Quotes about delight
page 10

Anthony Burgess photo

“I remember an old proverb. It says that youth thinks itself wise just as drunk men think themselves sober. Youth is not wise! Youth knows nothing about life! Youth knows nothing about anything except for massive cliches which for the most part through the media of pop songs are just foisted on them by middle-age entrepreneurs and exploiters who should know better. When we start thinking that pop music is close to God, then we'll think pop music is aesthetically better than it is. And it's only the aesthetic value of pop music that we're really concerned. I mean the only way we can judge Wagner or Beethoven or any other composer is aesthetically. We don't regard Wagner or Beethoven nor Shakespeare or Milton as great teachers. When we start claiming for Lennon or McCartney or Maharishi or any other of these pop prophets the ability to transport us to a region where God becomes manifest then I see red. We're satisfied with our little long playing record, ten pop numbers or thereabouts a side. This is great art, we've been told this by the great pundits of our age. And in consequence why should we bother to learn? There's nothing more delightful than to be told: "You don't have to learn, my boy. There's nothing in it. Modern art? There's nothing in it." When you're told these things you sit down with a sigh of relief: "Thank God I don't have to learn, I don't have to travel, I don't have to exert myself in the slightest. I am what I am. Youth is youth. Pop is pop. There's no need to progress. There's no need to do anything. Let us sit down, smoke our marijuana (an admirable thing in itself but not the end of anything), let us listen to our records and life has become a single moment. And the single moment is eternity. We're with God. Finis!”

Anthony Burgess (1917–1993) English writer

Pop Music

John Constable photo

“I have been living a hermit-life, though always with my pencil in my hand... How much real delight have I had with the study of landscape this summer! Either I am myself improved in the art of seeing nature, which Sir Joshua call painting, or nature has unveiled her beauties to me less fastidiously. Perhaps there is something of both, so we will divide the compliment.”

John Constable (1776–1837) English Romantic painter

Quote from Constable's letter to Rev. John Fisher (22 July 1812), as quoted in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 40
1800s - 1810s

Torquato Tasso photo

“You, Honor, you first veiled
The fountains of delight,
Denying those waves to the thirsting lovers.”

Tu prima, Onor, velasti
La fonte dei diletti,
Negando l'onde a l'amorosa sete.
Act I, Choro, line 358.
Aminta (1573)

Victoria of the United Kingdom photo
Edmund Spenser photo

“What more felicitie can fall to creature
Than to enjoy delight with libertie,
And to be lord of all the workes of Nature,
To raine in th' aire from earth to highest skie,
To feed on flowres and weeds of glorious feature.”

Edmund Spenser (1552–1599) English poet

Muiopotmos: or, The Fate of the Butterflie, line 209; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Daniel Dennett photo

“A neurosurgeon once told me about operating on the brain of a young man with epilepsy. As is customary in this kind of operation, the patient was wide awake, under only local anesthesia, while the surgeon delicately explored his exposed cortex, making sure that the parts tentatively to be removed were not absolutely vital by stimulating them electrically and asking the patient what he experienced. Some stimulations provoked visual flashes or hand-raisings, others a sort of buzzing sensation, but one spot produced a delighted response from the patient: "It's 'Outta Get Me' by Guns N'Roses, my favorite heavy metal [sic] band!"I asked the neurosurgeon if he had asked the patient to sing or hum along with the music, since it would be fascinating to learn how "high fidelity" the provoked memory was. Would it be in exactly the same key and tempo as the record? Such a song (unlike "Silent Night") has one canonical version, so we could simply have superimposed a recording of the patient's humming with the standard record and compare the results. Unfortunately, even though a tape recorder had been running during the operation, the surgeon hadn't asked the patient to sing along. "Why not?" I asked, and he replied: "I hate rock music!"Later in the conversation the neurosurgeon happened to remark that he was going to have to operate again on the same young man, and I expressed the hope that he would just check to see if he could restimulate the rock music, and this time ask the fellow to sing along. "I can't do that," replied the neurosurgeon, "since I cut out that part." "It was part of the epileptic focus?"”

I asked, and he replied, "No, I already told you — I hate rock music."</p>
Source: Consciousness Explained (1991), p. 58-59

Angela of Foligno photo
Eliza Farnham photo
James Hudson Taylor photo

“There is great danger of not, in happiness, finding our delight in the Lord.”

James Hudson Taylor (1832–1905) Missionary in China

(A.J. Broomhall. Hudson Taylor and China’s Open Century, Book Three: If I Had a Thousand Lives. London: Hodder and Stoughton and Overseas Missionary Fellowship, 1982, 131).

John Lancaster Spalding photo
Nicholas Serota photo
André Maurois photo
Francis Marion Crawford photo
Johann Wolfgang von Goethe photo
Alice Meynell photo

“She walks—the lady of my delight—
A shepherdess of sheep.
Her flocks are thoughts. She keeps them white;
She keeps them from the steep”

Alice Meynell (1847–1922) English publisher, editor, writer, poet, activist

Opening stanza of "The Shepherdess" https://www.poemhunter.com/poem/the-shepherdess/ in Later Poems (London: John Lane, 1902).

James Hudson Taylor photo
Letitia Elizabeth Landon photo
John Bright photo
Isaac Watts photo

“There is a land of pure delight,
Where saints immortal reign;
Infinite day excludes the night,
And pleasures banish pain.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Hymn 66, Hymns and Spiritual Songs, Book II.
Attributed from postum publications, Hymns and Spiritual Songs (1773)

Colin Wilson photo
Hilaire Belloc photo
Edmund Blunden photo
Mahasi Sayadaw photo

“Every time one notes an object well it gives rise to delight. As a result of this, practice becomes enjoyable.”

Mahasi Sayadaw (1904–1982) Burmese Buddhist philosopher

Source: Manual of Insight (1945), p. 68

Robert Seymour Bridges photo

“My delight and thy delight
Walking, like two angels white,
In the gardens of the night.”

Robert Seymour Bridges (1844–1930) British writer

New Poems, No. 9, My Delight and Thy Delight http://www.poetry-online.org/bridges_my_delight.htm, st. 1 (1899).
Poetry

Homér photo
Adam Smith photo
John Ogilby photo

“This Story may
Delightful be to tell another day.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

Dmitri Shostakovich photo
Ilia Chavchavadze photo
John Denham photo

“Books should to one of these four ends conduce,
For wisdom, piety, delight, or use.”

John Denham (1615–1669) English poet and courtier

Of Prudence (1668), line 83.

George MacDonald photo
George Gordon Byron photo
Silius Italicus photo

“And Poverty, an unsightly plague that leads men to crime; Error, with staggering gait, and Discord that delights to confound sea with sky.”
Et deforme malum ac sceleri proclivis Egestas Errorque infido gressu, et Discordia gaudens permiscere fretum caelo.

Book XIII, lines 585–587
Punica

Paul Graham photo

“I think the way to "solve" the problem of procrastination is to let delight pull you instead of making a to-do list push you.”

Paul Graham (1964) English programmer, venture capitalist, and essayist

"Good And Bad Procrastination", December 2005

Philip José Farmer photo
Frank Wilczek photo

“It is delightful in itself when we are able to interpret features of the present as signs confirming our understanding of the past.”

Frank Wilczek (1951) physicist

Source: Longing for the Harmonies: Themes and Variations from Modern Physics (1987), Ch.11 Explosions and Fluourescence (or, Entropy's Revenge)

Gene Wolfe photo

“Prince of parable, I desire to see those gardens of lasting delight which Allah—the Creator! the Ever Beneficent!—reserves for the faithful. How am I to do so if I tell lies?”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"By lying to Allah, I suppose."
"The Tale of the Rose and the Nightingale (and What Came of It)", Arabesques (1988), ed. Susan Schwartz. Reprinted in Gene Wolfe, Endangered Species (1989)
Fiction

Gardiner Spring photo

“It is my considered opinion that the sweetest relief from suffering and the best comfort in affliction that this world affords are to be found almost entirely in the study of literature, and so I believe that the splendour of historical writing is to be cherished with the greatest delight and given the pre-eminent and most glorious position.”
Cum in omni fere litterarum studio dulce laboris lenimen et summum doloris solamen dum uiuitur insitum considerem, tum delectabilius et maioris praerogatiua claritatis historiarum splendorem amplectendum crediderim.

Prologue, pp. 2-3.
Historia Anglorum (The History of the English People)

Richard Blackmore photo

“Homer excels in Genius, Virgil in Judgment. Homer as conscious of his great Riches and Fullness entertains the Reader with great Splendor and Magnificent Profusion. Virgil's Dishes are well chosen, and tho not Rich and Numerous, yet serv'd up in great Order and Decency. Homer's Imagination is Strong, Vast and Boundless, an unexhausted Treasure of all kinds of Images; which made his Admirers and Commentators in all Ages affirm, that all sorts of Learning were to be found in his Poems. Virgil's Imagination is not so Capacious, tho' his Ideas are Clear, Noble, and of great Conformity to their Objects. Homer has more of the Poetical Inspiration. His Fire burns with extraordinary Heat and Vehemence, and often breaks out in Flashes, which Surprise, Dazle and Astonish the Reader: Virgil's is a clearer and a chaster Flame, which pleases and delights, but never blazes in that extraordinary and surprising manner. Methinks there is the same Difference between these two great Poets, as there is between their Heros. Homer's Hero, Achilles, is Vehement, Raging and Impetuous. He is always on Fire, and transported with an immoderate and resistless Fury, performs every where Miraculous Atchievements, and like a rapid Torrent overturns all things in his way. Æneas, the Hero of the Latine Poet, is a calm, Sedate Warriour. He do's not want Courage, neither has he any to spare: and the Poet might have allowed him a little more Fire, without overheating him. As for Invention, 'tis evident the Greek Poet has mightily the advantage. Nothing is more Rich and Fertile than Homer's Fancy. He is Full, Abundant, and Diffusive above all others. Virgil on the other hand is rather dry, than fruitful. 'Tis plain the Latin Poet in all his famous Æneis, has very little, if any Design of his own …”

Richard Blackmore (1654–1729) English poet and physician

Preface to King Arthur http://d.lib.rochester.edu/camelot/text/blackmore-king-arthur-I (1697)

John Adams photo

“I was delighted with its high tone and the flights of oratory with which it abounded, especially that concerning negro slavery, which, though I knew his Southern brethren would never suffer to pass in Congress, I certainly never would oppose”

John Adams (1735–1826) 2nd President of the United States

Regarding a draft of the U.S. Declaration of Independence, Letter to Timothy Pickering (6 August 1822) http://oll.libertyfund.org/titles/2100#lf1431-02_head_061
As quoted in The Founding Fathers: John Adams: A Biography in his own Words https://web.archive.org/web/20111029143754/http://home.nas.com/lopresti/ps2.htm (1973), by James Bishop Peabody, Newsweek, New York, p. 201.
1820s
Context: A meeting we accordingly had, and conned the paper over. I was delighted with its high tone and the flights of oratory with which it abounded, especially that concerning negro slavery, which, though I knew his Southern brethren would never suffer to pass in Congress, I certainly never would oppose. There were other expressions which I would not have inserted, if I had drawn it up, particularly that which called the King tyrant. I thought this too personal; for I never believed George to be a tyrant in disposition and in nature; I always believed him to be deceived by his courtiers on both sides of the Atlantic, and in his official capacity only, cruel. I thought the expression too passionate, and too much like scolding, for so grave and solemn a document; but as Franklin and Sherman were to inspect it afterwards, I thought it would not become me to strike it out. I consented to report it, and do not now remember that I made or suggested a single alteration. We reported it to the committee of five. It was read, and I do not remember that Franklin or Sherman criticized any thing. We were all in haste. Congress was impatient, and the instrument was reported, as I believe, in Jefferson’s handwriting, as he first drew it. Congress cut off about a quarter of it, as I expected they would; but they obliterated some of the best of it, and left all that was exceptionable, if any thing in it was. I have long wondered that the original draught has not been published. I suppose the reason is, the vehement philippic against negro slavery.

George Müller photo
Gustave Moreau photo

“I have designed a decorative and monumental work as a group of subjects representing the three ages of sacred and profane mythology: the Golden Age, the Silver Age and the Iron Age. I have symbolised these different ages by dividing each one into compositions representing the three phases of the day: morning, noon and evening.
The Golden Age comprises three compositions (Adam and childhood):
:1. Prayer at sunrise.
:2. A walk in Paradise or the ecstasy before nature.
:3. All nature asleep.
The Silver Age. The second phase is taken from pagan mythology (Orpheus and youth):
:1. The dream nature is revealed to the senses of the inspired poet.
:2. The song.
: 3. Orpheus in the forest, his lyre broken and he longs for unknown countries and immortality.
The Iron Age (Cain and the maturity of man):
:1. The Sower making the earth productive (production).
:2. The Ploughman (work).
:3. Death (Cain and Abel).
Fourth panel:
The Triumph of Christ.
These three periods of humanity also correspond to the three periods in the life of a man:
The purity of childhood: Adam –
The poetic and unhappy aspirations of youth: Orpheus –
The grievous sufferings and death of mature age: Cain with the redemption of Christ.
D— thought it was an extremely ingenious and intelligent device to have used a figure from pagan antiquity for the cycle of youth and poetry instead of a Biblical figure, because intelligence and poetry are far better personified in these periods which were devoted to art and the imagination than in the Bible which is all sentiment and religiosity.
The Golden Age: the beginning of the world, naïveté, candour, purity. The morning: prayer. Noon: ecstasy and evening: sleep. No passion, nothing but elementary feelings. —
The Silver Age, corresponding to the civilization of humanity, already begins to feel emotion; it is the age of poets. I can only find this cycle in Greece. The morning: inspiration. Noon: song. Evening: tears. —
The Iron Age. Decadence and fall of humanity. I shall represent Cain ploughing and Abel sowing. Noon: Cain rests while Abel tends the altar of the Lord from which smoke, a symbol of purity, rises straight to the heavens. The evening: death at the hands of Cain.
The first death corresponds to the other deaths in the two other paintings: sleep and death of the senses; tears and the death of the heart. Do you understand the progression?
Sleep, though sad, is gentler than tears which, though painful, are gentler than death. Ecstasy is more delightful than song, which is gentler than work. Prayer is superior to dreaming which is more elevated than manual work.”

Gustave Moreau (1826–1898) French painter

Notes to his mother, on The Life of Humanity (1884-6) http://www.wikiart.org/en/gustave-moreau/humanity-the-golden-age-depicting-three-scenes-from-the-lives-of-adam-and-eve-the-silver-age-1886, his composition of a ten image polyptych, p. 48 ·  Photo of its exhibition on the 3rd Floor of Musée National Gustave Moreau http://en.musee-moreau.fr/house-museum/studios/third-floor
Gustave Moreau (1972)

“The belief that the gods delighted especially in the gift of human blood was responsible for the widespread custom of offering up captured enemies, and sometimes even friends and relatives, upon the alter.”

Kirby Page (1890–1957) American clergyman

Source: Something More, A Consideration of the Vast, Undeveloped Resources of Life (1920), p. 30
Context: The belief that the gods delighted especially in the gift of human blood was responsible for the widespread custom of offering up captured enemies, and sometimes even friends and relatives, upon the alter. A vast chasm separates this conception from the present belief in God as an ethical person, holy and righteous beyond comparison, who has boundless affection for his children, who seeks in every way possible to help them, and who longs to enter into a deeper companionship with them.

George Müller photo

“The reason why we know so little of Jesus Christ, as our savior, atonement, and justification, why we are so destitute of that faith in him, which alone can change, rectify, and redeem our souls, why we live starving in the coldness and deadness of a formal, historical, hearsay-religion, is this; we are strangers to our own inward misery and wants, we know not that we lie in the jaws of death and hell; we keep all things quiet within us, partly by outward forms, and modes of religion and morality, and partly by the comforts, cares and delights of this world.”

William Law (1686–1761) English cleric, nonjuror and theological writer

The Grounds and Reasons of Christian Regeneration (1739)
Context: The reason why we know so little of Jesus Christ, as our savior, atonement, and justification, why we are so destitute of that faith in him, which alone can change, rectify, and redeem our souls, why we live starving in the coldness and deadness of a formal, historical, hearsay-religion, is this; we are strangers to our own inward misery and wants, we know not that we lie in the jaws of death and hell; we keep all things quiet within us, partly by outward forms, and modes of religion and morality, and partly by the comforts, cares and delights of this world. Hence it is that we consent to receive a savior, as we consent to admit of the four gospels, because only four are received by the church. We believe in a savior, not because we feel an absolute want of one, but because we have been told there is one, and that it would be a rebellion against God to reject him. We believe in Christ as our atonement, just as we believe, that he cast seven devils out of Mary Magdalene, and so are no more helped, delivered, and justified by believing that he is our atonement, than by believing that he cured Mary Magdalene.

Francis Bacon photo

“The greatest error of all the rest is the mistaking or misplacing of the last or farthest end of knowledge: for men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity and inquisitive appetite; sometimes to entertain their minds with variety and delight; sometimes for ornament and reputation; and sometimes to enable them to victory of wit and contradiction; and most times for lucre and profession; and seldom sincerely to give a true account of their gift of reason, to the benefit and use of men”

Book I, v, 11
The Advancement of Learning (1605)
Context: The greatest error of all the rest is the mistaking or misplacing of the last or farthest end of knowledge: for men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity and inquisitive appetite; sometimes to entertain their minds with variety and delight; sometimes for ornament and reputation; and sometimes to enable them to victory of wit and contradiction; and most times for lucre and profession; and seldom sincerely to give a true account of their gift of reason, to the benefit and use of men: as if there were sought in knowledge a couch whereupon to rest a searching and restless spirit; or a tarrasse, for a wandering and variable mind to walk up and down with a fair prospect; or a tower of state, for a proud mind to raise itself upon; or a fort or commanding ground, for strife and contention; or a shop, for profit or sale; and not a rich storehouse, for the glory of the Creator and the relief of man's estate.

Maya Angelou photo
Frances Wright photo

“Let them not imagine that they know aught of the delights which intercourse with the other sex can give, until they have felt the sympathy of mind with mind, and heart with heart; until they bring into that intercourse every affection, every talent, every confidence, every refinement, every respect. Until power is annihilated on one side, fear and obedience on the other, and both restored to the birthright — equality. Let none think that affection can reign without it; or friendship or esteem. Jealousies, envyings, suspicions, reserves, deceptions — these are the fruits of inequality.”

Frances Wright (1795–1852) American activist

Lecture II: Of Free Inquiry, considered as a Means for obtaining Just Knowledge
A Course of Popular Lectures (1829)
Context: How many, how omnipotent are the interests which engage men to break the mental chains of women! How many, how dear are the interests which engage them to exalt rather than lower their condition, to multiply their solid acquirements, to respect their liberties, to make them their equals, to wish them even their superiors! Let them inquire into these things. Let them examine the relation in which the two sexes stand, and ever must stand, to each other. Let them perceive that, mutually dependent, they must ever be giving and receiving, or they must be losing — receiving or losing in knowledge, in virtue, in enjoyment. Let them perceive how immense the loss, or how immense the gain. Let them not imagine that they know aught of the delights which intercourse with the other sex can give, until they have felt the sympathy of mind with mind, and heart with heart; until they bring into that intercourse every affection, every talent, every confidence, every refinement, every respect. Until power is annihilated on one side, fear and obedience on the other, and both restored to the birthright — equality. Let none think that affection can reign without it; or friendship or esteem. Jealousies, envyings, suspicions, reserves, deceptions — these are the fruits of inequality.

“If it be heaven toward which we journey, it will be holiness in which we delight”

Henry Melvill (1798–1871) British academic

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 317.
Context: If it be heaven toward which we journey, it will be holiness in which we delight; for if we cannot now rejoice in having God for our portion, where is our meetness for a world in which God is to be all in all forever and forever?

Sri Aurobindo photo

“What then was the commencement of the whole matter? Existence that multiplied itself for sheer delight of being and plunged into numberless trillions of forms so that it might find itself innumerably.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Glimpses (1916-17)

James Branch Cabell photo

“So Florimel extinguished the candle, with a good-will that delighted Jurgen.”

James Branch Cabell (1879–1958) American author

Source: Jurgen (1919), Ch. 37 : Invention of the Lovely Vampire
Context: Let us extinguish this candle says Jurgen, "for I have seen so many flames to-day that my eyes are tired."
So Florimel extinguished the candle, with a good-will that delighted Jurgen. And now they were in utter darkness, and in the dark nobody can see what is happening. But that Florimel now trusted Jurgen and his Noumarian claims was evinced by her very first remark.
"I was in the beginning suspicious of your majesty," said Florimel, "because I had always heard that every emperor carried a magnificent sceptre, and you then displayed nothing of the sort. But now, somehow, I do not doubt you any longer. And of what is your majesty thinking?"
"Why, I was reflecting, my dear," says Jurgen, "that my father imagines things very satisfactorily."

Edwin Abbott Abbott photo

“Immoral, licentious, anarchical, unscientific — call them by what names you will — yet, from an aesthetic point of view, those ancient days of the Colour Revolt were the glorious childhood of Art in Flatland — a childhood, alas, that never ripened into manhood, nor even reached the blossom of youth. To live was then in itself a delight, because living implied seeing.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 8. Of the Ancient Practice of Painting
Context: When all others had succumbed to the fascinations of corporal decoration, the Priests and the Women alone still remained pure from the pollution of paint.
Immoral, licentious, anarchical, unscientific — call them by what names you will — yet, from an aesthetic point of view, those ancient days of the Colour Revolt were the glorious childhood of Art in Flatland — a childhood, alas, that never ripened into manhood, nor even reached the blossom of youth. To live was then in itself a delight, because living implied seeing.

Johannes Tauler photo

“He draws them so mysteriously unto Himself and His own blessedness;
their spirits are so lovingly attracted, while they are at the same time so filled and transfused with the Godhead,
that they lose all their diversity in the Unity of the Godhead.
These are they to whom God makes their work here on earth a delight;
so that they have a real foretaste of that which they will enjoy forever.”

Johannes Tauler (1300–1361) German theologian

Sermons
Context: When the spirit looks within, to the Spirit of God, from the ground of the heart,
where man, empty and bare of all works, seeks God only,
far above all thoughts, works and reason,
it is truly a thorough conversion, which will ever be met with a corresponding reward,
and God will be with him.
Another conversion may take place in an ordinary external way, whenever man turns to God,
thinking wholly and entirely of Him,
and of nothing else but of God for Himself and in Himself.
But the first turning is in an inner, undefined, unknown presence,
in an immaterial entrance of the created spirit into the uncreated Spirit of God.
If a man could only once in his life thus turn to God, it would be well for him.
Those [[File:Antennae galaxies xl. jpg|154px|thumb|He draws them so mysteriously unto Himself and His own blessedness;
their spirits are so lovingly attracted, while they are at the same time so filled and transfused with the Godhead,
that they lose all their diversity in the Unity of the Godhead]] men whose God is so powerful, and Who has been so faithful to them in all their distress,
will be answered by God with Himself.
He draws them so mysteriously unto Himself and His own blessedness;
their spirits are so lovingly attracted, while they are at the same time so filled and transfused with the Godhead,
that they lose all their diversity in the Unity of the Godhead.
These are they to whom God makes their work here on earth a delight;
so that they have a real foretaste of that which they will enjoy forever.
These are they on whom the Holy Christian Church rests;
and, if they did not form part of Christianity, Christianity could no longer exist;
for their mere existence, what they are, is infinitely worthier and more useful than all the doings of the world.
These are they of whom our Lord has said:
“He that toucheth you, toucheth the apple of Mine eye.”
Therefore, take heed that ye do them no wrong. May God help us.

Lucretius photo

“O pitiable minds of men, O blind intelligences! In what gloom of life, in how great perils is passed all your poor span of time! not to see that all nature barks for is this, that pain be removed away out of the body, and that the mind, kept away from care and fear, enjoy a feeling of delight!”
O miseras hominum mentes, o pectora caeca! qualibus in tenebris vitae quantisque periclis degitur hoc aevi quod cumquest! nonne videre nihil aliud sibi naturam latrare, nisi ut qui corpore seiunctus dolor absit, mente fruatur iucundo sensu cura semota metuque?

Lucretius (-94–-55 BC) Roman poet and philosopher

Book II, lines 14–19 (tr. Rouse)
De Rerum Natura (On the Nature of Things)

Don McLean photo

“I saw Satan laughing with delight
The day the music died.”

Don McLean (1945) American Singer and songwriter

Song lyrics, American Pie (1971), American Pie
Context: So come on, Jack be nimble, Jack be quick
Jack Flash sat on a candlestick
'Cause fire is the Devil's only friend
Oh, and as I watched him on the stage
My hands were clenched in fists of rage
No angel born in hell
Could break that Satan's spell
And as the flames climbed high into the night
To light the sacrificial rite
I saw Satan laughing with delight
The day the music died.

John Williams photo

“When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Obscurity of the Poet”, p. 3
Poetry and the Age (1953)
Context: When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry. And yet it is not just modern poetry, but poetry, that is today obscure. Paradise Lost is what it was; but the ordinary reader no longer makes the mistake of trying to read it — instead he glances at it, weighs it in his hand, shudders, and suddenly, his eyes shining, puts it on his list of the ten dullest books he has ever read, along with Moby-Dick, War and Peace, Faust, and Boswell’s Life of Johnson. But I am doing this ordinary reader an injustice: it was not the Public, nodding over its lunch-pail, but the educated reader, the reader the universities have trained, who a few weeks ago, to the Public’s sympathetic delight, put together this list of the world’s dullest books.
Since most people know about the modern poet only that he is obscure—i. e., that he is difficult, i. e., that he is neglected — they naturally make a causal connection between the two meanings of the word, and decide that he is unread because he is difficult. Some of the time this is true: the poet seems difficult because he is not read, because the reader is not accustomed to reading his or any other poetry.

Giordano Bruno photo

“Her beauty is not small, for the lord of all things taketh delight in her. Her I have loved and diligently sought from my youth up.”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

As quoted in Giordano Bruno : His Life and Thought (1950) by Dorothea Waley Singer http://www.positiveatheism.org/hist/bruno03.htm#CH3
Context: If all things are in common among friends, the most precious is Wisdom. What can Juno give which thou canst not receive from Wisdom? What mayest thou admire in Venus which thou mayest not also contemplate in Wisdom? Her beauty is not small, for the lord of all things taketh delight in her. Her I have loved and diligently sought from my youth up.

Francesco Petrarca photo
Abraham Isaac Kook photo

“The delight of the Torah is ignited by an inner awareness. A man begins to sense the great tapestry of each letter and point.”

XXVIII : The Inner Light of Torah in the Land of Israel, as translated by Rabbi Bezalel Naor, p. 208 http://www.orot.com/lights.html
Orot
Context: The delight of the Torah is ignited by an inner awareness. A man begins to sense the great tapestry of each letter and point. Every concept and content, every notion and idea, of every spiritual movement, of every vibration, intellectual and emotional, from the immediate and general to the distant and detailed, from matters lofty, spiritual, and ethical according to their outward profile, to matters practical, obligatory, seemingly frightening, and forceful, and at the same time complex and full of content and great mental exertion — all together become known by a supernal holy awareness.

Epictetus photo

“Of pleasures, those which occur most rarely give the most delight.”

Epictetus (50–138) philosopher from Ancient Greece

Fragment xi.
Golden Sayings of Epictetus, Fragments

Julian (emperor) photo

“She, however, is joint cause with him, enthralling our souls by the aid of pleasure, whilst she sheds down from the aether upon the earth her rays so delightful and pure, more lustrous than gold itself.”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

Upon the Sovereign Sun (362)
Context: Unto men Athene gives good things — namely, wisdom, understanding, and the creative arts; and she dwells in their citadels, I suppose, as being the founder of civil government through the communication of her own wisdom.
Now for a few words about Aphrodite, whom the Phoenician theologians agree in making co-operate in the work of creation with the last-mentioned goddess — and I believe they are right. She, then, is the mingling together of the celestial deities, and of the harmony of the same, for the purposes of love and unification. For she being near to the Sun, and running her course together with him, and approaching close to him, she fills the heavens with a good temperament, she imparts to the earth the generative power, whilst she herself provides for the perpetuity of generation of animals, of which generation the Sovereign Sun contains the final efficient cause. She, however, is joint cause with him, enthralling our souls by the aid of pleasure, whilst she sheds down from the aether upon the earth her rays so delightful and pure, more lustrous than gold itself.

Aristotle photo
Constantine the Great photo

“For he who is Lord of all cannot endure that those blessings which, in his own loving-kindness and consideration of the wants of men he has revealed for the rise of all, should be perverted to serve the lusts of any. His only demand from man is purity of mind and an undefiled spirit; and by this standard he weighs the actions of virtue and godliness. For his pleasure is in works of moderation and gentleness: he loves the meek, and hates the turbulent spirit: delighting in faith, he chastises unbelief: by him all presumptuous power is broken down, and he avenges the insolence of the proud. While the arrogant and haughty are utterly overthrown, he requires the humble and forgiving with deserved rewards: even so does he highly honor and strengthen with his special help a kingdom justly governed, and maintains a prudent king in the tranquility of peace. I CANNOT, then, my brother believe that I err in acknowledging this one God, the author and parent of all things: whom many of my predecessors in power, led astray by the madness of error, have ventured to deny”

Constantine the Great (274–337) Roman emperor

Letter of Constantine to Sapor, King of the Persians (333)
Constantine the Great : Letters
Context: By keeping the Divine faith, I am made a partaker of the light of truth: guided by the light of truth, I advance in the knowledge of the Divine faith. Hence it is that, as my actions themselves evince, I profess the most holy religion; and this worship I declare to be that which teaches me deeper acquaintance with the most holy God; aided by whose Divine power, beginning from the very borders of the ocean, I have aroused each nation of the world in succession to a well-grounded hope of security; so that those which, groaning in servitude to the most cruel tyrants and yielding to the pressure of their daily sufferings, had well nigh been utterly destroyed, have been restored through my agency to a far happier state. This God I confess that I hold in unceasing honor and remembrance; this God I delight to contemplate with pure and guileless thoughts in the height of his glory. THIS God I invoke with bended knees, and recoil with horror from the blood of sacrifices from their foul and detestable odors, and from every earth-born magic fire: for the profane and impious superstitions which are defiled by these rites have cast down and consigned to perdition many, nay, whole nations of the Gentile world. For he who is Lord of all cannot endure that those blessings which, in his own loving-kindness and consideration of the wants of men he has revealed for the rise of all, should be perverted to serve the lusts of any. His only demand from man is purity of mind and an undefiled spirit; and by this standard he weighs the actions of virtue and godliness. For his pleasure is in works of moderation and gentleness: he loves the meek, and hates the turbulent spirit: delighting in faith, he chastises unbelief: by him all presumptuous power is broken down, and he avenges the insolence of the proud. While the arrogant and haughty are utterly overthrown, he requires the humble and forgiving with deserved rewards: even so does he highly honor and strengthen with his special help a kingdom justly governed, and maintains a prudent king in the tranquility of peace. I CANNOT, then, my brother believe that I err in acknowledging this one God, the author and parent of all things: whom many of my predecessors in power, led astray by the madness of error, have ventured to deny... For I myself have witnessed the end of those who lately harassed the worshipers of God by their impious edict. And for this abundant thanksgivings are due to God that through his excellent Providence all men who observe his holy laws are gladdened by the renewed enjoyment of peace. Hence I am fully persuaded that everything is in the best and safest posture, since God is vouchsafing, through the influence of their pure and faithful religious service, and their unity of judgment respecting his Divine character, to gather all men to himself

John Ruskin photo

“My entire delight was in observing without being myself noticed,— if I could have been invisible, all the better.”

John Ruskin (1819–1900) English writer and art critic

Praeterita, volume I, chapter IX (1885-1889).
Context: My entire delight was in observing without being myself noticed,— if I could have been invisible, all the better. I was absolutely interested in men and their ways, as I was interested in marmots and chamois, in tomtits and trout. If only they would stay still and let me look at them, and not get into their holes and up their heights! The living inhabitation of the world — the grazing and nesting in it, — the spiritual power of the air, the rocks, the waters, to be in the midst of it, and rejoice and wonder at it, and help it if I could, — happier if it needed no help of mine, — this was the essential love of Nature in me, this the root of all that I have usefully become, and the light of all that I have rightly learned.

François Arago photo

“The lapse of ages has not rendered us wiser in this respect. In our own time the public delight in blending fable with history.”

François Arago (1786–1853) French mathematician, physicist, astronomer and politician

Joseph Fourier, p. 408.
Biographies of Distinguished Scientific Men (1859)
Context: The ancients had a taste, let us say rather a passion, for the marvellous, which caused them to forget even the sacred duties of gratitude. Observe them, for example, grouping together the lofty deeds of a great number of heroes, whose names they have not even deigned to preserve, and investing the single personage of Hercules with them. The lapse of ages has not rendered us wiser in this respect. In our own time the public delight in blending fable with history. In every career of life, in the pursuit of science especially, they enjoy a pleasure in creating Herculeses.

Albert Hofmann photo

“Suddenly, the familiar view of our surroundings is transformed in a strange, delightful, or alarming way: it appears to us in a new light, takes on a special meaning.”

Albert Hofmann (1906–2008) Swiss chemist

Foreword http://www.psychedelic-library.org/childf.htm
LSD : My Problem Child (1980)
Context: There are experiences that most of us are hesitant to speak about, because they do not conform to everyday reality and defy rational explanation. These are not particular external occurrences, but rather events of our inner lives, which are generally dismissed as figments of the imagination and barred from our memory. Suddenly, the familiar view of our surroundings is transformed in a strange, delightful, or alarming way: it appears to us in a new light, takes on a special meaning. Such an experience can be as light and fleeting as a breath of air, or it can imprint itself deeply upon our minds.
One enchantment of that kind, which I experienced in childhood, has remained remarkably vivid in my memory ever since. It happened on a May morning — I have forgotten the year — but I can still point to the exact spot where it occurred, on a forest path on Martinsberg above Baden, Switzerland. As I strolled through the freshly greened woods filled with bird song and lit up by the morning sun, all at once everything appeared in an uncommonly clear light. Was this something I had simply failed to notice before? Was I suddenly discovering the spring forest as it actually looked? It shone with the most beautiful radiance, speaking to the heart, as though it wanted to encompass me in its majesty. I was filled with an indescribable sensation of joy, oneness, and blissful security.
I have no idea how long I stood there spellbound. But I recall the anxious concern I felt as the radiance slowly dissolved and I hiked on: how could a vision that was so real and convincing, so directly and deeply felt — how could it end so soon? And how could I tell anyone about it, as my overflowing joy compelled me to do, since I knew there were no words to describe what I had seen? It seemed strange that I, as a child, had seen something so marvelous, something that adults obviously did not perceive — for I had never heard them mention it.
While still a child, I experienced several more of these deeply euphoric moments on my rambles through forest and meadow. It was these experiences that shaped the main outlines of my world view and convinced me of the existence of a miraculous, powerful, unfathomable reality that was hidden from everyday sight.

Joseph Priestley photo

“If the exertion of human abilities, which cannot but form a delightful spectacle for the human imagination, give us pleasure, we enjoy it here in a higher degree than while we are contemplating the schemes of warriors, and the stratagems of their bloody art.”

Preface
The History and Present State of Electricity (1767)
Context: The history of philosophy enjoys, in some measure, the advantages both of civil and natural history, whereby it is relieved from what is most tedious and disgusting in both. Philosophy exhibits the powers of nature, discovered and directed by human art. It has, therefore, in some measure, the boundless variety with the amazing uniformity of the one, and likewise every thing that is pleasing and interesting in the other. And the idea of continual rise and improvement is conspicuous in the whole study, whether we be attentive to the part which nature, or that which men are acting in the great scene.
It is here that we see the human understanding to its greatest advantage, grasping at the noblest objects, and increasing its own powers, by acquiring to itself the powers of nature, and directing them to the accomplishment of its own views; whereby the security, and happiness of mankind are daily improved. Human abilities are chiefly conspicuous in adapting means to ends, and in deducing one thing from another by the method of analogy; and where may we find instances of greater sagacity, than in philosophers diversifying the situations of things, in order to give them an opportunity of showing their mutual relations, affections, and influences; deducing one truth and one discovery from another, and applying them all to the useful purposes of human life.
If the exertion of human abilities, which cannot but form a delightful spectacle for the human imagination, give us pleasure, we enjoy it here in a higher degree than while we are contemplating the schemes of warriors, and the stratagems of their bloody art.

Henry Temple, 3rd Viscount Palmerston photo

“It would be very delightful if your Utopia could be realized and if the nations of the earth would think of nothing but peace and commerce, and would give up quarrelling and fighting altogether. But unfortunately man is a fighting and quarrelling animal”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Letter to Richard Cobden (8 January 1862), quoted in Jasper Ridley, Lord Palmerston (London: Constable, 1970), p. 590.
1860s
Context: It would be very delightful if your Utopia could be realized and if the nations of the earth would think of nothing but peace and commerce, and would give up quarrelling and fighting altogether. But unfortunately man is a fighting and quarrelling animal; and that this is human nature is proved by the fact that republics, where the masses govern are far more quarrelsome, and more addicted to fighting, than monarchies, which are governed by comparatively few persons.

“Watch bullies at school. See how they delight in causing pain. See how little is done to change them. Imagine them grown, elected, put into power. They do grow, they are elected, they are put into power.”

Sheri S. Tepper (1929–2016) American fiction writer

Strange Horizons interview (2008)
Context: Every villain or villainous activity I have ever written about is a person or an activity that has actually lived or taken place. I invent nothing. When I wrote in Raising the Stones about the slavery practiced by one race and their reasons for it, those reasons were taken verbatim from arguments written in defense of Negro slavery by southern slave owners. Watch bullies at school. See how they delight in causing pain. See how little is done to change them. Imagine them grown, elected, put into power. They do grow, they are elected, they are put into power.

Albert Camus photo

“In that daily effort in which intelligence and passion mingle and delight each other, the absurd man discovers a discipline that will make up the greatest of his strengths.”

The Myth of Sisyphus (1942), Absurd Creation
Context: In that daily effort in which intelligence and passion mingle and delight each other, the absurd man discovers a discipline that will make up the greatest of his strengths. The required diligence and doggedness and lucidity thus resemble the conqueror's attitude. To create is likewise to give a shape to one's fate. For all these characters, their work defines them at least as much as it is defined by them. The actor taught us this: There is no frontier between being and appearing.

Aleister Crowley photo

“I embrace hardship and privation with ecstatic delight; I want everything the world holds; I would go to prison or to the scaffold for the sake of the experience. I have never grown out of the infantile belief that the universe was made for me to suck.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Source: The Confessions of Aleister Crowley (1929), Ch. 54.
Context: I embrace hardship and privation with ecstatic delight; I want everything the world holds; I would go to prison or to the scaffold for the sake of the experience. I have never grown out of the infantile belief that the universe was made for me to suck. I grow delirious to contemplate the delicious horrors that are certain to happen to me. This is the keynote of my life, the untrammeled delight in every possibility of existence, potential or actual.

John Peckham photo

“Among all the studies of natural causes and reasons, light most delights the contemplators”

John Peckham (1227–1292) Archbishop of Canterbury

Perspectiva communis, translated by, and appearing in the notebooks (C.A.<sub>543r</sub>) of Leonardo da Vinci, as quoted by Martin Kemp, Leonardo Da Vinci: The Marvellous Works of Nature and Man (2006) p. 112.
Context: Among all the studies of natural causes and reasons, light most delights the contemplators; among the great things of mathematics, the certainty of its demonstrations most illustriously elevates the minds of its investigators; perspective must therefore be preferred to all human discourses and disciplines, in the study in which radiant lines are expounded by means of demonstrations and in which the glory is found not only of mathematics, but also physics: it is adorned with the flowers of one and the other.

George Herbert photo

“A verse may finde him, who a sermon flies
And turns delight into a sacrifice”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

The Temple (1633), The Church Porch

George Bernard Shaw photo

“The reading of stories and delighting in them made Don Quixote a gentleman: the believing them literally made him a madman who slew lambs instead of feeding them.”

George Bernard Shaw (1856–1950) Irish playwright

A Touchstone For Dogma
1920s, Back to Methuselah (1921)
Context: People will have their miracles, their stories, their heroes and heroines and saints and martyrs and divinities to exercise their gifts of affection, admiration, wonder, and worship, and their Judases and devils to enable them to be angry and yet feel that they do well to be angry. Every one of these legends is the common heritage of the human race; and there is only one inexorable condition attached to their healthy enjoyment, which is that no one shall believe them literally. The reading of stories and delighting in them made Don Quixote a gentleman: the believing them literally made him a madman who slew lambs instead of feeding them.

William Ellery Channing photo

“I call that mind free, which jealously guards its intellectual rights and powers, which calls no man master, which does not content itself with a passive or hereditary faith, which opens itself to light whencesoever it may come, which receives new truth as an angel from heaven.
I call that mind free, which sets no bounds to its love, which is not imprisoned in itself or in a sect, which recognises in all human beings the image of God and the rights of his children, which delights in virtue and sympathizes with suffering wherever they are seen, which conquers pride, anger, and sloth, and offers itself up a willing victim to the cause of mankind.”

William Ellery Channing (1780–1842) United States Unitarian clergyman

Spiritual Freedom http://www.americanunitarian.org/spiritualfreedom.htm (1830)
Context: I call that mind free, which masters the senses, which protects itself against animal appetites, which contemns pleasure and pain in comparison to its own energy, which penetrates beneath the body and recognises its own reality and greatness, which passes life, not in asking what it shall eat or drink, but in hungering, thirsting, and seeking after righteousness.
I call that mind free, which escapes the bondage of matter, which, instead of stopping at the material universe and making it a prison wall, passes beyond it to its Author, and finds in the radiant signatures which everywhere bears of the Infinite Spirit, helps to its own spiritual enlightenment.
I call that mind free, which jealously guards its intellectual rights and powers, which calls no man master, which does not content itself with a passive or hereditary faith, which opens itself to light whencesoever it may come, which receives new truth as an angel from heaven.
I call that mind free, which sets no bounds to its love, which is not imprisoned in itself or in a sect, which recognises in all human beings the image of God and the rights of his children, which delights in virtue and sympathizes with suffering wherever they are seen, which conquers pride, anger, and sloth, and offers itself up a willing victim to the cause of mankind.

Margaret Fuller photo

“I am immortal! I know it! I feel it!
Hope floods my heart with delight!”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Dryad Song (1900)
Context: I am immortal! I know it! I feel it!
Hope floods my heart with delight!
Running on air mad with life dizzy, reeling,
Upward I mount, — faith is sight, life is feeling,
Hope is the day-star of might!

“What is precious is never to forget
The delight of the blood drawn from ancient springs
Breaking through rocks in worlds before our earth”

Stephen Spender (1909–1995) English poet and man of letters

"I Think of Those Who Were Truly Great"
Poems (1933)
Context: What is precious is never to forget
The delight of the blood drawn from ancient springs
Breaking through rocks in worlds before our earth;
Never to deny its pleasure in the simple morning light,
Nor its grave evening demand for love;
Never to allow gradually the traffic to smother
With noise and fog the flowering of the spirit.

Vannevar Bush photo

“There is a new profession of trail blazers, those who find delight in the task of establishing useful trails through the enormous mass of the common record.”

As We May Think (1945)
Context: The historian, with a vast chronological account of a people, parallels it with a skip trail which stops only at the salient items, and can follow at any time contemporary trails which lead him all over civilization at a particular epoch. There is a new profession of trail blazers, those who find delight in the task of establishing useful trails through the enormous mass of the common record. The inheritance from the master becomes, not only his additions to the world's record, but for his disciples the entire scaffolding by which they were erected.

Bertolt Brecht photo

“It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality.”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

Essays on the Art of Theater (1954).
Context: It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.

Albert Einstein photo

“Only to a tiny minority is it given to fascinate their generation by subtle humour and grace and to hold the mirror up to it by the impersonal agency of art. To-day I salute with sincere emotion the supreme master of this method, who has delighted — and educated — us all.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

"Einstein's Reply to Criticisms" (1949), The World As I See It (1949)
Context: There are few enough people with sufficient independence to see the weaknesses and follies of their contemporaries and remain themselves untouched by them. And these isolated few usually soon lose their zeal for putting things to rights when they have come face to face with human obduracy. Only to a tiny minority is it given to fascinate their generation by subtle humour and grace and to hold the mirror up to it by the impersonal agency of art. To-day I salute with sincere emotion the supreme master of this method, who has delighted — and educated — us all.

Friedrich Hölderlin photo

“It was not delight, not wonder that arose among us, it was the peace of heaven.”

Hyperion
Context: It was not delight, not wonder that arose among us, it was the peace of heaven.
A thousand times have I said it to her and to myself: the most beautiful is also the most sacred. And such was everything in her. Like her singing, even so was her life.

Epictetus photo

“Exceed due measure, and the most delightful things become the least delightful.”

Epictetus (50–138) philosopher from Ancient Greece

Fragment xii.
Golden Sayings of Epictetus, Fragments

Francois Rabelais photo

“Grace, honour, praise, delight,
Here sojourn day and night.”

Source: Gargantua and Pantagruel (1532–1564), Gargantua (1534), Chapter 54 : The inscription set upon the great gate of Theleme.
Context: p>Grace, honour, praise, delight,
Here sojourn day and night.
Sound bodies lined
With a good mind,
Do here pursue with might
Grace, honour, praise, delight.Here enter you, and welcome from our hearts,
All noble sparks, endowed with gallant parts.
This is the glorious place, which bravely shall
Afford wherewith to entertain you all.
Were you a thousand, here you shall not want
For anything; for what you'll ask we'll grant.
Stay here, you lively, jovial, handsome, brisk,
Gay, witty, frolic, cheerful, merry, frisk,
Spruce, jocund, courteous, furtherers of trades,
And, in a word, all worthy gentle blades.</p

Joseph Brackett photo

“When true simplicity is gain'd
To bow and to bend we shan't be asham'd,
To turn, turn will be our delight
'Till by turning, turning we come round right.”

Joseph Brackett (1797–1882) American songwriter

Through the course of time these lines have often been altered into "'Tis a gift", rather than the original "'Tis the gift". The song was largely unknown outside of the Shaker community until Aaron Copland used the melody in his 1944 composition "Appalachian Spring". Many people have thought that the tune of "Simple Gifts" is a traditional celtic tune (as it is implied to be, as used in the theatrical play Lord of the Dance) but the music and original lyrics are actually the compositions of Joseph Brackett. The original lyrics to a song "Lord of the Dance", based upon the tune, were written by the Quaker poet Sydney Carter in 1963, and these were adapted (in ignorance of the actual origins) without authorization or acknowledgments in the play, but acknowledgement was eventually made, and some royalty payments arranged. Several other adaptations and parodies have since occurred. · Alison Krauss performance http://www.youtube.com/watch?v=DBOYYlanm1k · Performance by the King's Singers http://www.youtube.com/watch?v=x6yTRcr2dxM - GMCLA performance http://www.youtube.com/watch?v=AIx57ATBgZg · Arrangement by John Williams for the Inauguration of US President Barack Obama https://www.youtube.com/watch?v=sXEIiKZRgpo&spfreload=10
Simple Gifts (1848)
Context: p> 'Tis the gift to be simple, 'tis the gift to be free,
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.When true simplicity is gain'd
To bow and to bend we shan't be asham'd,
To turn, turn will be our delight
'Till by turning, turning we come round right.</p

H.L. Mencken photo

“I confess, for my part, that it greatly delights me. I enjoy democracy immensely. It is incomparably idiotic, and hence incomparably amusing. Does it exalt dunderheads, cowards, trimmers, frauds, cads? Then the pain of seeing them go up is balanced and obliterated by the joy of seeing them come down.”

H.L. Mencken (1880–1956) American journalist and writer

1920s, Notes on Democracy (1926)
Context: Democracy always seems bent upon killing the thing it theoretically loves. I have rehearsed some of its operations against liberty, the very cornerstone of its political metaphysic. It not only wars upon the thing itself; it even wars upon mere academic advocacy of it. I offer the spectacle of Americans jailed for reading the Bill of Rights as perhaps the most gaudily humorous ever witnessed in the modern world. Try to imagine monarchy jailing subjects for maintaining the divine right of Kings! Or Christianity damning a believer for arguing that Jesus Christ was the Son of God! This last, perhaps, has been done: anything is possible in that direction. But under democracy the remotest and most fantastic possibility is a common place of every day. All the axioms resolve themselves into thundering paradoxes, many amounting to downright contradictions in terms. The mob is competent to rule the rest of us—but it must be rigorously policed itself. There is a government, not of men, but of laws—but men are set upon benches to decide finally what the law is and may be. The highest function of the citizen is to serve the state—but the first assumption that meets him, when he essays to discharge it, is an assumption of his disingenuousness and dishonour. Is that assumption commonly sound? Then the farce only grows the more glorious.
I confess, for my part, that it greatly delights me. I enjoy democracy immensely. It is incomparably idiotic, and hence incomparably amusing. Does it exalt dunderheads, cowards, trimmers, frauds, cads? Then the pain of seeing them go up is balanced and obliterated by the joy of seeing them come down. Is it inordinately wasteful, extravagant, dishonest? Then so is every other form of government: all alike are enemies to laborious and virtuous men. Is rascality at the very heart of it? Well, we have borne that rascality since 1776, and continue to survive. In the long run, it may turn out that rascality is necessary to human government, and even to civilization itself—that civilization, at bottom, is nothing but a colossal swindle. I do not know: I report only that when the suckers are running well the spectacle is infinitely exhilarating. But I am, it may be, a somewhat malicious man: my sympathies, when it comes to suckers, tend to be coy. What I can't make out is how any man can believe in democracy who feels for and with them, and is pained when they are debauched and made a show of. How can any man be a democrat who is sincerely a democrat?

Teresa of Ávila photo

“May it please our Lord that I be not one of these; and may His Majesty give me grace to take that for peace which is really peace, that for honour which is really honour, and that for delight which is really a delight. Let me never mistake one thing for another — and then I snap my fingers at all the devils, for they shall be afraid of me.”

Teresa of Ávila (1515–1582) Roman Catholic saint

Source: The Life of St. Teresa of Jesus (c.1565), Ch. XXV. "Divine Locutions. Discussions on That Subject" ¶ 26 & 27
Variant translation: I do not fear Satan half so much as I fear those who fear him.
Context: May it please His Majesty that we fear Him whom we ought to fear, and understand that one venial sin can do us more harm than all hell together; for that is the truth. The evil spirits keep us in terror, because we expose ourselves to the assaults of terror by our attachments to honours, possessions, and pleasures. For then the evil spirits, uniting themselves with us, — we become our own enemies when we love and seek what we ought to hate, — do us great harm. We ourselves put weapons into their hands, that they may assail us; those very weapons with which we should defend ourselves. It is a great pity. But if, for the love of God, we hated all this, and embraced the cross, and set about His service in earnest, Satan would fly away before such realities, as from the plague. He is the friend of lies, and a lie himself. He will have nothing to do with those who walk in the truth. When he sees the understanding of any one obscured, he simply helps to pluck out his eyes; if he sees any one already blind, seeking peace in vanities, — for all the things of this world are so utterly vanity, that they seem to be but the playthings of a child, — he sees at once that such a one is a child; he treats him as a child, and ventures to wrestle with him — not once, but often.
May it please our Lord that I be not one of these; and may His Majesty give me grace to take that for peace which is really peace, that for honour which is really honour, and that for delight which is really a delight. Let me never mistake one thing for another — and then I snap my fingers at all the devils, for they shall be afraid of me. I do not understand those terrors which make us cry out, Satan, Satan! when we may say, God, God! and make Satan tremble. Do we not know that he cannot stir without the permission of God? What does it mean? I am really much more afraid of those people who have so great a fear of the devil, than I am of the devil himself. Satan can do me no harm whatever, but they can trouble me very much, particularly if they be confessors. I have spent some years of such great anxiety, that even now I am amazed that I was able to bear it. Blessed be our Lord, who has so effectually helped me!

Mencius photo

“What the eye delights in, no longer dictates
My greed to enjoy”

Stephen Spender (1909–1995) English poet and man of letters

"Experience"
The Still Centre (1939)
Context: What the eye delights in, no longer dictates
My greed to enjoy: boys, grass, the fenced-off
deer.
It leaves those figures that distantly play
On the horizon's rim: they sign their peace, in games.

Robert Frost photo

“For me the initial delight is in the surprise of remembering something I didn't know I knew. I am in a place, in a situation, as if I had materialized from cloud or risen out of the ground. There is a glad recognition of the long lost and the rest follows. Step by step the wonder of unexpected supply keeps growing. The impressions most useful to my purpose seem always those I was unaware of and so made no note of at the time when taken, and the conclusion is come to that like giants we are always hurling experience ahead of us to pave the future with against the day when we may Want to strike a line of purpose across it for somewhere. The line will have the more charm for not being mechanically straight.”

Robert Frost (1874–1963) American poet

The Figure a Poem Makes (1939)
Context: No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader. For me the initial delight is in the surprise of remembering something I didn't know I knew. I am in a place, in a situation, as if I had materialized from cloud or risen out of the ground. There is a glad recognition of the long lost and the rest follows. Step by step the wonder of unexpected supply keeps growing. The impressions most useful to my purpose seem always those I was unaware of and so made no note of at the time when taken, and the conclusion is come to that like giants we are always hurling experience ahead of us to pave the future with against the day when we may Want to strike a line of purpose across it for somewhere. The line will have the more charm for not being mechanically straight. We enjoy the straight crookedness of a good walking stick. Modern instruments of precision are being used to make things crooked as if by eye and hand in the old days.

Johannes Kepler photo

“I contemplate its beauty with incredible and ravishing delight”

Johannes Kepler (1571–1630) German mathematician, astronomer and astrologer

Vol. VI, p. 116, Vol. VIII, p. 266ff.
Joannis Kepleri Astronomi Opera Omnia, ed. Christian Frisch (1858)
Context: I certainly know that I owe it [the Copernican theory] this duty, that as I have attested it as true in my deepest soul, and as I contemplate its beauty with incredible and ravishing delight, I should also publicly defend it to my readers with all the force at my command.

John Keats photo
Gérard de Nerval photo
William Godwin photo
Edward Gibbon photo
John Ruskin photo
John Ruskin photo