anything except, 'Do you have enough room in the toes?'”

Ilana Mercer South African writer

2010s, 2016

Children, Business

“The brain is the medium of expression of the human mind. Similarly the entire physical universe would be the medium of expression of the mind of a natural God.”

Paul Davies book God and the New Physics

Source: God and the New Physics (1983), Ch. 17: 'The physicist's conception of nature', p. 223

God, Nature, Universe

“There is no one force, no group, and no class that is the preserver of liberty. Liberty is preserved by those who are against the existing chief power. Oppositions which do not express genuine social forces are as trivial, in relation to entrenched power, as the old court jesters.”

James Burnham (1905–1987) American philosopher

James Burnham (1987) The Machiavellians, Defenders of Freedom. p. 280

“The melodic curves of speech are an expression of the complete organism and of all phases of its spiritual activities. They demonstrate whether a man is stupid or intelligent, sleepy or awake, tired or alert. They tell us whether he is a child or an old man, whether it is morning or evening, light or darkness, heat or frost, and disclose whether a person is alone or in company. The art of dramatic writing is to compose a melodic curve that will, as if by magic, reveal immediately a human being in one definite phase of his existence.”

Leoš Janáček (1854–1928) Czech composer

Leoš Janáček: Letters and Reminiscences (Stedron, Bohumir, ed. Translated by Geraldine Thomsen. Prague: Artia, 1995).

Stupidity, Art, Intelligence, Light

“According to Aristotle then excellence of character and intelligence cannot be separated. Here Aristotle expresses a view characteristically at odds with that dominant in the modern world. The modern view is expressed at one level in such banalities as ‘Be good, sweet maid, and let who will be clever’ and at another in such profundities as Kant’s distinction between the good will, the possession of which alone is both necessary and sufficient for moral worth, and what he took to be a quite distinct natural gift, that of knowing how to apply general rules to particular cases, a gift the lack of which is called stupidity. So for Kant one can be both good and stupid; but for Aristotle stupidity of a certain kind precludes goodness.”

Alasdair MacIntyre book After Virtue

Source: After Virtue (1981), p. 154.

Stupidity, World, Intelligence, Nature

“The psyche is awareized energy, in a state of constant creativity; a psychic pattern of multidimensionally expressed; each point within it changing in relationship to all other points, and thus altering the entire pattern or model. Each self is immersed in the psyche, yet immersed in its own individuality simultaneously, experiencing reality in time and out of it at once.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 166

Reality, Change, Time

“I'm not a pessimist. Maybe I don't have a primitive feeling of happiness, that is true. Sometimes my color is happy but not the expression.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Source: Karel Appel – the complete sculptures,' (1990), p. 85 'Quotes', K. Appel (1989)

Happiness, Color, Feeling

“Strictly speaking, the theory of numbers has nothing to do with negative, or fractional, or irrational quantities, as such. No theorem which cannot be expressed without reference to these notions is purely arithmetical: and no proof of an arithmetical theorem, can be considered finally satisfactory if it intrinsically depends upon extraneous analytical theories.”

George Ballard Mathews (1861–1922) British mathematician

Part 1, sect. 1.
Theory of Numbers, 1892

Dependency

“Writings are naturally accessible to all who can read. Therefore a philosopher who chose the second way could expound only such opinions as were suitable for the nonphilosophic majority: all of his writings would have to be, strictly speaking, exoteric. These opinions would not be in all respects consonant with truth. Being a philosopher, that is, hating "the lie in the soul" more than anything else, he would not deceive himself about the fact that such opinions are merely "likely tales," or "noble lies," or "probable opinions," and would leave it to his philosophic readers to disentangle the truth from its poetic or dialectic presentation. But he would defeat his purpose if he indicated clearly which of his statements expressed a noble lie, and which the still more noble truth.”

Leo Strauss book Persecution and the Art of Writing

Source: Persecution and the Art of Writing (1952), Persecution and the Art of Writing, p. 35

Hate, Truth, Lie, Way

“Misconception was especially brought in by describing descent in terms of "blood". The common speech uses expressions such as consanguinity, pure-blooded, half-blood, and the like, which call up a misleading picture to the mind. Blood is in some respects a fluid, and thus it is supposed that this fluid can be both quantitatively and qualitatively diluted with other bloods, just as treacle can be diluted with water.”

William Bateson (1861–1926) British geneticist and biologist

Australian Meeting of the British Association. Inaugural Address. August 20th, 1914.

Water

“I know how to tell a story, but there’s a deeper thing I’m trying to get to now that can’t be expressed with a caption.”

Doug Menuez (1957) American photographer

Chronogram (May 2006) http://archive.chronogram.com/issue/2006/05/arts/

“1. To us art is an adventure into an unknown world, which can be explored only by those willing to take the risks.
2. This world of imagination is fancy-free and violently opposed to common sense.
3. It is our function as artists to make the spectator see the world our way not his way.
4. We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
5. It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. (Rothko said this is the essence of academicism.)
6. There is no such thing as a good painting about nothing.
7. We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless. That is why we profess spiritual kinship with primitive and archaic art.”

Adolph Gottlieb (1903–1974) American artist

June 13, 1943 edition of the New York Times, brief manifesto: Adolph Gottlieb with Mark Rothko and Barnett Newman.
1940s

Truth, World, Art, Way

“A simple way to determine whether the right to dissent in a particular society is being upheld is to apply the town square test: Can a person walk into the middle of the town square and express his or her views without fear of arrest, imprisonment, or physical harm? If he can, then that person is living in a free society. If not, it's a fear society.”

Natan Sharansky book The Case for Democracy

Pages 40-1.
The Case for Democracy (2004, with Ron Dermer)

Fear, Way, Personality

“The German Rendering. The German language was divided into as many dialects as tribes and states, and none served as a bond of literary union. Saxons and Bavarians, Hanoverians and Swabians, could scarcely understand each other. Each author wrote in the dialect of his district, Zwingli in his Schwyzerdütsch. "I have so far read no book or letter," says Luther in the preface to his version of the Pentateuch (1523), in which the German language is properly handled. Nobody seems to care sufficiently for it; and every preacher thinks he has a right to change it at pleasure, and to invent new terms." Scholars preferred to write in Latin, and when they attempted to use the mother tongue, as Reuchlin and Melanchthon did occasionally, they fell far below in ease and beauty of expression.
Luther brought harmony out of this confusion, and made the modern High German the common book language. He chose as the basis the Saxon dialect, which was used at the Saxon court and in diplomatic intercourse between the emperor and the estates, but was bureaucratic, stiff, heavy, involved, dragging, and unwieldy. He popularized and adapted it to theology and religion. He enriched it with the vocabulary of the German mystics, chroniclers, and poets. He gave it wings, and made it intelligible to the common people of all parts of Germany.”

Philip Schaff (1819–1893) American Calvinist theologian

Which Greek and Hebrew texts of the Bible did Luther use?

People, Pleasure, Books, Religion

“[Frank] Stella is not interested in expression or sensitivity. He is interested in the necessity of painting... His stripes are the paths of brush on canvas. These path leads only into painting.”

Carl Andre (1935) American artist

quote c. 1959, in 'Preface to Stripe Painting', by Carl Andre, in Sixteen Americans ed. Miller, p. 76
Andre's remark is referring to Andre's close artist-friend Frank Stella, the American minimalist painter

Painting

“It is usually assumed that, in speaking, in the 1844 Manuscripts, of man’s “being reduced to the level of the animals,” and of man’s alienation from his “species-being” under the conditions of capitalist production, Marx is thinking in terms of an abstract conception of “man” as being alienated from his biological characteristics as a species. So, it is presumed, at this initial stage in the evolution of his thought, Marx believed that man is essentially a creative being whose “natural” propensities are denied by the restrictive character of capitalism. Actually, Marx holds, on the contrary, that the enormous productive power of capitalism generates possibilities for the future development of man which could not have been possible under prior forms of productive system. The organization of social relationships within which capitalist production is carried on in fact leads to the failure to realize these historically generated possibilities. The character of alienated labor does not express a tension between “man in nature” (non-alienated) and “man in society” (alienated), but between the potential generated by a specific form of society—capitalism—and the frustrated realization of that potential. What separates man from the animals is not the mere existence of biological differences between mankind and other species, but the cultural achievements of men, which are the outcome of a very long process of social development.”

Anthony Giddens (1938) British sociologist

Source: Capitalism and Modern Social Theory (1971), pp. 15-16.

Men, Failure, Nature, Thinking

“Freedom is a mystical truth — it's expressed best in The Brothers Karamazov, the chapter when the Grand Inquisitor confronted the returned Christ. The freedom that Christ gave the world was the freedom of being an individual, in a collectivity, of basing one's life on love, as distinct from power, of seeking the good of others rather than nourishing one's own ego. That was liberation. And the Chief Inquisitor, who speaks for every dictator, every millionaire, every ideologue that's ever been, says we can't have it. Go away. Stay away.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

Love, Life, Truth, World

“I wanted to burn down the 'École de Beaux Arts' with my cobalts and vermilions and I wanted to express my feelings with my brushes without troubling what painting was like before me... Life and me, me and life.”

Maurice de Vlaminck (1876–1958) French painter

Quote of De Vlaminck; as cited in Picasso, Matisse and Modernism in Paris 1900-1910, Sue Roe; Penguin Press, 2015; quoted in 'Becoming an Artist' on Widewalls https://www.widewalls.ch/artist/maurice-de-vlaminck/ Quotes undated

Life, Art, Feeling, Painting

Quotes about expression page 32

Quotes about expression
page 32