Quotes about draw (1700 quotes, page 15)

“Just at the time I got your letter Mr. Angus sent me the 'Scotsman' [magazine]. You say some critics have thought it fair to make it the basis of a personal attack, and it is very critic-like. Critic means knife, means dissection, means wisdom, means perfection. Art is stupid, art-less. That is a hard job for the critic to understand. I like your book because it is 'stupid', like Japanese; which means done for the love of it in itself; not for gain or success. You don't go to criticise a Japanese drawing and say it is out of shape, out of drawing, no perspective nor anatomy. This is only for the critic to show his knowledge by killing the things; those stupid fellows do harm, like Whistler says, with their learnings. They must have schools and applications of knowledge. Thackeray calls them scavengers - scavengers are at least necessary, those fellows are for no good..”

Matthijs Maris (1839–1917) Dutch painter

Quote of Matthijs Maris, in his letter to David Croal Thomson (Oct. 1890), as cited in: The Brothers Maris (James – Matthew – William), ed. Charles Holme; text: D.C. Thomson https://ia800204.us.archive.org/1/items/cu31924016812756/cu31924016812756.pdf; publishers, Offices of 'The Studio', London - Paris, 1907, p. BMxv p. BMxviii

Love , Wisdom , Books , Stupidity

“Playboy: Then for now, aren't you asking home-computer buyers to invest $3000 in what is essentially an act of faith?
Jobs: In the future, it won't be an act of faith. The hard part of what we're up against now is that people ask you about specifics and you can't tell them. A hundred years ago, if somebody had asked Alexander Graham Bell, "What are you going to be able to do with a telephone?" he wouldn't have been able to tell him the ways the telephone would affect the world. He didn't know that people would use the telephone to call up and find out what movies were playing that night or to order some groceries or call a relative on the other side of the globe. But remember that first the public telegraph was inaugurated, in 1844. It was an amazing breakthrough in communications. You could actually send messages from New York to San Francisco in an afternoon. People talked about putting a telegraph on every desk in America to improve productivity. But it wouldn't have worked. It required that people learn this whole sequence of strange incantations, Morse code, dots and dashes, to use the telegraph. It took about 40 hours to learn. The majority of people would never learn how to use it. So, fortunately, in the 1870s, Bell filed the patents for the telephone. It performed basically the same function as the telegraph, but people already knew how to use it. Also, the neatest thing about it was that besides allowing you to communicate with just words, it allowed you to sing.
Playboy: Meaning what?
Jobs: It allowed you to intone your words with meaning beyond the simple linguistics. And we're in the same situation today. Some people are saying that we ought to put an IBM PC on every desk in America to improve productivity. It won't work. The special incantations you have to learn this time are "slash q-zs" and things like that. The manual for WordStar, the most popular word-processing program, is 400 pages thick. To write a novel, you have to read a novel—one that reads like a mystery to most people. They're not going to learn slash q-z any more than they're going to learn Morse code. That is what Macintosh is all about. It's the first "telephone" of our industry. And, besides that, the neatest thing about it, to me, is that the Macintosh lets you sing the way the telephone did. You don't simply communicate words, you have special print styles and the ability to draw and add pictures to express yourself.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Steve Jobs, Playboy, Feb 1985, as quoted in “Steve Jobs Imagines 'Nationwide' Internet in 1985 Interview” https://paleofuture.gizmodo.com/steve-jobs-imagines-nationwide-internet-in-1985-intervi-1671246589, Matt Novak, 12/15/14 2:20pm Paleofuture, Gizmodo.
1980s

People , World , Faith , Way

“I have never learned to draw a hand well enough, so why should I stop trying now?”

Jack Levine (1915–2010) American artist

Selden Rodman, Conversations With Artists, 1956.

Learning , Drawing

“Schools have no use except for discerning the analytic procedures of art. No school is capable of pressing on to a synthesis in isolation. Painting can not, without falling into abstraction, let a partial aspect of art dominate, whether it be drawing, color, composition, or any other one of the extraordinary multiplicity of means the totality of which alone constitutes this art.”

Gustave Courbet (1819–1877) French painter

1860s, Realist Manifesto' - an open letter, 1861

School , Art , Color , Drawing

“Old men's prayers for death are lying prayers, in which they abuse old age and long extent of life. But when death draws near, not one is willing to die, and age no longer is a burden to them.”

Euripidés Alcestis

Source: Alcestis (438 BC), l. 669

Life , Death , Men , Age

“Nay, but weigh well what you presume to swear!
Oaths are of dreadful Weight—and, if they're false,
Draw down Damnation.”

Richard Savage (1697–1743) English poet

Sir Thomas Overbury (1724), Act II, scene i.

Drawing , Falseness

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

Beauty , Home , Drawing

“Protocols
Number 20, paras. 26-32
The budgets of income and expenditure will be carried out side by side that they may not be obscured by distance one to another.
…The first irregularity, as we shall point out, consists in their beginning with drawing up a single budget which year after year grows owing to the following cause: this budget is dragged out to half the year, ten they demand a
Graves: Clearly, the “Protocols” author adapts the text of “Dialogues” so carelessly in his hasty attempt to Prove a Jewish conspiracy!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.83

Drawing

“How will it be with my work a year hence? Well, Mauve [van Gogh's cousin and art-teacher, in The Hague] understands all this and he will give me as much technical advice as he can, - that which fills my head and my heart must be expressed in drawing or pictures.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to brother Theo, from The Hague, The Netherlands in December 1881; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 20 (letter 166)
1880s, 1881

Art , Understanding , Teachers , Heart

“We like to picture to ourselves the field of law as accurately mapped and plotted. We draw our little lines, and they are hardly down before we blur them. As in time and space, so here. Divisions are working hypotheses, adopted for convenience. … So also the duty of a judge becomes itself a question of degree, and he is a useful judge or a poor one as he estimates the measure accurately or loosely. He must balance all his ingredients, his philosophy, his logic, his analogies, his history, his customs, his sense of right, and all the rest, and adding a little here and taking out a little there, must determine, as wisely as he can, which weight shall tip the scales.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Page 161
Other writings, The Nature of the Judicial Process (1921)

Law , History , Question , Sense

“Draw Dyrnwyn, only thou of noble worth, to rule with justice, to strike down evil. Who wields it in good cause shall slay even the Lord of Death.”

Lloyd Alexander The Chronicles of Prydain

The runic inscription upon the scabbard of Dyrnwyn, correctly read by the bard Taliesin, in Chapter 19
The Chronicles of Prydain (1964–1968), Book V : The High King (1968)

Death , Justice , Evil , Drawing

“The Negro cannot stand the present reactionary tendencies and unreasoning drawing of the color line indefinitely without discouragement and retrogression. And the condition of the Negro is ever the cause for further discrimination.”

W.E.B. Du Bois book The Souls of Black Folk

Source: The Souls of Black Folk (1903), Ch. IX: Of the Sons of Master and Man

Color , Drawing

“Instead of boiling up individuals into the species, I would draw a chalk circle round every individuality, and preach to it to keep within that, and preserve and cultivate its identity.”

Jane Welsh Carlyle (1801–1866) Scottish writer

Letter to John Sterling (5 August 1845).

Drawing

“Divine religion … does not prod men with an iron rod; it guides them with bands of love. It draws no avenging sword, dispenses no temporal goods, assumes no right to any earthly possessions, and claims no external power over the mind. Its weapons are reason and persuasion; its strength is the divine power of truth.”

Moses Mendelssohn (1729–1786) German Jewish philosopher and theologian

Source: Jerusalem, or on Religious Power and Judaism (1783), p. 73

Love , Men , Truth , Religion

“But so long as human nature is what it is, so long as we are by essence prepossessed in favour of our freedom and yearn for a life that may put death itself beneath our feet, and with death imperfection and wrong, so long will our nature reluctate, so long will it even revolt, at the prospect of having to accept the doctrine of pantheism; so long shall we instinctively draw back from that vast and shadowy Being which, be it conscious or unconscious or simply the Unknowable, must for us and our highest hopes be verily the Shadow of Death”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Modern Science and Pantheism, p.77-8

Life , Death , Hope , Nature

“Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything... A convent, a monastery, a phalanstery of painting where one could train together.... but no program, no instruction in painting.... drawing is still alright, it doesn't count, but painting – the way to learn is to look at the masters, above all at nature, and to watch other people painting..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 124, in: 'What I know or have seen of his life'

Love , People , Way , Nature

“Your Excellency, I went without delay to the well of which Y. E. had written, and made a sketch of it, from which Y. E. will see how the matter stands; but I wish that sketch not to go alone, so send another with it of a well after the fashion of this country. Should these drawings appear to have been done in a manner not agreeable to the greatness of your illustrious Signorina, or in accordance with my humble desire to serve Y. E., I hope to be excused; and that Y. E. will ascribe, the cause to an earnest longing that the work should be done rapidly. I am entirely at command should the drawings be considered unsatisfactory, and am ready to furnish others..”

Titian (1488–1576) Italian painter

Quote from Titian's letter to the Duke Alfonso of Ferrara, From Venice, Feb. 19, 1517; from the original in Marquis Campori's Tiziano e gli Estensi, p. 5; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account ..., publisher John Murray, London, 1877, p. 178-79
1510-1540

Hope , Fashion , Appearance , Drawing

“Answer me, sycophant, ought you not to have instructed me on one point at least, so essential to be known by a king; namely on the reciprocal duties between the sovereign and his subjects? Ought you not also to have foreseen that I might, at some future period, be compelled to contend with my brothers, sword in hand, for the crown, and for my very existence. Such, as you must well know, has been the fate of the children of almost every king of Hindustan. Did you ever instruct me in the art of war, how to besiege a town, or draw up an army in battle array? Happy for me that I consulted wiser heads than thine on these subjects! Go, withdraw to the village. Henceforth let no person know either who thou art, or what is become of thee.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

François Bernier quoting https://books.google.com/books?id=1SNVqzrDJmIC&pg=PA179 Aurangzeb's statement to his tutor. Also in The Moghul Saint of Insanity https://books.google.com/books?id=_o_WCgAAQBAJ&pg=PA15 by Farzana Moon, p. 15 Also in European travel accounts during the reigns of Shahjahan and Aurangzeb by Meera Nanda, p.132 Also in History of Education in India by Suresh Chandra Ghosh, p. 200. Also inEncyclopaedia Indica: Shah Jahan, the fifth Mughal Emperor by Shyam Singh Shashi, p. 75
Quotes from late medieval histories

Fate , War , Children , Art

“Time flies and draws us with it. The moment in which I am speaking is already far from me.”

Nicolas Boileau-Despréaux (1636–1711) French poet and critic

Le temps fuit, et nous traine avec soi :
Le moment ou je parle est déjà loin de moi.
Épitres (1701) III, 47

Time , Drawing

“We live on the circumference of a hollow circle. We draw the circumference, like spiders, out of ourselves: it is all criticism of criticism.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"The Corpus", from Anarchism Is Not Enough (London: Jonathan Cape, 1928)

Drawing

“It was, therefore, the sort of loveliness which is not perfect, but draws its charm from a measure of imbalance, which can accommodate flaws and make little of them, for a while at least.”

Tanith Lee book Drinking Sapphire Wine

Part 2, Chapter 1 (p. 60)
Drinking Sapphire Wine (1977)

Drawing , Perfection

“The French archeologists Iégor Reznikoff and Michael Dauvois conducted detailed surveys of three decorated caves in the Ariège region of southwest France. …they moved slowly through the caves, stopping repeatedly to test the resonance of each section… spanning three octaves… those areas with highest resonance were also those most likely to harbor a painting or engraving. …a fascinating discovery that… Chris Scarre commented at the time, draws "new attention to the likely importance of music and singing in the rituals of our early ancestors."”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

The Origin of Humankind (1994)

Music , Singing , Time , Drawing

“Poets don’t draw. They unravel their handwriting and then tie it up again, but differently.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Dessins (1924), as quoted by Pierre Chanel in "A Thousand Flashes of Genius", Jean Cocteau and the French Scene (1984)

Drawing

“First of all I was like, ‘I’m the most hated celebrity?’ More than, like, Chris Brown? What did I do? All I can do is be my authentic self, but I think there are things about me that make people draw conclusions. For example, there is the perception that I grew up very wealthy and that I was given, you know, that I was sort of raised with a silver spoon in my mouth, which inspires a lot of resentment. He [my father] said, ‘You are completely on your own. So he never gave me anything. I never had any supplementation, he never helped me with my rent, I never had a trust fund. So the idea that I am spoiled or that I didn’t work for what I have, that’s just not accurate. But I can see how somebody might have that perception.”

Gwyneth Paltrow (1972) American actress, singer, and food writer

Hate , People , Idea , Thinking

“If a man has not studied painting, or at any rate black and white drawing, his eyes are wild; learning to draw tames them. The first step towards taming the eyes is to teach them not to see too much.”

Samuel Butler (1835–1902) novelist

Seeing
The Note-Books of Samuel Butler (1912), Part IX - A Painter's Views on Painting

Study , Learning , Drawing , Painting

“Organization theory is the branch of sociology that studies organizations as distinct units in society. The organizations examined range from sole proprietorships, hospitals and community-based non-profit organizations to vast global corporations. The field’s domain includes questions of how organizations are structured, how they are linked to other organizations, and how these structures and linkages change over time. Although it has roots in administrative theories, Weber’s theory of bureaucracy, the theory of the firm in microeconomics, and Coase’s theory of firm boundaries, organization theory as a distinct domain of sociology can be traced to the late 1950s and particularly to the work of the Carnegie School. In addition to sociology, organization theory draws on theory in economics, political science and psychology, and the range of questions addressed reflects this disciplinary diversity. While early work focused on specific questions about organizations per se – for instance, why hierarchy is so common, or how businesses set prices – later work increasingly studied organizations and their environments, and ultimately organizations as building blocks of society. Organization theory can thus be seen as a family of mechanisms for analysing social outcomes.”

Gerald F. Davis (1961) American sociologist

Gerald F. Davis (2013). "Organizational theory," in: Jens Beckert & Milan Zafirovski (eds.) International Encyclopedia of Economic Sociology, p. 484-488

School , Family , Communication , Question

“I can’t think why Delio [son] has not been told that I’m in prison, and why no one reflected that he might then find out about it indirectly, that is, in the most disagreeable way for a child, who then begins to doubt the truthfulness of those educating him, to think about it on his own account and draw apart. At least, that was my experience as a child: I remember it perfectly... I believe in treating children as rational creatures with whom it is possible to discuss even the most serious matters. This makes a very profound impression on them, it strengthens their character and above all it avoids leaving their development at the mercy of random environmental pressures and casual, impersonal encounters. It really is very strange how grown-ups forget they were children themselves, and make no use of their own experiences. For my part, I recall vividly how offended I was at every discovery of a subterfuge, even if it was meant to keep painful facts from me, and how this shut me up within myself and made me withdraw.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

Gramsci cited in Fiori, 1970, pp. 22-23.

Pain , Children , Truth , Education

“No cord nor cable can so forcibly draw, or hold so fast, as love can do with a twined thread.”

Robert Burton book The Anatomy of Melancholy

Section 2, member 1, subsection 2, How Love tyranniseth over men. Love, or Heroical Melancholy, his definition, part affected.
The Anatomy of Melancholy (1621), Part III

Love , Drawing

“Hitler made a film about "Hitler gives a camp to the Jews". And they look all shiny. And they're drawing. And they're playing volleyball. And people are dancing. And people are having a wonderful time. And everybody fell for it.”

Maurice Sendak (1928–2012) American illustrator and writer of children's books

NOW interview (2004)

People , Time , Dance , Drawing

“I cannot make a living out of art and I now occupy myself with a variety of things. Of course, I continue to paint and to nail, but in particular I write grotesques and art reviews for newspapers, I organize evenings [a. o. with Theo van Doesburg ] and draw commercial art for newspapers.”

Kurt Schwitters (1887–1948) German artist

In a letter to w:Galka Scheyer, January 1926; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 34.
1920s

Art , Drawing , Painting

“Therefore etching produces a different result from the ten drawings of the same character... [The etchings are] better, in that they are fresher, bolder, and freer..”

Emil Nolde (1867–1956) German artist

1900 - 1920

Drawing

“I was moved of the Lord to write a paper to the Protector, Oliver Cromwell; wherein I did, in the presence of the Lord God, declare that I denied the wearing or drawing of a carnal sword, or any other outward weapon, against him or any man; and that I was sent of God to stand a witness against all violence, and against the works of darkness; and to turn people from darkness to light; and to bring them from the causes of war and fighting, to the peaceable gospel. When I had written what the Lord had given me to write, I set my name to it, and gave it to Captain Drury to hand to Oliver Cromwell, which he did.”

George Fox (1624–1691) English Dissenter and founder of the Religious Society of Friends (Quakers)

Autobiography of George Fox (1694)

God , War , People , Light

“Cupid draw back your bow
And let your arrow go
Straight to my lover's heart for me
For me…
Cupid please hear my cry
And let your arrow fly
Straight to my lover's heart for me.”

Sam Cooke (1931–1964) American singer-songwriter and entrepreneur

Cupid (1961)
Song lyrics, Singles

Lovers , Heart , Drawing , Cry

“The case which the French present to us with regard to the Left Bank of the Rhine is very forcible, but very one-sided. They draw a lurid picture of future Franco-German relations. They assume that the German population will always far outnumber the French; that as soon as the first shock of defeat has passed away, Germany will organise herself for revenge; that all our attempts to limit armaments will be unsuccessful; that the League of Nations will be impotent; and, consequently, that the invasion of France, which was fully accomplished in 1870, and partially accomplished in the recent War, will be renewed with every prospect of success.”

Arthur James Balfour (1848–1930) British Conservative politician and statesman

Memorandum, 'France's Fear of German Aggression' (28 March 1919) written for the Paris Peace Conference, quoted in Blanche E. C. Dugdale, Arthur James Balfour, First Earl of Balfour, K.G., O.M., F.R.S., Etc. 1906–1930 (London: Hutchinson & Co. Ltd, 1936), p. 204.

War , Revenge , Success , Future

“My figures at least are not a bunch of clothes with a head and hands sticking out but more nearly resemble the strong living bodies that most pictures show. And in the latter end of a life so spent in study, you at least can imagine that painting is with me a very serious study. That I have but little patience with the false modesty which is the greatest enemy to all figure painting. I see no impropriety in looking at the most beautiful of Nature's works, the naked figure. If there is impropriety, then just where does such impropriety begin? Is it wrong to look at a picture of a naked figure or at a statue? English ladies of the last generation thought so and avoided the statue galleries, but do so no longer. Or is it a question of sex? Should men make only the statues of men to be looked at by men, while the statues of women should be made by women to be looked at by women only? Should the he-painters draw the horses and bulls, and the she-painters like Rosa Bonheur the mares and cows? Must the poor old male body in the dissecting room be mutilated before Miss Prudery can dabble in his guts?Such indignities anger me. Can not anyone see into what contemptible inconsistencies such follies all lead? And how dangerous they are? My conscience is clear, and my suffering is past.”

Thomas Eakins (1844–1916) American painter

Letter of resignation to Edward Hornor Coates, Chairman of the Committee on Instruction, Pennsylvania Academy of the Fine Arts (1886-02-15).

Life , Women , Men , Beauty

“Fashion drawing teacher: 'Yes, drawing is a difficult art. One has to have some talent for it - and unfortunately you haven't.
Charlotte: 'No, I refuse to stay here with this stupid old cow, where through the dirty window even the sun's bright ray can only dimly play... Only he who dares can win. Only he who dares can begin.”

Charlotte Salomon (1917–1943) German painter

written text with brush, in her paintings JHM no. 4334 https://charlotte.jck.nl/detail/M004334/part/character/theme/keyword + 4335 https://charlotte.jck.nl/detail/M004335: in 'Life? or Theater..', p. 222-223
Charlotte Salomon - Life? or Theater?

Stupidity , Art , Fashion , Teachers

“The establishment and maintenance of sound and fair social conditions; so that there should be no oppression nor injustice, but a square deal for everybody; so that the strong should not be permitted to prey upon the weak; so that the law of helpfulness should prevail, instead of the law of ravine … such sound and fair social conditions would bring to the community in which they were established and maintained, unexampled, and marvelous prosperity; and this prosperity and peace and happiness would promptly advertise themselves and set up an irresistible attraction. Such a society as this would be a magnet that would draw to itself, all the children of men. They would all want to be in it.”

Washington Gladden (1836–1918) American pastor

Source: The Nation and the Kingdom (1909), pp. 4-5

Men , Children , Peace , Law

“The members of the Japanese enlightenment of the early 1870's, Fukuzawa among them, now reasoned as follows: Japan can keep its independence only if it becomes stronger. It can become stronger only with the help of science. It will use science effectively only if it does not just practice science but also believes in the underlying ideology. To many traditional Japanese this ideology-the scientific worldview- was barbaric. But, so the followers of Fukuzawa argued, it was necessary to adopt barbaric ways, to regard them as advanced, to introduce the whole of Western civilization in order to survive. Having been thus prepared, Japanese scientists soon branched out as their Western colleagues had done before and falsified the uniform ideology that had started the development. The lesson I draw from this sequence of events is that a uniform 'scientific view of the world' may be useful for people doing science… However, it is a disaster for outsiders(philosophers, fly-by-night mystics, prophets of a new age, the (educated public"), who, being undisturbed by the complexities of research, are liable to fall for the most simpleminded and most vapid tale.”

Paul Karl Feyerabend (1924–1994) Austrian-born philosopher of science

pg 160.
Conquest of Abundance (2001 [posthumous])

People , Age , World , Education

“.. [both of us (Schelfhout ànd J. C. Schotel)] make each a painting that together will form one view, as it were [view of Scheveningen by Schotel / view of The Hague by Schelfhout].... [but] our paintings together will therefore not become one integrated thing, but only pendants... I have taken my drawing from the steps of the Pavilion [in Scheveningen], viewed over the dunes to [the city] The Hague. In the foreground, which is very bare and empty in reality, I have placed some trees.”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

translation from original Dutch: Fons Heijnsbroek
(original Dutch, citaat van Schelfhout, uit zijn brief:) ..[dat wij beiden, (Schelfhout èn J.C. Schotel )] elk een schilderij te maaken het welk bijde als het ware één gezigt zoude uitmaken [uitzicht van Scheveningen door Schotel, èn uitzicht op het centrum van Den Haag door Schelfhout].. ..[maar] onze schilderijen zullen dus te zamen geen geheel uitmaken, maar slechts pandanten zijn.. .Ik heb de teekening genomen van het bordes of trap van het pavilloen [in Scheveningen] over de duinen naar Den Haag gezien. Op de voorgrond, die in de natuur zeer kaal en ledig is heb ik eenige bomen geplaatst..
In a letter to J.C. Schotel, 18 Nov. 1828; in: collective Stadsarchief van ErfgoedCentrum DIEP, Dordtrecht, No. 48-d
Schelfhout was referring to the assignment from the Dutch King Willem I for two paintings: one view over the old center of The Hague & one view over the beach of Scheveningen.

Reality , Tree , Drawing , Painting

“The method of producing comics in Japan is very hectic, but it's also rewarding because it's possible to do both the story and art all by yourself. In this way, it's possibly to bring out one's individuality. If this idea appeals to you, I call on you to try drawing your own manga.”

Akira Toriyama (1955) manga artist and video game character designer

Interview with Toriyama http://www.myfavoritegames.com/dragonball-z/Info/Interviews/Interviews-AkiraToriyama.htm

Art , Way , Idea , Drawing

“Now I know what you are thinking; “how did he know what was drawn in the envelope?” Clearly, I must have detected in his voice the accent of my home town, Bristol, so he’s only going to be thinking of a tractor or marrying your own sister. A tractor's easier to draw so Bob's your uncle… and your Dad. And you'd be right.”

Derren Brown (1971) British illusionist

Other TV and web appearances, E4 Mind Control Night

Home , Thinking , Sister , Drawing

“[I] Went to Germany to study there and graduated from the architecture faculty in Darmstadt in 1914. I studied art during my trips through Europe; went to Paris. In the summer of 1912 I traveled more than 1200 km in Italy on foot, learning and drawing. In 1912 my works were accepted for the first time at the large exhibition in Petersburg. From 1915 in I lived in Moscow, exhibiting each year.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1926 - 1941, Autobiography of the artist' (1941)

Art , Travel , Study , Learning

“In this country … we are young, brash and technologically oriented. We are all trying to build machines so that we can push a button and get things done a millisecond faster. But as a consequence, we are drawing away from one of the most priceless things we have — where we came from and how we got to be where we are. The young are drawing away from older people.”

Alex Haley (1921–1992) African American biographer, screenwriter, and novelist

TIME interview (1977)

People , Drawing , Country

“He had come there dissatisfied with his work, even though his multi-kinetic work was admired and winning him professional recognition. However, at that moment, other ideas were gestating and he wanted to add what he called a "fifth dimension" to his art - that of artificial intelligence. […] : [At the colony, ] he was able to turn his thoughts inward, hoping to discover the new methods and direction that would more deeply satisfy his creative needs. It was at this point, while watching the motions and patterns of sun on leaves in the New Hampshire woods one morning, that Tsai finally achieved the revelatory breakthrough that changed his art and liberated his creative energies. As he put it, he wanted to create "natural movements in dynamic equilibrium, with intelligence," and he found his solution in an unlikely combination of natural phenomenon, the precedent of Gabo's singular (and unrepeated) kinetic sculpture, and the new resource of contemporary analog and digital technology. Speaking of this moment of revelation, Tsai said that he had quite deliberately turned himself into "a sort of plant": facing his chair into the sunshine in the morning, he turned his body in stages throughout the day, mulling over ways of make an "art that presented the observer with natural movements in dynamic equilibrium, and art that could convey the awe I felt while watching sunbeams shimmer through forest leaves." But a work that would "shimmer" simply did not do enough either for the artist or viewer, Tsai concluded. It must also respond in some way to the observer; it would have to work on a new feedback principle and actually engage the observer directly. In short, a cybernetic sculpture was required. To create such radically participatory works, he understood, would require that he draw on his engineering skills rather than suppress them, as he had been trying to do in his period of oil painting.”

Sam Hunter (1923–2014) American art historian

Source: The Cybernetic Sculpture of Tsai Wen-Ying, 1989, p. 67

Hope , Art , Way , Intelligence

“Before he did all those lovely line drawings, Matisse would make really detailed charcoal drawings and tear them up. He wouldn't leave them about, he thought of them as working drawings. I understand what he was doing: discovering what's there. And then when you come to use line, if you know what you're looking at, it's much easier to make the line meaningful, to find a linear solution to what you want to depict.”

David Hockney (1937) British artist

From a series of interviews with Marco Livingstone (April 22 - May 7, 1980 and July 6 - 7, 1980) quoted in Livingstone's David Hockney (1981), p. 185
1980s

Love , Understanding , Tear , Drawing

“On Christmas night, I danced with all kinds of fellows with pimples and all kinds of sores. I suddenly felt, ‘What is this being shy? I have to give myself, I just felt I didn't want to be shy, I didn't want to draw away, but give myself, I mean, not physically, but be there. It was a great lesson also for me, this tour through Africa and Italy during the war.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Being on Ascension Island in 1944
Article in Movie Maker http://www.moviemaker.com/directing/article/luise_rainer_3324/

War , Christmas , Dance , Drawing

“As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it.”
Ut flos in saeptis secretus nascitur hortis, Ignotus pecori, nullo contusus aratro, Quem mulcent aurae, firmat sol, educat imber; Multi illum pueri, multae optavere puellae.

Gaio Valerio Catullo list of poems by Catullus

LXII
Carmina

Girl , Spring , Boy , Flowers

“I think that science fiction can, by creating extreme situations and settings, draw out the essence of human relationships.”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Tested http://www.tested.com/art/movies/442545-2d-animation-digital-era-interview-japanese-director-makoto-shinkai/
About Your Name

Thinking , Science , Drawing

“Another reason is because industry is the most important field of human activity, and management is the fundamental element in industry. It is now generally recognized that not bankers, not stockholders, but management is the pivot of business success. It is good management that draws credit, that draws workers, that draws customers. Moreover, whatever changes should come, whether industry is owned by individual capitalists, or by the State, or by the workers, it will always have to be managed. Management is a permanent function of business.”

Mary Parker Follett (1868–1933) American academic

Source: Dynamic administration, 1942, p. xx

Business , Change , Success , Drawing

“The work in question, painting the peasants, is such laborious work that the extremely weak would never even embark on it. And I have at least embarked on it... And I've grasped some solid and useful things in drawing and in painting, more firmly than you think, my dear friend. But I keep on making what I can't do yet in order to learn to be able to do it... We have in common with each other that we seek our subjects in the heart of the people, and then we have in common a need — either as an objective or as a means — to take our studies from reality.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to Anthon van Rappard, from Nuenen, The Netherlands, September 1885, in 'Van Gogh Letters' http://vangoghletters.org/vg/letters/let528/letter.html
1880s, 1885

People , Question , Thinking , Reality

“They [the Paris art-critics] wish to force me into their drawing-room art, to break my spirit. No, no! I was born as a peasant and a peasant I will die. I say what I feel. I paint things as I see them, and I will hold my ground without retreating one sabot; if necessary, I will fight for honour.”

Jean-François Millet (1814–1875) French painter

Quote from his letter, March 1859; as quoted by Arthur Hoeber in The Barbizon Painters – being the story of the Men of thirty – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 53
his now famous picture 'Death and the Woodcutter' https://upload.wikimedia.org/wikipedia/commons/d/dd/Death-and-the-woodcutter-jean-francois-millet3.jpg, had been rejected at the Salon, and the important and conservative journal 'Gazette des Beaux Arts' was most indignant. The well known Hedouin engraved this work.
1851 - 1870

Art , Feeling , Fight , Drawing

“Suppose then I want to give myself a little training in the art of reasoning; suppose I want to get out of the region of conjecture and probability, free myself from the difficult task of weighing evidence, and putting instances together to arrive at general propositions, and simply desire to know how to deal with my general propositions when I get them, and how to deduce right inferences from them; it is clear that I shall obtain this sort of discipline best in those departments of thought in which the first principles are unquestionably true. For in all 59 our thinking, if we come to erroneous conclusions, we come to them either by accepting false premises to start with—in which case our reasoning, however good, will not save us from error; or by reasoning badly, in which case the data we start from may be perfectly sound, and yet our conclusions may be false. But in the mathematical or pure sciences,—geometry, arithmetic, algebra, trigonometry, the calculus of variations or of curves,—we know at least that there is not, and cannot be, error in our first principles, and we may therefore fasten our whole attention upon the processes. As mere exercises in logic, therefore, these sciences, based as they all are on primary truths relating to space and number, have always been supposed to furnish the most exact discipline. When Plato wrote over the portal of his school. “Let no one ignorant of geometry enter here,” he did not mean that questions relating to lines and surfaces would be discussed by his disciples. On the contrary, the topics to which he directed their attention were some of the deepest problems,—social, political, moral,—on which the mind could exercise itself. Plato and his followers tried to think out together conclusions respecting the being, the duty, and the destiny of man, and the relation in which he stood to the gods and to the unseen world. What had geometry to do with these things? Simply this: That a man whose mind has not undergone a rigorous training in systematic thinking, and in the art of drawing legitimate inferences from premises, was unfitted to enter on the discussion of these high topics; and that the sort of logical discipline which he needed was most likely to be obtained from geometry—the only mathematical science which in Plato’s time had been formulated and reduced to a system. And we in this country [England] have long acted on the same principle. Our future lawyers, clergy, and statesmen are expected at the University to learn a good deal about curves, and angles, and numbers and proportions; not because these subjects have the smallest relation to the needs of their lives, but because in the very act of learning them they are likely to acquire that habit of steadfast and accurate thinking, which is indispensable to success in all the pursuits of life.”

Joshua Girling Fitch (1824–1903) British educationalist

Source: Lectures on Teaching, (1906), pp. 291-292

Life , God , Truth , World

“I am a Victorian. When I was young, I lived as everybody else did at that time, in the centre of a circle with a radius of about ten miles— so far as a pair of horses could draw me. Beyond that I hardly ever went, and I was isolated from other parts of England in a way impossible to conceive by those who have only known England as a country of motor roads and motor cars.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech to the annual dinner of the Yorkshire Society, London (8 November 1933), quoted in This Torch of Freedom (1935), p. 134.
1933

Cars , Way , Time , Horse

“I do both: I make preliminary drawings, other times I paint directly, other times I start a painting and then paint it out so that it becomes another painting or nothing at all. If a painting doesn't work, throw it out. When I work from preliminary sketches, I don't just enlarge these drawings, but plan my areas in a large painting by using small drawings for separate areas. I combine them in a final painting, often adding to or subtracting from the original sketches.... There are certain canvases here in my studio - the little one over there – that I've worked on for a good six months – painting most of it out and then painting it over and over again. I think I've got it now.”

Franz Kline (1910–1962) American painter

1958
1960's, Talks with Seventeen Artists, 1962

Thinking , Time , Drawing , Painting

“Management — The definition that includes all the other definitions in this book and which, because of that, is the most general and least precise. Its concrete, people meaning — the board of directors and all executives with the power to make decisions — is no problem, except for the not-so-little matter of where to draw the line between managers who are part of "the management" and managers who are not.”

Robert Heller (1932–2012) British magician

Source: The Pocket Manager, (1987), p. 161

People , Books , Problem , Decision

“The higher processes are all processes of simplification. The novelist must learn to write, and then he must unlearn it; just as the modern painter learns to draw, and then learns when utterly to disregard his accomplishment, when to subordinate it to a higher and truer effect.”

Willa Cather (1873–1947) American writer and novelist

"The Novel Démeublé"
Not Under Forty (1936)

Learning , Drawing

“Things are not quite so simple with 'pure' art as it is dogmatically claimed. In the final analysis, a drawing simply is no longer a drawing, no matter how self-sufficient its execution may be. It is a symbol, and the more profoundly the imaginary lines of projection meet higher dimensions, the better. In this sense I shall never be a pure artist as the dogma defines him. We higher creatures are also mechanically produced children of God, and yet intellect and soul operate within us in completely different dimensions.”

Paul Klee (1879–1940) German Swiss painter

Quote (July 1905); from: Diari 1898-1918, 2012 (citato), paragrafo 660; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Three', : 'Klee as a Secessionist and a Neo-Impressionist Artist' http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1903 - 1910

God , Children , Art , Soul

“Disciple: The truth be praised! Dear Lord, tell me, does anything (of this self) still remain in the happy, detached person?
Truth: Without a doubt it happens that, when the good and loyal servant is led into the joy of his Lord, he becomes drunk from the limitless overabundance of God's house. What happens to a drunken man happens to him, though it cannot really be described, that he so forgets his self that he is not at all his self and consequently has got rid of his self completely and lost himself entirely in God, becoming one spirit in all ways with him, just as a small drop of water does which has been dropped into a large amount of wine. Just as the drop of water loses itself, drawing the taste and colour of the wine to and into itself, so it happens that those who are in full possession of blessedness lose all human desires in an inexpressible manner, and they ebb away from themselves and are immersed completely in the divine will. Otherwise, if something of the individual were to remain of which he or she were not completely emptied, scripture could not be true in stating that God shall When the good and loyal servant is led into the joy of his Lord, he becomes drunk from the limitless overabundance of God's house. What happens to a drunken man happens to him, though it cannot really be described, that he so forgets his self that he is not at all his self become all things in all things. Certainly one's being remains, but in a different form, in a different resplendence, and in a different power. This is all the result of total detachment from self.”

Henry Suso (1295–1366) Dominican friar and mystic

The Exemplar, The Little Book of Truth

God , Truth , Way , Water

“If we take seriously the word-flesh Christology of Chalcedon (i. e., the doctrine that Christ is fully human and fully divine) and view Christ as the telos toward which God is drawing the whole of creation, then any view of the sciences that leaves Christ out of the picture must be seen as fundamentally deficient.”

William A. Dembski (1960) American intelligent design advocate

Source: 1990s, Intelligent Design: The Bridge Between Science & Theology (1999), p. 206

God , Science , Christ , Drawing

“It is peaceful here. I am far from the fishmongers and the drainers and the wine-peddlers and all those others whose songs of commerce clang in the streets of cities. A man can think; a man can look within his soul, and find those things that have been the shaping of him, and draw them forth, and examine them, and come to know himself.”

Robert Silverberg book A Time of Changes

Source: A Time of Changes (1971), Chapter 7 (p. 21)

Peace , Soul , Thinking , Wine

“As a child, I devoted much of my leisure to drawing sketches of relatives and friends, familiar sights and scenes, a view that suddenly moved me or appealed to me. I always concentrated on depicting nature as I saw or felt it, in terms of lines, and obtaining a kind of psychological likeness which would convey the personality of my model or the mood of the moment.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 114

Mood , Nature , Drawing , Personality

“Comics were the source of my entertainment and interest. But they’re the kind of standard Japanese stuff that Japanese kids enjoy. When I got to university, there was a layer of culture shock that hit me. I began to learn about modern and abstract art. Until that time my drawings were more realistic in style. Then I was opened up to abstract images. I was encountering things I’ve never paid attention to or recognized before. I liked that, behind those abstract images, there was always an idea. That set me thinking about art in terms of ideas, rather than depictions. What could I make that had a clear idea behind it, looked unique, and yet wasn’t alienating? All of that led me to the aesthetic of my games.”

Fumito Ueda (1970) Japanese video game designer

Fumito Ueda: Colossus in the Shadow https://medium.com/@SimonParkin/fumito-ueda-colossus-in-the-shadow-80e200a727dd (December 13, 2016)

Art , Game , Idea , Thinking

“"The Sanskrit shall be our " Deva Bhasha)" our sacred language and the "Sanskrit Nishtha" Hindi, the Hindi which is derived from Sanskrit and draws its nourishment from the latter, is our ' 'mr' ' (Rashtra Bhasha) 12 [f.12] our current national language—-besides being the richest and the most cultured of the ancient languages of the world, to us Hindus the Sanskrit is the holiest tongue of tongues. Our scriptures, history, philosophy and culture have their roots so deeply imbedded in the Sanskrit literature that it forms veritably the brain of our Race. Mother of the majority of our mother tongues, she has suckled the rest of them at her breast. All Hindu languages current today whether derived from Sanskrit or grafted on to it can only grow and flourish on the sap of life they imbibe from Sanskrit. The Sanskrit language therefore must ever be an indispensable constituent of the classical course for Hindu youths.”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

V.D. Savarkar quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)

Life , Youth , World , History

“My drawings [c. 1945 - 1955] were almost always figures, many pseudo-self-portraits, which I often set against a kind of sun or focus, as if the whole universe radiated from my head, from a point between my eyes. My few oils make even clearer this vision of an axial character, centrally placed, facing the spectator, or turned around, with symmetrical postures, as one in prayer; they show the influence of [medieval] Catalan Romanesque art. In general, molecular rays from the periphery appear to form the central figure and converge in his head, or come out of it, and give life to his surroundings.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), p. 9
1971 - 1980, Memòria Personal', 1977

Life , Art , Universe , Appearance

“But when I said that nothing had been done I erred in one important matter. We had definitely committed ourselves and were halfway out of our ruts. We had put down our passage money — booked a sailing to Bombay. This may sound too simple, but is great in consequence. Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiative (and creation), there is one elementary truth the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then providence moves too. A whole stream of events issues from the decision, raising in one's favor all manner of unforeseen incidents, meetings and material assistance, which no man could have dreamt would have come his way. I learned a deep respect for one of Goethe's couplets:
Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it!”

W. H. Murray

The Scottish Himalaya Expedition (1951) The "Goethe couplet" referred to here is from an extremely loose translation of Faust 214-30 done by John Anster in 1835. Reference:
This quote, or one similar to it, is often attributed to Johann Wolfgang von Goethe, however it was written by Mr. Murray near the beginning of the The Scottish Himalaya Expedition.

Money , Truth , Books , Dreams

“But in that we started so many things in that moment, we brought to their ends many others that have been the subject matter of this account, and so here is where I draw a line across the leaf and call it the end.”

Neal Stephenson book Anathem

Final sentence of the novel, possibly addressing criticism of the author’s previous endings, Part 13, "Reconstitution"
Anathem (2008)

Drawing

“The discovery of Hippocrates amounted to the discovery of the fact that from the relation
(1)\frac{a}{x} = \frac{x}{y} = \frac{y}{b}it follows that(\frac{a}{x})^3 = [\frac{a}{x} \cdot \frac{x}{y} \cdot \frac{y}{b} =] \frac{a}{b}and if a = 2b, [then (\frac{a}{x})^3 = 2, and]a^3 = 2x^3.The equations (1) are equivalent [by reducing to common denominators or cross multiplication] to the three equations
(2)x^2 = ay, y^2 = bx, xy = ab[or equivalently…y = \frac{x^2}{a}, x = \frac{y^2}{b}, y = \frac{ab}{x} ]Doubling the Cube
the 2 solutions of Menaechmusand the solutions of Menaechmus described by Eutocius amount to the determination of a point as the intersection of the curves represented in a rectangular system of Cartesian coordinates by any two of the equations (2).
Let AO, BO be straight lines placed so as to form a right angle at O, and of length a, b respectively. Produce BO to x and AO to y.
The first solution now consists in drawing a parabola, with vertex O and axis Ox, such that its parameter is equal to BO or b, and a hyperbola with Ox, Oy as asymptotes such that the rectangle under the distances of any point on the curve from Ox, Oy respectively is equal to the rectangle under AO, BO i. e. to ab. If P be the point of intersection of the parabola and hyperbola, and PN, PM be drawn perpendicular to Ox, Oy, i. e. if PN, PM be denoted by y, x, the coordinates of the point P, we shall have

\begin{cases}y^2 = b. ON = b. PM = bx\\ and\\ xy = PM. PN = ab\end{cases}whence\frac{a}{x} = \frac{x}{y} = \frac{y}{b}.
In the second solution of Menaechmus we are to draw the parabola described in the first solution and also the parabola whose vertex is O, axis Oy and parameter equal to a.”

Thomas Little Heath (1861–1940) British civil servant and academic

The point P where the two parabolas intersect is given by<center><math>\begin{cases}y^2 = bx\\x^2 = ay\end{cases}</math></center>whence, as before,<center><math>\frac{a}{x} = \frac{x}{y} = \frac{y}{b}.</math></center>
Apollonius of Perga (1896)

Drawing

“The Bible presents a cataclysm at the beginning of time, which is the emergence of self-consciousness in human beings, which puts a rift in the structure of Being. That's the right way to think about it. That's given cosmic significance. You can dispense with that and say that nothing that happens to human beings is of cosmic significance, that we're these short lived, mold-like entities that are like cancers on this tiny little planet, rotating out in the middle of nowhere, on the edge of some unknown galaxy in the middle of infinite space, and nothing that happens to us matters. This is not a road that you can walk down and live well. For all intents and purposes, it's untrue. If fact, if you really walk down that road, and you take it really seriously, you end up not living at all. The kind of conclusions suicidal people draw about the utility of life prior to wishing for its cessation, are very much like the conclusions that you draw if you walk down that particular line of reasoning long enough.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Source: https://www.youtube.com/watch?v=Ifi5KkXig3s "Biblical Series IV: Adam and Eve: Self-Consciousness, Evil, and Death"

Life , People , Way , Thinking

“Her pretty feet, like snails, did creep
A little out, and then,
As if they playèd at bo-peep,
Did soon draw in again.”

Robert Herrick book Hesperides

"To Mistress Susanna Southwell". Compare: "Her feet beneath her petticoat / Like little mice stole in and out", Sir John Suckling, "Ballad upon a Wedding".
Hesperides (1648)

Drawing

“The world clings to its old mental picture of the stock market because it’s comforting; because it’s so hard to draw a picture of what has replaced it; and because the few people able to draw it for you have no interest in doing so.”

Michael Lewis book Flash Boys

Source: Flash Boys (2014), p. 4

People , World , Drawing

“We spend January 1 walking through our lives, room by room, drawing up a list of work to be done, cracks to be patched. Maybe this year, to balance the list, we ought to walk through the rooms of our lives..., not looking for flaws, but for potential.”

Ellen Goodman (1941) American journalist and writer

Attributed

New Year , Drawing

“The classic instrument to measure drawn angles and to draw angles of a given measure is the protractor — essentially half a circular ring, subdivided by ray segments into 180 degrees. For reasons I was unable to find out, this instrument has recently been superseded by an isosceles right triangle — called geo-triangle, solid, transparant, made of plastic — with an angular division radiating from the midpoint of the hypotenuse to the other sides. Well, inside the triangle half a circle with the midpoint of the hypotenuse as its centre is indicated, and from the position of the degree numbers it becomes clear that it is the semicircle that really matters. One is inclined to say "an outrageously misleading instrument"…”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: Mathematics as an Educational Task (1973), p. 363

Drawing

“The generally expressed desire of 'America first' can not be criticized. It is a perfectly correct aspiration for our people to cherish. But the problem which we have to solve is how to make America first. It can not be done by the cultivation of national bigotry, arrogance, or selfishness. Hatreds, jealousies, and suspicions will not be productive of any benefits in this direction. Here again we must apply the rule of toleration. Because there are other peoples whose ways are not our ways, and whose thoughts are not our thoughts, we are not warranted in drawing the conclusion that they are adding nothing to the sum of civilization. We can make little contribution to the welfare of humanity on the theory that we are a superior people and all others are an inferior people.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)
Context: The generally expressed desire of 'America first' can not be criticized. It is a perfectly correct aspiration for our people to cherish. But the problem which we have to solve is how to make America first. It can not be done by the cultivation of national bigotry, arrogance, or selfishness. Hatreds, jealousies, and suspicions will not be productive of any benefits in this direction. Here again we must apply the rule of toleration. Because there are other peoples whose ways are not our ways, and whose thoughts are not our thoughts, we are not warranted in drawing the conclusion that they are adding nothing to the sum of civilization. We can make little contribution to the welfare of humanity on the theory that we are a superior people and all others are an inferior people. We do not need to be too loud in the assertion of our own righteousness. It is true that we live under most favorable circumstances. But before we come to the final and irrevocable decision that we are better than everybody else we need to consider what we might do if we had their provocations and their difficulties. We are not likely to improve our own condition or help humanity very much until we come to the sympathetic understanding that human nature is about the same everywhere, that it is rather evenly distributed over the surface of the earth, and that we are all united in a common brotherhood. We can only make America first in the true sense which that means by cultivating a spirit of friendship and good will, by the exercise of the virtues of patience and forbearance, by being 'plenteous in mercy', and through progress at home and helpfulness abroad standing as an example of real service to humanity.

People , Jealousy , Way , Problem

“The sensations of our nerves of sense are mere symbols indicating certain external objects, and it is usually only after considerable practice that we acquire the power of drawing correct conclusions from our sensations respecting the corresponding objects.”

Hermann von Helmholtz (1821–1894) physicist and physiologist

"On the Physiological Causes of Harmony" (1857), p. 81
Popular Lectures on Scientific Subjects (1881)
Context: As you are aware, no perceptions obtained by the senses are merely sensations impressed on our nervous systems. A peculiar intellectual activity is required to pass from a nervous sensation to the conception of an external object, which the sensation has aroused. The sensations of our nerves of sense are mere symbols indicating certain external objects, and it is usually only after considerable practice that we acquire the power of drawing correct conclusions from our sensations respecting the corresponding objects.

Sense , Drawing

“What made Wordsworth's poems a medicine for my state of mind, was that they expressed, not mere outward beauty, but states of feeling, and of thought coloured by feeling, under the excitement of beauty. They seemed to be the very culture of the feelings, which I was in quest of. In them I seemed to draw from a Source of inward joy, of sympathetic and imaginative pleasure, which could be shared in by all human beings; which had no connexion with struggle or imperfection, but would be made richer by every improvement in the physical or social condition of mankind.”

John Stuart Mill book Autobiography

Autobiography (1873)
Context: Scott does this still better than Wordsworth, and a very second-rate landscape does it more effectually than any poet. What made Wordsworth's poems a medicine for my state of mind, was that they expressed, not mere outward beauty, but states of feeling, and of thought coloured by feeling, under the excitement of beauty. They seemed to be the very culture of the feelings, which I was in quest of. In them I seemed to draw from a Source of inward joy, of sympathetic and imaginative pleasure, which could be shared in by all human beings; which had no connexion with struggle or imperfection, but would be made richer by every improvement in the physical or social condition of mankind. From them I seemed to learn what would be the perennial sources of happiness, when all the greater evils of life shall have been removed. And I felt myself at once better and happier as I came under their influence.

Pleasure , Beauty , Feeling , Imagination

“Does God then forsake just those who serve Him best? Well, He who served Him best of all said, near His tortured death, “Why hast thou forsaken me?” When God becomes man, that Man, of all others, is least comforted by God, at His greatest need. There is a mystery here which, even if I had the power, I might not have the courage to explore. Meanwhile, little people like you and me, if our prayers are sometimes granted, beyond all hope and probability, had better not draw hasty conclusions to our own advantage. If we were stronger, we might be less tenderly treated. If we were braver, we might be sent, with far less help, to defend far more desperate posts in the great battle.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The Efficacy of Prayer (1958)
Context: Prayer is not a machine. It is not magic. It is not advice offered to God. Our act, when we pray, must not, any more than all our other acts, be separated from the continuous act of God Himself, in which alone all finite causes operate. It would be even worse to think of those who get what they pray for as a sort of court favorites, people who have influence with the throne. The refused prayer of Christ in Gethsemane is answer enough to that. And I dare not leave out the hard saying which I once heard from an experienced Christian: “I have seen many striking answers to prayer and more than one that I thought miraculous. But they usually come at the beginning: before conversion, or soon after it. As the Christian life proceeds, they tend to be rarer. The refusals, too, are not only more frequent; they become more unmistakable, more emphatic.” Does God then forsake just those who serve Him best? Well, He who served Him best of all said, near His tortured death, “Why hast thou forsaken me?” When God becomes man, that Man, of all others, is least comforted by God, at His greatest need. There is a mystery here which, even if I had the power, I might not have the courage to explore. Meanwhile, little people like you and me, if our prayers are sometimes granted, beyond all hope and probability, had better not draw hasty conclusions to our own advantage. If we were stronger, we might be less tenderly treated. If we were braver, we might be sent, with far less help, to defend far more desperate posts in the great battle.

Death , God , People , Hope

“When our Lord uttered (or implied) the words "Do this in remembrance of me," He meant "Do as I am doing." And what He was doing was not a mere "dealing" of "bread" but a "drawing out" of the "soul."”

Edwin Abbott Abbott (1838–1926) British theologian and author

Paradosis : Or "In the Night in Which He Was (?) Betrayed" (1904), "Introduction : Paradosis or Delivering Up the Soul", p. 6
Context: When our Lord uttered (or implied) the words "Do this in remembrance of me," He meant "Do as I am doing." And what He was doing was not a mere "dealing" of "bread" but a "drawing out" of the "soul." This view does not deny that He also contemplated a continuous celebration of the evening meal of thanksgiving in future generations; but it asserts something more, namely, that He meant a spiritual act, "'Draw out your souls' to one another, and for one another, according to your ability, even as I give my soul, my complete self, delivering it up to you as a gift, and for you as a sacrifice."
There is nothing contrary to history and historical development in the belief that Christ taught this doctrine — of self-sacrifice, or losing the soul, of giving the soul as a ransom for others, or drawing out the soul to those in need of help.

Soul , Drawing

“Steve Mellor and I independently came up with a characterization of the three modes in which people use the UML: sketch, blueprint, and programming language. By far the most common of the three, at least to my biased eye, is UML as sketch. In this usage, developers use the UML to help communicate some aspects of a system. As with blueprints, you can use sketches in a forward-engineering or reverse-engineering direction. Forward engineering draws a UML diagram before you write code, while reverse engineering builds a UML diagram from existing code in order to help understand it.”

Martin Fowler (1963) British programmer

Source: A Brief Guide to the Standard Object Modeling Language, 2004, p. 2

People , Communication , Understanding , Help

“Given the stark contrast between the two countries one can safely draw at least one conclusion: There is nothing inherent in culture or history that ipso facto should keep a country poor and enslaved”

Sung-Yoon Lee Korea and East Asia scholar, professor

Context: Development experts and theorists of democratization take note. South Korea has the same culture, historical legacies, and so on as its neighbor to the North. And yet it is an advanced industrial economy and a thriving democracy that has just, despite its Confucian culture, elected a woman as president. It has managed to reach this high point of prosperity and human dignity because of — to reduce a complex set of phenomena to its minimal essence — different institutions than those in the North: democratic and capitalist ones. (I realize that I may be violating some tenet of doctrinaire realism with this observation. For the less doctrinaire, the contrast between the two Koreas is a useful reminder of why we try and favor and even push for democratic capitalism). Given the stark contrast between the two countries one can safely draw at least one conclusion: There is nothing inherent in culture or history that ipso facto should keep a country poor and enslaved.

History , Drawing , Country

“In theory there is nothing to hinder our following what we are taught; but in life there are many things to draw us aside.”

Epictetus (50–138) philosopher from Ancient Greece

Book I, ch. 26.
Discourses

Life , Drawing

“Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Source: Work Without Hope (1825), l. 9.
Context: Bloom, O ye Amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrightened, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.

Hope , Drawing

“Against the Roman Church, you warned, lying teachers are rising, introducing ruinous sects, and drawing upon themselves speedy doom. Their tongues are fire, a restless evil, full of deadly poison. They have bitter zeal, contention in their hearts, and boast and lie against the truth.”

Pope Leo X Exsurge Domine

Exsurge Domine (1520)
Context: Give heed to the cause of the holy Roman Church, mother of all churches and teacher of the faith, whom you by the order of God, have consecrated by your blood. Against the Roman Church, you warned, lying teachers are rising, introducing ruinous sects, and drawing upon themselves speedy doom. Their tongues are fire, a restless evil, full of deadly poison. They have bitter zeal, contention in their hearts, and boast and lie against the truth.

Truth , Lie , Lying , Teachers

“I call them by familiar names,
As one by one draws nigh.”

Lucy Larcom (1824–1893) American teacher, poet, author

Poems (1869), A Strip of Blue (1870)
Context: Sometimes they seem like living shapes, —
The people of the sky, —
Guests in white raiment coming down
From heaven, which is close by;
I call them by familiar names,
As one by one draws nigh.

Drawing

“Every breath you draw, every accelerated beat of your heart in the emotional periods of your oratory depend upon highly elaborated physical and chemical reactions and mechanisms which nature has been building up through a million centuries.”

Henry Fairfield Osborn (1857–1935) American geologist, paleontologist, and eugenist

As quoted in the closing address by Dr. Henry Sloane Coffin, president of the Union Theological Seminary, New York, at the Memorial Service for Osborn at St. Bartholomew's Church, N.Y. (18 December 1935); published in "Henry Fairfield Osborn", Supplement to Natural History, Vol. 37, no. 2 (February 1936), p. 133 
Context: Every breath you draw, every accelerated beat of your heart in the emotional periods of your oratory depend upon highly elaborated physical and chemical reactions and mechanisms which nature has been building up through a million centuries. If one of these mechanisms, which you owe entirely to your animal ancestry, were to be stopped for a single instant, you would fall lifeless on the stage. Not only this, but some of your highest ideals of human fellowship and comradeship were not created in a moment, but represent the work of ages.

Nature , Heart , Drawing , Dependency

“Great virtues may draw attention from defects, they cannot sanctify them. A pebble surrounded by diamonds remains a common stone, and a diamond surrounded by pebbles is still a gem.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

The Great Infidels (1881)
Context: Great virtues may draw attention from defects, they cannot sanctify them. A pebble surrounded by diamonds remains a common stone, and a diamond surrounded by pebbles is still a gem. No one should attempt to refute an argument by pronouncing the name of some man, unless he is willing to adopt all the ideas and beliefs of that man. It is better to give reasons and facts than names. An argument should not depend for its force upon the name of its author. Facts need no pedigree, logic has no heraldry, and the living should not awed by the mistakes of the dead.

Drawing

“Where I draw the line is at gun registration. A law that says that everybody who owns a gun has to be on record is too easy to abuse.”

Jesse Ventura (1951) American politician and former professional wrestler

I Ain't Got Time To Bleed (1999)
Context: I'm all for gun control, I just define it a little differently. If you can put 2 rounds into the same hole from 25 meters, that's gun control! If you're going to own a gun, you have an obligation to know what you're doing with it. When the Constitution gave us the right to bear arms, it also made us responsible for using them properly. It's not fair of us as citizens to lean more heavily on one side of that equation than on the other.
So I support waiting periods and training requirements for gun ownership, and I like the idea that it shouldn't be incredibly easy to get guns. I support the right to carry concealed weapons, but I think people who want a concealed-weapons permit need to pass a training and safety course. The Constitution calls for a "well-regulated militia." In other words, you need to know how to use your weapon, and practice with it.
Where I draw the line is at gun registration. A law that says that everybody who owns a gun has to be on record is too easy to abuse.

Law , Drawing

“In law we draw a line between the killing of human animals and non-human ones, setting the latter apart as brutes. This was founded on a general belief that humans have immortal souls and brutes none. Nowadays more and more people are refusing to make this distinction.”

George Bernard Shaw (1856–1950) Irish playwright

Preface; The Sacredness of Human Life
1930s, On the Rocks (1933)
Context: In law we draw a line between the killing of human animals and non-human ones, setting the latter apart as brutes. This was founded on a general belief that humans have immortal souls and brutes none. Nowadays more and more people are refusing to make this distinction. They may believe in The Life Everlasting and The Life to Come; but they make no distinction between Man and Brute, because some of them believe that brutes have souls, whilst others refuse to believe that the physical materializations and personifications of The Life Everlasting are themselves everlasting. In either case the mystic distinction between Man and Brute vanishes; and the murderer pleading that though a rabbit should be killed for being mischievous he himself should be spared because he has an immortal soul and a rabbit has none is as hopelessly out of date as a gentleman duellist pleading his clergy. When the necessity for killing a dangerous human being arises, as it still does daily, the only distinction we make between a man and a snared rabbit is that we very quaintly provide the man with a minister of religion to explain to him that we are not killing him at all, but only expediting his transfer to an eternity of bliss.

People , Law , Soul , Animals

“My argument against the dissolution of the American Union is this. It would place the slave system more exclusively under the control of the slave-holding states, and withdraw it from the power in the northern states which is opposed to slavery. Slavery is essentially barbarous in its character. It, above all things else, dreads the presence of an advanced civilization. It flourishes best where it meets no reproving frowns, and hears no condemning voices. While in the Union it will meet with both. Its hope of life, in the last resort, is to get out of the Union. I am, therefore, for drawing the bond of the Union more completely under the power of the free states. What they most dread, that I most desire”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, The Constitution of the United States: Is It Pro-Slavery or Anti-Slavery? (1860)
Context: My argument against the dissolution of the American Union is this. It would place the slave system more exclusively under the control of the slave-holding states, and withdraw it from the power in the northern states which is opposed to slavery. Slavery is essentially barbarous in its character. It, above all things else, dreads the presence of an advanced civilization. It flourishes best where it meets no reproving frowns, and hears no condemning voices. While in the Union it will meet with both. Its hope of life, in the last resort, is to get out of the Union. I am, therefore, for drawing the bond of the Union more completely under the power of the free states. What they most dread, that I most desire. I have much confidence in the instincts of the slaveholders. They see that the Constitution will afford slavery no protection when it shall cease to be administered by slaveholders. They see, moreover, that if there is once a will in the people of America to abolish slavery, this is no word, no syllable in the Constitution to forbid that result. They see that the Constitution has not saved slavery in Rhode Island, in Connecticut, in New York, or Pennsylvania; that the Free States have only added three to their original number. There were twelve Slave States at the beginning of the Government: there are fifteen now.

Life , Hope , Drawing

“When the child comes to draw things as he sees them, it will be precisely because he has given up taking isolated objects in and for themselves and has begun to construct real systems of relations which take account of the true perspective in which things are connected.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

Source: The Moral Judgment of the Child (1932), Ch. 2 : Adult Constraint and Moral Realism 
Context: To perceive is to construct intellectually, and if the child draws things as he conceives them, it is certainly because he cannot perceive them without conceiving them. But to give up gradually the spurious absolutes situated away and apart from the context of relations that has been built up during experience itself is the work of a superior kind of rationality. When the child comes to draw things as he sees them, it will be precisely because he has given up taking isolated objects in and for themselves and has begun to construct real systems of relations which take account of the true perspective in which things are connected.

Drawing

“Soldiers are citizens of death's grey land,
Drawing no dividend from time's to-morrows.”

Siegfried Sassoon (1886–1967) English poet, diarist and memoirist

The Counter-Attack and Other Poems (1918)
Context: Soldiers are citizens of death's grey land,
Drawing no dividend from time's to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.

Death , Time , Drawing

“He means that he loves an inner air, an inner light in which freedom lives and in which a man can draw the breath of self-respect.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Speech to the American Legion convention, New York City (27 August 1952); as quoted in "Democratic Candidate Adlai Stevenson Defines the Nature of Patriotism" in Lend Me Your Ears : Great Speeches In History (2004) by William Safire, p. 81 - 82
Context: It was always accounted a virtue in a man to love his country. With us it is now something more than a virtue. It is a necessity. When an American says that he loves his country, he means not only that he loves the New England hills, the prairies glistening in the sun, the wide and rising plains, the great mountains, and the sea. He means that he loves an inner air, an inner light in which freedom lives and in which a man can draw the breath of self-respect.
Men who have offered their lives for their country know that patriotism is not the fear of something; it is the love of something.

Love , Freedom , Light , Drawing

“I started out very quiet and I beat Mr. Turgenev. Then I trained hard and I beat Mr. de Maupassant. I’ve fought two draws with Mr. Stendhal, and I think I had an edge in the last one.”

Ernest Hemingway (1899–1961) American author and journalist

Source: quoted in Lillian Ross's profile of Hemingway, which first appeared in the The New Yorker (13 May 1950). The profile was later published as a short book titled Portrait of Hemingway (1961). Variant:
I started out very quiet and I beat Turgenev. Then I trained hard and I beat de Maupassant. I've fought two draws with Stendhal, and I think I had an edge in the last one. But nobody's going to get me in any ring with Tolstoy unless I'm crazy or I keep getting better.
Context: I started out very quiet and I beat Mr. Turgenev. Then I trained hard and I beat Mr. de Maupassant. I’ve fought two draws with Mr. Stendhal, and I think I had an edge in the last one. But nobody’s going to get me in any ring with Mr. Tolstoy unless I’m crazy or I keep getting better.

Thinking , Drawing , Training

“Once draw the sword; its burning point shall bring
To thy quick nerves a never-ending sting;
The blood they shed thy weight of wo shall swell,
And their grim ghosts for ever with thee dwell.”

Joel Barlow (1754–1812) American diplomat

The Conspiracy of Kings (1792)
Context: Once draw the sword; its burning point shall bring
To thy quick nerves a never-ending sting;
The blood they shed thy weight of wo shall swell,
And their grim ghosts for ever with thee dwell. Learn hence, ye tyrants, ere ye learn too late,
Of all your craft th' inevitable fate.
The hour is come, the world's unclosing eyes
Discern with rapture where its wisdom lies;
From western heav'ns th' inverted Orient springs,
The morn of man, the dreadful night of kings.
Dim, like the day-struck owl, ye grope in light,
No arm for combat, no resource in sight;
If on your guards your lingering hopes repose,
Your guards are men, and men you've made your foes;
If to your rocky ramparts ye repair,
De Launay's fate can tell your fortune there.
No turn, no shift, no courtly arts avail,
Each mask is broken, all illusions fail;
Driv'n to your last retreat of shame and fear,
One counsel waits you, one relief is near :
By worth internal, rise to self-wrought fame,
Your equal rank, your human kindred claim;
'Tis Reason's choice, 'tis Wisdom's final plan,
To drop the monarch and assume the man.

Drawing

“Nobody draws the light for covered wine rooms from the south or west, but rather from the north”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 2
Context: Nobody draws the light for covered wine rooms from the south or west, but rather from the north, since that quarter is never subject to change but is always constant and unshifting. So it is with granaries: grain exposed to the sun's course soon loses its good quality, and provisions and fruit, unless stored in a place unexposed to the sun's course, do not keep long.

Light , Wine , Drawing

“Evils draw men together.”

Aristotle Rhetoric

Book I, 1362b.39: quoting a proverb
Rhetoric

Men , Evil , Drawing

“The barren island dreams in flowers, while blow
The south winds, drawing haze o'er sea and land;
Yet the great heart of ocean, throbbing slow,
Makes the frail blossoms vibrate where they stand”

Celia Thaxter (1835–1894) American writer

"Rockweeds" in The Atlantic Monthly, Vol. 21 (March 1868), p. 269.
Context: The barren island dreams in flowers, while blow
The south winds, drawing haze o'er sea and land;
Yet the great heart of ocean, throbbing slow,
Makes the frail blossoms vibrate where they stand;And hints of heavier pulses soon to shake
Its mighty breast when summer is no more,
And devastating waves sweep on and break,
And clasp with girdle white the iron shore.

Dreams , Flowers , Heart , Drawing

“Consider the ravages committed in the bowels of all commonwealths by ambition, by avarice, envy, fraud, open injustice, and pretended friendship; vices which could draw little support from a state of nature, but which blossom and flourish in the rankness of political society.”

Edmund Burke book A Vindication of Natural Society

A Vindication of Natural Society (1756)
Context: The several species of government vie with each other in the absurdity of their constitutions, and the oppression which they make their subjects endure. Take them under what form you please, they are in effect but a despotism, and they fall, both in effect and appearance too, after a very short period, into that cruel and detestable species of tyranny; which I rather call it, because we have been educated under another form, than that this is of worse consequences to mankind. For the free governments, for the point of their space, and the moment of their duration, have felt more confusion, and committed more flagrant acts of tyranny, than the most perfect despotic governments which we have ever known. Turn your eye next to the labyrinth of the law, and the iniquity conceived in its intricate recesses. Consider the ravages committed in the bowels of all commonwealths by ambition, by avarice, envy, fraud, open injustice, and pretended friendship; vices which could draw little support from a state of nature, but which blossom and flourish in the rankness of political society. Revolve our whole discourse; add to it all those reflections which your own good understanding shall suggest, and make a strenuous effort beyond the reach of vulgar philosophy, to confess that the cause of artificial society is more defenceless even than that of artificial religion; that it is as derogatory from the honour of the Creator, as subversive of human reason, and productive of infinitely more mischief to the human race.

Friendship , Support , Fraud , Nature

“The contrast between asceticism and mysticism is also tempered if the contemplative mystic does not draw the conclusion that he should flee from the world, but, like the inner-worldly asceticist, remain in the orders of the world (inner-worldly mysticism).”

Max Weber (1864–1920) German sociologist, philosopher, and political economist

Max Weber, , 1916.
Context: Mysticism intends a state of "possession," not action, and the individual is not a tool but a "vessel" of the divine. Action in the world must thus appear as endangering the absolutely irrational and other-worldly religious state. Active asceticism operates within the world; rationally active asceticism, in mastering the world, seeks to tame what is creatural and wicked through work in a worldly "vocation" (inner-worldly asceticism). Such asceticism contrasts radically with mysticism, if the latter draws the full conclusion of fleeing from the world (contemplative flight from the world). The contrast is tempered, however, if active asceticism confines itself to keeping down and to overcoming creatural wickedness in the actor's own nature. For then it enhances the concentration on the firmly established God-willed and active redemptory accomplishments to the point of avoiding any action in the orders of the world (asceticist flight from the world). Thereby active asceticism in external bearing comes close to contemplative flight from the world. The contrast between asceticism and mysticism is also tempered if the contemplative mystic does not draw the conclusion that he should flee from the world, but, like the inner-worldly asceticist, remain in the orders of the world (inner-worldly mysticism).
In both cases the contrast can actually disappear in practice and some combination of both forms of the quest for salvation may occur. But the contrast may continue to exist even under the veil of external similarity. For the true mystic the principle continues to hold: the creature must be silent so that God may speak.

World , Drawing

“Both poetry and lyrics and all visual arts draw their power from their ability to express abstractions of reality. …that is a feature of the musical brain.”

Daniel Levitin book The World in Six Songs

The World in Six Songs (2008)
Context: Both poetry and lyrics and all visual arts draw their power from their ability to express abstractions of reality.... that is a feature of the musical brain.

Art , Music , Reality , Drawing

“There is something strange looming on the human horizon. If you draw a graph of all our consciousness, there is a point we seem to be heading towards.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)
Context: All of us collectively are fumbling towards an apprehension of something that feels like a kind of group awareness – we are trying to feel the shape of it, it’s not here yet, and a lot of us are probably saying a lot of silly things. That’s understandable. There is something strange looming on the human horizon. If you draw a graph of all our consciousness, there is a point we seem to be heading towards. Our physics, our philosophy, our art, our literature – there is a kind of coherence there, it may look disorganised at first glance, but there is a fumbling towards a new way of apprehending of certain basic fundamentals.

Drawing

Quotes about draw page 15

Quotes about draw
page 15