Quotes about critic
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John Dewey photo
Li Minqi photo
Ursula K. Le Guin photo
Robert M. Price photo

“Links in the gospels, e. g., with Herod the Great, Joseph Caiaphas, and Pontius Pilate, are so problematical on internal grounds that most critical scholars, never meaning to espouse Mythicism, reject these features of the story as legendary.”

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, The Christ-Myth Theory and Its Problems, https://books.google.com/books?id=qhyzNAEACAAJ, 2011, American Atheist Press, 978-1-57884-017-5, 425, Conclusion: Do You “No” Jesus?]

Anne Morrow Lindbergh photo
Chuck Klosterman photo
Raymond Cattell photo
Amartya Sen photo
Ambrose Bierce photo

“Mark how my fame rings out from zone to zone:
A thousand critics shouting: "He's unknown!"”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Couplet

Logan Pearsall Smith photo

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Robert F. Kennedy photo

“Every dictatorship has ultimately strangled in the web of repression it wove for its people, making mistakes that could not be corrected because criticism was prohibited.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

"Value of Dissent" speech Nashville, Tennessee (21 March 1968)

Max Scheler photo
Francis Escudero photo
Dana Gioia photo
James Branch Cabell photo

“Men have begun to observe and classify, they turn from creation to Criticism. … It is the Fashion to be a wit. … one must be able to conceal indecency with elegant diction; manners are everything, morals nothing.”

James Branch Cabell (1879–1958) American author

"The Comedies of William Congreve" in William and Mary College Monthly (September 1897), V, p. 41, as quoted in "James Branch Cabell at William and Mary: the Education of a Novelist," by William L. Godshalk in The William and Mary Review, 5 (1967); reprinted in Kalki, Vol II, No.4, Whole No.8 (1968) http://www.silverstallion.karkeeweb.com/kalki_archives/kalki_from.html

Hugo Chávez photo

“I nationalize strategic companies and get criticized, but when Bush does it, it's OK. … Bush is turning socialist. How are you, comrade Bush?”

Hugo Chávez (1954–2013) 48th President of Venezuela

Statement of 21 September 2008, as quoted in "Credit Crisis Fools Latin America's Leaders: Alexandre Marinis" at Bloomberg.com (21 October 2008) http://www.bloomberg.com/apps/news?pid=20601039&refer=columnist_marinis&sid=afRmKSP9kKOU
2008

Peter Sloterdijk photo
Robert A. Taft photo
John Rogers Searle photo

“The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Introduction'
Essays and reviews, Glued to the Box (1983)

Jacques Ellul photo
Harry Hopkins photo

“They are damn good projects - excellent projects. That goes for all the projects up there. You know some people make fun of people who speak a foreign language, and dumb people criticize something they do not understand, and that is what is going on up there - God damn it!”

Harry Hopkins (1890–1946) American politician, 8th United States Secretary of Commerce, assistant to President Franklin Delano Roosev…

Stated at a press conference (April 4, 1935); reported in Robert E. Sherwood, Roosevelt and Hopkins (1948), p. 60. Sherwood says, "The reports of this conference quoted Hopkins as saying that 'the people are too damned dumb', and this phrase was given plenty of circulation in the press" (p. 61). He adds in a footnote that "it will be seen from the transcript of his remarks that this particular statement was directed not at the people but at the critical orators" (p. 938). Also reported in Paul F. Boller, Jr., and John George, They Never Said It: A Book of Fake Quotes, Misquotes, & Misleading Attributions (1989), p. 48-49; Boller and George also note that the quote was quickly misreported as "The people are too damn dumb to understand".

J. B. Bury photo
Otto Pfleiderer photo
Bell Hooks photo
James Harvey Robinson photo
Thomas Jefferson photo
Clarence Thomas photo
Ai Weiwei photo
Colin Meloy photo
S. M. Krishna photo

“We have to look at the Iran issue beyond the issue of energy trade. In the first place, we have to think about the security and stability in the Gulf region. India has vital stakes in the Gulf region. Six million Indians live and work in the Gulf region and beyond. It is one of the critical destinations of our external trade -- over $100 billion in exports, and over 60% of oil imports, and a major source of remittances.”

S. M. Krishna (1932) Indian politician

Declining Hillary Clinton's request that India should stop trading with Iran, and describing the need of Iran for India, 9 May, 2012. http://www.iranwatch.org/government/US/DOS/us-dos-remarkssecretaryclinton-and-indianexternalaffairsminister-050812.htm

Khalil Gibran photo

“The creator gives no heed to the critic unless he becomes a barren inventor.”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

Spiritual Sayings of Kahlil Gibran (1962) as translated by Anthony R. Ferris

George Gordon Byron photo
George Maciunas photo
Roger Scruton photo
Boris Sidis photo
Francis Escudero photo
Henri Poincaré photo

“It is by logic that we prove, but by intuition that we discover. To know how to criticize is good, to know how to create is better.”

C'est par la logique qu'on démontre, c'est par l'intuition qu'on invente.
Part II. Ch. 2 : Mathematical Definitions and Education, p. 129
Science and Method (1908)

Jesse Helms photo
Jerome K. Jerome photo
James McNeill Whistler photo
Amitabh Bachchan photo
Fulton J. Sheen photo
Antonin Scalia photo
John Esposito photo
François-Joachim de Pierre de Bernis photo

“Unhappy he who fears the deep
Recesses of his soul to scan!
The heart that from itself would hide
Fears an unfriendly critic's ban.”

François-Joachim de Pierre de Bernis (1715–1794) Catholic cardinal

Malheureux qui craint de rentrer
Dans la retraite de son âme!
Le coeur qui cherche a s'ignorer
Redoute un censeur qui le blâme.
Les Quatre saisons, ou les Géorgiques françoises, poëme (1763), Chant IV.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 154.

Hope Solo photo

“I have a lot of critics; we all know that. And I do kind of want to say — you know, put my middle finger up to everybody and say, think what you want about me. I am who I am. But at the end of the day, I'm an athlete that wants to win.”

Hope Solo (1981) American association football player

As quoted in Hope Solo: 'I speak the truth, and people either love me or they hate me'" http://blog.seattlepi.com/seattlesports/2012/08/29/hope-solo-i-speak-the-truth-and-people-either-love-me-or-they-hate-me/#6489101=0, seattlepi.com (August 29, 2012)
2010s

Francis Escudero photo
Mahinda Rajapaksa photo
André Breton photo
George Gordon Byron photo
Lin Yutang photo

“I like to think of criticism as the highest intellectual effort that mankind is capable of, and above all, I like to think of self-criticism as the most difficult attainment of an educated man.”

Lin Yutang (1895–1976) Chinese writer

"The Function of Criticism at the Present Time", in The China Critic, Vol. III, no. 4 (23 January 1930), p. 81

Narendra Modi photo
Morris Raphael Cohen photo
Max Ernst photo
Salvador Dalí photo

“It is a question of the systematic and interpretive organization of the sensational, scattered and narcissist surrealist experimental material, - that is to say, of everyday surrealist events:, br>nocturnal pollution, false recollection, dream, diurnal fantasy, the concrete transformation of nocturnal phosphene into a hypnagogic image or of "waking phosphene" into an objective image, - the nutritive caprice, - inter-uterine claims, - anamorphic hysteria, - the voluntary retention of the urine, - the involuntary retention of insomnia - the fortuitous image of exclusively exhibitionist tendency, -the incomplete action, - the frantic manner, - the regional sneeze, the anal wheelbarrow, the minimal mistake, the liliputian malaise, the super-normal physiological state, - the picture one leaves off painting, that which one paints, the territorial ringing of the telephone, "the deranging image", etc., etc.,
all these things, I say, and a thousand other instantaneous or successive sollicitations, revealing a minimum of irrational intentionalety or, on the contrary, a minimum of suspect phenomenal nullity, are associated, by the mechanisms of paranoiac-critical activity, in an indestructible delirious-interpretive system of political problems, paralytic images, more or less mammiferous questions, playing the role of the obsessing idea.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 15-16

Leo Igwe photo

“Learning is most often considered a process of getting rather than giving. This is most evident in conceptions of student/teacher roles: Teachers give and students get. Yet, in adult learning both giving and getting are critical.”

David A. Kolb (1939) American psychologist

[Kolb, DA, Osland JS, Rubin IM, Organizational Behavior: an experiential approach, 1971, 7, 2001, Prentice Hall, Upper Saddle River, NJ, English, 42]

Murray N. Rothbard photo
Georges Bataille photo
Roy Spencer photo

“The function of criticism should not be confused with the function of reform.”

Roger Zelazny (1937–1995) American speculative fiction writer

Home is the Hangman (1975)

Arthur Jensen photo
Bernice King photo
F. R. Leavis photo

“He is a critic of great gifts, insight and integrity; but those who are not entirely for him are wholly against him; he seeks not pupils but "disciples"; those disciples he has attracted who have not broken away have been, like the master, rancid and fanatic in manner.”

F. R. Leavis (1895–1978) British literary critic

Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 1, pp. 291-2
Criticism

Hans-Georg Gadamer photo
Donald J. Trump photo
John Ashcroft photo

“There is probably no hell for authors in the next world — they suffer so much from critics and publishers in this.”

Christian Nestell Bovee (1820–1904) American writer

"Authors", p. 68.
Intuitions and Summaries of Thought (1862), Volume I

Camille Paglia photo

“Sedgwick has managed to convert pedestrian critical skills and little discernible knowledge in history, philosophy, psychology, art or even pre-modern literature into a lucrative academic career.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 222

Roy A. Childs, Jr. photo

“The new anticapitalist are, in spirit and motive, deontologists, and thus criticized not so much the consequences of capitalism (though this teleological elements is present), but motives, e. g., the profit motive, acquisitiveness, ‘materialism’ and the like.”

Roy A. Childs, Jr. (1949–1992) American libertarian essayist and critic

Roy A. Childs, Jr. “The Defense of Capitalism in Our Time,” Winning essay that was published in Free Enterprise: An Imperative, 1975 by the Herbert Hoover Presidential Library Association for the Garvey Foundation.

James D. Watson photo

“If you can't be criticized, that's very dangerous.”

James D. Watson (1928) American molecular biologist, geneticist, and zoologist.

What I've Learned: James Watson (2007)

Hugo De Vries photo

“To put it in the terms chosen lately by Mr. Arthur Harris in a friendly criticism of my views: "Natural selection may explain the survival of the fittest, but it cannot explain the arrival of the fittest."”

Hugo De Vries (1848–1935) Dutch botanist

Concluding sentence of his work Species and Varieties: Their Origin by Mutation (1904), The Open Court Publishing Company, Chicago, p. 826.

Roger Ebert photo
Martin Amis photo
George Steiner photo

“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men's genius.”

George Steiner (1929–2020) American writer

"Humane Literacy".
Language and Silence: Essays 1958-1966 (1967)

John Wooden photo

“Young people need models, not critics.”

John Wooden (1910–2010) American basketball coach

They Call Me Coach (1972)

Aron Ra photo

“Owen believed in common archetypes rather than a common ancestor, and his conduct presents an archetype of the modern creation scientists, except that they submit to peer review rarely, (if ever) and none of them are experts in anything. They’ve never produced any research indicative of their position. They cannot substantiate any of their assertions, and they’ve never successfully refuted anyone else’s hypotheses either. But every argument of evidence they’ve ever made in favor of creation has been refuted immediately and repeatedly. All they’ve ever been able to do was criticize real science, and even then the absolute best arguments they’ve ever come up with were all disproved in a court of law with mountains of research standing against their every allegation. Yet creationists still use those same ridiculous rationalizations because they will never accept where their beliefs are in error! Their only notable strength is how anyone can be so consistently proven to be absolutely wrong about absolutely everything, 100% of the time, for such a long time, and still make-believe theirs is the absolute truth. More amazing still is how often they will actually lie in defense of their alleged truth. Every publication promoting creation over any avenue of actual science contains misquotes, misdefinitions, and misrepresented misinformation, while their every appeal to reason is based entirely on erroneous assumptions and logical fallacies. There is a madness to their method, but it is naught but propaganda.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"12th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=2TkY7HrJOhc Youtube (April 19, 2008)
Youtube, Foundational Falsehoods of Creationism

Jane Roberts photo
Walter Benjamin photo

“The critic does not pass judgment on the work; rather, art itself passes judgment, either by taking up the work in the medium of criticism or by rejecting it and thereby appraising it as beneath all criticism.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Source: The Concept of Criticism in German Romanticism (1919), p. 161