Quotes about earring
page 8

Alice A. Bailey photo
Blake Schwarzenbach photo
Claude Debussy photo

“Every sound perceived by the acute ear in the rhythm of the world about us can be represented musically. Some people wish above all to conform to the rules, I wish only to render what I can hear.”

Claude Debussy (1862–1918) French composer

Statement of 1910, as quoted in Debussy on Music (1977) edited and translated by Françoise Lesure and Richard Langham Smith, p. 243

William James photo
Henri de Toulouse-Lautrec photo
Francis Thompson photo
Gerard Manley Hopkins photo

“Take breath and read it with the ears, as I always wish to be read, and my verse becomes all right.”

Gerard Manley Hopkins (1844–1889) English poet

Letter to Robert Bridges (25 October 1879 )
Letters, etc

Phil Brooks photo

“Punk: Don't stop on account of me. [Starts singing "Happy Birthday" to Rey's daughter, who is scared]. Rey, you look scared, but I assure you I'm not out here to hurt you, and I'm not out here to hurt your family. In fact, I'm happy that we're all here – my family and yours. And today's a big day, we all need to celebrate the occasion, and it doesn't get any bigger that WrestleMania, Rey, so that's exactly why I wanna challenge you to a match at WrestleMania. I also wanna challenge you to a match tonight. And I don't mean later in the show, Rey. I mean now. I mean, as in, right now!
Rey: Come on Punk. This ain't the time
Punk: Don't be sad. Aaliyah, since it's your birthday, sweet, innocent little Aaliyah, I'll tell you what. As my birthday present to you, I'll let you shut your eyes while I reduce your daddy to tears and make him beg for my mercy. And Dominik. You're such… you're all grown up now, aren't you? We watched you grow up before our very eyes, but I don't think you ever heard your father squeal like a pig from somebody repeatedly stomping his surgically repaired knees, so it's okay if you plug your ears. And beautiful, voluptuous Angie. Now I'm sure you and your loving husband Rey have shared the best of times. But look at me. I promise you, after I do what I'm going to do to your husband, it will be the worst of times. So feel free to cup your hand over your mouth to muffle the screams. What's the matter, Rey? Don't you wanna fight me in front of your family? No? Are you afraid that your family's gonna watch you get hurt? You're a coward! I know it; deep down inside, Dominik knows it; your wife has always known; and now on her 9th birthday, your sweet innocent little Aaliyah knows it. All these people here know it, Rey, you're a coward! What's it gonna take? Huh, Rey? Where's Giant-Killer Rey Mysterio at? [Crowd chants "619"] Where's your 619, huh, Rey? Where's the ultimate underdog, Rey? Rey, where's your machismo? Where's your machismo, Rey?! I'll tell you where, Rey. Your machismo, your courage – you never had it. What's it gonna take, Rey? Huh? Rey, I'll even drop down to your level, Rey. [Gets down on his knees] Come on, Rey! So, you're turning me down? You won't fight me? What's it gonna take, Rey? [Gets up] What's it gonna take, Rey?! Not now?! Not now?! [Slaps Rey across the face] [Rey then walks away very frustrated with his family. ] Come on, Rey! Come on, now! There he is, ladies and gentlemen! There's your superhero!
Striker: He's got no alternative but to protect his family.
Punk: Watch him take his walk of shame! But one more thing, sweet little princess Aaliyah… [Sings "Happy Birthday" to her in a disturbing type way. ]”

Phil Brooks (1978) American professional wrestler and mixed martial artist

March 12, 2010
Friday Night SmackDown

Mickey Spillane photo
Aron Ra photo

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Gregory of Nyssa photo

“Just as, in the case of the sunlight, on one who has never from the day of his birth seen it, all efforts at translating it into words are quite thrown away; you cannot make the splendour of the ray shine through his ears; in like manner, to see the beauty of the true and intellectual light, each man has need of eyes of his own; and he who by a gift of Divine inspiration can see it retains his ecstasy unexpressed in the depths of his consciousness; while he who sees it not cannot be made to know even the greatness of his loss. How should he? This good escapes his perception, and it cannot be represented to him; it is unspeakable, and cannot be delineated. We have not learned the peculiar language expressive of this beauty. … What words could be invented to show the greatness of this loss to him who suffers it? Well does the great David seem to me to express the impossibility of doing this. He has been lifted by the power of the Spirit out of himself, and sees in a blessed state of ecstacy the boundless and incomprehensible Beauty; he sees it as fully as a mortal can see who has quitted his fleshly envelopments and entered, by the mere power of thought, upon the contemplation of the spiritual and intellectual world, and in his longing to speak a word worthy of the spectacle he bursts forth with that cry, which all re-echo, "Every man a liar!"”

Gregory of Nyssa (335–395) bishop of Nyssa

I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10

Han-shan photo
William Somervile photo
Elton John photo
Charles Henry Webb photo

“I send thee a shell from the ocean-beach;
But listen thou well, for my shell hath speech.
Hold to thine ear
And plain thou'lt hear
Tales of ships.”

Charles Henry Webb (1834–1905) American poet

With a Nantucket Shell, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Gather a shell from the strewn beach / And listen at its lips: they sigh / The same desire and mystery, / The echo of the whole sea's speech", Dante Gabriel Rossetti, The Sea Hints; The hollow sea-shell, which for years hath stood / On dusty shelves, when held against the ear / Proclaims its stormy parent, and we hear / The faint, far murmur of the breaking flood. / We hear the sea. The Sea? It is the blood / In our own veins, impetuous and near", Eugene Lee-Hamilton, Sonnet. Sea-shell Murmurs'.

Basil of Caesarea photo
Joseph Joubert photo
John Heywood photo

“The wrong sow by th' eare.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Part II, chapter 9.
Proverbs (1546), Bartlett's Familiar Quotations, 10th ed. (1919)

Dinah Craik photo
P. L. Travers photo

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

Frank Lloyd Wright photo
Orson Welles photo
Edward Grey, 1st Viscount Grey of Fallodon photo

“Though I know something about British birds I should have been lost and confused among American birds, of which unhappily I know little or nothing. Colonel Roosevelt not only knew more about American birds than I did about British birds, but he knew about British birds also. What he had lacked was an opportunity of hearing their songs, and you cannot get a knowledge of the songs of birds in any other way than by listening to them.
We began our walk, and when a song was heard I told him the name of the bird. I noticed that as soon as I mentioned the name it was unnecessary to tell him more. He knew what the bird was like. It was not necessary for him to see it. He knew the kind of bird it was, its habits and appearance. He just wanted to complete his knowledge by hearing the song. He had, too, a very trained ear for bird songs, which cannot be acquired without having spent much time in listening to them. How he had found time in that busy life to acquire this knowledge so thoroughly it is almost impossible to imagine, but there the knowledge and training undoubtedly were. He had one of the most perfectly trained ears for bird songs that I have ever known, so that if three or four birds were singing together he would pick out their songs, distinguish each, and ask to be told each separate name; and when farther on we heard any bird for a second time, he would remember the song from the first telling and be able to name the bird himself.”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Recreation (1919)

John Holt (Lord Chief Justice) photo
Terry Jones photo
Maurice de Vlaminck photo
Thomas Szasz photo
Kodo Sawaki photo
Hermann Rauschning photo
George Herbert Mead photo
Elizabeth Hand photo
Jack Vance photo

“Metre is to rhythm as eye is to ear.”

John Hollander (1929–2013) American poet

'Vision and Resonance:Two senses of Poetic Form' OUP London 1975

Xun Zi photo
Pliny the Elder photo

“It is generally admitted that the absent are warned by a ringing in the ears, when they are being talked about.”
Absentes tinnitu aurium præsentire sermones de se receptum est.

Book XXVIII, sec. 5.
Naturalis Historia

Meister Eckhart photo
Thomas Jefferson photo

“We have the wolf by the ears, and we can neither hold him nor safely let him go. Justice is in one scale, self-preservation in the other.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

On slavery, in a letter to John Holmes (22 April 1820)
1820s

Henry Adams photo

“Our age has lost much of its ear for poetry, as it has its eye for color and line, and its taste for war and worship, wine and women.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Ron Kaufman photo

“You've got one mouth and two ears. There's a reason.”

Ron Kaufman (1956) American author and consultant

Lift Me UP! Service With A Smile (2005)

Victor Villaseñor photo
Thomas Beecham photo

“Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”

Thomas Beecham (1879–1961) British conductor and impresario

[Beecham admitted to Neville Cardus that he had made this up on the spur of the moment to satisfy an importunate journalist; he acknowledged that it was an oversimplification. (Neville Cardus: 'Sir Thomas Beecham, A Memoir', 1961)]

Arthur Schopenhauer photo
Letitia Elizabeth Landon photo
George Long photo
Vitruvius photo
Samuel Beckett photo

“Hamm: Look at the ocean!(Clov gets down, takes a few steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, turns the telescope on the without, looks at length. He starts, lowers the telescope, examines it, turns it again on the without.)Clov: Never seen anything like that!Hamm (anxious): What? A sail? A fin? Smoke?Clov (looking): The light is sunk. Hamm (relieved): Pah! We all knew that. Clov (looking): There was a bit left. Hamm: The base. Clov (looking): Yes. Hamm: And now? Clov (looking): All gone. Hamm: No gulls? Clov (looking): Gulls! Hamm: And the horizon? Nothing on the horizon? Clov (lowering the telescope, turning towards Hamm, exasperated): What in God's name could there be on the horizon? (Pause.) Hamm: The waves, how are the waves? Clov: The waves? (He turns the telescope on the waves.) Lead. Hamm: And the sun? Clov (looking): Zero. Hamm: But it should be sinking. Look again. Clov (looking): Damn the sun. Hamm: Is it night already then? Clov (looking): No. Hamm: Then what is it? Clov (looking): Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause. Still louder.) GRRAY! (Pause. He gets down, approaches Hamm from behind, whispers in his ear.) Hamm (starting): Gray! Did I hear you say gray? Clov: Light black. From pole to pole.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

An explanation of the universe outside the room of Endgame
Endgame (1957)

Basshunter photo

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter
Calling Time

Anson Chan photo
Henry David Thoreau photo

“A slight sound at evening lifts me up by the ears, and makes life seem inexpressibly serene and grand. It may be Uranus, or it may be in the shutter.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

July 10-12, 1841
Journals (1838-1859)

Liam Gallagher photo
Vitruvius photo
Orson Pratt photo

“But by and by the time came when the Christian Church apostatized and turned away, and began to follow after their own wisdom, and the Prophets and Apostles ceased, so far as the affairs of the Christian Church on the earth were concerned. Revelations, and visions, and the various gifts of the spirit were also taken away, according to their unbelief and apostacy; but in the latter days God intends to again raise up a Christian Church upon the earth. Do not be startled, you who think that God will no more have a Church on the earth, for he has promised that he would again have one, and that he would set up his kingdom, and when he does you may look out for a great many Prophets and inspired men; and if you ever see a Church arise, calling itself a Christian Church, and it has not inspired Apostles like those in ancient times, you may know that it is a spurious church, and that it makes pretensions to something that it does not enjoy. If you ever find a church called a Christian Church that has no men to foretell future events, you may know, at once, that it is not a Christian Church. If you find a Christian Church that has not the ancient gifts, for instance the gift of healing, opening the eyes of the blind, unstopping the ears of the deaf, causing the tongue of the dumb to speak and the lame to walk; if you ever find a people calling themselves a Christian Church and they have not these gifts among them, you may know with a perfect knowledge that they do not agree with the pattern given in the New Testament. The Christian Church is always characterized with inspired men, whose revelations are just as sacred as any contained in the Bible; and, if written and published, just as binding upon the human family. The Christian Church will always lay hands upon the sick in the name of Jesus, in order that the sick may be healed. The Christian Church will always have those among its members who have heavenly visions, the ministration of angels, and the various gifts that are promised according to the Gospel.”

Orson Pratt (1811–1881) Apostle of the LDS Church

Journal of Discourses 18:171-172 (March 26, 1876).
Apostacy

Francois Rabelais photo

“This flea which I have in mine ear.”

Source: Gargantua and Pantagruel (1532–1564), Third Book (1546), Chapter 31.

Patrick Rothfuss photo

“Mauthen ain’t much for listenen. Nothin’ plugs a man’s ears like money.”

Source: The Name of the Wind (2007), Chapter 73, “Pegs” (p. 580)

Elia M. Ramollah photo
Gregory Scott Paul photo
Wyndham Lewis photo
Johannes Kepler photo
John Dryden photo

“An horrid stillness first invades the ear,
And in that silence we the tempest fear.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Astraea Redux (1660), line 7–8.

John Heywood photo

“Went in at the tone eare and out at the tother.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Part II, chapter 9.
Proverbs (1546), Bartlett's Familiar Quotations, 10th ed. (1919)

Gracie Allen photo

“Every politician must be able to keep both feet on the fence with his ear to the ground.”

Gracie Allen (1902–1964) American actress and comedienne

Source: How to Become President (1940), Ch. 2 : Others make good, why not you?

Paul Thurrott photo
David Brin photo
John Woolman photo
Muhammad bin Tughluq photo

“The Sultan is not slack in jihad. He never lets go of his spear or bridle in pursuing jihad by land and sea routes. This is his main occupation which engages his eyes and ears. He has spent vast sums for the establishment of the faith and the spread of Islam in these lands, as a result of which the light of Islam has reached the inhabitants and the flash of the true faith brightened among them. Fire temples have been destroyed and the images and idols of Budd have been broken, and the lands have been freed from those who were not included in the darul Islam, that is, those who had refused to become zimmis. Islam has been spread by him in the far east and has reached the point of sunrise. In the words of Abu Nasr al-Aini, he has carried the flags of the followers of Islam where they had never reached before and where no chapter or verse (of the Quran) had ever been recited. Thereafter he got mosques and places of worship erected, and music replaced by call to prayers (azan), and the incantations of fire-worshippers stopped by recitations of the Quran. He directed the people of Islam towards the citadels of the infidels and, by the grace of Allah, made them (the believers) inheritors of wealth and land and that country which they (the believers) had never trodden upon.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Tughlaq Kalina Bharata, Persian texts translated into Hindi by S.A.A. Rizvi, 2 Volumes, Aligarh, 1956-57. p. 325 ff. Vol I. (Shihabuddin Al Umari.) Also quoted (using a different translation) in Jain, Meenakshi (2011). The India they saw: Foreign accounts. 8th to 15th Centuries, p. 274.

Nakayama Miki photo
Greg Giraldo photo

“Hasslehoff, your liver is so shriveled, black, and dead. If you put your ear to your side you can hear it going "What you talking bout Willis."”

Greg Giraldo (1965–2010) American comedian

David Hasslehoff Comedy Central Roast (2010)

Heidi Klum photo

“People in the business always say, "You look fabulous." You get that all the time and it kind of goes in one ear and out the other because most of the time they just say that to make you feel good. It's nice when you hear it from an ordinary person and then I appreciate it.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Quoted in Parade Magazine 10 July 2008 http://www.parade.com/celebrity/celebrity-parade/archive/pc_0194.html.

Robert Frost photo
Letitia Elizabeth Landon photo
Tony Buzan photo
Steven Curtis Chapman photo

“Wherever we are, God's in that moment, God's speaking to us, and if we've just got our ears open and our antennas up, there's no lack of inspiration. He's not silent. We just have to be listening.”

Steven Curtis Chapman (1962) American Christian music singer-songwriter, record producer, actor, author, and social activist

Press conference after 2007 GMA Music Awards http://video.google.com/videoplay?docid=-5378840845486744543&q=steven+curtis+chapman

August Macke photo

“Women are still a relative rarity in rock bands, and studies of women's experiences with pop and rock music have indicated that girls are socialized to pop and rock music differently from boys: boys and young men tend to learn songs by ear and talk about popular music's technical aspects, while girls and young women tend to focus on lyrics rather than on equipment and instrumentation, and to resist learning songs by ear. Miki Bernyi's experience testifies to the truthfulness of those findings:”

'Girls don't have the patience to spend six years learning someone else's music. Me and Emma [Anderson] can't jam because we only know how to play our own songs. Jamming's more of a boy's thing....I think that women play more imaginatively because they learn to play while they're writing songs, instead of waiting to be technically good first.'
Quoted in Evans, 1994, p. 44.

Robert E. Howard photo

“A long bow and a strong bow, and let the sky grow dark!
The cord to the nock, the shaft to the ear, and the king of Koth for a mark!”

Robert E. Howard (1906–1936) American author

Song of the Bossonian Archers
"The Scarlet Citadel" (1933)

Charles Burney photo
Thomas Fuller (writer) photo

“5878. You cannot make Velvet out of a Sow's Ear.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

John Milton photo
Patri Friedman photo
Horace Mann photo

“Observation — activity of both eyes and ears.”

Horace Mann (1796–1859) American politician

As quoted in Every Other Sunday Vol. 23 (1907) by The Unitarian Sunday-School Society, p. 19

Samuel Daniel photo

“And for the few that only lend their ear,
That few is all the world.”

Musophilus (1599), Stanza 97, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Basil of Caesarea photo
Algernon Charles Swinburne photo
Robert Louis Stevenson photo
Ron White photo
Walter Scott photo
John Heywood photo

“It had need to bee
A wylie mouse that should breed in the cats eare.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Part II, chapter 5.
Proverbs (1546), Bartlett's Familiar Quotations, 10th ed. (1919)