Quotes about emotion

page 19

The Pathfinder (1998)
Context: It takes courage to be the author of your life. When you are struggling through one of the difficult parts of turning your dreams into reality, you may wonder why you always get stuck with having to put up with so much fear and uncertainty. Why, you wonder, couldn't I feel more courageous, like those other people do. You don't feel courageous because courage is not an emotion. There is no such thing as feeling "courageous". It is an imaginary emotion. Courage consists of doing what you said you would do even when you don't want to. In the face of danger you have a choice to be the delegate of either your commitments or your feelings. It's as simple and as difficult as that.

A Voice from the Attic (1960)
Context: Complementary to his is Thurber's remark that "humour is a kind of emotional chaos, told about quietly and calmly in retrospect". Emotional chaos is not pleasant; distillation of that chaos afterward may perhaps be pleasant in some of its aspects, and undoubtedly gives pleasure to others.

A Battle For Life (July 1958)
Context: The doctors realized very clearly that their minds and emotions were changing from day to day. On the one hand they were healing the patient, and on the other it looked as if they were healing themselves too. It was this chief surgeon who first volunteered to offer his skin when grafting began.

Source: The Time Axis (1949), Ch. 3 : The Vision Of Time
Context: I closed my eyes again, thinking of the Face. I had to force my mind to turn around in its tracks and look, for it didn't want to confront that infinite complexity again. The Face was painful to see. It was too intricate, too involved with emotions complex beyond our grasp. It was painful for the mind to think of it, straining to understand the inscrutable things that experience had etched upon those mountain-high features.
"Is it a portrait?" I asked suddenly. "Or a composite? What is the Face?"
"A city," De Kalb said. "A nation. The ultimate in human destiny — and a call for help. And much more that we'll never understand."

Source: Parable of the Talents (1998), Chapter 13 (p. 239)

A Poets View (1984)
Context: Acknowledgement, and celebration, of mystery probably constitutes the most consistent theme of my poetry from its very beginnings. Because it is a matter of which I am conscious, it is possible, however imprecisely, to call it an intellectual position; but it is one which emphasizes the incapacity of reason alone (much though I delight in elegant logic) to comprehend experience, and considers Imagination the chief of human faculties. It must therefore be by the exercise of that faculty that one moves toward faith, and possibly by its failure that one rejects it as delusion. Poems present their testimony as circumstantial evidences, not as closing argument. Where Wallace Stevens says, "God and the imagination are one," I would say that the imagination, which synergizes intellect, emotion and instinct, is the perceptive organ through which it is possible, though not inevitable, to experience God.

Source: The Nature of Personal Reality (1974), p. 22, Session 614

Source: Native Son (1940), p. viii

What Is A Jazz Composer? (1971)
Context: Now, whether there is feeling or not depends upon what your environment or your association is or whatever you may have in common with the player. If you feel empathy for his personal outlook, you naturally feel him musically more than some other environmental and musical opposite who is, in a way. beyond you.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around. But there is no need to compare composers. If you like Beethoven, Bach or Brahms, that's okay. They were all pencil composers. I always wanted to be a spontaneous composer. I thought I was, although no one's mentioned that. I mean critics or musicians. Now, what I'm getting at is that I know I'm a composer. I marvel at composition, at people who are able to take diatonic scales, chromatics, 12-tone scales, or even quarter-tone scales. I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.

St. 14
Thyrsis (1866)
Context: Yes, thou art gone! and round me too the night
In ever-nearing circle weaves her shade.
I see her veil draw soft across the day,
I feel her slowly chilling breath invade
The cheek grown thin, the brown hair sprent with grey;
I feel her finger light
Laid pausefully upon life’s headlong train; —
The foot less prompt to meet the morning dew,
The heart less bounding at emotion new,
And hope, once crush’d, less quick to spring again.

The Sense of Wonder (1965)
Context: I sincerely believe that for the child, and for the parent seeking to guide him, it is not half so important to know as to feel. If facts are the seeds that later produce knowledge and wisdom, then the emotions and the impressions of the senses are the fertile soil in which the seeds must grow. The years of early childhood are the time to prepare the soil. Once the emotions have been aroused — a sense of the beautiful, the excitement of the new and the unknown, a feeling of sympathy, pity, admiration or love — then we wish for knowledge about the subject of our emotional response. Once found, it has lasting meaning. It is more important to pave the way for the child to want to know than to put him on a diet of facts he is not ready to assimilate.

The 8th Habit : From Effectiveness to Greatness‎ (2004)
Context: Values are social norms — they're personal, emotional, subjective, and arguable. All of us have values. Even criminals have values. The question you must ask yourself is, Are your values based upon principles? In the last analysis, principles are natural laws — they're impersonal, factual, objective and self-evident. Consequences are governed by principles and behavior is governed by values; therefore, value principles!

p. 49

SALON Interview (1995)
Context: Other Asian-American writers just shudder when they are compared to me; it really denigrates the uniqueness of their own work. I find it happening less here partly because people are more aware now of the flaws of political correctness — that literature has to do something to educate people. I don't see myself, for example, writing about cultural dichotomies, but about human connections. All of us go through angst and identity crises. And even when you write in a specific context, you still tap into that subtext of emotions that we all feel about love and hope, and mothers and obligations and responsibilities.

General sources
Context: I am an atheist, out and out. It took me a long time to say it. I've been an atheist for years and years, but somehow I felt it was intellectually unrespectable to say one was an atheist, because it assumed knowledge that one didn't have. Somehow, it was better to say one was a humanist or an agnostic. I finally decided that I'm a creature of emotion as well as of reason. Emotionally, I am an atheist. I don't have the evidence to prove that God doesn't exist, but I so strongly suspect he doesn't that I don't want to waste my time.

Free Inquiry (Spring 1982) <!-- p. 9 -->

Fourth Lecture, p. 70.
The Psychology of Man's Possible Evolution (1950)
Context: People who think they can control their negative emotions and manifest them when they want to, simply deceive themselves. Negative emotions depend on identification; if identification is destroyed in some particular case, they disappear. The strangest and most fantastic fact about negative emotions is that people actually worship them. I think that, for an ordinary mechanical man, the most difficult thing to realise is that his own and other people's negative emotions, have no value whatever and do not contain anything noble, anything beautiful or anything strong. In reality negative emotions contain nothing but weakness and very often the beginning of hysteria, insanity or crime. The only good thing about them is that, being quite useless and artificially created by imagination and identification, they can be destroyed without any loss. And this is the only chance of escape that man has.

"Would you like to see a little of it?" said the Mock Turtle. (3 April 2010) http://greygirlbeast.livejournal.com/639337.html
Unfit for Mass Consumption (blog entries), 2010

The Age of Insight (2012)
Context: I outline in simple terms... our current understanding of the cognitive psychological and neurobiological basis of perception, memory, emotion, empathy, and creativity.... the principles of the viewer's response to art are applicable to all periods of painting.

The Humanist interview (2012)
Context: There were never that many women stand-up comics in the past because the power to make people laugh is also a power that gets people upset. But the ones who were performing were making jokes on themselves usually and now that’s changed. So there are no rules exactly but I think if you see a whole group of people only being self-deprecating, it’s a problem.
But I have always employed humor, and I think it’s absolutely crucial that we do because, among other things, humor is the only free emotion. I mean, you can compel fear, as we know. You can compel love, actually, if somebody is isolated and dependent — it’s like the Stockholm syndrome. But you can’t compel laughter. It happens when two things come together and make a third unexpectedly. It happens when you learn something, too. I think it was Einstein who said he had to be careful when he shaved because if he thought of something suddenly, he’d laugh and cut himself.
So I think laughter is crucial. Some of the original cultures, like the Dalit and the Native American, don’t separate laughter and seriousness. There’s none of this kind of false Episcopalian solemnity.

As quoted in the "Homi Jehangir Bhabha" profile at the Vigyan Prasar Science Portal http://www.vigyanprasar.gov.in/scientists/bhabha/BHABHANEW.HTM
Context: I know quite clearly what I want out of my life. Life and my emotions are the only things I am conscious of. I love the consciousness of life and I want as much of it as I can get. But the span of one's life is limited. What comes after death no one knows. Nor do I care. Since, therefore, I cannot increase the content of life by increasing its duration, I will increase it by increasing its intensity. Art, music, poetry and everything else … I do have this one purpose — increasing the intensity of my consciousness of life.

Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 31
Spoken on hearing German marchers singing war songs. On p. 474 of Alice Calaprice's The Ultimate Quotable Einstein, she lists "we only use 10 percent of our brain" as a quote "misattributed to Einstein", perhaps this is the source of the misquote? Einstein seems to be speaking metaphorically here, not endorsing the myth http://www.snopes.com/science/stats/10percent.asp that science has shown 90 percent of the neurons in our brain lie dormant. And the myth dates back to before this interview, for example the book Mind Myths: Exploring Popular Assumptions About the Mind and Brain, edited by Sergio Della Salla, has a chapter by Barry L. Beyerstein titled "Whence Cometh the Myth that We Only Use 10% of our Brains?" which shows on p. 11 an advertisement from the 1929 World Almanac containing the line "There is NO LIMIT to what the human brain can accomplish. Scientists and psychologists tell us we use only about TEN PER CENT of our brain power."
Context: What a betrayal of man's dignity. He uses the highest gift, his mind, only ten percent, and his emotions and instincts ninety percent.

About The Oxford Muse http://www.oxfordmuse.com/index.htm Foundation in an article at The Gurteen Knowledge Website http://www.gurteen.com/gurteen/gurteen.nsf/0/241B42CCD52603DF802569D40049FA6D/
Context: I invented something called The Oxford Muse. The Muses were women in mythology. They did not teach or require to be worshipped, but they were a source of inspiration. They taught you how to cultivate your emotions through the different arts in order to reach a higher plane. What is lacking now, I believe, is somewhere you can get that stimulation not information, but stimulation where you can meet just that person, or find just that situation, which will give you the idea of invention, of carrying out some project which interests you, and show how it can become a project of interest to other people.

The Gendered Atom: Reflections on the Sexual Psychology of Science (1999)
Context: Here, at the birth of modern science, is a fundamental insight. Our knowledge of nature Out There begins with knowledge of ourselves In Here. Until we have freed our minds and emotions of the hidden presuppositions that stand between us and the world, we can never be certain we are in touch with reality.

Afterword: The Idols of the Bedchamber

American Diplomacy (1951), World War I
Context: There are certain sad appreciations we have to come to about human nature on the basis of these recent wars. One of them is that suffering does not always make men better. Another is that people are not always more reasonable than governments; that public opinion, or what passes for public opinion, is not invariably a moderating force in the jungle of politics. It may be true, and I suspect it is, that the mass of people everywhere are normally peace-loving and would accept many restraints and sacrifices in preference to the monstrous calamities of war. But I also suspect that what purports to be public opinion in most countries that consider themselves to have popular government is often not really the consensus of the feelings of the mass of the people at all, but rather the expression of the interests of special highly vocal minorities — politicians, commentators, and publicity-seekers of all sorts: people who live by their ability to draw attention to themselves and die, like fish out of water, if they are compelled to remain silent. These people take refuge in the pat and chauvinistic slogans because they are incapable of understanding any others, because these slogans are safer from the standpoint of short-term gain, because the truth is sometimes a poor competitor in the market place of ideas — complicated, unsatisfying, full of dilemma, always vulnerable to misinterpretation and abuse. The counsels of impatience and hatred can always be supported by the crudest and cheapest symbols; for the counsels of moderation, the reasons are often intricate, rather than emotional, and difficult to explain. And so the chauvinists of all times and places go their appointed way: plucking the easy fruits, reaping the little triumphs of the day at the expense of someone else tomorrow, deluging in noise and filth anyone who gets in their way, dancing their reckless dance on the prospects for human progress, drawing the shadow of a great doubt over the validity of democratic institutions. And until people learn to spot the fanning of mass emotions and the sowing of bitterness, suspicion, and intolerance as crimes in themselves — as perhaps the greatest disservice that can be done to the cause of popular government — this sort of thing will continue to occur.

Anna Wulf, in "Free Women: 1"
The Golden Notebook (1962)
Context: What is so painful about that time is that nothing was disastrous. It was all wrong, ugly, unhappy and coloured with cynicism, but nothing was tragic, there were no moments that could change anything or anybody. From time to time the emotional lightning flashed and showed a landscape of private misery, and then — we went on dancing. <!-- 128

The Righteous Mind (2012)

In the Beginning, Natural History Magazine, September 2003, 2010-12-07 http://www.haydenplanetarium.org/tyson/read/2003/09/01/in-the-beginning,
2000s

facebook

Middlemarch (1871)

Sesame and Lilies

On how she conjures an erotic scene in her writing in “Outlander Author Diana Gabaldon on Her Two Rules for Writing a Good Sex Scene” https://www.townandcountrymag.com/leisure/arts-and-culture/a24146013/outlander-diana-gabaldon-interview-great-american-read in Town and Country (2018 Oct 24)

ContraPoints, Feminism Did Not Destroy Atheism https://www.youtube.com/watch?v=klfH9QaEcqY (2016), Is Casual Sex Bad for Your Soul? https://www.youtube.com/watch?v=qKrbvLkbHu8 (2017)

Source: Meditations. Yogas, Gods, Religions (2000), p. 31

On how female rage is portrayed in Monstress in “Marjorie Liu on the Road to Making Monstress” https://www.theatlantic.com/entertainment/archive/2017/09/marjorie-liu-monstress-interview/539394/ in The Atlantic (2017 Sep 14)

Selected works, Spinoza and Buddha: Visions of a Dead God (1933)

Selected works, Spinoza and Buddha: Visions of a Dead God (1933)

The Vision of Dhamma (1994), "Devotion in Buddhism"

Speech to the American Legion convention, New York City (27 August 1952); as quoted in "Democratic Candidate Adlai Stevenson Defines the Nature of Patriotism" in Lend Me Your Ears : Great Speeches In History (2004) by William Safire, p. 79 - 80

On placing his characters on a stretch of land in “Coming of Age With a Dog Named Marianne Moore” https://chireviewofbooks.com/2018/06/01/lets-no-one-get-hurt-jon-pineda-interview/ in the Chicago Review of Books (2018 Jun 1)

On his preferred themes in “Deaf poetics: Conversation with Raymond Antrobus" https://poetryinternationalonline.com/conversation-with-raymond-antrobus/ (Poetry International; 2018 Oct 11)

Source: The Other America (1962), Ch. 2

Bliss Divine, Chapter 82, Vegetarianism, Divine Life Society, http://www.dlshq.org/books/es19.htm (circa 1959)

Source: Compassionate Artificial Intelligence: Frameworks and Algorithms (2018) https://books.google.com/books/about/Compassionate_Artificial_Intelligence.html?id=wZt7DwAAQBAJ&redir_esc=y,

On the concept of the border in “Quiara Alegría Hudes: Water by the Spoonful” https://www.guernicamag.com/water-by-the-spoonful/ in Guernica Magazine (2012 Jul 2)

On writing young adult novels in “Randa Abdel-Fattah: Identity and emotion” https://www.writermag.com/writing-inspiration/author-interviews/randa-abdel-fattah/ in The Writer (2018 Jan 18)

On writing his book Truffle Boy in “Ian Purkayastha: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/ian-purkayastha-write/ in The Writer (2017 Aug 7)

Source: Cibola Burn (2014), Chapter 45 (p. 458)

Source: Abaddon's Gate (2013), Chapter 22 (p. 230)

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

Ryan Bassil, February 11 2016. source http://www.vice.com/en_uk/article/6w8v44/why-do-we-hate-coldplay

Letter (16 September 1919), quoted in Eberhard Jäckel, Hitler's World View: A Blueprint for Power (Harvard University Press, 1981), p. 48
1910s

pg 53
A More Complete Beast (2018)

And I find, among these works, nothing more noble than the history of our struggle to understand nature—a majestic entity of such vast spatial and temporal scope that she cannot care much for a little mammalian afterthought with a curious evolutionary invention, even if that invention has, for the first time in some four billion years of life on earth, produced recursion as a creature reflects back upon its own production and evolution. Thus, I love nature primarily for the puzzles and intellectual delights that she offers to the first organ capable of such curious contemplation.
Prologue, p. 13
Bully for Brontosaurus (1991)

On Greatness; as quoted in "Unrequited obsession" https://www.smh.com.au/national/unrequited-obsession-20081011-gdsydo.html by Chris Jefferis, The Sydney Morning Herald (11 October 2008).

Disputed

Source: The Group (1963), Ch. 8

Source: Better-World Philosophy: A Sociological Synthesis (1899), Egoism and Altruism, pp. 117

As quoted in The Private Albert Einstein (1992) by Peter A. Bucky and Allen G. Weakland, p. 86
Attributed in posthumous publications

Source: Infinity Beach (2000), Chapter 23 (p. 357)

Source: Broca's Brain (1979), Chapter 23, “A Sunday Sermon” (p. 338)

[“Loving Your Enemies,” Sermon Delivered at Dexter Avenue Baptist Church, King, Jr., Martin Luther, 1957-11-17, https://kinginstitute.stanford.edu/king-papers/documents/loving-your-enemies-sermon-delivered-dexter-avenue-baptist-church, http://www.webcitation.org/6x5ROMlxu, 2018-02-08]
1950s, Loving Your Enemies (November 1957)

Source: The Island of Doctor Moreau (1896), Ch. 17: A Catastrophe

Jerry Cantrell quoted in ** Interview with Metal Hammer, July 19, 2018 https://www.pressreader.com/uk/metal-hammer-uk/20180719/283978948146853,

Maitreya's Mission Vol. III (1997)

The Ageless Wisdom, An Introduction to Humanity's Spiritual Legacy (1996)

Extract from a Statement by the Tibetan

p. 168 https://books.google.com/books?id=sUTZCwAAQBAJ&pg=PA168
1990s, The Ragamuffin Gospel (1990)

Patrick L. McGuire, Her Strong Enchantments Failing (p. 95)
Short fiction, The Book of Poul Anderson (1975)

The Aquarian Conspiracy (1980), Chapter Four, People Changing

May 26 1944 letter as qtd. in “The Law of Armed Conflict: Constraints on the Contemporary Use of Military Force”, edited by Howard M. Hensel, 2007, p. 58.
1940s

2017
Nicolas Krauze, conductor, the Orchestre de Chambre Nouvelle Europe (France). “He loved Ukraine above all”. The Day. Кyiv.ua. - 2017. - 7 March. https://day.kyiv.ua/en/article/culture/he-loved-ukraine-above-all

Source: Killing History: The False Left-Right Political Spectrum and the Battle between the ‘Free Left’ and the ‘Statist Left', (2019), p. 72

Source: Three Faces of Fascism: Action Française, Italian Fascism, National Socialism (1965), p. 336

George Santayana, in his letter to Harry Austryn Wolfson, 16 June 1934
S - Z, George Santayana

Antonio Labriola, Socialism and Philosophy (1897) [original in Italian]
G - L

Source: The Man Who Never Missed (1985), Chapter 7 (pp. 56-57)

The Autobiography of a Sexually Emancipated Communist Woman (1926)

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls's brief, in het Nederlands): Ik wil in den beschouwer mijne aandoeningen overbrengen, - ik wil hem laten boeijen door het tafereel, dat ik niet enkel met mijn bloot oog gezien hebben, maar dat ik diep in mij heb zien bewegen.
Quote of Israëls in his letter in 1891, to an unknown person; as cited in the museum-catalog, Museum Mesdag, 1996, p.236, note 10
Quotes of Jozef Israels, 1871 - 1900

Source: The Subtle Art of Not Giving a F*ck (2016), Chapter 2, “Happiness Is a Problem” (p. 35)

About, "Flashback: Remembering Jim Henson, 25 Years After His Death" by Whitney Matheson

Wijemuni Vijitha Rohana, the person who attacked Rajiv Gandhi Colombo, in Rohana: Courage of his convictions (29 July 2007) http://www.nation.lk/2007/07/29/special5.htmVijitha
In Rohana: Courage of his convictions http://www.nation.lk/2007/07/29/special5.htmVijitha

Rukmini Devi in Dance readings and musings Balasaraswati: Her Art and Life, 1 December 2013, Narthaki.com http://www.narthaki.com/info/bookrev/bkrev1a.html,

Critique

Michael Kennedy The Concise Oxford Dictionary of Music (1980) p. 593.

'O God, we are one with You. You have made us one with You. You have taught us that if we are open to one another, You dwell in us. Help us to preserve this openness and to fight for it with all our hearts. Help us to realize that there can be no understanding where there is mutual rejection. O God, in accepting one another wholeheartedly, fully, completely, we accept You, and we thank You, and we adore You, and we love You with our whole being, because our being is Your being, our spirit is rooted in Your spirit. Fill us then with love, and let us be bound together with love as we go our diverse ways, united in this one spirit which makes You present in the world, and which makes You witness to the ultimate reality that is love. Love has overcome. Love is victorious. Amen.'
Closing statements and prayer from an informal address delivered in Calcutta, India (October 1968), from The Asian Journal of Thomas Merton (1975); quoted in Thomas Merton, Spiritual Master : The Essential Writings (1992), p. 237.

Our Immediate Tasks
Report on the Construction of Situations (1957)

Black Boy (1945)

Black Boy (1945)