Quotes about deep
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Jodi Picoult photo
Elizabeth Gilbert photo
Bertrand Russell photo
Bret Easton Ellis photo
Virginia Woolf photo
W.B. Yeats photo
Franz Kafka photo
Robert Greene photo
Anne Frank photo
Ian Fleming photo

“A dry martini,' he said. 'One. In a deep champagne goblet.'…
Just a moment. Three measures of Gordon's, one of vodka, half a measure of Kina Lillet. Shake it very well until it's ice-cold, then add a large thin slice of lemon-peel. Got it?”

Source: Casino Royale (1953), Ch. 7 : Rouge et Noir
Context: Bond insisted ordering Leiter's Haig-and-Haig "on the rocks" and then he looked carefully at the barman. "A Dry Martini", he said. "One. In a deep champagne goblet." "Oui, monsieur." "Just a moment. Three measures of Gordons, one of vodka, half a measure of Kina Lillet. Shake it very well until it's ice-cold, then add a large thin slice of lemon peel. Got it?" "Certainly, monsieur." The barman seemed pleased with the idea.

Bertrand Russell photo
Eckhart Tolle photo
Ken Robinson photo
Christina Rossetti photo
Dave Barry photo
Friedrich Nietzsche photo

“They muddy the water, to make it seem deep.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Rainer Maria Rilke photo
Rainer Maria Rilke photo
William Shakespeare photo
Saul Bellow photo

“A great deal of intelligence can be invested in ignorance when the need for illusion is deep.”

Saul Bellow (1915–2005) Canadian-born American writer

Compare: It’s a point so blindingly obvious that only an extraordinarily clever and sophisticated person could fail to grasp it.
John Bercow, 2016.
General sources
Variant: There is no limit to the amount of intelligence invested in ignorance when the need for illusion runs deep.
Source: To Jerusalem and Back: A Personal Account (1976), p. 127

Cornel West photo
Stephen Chbosky photo
Jim Butcher photo
Patricia A. McKillip photo
Terry Pratchett photo
Terry Pratchett photo
Friedrich Nietzsche photo

“Every deep thinker is more afraid of being understood than of being misunderstood.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Robert Greene photo
Louise L. Hay photo
Juliet Marillier photo
Christopher Paolini photo
Terry Pratchett photo
Eckhart Tolle photo
Corrie ten Boom photo

“No pit is so deep that God is not deeper still”

Corrie ten Boom (1892–1983) Dutch resistance hero and writer

Variant: There is no pit so deep, that God's love is not deeper still.
Source: The Hiding Place: The Triumphant True Story of Corrie Ten Boom

Philip Yancey photo
Douglas Adams photo
Saul Bellow photo
Dr. Seuss photo
Rick Riordan photo
Allen Ginsberg photo
C.G. Jung photo
Douglas Adams photo
Rainer Maria Rilke photo
Rainer Maria Rilke photo
William Shakespeare photo
Sylvia Plath photo

“I like people too much or not at all. I've got to go down deep, to fall into people, to really know them.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Variant: Then it hit me and I just blurted, 'I like people too much or not at all. I've got to go down deep, to fall into people, to really know them.
Source: The Unabridged Journals of Sylvia Plath

Carlos Ruiz Zafón photo
Muhammad Ali photo
Martin Luther King, Jr. photo

“There can be no deep disappointment where there is not deep love.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, (1963)

Friedrich Nietzsche photo

“What destroys a man more quickly than to work, think and feel without inner necessity, without any deep personal desire, without pleasure - as a mere automaton of duty?”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Source: The Anti-Christ/Ecce Homo/Twilight of the Idols/Other Writings

Frans de Waal photo
Robin McKinley photo
Gerhard Richter photo
Rajneesh photo

“Man has nothing else to do but surrender — in deep trust, in deep love. Don’t be a doer, just surrender. Let there be a let-go.”

Rajneesh (1931–1990) Godman and leader of the Rajneesh movement

The Art of Dying ( osho.com http://www.osho.com/online-library-allow-silences-joke-5f0b06d0-61e.aspx; retrieved August 2012), Chapter 6, 14.
The Art of Dying

H.P. Lovecraft photo

“However—the crucial thing is my lack of interest in ordinary life. No one ever wrote a story yet without some real emotional drive behind it—and I have not that drive except where violations of the natural order… defiances and evasions of time, space, and cosmic law… are concerned. Just why this is so I haven't the slightest idea—it simply is so. I am interested only in broad pageants—historic streams—orders of biological, chemical, physical, and astronomical organisation—and the only conflict which has any deep emotional significance to me is that of the principle of freedom or irregularity or adventurous opportunity against the eternal and maddening rigidity of cosmic law… especially the laws of time…. Hence the type of thing I try to write. Naturally, I am aware that this forms a very limited special field so far as mankind en masse is concerned; but I believe (as pointed out in that Recluse article) that the field is an authentic one despite its subordinate nature. This protest against natural law, and tendency to weave visions of escape from orderly nature, are characteristic and eternal factors in human psychology, even though very small ones. They exist as permanent realities, and have always expressed themselves in a typical form of art from the earliest fireside folk tales and ballads to the latest achievements of Blackwood and Machen or de la Mare or Dunsany. That art exists—whether the majority like it or not. It is small and limited, but real—and there is no reason why its practitioners should be ashamed of it. Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience—but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.”

H.P. Lovecraft (1890–1937) American author

Letter to E. Hoffmann Price (15 August 1934) , quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 268
Non-Fiction, Letters, to E. Hoffmann Price

Thomas Mann photo
John Henry Newman photo

“To be deep in history is to cease to be a Protestant.”

John Henry Newman (1801–1890) English cleric and cardinal

Introduction, Part 5.
An Essay on the Development of Christian Doctrine (1845)

Henri Barbusse photo
Joe Biden photo

“Just because our political heroes were murdered does not mean that the dream does not still live, buried deep in our broken hearts.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Page 141
2000s, Promises to Keep (2008)

A. P. J. Abdul Kalam photo
Kamala Surayya photo
Steve Irwin photo
Hermann Hesse photo
Thomas De Quincey photo
Wilhelm Von Humboldt photo
Jeffrey D. Sachs photo
Friedrich Nietzsche photo
Adolf Hitler photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

Ray Comfort photo
Julian of Norwich photo
Adyashanti photo
José Saramago photo
Gabriel Iglesias photo

“A lot has changed, El Paso, a lot has changed. One thing's for sure, I'm still the fluffy guy. And I say "fluffy" because that is the politically correct term, for those of you who don't remember I used to say that there were Five Levels of Fatness. Reason why I say "Used to say" is because now there are six! Uh-huh, I met the new one in Las Cruces. The original five levels are Big, Healthy, Husky, Fluffy, and DAMN! People ask, "What could be bigger than DAMN!" The new level's called "OH HELL NO!" What's the difference? You're still willing to work with level five. Example, if you're on an elevator and you're with your friend and this really big guy gets on and you and your friend look at each other and you're like, "DAAAMN!" But you still let the big guy ride your elevator. That's the difference. Level six, you see walking towards your elevator, [Deep growling noise] [Pretends to be a shocked passenger and starts pushing the "close door" button. ] "OH HELL NO!" [Growl] "NO!!" [Growl] "NO!!" [Pretends to kick the fat man out] That's the difference. The guy that I met was six foot eight, six hundred and fourteen pounds. Uh-huh, OH HELL NO!! And he was offended at my show. Not by anything that I said, but because of the fact that now at the shows I started selling T-shirts and apparently, I didn't have his size. Keep in mind, I go all the way up to 5X on the T-shirts and he was like, [Deep growling voice] "You don't have my size." I was like, "Dude, I didn't know they MADE you! I have up to 5X, I don't have [Growl] X!"”

Gabriel Iglesias (1976) American actor

A picture of a dinosaur on the back of the tag, you know?
I'm Not Fat, I'm Fluffy (2009)

Leon Trotsky photo
Thomas Mann photo

“The deep conviction... that nothing good for Germany or the world can come out of the present German regime, has made me avoid the country in whose spiritual tradition I am more deeply rooted than are those who for three years have been trying to find courage enough to declare before the world that I am not a German. And I feel to the bottom of my heart that I have done right in the eyes of my contemporaries and of posterity.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Responding to anti-semitic propaganda and to criticisms of German writers living in exile during the early years of the Nazi regime in Germany, as quoted in "Homage to Thomas Mann" in The New Republic (1 April 1936) http://www.newrepublic.com/article/114269/thomas-mann-stands-anti-semitism-stacks

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Ramana Maharshi photo
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Wilhelm Von Humboldt photo
Abraham Lincoln photo

“I mean the powerful influence which the interesting scenes of the Revolution had upon the passions of the people as distinguished from their judgment. By this influence, the jealousy, envy, and avarice incident to our nature and so common to a state of peace, prosperity, and conscious strength, were for the time in a great measure smothered and rendered inactive, while the deep-rooted principles of hate, and the powerful motive of revenge, instead of being turned against each other, were directed exclusively against the British nation. And thus, from the force of circumstances, the basest principles of our nature, were either made to lie dormant, or to become the active agents in the advancement of the noblest cause — that of establishing and maintaining civil and religious liberty. But this state of feeling must fade, is fading, has faded, with the circumstances that produced it. I do not mean to say that the scenes of the Revolution are now or ever will be entirely forgotten, but that, like everything else, they must fade upon the memory of the world, and grow more and more dim by the lapse of time. In history, we hope, they will be read of, and recounted, so long as the Bible shall be read; but even granting that they will, their influence cannot be what it heretofore has been. Even then they cannot be so universally known nor so vividly felt as they were by the generation just gone to rest. At the close of that struggle, nearly every adult male had been a participator in some of its scenes. The consequence was that of those scenes, in the form of a husband, a father, a son, or a brother, a living history was to be found in every family — a history bearing the indubitable testimonies of its own authenticity, in the limbs mangled, in the scars of wounds received, in the midst of the very scenes related — a history, too, that could be read and understood alike by all, the wise and the ignorant, the learned and the unlearned. But those histories are gone. They can be read no more forever. They were a fortress of strength; but what invading foeman could never do, the silent artillery of time has done — the leveling of its walls. They are gone. They were a forest of giant oaks; but the all-restless hurricane has swept over them, and left only here and there a lonely trunk, despoiled of its verdure, shorn of its foliage, unshading and unshaded, to murmur in a few more gentle breezes, and to combat with its mutilated limbs a few more ruder storms, then to sink and be no more. They were pillars of the temple of liberty; and now that they have crumbled away that temple must fall unless we, their descendants, supply their places with other pillars, hewn from the solid quarry of sober reason.”

Abraham Lincoln (1809–1865) 16th President of the United States

1830s, The Lyceum Address (1838)

Rainer Maria Rilke photo

“First a childhood, limitless and without
renunciation or goals. O unselfconscious joy.
Then suddenly terror, barriers, schools, drudgery,
and collapse into temptation and loss.Defiance. The one bent becomes the bender,
and thrusts upon others that which it suffered.
Loved, feared, rescuer, fighter, winner
and conqueror, blow by blow.And then alone in cold, light, open space,
yet still deep within the mature erected form,
a gasping for the clear air of the first one, the old one…Then God leaps out from behind his hiding place.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Erst eine Kindheit, grenzenlos und ohne
Verzicht und Ziel. O unbewußte Lust.
Auf einmal Schrecken, Schranke, Schule, Frohne
und Absturtz in Versuchung und Verlust.</p><p>Trotz. Der Gebogene wird selber Bieger
und rächt an anderen, daß er erlag.
Geliebt, gefürchtet, Retter, Ringer, Sieger
und Überwinder, Schlag auf Schlag.<p>Und dann allein im Weiten, Leichten, Kalten.
Doch tief in der errichteten Gestalt
ein Atemholen nach dem Ersten, Alten...</p><p>Da stürzte Gott aus seinem Hinterhalt.</p>
As translated by Cliff Crego
Imaginärer Lebenslauf (Imaginary Life Journey) (September 13, 1923)

Letitia Elizabeth Landon photo
Albert Schweitzer photo

“Most men are scantily nourished on a modicum of happiness and a number of empty thoughts which life lays on their plates. They are kept in the road of life through stern necessity by elemental duties which they cannot avoid.
Again and again their will-to-live becomes, as it were, intoxicated: spring sunshine, opening flowers, moving clouds, waving fields of grain — all affect it. The manifold will-to-live, which is known to us in the splendid phenomena in which it clothes itself, grasps at their personal wills. They would fain join their shouts to the mighty symphony which is proceeding all around them. The world seem beauteous…but the intoxication passes. Dreadful discords only allow them to hear a confused noise, as before, where they had thought to catch the strains of glorious music. The beauty of nature is obscured by the suffering which they discover in every direction. And now they see again that they are driven about like shipwrecked persons on the waste of ocean, only that the boat is at one moment lifted high on the crest of the waves and a moment later sinks deep into the trough; and that now sunshine and now darkening clouds lie on the surface of the water.
And now they would fain persuade themselves that land lies on the horizon toward which they are driven. Their will-to-live befools their intellect so that it makes efforts to see the world as it would like to see it. It forces this intellect to show them a map which lends support to their hope of land. Once again they essay to reach the shore, until finally their arms sink exhausted for the last time and their eyes rove desperately from wave to wave. …
Thus it is with the will-to-live when it is unreflective.
But is there no way out of this dilemma? Must we either drift aimlessly through lack of reflection or sink in pessimism as the result of reflection? No. We must indeed attempt the limitless ocean, but we may set our sails and steer a determined course.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Source: The Spiritual Life (1947), p. 256

Jordan Peterson photo
H.P. Lovecraft photo

“It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging... There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions... It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable... The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity... Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations... get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 291
Non-Fiction, Letters, to Frank Belknap Long

Terence V. Powderly photo
Malcolm X photo

“The pilgrimage to Mecca, known as the Hajj, is a religious obligation that every orthodox Muslim fulfills, if able, at least once in his or her lifetime.
The Holy Quran says it, "Pilgrimage to the House [of God built by the prophet Abraham] is a duty men owe to God; those who are able, make the journey." (3:97)

Allah said: "And proclaim the pilgrimage among men; they will come to you on foot and upon each lean camel, they will come from every deep ravine" (22:27).

Every one of the thousands at the airport, about to leave for Jeddah, was dressed this way. You could be a king or a peasant and no one would know. Some powerful personages, who were discreetly pointed out to me, had on the same thing I had on. Once thus dressed, we all had begun intermittently calling out "Labbayka! (Allahumma) Labbayka!" (Here I come, O Lord!) Packed in the plane were white, black, brown, red, and yellow people, blue eyes and blond hair, and my kinky red hair -- all together, brothers! All honoring the same God, all in turn giving equal honor to each other….

That is when I first began to reappraise the "white man." It was when I first began to perceive that "white man," as commonly used, means complexion only secondarily; primarily it described attitudes and actions. In America,"white man" meant specific attitudes and actions toward the black man, and toward all other non-white men. But in the Muslim world, I had seen that men with white complexions were more genuinely brotherly than anyone else had ever been. That morning was the start of a radical alteration in my whole outlook about "white" men.”

Malcolm X (1925–1965) American human rights activist

Text of a letter written following his Hajj (1964)

Shreya Ghoshal photo

“I want to keep working 24*7. When I am not singing, I go into deep introspection mode and start asking myself, why I am not getting much songs. I feel even working 24*7 every day is less for me.”

Shreya Ghoshal (1984) Indian playback singer

Talked about changes in career after marriage http://www.hindustantimes.com/bollywood/i-feel-restless-when-i-m-not-singing-want-to-work-24-7-shreya-ghoshal/story-hAKs3O9xVa8bQXvZvKpXIP.html

Maharishi Mahesh Yogi photo

“It is possible for every man to go deep within and saturate his conscious mind with inner happiness with that unlimited intelligence that dwells at the source of thought.”

Maharishi Mahesh Yogi (1917–2008) Inventor of Transcendental Meditation, musician

Quoted from: Maharishi Mahesh Yogi - Lake Louise, Canada (1968) - MaharishiUniversity http://www.bienfaits-meditation.com/en/maharishi/videos/mechanics-of-the-technique