Quotes about creativity
page 5

The More Beautiful World our Hearts Know is Possible
The More Beautiful World Our Hearts Know Is Possible. The Vision and Practice of Interbeing (2013)

Idea, Courage

“This dialogue between the ongoing research in brain science and art continue to this day. …Such dialogues could help us explore the mechanisms in the brain that make perception and creativity possible, whether in art, the sciences, the humanities, or everyday life. In a larger sense, this dialogue could help make science part of our everyday experience.”

Eric R. Kandel (1929) American neuropsychiatrist

The Age of Insight (2012)

Life, Art, Sense, Science

“You and I know that there is a correlation between the creative and the screwball. So we must suffer the screwball gladly.”

Kingman Brewster, Jr. (1919–1988) American diplomat

The Enduring American Press (October 1964) edited by The Hartford Courant

Suffering

“They learn about the kinds of creativity that leads to visionary solutions”

Roger Smith (executive) (1925–2007) CEO

Attributed to Roger Smith in: Seyhan N. Ege et al. (1997) " The university of Michigan undergraduate chemistry curriculum 1. philosophy, curriculum, and the nature of change. http://www-personal.umich.edu/~bcoppola/publications/21.%20p74-83.pdf" Journal of Chemical Education, 74(1), p. 75 S.N. Edge is quoting here Roger B. Smith, then Chairman of General Motors Corporation, who was speaking in October 1985 at the University of Michigan about the question "What is a liberal art?"

Learning

“The principal goal of education in the schools should be creating men and women who are capable of doing new things, not simply repeating what other generations have done; men and women who are creative, inventive and discoverers, who can be critical and verify, and not accept, everything they are offered.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

As quoted in Education for Democracy, Proceedings from the Cambridge School Conference on Progressive Education (1988) edited by Kathe Jervis and Arthur Tobier

Women, Men, Education, School

“It was so frightening at the time to be seventeen and have heart monitors hooked up to you. That was the moment the songwriter in me was born. I discovered a whole other side of me. I came home that night and started writing lyrics. I discovered it all at once: It was like opening up a lockbox, and inside was a depth that I didn't even know I had as a person, or a writer — incredible creativity and vision and neurosis, complete neurosis. They all go together in a package.”

John Mayer (1977) guitarist and singer/songwriter

On the effects of having a critical cardiac arrhythmia at age 17 Hiatt, Brian (2006-09-21), "My Big Mouth Strikes Again" http://www.rollingstone.com/news/story/11515443/john_mayer_speaks_listen_to_his_hilarious_takes_on_paris_hilton_brad__angelina_living_in_ny. Rolling Stone. (1009): 66-70

Home, Time, Heart, Personality

“I think musicians have a responsibility to try and do something that is good. It's so hard. It's very difficult to pull something out of the hat creatively. Although I say it’s their responsibility, it's really just people trying to do the best that they can.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

As quoted in "Kate Bush Speaks" by Owen Myers in Fader (23 November 2016) https://www.thefader.com/2016/11/23/kate-bush-interview-before-the-dawn

People, Thinking

“When I met Wittgenstein, I saw that Schlick's warnings were fully justified. But his behavior was not caused by any arrogance. In general, he was of a sympathetic temperament and very kind; but he was hypersensitive and easily irritated. Whatever he said was always interesting and stimulating and the way in which he expressed it was often fascinating. His point of view and his attitude toward people and problems, even theoretical problems, were much more similar to those of a creative artist than to those of a scientist; one might almost say, similar to those of a religious prophet or a seer. When he started to formulate his view on some specific problem, we often felt the internal struggle that occurred in him at that very moment, a struggle by which he tried to penetrate from darkness to light under an intense and painful strain, which was even visible on his most expressive face. When finally, sometimes after a prolonged arduous effort, his answers came forth, his statement stood before us like a newly created piece of art or a divine revelation. Not that he asserted his views dogmatically … But the impression he made on us was as if insight came to him as through divine inspiration, so that we could not help feeling that any sober rational comment of analysis of it would be a profanation.”

Rudolf Carnap (1891–1970) German philosopher

Rudolf Carnap, as quoted in The Philosophy of Rudolf Carnap (1963) by Paul Arthur Schilpp, p. 25, and in Ludwig Wittgenstein : The Duty of Genius (1991) by Ray Monk, p. 244

Pain, People, Art, Way

“If you understand this refrain, you're gonna' understand everything I want to say to you today. It has four parts:
Creativity and innovation always builds on the past.
The past always tries to control the creativity that builds upon it.
Free societies enable the future by limiting this power of the past.
Ours is less and less a free society.”

Lawrence Lessig (1961) American academic, political activist.

OSCON 2002

Understanding, Past, Future, Parting

“I think women dwell quite a bit on the duress under which they work, on how hard it is just to do it at all. We are traditionally rather proud of ourselves for having slipped creative work in there between the domestic chores and obligations. I'm not sure we deserve such big A-pluses for all that.”

Toni Morrison (1931–2019) American writer

Interview in Newsweek (30 March 1981)

Women, Thinking

“I'm not a great believer in writing courses, though it must be said I've never been in one. It probably depends on what kind of writer you are. I'm very un-analytical about what I do. I don't plan much for the first draft. I try to let characters come out by themselves, rather than designing them. But other writers work differently, and for them the teaching process - which at least forces you to consider what you're doing, and why - may be very helpful. At the very least a creative writing course mandates someone to spend a period of their life just writing, which can be hard to do otherwise. But beware of thinking too much about what you do.”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

Associated Content Interview (October 23, 2006)

Life, Thinking, Help, Dependency

“On what must an elite be founded? a) Purity of soul. b) Capacity of work and creativity. c) Bravery. d) Tough living and permanent warring against difficulties facing the nation. e) Poverty, namely voluntary renunciation of amassing a fortune. f) Faith in God. g) Love.”

Corneliu Zelea Codreanu (1899–1938) Romanian politician

For My Legionaries: The Iron Guard (1936), Politics

Love, God, War, Faith

“A revolution determines, within the social body, an instantaneous process of reorganisation akin to the tumultuous combinations of the elements of a dissolved body that then tend to recompose themselves in a new form.1 This process cannot begin as long as a breath of life animates the old aggregation. As a result, the ideas that would reconstitute society will never take shape so long as a cataclysm, by dealing the old, decrepit society a mortal blow, has not freed the captive elements whose spontaneous and rapid fermentation will organise the new world. All the powers of thought, all the greatest efforts of intelligence are unable to anticipate this creative phenomenon that can break out at any given moment. One can prepare the cradle, but not bring to life the long-awaited being. Right up until the moment of death and rebirth, the doctrines [that will serve as the] bases of the future society remain vague aspirations, distant and hazy glimpses. They are like a blurred and floating silhouette on the horizon, the contours of which cannot be determined or grasped by human efforts.”

Louis Auguste Blanqui (1805–1881) French socialist and political activist

On Revolution (1850)

Life, Death, World, Intelligence

“…the key factor in industry is creativity. I said there are three creativities: creativity in technology, in product planning, and in marketing. To have any one of these without the others is self defeating in business.”

Akio Morita (1921–1999) Japanese businessman

Source: Made in Japan (1986), p. 163.

Business

“We must take note of the fact that the artist nowadays is occupied with painting flags, posters, pots and pans textiles and things like that. What is referred to as 'artistic work' has on the vast majority of occasions nothing whatever to do with creative effort: and the term 'artistic work' is used in order to demonstrate the 'sacredness' of the work which the artist does at his easel. The conception of 'artistic work' presupposes a distinction between useful and useless work and as there are only a few artists buyers can be found even for their useless products. The artist's work lies beyond the boundaries of the useful and the useless.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

Effort, Painting

“What all these people are doing is not aggressive; they are inventing new possibilities of pleasure with strange parts of their body — through the eroticization of the body. I think it's … a creative enterprise, which has as one of its main features what I call the desexualization of pleasure.”

Michel Foucault (1926–1984) French philosopher

In reference to Sadism and Masochism, as quoted in Who's Who in Contemporary Gay & Lesbian History: From World War II to the Present Day (2001) by Robert Aldrich and Gary Wotherspoon

People, Pleasure, Thinking, Parting

“Someone told me that creativity is just learning to do something with a different perspective.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Gifted Hands: The Ben Carson Story (1990), p. 84

Learning

“Only with these three kinds of creativity - technology, product planning, and marketing - can the public receive the benefit of a new technology.”

Akio Morita (1921–1999) Japanese businessman

Made in Japan (1986)

“The real writers are tenacious creatures, and they found a way long before there were writers workshops and creative writing courses in the universities. In the absence of formal frameworks, personal initiatives and informal frameworks become more important.”

Philip Ó Ceallaigh (1968) Irish writer

Interview by Tom Vowler (2010-13)

Way, Universe, Personality

“It is widely supposed that the naked human body is in itself an object upon which the eye dwells with pleasure and which we are glad to see depicted. But anyone who has frequented art schools and seen the shapeless, pitiful model that the students are industriously drawing will know this is an illusion. The body is not one of those objects which can be made into art by direct transcription — like a tiger or a snowy landscape. Often in looking at the natural and animal world we joyfully identify ourselves with what we see and from this happy union create a work of art. This is the process students of aesthetics call empathy, and it is at the opposite pole of creative activity to the state of mind that has produced the nude. A mass of naked figures does not move us to empathy, but to disillusion and dismay.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. 1: The Naked and the Nude

Happiness, Pleasure, World, School

“I started freerunning when I was 16. It just felt like an evolution of what I always wanted to do as a child: be creative, climb on things. It let me apply an adult mentality to that playfulness. Then I was introduced to veganism. And from there, I found out that the biggest percentage of pollution on the planet comes from animal agriculture. Once I discovered that, it became my calling. I think we all have something to contribute; we just have to look at the bigger picture and ask, “With what we’ve been given, what message can we promote that helps the greater good?””

Tim Shieff (1988) American freerunner

"Go veggie to save the planet, says world champion freerunner Tim Shieff" https://www.theguardian.com/environment/2015/jun/16/go-veggie-to-save-the-planet-says-world-champion-freerunner-tim-shieff, interview with The Guardian (16 June 2015).

Thinking, Help, Animals

“I’ve always said that I believe deeply in creative conflict, and that means passionately arguing–whatever your thoughts are, whatever the point is. Some people love that and it helps them grow, learn, etc. Some people run for the hills. I’ve always said to people, “Look, it’s not a room for everybody. If you like this environment, great. If you don’t, please leave, because it’s not good for any of us.””

Barry Diller (1942) American businessman

Fast Company: "Why Barry Diller believes in cultivating creative conflict" https://www.fastcompany.com/90205552/why-barry-diller-believes-in-cultivating-creative-conflict (8 August 2018)

Love, People, Learning, Passion

“Duplicity in events: What happens here as new, happens somewhere else just the same way. That's so exciting. That is one of the secrets of life. Why did I sometimes build a lamp in the Bauhaus and somebody comes from Holland and says, 'Oh, somebody in Holland makes just the same lamp.' Such duplicity shows that the time is ripe for a problem and thus it is in the air, and will be solved here – and there. With this we are finding the 'creative process', for which somebody is coming to ask me about. I would say, 'I paint because I have no time not to paint.”

Josef Albers (1888–1976) German-American artist and educator

That's my creative process.
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Life, Secret, Way, Problem

“Poets serious about making careers in institutions understand that the criteria for success are primarily quantitative. They must publish as much as possible as quickly as possible. The slow maturation of genuine creativity looks like laziness to a committee. Wallace Stevens was forty-three when his first book appeared. Robert Frost was thirty-nine. Today these sluggards would be unemployable.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Books, Understanding, Appearance, Success

“Our appetite for meat leads to widespread, horrific cruelty to animals—chickens pressed wing-to-wing into filthy sheds and debeaked, for example. And since I've always espoused creative nonviolence as the fundamental gospel value, my vegetarianism helps me not to participate in the vicious torture and destruction of billions of cows, chickens, and so many other creatures. These chickens never raise families, root in the soil, build nests, or do anything natural. … Animals have feelings, they suffer; they have needs and desires. They were created by God to breathe fresh air, raise their families, peck in the grass, or root in the soil. Today's farms don't let them do anything God designed them to do. Animal scientists attest that farm animals have personalities and interests, that chickens and pigs can be smarter than dogs and cats. I like that even Jesus identified himself as “a mother hen who longs to gather us under her wings.””

John Dear (1959) Catholic priest from the United States

They Will Inherit the Earth (2018)

God, Family, Dogs, Feeling

“I hope that with our music we can inspire other people to be creative and to use their imagination, because it is something that is so lacking nowadays. You have virtual reality, MTV, video games and VCR's. Nobody really wants to think about things or create things. You have programs on a computer which will write a poem for you.”

Marilyn Manson (1969) American rock musician and actor

As quoted in Kerrang! (14 December 1996).
1990s

People, Hope, Music, Imagination

“Of course, I painted before Cobra, as afterwards. Each one of us [CoBrA-artists] had his own personality. Cobra is only a very short period of my life. It was like a crossroads. We crossed paths and each continued on his way.... We [artists] are not born to form groups. A group that lasted for too long would destroy the creative activity of its members.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Quote of Appel in an interview with fr:Michel Ragon, 1963; as quoted in; Karel Appel, a gesture of colour, Jean-François Lyotard, (original French text of 1992 based upon intensive correspondence with Karel Appel), Christine Buci-Glucksmann, Herman Parret; University Press, Leuven, Belgium, 2009, p. 105
fr:Michel Ragon asked Appel: 'Without Cobra, would you have been what you are today?'

Life, Way, Painting, Personality

“We will learn that computers, amazing as they are, still cannot come close to being as effective as human beings. A computer isn't creative on its own because it is programmed to behave in a predictable way. Creativity comes from looking for the unexpected and stepping outside your own experience. Computers simply cannot do that.”

Masaru Ibuka (1908–1997) Japanese businessman

Masaru Ibuka in: The Corporate Board, (1992), Vol. 13, p. 30

Way, Learning

“Creativity thinks up new things. Innovation does new things. The difference speaks for itself. Yet the fluent advisers to business seldom make the distinction. They tend to rate ideas more by their novelty than by their practicability.”

Theodore Levitt (1925–2006) American economist and professor at Harvard Business School

Theodore Levitt (1974). Marketing for business growth, p. 71

Idea, Business, Thinking

“I felt like I was just not being myself. I felt like I was hiding. I was hiding from me. I was hiding from sparkle and magic and fun and fearlessness and music and dance and creative magic… I just knew I had feelings. I knew I had thoughts. I knew I had things I wanted to say. Listen, I'm rebellious. Okay? I always have been. And Erika Jayne is a little bit of a rebel too.”

Erika Jayne (1969) American singer, actress and television personality

Erika Jayne interview to Nightline http://www.bravotv.com/the-daily-dish/erika-girardi-on-creation-of-erika-jayne (2017)

Music, Feeling, Dance

“The etude is a Romantic idea. It appeared in the early nineteenth century as a new genre: a short piece in which the musical interest is derived almost entirely from a single technical problem. A mechanical difficulty directly produces the music, its charm, and its pathos. Beauty and technique are united, but the creative stimulus is the hand, with its arrangement of muscles and tendons, its idiosyncratic shape.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Beauty, Music, Idea, Problem

“They can't concentrate, they don't have stamina, and they aren't creative. They are all fish.”

Bobby Fischer (1943–2008) American chess prodigy, chess player, and chess writer

On women chess players, in 1961, as quoted in "He was more fun when he was in the pawn squad", The Guardian (22 April 2007) http://www.theguardian.com/books/2007/apr/22/sportandleisure.features 1960s

Fish

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

The Second Declaration of Havana (1962)

Hunger, War, People, Truth

“A general theme for what I'm trying to convey and what actually drove me and my very industrious and creative project members over all these years, is… that there is much more to it than pictures. It has to be a picture language. There has to be meaning there, and the meaning is useful. You're trying to solve problems. So it really comes down to man machine problem solving. Better means of communication and expression is what always has driven our work.”

Douglas T. Ross (1929–2007) American computer scientist

Source: Retrospectives : The Early Years in Computer Graphics at at MIT, Lincoln Lab and Harvard (1989), p. 26.

Communication, Problem

“I was reading of chaos that contained order; of information as the primal, creative force; of systems that, by design, fell apart so they could renew themselves; and of invisible forces that structured space and held complex things together. These were compelling, evocative ideas, and they gave me hope, even if they did not reveal immediate solutions.”

Margaret J. Wheatley (1941) American writer

Source: Leadership and the New Science (1992), p. 2

Hope, Idea, Reading

“I think drugs can be a bit of a lazy way for creativity anyway, you're better off in the cold light of day in the mirror.”

KatieJane Garside (1968) English singer

On drug use for creativity, Repeat fanzine (2003)

Way, Thinking, Light

“I had, at that moment, another soul – an almost divine soul, a creative and sacrificial soul.”

Octave Mirbeau (1848–1917) French journalist, art critic, travel writer, pamphleteer, novelist, and playwright

Soul

“Elementarism has been born partly in reaction to an over-dogmatic and often narrow-minded application of NeoPlasticism [a critic on his former artist-companion Piet Mondrian, partly as its consequence but ultimately from what is primarily a radical correction of Neo-plastic ideas. Elementarism rejects the demands of pure statics which led to sterility and to the laming of creative potentialities. Instead of denying Time and Space, Elementarism acknowledge these elements to be the most elementary means for creating a new plastic expression... In contrast to the Neo-plastic [= De Stijl] manner of expression, which is restricted to two dimensions [the plane], Elementarism acknowledges a form of plastic expression in four dimensions, the realm of space-time. In opposition to the orthogonal style of plastic expression, which is 'homogeneous' with natural construction, Elementarism postulates a 'heterogeneous' contrasting, unstable manner of plastic expression based upon planes oblique in relation to the static, perpendicular axis of gravitation”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote of van Doesburg, in van 'Painting and plastic art': Elementarism – fragment of a manifesto' Paris, December 1926 – April 1927; in De Stijl, Theo van Doesburg – series XIII, 78, 1926–27, pp. 82–87
1926 – 1931

Idea, Nature, Time

“(Japanese Government believes that if you have a big laboratory with all the latest equipment and good funding it will automatically lead to creativity. It doesn't work that way.”

Akio Morita (1921–1999) Japanese businessman

Source: Made in Japan (1986), p. 166.

Way

“I would dramatically reduce the safeguards for software — from the ordinary term of 95 years to an initial term of 5 years, renewable once. And I would extend that government-backed protection only if the author submitted a duplicate of the source code to be held in escrow while the work was protected. Once the copyright expired, that escrowed version would be publicly available from the copyright office.
Most programmers should like this change. No code lives for 10 years, and getting access to the source code of even orphaned software projects would benefit all. More important, it would unlock the knowledge built into this protected code for others to build upon as they see fit. Software would thus be like every other creative work — open for others to see and to learn from.”

Lawrence Lessig (1961) American academic, political activist.

May the Source Be With You (2001)

Knowledge, Learning, Change

“(When asked about pop music) Pop music has become the largest farce in music history. It is soul-less, mechanical, and only made for the sole purpose of making the fastest dollar possible, with more emphasis on imagery than the music. I would much rather remain an independent recording artist who can dictate his own creativity and make it available to a smaller community of fans then sign with a major label under conditions of compromising my work just to sell lunch boxes and sound like every other thing out there. The only artists that have any longevity are the ones that pioneer a movement not follow a movement. The hundreds of following wannabes always get left in the dust or remain one-hit-wonders.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

Music, Soul, History, Communication

“What is art really? The outcome of dissatisfaction with life, the point of impact for the creative force, the continual movement of life.... in my art I attempt to explain life and its meaning to myself.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

N 45, as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 35
after 1930

Life, Art

“The problems with software are just examples of the problems found generally with creativity. Our trend in copyright law has been to enclose as much as we can; the consequence of this enclosure is a stifling of creativity and innovation. If the Internet teaches us anything, it is that great value comes from leaving core resources in a commons, where they're free for people to build upon as they see fit.”

Lawrence Lessig (1961) American academic, political activist.

May the Source Be With You (2001)

People, Law, Problem

“The pace of life has increased in the last few decades just as the speed of the motor bicycle has been exceeded many times over by the aeroplane. After art passed through a whole series of intermediate stages it reached cubism where for the first time the creative urge to construct instinctively overcame conscious resolve.... from this point the picture started to gain stature as a new world of reality and in this way the foundation stone for a new representation of the shapes and forms of the material world was laid.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

Life, World, Art, Way

“Enforced solitude, as in solitary confinement, is a terrible and disorienting punishment, but freely chosen solitude is an immense blessing. To be out of the rattle and clang of quotidian life, to be away from the garbage of other people's amusements and the overflow of their unwanted subjectivities, is the essential escape. Solitude is, beyond question, one of the worlds great gifts and an indispensable aid to creativity, no matter what level that creation may be hatched at.”

Robert Hughes (1938–2012) Australian critic, historian, writer

Things I Didn't Know (2006)

Life, People, World, Question

“Touring we thought was a waste of time. It was much more productive and much more creative to write and record. I am glad today that we didn't tour. We knew it begins and ends with a song. Back then the entire business revolved around the song.”

Björn Ulvaeus (1945) Swedish musician

Daily Telegraph, 5 Jul 2008

Business, Time

“I think an artist can fit under a few different categories depending on how much you explore your creativity. It can vary from artist to artist from musician to performer to vocalist. I thrive on creativity. So in the long run I want to be an all around entertainer.”

Christina Aguilera (1980) American singer

A Christina Aguilera interview to MSN Live Chat 2000 - Compiled by bignoise.com http://www.bignoisenow.com/christina/msn.html (2000)

Thinking, Dependency

“On the chessboard, lies and hypocrisy do not survive long. The creative combination lays bare the presumption of a lie; the merciless fact, culminating in the checkmate, contradicts the hypocrite.”

Emanuel Lasker (1868–1941) German World Chess Champion and grandmaster, contract bridge player, mathematician, and philosopher

Source: Lasker's Manual of Chess (1925), p. IX and 235 in the 1960 Dover edition; p. 183 in the 2008 edition

“They say use it, channel it. Do it, like there will be a sign, be an artist, you're so creative, do anything, you've got to do it, use it. Then, things like, and you've got to collect yourself, too. I mean, you know, make your hair more about yourself, self-respect. But I mean, ridiculous. You know why my doctor got so mad this time? He said, that scene, remember in the LSD bit, the only time I had it in that, sleeping with what's-his-name and having that sex bit go on while, it was very strange-mannered, but I certainly wasn't mortified. I mean, I humanly might be a little mortified knowing that a thousand other human beings would think it mortifying, but basically, me. So he thought that was a total lack of self-respect, which is wrong. Totally wrong.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Edie : Girl On Fire (2006)

Sex, Thinking, Sleep, Time

“Creative things have to sell to get acknowledged as such. Steve Jobs didn't really set the direction of my Apple I and Apple II designs but he did the more important part of turning them into a product that would change the world. I don't deny that.”

Steve Wozniak (1950) American inventor, computer engineer and programmer

"Letters-General Questions Answered" p. 96 http://www.woz.org/letters/general/96.html Woz.org files

World, Change, Parting

“The operational sciences hoped to nourish business management, which however largely ignored them, and the latter continues to be undernourished by the business schools which are fairly broad but shallow everywhere. By over focus on short-range financial values, business management in the United States has lost a dozen major markets to the Japanese, added pollution in all its forms, and enriched itself out of all proportion to its value as just one factor of production.
Action science, developed by the social sciences over many years in relative isolation from the applied physical sciences, and which might otherwise have humanized them and made engineering more productive, was doomed to fail by being on one end of the two-culture problem wherein science and the humanities do not even speak the same language.
I could go on listing a few dozen paradigms: art, law, computer software design, medicine, politics, and architecture, each addressed to a certain context, level, or phase, each good in itself, but each limited to the fields of its origin and its purposes. The methodological problem is the same as if, in designing any large system, each subsystem designer were left to design each subsystem to the best requirements he knew. The overall requirement might not be met; overall harmony could not be achieved, and conflict could ensue to cause failure at the system level.
What is envisioned is a new synthesis, a unified, efficient, systems methodology (SM): a multiphase, multi-level, multi-paradigmatic creative problem-solving process for use by individuals, by small groups, by large multi-disciplinary teams, or by teams of teams. It satisfies human needs in seeking value truths by matching the properties of wanted systems, and their parts, to perform harmoniously with their full environments, over their entire life cycles”

Arthur D. Hall (1925–2006) American electrical engineer

Source: Metasystems Methodology, (1989), p.xi-xii, cited in Philip McShane (2004) Cantower VII http://www.philipmcshane.ca/cantower7.pdf

Life, Truth, School, Law

“Robert Caserio recently said to me, “The whole profession has become a vast mimicry. The idea that there is open debate is an absolute fiction. There is only the Foucault monologue, the Lacan monologue, the Derrida monologue. There is no room for creative disagreement. No deviation from what is approved is tolerated.” These monologues are really one, the monotonous drone of the School of Saussure, which has cast its delusional inky cloud over modern academic thought. Never have so many been wrong about so much. It is positively idiotic to imagine that there is no experience outside of language. … It has been a truism of basic science courses for decades in America that the brain has multiple areas of function and that language belongs only to specific areas, injured by trauma and restored by surgery or speech therapy.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 214

School, Imagination, Idea, Science

“Any kind of creative activity is likely to be stressful. The more anxiety, the more you feel that you are headed in the right direction. Easiness, relaxation, comfort — these are not conditions that usually accompany serious work.”

Joyce Carol Oates (1938) American author

Joyce Carol Oates interviews herself (2013)

Feeling

“I have learned so much from every director and actor I have ever worked with. I have been fortunate to have worked with some of the greats of our era and I was always cognizant of the fact that I was getting a free education every time at bat. I think you learn so much from just observing and being privy to the conversations that move the creative process forward.”

Erick Avari (1952) Indian actor

Playing Elrktra's Father and Encountering The Mummy: A Chat with Actor Erick Avari https://podcastingthemsoftly.com/2015/11/17/playing-elektras-father-and-encountering-the-mummy-a-chat-with-actor-erick-avari/ (November 17, 2015)

Education, Thinking, Learning, Time

“With increasing passion comes increasing creativity to reach people.”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

People, Passion

“Somehow we must transform the dynamics of the world power struggle from the negative nuclear arms race which no one can win to a positive contest to harness man's creative genius for the purpose of making peace and prosperity a reality for all of the nations of the world. In short, we must shift the arms race into a "peace race". If we have the will and determination to mount such a peace offensive, we will unlock hitherto tightly sealed doors of hope and transform our imminent cosmic elegy into a psalm of creative fulfillment.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Quest for Peace and Justice (1964)

World, Peace, Hope, Reality

“No, nothing short of the creative principle of imagination gives the fine arts their specific quality—the principle that creates for the sake of creating, for the sake of giving free course to that imagination which is not only an essential but the guiding factor in the supersensible being of man, and which not only founds for him the world of religion and of science, as well as that of art, but is the constructive and developing principle of the universe itself.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.206

World, Religion, Art, Imagination

“Before it can be said, then, that human freedom and the absolute definiteness of God as Supreme Reason are really reconciled, we must have found some way of harmonising the eternity of the human spirit with the creative and regenerative offices of God. The sense of their antagonism is nothing new. Confronted with the race-wide fact of human sin, the elder theology proclaimed this antagonism, and solved it by denying to man any but a temporal being; quite as the common-sense of the everyday Philistine, absorbed in the limitations of the sensory life, proclaims the mere finitude of man, and is stolid to the ideal considerations that suggest immortality and moral freedom, rating them as day-dreams beneath sober notice, because the price of their being real is the attributing to man nothing short of infinity. "We are finite! merely finite!" is the steadfast cry of the old theology and of the plodding common realist alike; and, sad to say, of most of historic philosophy too. And the old theology, with more penetrating consistency than the realistic ordinary man or the ordinary philosophy, went on to complete its vindication of the Divine Sovereignty from all human encroachment by denying the freedom of man altogether.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.330-1

Life, God, Sadness, Dreams

“A healthy, creative, open, growing, learning society will spontaneously create and develop the types of individual that the society needs. It will make development to economic and social adjustments all the more easy and natural. It will allow those of us in the private sector as well as government and civil society to correspond with each other and meet the needs of society in a positive way.”

Talal Abu-Ghazaleh (1938) Jordanian businesspeople

January 6, 2004, World Bank Video Series, Amman, Jordan.

Way, Nature, Learning

“Unfortunately, it is all too often true that suppressors to a creative action must be removed before construction and creation takes place. Any person very high on the Tone Scale may level destruction toward a suppressor.”

L. Ron Hubbard book Science of Survival

Source: Science of Survival (1951), p. 159.

Personality

“I began to think about William Shakespeare, the great literary figure. I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldn't have entered his head. His words were written for the stage. Meant to be spoken not read. When he was writing Hamlet, I'm sure he was thinking about a lot of different things: "Who're the right actors for these roles?" "How should this be staged?" "Do I really want to set this in Denmark?" His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with. "Is the financing in place?" "Are there enough good seats for my patrons?" "Where am I going to get a human skull?"”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

I would bet that the farthest thing from Shakespeare's mind was the question "Is this literature?"
Nobel Banquet Speech

Literature, Question, Thinking, Reading

“The result of the mathematician's creative work is demonstrative reasoning, a proof; but the proof is discovered by plausible reasoning, by guessing. If the learning of mathematics reflects to any degree the invention of mathematics, it must have a place for guessing, for plausible inference.”

George Pólya (1887–1985) Hungarian mathematician

Induction and Analogy in Mathematics (1954)

Mathematics, Learning

“The point about pop culture is that so much of it is borrowed. There's very little that's brand new. Instead, creativity today is a kind of shopping process—picking up on and sampling things form the world around you, things you grew up with”

RuPaul (1960) Actriz de Televisa, dueña y señora de los ejidos cacaoahuateros

Quoted by Ryan Castillo in: Syllabus: Communication & Popular Culture http://www.academia.edu/5379627/Syllabus_Communication_and_Popular_Culture, University of Denver

World

“The environment that nutures creative programmers kills management and marketing types - and vice versa.”

Orson Scott Card (1951) American science fiction novelist

How Software Companies Die

“When obstacles or difficulties arise, the positive thinker takes them as creative opportunities. He welcomes the challenge of a tough problem and looks for ways to turn it to advantage.”

Norman Vincent Peale (1898–1993) American writer

Have a Great Day (1986), p. 2

Way, Problem

“"There is more joy in giving than in receiving." Never doubt the truth of our Lord's promise that whatever we give him of our creativity, our resources, our persons, will come back to us in abundance.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2008, Closing Mass (19 July 2008)

Truth, Joy, Personality

“The fictitious deities of all races in all worlds once more crowded themselves upon me, symbols of majesty and tenderness, of ruthless power, of blind creativity, and of all-seeing wisdom. And though these images were but the fantasies of created minds, it seemed to me that one and all did indeed embody some true feature of the Star Maker’s impact upon the creatures.”

Olaf Stapledon book Star Maker

Source: Star Maker (1937), Chapter XIII: The Beginning and the End; 3. The Supreme Moment and After (p. 161)

Wisdom, World, Star

“The book is one of the springs of creative individualism, that individualism which, in these uncertain times, remains the guardian angel of human society. For five hundred years the book has been, for the solitary mind, an incomparable instrument of uplift and liberation.”

Georges Duhamel (1884–1966) French writer

Source: Défense des Lettres [In Defense of Letters] (1937), p. vii

Books, Angels, Spring, Time

“People think that creativity is largely a matter of talent, experience, or luck. They are wrong. Talent, experience, and luck are all key elements, but there is something more fundamental, accessible, and powerful that you can use to multiply your creative effect.”

Richard Koch (1950) German medical historian and internist

Source: The 80/20 Individual (2003), Chapter: The 80/20 Principle Is at the Heart of Creation

People, Thinking

“What I affirm is the intuition that where God's presence is no longer a tenable supposition and where His absence is no longer a felt, indeed overwhelming weight, certain dimensions of thought and creativity are no longer attainable. And I would vary Yeats's axiom so as to say: no man can read fully, can answer answeringly to the aesthetic, whose "nerve and blood" are at peace in sceptical rationality, are now at home in immanence and verification. We must read as if.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), III: Presences, Ch. 7 (p. 229).

God, Peace, Home, Reading

““Continuous attention must be directed to the behaviour of others and ourselves, trying to pinpoint the creative aspect, the contribution towards the good, the opening towards a greater value, the courage of having decided against the majority. It will seem to us that the moral contribution of the ones who have made themselves the instruments of prejudice and privileges is small, and instead it is great the contribution of those who try to awaken the conscience of everyone, even with their own personal sacrifice.”

Aldo Capitini (1899–1968) Italian philosopher and political activist

Hymn

Courage, Personality

“Dig deeply for the energy and the creativity that we need to continue this successful record of prevention — which is the goal of all goals when it comes to terrorism because we simply cannot and will not wait for the next terrorist act to occur before taking action. Continue to arm yourselves with the American ideals of hope and freedom — because they are so much stronger than terrorist ideals of fear and intolerance. Remind yourselves and your colleagues back in your offices — that for the sake of our children, we will prevail because we must.”

Alberto Gonzales (1955) 80th United States Attorney General

Speech to U.S. Attorneys’ National Security Conference (January 11, 2007)

Children, Fear, Hope, Freedom

“Yet in a relatively short creative life of twenty years or so, Chopin redrew the boundaries of Romantic music, and his self-imposed restriction to the 88 keys of the piano keyboard sublimated nothing less than the aesthetic essence of piano music. It was his total identification with the instrument which, in its radical regeneration of the lyric and the dramatic, fantasy and passion and their unique fusion, shaped a tonal language which united an aristocratic sense of style and formal Classical training and intuition with an ascetic rigor. Chopin’s precisely marshaled trains of thought permitted no experiments, and so he did not ‘wander about’ within his stylistic points of reference as Scriabin was to do. Chopin’s works may seem light and improvisatory, but they are planned in meticulous details, exactly and well calculated.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Life, Music, Sense, Light

“You can see China still cannot offer any real value to the world except as cheap labor, manufacturer, and its own so-called stability. Besides that, I don’t see any creative values and creative mind or thinking [that] can be announced from China. So this is the struggle China has to face in the next decades.”

Ai Weiwei (1957) Chinese concept artist

2010-, I have to speak for people who are afraid, 2010

World, Thinking

“Learning is an innate human behavior. A healthy baby is happy and excited to learn to speak, play and express itself. Why should learning stop being fun? The human race cannot survive without continuous learning. Let us impart the enthusiasm and creativity of learning in the classrooms.”

Newton Lee American computer scientist

Virginia Tech Collegiate Times (November 1990)

Happiness, Behavior, Learning, Baby

“An artist who sees that the imitation of natural appearances, however artistic, is not for him – the kind of creative artist who wants to, and has to express his own inner world – sees with envy how naturally and easily such goals can be attained in music, the least material of the arts today. Understandably, he may turn toward it and try to find the same means in his own art. Hence the current search for rhythm in painting, for mathematical abstract construction.... the way colors are set in motion, etc.”

Wassily Kandinsky (1866–1944) Russian painter

1910 - 1915
Source: On the Spiritual in Art, 1911; as quoted in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 15

World, Art, Music, Color

“Within sociology there have been several system theories, differing from one another in the extent to which, for example, human agency, creativity, and entrepreneurship are assumed to play a role in system formation and reformation; conflict and struggle are taken into account; power and stratification are part and parcel of the theory; structural change and transformation – and more generally, historically developments – are taken into account and explained. What the various system theories have in common is a systematic concern with complex and varied interconnections and interdependencies of social life. Complexity has been a central concept for many working in the systems perspective. The tradition is characterized to a great extent by a burning ambition and hope to provide a unifying language and conceptual framework for all the social sciences.”

Tom R. Burns (1937) American sociologist

Source: Systems theories (2006), p. 1.

Life, Hope, Science, Change

“An art mode, new or old, is for the creative mind essentially a point of beginning. Content is brought into being by the activity through which the artist translates the movement into himself. In such an appropriation, there is no difference between an ongoing movement and one that is finished. During the reign of Minimalism, a painter might realize the new through Impressionism. That art history has a schedule of continuous advances en masse is a fantasy of the historian. The shared syntax of art movements is constantly replaced by the sensibility and practice of individuals. The avant-garde art of yesterday is the only modern equivalent of an aesthetic tradition. The fading of the ideas of a movement does not mean that it can no longer be a stimulus to creation. At the very dawn of a movement, the work of its artists commences to replace the concept; instead of Cubism there appear Picasso, Braque, Gris. Compared to the activities to which they give rise, ideas in art have a brief life. In the last analysis, the vitality of art in our time depends on works produced by movements after they have died.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art on the Edge, (1975), p. 230, Art on the Edge (1975) "Shall These Bones Live?: Art Movement Ghosts"

Life, Art, History, Idea

“The encompassing, creative mind recognizes no boundaries. The mind has ever brought new spheres under its control.
All our experiences culminate in the perception of the universe as a whole, with man as its center.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 61
Search for the Real and Other Essays (1948)

Universe

“Each spiritual age expresses its special character in a form which corresponds exactly to its character. Each age in this way characterizes its true 'physiognomy', full of expression and strength. Thus in all spiritual areas 'yesterday' is transformed into 'today'. But apart from this, art possesses a further quality which it alone possesses: that quality which enables one to divine the 'tomorrow' today – a strength which is both creative and prophetic.”

Wassily Kandinsky (1866–1944) Russian painter

Kandinsky's last theoretical statement (Paris, 1942); in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 38
1930 - 1944

Age, Art, Way

“Those who wish, in the interest of morality, to reduce Leonardo, that inexhaustible source of creative power, to a neutral or sexless agency, have a strange idea of doing service to his reputation.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Leonardo da Vinci (1939), Ch. Two: 1481-1490

Idea

“The foremost challenge is that of the knowledge revolution. Economic power will depend on creativity and innovation. Creation of wealth will move from traditional resources to the one asset: knowledge.”

Talal Abu-Ghazaleh (1938) Jordanian businesspeople

June 27, 1999, Crans Montana Forum, Switzerland.

Knowledge, Dependency, Wealth

“I wanted to get my partner Daniela a special and valuable engagement present, but we had long agreed that a diamond ring – or other comparably expensive present – didn't make sense for us. Instead of money, I decided to "spend" a resource more valuable to both of us: time and creative energy.”

Holden Karnofsky (1981) American nonprofit executive

In "Data Is Forever: The Engagement Gift I Gave" https://medium.com/@holden0/data-is-forever-the-engagement-gift-i-gave-123e75e1ca71, July 2016

Money, Sense, Time

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love, Beauty, Music, Color

“Three cardinal virtues of business: creativity, building community, practical realism.”

Ted Malloch (1952) American businessman

Source: Doing Virtuous Business (Thomas Nelson, 2011), p. 36.

Communication, Business

“But the passion of jealousy cannot exist without the passion of love, and is like its parent, creative, impetuous, and credulous.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Love, Jealousy, Parent, Passion

“It proved to be essential to clear the site for the new building. This idea was a forerunner of futurism which exposed the relentless nature of its motivating power. Revolutions had started undercover, everything grew more complicated. Painting economical in its creative output was still very complicated and uneconomical in its expression. cubism and futurism seized upon the purity of form treatment and colour and built a complicated and extensive system with them combining them without any regard for harmony. The rebuilding of life cast aside the old concept of nations classes patriotism and imperialism which had been completely discredited.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

Life, Motivation, Idea, Nature

“advice to a young painter, (1896); as quoted in Painting Outside the lines, Patterns of Creativity in Modern Art, ed. David W. Galenson, Harvard University Press, 30 Jun 2009, pp. 84-85, note 40”

Camille Pissarro (1830–1903) French painter

1890's

Art, Quotes, Universe, Painting

“It is surely unnecessary to dwell on the interest and importance of a study which instructs us that every pebble we tread upon bears the impress of the Almighty's hand, and affords evidence of Creative wisdom; that every grain of sand, every particle of dust scattered by the wind, may be composed of the aggregated skeletons of beings, so minute as to elude our unassisted vision, but which possessed an organization as marvellous as our own;—a science discoveries have realized the wildest imaginings of the poet,—whose realities far surpass in grandeur and sublimity the most imposing fictions of romance;—a science whose empire is the earth, the ocean, the atmosphere, the heavens;—whose speculations embrace all elements, all space, all time;—objects the most minute, objects the most colossal;—carrying its researches into the smallest atom which the microscope can render accessible to our visual organs,—and comprehending all the phenomena in the boundless Universe, which the powers of the telescope can reveal.”

Gideon Mantell (1790–1852) British scientist and obstetrician

The Medals of Creation or First Lessons in Geology (1854)

Wisdom, Imagination, Reality, Study

“Nation state as a fundamental unit of man's organized life has ceased to be the principal creative force: International banks and multinational corporations are acting and planning in terms that are far in advance of the political concepts of the nation-state.”

Zbigniew Brzeziński book Between Two Ages

Between Two Ages: The Technetronic Era, 1971.

Life

“I live in a world of heartbreak. I just seem to be more creative when in some sort of emotional distress.”

Jack Vettriano (1951) Scottish painter

The Poster Boy of Popular Art ,The Independent, 22 October 2010
On Art

World

“The concept of 'number' in its most elementary sense as the signless integer appears to be an immediate abstraction from quantitative reality subjected to processes of counting and measurement. Vulgar fractions arise from division of a quantity into equal parts. But in what sense is zero a number? Are there negative numbers? Are there numbers corresponding to incommensurable ratios? Each question requires for its solution a fresh exercise of that kind of creative imagination which we call mathematical abstraction.”

George Frederick James Temple (1901–1992) British mathematician

100 Years of Mathematics: a Personal Viewpoint (1981)

Exercises, Imagination, Mathematics, Question

“In my opinion, so much of it is really about what you had in mind when you got into it: was it only that you wanted to be a rockstar and see your name in lights? I never really had those kinds of dreams. I knew I loved music and I knew that when I sang in a certain way it made my chest and my whole stomach tickle and I liked it. It still does that same thing to me; I know I’m doing it right when it makes my core tingle a little bit. I get the same feeling when I’m painting a picture or when I get into that almost hypnotic state of writing – those things are incredible and those are the kinds of things that attract me to creativity.”

Brandon Boyd (1976) American rock singer, writer and visual artist

When asked about intention for a magazine in Berlin (http://www.pulse-berlin.com/)

Love, Dreams, Music, Way

“I remember seeing how Layne [Staley] reacted to Andy [Andrew Wood] dying from drugs, and I think that he was scared possibly. And I think he also reacted the same way when Kurt [Cobain] shot himself. They were really good friends. And yet it didn’t stop him. But for me, if I think about the evolution of my life as it appears in songs for example, Higher Truth is a great example of a record I wouldn’t have been able to write [when I was younger], and part of that is in essence because there was a period of time there where I didn’t expect to be here. And now not only do I expect to be here, and I’m not going anywhere, but I’ve had the last 12 years of my life being free of substances to kind of figure out who the substance-free guy is, because he’s a different guy. Just by brain chemistry, it can’t be avoided. I’m not the same, I don’t think the same, I don’t react the same. And my outlook isn’t necessarily the same. My creative endeavours aren’t necessarily the same. And one of the great things about that is it enabled me to kind of keep going artistically and find new places and shine the light into new corners where I hadn’t really gone before. And that feels really good. But it’s also bittersweet because I can’t help but think, what would Jeff be doing right now, what would Kurt be doing right now, what would Andy be doing? Something amazing, I’m sure of it. And it would be some music that would challenge me to lift myself up, something that would be continually raising the bar so that I would work harder too, in the same way they affected me when they were alive basically.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if there was a lesson to be learned from his friends' deaths caused by substance abuse and if it was not enough to scare everyone ** The Life & Times of Chris Cornell, Rolling Stone Australia, 17 September 2015 https://rollingstoneaus.com/music/post/the-life-and-times-of-chris-cornell/2273, Solo career Era

Life, Truth, Music, Way

“We must all begin to question the experts. They have not really been right. No abundance of material goods can compensate for the death of individuality and personal creativity.”

Coretta Scott King (1927–2006) American author, activist, and civil rights leader. Wife of Martin Luther King, Jr.

Harvard class day address (1968); published in the July 1, 1968, issue of Harvard Alumni Bulletin http://harvardmagazine.com/2011/05/coretta-scott-king-urges-students-to-speak-out-with-righteous-indignation As quoted in International Education Vol. 1, p. 26

Death, Question, Personality

“Surrender of individuality by the many to someone who is taken to be a superindividual explains the retrograde movement of society. Dictatorships and totalitarian states, and belief in the inevitability of this or that result coming to pass are, strange as it may sound, ways of denying the reality of time and the creativeness of the individual.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Way, Reality, Time

Quotes about creativity page 5

Quotes about creativity
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