Quotes about director (384 quotes, page 2)

“As long as I'm the director of Miss Nevada, we will never award fur coats as prizes, and I urge my fellow pageant directors to make the same pledge. Kind people today are taking a stand against cruelty to animals—so a fur coat is no prize for a compassionate, socially-aware woman.”

Shanna Moakler (1975) American actress and model

Statement to PETA, as quoted in "Miss USA Winners Pose Naked in Sexy New PETA Ad", E! Online (June 13, 2013) https://www.eonline.com/uk/news/429232/miss-usa-winners-pose-naked-in-sexy-new-peta-ad-check-it-out.

People , Animals

“I can't remember ever feeling so glad that a movie was finally over. [Director George] Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.”

Stephanie Zacharek (1963) American film critic

Review http://salon.com/ent/movies/review/2002/05/16/attack_clones/index.html of Star Wars Episode II: Attack of the Clones (2002)

Feeling , Imagination

“from his postcard, October 1903 to de:Carl Moll; as quoted by Hans-Peter Wipplinger, director of the Leopold Museum in Vienna, which owns this postcard”

Ferdinand Hodler (1853–1918) Swiss artist

Carl Moll was co-founder of the Vienna Secession which invited Hodler to participate in their exhibitions. Hans-Peter Wipplinger stated that it was then that Hodler received the recognition he had previously been denied in his own country, Switzerland

Quotes

“This film was pivotal in my life, not so much because it was my first successful effort as a producer and director, but because Hitler was so fascinated by this film that he insisted I make a documentary about the Party rally in Nuremberg. The result was Triumph of the Will.”

Leni Riefenstahl (1902–2003) German film director, photographer, actress and dancer

On The Blue Light: Partly quoted in: Leni Riefenstahl (1992) The sieve of time: the memoirs of Leni Riefenstahl. p. 210

Life , Effort , Success

“The thing that I enjoy about animation is the fact that it is unbridled and there are no boundaries; when are in the room you don’t have to focus on your clothing, make-up, hair, your choreography or your blocking, you really do have total freedom. It is that total freedom that I really enjoy as there is no judgement and there are no critics there watching to see what you are going to do. It is just a free-for-all, and I really enjoy that process. When you are working with incredible directors then the responsibility lies on them to do the product and get the story told; it takes a lot of pressure of me, and I just get to go in and have a play session.”

Jodi Benson (1961) American voice actress, actress and singer

Jodi Benson Exclusive Interview http://www.femalefirst.co.uk/movies/jodi-benson-exclusive-interview-330687.html (August 30, 2013)

Freedom , Animals , Clothes

“The movie industry is run by accountants in Hollywood and it's as simple as this; everyone has a number on their computer. They can look up Jeremy Irons and see what my last five movies have made. Say you want to make a $20m picture, which is relatively cheap. If Jeremy makes $9m, the director makes $5m, then you need a leading lady, and they just go through those figures - that's how casting happens. And none of my movies has made a lot of money.”

Jeremy Irons (1948) English actor

Lipworth, Elaine, "King of all his castles"

Money

“What I consider to do with the new course [at The Academy of Art in The Hague] is: in the morning doing large plaster and in the afternoon painting or drawing after Nature, what I am doing already for some time, and [drawing] horses in the Municipal Horse Riding School. The Director is Sir Krüger, a very charming German who has seen of course many horses and so he knows how to show me the mistakes I make, which are not few.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Wat ik mij voorstel met de nieuwe cursus te doen is: 's morgens grootpleister en 's middags schilderen of naar de natuur teekenen. waarmede ik reeds eenige tijd bezig ben. en paarden in de Stadsrijschool. De Dir. daarvan is den Heer Krüger een alleraardigste duitscher, die nat. veel paarden gezien heeft en me dus de fouten weet te zeggen, die ik maak en die niet weinige zijn.
early quote of Breitner in his letter to his Maecenas A.P. van Stolk, 11 April 1878; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/585
before 1890

School , Art , Nature , Time

“I have fundamental reservations to this adaptation. First of all I would have liked to see the planet Solaris which the director unfortunately denied me as the film was to be a cinematically subdued work. And secondly — as I told Tarkovsky during one of our quarrels — he didn't make Solaris at all, he made Crime and Punishment. What we get in the film is only how this abominable Kelvin has driven poor Harey to suicide and then he has pangs of conscience which are amplified by her appearance; a strange and incomprehensible appearance. […]”

Stanisław Lem (1921–2006) Polish science fiction author

On Solaris screening (1972)

Suicide , Appearance

“I staggered through my career and came out the other end, alive. I made some films that meant something to me. In my opinion, they weren’t all great, and they weren’t all successful, but they sure were ‘me’. And this is what I was going through or thinking or feeling as a director at the time, and I’m very proud of them. A lot of great directors just never had the chance to have their work appreciated and celebrated and watched, all these years after they were made. So, man, what do you want out of life? It’s great!”

John Carpenter (1948) American film director, screenwriter and producer

The Den of Geek interview: John Carpenter http://www.denofgeek.com/movies/halloween/13379/the-den-of-geek-interview-john-carpenter (June 3, 2008)

Life , Feeling , Thinking , Chance

“The producer orders a certain title.
The musical director orders a certain rhythm.
The dance director orders a certain number of bars.
And the composer orders a certain number… of aspirin.”

Frank Loesser (1910–1969) American songwriter

on working in Hollywood
Reported by musician Michael Feinstein, transcript of * Fresh Air Celebrates Frank Loesser's 100th Birthday
http://www.npr.org/2010/06/29/128169934/fresh-air-celebrates-frank-loesser-s-100th-birthday
Fresh Air
http://www.npr.org/programs/fresh-air/
Host: Terry Gross, Guest: Michael Feinstein
NPR
WHYY
Philadelphia
2009-06-29
2:34
http://www.npr.org/templates/transcript/transcript.php?storyId=128169934

Music , Dance

“Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.”

Indro Montanelli (1909–2001) Italian journalist

Preface to Il Pollaio delle Libertà by Marco Travaglio, Vallecchi, 1995.
1950s - 1990s

Life , Star , Support , Change

“It was in the 1960s that I began the detailed study of public regulation. My interests were aroused, and my faith in the cliches of the subject destroyed, as so often with other subjects, by the discussions with my friend, Aaron Director. This wonderful man is that rarest of scholars: a clear-headed, imaginative, erudite man who enjoys the task of constructing luminous and original theories but does not even write them down!”

George Stigler (1911–1991) American economist

"George J. Stigler - Biographical," 1982

Faith , Imagination , Study

“Seeing someone in the position of James Clapper - the Director of National Intelligence - baldly lying to the public without repercussion is the evidence of a subverted democracy. The consent of the governed is not consent if it is not informed.”

Edward Snowden (1983) American whistleblower and former National Security Agency contractor

Interview with Glenn Greenwald, 6 June 2013, Part 1

Democracy , Intelligence , Lying

“Max Bialystock: How could this happen? I was so careful. I picked the wrong play, the wrong director, the wrong cast. Where did I go right?”

Mel Brooks (1926) American director, writer, actor, and producer

The Producers

“There are directors that make one good movie their whole life, but this movie creates a buzz around the director, then they get like forever good reviews. Till someone 20 years later says, look, to be honest I liked only the one movie of that guy. In my case it’s exactly the opposite. I get trashed for whatever I do. They don’t see any difference in what I’m doing.”

Uwe Boll (1965) German restaurateur and former filmmaker

2000s

Life , Guy

“Blue Velvet contains scenes of such raw emotional energy that it's easy to understand why some critics have hailed it as a masterpiece. A film this painful and wounding has to be given special consideration. And yet those scenes of stark sexual despair are the tipoff to what's wrong with the movie. They're so strong that they deserve to be in a movie that is sincere, honest and true. But Blue Velvet surrounds them with a story that's marred by sophomoric satire and cheap shots. The director is either denying the strength of his material or trying to defuse it by pretending it's all part of a campy in-joke. … What's worse? Slapping somebody around, or standing back and finding the whole thing funny?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/blue-velvet-1986 of Blue Velvet (19 September 1986)
Reviews, One-star reviews

Pain , Understanding , Strong , Parting

“Finally, the role of sound in these films is very important, and directors give it a lot of attention. We work hard, we try, it is not just enough to illustrate. We must build a character in its own music.”

François-Eudes Chanfrault (1974–2016) Composer and musician

CinemaFantastique.net interview (October 2, 2008)

Music

“Godzilla 2014 missed the mark primarily because it is not an origins story. Gojira was a monster of our own making. Similarly Gino was supposed to impose nature’s response to our meddling. But G2014 pre-existed genetic modifications and nuclear testing. We have no responsibility for him, nor the mutos either. They come from a time that never was, millions of years ago, “when the world was much more radioactive than it is today”. The story implies that mutos ‘eat radiation’. In the film, they can track it through every kind of protective shielding, and they eat nuclear devices like fruit -metallic peal and all. I guess millions of years ago, nuclear missiles grew on trees, and kaiju were common even though they’re absent from the fossil record -with only one top-secret exception. As an advocate of science education with a deep interest in paleontology, and as someone who would rather see humans held accountable for what they do to their environment, this film was very disappointing. As an atheist, it was even worse. The star of the film not only has impossible dimensions and an inexplicable power, he is also immortal. He’s been alive forever, and spends all his time sleeping. He awakens only he senses submarines or the arrival of other kaiju, because he has a mission to protect humanity. G2014 put the ‘god’ in Godzilla. The director called him a god, and some of the characters in the movie describe him as a god too. So he’s not a lizard, not a dinosaur, but one of the Lovecraftian great old ones like Cthulhu. In a video I made years ago, I too joked about Godzilla being a god. But it was still somewhat disappointing to see him depicted that way.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

God , Secret , World , Education

“Movies make hash of the schoolmarm’s approach of how well the artist fulfilled his intentions. Whatever the original intention of the writers and director, it is usually supplanted, as the production gets under way, by the intention to make money — and the industry judges the film by how well it fulfills that intention. But if you could see the "artist’s intentions" you’d probably wish you couldn’t anyway. Nothing is so deathly to enjoyment as the relentless march of a movie to fulfill its obvious purpose. This is, indeed, almost a defining characteristic of the hack director, as distinguished from an artist.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Money , Way

“Whom could this operetta offend? Only those of us who, despite the fact that we may respond, loathe being manipulated in this way and are aware of how cheap and ready-made are the responses we are made to feel. We may become even more aware of the way we have been turned into emotional and aesthetic imbeciles when we hear ourselves humming the sickly, goody-goody songs. The dauntless, scrubbed-face heroine (Julie Andrews), in training to become a nun, is sent from the convent to serve as governess to the motherless Von Trapp children, and turns them into a happy little troupe of singers before marrying their father (Christopher Plummer). She says goodbye to the nuns and leaves them outside at the fence, as she enters the cathedral to be married. Squeezed again, and the moisture comes out of thousands--millions--of eyes and noses. Wasn't there perhaps one little Von Trapp who didn't want to sing his head off, or who screamed that he wouldn't act out little glockenspiel routines for Papa's party guests, or who got nervous and threw up if he had to get on a stage? The only thing the director, Robert Wise, couldn't smooth out was the sinister, archly decadent performance by Christopher Plummer--he of the thin, twisted smile; he seems to be in a different movie altogether.”

Pauline Kael (1919–2001) American film critic

"The Sound of Music," p. 697
5001 Nights at the Movies (1982)

Children , Smile , Way , Feeling

“If we try to keep a sense of balance, the exposures of the past several months are analogous to the discovery that the directors of Murder, Inc. were also cheating on their income tax. Reprehensible, to be sure, but hardly the main point.”

Noam Chomsky (1928) american linguist, philosopher and activist

" Watergate: A Skeptical View http://www.chomsky.info/articles/19730920.htm," New York Review of Books, September 20, 1973.
Quotes 1960s-1980s, 1970s

Sense , Past , Cheating

John Major (1943) Former Prime Minister of the United Kingdom

Tony Banks, "The wit and wisdom of Tony Banks" http://news.bbc.co.uk/1/hi/uk/4593562.stm, BBC News, 8 January 2006

People

“Anna’s reaction is more complex than you might imagine, and it’s at such a moment you appreciate the woman in the writer-director’s chair. Women, I suspect, are more likely than men to view sex from the over-all perspective of what we may call their lives. In a country like Saudi Arabia, whose citizens express discomfort about men and women even attending movies together, I have little doubt which gender is more concerned.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/humpday-2009 of Humpday (22 July 2009)
Reviews, Three-and-a-half star reviews

Women , Men , Sex , Imagination

“Everyone said how tormented directors can be. I've never enjoyed something so much in my life!”

Salma Hayek (1966) Mexican-American actress and producer

O interview (2003)

Life

“You go through different arcs in your career. I think when I was younger, I was very into the performing side of the industry. I came to acting through that way, and then having gone to university and studied cinema studies and watching tons of films and understanding film theory and making a conscious choice of working with auteur director marks a new chapter in my development as an artist.”

Sarah Gadon (1987) Canadian actress

Way , Understanding , Thinking , Study

“[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. … Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/b/batman_begins.html of Batman Begins (2005).
Three-and-a-half star reviews

Men , Strong , Waiting

“I don't want to go to another roller-coaster ride of a movie. If I want that, I'll go to Magic Mountain. I'm really interested in the young directors that are doing different things in cinema. I think the movies people will hold onto are the Rushmores and the Being John Malkoviches. Those are the kind of films I want to do; that's what I'm passionate about.”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

Mean magazine http://www.fedge.net/~zdeschanel/articles/index.html (April 2001).

People , Mountain , Thinking , Passion

“This is a business that’s heavily promulgated by people who have a politically liberal bent. I don’t begrudge them that. I’m a libertarian; frankly, I think my liberalness goes far beyond theirs in a lot of ways. But yeah, we think differently, and maybe that’s cut me out of some things. I don’t care. People know I get along great with all kinds of directors, all kinds of actors. And I tell you, you hire me, I will show up, 24/7, and I will give you 100%. I will help you fix whatever problems come up. You hire me, I’m your boy. It’s just, it’s all about the work. And when that’s done, I am done.”

Kurt Russell (1951) American actor

Kurt Russell on 'Deepwater Horizon,' Hollywood and more http://www.nj.com/entertainment/index.ssf/2016/09/kurt_russell_on_deepwater_horizon_hollywood_and_mo.html (September 23, 2016)

People , Way , Boy , Business

“It is to the director of workshops and factories that it is suitable to make, by means of geometry and applied mechanics, a special study of all the ways to economize the efforts of workers… For a man to be a director of others, manual work has only a secondary importance; it is his intellectual ability (force intellectuelle) that must put him in the top position, and it is in instruction such as that of the Conservatory of the Arts and Professions, that he must develop it.”

Charles Dupin (1784–1873) French mathematician

Charles Dupin (1826), Geometrie et Mechanique des Arts et Metiers et des Beaux Arts Paris: Bachelier; Cited and translated by John Hoaglund, "Management Before Frederick Taylor," p. 30.; and cited in Wren & Bedeian (2005, 74)

Art , Way , Effort , Study

“I am very sorry that Andy Coulson has decided to resign as my Director of Communications, although I understand that the continuing pressures on him and his family mean that he feels compelled to do so. Andy has told me that the focus on him was impeding his ability to do his job and was starting to prove a distraction for the Government.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2011

Family , Feeling , Communication , Understanding

“A general policy towards Hindu temples was proclaimed in April 1669. Maasir-i-alamgiri records: "On the 17th of Zil Kada 1079 (9th April 1669) it reached the ears of His Majesty, the protector of the faith, that in the province of Thatta, Multan, and Benares, but especially in the latter, foolish Brahmans were in the habit of expounding frivolous books in their schools, and that students and learners, Muslims as well as Hindus, went there, even from long distances, led by a desire to become acquainted with the wicked sciences they taught. The Director of the Faith, consequently, issued orders to all governors of provinces to destroy with a willing hand the schools and temples of the infidels and they were strictly enjoined to put an entire stop to the teaching and practising of idolatrous forms of worship. On the 15th Rabiul-akhir (end September) it was reported to his religious Majesty, leader of the unitarians, that in obedience to order, the government officers had destroyed the temple of Bishnath at Benares."….”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231 Ch. 7.
Quotes from late medieval histories, 1660s

Books , School , Faith , Science

“Though he died in 1946, Keynes still dominated economics at Cambridge in the mid-1960s. It wasn't just that all the leading figures among the faculty, Richard Kahn, Joan Robinson, Brian Reddaway, David Champernowne, Nicholas Kaldor, and James Meade, had been his pupils and/or collaborators. It was the tone of the place. The study of economics, theoretical or empirical, was driven by the desire to improve the conduct of economic policy. This did not mean that pure theory was neglected. Indeed, in those years Robinson was fighting a stirring battle in the realms of high theory with Paul Samuelson and Robert Solow from the Massachusetts Institute of Technology. Nor was Cambridge innocent of the cutting edge of econometric technique. Richard Stone, who, following Keynes's suggestions, had created the first modern national income accounts, was still director of the Department of Applied Economics where much of modern econometrics was pioneered. Nonetheless, we were taught that theory and technique should serve the higher cause of rational economic policies, and to use our newly learned econometric expertise to write essays on unemployment, or inflation, or the balance of trade, or some other topic at the top of the current political agenda.”

John Eatwell, Baron Eatwell (1945) British economist

"Citizen Keynes", 1994

Study , Learning , Fight

“I had a wonderful director, Sidney Franklin …. I worked from inside out. It's not for me, putting on a face, or putting on makeup, or making masquerade. It has to come from inside out. I knew what I wanted to do and he let me do it. Hollywood was a very strange place. To me, it was like a huge hotel with a huge door, one of those rotunda doors. On one side people went in, heads high, and very soon they came out on the other side, heads hanging.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Of her film The Good Earth
Article in Movie Maker http://www.moviemaker.com/directing/article/luise_rainer_3324/

People

“…this is not the only time that I have stuck out my neck for a Greek film director. With Nikos Nikolaides I introduced him to Mr Constantini as well, and undertook to send his XXX-rated movie "Singapore Sling" to two of the top film agents in the UK, Jenny Cassarotto and PDF who have now changed their name on account of a merger. Ms Cassarotto was indulgent, but the other agent was so shocked that he treated me as if I was peddling porn. The things I've done for Greece!”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On helping Greek film directors find funding
Interview on Helenism .net (September 2011)

Change , Time

“A director is a man, therefore he has ideas; he is also an artist, therefore he has imagination. Whether they are good or bad, it seems to me that I have an abundance of stories to tell. And the things I see, the things that happen to me, continually renew the supply.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Cahiers du Cinema (1960)

Imagination , Idea

“My experience with first-time directors is that they’re all extremely prepared, because I guess they’re worried. They spend weeks preparing everything, and they have to get used to the fact that once you get there, everything goes wrong and you have to make everything up.”

Matthew Broderick (1962) American film, stage and voice actor

"Matthew Broderick on John Hughes, the Never-Finished Margaret, and His New Film Wonderful World" by Kyle Buchanan, in Movieline (7 January 2010) http://www.matthewbroderick.net/interview/movieline100107.html

Time

“The short man was all of a piece, but there was nothing reassuring in this; it was a piece of the same material that too many high school principals, boys’ camp directors, and military and naval officers are made of: a texture or quality often dignified by the description, “ability to command”—the desire to bully, override, bear down—the capacity to do so by virtue of office—the habit of having done so for a long time and the confidence of continuing to do so for a long time.”

Avram Davidson book Masters of the Maze

Source: Masters of the Maze (1965), Chapter 7 (p. 85)

School , Confidence , Boy , Time

“What is a club in any case? Not the buildings or the directors or the people who are paid to represent it. It’s not the television contracts, get-out clauses, marketing departments or executive boxes. It’s the noise, the passion, the feeling of belonging, the pride in your city. It’s a small boy clambering up stadium steps for the very first time, gripping his father’s hand, gawping at that hallowed stretch of turf beneath him and, without being able to do a thing about it, falling in love.”

Bobby Robson (1933–2009) English association football player and manager

Source: " It's the noise, the passion, the feeling of belonging": What does NUFC mean to you? http://www.chroniclelive.co.uk/sport/football/football-news/sir-bobby-robson-quote-tell-6260751" at Evening Chronicle, November 1, 2013.

Love , People , Feeling , Boy

“A violent propaganda campaign was launched by Carey and his associates against Hinduism in Bengal which seemed to them to be in a state of dissolution. But Hindu orthodoxy reacted vigorously and Lord Minto felt obliged to prohibit such propaganda in Calcutta. Minto's letter to the Court of Directors is worth quoting: `Pray read the miserable stuff addressed specially to the Gentoos (Hindus) in which... the pages are filled with hell fire, and hell fire and with still hotter fire, denounced against a whole race of men, for believing in the religion which they were taught by their fathers and mothers...”

K. M. Panikkar (1895–1963) Indian diplomat, academic and historian

Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

Men , Religion , Quotes , Hell

“That is not with me. It is up to the directors to give me roles that might fetch awards.”

Rajinikanth (1950) Indian actor

About not winning a National Film Award till date, in When KB Interviewed Superstar! (25 October 2010) http://www.behindwoods.com/tamil-movie-news-1/oct-10-04/k-balachander-rajinikanth-25-10-10.html

“I'll tell you what the most important and enjoyable thing for me is: getting notes. A director that enhances my performance by seeing things onscreen and then telling me, "Why don't we do that? Why don't we do this?" Directors who understand a little bit more of the psyche of what he's looking for and can put that in words. I work great with notes. I really am able to elevate with getting notes from other people and hearing other people's opinion and I think that's for me the best thing about working with a great director.”

Oded Fehr (1970) Israeli-American actor

Interview: Oded Fehr http://www.ign.com/articles/2007/08/15/interview-oded-fehr?page=2 (August 15, 2007)

People , Understanding , Thinking

“If these Mount Everests of the financial world are going to labor and bring forth still more pictures with people being blown to bits with bazookas and automatic assault rifles with no gory detail left unexploited, if they are going to encourage anxious, ambitious actors, directors, writers and producers to continue their assault on the English language by reducing the vocabularies of their characters to half a dozen words, with one colorful but overused Anglo-Saxon verb and one unbeautiful Anglo-Saxon noun covering just about every situation, then I would like to suggest that they stop and think about this: making millions is not the whole ball game, fellows. Pride of workmanship is worth more. Artistry is worth more.”

Gregory Peck (1916–2003) American actor

Acceptance speech on receiving the American Film Institute's Life Achievement Award in 1989, as quoted in "Gregory Peck, a Star of Quiet Dignity, Dies at 87" by William Grimes in The New York Times (13 June 2003)

People , World , Color , Game

“THE subject I have been given for these lectures is The Psychological Foundations of Business Administration, but as it is obvious that we cannot in four papers consider all the contributions which contemporary psychology is making to business administration — to the methods of hiring, promoting and discharging, to the consideration of incentives, the relation of output to motive, to group organization, etc. — I have chosen certain subjects which seem to me to go to the heart of personnel relations in industry. I wish to consider in this paper the most fruitful way of dealing with conflict. At the outset I should like to ask you to agree for the moment to think of conflict as neither good nor bad; to consider it without ethical prejudgment; to think of it not as warfare, but as the appearance of difference, difference of opinions, of interests. For that is what conflict means — difference. We shall not consider merely the differences between employer and employee, but those between managers, between the directors at the Board meetings, or wherever difference appears.”

Mary Parker Follett (1868–1933) American academic

Source: Dynamic administration, 1942, p. 1. Lead paragraph

Way , Motivation , Business , Thinking

“I fought the director for a week to stay blonde, but, eventually, I had to give in. It's amazing how differently people react to you if you're not a blonde. Shortly after I'd dyed it, I walked past a building site and got no reaction whatsoever, and then I tried to get a cab and not one stopped. Getting a cab in London is difficult at the best of times, but being blonde certainly helps.”

Alice Evans (1971) British actress

"She may have lost a Picasso..." The Daily Express, 15 January 2001.

People , Time , Past , Help

“Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.”

Frederic Raphael (1931) British writer

Of Eyes Wide Shut
Interview, http://www.tipjar.com/dan/raphael.htm

Way , Game , Time , Parting

“[Director James] Cameron manhandles the real story, scavenging it for his own puny narrative purposes. It's a film made with boorish confidence and zero sensitivity, big and dumb and hulking.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/1997/12/cov_17titanic.html of Titanic (1997)

Confidence

“She soon found the door the alethiometer had told her about. The sign on it said DARK MATTER RESEARCH UNIT, and under it someone had scribbled R. I. P. Another hand had added in pencil DIRECTOR: LAZARUS.
Lyra made nothing of that. She knocked, and a woman's voice said, "Come in."”

Philip Pullman His Dark Materials trilogy

Source: His Dark Materials, The Subtle Knife (1997), Ch. 4 : Trepanning

“In the 1960s the works of Takis and Tinguely were experiments with different forces, both magnetic and kinetic. My work differed from theirs, for although my kinetic art works used machines, the works themselves moved in random organic ways and avoided the monotonous repetitive movements of most machines. My land art projects and all the rest of my cosmic propulsions were born out of the organic and my relation with the dynamics of nature. When I first exhibited with Liliane Lijn at the Indica Gallery in London in 1967 I called my artworks bio-kinetic sculptures. Some of my artworks in that show are featured in the film I’ll Never Forget What’s’isname by the English director Michael Winner.”

David Medalla (1942) Filipino artist

Source: Adam Nankervis, " A Stitch in time http://moussemagazine.it/articolo.mm?id=707," in: Mousse Magazine.it, Issue 29, 2015

Art , Way , Nature , Forgetting

“We might add now that we do have an authoritative account of why the United States bombed Serbia in 1999. It comes from Strobe Talbott, now the director of the Brookings Institution, but in 1999 he was in charge of the State Department-Pentagon team that supervised the diplomacy in the affair. He wrote the introduction to a recent book by his Director of Communications, John Norris, which presents the position of the Clinton administration at the time of the bombing. Norris writes that "it was Yugoslavia's resistance to the broader trends of political and economic reform - not the plight of Kosovar Albanians - that best explains NATO's war". In brief, they were resisting absorption into the U. S. dominated international socioeconomic system. Talbott adds that thanks to John Norris, anyone interested in the war in Kosovo "will know … how events looked and felt at the time to those of us who were involved" in the war, actually directing it. This authoritative explanation will come as no surprise at all to students of international affairs who are more interested in fact than rhetoric. And it will also come as no surprise, to those familiar with intellectual life, that the attack continues to be hailed as a grand achievement of humanitarian intervention, despite massive Western documentation to the contrary, and now an explicit denial at the highest level; which will change nothing, it's not the way intellectual life works.”

Noam Chomsky (1928) american linguist, philosopher and activist

Talk at the Englert Theatre in Iowa, April 10, 2006 http://www.greenteaphd.com/greenteablog/?p=252
Quotes 2000s, 2006

Life , War , Books , Way

“When you put the corset on it gives you a glimpse into what those women's lives must have been like, a little bit. Just the fact that they did that to themselves to look a certain way gives you an idea of how important it was to be a proper young lady in those times, to kind of fit the mold of what they were trying to accomplish socially. The director, Jay Russell told me to use the corset as a device to remind myself that not only physically, but emotionally, she was trapped in her surroundings and wanted desperately to get out. It was definitely a reminder because the thing is so tight!”

Alexis Bledel (1981) American actress

About the film Tuck Everlasting
[Lynn B, http://www.agirlsworld.com/rachel/hangin-with/alexisbledel.html, We're Hangin' With.....Alexis Bledel, A Girl's World, October 7, 2002, 2007-02-26]

Women , Way , Idea , Time

“Pride in one’s work carries with it a determination to accept the demands imposed by that work: in the case of philosophy to follow the argument where it leads, in the case of history to discover what actually happened, in the case of literature to explore to its depths a particular theme. In consequence, this sort of pride demands freedom: it has to be laid low in any authoritarian State. The historian, in such a system, has to conform to official interpretations of the past, the philosopher to dogmas, the writer to stereotypes of human action, the craftsman to “production-schedules.” More subtly, attempts are made to lay pride low in a consumer’s society: the film-director, the novelist, the craftsman are called upon to produce “what will sell” at whatever cost to their pride in workmanship.”

John Passmore (1914–2004) Australian philosopher

Source: The Perfectibility of Man (1971), p. 290.

History , Literature , Freedom , Past

“We found that success in each case depended largely on enlisting the services of an efficient and enthusiatic local organiser, director, or warden, and many of our grants took the form of paying the salary of such leaders. The results were seldom disappointing. The reports which we regularly received showed how responsive the people were to sympathy and practical help, and we felt amply rewarded.”

Hugh Macmillan, Baron Macmillan (1873–1952) British judge

Source: A Man of Law's Tale (1952), In London, p. 291

People , Disappointment , Success , Help

“I got my first assignment as a director in 1927. I was slim, arrogant, intelligent, foolish, shy, cocksure, dreamy and irritating. Today, I'm no longer slim.”

Michael Powell (1905–1990) English film director

Michael Powell, 1987

Intelligence

“I would make the profession of every man, the rule by which to fashion his crest or coat of arms!… To the petifogger (sic), three links of a convict's chain, with the Penitentiary in the distance! To the Bank Director a Widow's Coffin, with a weeping Orphan on either side by way of heraldic supporters! Pah! There is no single word of contempt in the whole language, too bitter, to express my opinion of this magnificent Pretension - the Aristocracy of the Quaker City!”

George Lippard (1822–1854) Novelist, journalist

The Quaker City; or, the Monks of Monk Hall, part 2, chapter 4 "Dora Livingstone at Home" (1844)

Way , Fashion , Support

“I was never a politician. I care about my country. I put God first. For the last seven-and-a-half years, I’ve seen this country led by a leader that’s made mistakes. I spoke my mind about it. But because I’m in the industry, you can’t talk about that. The media and the liberals act the way they act: The will back up the president until the end. It’s been interesting. I’ve had fantastic directors who have said officially to my agents and managers they will never hire me again. They will never even see me for projects. That’s unfair.”

Antonio Sabàto Jr. (1972) American actor and model

Antonio Sabato Jr. Says Hollywood is Blacklisting Him for Supporting Donald Trump http://variety.com/2016/film/news/antonio-sabato-jr-blacklisted-for-supporting-donald-trump-republican-1201829791/ (August 3, 2016)

God , Way , Country

“In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

“I'm not the kind of actor to worry. Certain actors can't translate to the big screen, so I'm glad I can do both. If 60% of an audience know your name, a lot more will know your face. I have a name which has a certain level of recognition now, which also means producers and directors know me, and are able to recognise the range of things that I can do.”

Robert Davi (1953) American actor and jazz singer

Robert Davi Interview http://hereward.org.uk/index.php/reviews/39-interviews-v15-39/245-robert-davi-v15-24 (February 22, 2008)

“At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. They are saying that everyone is brutal, and the heroes must be as brutal as the villains or they turn into fools. There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counterbalance: the freedom of the press to say that there's anything conceivably damaging in these films — the freedom to analyze their implications. If we don't use this critical freedom, we are implicitly saying that no brutality is too much for us — that only squares and people who believe in censorship are concerned with brutality. Actually, those who believe in censorship are primarily concerned with sex, and they generally worry about violence only when it's eroticized. This means that practically no one raises the issue of the possible cumulative effects of movie brutality. Yet surely, when night after night atrocities are served up to us as entertainment, it's worth some anxiety. We become clockwork oranges if we accept all this pop culture without asking what's in it. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?”

Pauline Kael book Deeper into Movies

"Stanley Strangelove" (January 1972) http://www.visual-memory.co.uk/amk/doc/0051.html, review of A Clockwork Orange
Deeper into Movies (1973)

People , Pleasure , Fools , Sex

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

Life , Truth , World , Education

“Director Olly Blackburn has, for the last ten years, been one of the most respected and in-demand directors of music videos and commercials.”

Olly Blackburn Film director and screenwriter

[The Skinny, Scotland, http://www.theskinny.co.uk/film/features/44237-director_olly_blackburn_talks_donkey_punch, Radge Media, 10 November 2008, 23 February 2012, Director Olly Blackburn talks Donkey Punch, Michael, Gillespie]
About

Music

“Our system of production is in the nature of an orchestra. No one man, no one town, no one state, can be said any longer to be independent of the other; the whole people of the United States, every individual therein, is dependent and interdependent upon all the others. The nature of the machinery of production; the subdivision of labor, which aids cooperation and which cooperation fosters, and which is necessary to the plentifulnesss of production that civilization requires, compel a harmonious working together of all departments of labor, and thence complete the establishment of a central directing authority, of an orchestral director, so to speak, of the orchestra of the cooperative commonwealth.”

Daniel De Leon (1852–1914) American newspaper editor

Government-The State
Reform or Revolution (1896)

People , Nature , Dependency

“We are trying to celebrate in the new album -- 90 Miles [coming out in the summer of 2007] is the fact that after almost 50 years our homeland [Cuba] is not ours. We have amazing musicians on board preparing this album, and some continue to come on board. It's all new music we've wriiten - all new stuff... No relaxing for me... I've got the Connie Francis screenplay I'm working on, which we just finished. We have a producer... I've got to meet the director that I'm going to go hammer... I've been working on it since 2000 with Connie Francis, who is darling. Plus, I'm a mommy... I take her [12-year-old Emily] to games, take her to school, pick her up... We're women, we're used to”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

constantly juggling responsibilities
cbs4.com (February 9, 2007)
2007, 2008

Women , School , Music , Game

“I always felt that the telefilm directors made wonderful films, which are even better than the big screen movies, but never got enough opportunities to showcase their talents on the big screens.”

Arin Paul (1980) Indian film director

Interview on Calcuttatube http://calcuttatube.com/arin-paul-exclusive-interview/1608/ (2009)

“I've been to Sarajevo a few times and have got to know a lot of people there who put on plays during the siege. I wanted to share in that because I knew it was important to them... I began to see something of what was going on there in terms of actually keeping up people's spirit to resist - the resistance that causes change - even in the worst imaginable circumstances. And I realized that it paralleled the same spirit that existed during the Holocaust and in the gulag. Theater and poetry were what helped people stay alive and want to go on living. That experience changed me, because I realized that if, as actors or writers or directors or designers, we can keep the will to resist alive in as many people as possible, then that's what we are about, and that's what we can do. It's more and more important because of the terrible things that are happening in our cities and the political and economic agendas that various governments have.”

Vanessa Redgrave (1937) English actress

Shawn, Wallace (April 1997), “Mission: possible - interview with actress Vanessa Redgrave” http://www.findarticles.com/p/articles/mi_m1285/is_n4_v27/ai_19382618, Interview.

People , Imagination , Change , Time

“Friends, last night I watched the Hollywood (Paramount) movie Noah. It is much, much worse than I thought it would be—much worse. The director of the movie, Darren Aronofsky, has been quoted in the media as saying that Noah is “the least biblical biblical film ever made,” and I agree wholeheartedly with him. I am disgusted. I am going to come right out and say it: this movie is disgusting and evil—paganism! Do you really want your family to see a pagan movie that portrays Noah as a psychopath who says that if his daughter-in-law’s baby is a girl then he will kill her as soon as she’s born? And when two girls are born, bloodstained Noah (the man the Bible calls “righteous” in Genesis 7:1) brings a knife down to the head of one of the babies to kill her—and at the last minute doesn’t do it. And then a bit later, Noah says he failed because he didn’t kill the babies. How can we recommend this movie and then speak against abortion? Psychopathic Noah sees humans as a blight on the planet and wants to rid the world of people. I feel dirty—as if I have to somehow wash the evil off myself. I cannot believe there are Christian leaders who have recommended that people see this movie.”

Ken Ham (1951) Australian young Earth creationist

"The Noah Movie is Disgusting and Evil: Paganism!" http://blogs.answersingenesis.org/blogs/ken-ham/2014/03/28/the-noah-movie-is-disgusting-and-evil-paganism/, Around the World with Ken Ham (March 28, 2014)
Around the World with Ken Ham (May 2005 - Ongoing)

People , World , Family , Law

“By technology is meant the actions that an individual performs upon an object, with or without the aid of tools or mechanical devices, in order to make some change in that object. The object, or 'raw material', may be a living being, human or otherwise, a symbol, or an Inanimate object. People are raw materials in people-changing or people-processing organizations; symbols are materials in banks, advertising agencies, and some research organizations; the interactions of people are raw materials to be manipulated by administrators in organizations; boards of directors, committees, and councils are usually Involved with the changing or processing of symbols and human interactions, and so on.”

Charles Perrow (1925–2019) American sociologist

Source: 1960s, "A Framework for the Comparative Analysis of Organizations", 1967, p. 195

People , Change

“Speak… of the separation of ownership and active leadership. Ordinarily the problem is stated in terms of the divorce between ownership and "control". This last word is badly overused, and it needs to be precisely defined… Our procedure… will be to study the ownership of officers and directors and then to ascertain the extent to which non-management stockholdings are sufficiently concentrated to permit through ownership the wielding of considerable power and influence (control?) over management by an individual, group or another corporation.”

Robert Aaron Gordon (1908–1978) American economist

Source: Business Leadership in the Large Corporation (1945), p. 24, footnote 20; as cited in: Marco Becht et al. Corporate Governance and Control, 2005. p. 61

Problem , Study

“According to director Lindsay Anderson, one day while filming The Whales of August he said to Lillian Gish, "Miss Gish, you have just given me a perfect close-up." Bette Davis remarked: "She should. She invented 'em."”

Lillian Gish (1893–1993) American actress

http://www.imdb.com/title/tt0094315/trivia
About

Perfection

“Men are now beginning their careers as directors by working on commercials — which, if one cares to speculate on it, may be almost a one-sentence résumé of the future of American motion pictures.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Men , Future

“The sad fact is that not only is the youth exposed to rock, but rock is coming into the church. So called Christian rock; and it’s being sung by the choir. You actually hear now and then about a rock mass or a rock service. I spoke a few years ago at a church which was…I’ll never be asked about. A very large church with a plant that was equal to a small college campus, and I don’t mean too small of a college, a fair sized one. They had a number of choirs; they had one man in charge of all the music in the church, overall music director, a very brilliant, very intelligent man, but as wrongheaded as I’ve ever seen. Because he told me that his belief was that the only kind of music that should be played or sung or used in a church or any place was throw away music; that was his term. Music that was hip, so up to the moment, that it would capture the mood of the youth who were listening to the latest on television or radio. Music which six months down the line would be out of date because it would be throw away music, music of the moment, in order to speak to the youth. And I tried to get through this point to him, that speaking to them in terms of what’s of the moment is not what it’s all about it, it’s speaking from the Lord with eternal truths.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Dangers Inherent in Public Education (March 24, 1986)

Truth , Youth , Sadness , Music

“When by habit a man cometh to have a bargaining soul, its wings are cut, so that it can never soar. It bindeth reason an apprentice to gain, and instead of a director, maketh it a drudge.”

George Savile, 1st Marquess of Halifax (1633–1695) English politician

Political, Moral, and Miscellaneous Reflections (1750), Moral Thoughts and Reflections

Soul

“Westerns. One after another. They get shittier and shittier, and the so-called directors get lousier and lousier. And the more incompetent they are, the more hostile they act.”

Klaus Kinski (1926–1991) German actor

Source: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 210

Hostility

“to Joshua Kirby, Esq. - to be left at the Turk's Head, Gerrard Street, St. Ann's, London - Mr. President and Gentlemen, Directors of the Society of Artists of Great Britain. I thank ye for the honor done me in appointing me one of your Directors, but for a particular reason I beg leave to resign, and am. Gentlemen, your most obliged and obedient Humble Servant.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter, Bath, 5 Dec. 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 397 (Appendix B)
18 October 1768, Gainsborough was elected to a Directorship of the Society of Artists, and on the same day his old Ipswich friend, Joshua Kirby, was made President. Gainsborough, however, declined to accept office, and his letter of refusal must have grieved Kirby
1755 - 1769

“Many plays — certainly mine — are like blank checks. The actors and directors put their own signatures on them.”

Thornton Wilder (1897–1975) American playwright and novelist

The New York Mirror (13 July 1956)

“You get a script and you love it. You find a director that you trust, and it becomes all about how do I commit to this as fully as possible? And the last thing you can afford to have in your mind is what are other people going to think of this?”

James Van Der Beek (1977) actor

CinemaSource: James Van Der Beek Interview: Dan Deevy, January 28, 2008

Love , People , Thinking

“Any man who undertakes to write a play is either a damn fool or a hero, I don't know which. When you write a book, you pull it out of the typewriter and that's that. When you write a play you've got to go on with the producer and the director and the actors and the rehearsals and the …”

Rex Stout (1886–1975) American writer

Life, "Author Rex Stout vs. the F.B.I."

Books , Fools

“This was a wonderful role. I played a Sicilian baron. They had incredible locations, for instance this majestic castle, I couldn't believe how beautiful it was! We also shot a scene in Hadrian's Villa, in a place called Sanctuario di Ercole. I had a great costume - the costume designers also worked on Visconti's GATTOPARDO. It's a mystery to me why they wouldn't let the film out. It's terrible for an actor: You think you have a big break, then the film just rots on the shelf! Also, the director was a very likeable person, very calm on the set. A wonderful movie.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Beauty , Thinking , Personality

“We came from a conservative family, many of whom had never even gone to school. But I was sent to a convent and everyone was very proud that I was educated. So once while I was performing in Madras, a director from AVM studios spotted me. They were looking for a fresh face and they immediately wanted to cast me, and my grandmother grudgingly accepted.”

Vyjayanthimala (1936) Indian actress, politician & dancer

In "There's no slowing down for Vyjayanthimala".

Education , School , Family

“I was actually really lucky to be a part of this iconic franchise and that my role is so iconic. By the way, these are things that never entered my consciousness. For one I was so young, and two I had no idea and did not predict the future for that movie. I’m so grateful for it and honored. I mean there’s crazy things like that role have been shown on the Oscars multiple times and also Wes and I were hanging in their director’s guild, that big poster of us for years. Things like that I’m honored and flabbergasted by. It’s fantastic and I’m very thankful because so much of my career flowed from that. It’s still mind-boggling to me!”

Amanda Wyss (1960) American actress

INTERVIEW WITH AMANDA WYSS OF ‘A NIGHTMARE ON ELM STREET’ & ‘THE ID’ http://horrorgeeklife.com/2016/11/10/interview-amanda-wyss/ (November 10, 2016)

Way , Idea , Time , Future

“Mr. Kurosawa would spend an entire day filming one shot. None of the other directors with whom I worked would do that. Working with Mr. Kurosawa was like working on a play instead of a movie. We would spend a great deal of time rehearsing. It was torturous.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Time

“Process-chart notes and information should be collected and set down in sketch form by a highly intelligent man, preferably with an engineering training and experience, but who need not necessarily have been previously familiar with the actual details of the processes. In fact, the unbiased eye of an intelligent and experienced process-chart maker usually brings better results than does the study of a less keen man with more special information regarding present practices of the processes. The mere act of investigating sufficiently to make the notes in good enough condition for the draftsman to copy invariably results in many ideas and suggestions for improvement, and all of these suggestions, good and bad, should be retained and filed together with the description of the process chart. These suggestions and proposed improvements must be later explained to others, such as boards of directors, managers and foremen, and for best results also to certain workmen and clerks who have special craft or process knowledge. To overcome the obstacles due to habit, worship of tradition and prejudice, the more intelligence shown by the process-chart recorder, the sooner hearty cooperation of all concerned will be secured. Anyone can make this form of process chart with no previous experience in making such charts, but the more experience one has in making them, the more certain standard combinations of operations, inspection and transporting can be transferred bodily to advantage to the charts of proposed processes.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: Process charts (1921), p. 5-6.

Intelligence , Idea , Knowledge , Study

“I think it's possible to be too quick-witted, too smart to be an actor. You have to turn off a lot of your brain, in a way. When you see a fellow actor just missing it, it's hard to keep your mouth shut, but you have to. Or see a director so stupid he couldn't direct vomit into a paper bag. And he's in charge, and it's really hard to keep your mouth shut.”

William H. Macy (1950) American actor, screenwriter, teacher and director in theater, film and television

Interview in The Guardian (2011)

Stupidity , Way , Thinking

“No large concentrated stockholding exists which maintains close relationship with the management or is capable of challenging it, so that the board of directors may regularly expect a majority… to follow their lead. Thus they need not consult with anyone when making up their slate of directors… They select their own successors.”

Adolf A. Berle (1895–1971) American diplomat

Source: Power Without Property, 1959, p. 73; As cited in: Leslie A White, ‎Robert Carniero, ‎Benjamin Urish (2008) Modern Capitalist Culture. p. 387.

“Henry Fairfield Osborn, the dominant paleontologist of his era, and long time director of the American Museum of Natural History, gave the "standard version in his popular book of 1918, The Origin and Evolution of Life… "Lamarck attributed the lengthening of the [giraffe's] neck to the inheritance of bodily modifications caused by the neck-stretching habit. Darwin attributed the lengthening of the neck to the constant selection of individuals and races which were born with the longest necks. Darwin was probably right."”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

…The version has held ever since.
"The Tallest Tale", p. 314
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Life , Books , History , Nature

“In 1923, when I had been a student at the 'Bauhaus' in Weimar…. Gropius [the director of Bauhaus] asked me to teach the basic course 'Werklehhre'. He wanted me to introduce newcomers to the principles of handicrafts. He knew that I came from that background and had appropriate practice and knowledge.”

Josef Albers (1888–1976) German-American artist and educator

Source: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459

Knowledge

“My favorite thing about Kirby’s artwork was his storytelling. He was really a film director doing comics.”

Jack Kirby (1917–1994) American comic book artist, writer and editor

Source: Stan Lee, Jack Kirby, the abandoned hero of Marvel’s grand Hollywood adventure, and his family’s quest http://herocomplex.latimes.com/uncategorized/jack-kirby-the-forgotten-hero-in-marvels-grand-hollywood-adventure/, Los Angeles Times, (September 25, 2009).

“Fellini has sometimes been accused of not being interested in the work of other directors but I never found this accusation to hold true. The Federico I knew was not only a voracious reader but extremely interested in hearing about international directors, most notably, Nanni Moretti, Pedro Almodovar, David Lynch, Spike Lee, Akira Kurosawa, David Cronenberg, Wim Wenders, Woody Allen, Martin Scorsese and Stanley Kubrick. Clearly, part of the pleasure of discussing these directors was the stimulus for new ideas that their latest films gave him. Although we never explored Portuguese film in any depth, the films of Manoel de Oliveira and Joao César Monteiro genuinely fascinated Federico. At the urging of Mastroianni, he went to see A Divina Comédia (1991), Oliveira’s superb allegory about Western civilization, and returned enthralled. He had long been obsessed by the theme of insane asylums and Oliveira’s masterful blend of philosophy and religion appealed to him at a time in his life when such questions as death and resurrection had become pressing concerns. I do not know where or in what format Federico saw Monteiro’s Recordaçoes de Casa Amarela (1989) but it was a film he described as “deliriously eccentric, a satirical bizarrie that Bunuel would have adored."”

Damian Pettigrew Canadian filmmaker

On Fellini’s favorite directors
Federico Fellini: Sou um Grande Mentiroso (2008)

Life , Death , Pleasure , Religion

“Children of Men is a solemn, haunting picture, but it's also a thrilling one, partly because of the sheer bravado with which it's made. It left me feeling more fortified than drained. [Director Alfonso] Cuarón, the most openhearted of directors, prefers to give rather than take away.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2006/12/25/children/print.html of Children of Men (2006)

Men , Children , Feeling

“The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1637 of Angels & Demons (2009).
One-and-a-half star reviews

Angels , Star

“They [the association directors] worked together in such bodies as the Board of Directors of the Public Administration Service. They worked together well in smaller groups when matters came up of common interest. But I was always careful, extremely careful, not to attempt to bind them together in any way as a corporate body, and I was meticulous in observing their utter independence.”

Louis Brownlow (1879–1963) American mayor

(Brownlow 1958, 290), as cited in: Mary E. Guy, ‎Marilyn M. Rubin (2015), Public Administration Evolving. p. 222
A Passion for Anonymity, 1955

Way

“Of course there are Chinese millionaires in big cars and big houses. Is it the answer to make a few Malay millionaires with big cars and big houses? How does telling a Malay bus driver that he should support the party of his Malay director (UMNO) and the Chinese bus conductor to join another party of his Chinese director (MCA) - how does that improve the standards of the Malay bus driver and the Chinese bus conductor who are both workers in the same company? If we delude people into believing that they are poor because there are no Malay rights or because opposition members oppose Malay rights, where are we going to end up? You let people in the kampongs believe that they are poor because we don't speak Malay, because the government does not write in Malay, so he expects a miracle to take place in 1967 (the year Malay would become the national and sole official language in Malaysia). The moment we all start speaking Malay, he is going to have an uplift in the standard of living, and if doesn't happen, what happens then? Meanwhile, whenever there is a failure of economic, social and educational policies, you come back and say, oh, these wicked Chinese, Indian and others opposing Malay rights. They don't oppose Malay rights. They, the Malay, have the right as Malaysian citizens to go up to the level of training and education that the more competitive societies, the non-Malay society, has produced. That is what must be done, isn't it? Not to feed them with this obscurantist doctrine that all they have got to do is to get Malay rights for the few special Malays and their problem has been resolved.”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

Lee Kuan Yew in the Parliament of Malaysia, 1965 http://maddruid.com/?p=645
1960s

People , Education , Cars , Failure

“It seems that we are revisiting the whole argument about a European central bank. Many of us have the deepest misgivings about the establishment of such a bank, with no accountability to member states and an office life of eight years, in which it can do what it likes, provided that it supports the market economy throughout Europe, despite the social consequences. There is no time limit on the period of office of the political directors, and there is nothing about who they would be or where they would come from. But I ask the quite serious question: what on earth are these political directors to do, where do they come from, to whom are they answerable and how do we get rid of them if we do not like what they do?”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1993/mar/30/treaty-on-european-union in the House of Commons (30 March 1993).
1990s

Life , Question , Support , Time

“But now here is the director's cut, which is 20 minutes shorter, lops off a couple of characters and a few of the infinite subplots, and is even more of a mess. I recommend that Kelly keep right on cutting until he whittles it down to a ukulele pick.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/southland-tales-2007 of Southland Tales (16 November 2007)
Reviews, One-star reviews

“The director is really a watch-dog, and the watch-dog has no right without the knowledge of his master to take a sop from a possible wolf.”

Charles Bowen (1835–1894) English judge

In re North Australian Territory Co. (1891), L. J. Rep. 61 C. D. 135.

Dogs , Knowledge , Wolf

“From the director to the international cast, all of them are from deaf families for generations, while the film industry usually entrusts these roles to audacious interpreters that end up being bad imitators of the Sign language: as if an Italian actor was asked to act in Japanese by cracking down the tongue.”

Emilio Insolera (1979) Actor and film producer

As quoted in Cinema. Quando il super eroe è sordo https://www.avvenire.it/agora/pagine/sordo(September 10, 2017), Avvenire)

Family

“When that happens, and the “World’s Sole Remaining Superpower” loses its early-adopter advantage, drone technology will work to the advantage of the side with the most decentralized, distributed organizational infrastructure, and the most widely dispersed and hardened end-points. And it will disproportionately hurt the side with the most centralized, hierarchical form of organization and the most concentrated target profile. Anyone want to venture a guess as to which respective sides fit those descriptions? Imagine, if you will, a world in which drones are cheap and widely available. Then stop and think about the target profile of the Empire and the corporate interests it serves. Imagine how easy it would be to get targeting information on the homes, churches and country clubs of the senior management and directors of the aerospace companies that make American drones. The Boardrooms and C-Suites themselves. The factories. The whole South Asian chain of command, from CINC CENTCOM down to battalion and flight headquarters. The logistical tail of the drones, including the control centers at every airbase from which drones are staged. Begin to get the picture?”

Kevin Carson (1963) American academic

Bring on the Drones! (2013)
Other Writing

World , Home , Imagination , Thinking

“If there was ever an action movie that didn't warrant a sequel, it's Speed. However, the film grossed enough money to be numbered among the big summer hits of 1994, and the unfortunate result is this film, which reunites director Jan de Bont with leading lady Sandra Bullock, while leaving Keanu Reeves somewhere safe and dry, "working on his music" with his band, Dogstar. Considering the dubious quality of the final product, this may be the wisest decision of the young actor's career. Speed 2 can be numbered among the worst second chapters ever made.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=291 of Speed 2: Cruise Control (1997).
One-and-a-half star reviews

Money , Music , Decision , Summer

“Dodge v. Ford still stands for the legal principal that managers and directors have a legal duty to put the shareholders' interests above all others and no legal authority to serve any other interests - what has come to be known as "the best interests of the corporation" principal.”

Joel Bakan (1959) Canadian writer, musician, filmmaker and legal scholar

Source: The Corporation: The Pathological Pursuit of Profit and Power (2004), Chapter 2, Business As Usual, p. 36

“To my delight, Federico had seen Dans la ville blanche (1983) by Swiss director Alain Tanner. Enthusiastic about Bruno Ganz’s performance, he also was impressed by the film’s startling visual poetry of Lisbon achieved by transferring inferior film stock onto 35mm. It was exactly this kind of uncomplicated technical innovation that inspired Federico during the writing of Attore. Conceived in 1992, Attore focused on the craft and the psychology of actors. Having completed a film treatment with roles for Mastroianni, Giulietta Masina, and Paolo Villagio, Fellini was now wondering if he should provide Marcello with a home movie camera to be used in a loosely Shakespearian sense that all the world’s a film set. The 8mm footage of intimate memories of the theatre from his Rimini childhood would then be transferred to 35mm – a most intriguing idea that would have been a new departure for the Maestro had he lived to bring it to the screen.”

Damian Pettigrew Canadian filmmaker

On Fellini’s last film project, Attore
Federico Fellini: Sou um Grande Mentiroso (2008)

World , Home , Idea , Departure

“I think the only way you can successfully be a mum and an actress is by not carrying around the burden of the character. Between the time the director says "Action" and "Cut," it's all true for me. But when I stop saying the lines, it's not true anymore.”

Rachel Weisz (1970) English actress

Source: redbookmag.com http://www.redbookmag.com/fun-contests/celebrity/rachel-weisz-interview

Way , Thinking , Time

Quotes about director page 2

Quotes about director
page 2