Quotes about director
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“The term ‘informatics’ was first advanced formally by the Director of VINITI, A. I. Mikhailov, and his colleagues A. I. Chernyi and R. S. Gilyarevskii, in their paper Informatics—new name for the theory of Scientific Information published at the end of 1966. An English translation was circularized in the beginning of 1967. As the authors state in this paper, they are not the first to use this term, and they quote a review by Professor J. G. Dorfmann of their own book Fundamentals of Scientific Information in which Dorfmann criticizes the use of other terminology, such as ‘documentation’, ‘documentalistics’, ‘information science’, and so on. Although the authors do not object to the use of the word ‘Documentation’ in the name of the International Federation for Documentation, nevertheless they claim that this term has not found application in the USSR and indeed they apologize for spending some time in discussing its suitability as a name for ‘the new scientific discipline which studies the structure and properties of scientific information as well as the regularities of scientific information activity, its theory, history, methods, and organization’.”

Douglas John Foskett (1918–2004)

Foskett (1970) "‘Informatics’", Journal of Documentation, Vol. 26 Iss: 4, p. 340

Books, Quotes, History, Study

“[Director Christopher] Nolan … gives us enough multilayered subplots to at least fool us into thinking this is a work of intellectual and moral complexity. But as a piece of visual storytelling, from shot to shot, The Dark Knight is a mess. Characters disappear from one locale and show up inexplicably in another, thanks to the magic of editing. At one point, we learn two characters have been abducted, but Nolan doesn't bother to show us who did it or how. (Later, he explains the "who did it" with dialogue -- the lazy way.) At the end, a major character is left hanging, literally, as we are figuratively. If this is genius, give me hackery.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2008/07/17/dark_knight/index.html of The Dark Knight (2008)

Fools, Way, Thinking, Learning

“During the years I was on the board of directors of the National Organization for Women [chapter] in New York City, the most resistant audiences I ever faced in the process of doing corporate workshops on equality in the workplace were not male executives—they were the wives of male executives. As long as her income came from her husband, she was not feeling generous when affirmative action let another woman have a head start vying for her husband’s (her) income.”

Warren Farrell book The Myth of Male Power

Source: The Myth of Male Power (1993), Part 1: The Myth of Male Power, p. 46.

Women, Feeling

“[Discussing the political situation in Lugansk People's Republic]: Today, there is no [legitimate] power - but a dictatorship. But not a military dictatorship and not the proletarian dictatorship. This is the dictatorship of the directors from former times.”

Aleksey Mozgovoy (1975–2015) pro-Russian rebel and warlord in Eastern Ukraine

In Russian: На сегодняшний день, власти нет – есть диктатура. Но не военная и не пролетариата. Диктатура постановщиков из прежних времён.

People, Time

“For a viewer to think the custodian was trying to break free is the exact opposite of what the scene was supposed to convey. There is nothing gained from that kind of ambiguity. Ambiguity is not desirable or meaningful if it confuses an issue that is meant to be clear. This is the challenge of making a film that communicates but doesn't talk down: a lot of viewers and studio execs (and directors) hold that ANY ambiguity is the result of the filmmaker's failure. I disagree, but I also hold that, in order for ambiguity to be effective, certain things NEED to be unambiguous. For example, if it wasn't clear that Judy on the stage is the same character as Judy who'd invited Aeon to the Hostess' lair, then that's just bad execution. If the episode had been finished and seen in a version say, where we don't see her face drawn correctly, and viewers weren't sure it was the same character, they may wonder about things irrelevant to the story's themes, such as "do the custodians alter the appearance of their hosts", or "Trevor is masquerading a different person who is playing the role of Judy on the stage", etc, all of which does not help the story. Thinking that the custodian had a will of its own and wanted to break free is the same type of undesired speculation.”

Peter Chung (1961) Korean-American animator

Re: Utopia or Deuteranopia? http://ilx.wh3rd.net/thread.php?msgid=6622756

Communication, Failure, Thinking, Appearance

“The neoclassical theory of wage determination, which I taught for 30 years and have tried to explain in my textbook … has nothing to say about fairness…. Beginning in the mid-1970s, I began to find myself in a series of roles in which I have participated in setting or controlling wages and salaries. These included sitting on three wage stabilization bodies during the Nixon and Ford administrations, as a director of two corporations, as a provost of a private university, as a president of a foundation, and as a trustee of a liberal arts college. In one of the corporations I serve as chairman of the compensation committee.
In none of these roles did I find the theory that I taught so long to be the slightest help. The factors involved in setting wages and salaries in the real world seemed to be very different from those specified in the neoclassical theory. The one factor that seemed to be of overwhelming importance in all these situations was fairness.”

Albert Rees (1921–1992) American economist

“The Role of Fairness in Wage Determination.” Journal of Labor Economics (1993)

World, Art, Universe, Help

“I’m actually quite tired because Threepio is an exhausting character — he’s always very tense, he’s always slightly on the edge of panic. That’s why he’s funny, because he’s always in the wrong place. I record each piece three times in a row, so the director can choose without interrupting too much.”

Anthony Daniels (1946) English actor

Anthony Daniels definitive 'Star Wars' interview http://ew.com/article/2014/09/16/star-wars-anthony-daniels-interview/ (September 16, 2014)

Time

“Amongst the great and numerous dangers to which this country, and particularly the monarchy, is exposed in consequence of the enormous public debt, the influence, the powerful and widely-extended influence, of the monied interest is, perhaps, the most to be dreaded, because it necessarily aims at measures which directly tend to the subversion of the present order of things…I mean an interest hostile alike to the land-holder and to the stockholder, to the colonies, to the real merchant, and to the manufacturer, to the clergy, to the nobility and to the throne; I mean the numerous and powerful body of loan-jobbers, directors, brokers, contractors and farmers-general, which has been engendered by the excessive amount of the public debt, and the almost boundless extension of the issues of paper-money.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Political Register (8 September 1804), quoted in Karl W. Schweizer and John W. Osborne, Cobbett and His Times (Leicester: Leicester University Press, 1990), p. 29.

Money, Hostility, Country

“The director's word used to be final. Today directors don't even come on sets for a dance sequence. Its canned by the choreographer.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Dance

“The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast any radical or surprising ideas, it combines numerous familiar plot elements into a suspenseful, entertaining whole. Best of all, perhaps, is the realization that some thought went into writer/director David Twohy's script. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/a/arrival.html of The Arrival (1996). Three star reviews

Idea, Science, Summer

“Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

Feeling

“Thanks to the directors for addressing this message to my home. Written several minutes before my death.”

Rudolf Hess (1894–1987) German Nazi leader

Suicide note, found in his pocket. (17 August 1987)

Death, Home

“I find it quite difficult to watch the film once it is done, because in your head or imagination it is totally different. In the beginning it is quite hard, and I don't mean hard as in a negative or a positive. It is difficult to see the film being edited and see the real images for the first time coming out of your head and onto the screen. Sometimes you are surprised that he left something in and he took something out. The director is the creator; he's the captain of the ship when it comes to the creative journey of the film, along of course with the producer. So when you start out acting you have to find a way to understand and to deal with that. But as I say I don't mean it as a negative or a positive.”

Marwan Kenzari (1983) Dutch Tunesian actor

Fight Cub: Marwan Kenzari and Nasrdin Dchar Talk Wolf http://thequietus.com/articles/16646-wolf-kenzari-dchar-interview (November 8th, 2014)

Way, Imagination, Understanding, Time

“It is perfectly possible to be a professional director or a professional writer and not to be an artist: merely a sort of executor of other people's ideas.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 188

People, Idea

“Gallery visitors did not tell Picasso to invent cubism. Jazz fanatics did not suggest that Miles Davies should work with hip-hoppers. Moviegoers did not propose to Lars von Trier, the Danish film director, that he make Breaking the Waves. And customers sure as hell did not come up with the idea for CDNow or Amazon. com. If you want to do something really interesting and revolutionary, learn to ignore your customers.”

Jonas Ridderstråle (1966) Swedish business theorist

Source: Funky Business Forever, 2007, p. 184

Idea, Hell, Learning

“Unnamed director: [The script is] too caustic.
Goldwyn: To hell with the cost. If it's a good picture, we'll make it.”

Samuel Goldwyn (1879–1974) American film producer (1879-1974).

Quoted by Alva Johnston in The Great Goldwyn http://books.google.com/books?id=xU9AAAAAIAAJ&q=%22too+caustic%22+%22To+hell+with+the+cost%22+%22If+it's+a+good+picture+we'll+make+it%22&pg=PA34#v=onepage (1937)

Hell

“I had a hard time watching Wolf Creek. It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women. When the killer severs the spine of one of his victims and calls her "a head on a stick," I wanted to walk out of the theater and keep on walking.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/wolf-creek-2005 of Wolf Creek (23 December 2005) Reviews, Zero star reviews

Women, Wolf, Time

“The men that write books, Carlyle says, are now the world's priests, the spiritual directors of mankind.”

James Anthony Froude book The Nemesis of Faith

Letter VI
The Nemesis of Faith (1849)

Men, Books, World

“The perception of you is one thing. You're this famous person, and now you're this famous person who's a bombshell. So all of a sudden, that's the only way I get jobs. So I have to become the part. And they're telling you this is the way to do it. One director actually said to me, "I want to hear you talk dumber and faster." … He thought it was funny for the girl to be dumb. I finally said, "That's it, man — I can't do this anymore." I'd go to meetings during the filming of a movie, and the directors would ask, "What do you think of the script?" I'd say, "It has a lot of problems." They were confused. That's not what they wanted from me. … So I was not very popular. At one point I said, "I don't want to do this — it's not my dream." And so I said, "I'm going to start a company. I am going to create projects for me. I'm going to create projects for other Latin women."”

Salma Hayek (1966) Mexican-American actress and producer

Because I got to a point where I was whining all the time. I was miserable. I was desperate
O interview (2003)

Women, Dreams, Way, Girl

“I am here to act, entertain and make good films. I don't want to work hard for a film which does not even get released. I will cooperate with my director and help him make a good film. I get disappointed if my co-actors don't put in as much as I do. Today I am looking for banners and costars who have the same goal as me --- to work towards making a good film with dedication. I have made mistakes in my career, but that is just the learning process.”

Rani Mukerji (1978) Indian film actress

[rediff.com, Rani: I am an entertainer, http://www.rediff.com/entertai/2002/may/09rani.htm, 1 June, 2006]
Famous Quotes

Disappointment, Learning, Help

“Before you can steal fire from the Gods you gotta be able to get coffee for the director”

David Mamet (1947) American playwright, essayist, screenwriter, and film director

Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business (2007)

God, Coffee

“I think most directors and people who make anime would agree that their latest film is probably the one they feel the most confident in, that they have done their best and put everything into.”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Anime News Network https://www.animenewsnetwork.com/interview/2013-05-01/makoto-shinkai-the-garden-of-words-interview About The Garden of Words

People, Feeling, Confidence, Thinking

“I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career. So for me, it's not necessarily having that kind of notoriety. I'm interested in great work and working with people that have a singular vision, and I think the work dictates that.”

Sarah Gadon (1987) Canadian actress

SARAH GADON IS NEW CLASS' 'MOST LIKELY TO WEAR A CORSET https://www.mtv.com/news/1671809/sarah-gadon-dream-house/ (September 30, 2011)

People, Thinking, Strong

“What wonderful things [Renoir is reacting on Corot's painting 'Interior of Chartres Cathedral' and Delacroix's 'Interior of M. de Mornay’s house', – he saw in 1919 from his wheelchair, in the reopened painting-rooms of the Louvre]. There isn’t a single big picture worth any more than these two little ones... The Director [of the Louvre] was so charming to me. I wish I could have thanked him properly. If you meet him, tell him how much I enjoyed my visit. If I'd presented myself at the Louvre in my wheelchair thirty years ago, they'd have shot me out fast enough! You see, one has to live a long time to see such changes. I've been one of the lucky ones.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

December 1919, Renoir died
late quote of Renoir, c. 1919, in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 237
after 1900

Change, Time, Painting, Housing

“I thought the script was very good, but something was missing. I wanted to come out with a cane, come down slowly, have it stick into one of the bricks, get up, fall over, roll around, and they all laugh and applaud. The director asked, ‘what do you want to do that for?’ I said from that time on, no one will know if I’m lying or telling the truth.”

Gene Wilder (1933–2016) American actor

About Willy Wonka & the Chocolate Factory, Interview with IndieWire Gene Wilder Opens Up About Making of ‘Willy Wonka’ and ‘Young Frankenstein’ http://www.indiewire.com/2016/07/gene-wilder-willy-wonka-young-frankenstein-interview-watch-1201702561/

Truth, Lying, Time

“Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director, and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop.”

Ben Hecht (1894–1964) American screenwriter

from Let's Make the Hero a MacArthur
Books

Star

“We really look for a story first and scares second. I think that ultimately makes the scares more effective. Most people look for the scares first and build the story around it, but that’s something that I’ve been lucky enough to learn while working with these great directors who have spent their lives making these kind of movies. So that’s what we look for: is there great drama? And then we go from there.”

Jason Blum (1969) American film producer

Interview: Jason Blum http://dorkshelf.com/2013/02/20/interview-jason-blum/ (February 20, 2013)

People, Thinking, Learning

“Writing music for a picture means you have to compromise with a given reference to a movie or the advice coming from the director and producer. Working on your own material, you have to be just authentic with yourself, following your subjective perspectives and ideas. There is no-one who will judge what you are doing as long as you are in the composing process. Both ways are very different but can support your input learning about the musical universe immensely.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

Music, Way, Idea, Support

“The principle of rotation… in the body of [bank] directors… breaks in upon the esprit de corps so apt to prevail in permanent bodies; it gives a chance for the public eye penetrating into the sanctuary of those proceedings and practices, which the avarice of the directors may introduce for their personal emolument, and which the resentments of excluded directors, or the honesty of those duly admitted, might betray to the public; and it gives an opportunity at the end of the year, or at other periods, of correcting a choice, which on trial, proves to have been unfortunate.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Albert Gallatin, 1803. ME 10:437
Posthumous publications, On financial matters

Chance, Personality

“Organizations and institutions provide the general stimuli and attention-directors that channelize the behaviors of the members of the group, and that provide those members with the intermediate objectives that stimulate action.”

Herbert A. Simon book Administrative Behavior

Source: 1940s-1950s, Administrative Behavior, 1947, p. 100.

Behavior

“We were supposed to collaborate once, and along with Kurosawa make one love story each for a movie produced by Dino de Laurentiis. I flew down to Rome with my script and spent a lot of time with Fellini while we waited for Kurosawa, who finally couldn't leave Japan because of his health, so the project went belly-up. Fellini was about to finish Satyricon. I spent a lot of time in the studio and saw him work. I loved him both as a director and as a person, and I still watch his movies, like La Strada and that childhood rememberance…”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Federico Fellini
Jan Aghed interview (2002)

Love, Health, Time, Waiting

“I remember when hard-core first became commonplace, and there were discussions about what it would be like if a serious director ever made a porn movie. The answer, judging by Anatomy of Hell, is that the audience would decide they did not require such a serious director after all.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/anatomy-of-hell-2004 of Anatomy of Hell (12 November 2004) Reviews, One-star reviews

Hell

“The director, whose name is Pitof, was probably issued with two names at birth and would be wise to use the other one on his next project.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/catwoman-2004 of Catwoman (23 July 2004) Reviews, One-star reviews

Birth

“Look at you people. Look at what's become of the mighty United Kingdom. This land used to be filled with kings and knights and noblemen. You used to rule half the planet, and now you're just as sad and pathetic as the Americans. You can pretend you're not, you can pretend you don't spend your days tucked away in some little pub downing your pints of ale; you can pretend you don't spend every single night filling your lungs and those around you with carcinogens and poisons from your fancy cigarettes and trendy cigars; you can pretend you don't knowingly stuff chewing tobacco in your mouth in one of the most disgusting habits I've ever seen in my life—something that will give you cancer inside of two years. You people are weak-minded. You have no heart, your spirit is broken. You're practically decomposing right before my very eyes as I talk to you, and the only thing you can do is boo or wave a crooked little finger at me and accuse me of being preachy. You people need somebody as righteous as myself to preach to you the proper way to live. You should all aspire to be as great as I am. Do I think I'm better than you? Absolutely, and it's not that hard because my mind is clear; my body, free of poison. Look at me—I am perfect in every way. My strength comes from within, and I don't need a crutch to get through my everyday life like you people, and I certainly don't need a crooked official like Scott Armstrong to fight my battles for me. I filed a formal complaint with the Board of Directors; and as far as tonight goes, I will beat R-Truth just like I'll beat him at Survivor Series, and just like I can easily beat up everybody here in this arena today. Because I am the Choice of a New Generation, and R-Truth's gonna come out here and ask you people, "What's Up?"”

Phil Brooks (1978) American professional wrestler and mixed martial artist

I'll answer that little riddle for you right now. I tell you "what's up" Straight-edge—that is what's up. No narcotics, no drugs, no alcohol, no cigarettes, no prescription medication, and that, you sad, sad people, can save your entire pathetic country and the entire world.
November 13, 2009
Friday Night SmackDown

Life, People, Alcohol, Truth

“Mr. Honda would always give me complete control over the score. Even though he was very knowledgeable about music, he would always say to me, "Mr. Ifukube, I know very little about music, so I'll allow you to make all of the decisions about the score." Mr. Honda was a very generous man. All of the other directors with whom I worked would stay in the control booth while the scores for their films were being recorded. Only Mr. Honda would come out of the booth and stand beside me while I was conducting. He was always very curious.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview II" http://www.davmil.org/www.kaijuconversations.com/ifukub2.htm, Kaiju Conversations (December 1993)

Music, Knowledge, Decision

“I've got to try and educate not only the players but the Derby fans and the board of directors that…”

Phil Brown (footballer) (1959) English association football player and manager

29-Jun-2005, Radio 5
I'll learn 'em.

Education

“In 1945, the war ended and I was chosen to be the first director of the newly-established Department of Applied Economics in Cambridge. Between leaving the government service and taking up my new post, I had a break of about three months which I spent at the Institute of Advanced Study in Princeton. I intended to use my time there writing up my ideas on a social accounting system for the measurement of economic flows, a thing I had wanted to do for years but had not had time for during the war. What happened was that, in Princeton, I met Alexander Loveday, the Director of Intelligence at the League of Nations, who wanted a paper on the problems of defining and measuring the national income and related totals for consideration by the League's Committee of Statistical Experts. He asked me if I would undertake the work and naturally I accepted. I soon had a memorandum ready and it was discussed in Princeton while I was still there by a subcommittee convened by Loveday. Their report was eventually published by the United Nations in Geneva in 1947 under the title, Measurement of National Income and the Construction of Social Accounts, with my memorandum as an appendix.”

Richard Stone (1913–1991) British economist, Nobel Memorial Prize winner

"Richard Stone - Biographical," 1984

War, Intelligence, Idea, Nature

“This is what has Gropius the director made the Bauhaus famous. Not its lamps or its furniture. They are all out of fashion already. But the way of approaching formal problems or material as such, that has made it famous. And the emphasis on material, especially its capacity is my contribution. That was never cleared between us teachers. Kandinsky did what he thought should be done. Klee developed an absolutely different method. Schlemmer developed absolutely something else. Klee was my so-called form master. In the workshops there they had a crafts master and a form master. The crafts master had to direct the practical work, the mechanics of the workshop. And the form master had to develop the, formal qualities. Klee was my form master in the glass workshop. He came to me and never criticized anything. He talked about something else. Never asked about any form problem with the windows I was working on. Never a word. He was too respectful. He was the nicest master I could ask for. He talked about exhibitions. He thought I should exhibit. That's another story. We had a good relationship because we never dealt with the same problems. He didn’t attack our problems. He never brought up a problem.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Way, Fashion, Problem, Teachers

“There was a great director who directed a picture that I wrote who barred me from the set— quite appropriately— and said, “I’m sorry, Jim. When you’re directing, you don’t need to know everything. You need the illusion that you do.” And, you know, and I WOULD be there— behind him trying to signal the actors in, you know, in a way I wasn’t even aware of.”

James L. Brooks (1940) American director, producer and screenwriter

In the documentary Dreams on Spec

Way

“As a director, you must keep your sense of humor, your patience and, most of all, your ability to funnel the collective energies of a large group of creative people. For that, you must stay well-hydrated, well-fed, and well-rested. It's also crucial that you have a top-notch ensemble.”

Tommy Lee Wallace (1949) American film director

Tommy Lee Wallace on Crafting His Miniseries Masterpiece, IT https://dailydead.com/stephen-king-week-tommy-lee-wallace-on-crafting-his-miniseries-masterpiece-it/ (October 27, 2015)

People, Sense, Patience

“Let's be clear: all professions look bad in the movies. And there's a good reason for this. Movies don't portray career paths, they conscript interesting lifestyles to serve a plot. So lawyers are all unscrupulous and doctors are all uncaring. Psychiatrists are all crazy, and politicians are all corrupt. All cops are psychopaths, and all businessmen are crooks. Even moviemakers come off badly: directors are megalomaniacs, actors are spoiled brats. Since all occupations are portrayed negatively, why expect scientists to be treated differently?”

Michael Crichton (1942–2008) American author, screenwriter, film producer

"Ritual Abuse, Hot Air, and Missed Opportunities: Science Views Media" http://www.crichton-official.com/speeches/speeches_quote01.html - Speech to the American Association for the Advancement of Science, Anaheim, California (25 January 1999)

“I saw Stay as You Are and Tess only. I didn't ask her if she saw every movie I did. I could never think about that. Why do I have to see every movie she did? Why? Sometimes she did movies with people I was bored by. I don't care about this or that director. So if she is so beautiful in a movie, it is because of her, not a director. So why should I see the movie then? As long as I am not blind, I don't need a dog to see. If I am blind, maybe I would like the dog to lead me. I am not blind. I don't have to see her movies. I know my child.”

Klaus Kinski (1926–1991) German actor

On his daughter, Nastassja, as quoted in Denise Worrell (1989), Icons: Intimate Portraits.

People, Beauty, Dogs, Thinking

“Working with a great director is wonderful for an actor because it means that you're not forced to take the advice of an idiot.”

Klaus Kinski (1926–1991) German actor

Fangoria interview

“The reason the Internationalist Theatre productions demanded attention was that the directors who had already worked at top theatres like the Royal Court and the Royal Shakespeare Company had agreed to take the risk of directing classical plays with multi-racial casts, that the performance was of a very good standard, and furthermore that many prominent members of the arts establishment, Lindsay Anderson, Cameron MacKintosh, John Barton, Richard Eyre, the great casting director Mary Selway, Stephen Berkoff, Nicolas Roeg, came to see performances by Internationalsit Theatre.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On Internatioanlist Theatre
Interview on Helenism .net (September 2011)

Art

“Samuel Hartlib, a celebrated writer on husbandry in the last century, a gentleman much beloved and esteemed by Milton, in his preface to the work, commonly called his Legacy, laments greatly that no public director of husbandry was established in England By Authority; and that we had not adopted the Flemish custom of letting farms upon improvement… Cromwell, in consequence of this admirable performance, allowed Hartlib a pension of 100l. a year; and Hartlib afterwards, the better to fulfil the intentions of his benefactor, procured Dr. Beati's excellent annotations on the Legacy, with other valuable pieces from bis numerous correspondents.”

Walter Harte (1709–1774) poet and historian

Source: Essays on Husbandry (1764), p. 3.

“You [ Katherine Sophie Dreier; director of the Art Center in New York City; she co-founded with Duchamp and Man Ray the 'Sociéte Anonyme' in Manhattan in 1920] must understand:
My attitude toward the book is based upon my attitude towards 'Art' since 1918 – so I am furious myself that you will accept only partly that attitude [in a new publication by Katherine Dreier]. It can be no more question of my life as an artist’s life: [because] I gave it up ten years ago; this period is long enough to prove that my intention to remain outside of any art manifestation is permanent... The third question is that I want to be alone as much as possible.
This abrupt way to speak of my 'hardening process' is not meant to be mean, but is the result of '42 years of age'....10 000 apologies for this rough letter and affectueusement
Dee”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from a letter to Katherine Sophie Dreier, Paris 11 September 1929; as cted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 158
Duchamp's quote is referring to a new publication of the 'Duchamp Book' and to his famous so-called Art-Silence.
1921 - 1950

Life, Books, Age, Art

“The more active working directors become, the more closely involved they resemble the executives now responsible for providing business leadership. A full-time working director is merely another official who is also a director. Wide adoption of the proposal for professional directors, particularly if management is able to select the directors itself, may merely make general the situation now found in some companies in which only the executive group is represented on the board.”

Robert Aaron Gordon (1908–1978) American economist

Source: Business Leadership in the Large Corporation (1945), p. 346-7

Business, Time

“Tarkovsky reminds me of a sergeant from the time of Turgenev — he is very pleasant and extremely prepossessing and at the same time visionary and elusive. One cannot "catch" him anywhere because he is always at a slightly different place already. This is simply the type of person he is. When I understood that I stopped bothering. This director cannot be reshaped anymore, and first of all one cannot convince him of anything as he is going to recast everything in his "own way" no matter what.”

Stanisław Lem (1921–2006) Polish science fiction author

On Solaris screening (1972)

Way, Time, Personality

“I was talking to a friend about it recently and I told him that the thing about making that film that upset me most was how cruel Lars is to the woman he is working with. Not that I can't take it, because I'm pretty tough and completely capable of defending myself, but because my ideals of the ultimate creator were shattered. And my friend said "What did you expect? All major directors are "sexist", a maker is not necessarily an expert in human rights or female/male equality!
My answer was that you can take quite sexist film directors like Woody Allen or Stanley Kubrick and still they are the one that provide the soul to their movies. In Lars von Trier's case it is not so and he knows it. He needs a female to provide his work soul. And he envies them and hates them for it. So he has to destroy them during the filming. And hide the evidence. What saves him as an artist, though, is that he is so painfully honest that even though he will manage to cover up his crime in the "real" world (he is a genius to set things up that everybody thinks it is just his female-actress-at-the-moment imagination, that she is just hysterical or pre-menstrual), his films become a documentation of this "soul-robbery.”

Björk (1965) Icelandic singer-songwriter

Breaking the Waves is the clearest example of that. bjork." From the www.bjork.com http://www.bjork.com 4um, posted by Björk in response to a question about her conflict with director Lars von Trier during the production of Dancer in the Dark. Other quotes

Hate, World, Soul, Imagination

“Let me say again that I am not impugning the motives of the men in Wall Street. They may think that that is the best way to create prosperity for the country. When you have got the market in your hand, does honesty oblige you to turn the palm upside down and empty it? If you have got the market in your hand and believe that you understand the interest of the country better than anybody else, is it patriotic to let it go? I can imagine them using this argument to themselves.
The dominating danger in this land is not the existence of great individual combinations, — that is dangerous enough in all conscience, — but the combination of the combinations, — of the railways, the manufacturing enterprises, the great mining projects, the great enterprises for the development of the natural water-powers of the country, threaded together in the personnel of a series of boards of directors into a "community of interest" more formidable than any conceivable single combination that dare appear in the open.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Section VIII: “Monopoly, Or Opportunity?”, p. 186 http://books.google.com/books?id=MW8SAAAAIAAJ&pg=PA186&dq=%22Let+me+say+again%22 1910s, The New Freedom (1913)

Men, Way, Imagination, Communication

“John Lewell: Can you tell us: what exactly was Jack Warner like, as an employer?
Chuck Jones: Well, what he was like was nothing! We had nothing to do with Jack Warner. After fifteen years of direction (and the other person present, Friz Ferleng, had directed longer than that) we were finally invited by him to have lunch in the executive dining room. This was reserved for executives and favorite directors. Jack Warner was there. And Harry Warner was there. Jack didn't say very much to us. He was talking to other people about other things. But Harry Warner said: "The only thing I know about our cartoon department is that we make Mickey Mouse." Well, that was a little startling. It was the early 1950s, for God's sake! And so when we left, I said: "Don't worry, Mr Warner, we'll continue to make good Mickey Mouses!"”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

And he patted me on the back.
Lewell, "The Art of Chuck Jones", 139.

God, People, Personality

“I personally believe that Satan fell from heaven about a hundred years after the creation of Adam and Eve. I believe that he had watched Adam and Eve have fellowship with their creator with pride and envy in his heart. He had been God’s choir director since he was created. His desire to be God was thwarted when God cast him out of heaven.”

Kent Hovind (1953) American young Earth creationist

Dissertation for doctor of philosophy in christian education (May 25, 1991)

God, Heart, Envy, Personality

“Methinks God has punish'd the Avaritious as he often punishes sinners, in their own way, in the ver sin itself: the thrist of gain was their crime, that thrist continued became their punishment and ruin. As for the few who have the good fortune to remain with half of what they imagined they had (among whom is your humble servantl, I would have them sensible of their felicity, and convinced of the truth of old Hesiod's maxim, who, after half his estate was swallowed by the Directors of those days, resolv'd, that half to be more than the whole.”

Alexander Pope (1688–1744) eighteenth century English poet

In his letter to Atterbury Bishop of Rochester. Sept. 23. 1720.

God, Truth, Way, Imagination

“[FBI Director J. Edgar] Hoover lied his eyes out to the [Warren] Commission – on Oswald, on Ruby, on their friends, the bullets, the gun, you name it.”

Hale Boggs (1914–1972) American politician

Speaking to an aide, quoted by Bernard Fensterwald, Coincidence or Conspiracy?

“… style without substance is nothing, the substance in the story was the most important thing. Of course, there is a layer of style. If I were a director working in a different era, I would have had to be at MGM. I don't think I'd probably know how to make anything but enhanced reality, because that's what comes naturally to me.”

Tom Ford (1961) American fashion designer

A singular man, Shapiro, Gregg, December 24, 2009, The Bay Area Reporter, April 18, 2016 http://www.ebar.com/arts/art_article.php?sec=film&article=704,

Nature, Thinking, Reality

“[M]y main task when I was artistic director at Thomson for four years: to make the company virtuous. Not because there was a desire there to do evil, but because they had simply forgotten their purpose in life - to be of service, to use their skills to be of service. It is essential to try to play the role of a friendly "enemy within". That is, to catch the interest of these big companies so that they make money available, and research facilities, and distribution networks, for this return to what is the origin of all their activities - to serve others. It even means changing the words they use. One of the things I did at Thomson was to change their name. Thomson used to be called TCE, Thomson Consumer Electronic, and I asked them: who wants to be a "consumer of electronics?"”

Philippe Starck (1949) French architect and industrial designer

Starck, 2000

Life, Money, Evil, Change

“The most blatant illustration of this statement is the fact that in 1972, Larry Roberts, the director of IPTO, sought to privatize ARPANET, once it was up and running. He offered to transfer operational responsibility to ATT. After considering the proposal, with the help of a committee of experts from Bell Laboratories, the company refused.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Internet Galaxy - Reflections on the Internet, Business, and Society (2001), Chapter 1, Lessons from the History of the Internet, p. 22

Help

“… for all the reasons we have discussed in these pages, judgments brought to the board by leaders are likely to be better than those coming to the board in a command company. Moreover, the effective working relationships between leaders and directors in a leadership company further ensures the exercise of sound judgments for such momentous decisions …”

Marvin Bower (1903–2003) American business theorist

Source: The Will to Manage (1966), p. 134

Exercises, Decision

“Hello, I'm the writer and director. Now take your clothes off and get on top of Morena.”

Joss Whedon (1964) American director, writer, and producer for television and film

Reportedly said on the set of Serenity to Phillip Sternborg on his first day of filming, as quoted in the DVD commentary of Firefly boxset (2003).

Clothes

“We are grateful to The Washington Post, The New York Times, Time magazine and other great publications whose directors have attended our meetings and respected their promises of discretion for almost forty years. … It would have been impossible for us to develop our plan for the world if we had been subject to the bright lights of publicity during those years. But, the world is now much more sophisticated and prepared to march towards a world government. The supranational sovereignty of an intellectual elite and world bankers is surely preferable to the national auto-determination practiced in past centuries.”

David Rockefeller (1915–2017) American banker and philanthropist

Purported remarks at a Bilderberg Group meeting in Baden-Baden, Germany in June 1991, as quoted in Programming, Pitfalls and Puppy-Dog Tales (1993) by Gyeorgos C. Hatonn, p. 65 and various nationalist tracts. The ultimate source for the quotation (i.e. the person who passed it on to the public) is never identified.
Disputed

World, Light, Time, Past

“In time truth and science and nature will adapt themselves to art. Things will happen logically, and the villain be discomfited instead of being elected to the board of directors. But in the meantime fiction must not only be divorced from fact, but must pay alimony and be awarded custody of the press despatches.”

O. Henry (1862–1910) American short story writer

"The Plutonian Fire"
The Voice of the City (1908)

Truth, Art, Nature, Science

“The names and connections, at this time, of the bitterly opposing enemy are: 1. Psychiatry and psychology (not medicine). 2. The heads of news media who are also directors of psychiatric front groups. 3. A few key political figures in the fields of "mental health" and education. 4. A decline of monetary stability caused by the current planning of bankers who are also directors of psychiatric front organizations [that] would make us unable to function.”

L. Ron Hubbard (1911–1986) American science fiction author, philosopher, cult leader, and the founder of the Church of Scientology

"Targets, Defense" (16 February 1969).
Scientology Policy Letters

Health, Education, Time

“Profound thanks to Columbia Pictures and the lovely forms of Lisa Henson, Gary Wiggan, and Mark Canter for hiring a first-time writer; to James Shamus for his rare intelligence; to Sidney Pollack for asking all the right questions, like 'Why couldn't these women go out and get a job?' Why, indeed. To the cast and crew, for being impeccable. To my friend and my teacher, Lindsay Doran, for being the single most frustrating reason why I can't claim all the credit for myself. And finally, I would like with your permission to dedicate this Oscar to our director, Ang Lee. Ang, wherever you are, this is for you. [Beaming smile]”

Emma Thompson (1959) British actress and writer

68th Academy Awards speech (1996)

Love, Women, Smile, Intelligence

“I think the purpose of the actor is to illuminate the human condition. When you go to a film and you see a good actor, it's because you identify with them—you know what they're feeling—and a good actor draws, I believe, from their own experience. And when it's true for him, it's true for you. If a director imposes a performance or you try to mimic somebody, it can be funny or brilliant, but it isn't moving.”

Shelley Winters (1920–2006) actress

On acting, interview https://www.youtube.com/watch?v=lWftZbSG-lY with Skip E. Lowe (1989)

Feeling, Thinking, Drawing

“In 1950, I received my PhD in psychology. I was offered a fellowship to attend the Graduate School of Public Health at the that I had previously studied in clinical and abnormal psychology. Reflecting this disappointment, I entitled my Public Health Practice thesis Mental Health Is Not the Opposite of Mental Illness. After receiving my master’s degree in public health, I took a job as research director for Psychological Services of Pittsburgh. A local industrialist came to see me after a nasty labor relations disturbance and asked me plaintively, ‘What do people want from their jobs?’ I answered him in typical academic fashion, ‘Sir, I don’t know but if you give me enough money I will find out.’. I followed up on my School of Public Health thesis by designing a study to test the hypothesis that job satisfaction and job dissatisfaction were separate concepts. The result was the book, The Motivation to Work, which led to a fundamentally different approach to the study of people’s affective states.”

Frederick Herzberg (1923–2000) American psychologist

Frederick I. Herzberg in: "This Week’s Citation Classic," in: CC, Nr. 19, May 7, 1984; Re-published in: Neil J. Smelser (1987) Contemporary Classics in the Social and Behavioral Science. p. 199

Money, People, Health, Books

“Is there something in druggy subjects that encourages directors to make imitation film noir? Film noir itself becomes an addiction.”

Pauline Kael book Hooked

"Drifters, Dopes and Dopers," review of 8 Million Ways to Die (1986-05-19), p. 156.
Hooked (1989)

“Who would have thought that [director] Cameron Crowe had a movie as bad as Vanilla Sky in him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2001/12/14/vanilla/index.html of Vanilla Sky (2001)

Betrayal

“The cities of Italy are now deluged with droves of these creatures [tour groups], for they never separate, and you see them, forty in number, pouring along a street with their director — now in front, now at the rear, circling them like a sheep dog — and really the process is as like herding as may be.”

Daniel J. Boorstin (1914–2004) American historian

Charles James Lever, Cornelius O'Dowd Upon Men and Women and Other Things in General (Blackwood's Magazine, 1864-1865): "Continental Excursionists" [Adamant Media Corporation, 2001, ISBN 0-543-90729-5], p. 243. Quoted by Boorstin in The Image: A Guide to Pseudo-Events in America (1961) [Vintage edition, 1992, ISBN 0-679-74180-1], Ch. 3: From Traveler to Tourist: The Lost Art of Travel, p. 88.
Misattributed

Dogs

“Dear Hawkesworth, Mother Goose came to a rehearsal before Christmas day, having arrived on Saturday for the knife... Many thanks for the brace of pheasants and hares—by the same train—indeed, I think it fortunate, for with all the strife and strike of pokers and stokers for the railroads - their commons every day growing worse - in shareholders and directors squabbling about the winding up the last Bill, to come to some end for those lines known or supposed to be in difficulty... I am sorry to say my health is much on the wain. I cannot bear the same fatigue, or have the same bearing against it, I formerly had - but time and tide stop not - but I must stop writing for today..”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote from Turner's letter to Mr. Hawkesworth, 24 December, 1849; as quoted in The life of J.M.W. Turner, Volume II, George Walter Thornbury; Hurst and Blackett Publishers, London, 1862, pp. 90-91
1821 - 1851

Health, Thinking, Time, Christmas

“The Spice Girls are easier to tell apart than the Teenage Mutant Ninja Turtles, but that is small consolation: What can you say about five women whose principal distinguishing characteristic is that they have different names? They occupy Spice World as if they were watching it: They're so detached they can't even successfully lip-synch their own songs. During a rehearsal scene, their director tells them, with such truth that we may be hearing a secret message from the screenwriter, "That was absolutely perfect — without being actually any good." Spice World is obviously intended as a ripoff of A Hard Day's Night which gave The Beatles to the movies… the huge difference, of course, is that the Beatles were talented — while, let's face it, the Spice Girls could be duplicated by any five women under the age of 30 standing in line at Dunkin' Donuts.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/spice-world-1998 of Spice World (23 January 1998) Reviews, Half-star reviews

Women, Truth, Secret, Age

“I came into DreamWorks looking to direct. I was hoping to go through story as a way toward directing, because that’s how it worked at Disney, story people became heads of story, and heads of story became directors. And they said, ‘Right now we don’t have a lot of story, but we have visual development,’ and I said, ‘Good, I paint!”

Vicky Jenson (1960) American animator

Quoted by Michael Mallory in " Firsts Among Equals http://www.animationmagazine.net/top-stories/firsts-among-equals/", Animation Magazine (March 6th, 2014).

People, Hope, Way, Painting

“Socialized industries should be governed by boards of directors composed of representatives of engineers, workers, and consumers.”

Kirby Page (1890–1957) American clergyman

Property (1935)

“It cannot be emphasized too strongly that playing can pull many a director and cast out of a tight spot, freeing all of them from the fear-producing trap of memorizing, characterizing and interpreting. This playing draws upon a very important, almost forgotten, little understood or utilized, and greatly maligned life-giving force --- passion!”

Viola Spolin (1906–1994) American academic and acting theorist

Theater Games for Rehearsal - A Director's Handbook(1988), Northwestern University Press, Preface

Life, Fear, Passion, Drawing

“Obviously, I am the cook. The cook is the director. He arranges the menu, the seating order of the guests; he gives refuge to the lovers; he prepares the repast of the lover's body. The cook is a perfectionist and a rationalist, a portrait of myself.”

Peter Greenaway (1942) British film director

In an interview in Die Zeit, 24 Nov 1989
The Cook, The Thief, His Wife, and Her Lover

Lovers, Cooking

“(Lucio Fulci) was a great director. Many terrible things happened to him in his life. He was rather unlucky. I have always enjoyed working with him greatly, as he was a truly original human being with a great love for cinema.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Love, Life

“And I have to give the FBI credit, that was so bad, what happened, originally, and it took guts for Director Comey to make the move that he made, in light of the kind of opposition he had, with their trying to protect her from criminal prosecution, you know that. It took a lot of guts, I really disagreed with him, I was not his fan, but I'll tell you what, what he did, he brought back his reputation, he brought it back. He's got to hang tough, because there's a lot of, lotta people, want him to do the wrong thing, what he did was the right thing.”

Donald J. Trump (1946) 45th President of the United States of America

At a rally in Grand Rapids, Michigan http://edition.cnn.com/videos/politics/2016/10/31/donald-trump-james-comey-has-guts-grand-rapids-sot.cnn shortly after Comey announced the FBI would investigate further emails relating to Hillary Clinton, but before his statement that no incriminating information was found within them (31 October 2016) 2010s, 2016, October

People, Light

“There were two times in my life that inspired me the most. The first was when I was a kid, probably the most emotionally influential time, when you’re naïve and innocent. I went to movie theaters and fell in love with genre films in the 1950s, when there was a big wave of monster movies. My passion came from the young guy who was watching The Fly back in 1958. Then, going to USC I began to watch movies in a different way and was exposed to different kinds of movies, foreign films. We had directors like Orson Welles, Alfred Hitchcock, Howard Hawks and John Ford come down and lecture us. It was unbelievable!”

John Carpenter (1948) American film director, screenwriter and producer

John Carpenter Q&A: Why ‘Halloween’ Didn’t Need Sequels & What Scares The Master Of Horror http://deadline.com/2014/10/john-carpenter-qa-halloween-sequels-michael-myers-861942/ (October 31, 2014)

Love, Life, Way, Guy

“The reasons why the adoption of a system of central planning necessarily produces a totalitarian system are fairly simple. Whoever controls the means must decide which ends they are to serve. As under modern conditions control of economic activity means control of the material means for practically all our ends, it means control over nearly all our activities. The nature of the detailed scale of values which must guide the planning makes it impossible that it should be determined by anything like democratic means. The director of the planned system would have to impose his scale of values, his hierarchy of ends, which, if it is to be sufficient to determine the plan, must include a definite order of rank in which the status of each person is laid down. If the plan is to succeed or the planner to appear successful, the people must be made to believe that the objectives chosen are the right ones. Every criticism of the plan or the ideology underlying it must be treated as sabotage. There can be no freedom of thought, no freedom of the Press, where it is necessary that everything should be governed by a single system of thought. In theory Socialism may wish to enhance freedom, but in practice every kind of collectivism consistently carried thought must produce the characteristic features which Fascism, Nazism, and Communism have in common. Totalitarianism is nothing but consistent collectivism, the ruthless execution of the principle that 'the whole comes before the individual' and the direction of all members of society by a single will supposed to represent the 'whole.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

" Planning, Science and Freedom http://www.nature.com/nature/journal/v148/n3759/abs/148580a0.html", Nature 148 (15 November 1941), also available as " Planning, Science, and Freedom https://mises.org/library/planning-science-and-freedom," Mises Daily (Auburn, AL: The Ludwig von Mises Institute, 27 September 2010) 1940s–1950s

People, Communication, Nature, Freedom

“Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh — they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jan Aghed interview (2002)

Beauty, Passion

“I moved into directing for a couple of reasons. … Most directors, I discovered, need to be convinced that the screenplay they’re going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, "Why am I out there looking for directors?" — because you look at a list of directors, it’s all boys. It certainly was when I started as a screenwriter. So I thought, "I’m just gonna become a director and that’ll make it easier."”

Nora Ephron (1941–2012) Film director, author screenwriter

In the documentary Dreams on Spec (2007)

Women, Boy, Parting

“To evaluate the greatness of the late director of the Philippine Library and Museum is utterly impossible. An accomplished musician, the foremost scholar in the land, a collector of the first rank, at home among the great masters of foreign tongues, Epifanio de los Santos leaves behind him a record of service and achievement that would be difficult to equal.”

Epifanio de los Santos (1871–1928) Filipino politician

R. McCulloch Dick ( Editor, The Philippine Free Press).
BALIW

Home

“I did all my fighting before the film started. I fought for the best director, the best lighting man. I was always conscious of how I looked.”

Irene Dunne (1898–1990) American actress

A Visit With Irene Dunne (1977)

Light, Fight

“A great director is someone who makes you feel like you're moving forward.”

Fred Willard (1939) American actor and comedian

Source: Fred Willard Quotes - Fred Willard on Comedy, Celebrity ... at esquire.com, Dec. 20, 2010.

Feeling

“For the late twentieth-century museum director there is no more certain prospect for audience acclaim and sponsor success than those Impressionist and Post-impressionist artists who were so reviled a century earlier”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

Success

“I hadn't seen the previous two Creature films but I was aware of them. My Universal contract was still in effect and there wasn't another film property that they could use me in at the time. It wasn't a bad script and I made the most of it. Leigh Snowden, I thought, was a beautiful ingénue. I remember there were both Ricou Browning and Don Megowen as the Creature, in and out of the water. I thought the Creature costume, both before and after the burning incident, was convincing. There was a scene that takes place on a balcony where I was being pursued by the Creature. He picks me up to toss me over. In the final cut a dummy goes over, yet for a moment before the director yelled "Cut!"”

Jeff Morrow (1907–1993) American actor and World War II veteran

I thought I was going over for real. Psychotronic Video interview http://www.zomboscloset.com/zombos_closet_of_horror_b/2013/08/the-jeff-morrow-interview-part-4.html (1993)

Beauty, Universe, Water, Time

“For a long time, the movie [Shrek] didn’t know what it wanted to be. One problem was unavoidable: Chris Farley had died, and the story had been geared around him, so when he went, the story kind of went with him. It went through an upheaval while they tried to find the right tone for it. I think they were really close to shelving the project when a few of us came into story to try and find a tone that we could work with. When Kelly Asbury moved on to Spirit: Stallion of the Cimarron I became head of story, along with Randy Cartwright. Along with Andrew Adamson, who stayed on as director, we started pulling little pieces together out of what remained, and part of the way through, Jeffrey [Katzenberg] decided that I should be directing. A few months later, we started production.”

Vicky Jenson (1960) American animator

Quoted by Michael Mallory in " Firsts Among Equals http://www.animationmagazine.net/top-stories/firsts-among-equals/", Animation Magazine (March 6th, 2014). Chris Farley was the original voice of Shrek.

Way, Problem, Thinking, Time

“This study compares the agency theory of the firm with interorganizational theory in examining the factors associated with the adoption of the poison pill-a takeover defense issued by a firm's board of directors that can dramatically increase the cost that a hostile buyer would have to pay to acquire the firm-by a panel of Fortune 500 firms between July 1984 and August 1989. The pill's rapid spread is traced to a combination of ownership structure and other firm-level factors and an interlock network diffusion process. The results support a social structural perspective on the market for corporate control in which the interlock network provides a social context favoring continued managerial dominance. The findings are also more consistent with models of cohesion rather than structural equivalence as the social structural mechanism responsible for diffusion.”

Gerald F. Davis (1961) American sociologist

Source: "Agents without principles?" 1991, p. 538 ; Abstract

Hostility, Support, Study

“I would consider doing any part as long as the script is good and the film has an interesting director.”

Daniel Radcliffe (1989) English actor

http://www.flixster.com/actor/daniel-radcliffe/daniel-radcliffe-quotes

Parting

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008) Reviews, Four star reviews

Life, People, Education, Food

“This is the fourth film from hot Swedish director Lukas Moodysson. Two of his previous three movies, Show Me Love and Lilya 4-Ever, made my year-end Top 10 lists. So it was with great anticipation that I settled into a seat on the first Friday night of the 2004 Toronto Film Festival to see A Hole in My Heart. 98 minutes later, I felt like I had been dragged through a vat of raw sewage laced with Sominex - Directed by Lukas Moodysson.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=935 of A Hole in My Heart (2004). Zero star reviews

Love, Heart, Night

“Some differences of opinion exist in the Board of Directors, in regard to the discipline that has been pursued in the superintendence of the operations of the road. [It was his understanding that] a respectable number of them entertain views… somewhat at variance with my own.”

Daniel McCallum (1815–1878) Canadian engineer and early organizational theorist

Resignation letter, 1857

Understanding

“When five men were captured in the Watergate offices of the Democratic National Committee early in the morning on Saturday June 17, 1972 I had just completed a three-year stint as an assistant United States Attorney in Nashville. Ironically I had resigned the day before the break-in. I was about to become an unpaid political worker- the middle Tennessee director for the reelection campaign of Sen. Howard Baker.”

Fred Thompson (1942–2015) American politician and actor

page 3
At That Point in Time, Initial involvement

Men

“[Referring to the radio station program director]: "I'll get him to call me some day, even if it means spilling cheese all over my brassiere at KFI, by gawd."”

April Winchell (1960) American voice actor and writer

KFI-Los Angeles radio broadcast, January 28, 2001, 10:00 p.m. hour.

“I sat around in a hotel room in London for about a month, locked myself away, formed a little diary and experimented with voices — it was important to try to find a somewhat iconic voice and laugh. I ended up landing more in the realm of a psychopath — someone with very little to no conscience towards his acts … just an absolute sociopath, a cold-blooded, mass-murdering clown …. [being given] free rein [by director Christopher Nolan was] fun, because there are no real boundaries to what The Joker would say or do. Nothing intimidates him, and everything is a big joke.”

Heath Ledger (1979–2008) Australian actor

Interview remarks published in Empire, from interviews conducted in November 2007.
[Dan Jolin, Fear Has a Face, http://www.empireonline.com/magazine/covers/image.asp?id=24227&gallery=1365&caption=%23223%20%28January%202008%29, Empire, 223, January, 2008, 87–88, Bauer Verlagsgruppe, 2008-07-08]
[Dan Jolin, The Dark Knight, http://www.empireonline.com/magazine/covers/image.asp?id=27819&gallery=1365&caption=%23229+%28July+2008%29, Empire, 229, July, 2008, 92–100, Bauer Verlagsgruppe, 2008-08-18]
[Olly Richards, World Exclusive: The Joker Speaks: He's a Cold-blooded Mass-murdering Clown, http://www.empireonline.com/news/story.asp?nid=21560, Empire, Web, Bauer Verlagsgruppe, November 28, 2007, 2008-08-18]

“To see strong acting like this is exhilarating. In a time of flashy directors who slice and dice their films in a dizzy editing rhythm, it is important to remember that films can look and listen and attentively sympathize with their characters. Directors grow great by subtracting, not adding, and Eastwood does nothing for show, everything for effect.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Reviews, Four star reviews Source: Review http://www.rogerebert.com/reviews/mystic-river-2003 of Mystic River (8 October 2003)

Strong, Time

“We have, just, no intelligence gathering information. We need this information so badly. … We need an intelligence gathering system second to none. Second to none. That includes better cooperation between state, local and federal officials, and with our allies, very importantly. I will have an Attorney General, a Director of National Intelligence and a Secretary of Defense who'll know how to fight a war on radical Islamic terrorism.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, June, Speech about the Orlando Shooting (June 13, 2016)

War, Intelligence, Fight

“The breaking of casting cliches also broke boundaries. A short, Latin-looking actress like me playing classical roles such as Miss Julie, and playing them well, made casting directors uncomfortable. It was unheard of that a short, dark-haired actress of Greek temperament could play the aristocratic Miss Julie. Not beautiful or tall enough etc. It proved one of the best productions of Miss Julie ever seen in London.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On the formation of Internationalist Theatre.
The South African Interview (August 8, 2011)

Beauty

“In Kevin's movies I would like to stay Jay. But, yeah, I'd love to do something else in someone else's movie. I got a script sent to me at this office and I got a call from a woman — Universal's doing a snowboarding movie. I'm not in it yet, but I'm supposed to meet with the director in New York soon. I'm waiting to hear back from them.”

Jason Mewes (1974) American actor

View Askew interview (1999)

Love, Universe, Waiting

“Transformers: Revenge of the Fallen will make a ton of money, Michael Bay will be lauded as the greatest director of our generation, and the accountants at Paramount will have their second collective orgasm in as many months. As for me, I will try desperately not to weep — not so much for what the success of a movie like this means to motion pictures, but for the simple fact that I'm going to have to do this all over again in two or three years for Transformers 3.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1695 of Transformers: Revenge of the Fallen (2009). One-and-a-half star reviews

Money, Revenge, Success

“Writer-director John Roecker's debut, Live Freaky! Die Freaky! will have you convulsing on the floor … with nausea, laughter, or both.”

John Roecker (1966) American film director

[Freaky deaky: gay music video director John Roecker takes stop-motion animation to bizarre places in his debut feature Live Freaky! Die Freaky!, The Advocate, February 14, 2006, Kurt B., Reighley]
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Quotes about director page 3

Quotes about director
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