
Source: The Unfinished Autobiography (1951), Chapter I, Part 2
Source: The Unfinished Autobiography (1951), Chapter I, Part 2
Statement of 1910, as quoted in Debussy on Music (1977) edited and translated by Françoise Lesure and Richard Langham Smith, p. 243
"Preface"
1910s, Talks to Teachers on Psychology and to Students on Some of Life's Ideals (1911)
Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 80 - c. 1882-1883
Letter to Robert Bridges (25 October 1879 )
Letters, etc
March 12, 2010
Friday Night SmackDown
Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)
I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10
On Hinduism (2000)
Someone Saved My Life Tonight
Song lyrics, Captain Fantastic and the Brown Dirt Cowboy (1975)
With a Nantucket Shell, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Gather a shell from the strewn beach / And listen at its lips: they sigh / The same desire and mystery, / The echo of the whole sea's speech", Dante Gabriel Rossetti, The Sea Hints; The hollow sea-shell, which for years hath stood / On dusty shelves, when held against the ear / Proclaims its stormy parent, and we hear / The faint, far murmur of the breaking flood. / We hear the sea. The Sea? It is the blood / In our own veins, impetuous and near", Eugene Lee-Hamilton, Sonnet. Sea-shell Murmurs'.
Source: The Testament of Jessie Lamb (2011), Chapter 1 (pp. 6-7)
Part II, chapter 9.
Proverbs (1546), Bartlett's Familiar Quotations, 10th ed. (1919)
Source: A Woman's Thoughts About Women (1858), Ch. 8; Craik is sometimes credited with originating the proverb "Believe only half of what you see, and nothing that you hear" — but in this passage she appears to be merely quoting it
"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)
The Findus Foods "Frozen Peas" Session Out-Takes
Source: Personal Destinies: A Philosophy of Ethical Individualism (1976), p. 4
Nahj al-Balagha
2 Raym. Rep. 955.
Ashby v. White (1703)
The Observer http://observer.guardian.co.uk/comment/story/0,6903,1143405,00.html, February 8, 2004.
The Last Charge
Source: Quotes dated, Dangerous Corner', 1929, p. 18-19
Anderson (1996-2011) "Beth Anderson, Composer, Miscellany From The Dark Past" at beand.com http://www.beand.com/, Last Updated January 3, 2011
George Herbert Mead (1926). "The Nature of Aesthetic Experience." International Journal of Ethics, Vol. 36, No. 4 (Jul., 1926), pp. 382-393; p. 382
“Metre is to rhythm as eye is to ear.”
'Vision and Resonance:Two senses of Poetic Form' OUP London 1975
Readings in Classical Chinese Philosophy (2001), p. 260
An Exhortation to Learning
“It is generally admitted that the absent are warned by a ringing in the ears, when they are being talked about.”
Absentes tinnitu aurium præsentire sermones de se receptum est.
Book XXVIII, sec. 5.
Naturalis Historia
Sermon VII : Outward and Inward Morality
Meister Eckhart’s Sermons (1909)
On slavery, in a letter to John Holmes (22 April 1820)
1820s
Mont Saint Michel and Chartres (1904)
“You've got one mouth and two ears. There's a reason.”
Lift Me UP! Service With A Smile (2005)
[Beecham admitted to Neville Cardus that he had made this up on the spur of the moment to satisfy an importunate journalist; he acknowledged that it was an oversimplification. (Neville Cardus: 'Sir Thomas Beecham, A Memoir', 1961)]
An Old Man's Thoughts on Many Things, Of Education I
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 7
An explanation of the universe outside the room of Endgame
Endgame (1957)
Source: From Anson Chan's speech addressing to the Asia Society Hong Kong Center in April 2001.
July 10-12, 1841
Journals (1838-1859)
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 8
Journal of Discourses 18:171-172 (March 26, 1876).
Apostacy
“This flea which I have in mine ear.”
Source: Gargantua and Pantagruel (1532–1564), Third Book (1546), Chapter 31.
Muslim Separatism – Causes and Consequences (1987)
“Mauthen ain’t much for listenen. Nothin’ plugs a man’s ears like money.”
Source: The Name of the Wind (2007), Chapter 73, “Pegs” (p. 580)
The Great Master of Thought (Amen- Vol.3), Observing management
“An horrid stillness first invades the ear,
And in that silence we the tempest fear.”
Astraea Redux (1660), line 7–8.
“Went in at the tone eare and out at the tother.”
Part II, chapter 9.
Proverbs (1546), Bartlett's Familiar Quotations, 10th ed. (1919)
“Every politician must be able to keep both feet on the fence with his ear to the ground.”
Source: How to Become President (1940), Ch. 2 : Others make good, why not you?
Source: The Stone That Never Came Down (1973), Chapter 16 (p. 124)
The Problem with Apple Watch in a Nutshell http://thurrott.com/mobile/ios/3137/the-problem-with-apple-watch-in-a-nutshell in Thurrott - News & Analysis for Tech Enthusiasts (27 April 2015)
Source: Translations, The Aeneid of Virgil (1866), Book VIII, p. 295
(Staley, 2001: 64-5).
The Book of Margery Kempe
I soon remembered that I once was John Woolman, and being assured that I was alive in the body, I greatly wondered what that heavenly voice could mean.
Source: The Journal of John Woolman (1774), p. 164 ( online http://books.google.nl/books?id=qPspAAAAYAAJ&pg=PA164)
Tughlaq Kalina Bharata, Persian texts translated into Hindi by S.A.A. Rizvi, 2 Volumes, Aligarh, 1956-57. p. 325 ff. Vol I. (Shihabuddin Al Umari.) Also quoted (using a different translation) in Jain, Meenakshi (2011). The India they saw: Foreign accounts. 8th to 15th Centuries, p. 274.
Anecdotes of Oyasama, Foundress of Tenrikyo, from Anecdote 22, "Writing the Ofudesaki," p. 16.
Anecdotes of Oyasama
Quoted in Parade Magazine 10 July 2008 http://www.parade.com/celebrity/celebrity-parade/archive/pc_0194.html.
Press conference after 2007 GMA Music Awards http://video.google.com/videoplay?docid=-5378840845486744543&q=steven+curtis+chapman
In a letter to his friend Franz Marc (Jan. 1912), quoted in 'Meseure 38'; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 73, (note 19)
"The British Museum Reading Room", line 4, from Plant and Phantom (1941)
'Girls don't have the patience to spend six years learning someone else's music. Me and Emma [Anderson] can't jam because we only know how to play our own songs. Jamming's more of a boy's thing....I think that women play more imaginatively because they learn to play while they're writing songs, instead of waiting to be technically good first.'
Quoted in Evans, 1994, p. 44.
Song of the Bossonian Archers
"The Scarlet Citadel" (1933)
The Present State of Music in France and Italy (1771) pp. 152-3
"Quotations".
Sketches from Life (1846)
“5878. You cannot make Velvet out of a Sow's Ear.”
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
in Quotable Patri http://patrifriedman.com/quotes/patri.html
“Observation — activity of both eyes and ears.”
As quoted in Every Other Sunday Vol. 23 (1907) by The Unitarian Sunday-School Society, p. 19
“And for the few that only lend their ear,
That few is all the world.”
Musophilus (1599), Stanza 97, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Alboine, Act 1, Scene 1.
Rosamund, Queen of the Lombards (1899)
“It had need to bee
A wylie mouse that should breed in the cats eare.”
Part II, chapter 5.
Proverbs (1546), Bartlett's Familiar Quotations, 10th ed. (1919)