Delusion for a Dragon Slayer (1966)
Context: "Heaven is what you mix all the days of your life, but you call it dreams. You have one chance to buy your Heaven with all the intents and ethics of your life. That is why everyone considers Heaven such a lovely place. Because it is dreams, special dreams, in which you exist. What you have to do is live up to them."
"I—" started Griffin, but the wizard cut him off with a blink.
"No, listen, please, because after this, all the magic stops, and you have to do it alone.
“You create your own Heaven, and you have the opportunity to live in it, but you have to do it on your own terms, the highest terms of which you are capable. So sail this ship through the straits, navigate the shoals, find the island, overcome the foam-devil that guards the girl, win her love, and you’ve played the game on your own terms."
Quotes about dream
page 41
“When I was in school, I dreamed about becoming a psychiatrist or a ballerina.”
As quoted in Screen Stories magazine (1967)
Context: When I was in school, I dreamed about becoming a psychiatrist or a ballerina. Like most girls I would dream about being a movie star too. But those dreams are the impossible kind, the kind you don't really set your heart on.
Sarkis an old Greek Shepherd, called the madman: Jesus and Pan
Jesus, The Son of Man (1928)
Context: "And now let us play our reeds together."
And they played together.
And their music smote heaven and earth, and a terror struck all living things.
I heard the bellow of beasts and the hunger of the forest. And I heard the cry of lonely men, and the plaint of those who long for what they know not.
I heard the sighing of the maiden for her lover, and the panting of the luckless hunter for his prey.
And then there came peace into their music, and the heavens and the earth sang together.
All this I saw in my dream, and all this I heard.
Kennedy's "focus on a more practical, more attainable peace, based not on a sudden revolution in human nature but on a gradual evolution of human institutions." was quoted by Barack Obama in his Nobel Prize acceptance speech.
1963, American University speech
Context: I am not referring to the absolute, infinite concept of peace and good will of which some fantasies and fanatics dream. I do not deny the value of hopes and dreams but we merely invite discouragement and incredulity by making that our only and immediate goal. Let us focus instead on a more practical, more attainable peace — based not on a sudden revolution in human nature but on a gradual evolution in human institutions — on a series of concrete actions and effective agreements which are in the interest of all concerned. There is no single, simple key to this peace — no grand or magic formula to be adopted by one or two powers. Genuine peace must be the product of many nations, the sum of many acts. It must be dynamic, not static, changing to meet the challenge of each new generation. For peace is a process — a way of solving problems.
“In sweet dreams softer than unbroken rest
Thou leddest by the hand thine infant Hope.”
Ode to Memory (1830)
Context: In sweet dreams softer than unbroken rest
Thou leddest by the hand thine infant Hope.
The eddying of her garments caught from thee
The light of thy great presence; and the cope
Of the half-attain'd futurity,
Though deep not fathomless,
Was cloven with the million stars which tremble
O'er the deep mind of dauntless infancy.
“And the dreams that you dare to dream
Really do come true.”
"Over the Rainbow" in The Wizard of Oz (1939) - Judy Garland version https://www.youtube.com/watch?v=PSZxmZmBfnU
Context: Somewhere over the rainbow,
Way up high
There's a land that I heard of
Once in a lullaby.
Somewhere over the rainbow
Skies are blue
And the dreams that you dare to dream
Really do come true.
After having dreams about physical terms, which he initially dismissed as a "misuse of physics terminology" by the unconscious, in a letter to Carl Jung (16 June 1948)
Context: Later, however, I came to recognize the objective nature of these dreams or fantasies … Thus it was that I gradually came to acknowledge that such fantasies or dreams are neither meaningless nor purely arbitrary but rather convey a sort of "second meaning" of the terms applied.
Nobel lecture (1989)
Context: Because we all share this small planet earth, we have to learn to live in harmony and peace with each other and with nature. That is not just a dream, but a necessity. We are dependent on each other in so many ways, that we can no longer live in isolated communities and ignore what is happening outside those communities, and we must share the good fortune that we enjoy.
"Elfin Song" (1850).
Context: What if there be a fated day
When the Faery Isle shall pass away,
And its beautiful groves and fountains seem
The myths of a long, delicious dream!
A century's joys shall first repay
Our hearts, for the evil of that day;
And the Elfin-King has sworn to wed
A daughter of Earth, whose child shall be,
By cross and water hallowe'd,
From the fairies' doom forever free.
What if there be a fated day!
It is far away! it is far away!
Maiden, fair Maiden, I, who sing
Of this summer isle am the island King.
Introduction to The Lost Princess of Oz (1917)
Letters and essays
Context: Some of my youthful readers are developing wonderful imaginations. This pleases me. Imagination has brought mankind through the Dark Ages to its present state of civilization. Imagination led Columbus to discover America. Imagination led Franklin to discover electricity. Imagination has given us the steam engine, the telephone, the talking-machine, and the automobile, for these things had to be dreamed of before they became realities. So I believe that dreams — day dreams, you know, with your eyes wide open and your brain machinery whizzing — are likely to lead to the betterment of the world. The imaginative child will become the imaginative man or woman most apt to create, to invent, and therefore to foster civilization. A prominent educator tells me that fairy tales are of untold value in developing imagination in the young. I believe it.
“The Dream obsessed him … but what was it?”
Source: Outlaw Journalist (2008), Chapter 8, American Dream, p. 118
Context: The Dream obsessed him... but what was it? Was it Horatio Alger, rags to riches, the idea that you could start with nothing and end up rolling naked in stacks of hundreds? Or was it a dream of freedom? Personal freedom... or the concept of freedom that the founders brought into the whole world?
Choruses from The Rock (1934)
Context: They constantly try to escape
From the darkness outside and within
By dreaming of systems so perfect that no one will need to be good.
But the man that is shall shadow
The man that pretends to be.
As quoted in “Anderson Climbs Uphill Toting Heavyweight Issues” by Dan Balz, in The Washington Post (17 November 1979)
Context: After spending an adult life of unfulfilled dreams and promises, a man has to prove something to himself. Maybe I’m trying to sum it all up to convince myself that everything I’ve been doing makes sense. I guess, I just want to get it all off my chest before I close up the books.
A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Sunday
Context: The hidden significance of these fables which is sometimes thought to have been detected, the ethics running parallel to the poetry and history, are not so remarkable as the readiness with which they may be made to express a variety of truths. As if they were the skeletons of still older and more universal truths than any whose flesh and blood they are for the time made to wear. It is like striving to make the sun, or the wind, or the sea symbols to signify exclusively the particular thoughts of our day. But what signifies it? In the mythus a superhuman intelligence uses the unconscious thoughts and dreams of men as its hieroglyphics to address men unborn. In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men, as Aurora the sun's rays. The matutine intellect of the poet, keeping in advance of the glare of philosophy, always dwells in this auroral atmosphere.
“I take it to be true that pure thought can grasp the real, as the ancients had dreamed.”
from On the Method of Theoretical Physics, p. 183. The Herbert Spencer Lecture, delivered at Oxford (10 June 1933). Quoted in Einstein's Philosophy of Science http://plato.stanford.edu/entries/einstein-philscience/
1930s
Context: Our experience hitherto justifies us in trusting that nature is the realization of the simplest that is mathematically conceivable. I am convinced that purely mathematical construction enables us to find those concepts and those lawlike connections between them that provide the key to the understanding of natural phenomena. Useful mathematical concepts may well be suggested by experience, but in no way can they be derived from it. Experience naturally remains the sole criterion of the usefulness of a mathematical construction for physics. But the actual creative principle lies in mathematics. Thus, in a certain sense, I take it to be true that pure thought can grasp the real, as the ancients had dreamed.
"Look to the Rainbow", in Finian's Rainbow (1946) - Petula Clark version http://www.youtube.com/watch?v=ZGLbbg_E6Sg
Context: On the day I was born,
Said my father, said he
I've an elegant legacy waiting for ye.
Tis a rhyme for your lips
And a song for your heart
To sing it whenever the world falls apart. Look, look, look to the rainbow
Follow it over the hill and stream
Look, look, look to the rainbow
Follow the fellow who follows a dream.
Review of Magnolia in Chicago Sun-Times (7 January 2000) http://www.rogerebert.com/reviews/magnolia-2000
Reviews, Four star reviews
Context: Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. … The movie is an interlocking series of episodes that take place during one day in Los Angeles, sometimes even at the same moment. Its characters are linked by blood, coincidence and by the way their lives seem parallel. Themes emerge: the deaths of fathers, the resentments of children, the failure of early promise, the way all plans and ambitions can be undermined by sudden and astonishing events. … All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate. This event is not "cheating," as some critics have argued, because the prologue fully prepares the way for it, as do some subtle references to Exodus. It works like the hand of God, reminding us of the absurdity of daring to plan. And yet plan we must, because we are human, and because sometimes our plans work out.
Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.
“I didn't stop dreaming until I finished the film. But the dream was the movie, not the Oscar.”
O interview (2003)
Context: I wanted to win it for one specific reason — to send the Oscar to the Frida Kahlo House in Mexico, where Frida herself once lived. It's going to bring a tear to my eye now. I wanted every Mexican who walked into that museum to remember that what motivated me to make this movie, to dream this dream, had everything to do with where I came from — and I didn't stop dreaming until I finished the film. But the dream was the movie, not the Oscar.
“I started working with my dreams, because I'm not so censored when I use dream material.”
Kathy Acker: Where does she get off?
Context: I'm starting to worry about self-censorship — that I might be internalizing some shit. I might be writing what people expect me to write, writing from that place where I might be ruled by economic considerations. To overcome that, I started working with my dreams, because I'm not so censored when I use dream material. And I'm working at trying to find a kind of language where I won't be so easily modulated by expectation. I'm looking for what might be called a body language. One thing I do is stick a vibrator up my cunt and start writing — writing from the point of orgasm and losing control of the language and seeing what that's like.
“When I was journeying (in a dream of the night)”
Source: A Dream of John Ball (1886), Ch. 1: The Men of Kent
Context: When I was journeying (in a dream of the night) down the well-remembered reaches of the Thames betwixt Streatley and Wallingford, where the foothills of the White Horse fall back from the broad stream, I came upon a clear-seen mediæval town standing up with roof and tower and spire within its walls, grey and ancient, but untouched from the days of its builders of old. All this I have seen in the dreams of the night clearer than I can force myself to see them in dreams of the day. So that it would have been nothing new to me the other night to fall into an architectural dream if that were all, and yet I have to tell of things strange and new that befell me after I had fallen asleep.
"Anarchist's Progress" in The American Mercury (1927); § III : To Abolish Crime or to Monopolize It? http://www.mises.org/daily/2714
Context: Once, I remember, I ran across the case of a boy who had been sentenced to prison, a poor, scared little brat, who had intended something no worse than mischief, and it turned out to be a crime. The judge said he disliked to sentence the lad; it seemed the wrong thing to do; but the law left him no option. I was struck by this. The judge, then, was doing something as an official that he would not dream of doing as a man; and he could do it without any sense of responsibility, or discomfort, simply because he was acting as an official and not as a man. On this principle of action, it seemed to me that one could commit almost any kind of crime without getting into trouble with one's conscience.
Clearly, a great crime had been committed against this boy; yet nobody who had had a hand in it — the judge, the jury, the prosecutor, the complaining witness, the policemen and jailers — felt any responsibility about it, because they were not acting as men, but as officials. Clearly, too, the public did not regard them as criminals, but rather as upright and conscientious men.
The idea came to me then, vaguely but unmistakably, that if the primary intention of government was not to abolish crime but merely to monopolize crime, no better device could be found for doing it than the inculcation of precisely this frame of mind in the officials and in the public; for the effect of this was to exempt both from any allegiance to those sanctions of humanity or decency which anyone of either class, acting as an individual, would have felt himself bound to respect — nay, would have wished to respect. This idea was vague at the moment, as I say, and I did not work it out for some years, but I think I never quite lost track of it from that time.
“I am waking from a dream,
I am choking on a scream,
You were trying to show me something.”
"Firefly" on Greta Gaines (1999) http://www.allmusic.com/album/greta-gaines-mw0000068041; the phrase in quotes is a line from a poem of Dylan Thomas. · Full song at YouTube https://www.youtube.com/watch?v=CIEA4mjwRik&spfreload=10 · Live Performance https://www.youtube.com/watch?v=nbr63vyH-58
Context: I am waking from a dream,
I am choking on a scream,
You were trying to show me something.
But the dark is wide and long,
The gates are closed, the crowd's all gone,
You're still shimmering and leading me on… Firefly that's what you are
Burning for me in my darkest hour
"Light breaks where no sun shines"
So shine for me tonight — firefly.
Part One: 1. Stultifera Navis
History of Madness (1961)
Context: Meaning created links so numerous, so rich and involved that only esoteric knowledge could possibly have the necessary key. Objects became so weighed down with attributes, connections and associations that they lost their own original face. Meaning was no longer read in an immediate perception, and accordingly objects ceased to speak directly: between the knowledge that animated the figures of objects and the forms they were transformed into, a divide began to appear, opening the way for a symbolism more often associated with the world of dreams.
In recognition of van Vogt receiving the Grand Master designation in 1996, in The Nebula Awards Vol. 31, as quoted in SF Authors Remember A.E. van Vogt (2000) http://www.sfrevu.com/ISSUES/2000/ARTICLES/20000128-03.htm#SF%20Authors%20Remeber%20A.E.%20van%20Vogt
Context: Even the brightest star shines dimly when observed-from too far away. And human memory is notoriously unreliable. And we live in ugly times when all respect for that which has gone before suffers crib death beneath the weight of youthful arrogance and ignorance. But a great nobility has at last, been recognized and lauded. Someone less charitable than I might suggest the honor could have been better appreciated had it not been so tardy, naming its race with a foe that blots joy and destroys short-term memory. But I sing the Talent Electric, and like aft the dark smudges of history, everything but the honor and die achievement remains for the myth-makers.
Alfred E. van Vogt has been awarded the Grand Master trophy of the Science Fiction and Fantasy Writers of America. He is not the to first person to receive this singular accolade…given only to those whose right to possess it is beyond argument or mitigation.
Were we in 1946 or even 1956, van Vogt would have already been able to hold the award aloft. Had SFWA existed then and had the greatest living sf authors been polled as to who was the most fecund, the most intriguing, the mast innovative the most influential of their number, Isaac and Arthur and Cyril and Hank Kuttner and Ron Hubbard would all have pointed to the same man, and Bob Heinlein would've given him a thumbs-up. Van Vogt was the pinnacle, the source of power and ideas; the writer to beat. Because he embodied in his astonishing novels and assorted stories what we always say is of prime importance to us in this genre-the much vaunted Sense of Wonder.
Van Vogt was the wellspring of wonder. … That's how important he was. … And then came the dark years during which the man was shamefully agented and overlooked; and even the brightest star loses its piercing light if observed through the thickening mists of time and flawed memory.
Now it is lifetimes later, and the great award has, at last, been presented. To some, less charitable than I, something could be said about a day late and a dollar short, but not I. I am here to sing the Talent Electric, and it is better now than never. He is the Grand Master, A. E. can Vogt, weaver of a thousand ideas per plot-line, creator of alien thoughts and impossible dreams that rival the best ever built by our kind.
This dear, gentlemanly writer whose stories can still kill you with a concept or warm you with a character, now joins the special pantheon.
"Flight", pp. 109, Harper Row 1966
Native Son (1940)
Commenting upon the Aleinu prayer, in "Why We Remain Jews" (1962)
Context: The kingdom is Yours, and You will reign in glory for all eternity. As it is written in Your Torah: "The Lord shall reign for ever and ever." And it is said: " And the Lord shall be King over all the earth: on that day the Lord shall be One, and His name One."
No nobler dream was ever dreamt. It is surely nobler to be a victim of the most noble dream than to profit from a sordid reality and to wallow in it. Dream is akin to aspiration. And aspiration is a kind of divination of an enigmatic vision. And an enigmatic vision in the emphatic sense is the perception of the ultimate mystery, of the truth of the ultimate mystery. The truth of the ultimate mystery — the truth that there is an ultimate mystery, that being is radically mysterious — cannot be denied even by the unbelieving Jew of our age. That unbelieving Jew of our age, if he has any education, is ordinarily a positivist, a believer in Science, if not a positivist without any education.
O interview (2003)
Context: I want to direct a movie in Mexico, in Spanish. The story is about how when we're really young, our dreams are colorful and big and abstract and interesting and imaginative. As the realities of life hit, our dreams become so common. To dream big doesn't necessarily mean to imagine becoming the biggest movie star in the world. Dreaming big is about taking the simplest thing in life and enjoying it — and seeing it as the biggest thing that can possibly exist. … I work in an industry that is the first to kill this ability because everything is so celebrity oriented. I am part of a cancer. In my world, you have to be so beautiful, so skinny, so rich, so famous — and I don't believe you really have to be any of those things. You simply have to be who you are.
Dandelion Mind (2010)
"I Am Too Close..."
Poems New and Collected (1998), Salt (1962)
"Castles in the Air"
Song lyrics, Tapestry (1970)
Context: And if she asks you why,
You can tell her that I told you
That I'm tired of castles in the air.
I've got a dream I want the world to share,
And castle walls just lead me to despair.Hills of forest green where the mountains touch the sky,
A dream come true, I'll live there till I die.
I'm asking you to say my last goodbye.
The love we knew ain't worth another try.
Just Say No (1986)
Context: Drugs steal away so much. They take and take, until finally every time a drug goes into a child, something else is forced out — like love and hope and trust and confidence. Drugs take away the dream from every child's heart and replace it with a nightmare, and it's time we in America stand up and replace those dreams. Each of us has to put our principles and consciences on the line, whether in social settings or in the workplace, to set forth solid standards and stick to them. There's no moral middle ground. Indifference is not an option. We want you to help us create an outspoken intolerance for drug use. For the sake of our children, I implore each of you to be unyielding and inflexible in your opposition to drugs.
Larry King Live interview (2010)
Context: I don't hate America. I love America. I want it to be better. The only way we can get it to be better is to realistically criticize what's wrong with it. That's not what the Republicans do. … I don't want to be a pessimist. I'm a realist. One man's realist is another man's pessimist. But, no, I'm not like Mitt Romney, whose book is called No Apology, the Case for American Greatness. Really? Always waving the big foam number one finger; we're not number one in most things. We're number one in military. We're number one in money. We're number one in fat toddlers, meth labs, and people we send to prison. We're not number one in literacy, money spent on education. We're not even number one in social mobility. Social mobility means basically the American dream, the ability of one generation to do better than the next. We're tenth. That's like Sweden coming tenth in Swedish meatballs.
Source: Martin Eden (1909), Ch. VIII
Context: It was just such uniqueness of points of view that startled Ruth. Not only were they new to her, and contrary to her own beliefs, but she always felt in them germs of truth that threatened to unseat or modify her own convictions. Had she been fourteen instead of twenty-four, she might have been changed by them; but she was twenty-four, conservative by nature and upbringing, and already crystallized into the cranny of life where she had been born and formed. It was true, his bizarre judgments troubled her in the moments they were uttered, but she ascribed them to his novelty of type and strangeness of living, and they were soon forgotten. Nevertheless, while she disapproved of them, the strength of their utterance, and the flashing of eyes and earnestness of face that accompanied them, always thrilled her and drew her toward him. She would never have guessed that this man who had come from beyond her horizon, was, in such moments, flashing on beyond her horizon with wider and deeper concepts. Her own limits were the limits of her horizon; but limited minds can recognize limitations only in others. And so she felt that her outlook was very wide indeed, and that where his conflicted with hers marked his limitations; and she dreamed of helping him to see as she saw, of widening his horizon until it was identified with hers.
Source: Simone Weil : An Anthology (1986), Love (1947), p. 274
Context: To wish to escape from solitude is cowardice. Friendship is not to be sought, not to be dreamed, not to be desired; it is to be exercised (it is a virtue).
Part One: 1. Stultifera Navis
History of Madness (1961)
Context: Water and navigation had that role to play. Locked in the ship from which he could not escape, the madman was handed over to the thousand-armed river, to the sea where all paths cross, and the great uncertainty that surrounds all things. A prisoner in the midst of the ultimate freedom, on the most open road of all, chained solidly to the infinite crossroads. He is the Passenger par excellence, the prisoner of the passage. It is not known where he will land, and when he lands, he knows not whence he came. His truth and his home are the barren wasteland between two lands that can never be his own. […] One thing is certain: the link between water and madness is deeply rooted in the dream of the Western man.
Letter Accepting 2018 Andrei Sakharov Prizefrom (2018)
Context: Thoughts and dreams don’t die. Belief in freedom and justice does not perish with imprisonment, torture or even death and tyranny do not prevail over freedom, even when they rely on the power of the state. Sitting here in the prison, I am deeply humbled by the honor you have bestowed on me and I will continue my efforts until we achieve peace, tolerance for a plurality of views, and human rights.
The Economic Tendency of Freethought (1890)
Context: "For it must needs that offences come, but woe to him through whom the offence cometh." The crimes of the future are the harvests sown of the ruling classes of the present. Woe to the tyrant who shall cause the offense!
Sometimes I dream of this social change. I get a streak of faith in Evolution, and the good in man. I paint a gradual slipping out of the now, to that beautiful then, where there are neither kings, presidents, landlords, national bankers, stockbrokers, railroad magnates, patentright monopolists, or tax and title collectors; where there are no over-stocked markets or hungry children, idle counters and naked creatures, splendor and misery, waste and need. I am told this is farfetched idealism, to paint this happy, povertyless, crimeless, diseaseless world; I have been told I "ought to be behind the bars" for it.
Remarks of that kind rather destroy the white streak of faith. I lose confidence in the slipping process, and am forced to believe that the rulers of the earth are sowing a fearful wind, to reap a most terrible whirlwind. When I look at this poor, bleeding, wounded World, this world that has suffered so long, struggled so much, been scourged so fiercely, thorn-pierced so deeply, crucified so cruelly, I can only shake my head and remember:
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 20. How the Sphere Encouraged Me in a Vision
Context: During my slumber I had a dream. I thought I was once more by the side of the Sphere, whose lustrous hue betokened that he had exchanged his wrath against me for perfect placability. We were moving together towards a bright but infinitesimally small Point, to which my Master directed my attention. As we approached, methought there issued from it a slight humming noise as from one of your Spaceland bluebottles, only less resonant by far, so slight indeed that even in the perfect stillness of the Vacuum through which we soared, the sound reached not our ears till we checked our flight at a distance from it of something under twenty human diagonals."Look yonder," said my Guide, "in Flatland thou hast lived; of Lineland thou hast received a vision; thou hast soared with me to the heights of Spaceland; now, in order to complete the range of thy experience, I conduct thee downward to the lowest depth of existence, even to the realm of Pointland, the Abyss of No dimensions.
"Where Love Is, God Is" (1885), also translated as "Where Love is, There God is Also" - (full text online)
Context: Martin's soul grew very very glad. He crossed himself put on his spectacles, and began reading the Gospel just where it had opened; and at the top of the page he read: I was an hungered, and ye gave me meat; I was thirsty, and ye gave me drink; I was a stranger, and ye took me in. And at the bottom of the page he read: Inasmuch as ye did it unto one of these my brethren even these least, ye did it unto me (Matt. xxv). And Martin understood that his dream had come true; and that the Saviour had really come to him that day, and he had welcomed him.
Part I, Ch. VI : The Cross and the Contrast
The Pilgrim's Progress (1678), Part I
Context: Now I saw in my dream, that the highway, up which Christian was to go, was fenced on either side with a wall, and that wall was called salvation. Up this way, therefore, did burdened Christian run, but not without great difficulty, because of the load on his back. He ran thus till he came at a place somewhat ascending; and upon that place stood a cross, and a little below, in the bottom, a sepulchre. So I saw in my dream, that just as Christian came up with the cross, his burden loosed from off his shoulders, and fell from off his back, and began to tumble, and so continued to do till it came to the mouth of the sepulchre, where it fell in, and I saw it no more.
“Those who have compared our life to a dream were right…”
Book II, Ch. 12
Variant translation: They who have compared our lives to a dream were, perhaps, more in the right than they were aware of. When we dream, the soul lives, works, and exercises all its faculties, neither more nor less than when awake; but more largely and obscurely, yet not so much, neither, that the difference should be as great as betwixt night and the meridian brightness of the sun, but as betwixt night and shade; there she sleeps, here she slumbers; but, whether more or less, ‘tis still dark, and Cimmerian darkness. We wake sleeping, and sleep waking.
Essais (1595), Book II
Context: Those who have compared our life to a dream were right... We are sleeping awake, and waking asleep.
Biographical profile http://rivera-ortiz.com/html_info.cfm?menu_itemID=144717&load=html
Official site
Context: I don’t need them to tell me what it feels like to be poor … I already know how this feels, how it smells and how it tastes! When I talk to them … I want them to tell me about their hopes and aspirations, about their dreams… about the road ahead and how they imagine it will shape up out in front of them to make the dreaming and hoping come true. I ask them about assistance, about the health, and about their families near or far.
As quoted in Claude Debussy: His Life and Works (1933) by Léon Vallas, p. 226
Context: I wish to write down my musical dreams in a spirit of utter self-detachment. I wish to sing of my interior visions with the naïve candour of a child. No doubt, this simple musical grammar will jar on some people. It is bound to offend the partisans of deceit and artifice. I foresee that and rejoice at it. I shall do nothing to create adversaries, but neither shall I do anything to turn enmities into friendships. I must endeavour to be a great artist so that I may dare to be myself and suffer for my faith. Those who feel as I do will only appreciate me more. The others will shun and hate me. I shall make no effort to appease them. On that distant day — I trust it is still very far off — when I shall no longer be a cause of strife, I shall feel bitter self-reproach. For that odious hypocrisy which enables one to please all mankind will inevitably have prevailed in those last works.
As quoted in Perceive This! : How to Get Everything You Want Out of Life by Changing Your Perceptions (2004) by Kevin A. Martin, Ch. 9, No Bar Too High!, p. 64
Context: Somehow, I can't believe that there are any heights that can't be scaled by a man by a man who knows the secret of making dreams come true. The special secret it seems to me is summarized in four C's. They are Curiosity, Courage, Confidence and Constancy. And the greatest of all is Confidence. When you believe in a thing, believe in it all the way, implicitly and unquestionably.
"Democracy: Its Presumptions and Realities" (1932); also in The Spirit of Liberty: Papers and Addresses (1952), p. 99 - 100.
Extra-judicial writings
Context: When I hear so much impatient and irritable complaint, so much readiness to replace what we have by guardians for us all, those supermen, evoked somewhere from the clouds, whom none have seen and none are ready to name, I lapse into a dream, as it were. I see children playing on the grass; their voices are shrill and discordant as children's are; they are restive and quarrelsome; they cannot agree to any common plan; their play annoys them; it goes poorly. And one says, let us make Jack the master; Jack knows all about it; Jack will tell us what each is to do and we shall all agree. But Jack is like all the rest; Helen is discontented with her part and Henry with his, and soon they fall again into their old state. No, the children must learn to play by themselves; there is no Jack the master. And in the end slowly and with infinite disappointment they do learn a little; they learn to forbear, to reckon with another, accept a little where they wanted much, to live and let live, to yield when they must yield; perhaps, we may hope, not to take all they can. But the condition is that they shall be willing at least to listen to one another, to get the habit of pooling their wishes. Somehow or other they must do this, if the play is to go on; maybe it will not, but there is no Jack, in or out of the box, who can come to straighten the game.
“The dream, that magnificent dream, pursued so fiercely by my father, is still only a dream.”
1980s, A Dream Deferred (1989)
Context: During the era of segregation a term was used to describe the racist separate system that was primarily intact in the South, although of course there were vestiges of it all across the rest of the country—it was called Jim Crow. Well, in 1989 I am pleased to say Jim Crow is dead, but as has been proven by incidents that happened in Forsyth County in Georgia, Howard Beach in New York, the community of Overton in Miami, just by cross burnings on college campuses, and by racial epithets being written on the walls of many of our college facilities. These incidents and so many more that are terrifying really, when we stop and think that they are still occurring in this country, point to the fact that while Jim Crow is dead his slightly more sophisticated first born son, J. Crow, Esquire, is alive and kicking. We as black people, we as women, we as humanity have not reached the promised land. We are still wandering around bumping into each other in the wilderness. The dream, that magnificent dream, pursued so fiercely by my father, is still only a dream. Racism, sexism, injustices, inequities of all shapes and sizes remain and we have to find a semblance of real peace, not the kind of peace where everything is wonderful on the surface but things are boiling underneath. I am talking about peace with justice. My father’s utterance rings persistently—either we will learn to live together as brothers and sisters or we will perish together as fools.
Source: The Great God Pan (1894), Ch. I : The Experiment
Context: You see the mountain, and hill following after hill, as wave on wave, you see the woods and orchard, the fields of ripe corn, and the meadows reaching to the reed-beds by the river. You see me standing here beside you, and hear my voice; but I tell you that all these things — yes, from that star that has just shone out in the sky to the solid ground beneath our feet — I say that all these are but dreams and shadows; the shadows that hide the real world from our eyes. There is a real world, but it is beyond this glamour and this vision, beyond these 'chases in Arras, dreams in a career,' beyond them all as beyond a veil. I do not know whether any human being has ever lifted that veil; but I do know, Clarke, that you and I shall see it lifted this very night from before another's eyes. You may think this all strange nonsense; it may be strange, but it is true, and the ancients knew what lifting the veil means. They called it seeing the god Pan.
Anarchism: Its Philosophy and Ideal (1896)
Context: It is often said that Anarchists live in a world of dreams to come, and do not see the things which happen today. We do see them only too well, and in their true colors, and that is what makes us carry the hatchet into the forest of prejudice that besets us.
Far from living in a world of visions and imagining men better than they are, we see them as they are; and that is why we affirm that the best of men is made essentially bad by the exercise of authority, and that the theory of the "balancing of powers" and "control of authorities" is a hypocritical formula, invented by those who have seized power, to make the "sovereign people," whom they despise, believe that the people themselves are governing. It is because we know men that we say to those who imagine that men would devour one another without those governors: "You reason like the king, who, being sent across the frontier, called out, 'What will become of my poor subjects without me?'"
“Our dreams
Poured into each other's arms, like streams.”
"Daybreak"
Context: Then, in a flush of rose, she woke and her eyes that opened
Swam in blue through her rose flesh that dawned.
From her dew of lips, the drop of one word
Fell like the first of fountains: murmured
'Darling', upon my ears the song of the first bird.
'My dream becomes my dream,' she said, 'come true.
I waken from you to my dream of you.'
Oh, my own wakened dream then dared assume
The audacity of her sleep. Our dreams
Poured into each other's arms, like streams.
“I now spend a good part of my day dreaming of times past, present and future.”
90th Birthday Reflections (2007)
Context: I now spend a good part of my day dreaming of times past, present and future. As I try to survive on 15 hours sleep a day, I have plenty of time to enjoy vivid dreams. Being completely wheel-chaired doesn't stop my mind from roaming the universe — on the contrary!
78 U.S. 93
Judicial opinions, United States v. Ballard (1944)
“Abou Ben Adhem (may his tribe increase!)
Awoke one night from a deep dream of peace”
Abou Ben Adhem
Context: Abou Ben Adhem (may his tribe increase!)
Awoke one night from a deep dream of peace,
And saw, within the moonlight in his room,
Making it rich, and like a lily in bloom,
An Angel writing in a book of gold: Exceeding peace had made Ben Adhem bold,
And to the Presence in the room he said,
"What writest thou?" The Vision raised its head,
And with a look made of all sweet accord
Answered, "The names of those who love the Lord." "And is mine one?" said Abou. "Nay, not so,"
Replied the Angel. Abou spoke more low,
But cheerily still; and said, "I pray thee, then,
Write me as one who loves his fellow men." The Angel wrote, and vanished. The next night
It came again with a great wakening light,
And showed the names whom love of God had blessed,
And, lo! Ben Adhem's name led all the rest!
“The young man's mind was carried away by his growing passion for dreams.”
"Departure"
Winesburg, Ohio (1919)
Context: The young man's mind was carried away by his growing passion for dreams. One looking at him would not have thought him particularly sharp. With the recollection of little things occupying his mind he closed his eyes and leaned back in the car seat. He stayed that way for a long time and when he aroused himself and again looked out of the car window the town of Winesburg had disappeared and his life there had become but a background on which to paint the dreams of his manhood.
“Jared Loughner is conscience dreaming at this moment.”
Posted in internet video —
Context: All conscience dreaming at this moment is asleep. Jared Loughner is conscience dreaming at this moment. Thus, Jared Loughner is asleep.
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: An unspeakable horror seized me. There was a darkness; then a dizzy, sickening sensation of sight that was not like seeing; I saw a Line that was no Line; Space that was not Space: I was myself, and not myself. When I could find voice, I shrieked aloud in agony, "Either this is madness or it is Hell." "It is neither," calmly replied the voice of the Sphere, "it is Knowledge; it is Three Dimensions: open your eye once again and try to look steadily."I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something — for which I had no words; but you, my Readers in Spaceland, would call it the surface of the Sphere.
1950's, On Being a Graphic Artist', 1953
Context: The result of the struggle between the thought and the ability to express it, between dream and reality, is seldom more than a compromise or an approximation. Thus there is little chance that we will succeed in getting through to a large audience, and on the whole we are quite satisfied if we are understood and appreciated by a small number of sensitive, receptive people.
Henry in Rosamond (c. 1707), Act III, sc. i.
Context: Where have my ravish'd senses been!
What joys, what wonders, have I seen!
The scene yet stands before my eye,
A thousand glorious deeds that lie
In deep futurity obscure,
Fights and triumphs immature,
Heroes immers'd in time's dark womb,
Ripening for mighty years to come,
Break forth, and, to the day display'd,
My soft inglorious hours upbraid.
Transported with so bright a scheme,
My waking life appears a dream.
I Ain't Got Time To Bleed (1999)
Context: I didn't need this job. I ran for governor to find out if the American dream still exists in anyone's heart other than mine. I'm living proof that the myths aren't true. The candidate with the most money isn't always the one who wins. You don't have to be a career politician to serve in public office. You don't have to be well-connected. You don't even have to be a Democrat or a Republican. You can stand on your own two feet and speak your mind, because if people like where you're coming from, they will vote you in. The will of the people is still the most powerful force in our government.
"Intimations" (December 1941)
One Man's Meat (1942)
Context: Before you can be an internationalist you have first to be a naturalist and feel the ground under you making a whole circle. It is easier for a man to be loyal to his club than to his planet; the bylaws are shorter, and he is personally acquainted with the other members. A club, moreover, or a nation, has a most attractive offer to make: it offers the right to be exclusive. There are not many of us who are physically constituted to resist this strange delight, this nourishing privilege. It is at the bottom of all fraternities, societies, orders. It is at the bottom of most trouble. The planet holds out no such inducement. The planet is everybody's. All it offers is the grass, the sky, the water, the ineluctable dream of peace and fruition.
Theodric : A Domestic Tale; and Other Poems (1825), To the Rainbow
Context: p>Can all that optics teach, unfold
Thy form to please me so,
As when I dreamt of gems and gold
Hid in thy radiant bow?When Science from Creation's face
Enchantment's veil withdraws,
What lovely visions yield their place
To cold material laws! And yet, fair bow, no fabling dreams,
But words of the Most High,
Have told why first thy robe of beams
Was woven in the sky.</p
"The Answer" (1936)
Context: Then what is the answer? — Not to be deluded by dreams.
To know that great civilizations have broken down into violence, and their tyrants come, many times before.
When open violence appears, to avoid it with honor or choose the least ugly faction; these evils are essential.
To keep one's own integrity, be merciful and uncorrupted and not wish for evil; and not be duped
By dreams of universal justice or happiness. These dreams will not be fulfilled.
Making Love out of Nothing at All (1983)
Context: I know just how to fake it
And I know just how to scheme
I know just when to face the truth
And then I know just when to dream.
And I know just where to touch you
And I know just what to prove
I know when to pull you closer
And I know when to let you loose.
And I know the night is fading
And I know the time's gonna fly
And I'm never gonna tell you everything I gotta tell you
But I know I've got to give it a try.
And I know the roads to riches
And I know the ways to fame
I know all the rules and then I know how to break'em
And then I always know the name of the game
But I don't know how to leave you
And I'll never let you fall
And I don't know how you do it
Making love out of nothing at all.
Source: The Dream of a Ridiculous Man (1877), V
Context: How it could come to pass I do not know, but I remember it clearly. The dream embraced thousands of years and left in me only a sense of the whole. I only know that I was the cause of their sin and downfall. Like a vile trichina, like a germ of the plague infecting whole kingdoms, so I contaminated all this earth, so happy and sinless before my coming. They learnt to lie, grew fond of lying, and discovered the charm of falsehood.
“A trancelike state settles over your efforts; the climb becomes a clear-eyed dream.”
Source: Into the Wild (1996), Ch. 14.
Context: Early on a difficult climb, especially a difficult solo climb, you constantly feel the abyss pulling at your back. To resist takes a tremendous conscious effort; you don't dare let your guard down for an instant. The siren song of the void puts you on edge; it makes your movements tentative, clumsy, herky-jerky. But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control. By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-to-day existence — the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes — all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand. At such moments something resembling happiness actually stirs in your chest, but it isn't the sort of emotion you want to lean on very hard. In solo climbing the whole enterprise is held together with little more than chutzpah, not the most reliable adhesive.
As quoted by Christoph Lehermayr, Der Sohn des Schahs spricht exklusiv mit NEWS.at: "Ich bin bereit, Konig zu werden" http://www.rezapahlavi.org/details_article.php?article=397&page=3, NEWS.at, September 15, 2009.
Interviews, 2009
“Dreams are real while they last. Can we say more of life? ”
“We have within reach, now, the attainment of almost every dream of mankind.”
“Dreams don't work, while you don't work. ”
“If you have a dream, give it a chance to happen. ”
“Dreams represent the current vibrational condition of the dreamer.”
“And then Quentin was there somehow. And so were you, in a strange sort of way. And it was all so peaceful.” Peaceful?
"Why Women Aren’t Funny" https://www.vanityfair.com/culture/2007/01/, Vanity Fair, (January 1, 2007).
2000s, 2007
“This was once revealed to me in a dream.”
The Divine and the Human (1949)
Source: The Ordeal of This Generation: The War, the League and the Future (London: George Allen & Unwin, 1929), pp. 101-102
“And the opposite of dreams are facts!”
Source: Storm Over Warlock (1960), Chapter 11, “The Witch” (p. 118)
Black God's Kiss (1934); p. 15
Short fiction, Jirel of Joiry (1969)
The Internal Constitution of Stars (1926)
About the state and technology
About the state and technology
Source: Экономика Цифровой Эры, LiveLib, ru, 2019-11-21 https://www.livelib.ru/author/1229982-maksim-mernes,