Quotes about expression
page 12

Theodore Dalrymple photo
Carlo Carrà photo
Bernhard Riemann photo
Leo Tolstoy photo
Pricasso photo

“Mayor Helen Zille has shrugged off the news that her portrait has been painted by an 'artist' who uses his penis as a brush, saying it is his constitutional right to exercise his freedom of expression 'in this unusual way.”

Pricasso (1949) Australian painter

[Cape Argus staff, Artist uses a different stroke on Zille portrait, Cape Argus, South Africa, 7 May 2008, 3, Independent Online]
About

Winston S. Churchill photo
Alfred de Zayas photo
John F. Kennedy photo
Nathan Lane photo

“There isn't anyone else like Nathan. He is able to express more in a look or a word than most actors I've ever worked with.”

Nathan Lane (1956) American actor

Victor Garber — reported in Maureen Dezell (October 19, 2003) "Nathan Lane Goes Beyond Broadway", The Boston Globe, p. N1.
About

Friedrich Wilhelm Joseph Schelling photo
Peter Tatchell photo

“In contrast to earlier gay law reform and equality-oriented movements, the 1970s LGBT liberation movement did not seek to ape heterosexual values or secure the acceptance of sexual orientation and gender identity minorities within the existing sexual conventions. Indeed, it repudiated the prevailing sexual morality and institutions - rejecting not only heterosexism (heterosexual supremacism) but also male machismo, with its oppressive predisposition to rivalry, toughness and aggression; the extreme expressions of which are the rapist, queer-basher, racist murderer and war criminal.
The "radical drag" and "gender-bender" politics of the Gay Liberation Front (GLF) in the early 1970s glorified and promoted male gentleness. A conscious, if sometimes exaggerated, attempt to renounce the oppressiveness of masculinity and male privilege, it rejected straight macho values; identifying them with the subordination of women and LGBT people. The GLF was truly revolutionary because it attempted to subvert male-female gender roles and straight patriarchy. It denounced the ethos of masculine competitiveness, domination and violence; instead affirming the worthwhileness of male sensitivity and affection between men and, in the case of lesbians, the intrinsic value of an eroticism and love independent of maleness.
These ideas led me to propose that without the construction of a cult of machismo and a mass of aggressive male egos, neither sexual, gender, class, racial, speciesist nor imperialist oppression are possible.”

Peter Tatchell (1952) British gay rights activist

Machismo Underpins War and Tranny http://www.petertatchell.net/masculinity/machismo-underpins-war-and-tyranny.htm, Official Website

Adolf Hitler photo
Fred Rogers photo
Nadine Gordimer photo
Marcel Marceau photo

“I have spent more than half a lifetime trying to express the tragic moment.”

Marcel Marceau (1923–2007) French mime and actor

The Guardian (London, 11 August 1988)

Jonathan Edwards photo
Bernard Lewis photo
Warren Farrell photo
Warren G. Harding photo
Will Eisner photo
Alfred de Zayas photo

“As all human rights derive from human dignity, it is important to recognize that human dignity is not a product of positivism but an expression of natural law and human rationality. Although an abstract concept, human dignity has engendered concrete norms of human rights, a practical mode d’emploi strengthened by enforcement mechanisms.”

Alfred de Zayas (1947) American United Nations official

Interim report of the Independent Expert on the promotion of a democratic and equitable international order, Alfred Maurice de Zayas http://www.ohchr.org/Documents/Issues/IntOrder/A.67.277_en.pdf.
2012

Ayn Rand photo
Monte Melkonian photo
Thomas Hood photo

“How widely its agencies vary,—
To save, to ruin, to curse, to bless,—
As even its minted coins express,
Now stamped with the image of Good Queen Bess,
And now of a Bloody Mary.”

Thomas Hood (1799–1845) British writer

Her Moral; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

Laurette Taylor photo
John of St. Samson photo
Ben Jonson photo

“Preserving the sweetness of proportion and expressing itself beyond expression.”

Ben Jonson (1572–1637) English writer

The Masque of Hymen (1606)

Aldo Capitini photo

“I wanted to go away, in the midst of something entirely different,
I had been there, in the house of torture,
I have seen people being kicked, men’s bodies scorched,
nails pulled out with pliers.
Armed with flame and cudgels, grinning men in shirt sleeves.
Where I could hear my friends being thrown headlong
down the stairs.
Night was as day, and long shrieks wounded me.
In vain I tried to think of wooded lanes and flowers,
a serene life and human words.
The thought seized up, it was as if a wound were opened up
again and again and endlessly searched.
From the mouth struck, teeth and blood came out,
and lamenting moans from the deep throat.
Away, away from that house, from that street and town,
from anything similar to it.
I must save myself, keep up my mind,
that I should not be led to madness by these memories.
Oh, if we could go back to a void, from which a new order,
a maternal opening could come forth,
if I hear a certain tone of voice even in jest, I shudder.
My unhappiness is that I avoid the sight of suffering,
hospitals and prisons.
I have yearned for high solitudes, lands of still sunshine
and sweet shadows,
but I would always be pursued by the ghosts of human beings.
All of a sudden I feel the need of distraction and play,
to lose myself in the noise of the fairground.
I remain with you, but forgive me
if you see me sometimes act like a madman.
I try to heal myself by myself, as an animal,
trusting that the wounds will close.
I stop to listen to the simple conversations of the women
in the marketplace, with their dialectical lilt.
I rejoice at the footsteps of running children,
their overpowering calls.
Because you do not know the absurdity of my dreams,
the fixed expressions, the incomprehensible gestures.
There is turmoil inside me, which seems to ridicule me.
And I cannot cry out, not to be like them.
Tomorrow I will go towards some music, now I am getting ready.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
Jorge Luis Borges photo
Angela Davis photo
Eugène Delacroix photo
Smita Nair Jain photo
Leszek Kolakowski photo
Piet Mondrian photo
Henri Matisse photo
Jane Roberts photo
Susan Faludi photo
Wassily Kandinsky photo

“The more freely abstract the form becomes, the purer, and also the more primitive it sounds. Therefore, in a composition in which corporeal elements are more or less superfluous, they can be more or less omitted and replaced by purely abstract forms, or by corporeal forms that have been completely abstracted... Here we are confronted by the question: Must we not then renounce the object altogether, throw it to the winds and instead lay bare the purely abstract? This is a question that naturally arises, the answer to which is at once indicated by an analysis of the concordance of the two elements of form (the objective and the abstract). Just as every word spoken (tree, sky, man) awakens an inner vibration, so too does every pictorially represented object. To deprive oneself of the possibility of this calling up vibrations would be to narrow one's arsenal of expressive means. At least, that is how it is today. But apart from today's answer, the above question receives the eternal answer to every question in art that begins with 'must.”

Wassily Kandinsky (1866–1944) Russian painter

There is no 'must' in art, which is forever free.
Quote from: Kandinsky: Complete Writings on Art, eds. Kenneth C. Lindsay and Peter Vergo, 2 Vols. (transl. Peter Vergo); Boston: G.K. Hall & Co., (1982), p. 195; as cited in: Samet, Jennifer Sachs. Painterly Representation in New York, 1945-1975. Dissertation, The City University of New York, 2010. p. 25
1910 - 1915

Alex Salmond photo

“We must never forget that, at its core, the European Union is an expression of commonality - a desire for unity to prevent conflict and to encourage mutual benefit.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Scottish Government's relationship with Europe (July 11, 2007)

“In similar fashion we may approach the personality and induce the individual to reveal his way of organizing experience by giving him a field (objects, materials, experiences) with relatively little structure and cultural patterning so that the personality can project upon that plastic field his way of seeing life, his meanings, significances, patterns, and especially his feelings, Thus we elicit a projection of the individual's private world, because he has to organize the field, interpret the material, and react affectively to it. More specifically, a projection method for study of personality involves the presentation of a stimulus-situation designed or chosen because it will mean to the subject, not what the experimenter has arbitrarily decided it should mean (as in most psychological experiments using standardized stimuli in order to be “objective”), but rather whatever it must mean to the personality who gives it, or imposes it, his private, idiosyncratic meaning and organization. The subject then will respond to his meaning of the presented stimulus-situation by some form of action and feeling that is expressive of his personality.”

Lawrence K. Frank (1890–1968) American cyberneticist

Source: Projective methods for the study of personality (1939), p. 402-403; As cited in: Edwin Inglee Megargee, Charles Donald Spielberger (1992) Personality assessment in America: a retrospective on the occasion of the fiftieth anniversary of the Society for Personality Assessment. p. 20-21

Ernst Mach photo

“I see the expression of… economy clearly in the gradual reduction of the statical laws of machines to a single one, viz., the principle of virtual work: in the replacement of Kepler's laws by Newton's single law… and in the [subsequent] reduction, simplification and clarification of the laws of dynamics. I see clearly the biological-economical adaptation of ideas, which takes place by the principles of continuity (permanence) and of adequate definition and splits the concept 'heat' into the two concepts of 'temperature' and 'quantity of heat'; and I see how the concept 'quantity of heat' leads on to 'latent heat', and to the concepts of 'energy' and 'entropy.”

Ernst Mach (1838–1916) Austrian physicist and university educator

Mach (1910) "Die Leitgedanken meiner naturwissenschaftlichcn Erkennenislehre und ihr Aufnahme durch die Zeitgenossen", Physikalische Zeitschrift. 1, 1910, 599-606 Eng. trans. as "The Guiding Principles of my Scientific Theory of Knowledge and its Reception by my Contemporaries", in S. Toulmin ed., Physical Reality, New York : Harper, 1970. pp.28-43. Cited in: K. Mulligan & B. Smith (1988) " Mach and Ehrenfels: Foundations of Gestalt Theory http://ontology.buffalo.edu/smith/articles/mach/mach.pdf"
20th century

Jerry Fodor photo
Warren Farrell photo

“A man becomes successful by repressing his feelings, not expressing his feelings.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Women Can't Hear What Men Don't Say (2000), p. 16.

Clive Staples Lewis photo
Mahatma Gandhi photo

“Action expresses priorities.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Apparently a rephrasing of "Actions express priorities," from Peak Performers http://books.google.com/books?id=ztKNTGYyqokC&pg=PA78 (1987) by Charles A. Garfield. The phrase is adjacent to a Gandhi quote in at least one list of quotations alphabetized by last name.
Misattributed

Letitia Elizabeth Landon photo
Tami Stronach photo
John Ralston Saul photo
Jürgen Klinsmann photo
Ai Weiwei photo

“Art is always about overcoming obstacles between the inner condition and the skill for expression.”

Ai Weiwei (1957) Chinese concept artist

Solway, Diane. “Enforced Disappearance.” W Magazine, November 2011.
2010-, 2011

Srinivasa Ramanujan photo

“I beg to introduce myself to you as a clerk in the Accounts Department of the Port Trust Office at Madras… I have no University education but I have undergone the ordinary school course. After leaving school I have been employing the spare time at my disposal to work at Mathematics. I have not trodden through the conventional regular course which is followed in a University course, but I am striking out a new path for myself. I have made a special investigation of divergent series in general and the results I get are termed by the local mathematicians as "startling"…. Very recently I came across a tract published by you styled Orders of Infinity in page 36 of which I find a statement that no definite expression has been as yet found for the number of prime numbers less than any given number. I have found an expression which very nearly approximates to the real result, the error being negligible. I would request that you go through the enclosed papers. Being poor, if you are convinced that there is anything of value I would like to have my theorems published. I have not given the actual investigations nor the expressons that I get but I have indicated the lines on which I proceed. Being inexperienced I would very highly value any advice you give me. Requesting to be excused for the trouble I give you. I remain, Dear Sir, Yours truly…”

Srinivasa Ramanujan (1887–1920) Indian mathematician

Letter to G. H. Hardy, (16 January 1913), published in Ramanujan: Letters and Commentary American Mathematical Society (1995) History of Mathematics, Vol. 9

Amrita Sher-Gil photo
Matthew Prior photo

“That air and harmony of shape express,
Fine by degrees, and beautifully less.”

Matthew Prior (1664–1721) British diplomat, poet

Henry and Emma; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Leonard Nimoy photo
Krishna Raja Wadiyar IV photo

“I recall to mind on this occasion, said His Highness, "the words which I spoke nearly 21 years ago when I opened the Representative Assembly in person for the first time after I assumed the reins of Government. The hopes I then expressed of the value of the yearly gatherings of the Assembly in contributing to the well-being and contentment of my subjects have been amply fulfilled. The Legislative Council, too, which came into existence in 1907.”

Krishna Raja Wadiyar IV (1884–1940) King of Mysore

At the Inauguration of the Reformed Legislative Council and the Representative Assembly on the 17th March 1924 Modern_Mysore, Dr. B. R. Ambedkar Open University, 26 November 2013, archive.org, 330-32 http://archive.org/stream/modernmysore035292mbp/modernmysore035292mbp_djvu.txt,
As ruler of the state

Noam Chomsky photo
Gaston Bachelard photo

“To live life well is to express life poorly; if one expresses life too well, one is living it no longer.”

Gaston Bachelard (1884–1962) French writer and philosopher

A Retrospective Glance at the Lifework of a Master of Books
Fragments of a Poetics of Fire (1988)

Viktor Lutze photo
Piet Mondrian photo

“The first thing to change in my painting was the color [c. 1908-09]. I forsook natural color for pure color. I had come to feel that the colors of nature cannot be reproduced on canvas. Instinctively I felt that painting had to find a new way to express the beauty of nature.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian about 1905-1910; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 40

Henri Poincaré photo
Anton Chekhov photo
Karl Barth photo
Arthur Wesley Dow photo

“Art is the most valued thing in the world…it is the expression of the highest form of human energy, the creative power nearest to the divine. The power is within - the question is how to reach it.”

Arthur Wesley Dow (1857–1922) painter from the United States

Arthur Wesley Dow & American Arts & Crafts, Nancy E Green & Jessica Poesch Exhibt Cat. New York (1999)
Other

Václav Havel photo

“Full freedom of speech and expression prevails in our country, and freedom of assembly and association is guaranteed.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

New Year's Address to the Nation (1991)

Samuel Butler photo

“The mere fact that a thought or idea can be expressed articulately in words involves that it is still open to question; and the mere fact that a difficulty can be definitely conceived involves that it is open to solution.”

Samuel Butler (1835–1902) novelist

Thought and Word, iv
The Note-Books of Samuel Butler (1912), Part VII - On the Making of Music, Pictures, and Books

Piet Mondrian photo

“The free placement of the means of expression is a privilege enjoyed exclusively by painting [different opinion with Theo van Doesburg]] ]. The sister arts, sculpture and architecture, are more restricted in this respect. The other arts enjoy even less scope in their employment of the means of expression.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian, c. Oct. 1917; as cited in Letters of the great artists, Richard Friedenthal, Thames and Hudson, London, 1963 (transl. Daphne Woodward), p. 237
1910's

Max Weber photo
Charles Taze Russell photo
Taslima Nasrin photo
Herbert Marcuse photo

“Who is, in the classical conception, the subject that comprehends the ontological condition of truth and untruth? It is the master of pure contemplation (theoria), and the master of a practice guided by theoria, i. e., the philosopher-statesman. To be sure, the truth which he knows and expounds is potentially accessible to everyone. Led by the philosopher, the slave in Plato’s Meno is capable of grasping the truth of a geometrical axiom, i. e., a truth beyond change and corruption. But since truth is a state of Being as well as of thought, and since the latter is the expression and manifestation of the former, access to truth remains mere potentiality as long as it is not living in and with the truth. And this mode of existence is closed to the slave — and to anyone who has to spend his life procuring the necessities of life. Consequently, if men no longer had to spend their lives in the realm of necessity, truth and a true human existence would be in a strict and real sense universal. Philosophy envisages the equality of man but, at the same time, it submits to the factual denial of equality. For in the given reality, procurement of the necessities is the life-long job of the majority, and the necessities have to be procured and served so that truth (which is freedom from material necessities) can be. Here, the historical barrier arrests and distorts the quest for truth; the societal division of labor obtains the dignity of an ontological condition. If truth presupposes freedom from toil, and if this freedom is, in the social reality, the prerogative of a minority, then the reality allows such a truth only in approximation and for a privileged group. This state of affairs contradicts the universal character of truth, which defines and “prescribes” not only a theoretical goal, but the best life of man qua man, with respect to the essence of man. For philosophy, the contradiction is insoluble, or else it does not appear as a contradiction because it is the structure of the slave or serf society which this philosophy does not transcend. Thus it leaves history behind, unmastered, and elevates truth safely above the historical reality. There, truth is reserved intact, not as an achievement of heaven or in heaven, but as an achievement of thought — intact because its very notion expresses the insight that those who devote their lives to earning a living are incapable of living a human existence.”

Source: One-Dimensional Man (1964), pp. 128-130

Chaim Soutine photo
Hildegard of Bingen photo
Charles Fort photo
Simone Weil photo

“Any madness in us gains from being expressed, because in this way one gives a human form to what separates us from humanity.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Lectures on Philosophy (1959), p. 76

Mark Zuckerberg photo

“Giving people a voice on the one hand, and keeping the community and people safe on the other hand. Our bias tends to be to want to give people a voice and let people express a wide range of opinions. I don’t think that’s a liberal or conservative thing; those are the words in the U. S.”

Mark Zuckerberg (1984) American internet entrepreneur

In an interview with Kara Swisher as quoted in Zuckerberg: The Recode interview https://www.recode.net/2018/7/18/17575156/mark-zuckerberg-interview-facebook-recode-kara-swisher (July 18, 2018), Recode.

Newton Lee photo
Dinesh D'Souza photo
Henri Matisse photo

“An artist must possess Nature. He must identify himself with her rhythms, by effort that will prepare the mastery which will later enable him to express himself in his own language.”

Henri Matisse (1869–1954) French artist

In a letter to Mr. Clifford, February 14, 1948; as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson , London, 1963, p. 238
1940s

Don DeLillo photo
Herbert Read photo
Kurt Schwitters photo

“Merz art strives for immediate expression by shortening the path from intuition to visual manifestation of the artwork.... they will receive my new work as they always have when something new presents itself: with indignation and screams of scorn.”

Kurt Schwitters (1887–1948) German artist

1910s
Source: 'Merz Painting' (1919); as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 91.

Max Beckmann photo
Henry Taylor photo
Thomas R. Marshall photo