Quotes about creativity
page 6

“The little girl's creative, a repertoire that rings,
And Hollywood is waiting, to see the way she swings.
She'll be graduating, goin' on to higher things,
The little girl from Central is gonna take on wings.”

Chuck Berry (1926–2017) American rock-and-roll musician

"Little Girl from Central" (1964)
Song lyrics

Way, Girl, Waiting

“To be creative, scientists need libraries and laboratories and the company of other scientists; certainly a quiet and untroubled life is a help. A scientist's work is in no way deepened or made more cogent by privation, anxiety, distress, or emotional harassment. To be sure, the private lives of scientists may be strangely and even comically mixed up, but not in ways that have any special bearing on the nature and quality of their work. If a scientist were to cut off an ear, no one would interpret such an action as evidence of an unhappy torment of creativity; nor will a scientist be excused any bizarrerie, however extravagant, on the grounds that he is a scientist, however brilliant.”

Peter Medawar (1915–1987) scientist

1970s, Advice to a Young Scientist (1979)

Life, Way, Nature, Help

“Framework 2 is connected with the creativity and vitality of your world. In your terms, the dead waken in Framework 2 and move through it to Framework 3, where they can be aware of their reincarnational identities and connections with time, while being apart from a concentration on earth realities. In those terms, the so-called dead dip in and out of earth probabilities by travelling through Framework 2, and into those probabilities connected with earth realities. Some others may wind up in Framework 4, which is like Framework 2, except that it is a creative source for other kinds of realities not physically oriented at all and outside of, say, time concepts as you are used to thinking about them. In a way impossible to describe verbally, some portion of each identity also resides in Framework 4, and in all other Frameworks.”

Jane Roberts (1929–1984) American Writer

Source: The God of Jane: A Psychic Manifesto (1981), p. 139

World, Way, Travel, Thinking

“Restructuring is a favorite tactic of antisocials who have reached a senior position in an organization. The chaos that results is an ideal smokescreen for dysfunctional leadership. Failure at the top goes unnoticed, while the process of restructuring creates the illusion of a strong, creative hand on the helm.”

Manfred F.R. Kets de Vries (1942) Dutch academic

Source: The Leader on the Couch, 2011, p. 22

Failure, Strong

“When in an organism there are cancer cells, they have to be removed, not helped because they're "so young" and "so creative."”

Janusz Korwin-Mikke (1942) polish politician

Source: blog, 29 August 2007

Help

“The dark net fosters breathtaking creativity. The majority of the sites I visited were astonishingly adaptive and innovative. Outsiders, radicals and pariahs are often the first to find and use technology in shrewd ways, and the rest of us have much to learn from them.”

Jamie Bartlett book The Dark Net: Inside the Digital Underworld

The Dark Net: Inside the Digital Underworld (2014)

Way, Learning

“I've always tried not to take it too seriously — if you do, you dry up creatively, you turn into a product and it stymies you.”

Siobhan Fahey (1958) singer and songwriter in Banarama and Shakespears Sister

G3 interview (2002)

“This is a difficult goal to present to teachers, coming as it does at a time when education is under attack from many quarters. But our society is changing rapidly and the difficulties of foreseeing what kinds of skills future generations will require are increasing. Although we have so far depended on the rational, left half of the human brain to plan our children's future and to solve the problems they might encounter on the way to that future, the onslaught of profound change is shaking our confidence in technological thinking and in the old methdods of education. Without abandoning training in tradtional verbal and computational skills, concerned teachers are looking for teaching techniques that will enchance children's intuitive and creative powers, thus preparing students to meet new challenges with flexibility, inventiveness, and imagination and with the ability to grasp complex arrays of interconnected ideas and facts, to perceive underlying patterns of events, and to see old problems in new ways.”

Betty Edwards (1926) American artist

Source: The New Drawing on the Right Side of the Brain (1979), p.196

Children, Education, Way, Confidence

“The dark net is a world of power and freedom: of expression, of creativity, of information, of ideas. Power and freedom endow our creative and our destructive faculties. The dark net magnifies both, making it easier to explore every desire, to act on every dark impulse, to indulge every neurosis.”

Jamie Bartlett book The Dark Net: Inside the Digital Underworld

The Dark Net: Inside the Digital Underworld (2014)

World, Idea, Freedom

“Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why…. the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed…Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Faith, Religion, Error, Lying

“Anywhere I found wood I took it home and started working with it.. to show the world that art is everywhere, except it has to pass through a creative mind.”

Louise Nevelson (1899–1988) American sculptor

Dawns and Dusks, reprinted in Theories and documents of contemporary art: A sourcebook of artists' writings edited by Kristine Stiles, Peter Howard Selz, p. 511

World, Art, Home

“The fall of communism confirms century-old libertarian claims that equity and justice cannot be imposed by force, that interpreting "to each according to work" as "to each according to the marginal revenue product of one's labor" rationalizes privilege, and that central planning stifles workers' creative potentials. Clearly, enterprises whose inputs and outputs have been determined by a central planning procedure exclude workers and consumers from decision making, separate conceptual and manual tasks, and offer unequal consumption and work opportunities. For the Soviet, East German, Polish, Czechoslovakian, and Hungarian people to reject these injustices is encouraging. But it is dishonest to say this demonstrates that capitalism is optimal. It only bespeaks a lack of alternatives.”

Robin Hahnel (1946) American economist

Michael Albert and Robin Hahnel. The political economy of participatory economics. Princeton University Press, 1991. p. 3

People, Justice, Communication, Optimism

“It's hard to be creative and it's also hard not to think what you do is creative or hard not to be called creative because everybody is always talking about that and individuality. Everybody's always creative. And it is so funny when you say things aren't, like the shoe I would draw for an advertisement was called a 'creation', but the drawing of it was not... There are millions of actors. They're all pretty good. And how many painters are there? Millions of painters and all pretty good. How can you say one style is better then another. You ought to be able to be an Abstract-expressionist next week, or a Pop artist, or a realist, without feeling you're given up something.”

Andy Warhol (1928–1987) American artist

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Shoe, Feeling, Thinking, Drawing

“The only things in my life that compatibly exist with this grand universe are the creative works of the human spirit.”

Ansel Adams (1902–1984) American photographer and environmentalist

Ansel Adams: An Autobiography (1985)

Life, Universe

“The subjective element in geological studies accounts for two characteristic types that can be distinguished among geologists. One considering geology as a creative art, the other regarding geology as an exact science.”

Reinout Willem van Bemmelen (1904–1983) Dutch geologist

Source: "The Scientific Character of Geology," 1961, p. 453; quoted in: Robert Woodtli (1964), Methods of Prospection for Chromite, p. 80

Art, Study, Science

“We [Barça] are a unique club in the world, no one has kept their jersey intact throughout their history, yet have remained as competitive as they come. (…) We have sold this uniqueness for about six percent of our budget. I understand that we are currently losing more than we are earning. However, by selling the shirt it shows me that we are not being creative, and that we have become vulgar.”

Johan Cruyff (1947–2016) Dutch association football player

Cruyff criticises club's shirt sponsorship deal with Qatar Foundation ( Goal.com, 22 April 2011 http://www.goal.com/en/news/12/spanish-football/2011/04/22/2452965/qatar-foundation-deal-may-have-kept-messi-at-barcelona-but).

World, History, Understanding

“The capacity to exercise a relatively high degree of imagination, ingenuity and creativity in the solution of organizational problems is widely, not narrowly, distributed in the population.”

Douglas McGregor (1906–1964) American professor

Source: The Human Side of Enterprise (1960), p. 47

Exercises, Imagination, Problem

“Summer is the season when the sun reaches its zenith, its peak, when it burns the hottest and shines most golden for the longest days of the year… It embraces everything with its light, spreads a blanket of reassuring warmth, induces fertility and growth and regeneration, and even causes rainstorms to balance its own overwhelming power. Michael Jackson was very much like that with an abundance of creative spiritual energies that enriched, inspired, and empowered the lives of more human beings than anyone can accurately count.”

Aberjhani (1957) author

(from essay Michael Jackson and Summertime from this Point On).
From Articles, Essays, and Poems, On Michael Jackson

Light, Sun, Summer, Season

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Love, Life, Pleasure, Fear

“I don't want to live in a world where everything that I say, everything I do, everyone I talk to, every expression of creativity or love or friendship is recorded.”

Edward Snowden (1983) American whistleblower and former National Security Agency contractor

Edward Snowden: 'The US government will say I aided our enemies' – video interview http://www.guardian.co.uk/world/video/2013/jul/08/edward-snowden-video-interview, published by The Guardian on 8 July 2013. <br class="br">Interview with Glenn Greenwald, 6 June 2013, Part 2

Love, Friendship, World

“Even though principles of rationality seem as often violated as followed, we still cling to the notion that human thought should be rational, logical, and orderly. Much of law is based upon the concept of rational thought and behavior. Much of economic theory is based upon the model of the rational human who attempts to optimize personal benefit, utility, or comfort. Many scientists who study artificial intelligence use the mathematics of formal logic—the predicate calculus—as their major tool to simulate thought. […] Human thought is not like logic; it is fundamentally different in kind and spirit. The difference is neither worse nor better. But it is the difference that leads to creative discovery and to great robustness of behavior.”

Donald A. Norman book The Design of Everyday Things

Source: The Design of Everyday Things (1988, 2002), Ch. 5, pp. 114–115.

Law, Behavior, Intelligence, Mathematics

“America is the object of their loathing because, for a half-century or more, she has been the most prosperous and creative capitalist society on earth. Ultimately it is liberal democracy - or quite simply liberty itself - that they are eager to destroy, even though they are among its foremost beneficiaries, being free to travel anywhere, anytime in order to hatch their plots. If their diktats were carried out, if frontier barriers were reestablished everywhere, with passports and visas even for tourists, there could have been no Seattle and no Goteborg.”

Jean-François Revel (1924–2006) French writer and philosopher

Source: 2000s, Anti-Americanism (2003), p. 35

Travel, Democracy

“The art of the creative leader is the art of institution building, the reworking of human and technological materials to fashion an organism that embodies new and enduring values.”

Philip Selznick (1919–2010) American sociologist

Source: Leadership in Administration: A Sociological Interpretation, 1957, p. 152-3

Art, Fashion

“It is a terrible, but also tremendous time. Personally I find it moreover so important for my art to live now... These times force you to think over a lot and work very hard, in Nature now a strong creative force is working.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Es ist eine schreckliche, doch auch eine gewaltige Zeit, ich persönlich empfinde es auch für meine Kunst so wichtig, jetzt zu leben.. .In dieser Zeit muss man viel denken und viel arbeiten, in der Natur ist jetzt eine so grosse Schaffenskraft.
In a letter of Jacoba, late 1914; as cited by A. Behne, in 'der Krieg und die künstlerische Produktion', in 'Die Umschau', Jan / März 1915
Jacoba is partly referring to World War 1. The Netherlands kept itself out of this war, but many Belgium refugees entered the country
1910's

Art, Nature, Thinking, Strong

“It doesn't matter," WisestFrog answered. "You knew that the thoughts were beneath you and you felt small. And here in the Land of the Gods, everything is so creative that your thoughts may give results you don't expect at all. But you really have no problem. Just think big yourself bigger. Go ahead, think a big thought.”

Jane Roberts (1929–1984) American Writer

Source: Emir's Education In The Proper Use of Magical Powers (1979), p. 44-45

God, Problem, Thinking

“That's wild! I'll start off with five stars and work backwards from there. Now there, to me, is the most perfect band in existence, whether you're thinking of it orchestrationally or in terms of Duke's immensely creative writing. I can't think of anybody I admire more than this man; nobody could even be compared with him, except Billy Strayhorn. Duke does something with this old, tired instrumentation of trumpets, trombones and saxophones, and he has a perfect way of utilizing the men's specific sounds. Anything he plays is a work of art. The band is out of tune, for instance, and it doesn't even matter. They almost have their own brand of intonation. Duke can take an exotic-sounding idea and create something – you might call it sophisticated crudity. It gives both the qualities that I look for – an earthy quality and the sophisticated quality.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing " Agra https://www.youtube.com/watch?v=P6MDDbrAqqg" from Far East Suite, as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

Men, Art, Way, Star

“Critical power…tends to make an intellectual situation of which the creative power can profitably avail itself. It tends to establish an order of ideas, if not absolutely true, yet true by comparison with that which it displaces; to make the best ideas prevail.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

The Functions of Criticism at the Present Time (1864)

Idea

“The meaning of life is not to be discovered only after death in some hidden, mysterious realm; on the contrary, it can be found by eating the succulent fruit of the Tree of Life and by living in the here and now as fully and creatively as we can.”

Paul Kurtz (1925–2012) American professor of philosophy

Paul Kurtz, ‎Vern L. Bullough, ‎Tim Madigan (eds.). Toward a New Enlightenment: The Philosophy of Paul Kurtz. (1994) p. 20

Life, Death, Tree

“Francisco Varela is amazingly inventive, freewheeling, and creative. There's a lot of depth in what he and Humberto Maturana have said. Conversely, from the point of view of a tied-down molecular biologist, this is all airy-fairy, flaky stuff. Thus there's the mixed response. That part of me that's tough-minded and critical is questioning, but the other part of me has cottoned on to the recent stuff he's doing on self- representation in immune networks. I love it.”

Stuart Kauffman (1939) American biophysicist

Stuart Kauffman in: John Brockman ed. (1995) The Third Culture: Beyond the Scientific Revolution. p. 209 ( online http://www.edge.org/documents/ThirdCulture/t-Ch.12.html)

Love, Question, Parting

“Some of the most productive times in the histories of nations have been when they were badly stressed — economically, politically, culturally or socially. It's possible to be stressed to a point that more creativity is stimulated than would otherwise be the case. I think it is true that necessity is the mother of invention.”

Neil deGrasse Tyson (1958) American astrophysicist and science communicator

Global Ideas from Pluto's Challenger (May 21, 2009)

History, Thinking, Time

“Encouraged, we recognise the importance of living artistically, aesthetically and creatively as creative creatures of the creator.”

Edith Schaeffer (1914–2013) American writer

The Hidden Art of Homemaking: Creative Ideas for Enriching Everyday Life (Wheaton, IL: Tyndale House, 1972, ISBN 978-0842313988

“Every time one combines and records facts in accordance with established logical processes, the creative aspect of thinking is concerned only with the selection of the data and the process to be employed, and the manipulation thereafter is repetitive in nature and hence a fit matter to be relegated to the machines.”

Vannevar Bush book As We May Think

As We May Think (1945)

Nature, Thinking, Time

“First were the thick stone walls, the arches, then the domes and vaults — of the architect, searching out for wider spaces.
Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions.
A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today's architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene.”

Oscar Niemeyer (1907–2012) Brazilian architect

Acceptance speech, Pritzker Architecture Prize http://www.pritzkerprize.com/bunnei.htm#Oscar%20Niemeyer's%20Acceptance%20Speech (1988).

Beauty, Imagination, Search, Light

“Harriet: [making an excuse] Um… I'm looking for a copy of The Wheat-Free Guide to Creative Visualization in Co-dependent Past-Life Relationships.
Mo: Huh. Jeez, I never heard of that one… Wonder if it's in spirituality or cooking.”

Alison Bechdel book Dykes to Watch Out For

#21, "By the Book" (1987), collected in More DTWOF (1988).
Dykes to Watch Out For

Life, Past, Dependency, Cooking

“I’m a big believer in creating parameters for creativity. I think parameters make people more creative. So that starts with my budgets. I only do low budget movies, and I think that makes the movies better. I think that the movies that we do are better because our budgets are lower, and it forces people to think within a box.”

Jason Blum (1969) American film producer

Exclusive Interview: Jason Blum on Insidious 2 and Blumhouse TV http://www.craveonline.com/site/621501-exclusive-interview-jason-blum-on-insidious-2-and-blumhouse-tv (December 21, 2013)

People, Thinking, Box

“Hindus learn to look at themselves through borrowed eyes. The two approaches, that of self-discovery and creative response and that of self-alienation and imitation, were both inherited from the immediate history of the freedom struggle, though they derive their strength from the deeper sources in the psyche…. For one, the problem is of helping the society to find its roots, for the other to remake it in the image of a chosen pattern. The one serves; the other manipulates…. [The first approach] once formed a powerful current, and the freedom struggle was waged under its auspices. But increasingly its hold became weak, and in our own times it seems to have lost altogether…. Some see in this change a triumph of Nehru over Gandhi…. Nehru represented, in his own way, the response of a defeated nation trying to restore its self-respect and self-confidence through self-repudiation and identification with the ways of the victors. The approach was not altogether unjustified at one time. It had its compulsions and it also had a survival value for us. But its increasing influence can mean no good to us. We, however, believe that deeper Indian nationalism, which is also in harmony with deeper internationalism, may be weak just now, but it has the seed-power and it is bound to come up again under propitious circumstances”

Ram Swarup (1920–1998) Indian historian

Cultural Self-Alienation and Some Problems Hinduism Faces, 1987, p. 4-5

Way, Confidence, History, Problem

“He knew that this creature, though imperfect, though a mere creature, a mere figment of his own creative power, was yet in a manner more real than himself. For beside this concrete splendor what was he but a mere abstract potency of creation? Moreover in another respect the thing that he had made was his superior, and his teacher. For as he contemplated this the loveliest and subtlest of all his works with exultation, even with awe, its impact upon him changed him, clarifying and deepening his will. As he discriminated its virtue and its weakness, his own perception and his own skill matured. So at least it seemed to my bewildered, awe-stricken mind.”

Olaf Stapledon book Star Maker

Source: Star Maker (1937), Chapter XV: The Maker and His Works; 2. Mature Creating (p. 179)

Teachers, Change

“When a dad admits he is wrong or asks for help, he allows the child to see him- or herself as adequate even when she or he is also wrong. It encourages children to make suggestions and, therefore, to discover their creativity because they have a chance of making a contribution.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

page 120.
Father and Child Reunion (2001)

Children, Chance, Help

“Or indeed we may say again, it is in what I called Portrait-painting, delineating of men and things, especially of men, that Shakspeare is great. All the greatness of the man comes out decisively here. It is unexampled, I think, that calm creative perspicacity of Shakspeare. The thing he looks at reveals not this or that face of it, but its inmost heart and generic secret: it dissolves itself as in light before him, so that he discerns the perfect structure of it. Creative, we said: poetic creation, what is this too but seeing the thing sufficiently? The word that will describe the thing, follows of itself from such clear intense sight of the thing. And is not Shakspeare's morality, his valour, candour, tolerance, truthfulness; his whole victorious strength and greatness, which can triumph over such obstructions, visible there too? Great as the world!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Men, Truth, Secret, World

“On the fourth level, he embodies the mind and becomes a mediator of creative and religious inner experiences, through which life acquires an individual meaning. At this stage he confers on a woman a spiritual and intellectual solidity that counterbalances her essentially soft nature. He can then act as a liaison connecting her with the spiritual life of the time. When this occurs, women are often more open to new, creative ideas than men. That is why in the past women were often used as mediums able to make knowledge of the future available to the world of the spirit. The creative courage in the truth conferred by the animus gives a woman the daring to enunciate new ideas that can inspire men to new enterprises. Often in history women have recognized the value of new creative ideas earlier than men, who are more emotionally conservative. The nature of woman is more closely related to the irrational, and this makes a woman better able to open to new inspirations from the unconscious. The very fact that women normally participate less in public life than men do makes it possible for their animus to act as a "hidden prince" in the darkness of private life and bring about beneficial results.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Source: Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man, p. 322 - 323

Life, Women, Men, Truth

“Young people should be given good support and freedom in their research. They are the greatest source of scientific creativity because they are not as committed to existing scientific orthodoxy, and they have the energy and enthusiasm to push new ideas.”

Jerome Isaac Friedman (1930) American physicist

"Will Innovation Flourish in the Future?," 2002

People, Idea, Support, Freedom

“Art is the most valued thing in the world…it is the expression of the highest form of human energy, the creative power nearest to the divine. The power is within - the question is how to reach it.”

Arthur Wesley Dow (1857–1922) painter from the United States

Arthur Wesley Dow & American Arts & Crafts, Nancy E Green & Jessica Poesch Exhibt Cat. New York (1999)
Other

World, Art, Question

“In conclusion, we can say that the Indonesian literati had access to all branches of Sanskrit learning and they put these disciplines to the best of use in the emergence of their own creative literature.”

Lokesh Chandra (1927) Indian historian

Sanskrit Studies in Classical Indonesia, by L. Chandra.

Literature, Learning

“There is no doubt that the efficiency of the Works at Bournville is assisted by the Suggestion Scheme, and it has been found that the good accomplished, is not only in the pecuniary value to the Firm or to the suggestor, but also in the development of the mental and creative power, which makes both men and girls more efficient and valuable workers, and fosters an intelligent independence.”

Edward Cadbury (1873–1948) British businessman

Source: Experiments in industrial organization (1912), p. 16; Cited in: Chris Smith, John Child, Michael Rowlinson. Reshaping Work: The Cadbury Experience. Cambridge University Press, 1990. p. 64

Men, Girl, Intelligence

“Each human being has the eternal duty of transforming what is hard and brutal into a subtle and tender offering, what is crude into refinement, what is ugly into beauty, ignorance into knowledge, confrontation into collaboration, thereby rediscovering the child’s dream of a creative reality incessantly renewed by death, the servant of life, and by life the servant of love.”

Yehudi Menuhin (1916–1999) American violinist and conductor

In: A message of Lord Menuhin http://www.menuhin-foundation.com/, International Yehudi Menuhin Foundation.

Love, Life, Death, Beauty

“Creativity is part of human nature. It can only be untaught.”

Ai Weiwei (1957) Chinese concept artist

2010-, Life’s Work: Ai Weiwei, 2012

Nature, Parting

“We arrest our inner creativity with external compulsions and irrelevant anxieties, at the mercy of constant interruptions by telephone and radio and insistent print, timing our lives to the movement of a production belt we do not control. At the same time, we give authority to the stomach, the muscles, the genitals--to animal reflexes that produce obedient consumers, whip-wielding man-trainers, slavish political subjects, push-button automatons.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

CHALLENGE: Diagnosis of Our Times
The Conduct Of Life (1951)

Time, Animals

“The prosperity, and social vitality and technological progress of a people are directly determined by the extent of their liberty. Freedom honors and unleashes human creativity — and creativity determines the strength and wealth of nations. Liberty is both the plan of Heaven for humanity, and the best hope for progress here on Earth.”

George W. Bush (1946) 43rd President of the United States

2000s, 2003, Address to the National Endowment for Democracy (November 2003)

People, Hope, Freedom, Wealth

“Poetry is creative expression; Prose is constructive expression. … by creative I mean original. In Poetry the words are born or reborn in the act of thinking. … There is no time interval between the words and the thought when a real poet writes, both of them happen together, and both the thought and the word are Poetry.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

English Prose Style (1928)
Literary Quotes

Thinking, Time

“I work in evolutionary biology, but with cells and microorganisms. Richard Dawkins, John Maynard Smith, George Williams, Richard Lewontin, Niles Eldredge, and Stephen Jay Gould all come out of the zoological tradition, which suggests to me that, in the words of our colleague Simon Robson, they deal with a data set some three billion years out of date. Eldredge and Gould and their many colleagues tend to codify an incredible ignorance of where the real action is in evolution, as they limit the domain of interest to animals… very tardy on the evolutionary scene, and they give us little real insight into the major sources of evolution's creativity. By "codifying ignorance" I refer in part to the fact that they miss four of the five kingdoms of life… bacteria, protoctista, fungi, and plants.”

Lynn Margulis (1938–2011) American evolutionary biologist

"Gaia is a Tough Bitch," The Third Culture: Beyond the Scientific Revolution ed., John Brockman (1995).

Life, Animals, Parting

“A good life is found only where the creative spirit abounds, where people are free to experiment and create new ideas within themselves.”

Aileen Osborn Webb (1892–1979) American patron of the arts

Joyce Lovelace, Who Was Aileen Osborn Webb? http://www.craftcouncil.org/magazine/article/who-was-aileen-osborn-webb, July 25, 2011, American Craft Council

Life, People, Idea

“Spring. All the things an artist must be: poet, explorer of nature, philosopher! And now I have become a bureaucrat as well as by compiling a large, precise catalogue of all my artistic productions ever since my childhood. I have left out only the school drawings, studies of nudes, etc., because they lack creative self-sufficiency.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (Spring 1911), # 895, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968
1911 - 1914

School, Spring, Nature, Study

“I had more flow as a designer. I could just drop down into the zone and stay there for hours. With cartooning, I'm constantly coming up for air, procrastinating, looking for reasons not to be doing it. I spend all day granting myself special dispensation, with 'creative process' as my cover story. Carpenters and deli countermen can't do that, so I think they may feel better about themselves at the end of the day.”

Garry Trudeau (1948) cartoonist

[Doonesbury's War, Gene Weingarten, http://www.washingtonpost.com/wp-dyn/content/article/2006/10/20/AR2006102000446_5.html?nav=hcmoduleand=again, Washington Post, October 22, 2006, July 24, 2007]

Feeling, Thinking

“CREATIVITY first of all aims to achieve a REVOLUTION OF VALUES THROUGH RELIGION, therefore it completely and categorically rejects the Judeo-Christian-democratic-Marxist-liberal-feminist values of today and supplants them with new and basic values of which RACE IS THE FOUNDATION.”

Ben Klassen (1918–1993) American engineer, author and politician

The Essence of a Creator, essence 6
The Little White Book (1991)

Religion

“I saw us as coming from a source self, free of space and time, into this reality. The focus personality (or the self we know) focuses in this life, but is also composed of of other Aspects or parts of the source self that are latent within the psyche, though "alive" in other realities. These form the basic structure of the psyche from which the focus personality emerges. I call these "prime Aspects." A harmonious working relationship between these prime Aspects results in a well-balanced focus personality -- one that is reasonably happy, healthy, and creative.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 197

Life, Happiness, Reality, Time

“Computer games are embedded in the cultural framework of technological developments. In the study of technological development and creativity, focusing attention on the failure, the error, the breakdown, the malfunction means opening the black box of technology. Studies have convincingly demonstrated that the widespread inability to understand technological artifacts as fabricated entities, as social and cultural phenomena, derives from the fact that in retrospect only those technologies that prove functional for a culture and can be integrated into everyday life are "left over." However, the perception of what is functional, successful and useful is itself the product of social and cultural--and last but not least--political and economic processes. Selection processes and abandoned products and product forms are usually not discussed. According to Langdon Winner, there is a sense in which all technical activity contains an inherent tendency toward forgetfulness.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Interview on Furtherfield http://www.furtherfield.org/interviews/interview-johannes-grenzfurthner-monochrom-part-1

Life, Error, Game, Failure

“Extracting money from users of a program by restricting their use of it is destructive because the restrictions reduce the amount and the ways that the program can be used. This reduces the amount of wealth that humanity derives from the program. When there is a deliberate choice to restrict, the harmful consequences are deliberate destruction.
The reason a good citizen does not use such destructive means to become wealthier is that, if everyone did so, we would all become poorer from the mutual destructiveness. This is Kantian ethics; or, the Golden Rule. Since I do not like the consequences that result if everyone hoards information, I am required to consider it wrong for one to do so. Specifically, the desire to be rewarded for one's creativity does not justify depriving the world in general of all or part of that creativity.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

1980s, GNU Manifesto (1985)

Money, World, Way, Parting

“They [say] everybody's creative. Well, everybody is. But any real creativity has to rest on a basis of an acquired technique and an acquired knowledge; you can't be creative in a void, or you just get a mess.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

"The Grand Old Man of Can Lit"
Conversations with Robertson Davies (1989)

Knowledge

“Our conclusion is that the compañeros of the National Council of Culture are as concerned as all of you are about achieving the best conditions for the development of creative work by artists and intellectuals. It is the duty of the revolution and the revolutionary government to see that there is a highly qualified agency that can be relied upon to stimulate, encourage, develop and guide - yes, guide - that creative spirit.”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

Words to Intellectuals (1961)

“Whereas moral courage is the righting of wrongs, creative courage, in contrast, is the discovering of new forms, new symbols, new patterns on which a new society can be built.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 21

Courage

“The hostility of society toward homosexuality is only a special case of its general hostility toward the adolescent spirit. In order to undermine the creative efforts of individuals to shape their lives by their own standards of human understanding and morality, society identifies their deviancy in terms of its inadequacies and failures, thereby undermining their access to basic social acceptance in adaptive areas.”

Paul Rosenfels (1909–1985) American sociologist

Homosexuality: The Psychology of the Creative Process (1971)

Hostility, Failure, Understanding, Effort

“I want to see people using Perl to glue things together creatively, not just technically but also socially.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199702111730.JAA28598@wall.org, 1997]
Usenet postings, 1997

People

“To develop greater spiritual freedom, a people must break their bondage to their bodily needs—they must cease to be slaves of the body. They must, therefore, above all, have time at their disposal for spiritual creative activity and spiritual enjoyment.”

Friedrich Wilhelm Schulz (1797–1860) German politician and publisher

Ein Volk, damit es sich geistig freier ausbilde, darf nicht mehr in der Sklaverei seiner körperlichen Bedürfnisse stehn, nicht mehr der Leibeigene des Leibes sein. Es muß ihm vor allem Zeit bleiben, auch geistig schaffen und geistig genießen zu können.
Movement of Production (1843), as translated in Economic and Philosophical Manuscripts of 1844 (1988), p. 29

People, Freedom, Time

“The Paleolithic hunters who painted the unsurpassed animal murals on the ceiling of the cave at Altamira had only rudimentary tools. Art is older than production for use, and play older than work. Man was shaped less by what he had to do than by what he did in playful moments. It is the child in man that is the source of his uniqueness and creativeness, and the playground is the optimal milieu for the unfolding of his capacities.”

Eric Hoffer (1898–1983) American philosopher

Source: Reflections on the Human Condition (1973), p. 20

Art, Optimism, Animals, Painting

“Artists are mechanics who work with their hands, making things. Artists are involved with the means of creativity, the nature of skills, the revelation of making. Art comes from the work, I see a painting as an expressive entity. There's no picture that I know of where the subject carries as much expressive possibility as the actual execution of the picture.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 9
Conversation with Karen Wilkin' (1986-1988)

Art, Nature, Painting

“In its most general form and from the point of view of physics, love is the internal, affectively apprehended, aspect of the affinity which links and draws together the elements of the world, centre to centre. This is how it has been understood by the great philosophers from Plato, the poet, to Nicolas of Cusa and other representatives of frigid scholasticism. Once this definition has been accepted, it gives rise to a series of important consequences. Love is power of producing inter-centric relationship. It is present, therefore (at least in a rudimentary state), in all the natural centres, living and pre-living, which make up the world; and it represents, too, the most profound, most direct, and most creative form of inter-action that it is possible to conceive between those centres. Love, in fact, is the expression and the agent of universal synthesis.”

Pierre Teilhard De Chardin (1881–1955) French philosopher and Jesuit priest

pp. 70–71 https://archive.org/stream/ActivationOfEnergy/Activation_of_Energy#page/n65/mode/2up <br class="br">Activation of Energy (1976)

Love, World, Nature, Universe

“In psychotherapy, the impact of love feelings, technically called the transference, is held under some degree of control by the artificial device of interpreting the patient's feelings while establishing barriers to the psychological exposure of the therapist. The therapist is supposed to come to the relationship fully endowed with a stable set of established insights which will be adequate in a practical sense to any application which the patient's needs will require. The patient, on the other hand, is supposed to limit his interaction with the therapist to the areas where he is aware of psychic pain or where the therapist accepts communication in the name of therapeutic technique. If everything else is carefully excluded, neither participant will be called on to deal with areas of the unknown in themselves which would require creative personal investment.”

Paul Rosenfels (1909–1985) American sociologist

8. Psychotherapy and Social Welfare
Love and Power: The Psychology of Interpersonal Creativity (1966)

Love, Pain, Feeling, Communication

“Much needs to occur, however, between the collection of data and observations, the extraction of parallel material from the existing record, and the final insertion of new material into the general body of the common record. For mature thought there is no mechanical substitute. But creative thought and essentially repetitive thought are very different things. For the latter there are, and may be, powerful mechanical aids.”

Vannevar Bush book As We May Think

As We May Think (1945)

“WE BELIEVE that RAHOWA (RAcial HOly WAr), under the victorious flag of the one and only, true and revolutionary White Racial Religion — Creativity —, is the only road to the resurrection and redemption of the White Race.”

Ben Klassen (1918–1993) American engineer, author and politician

The Essence of a Creator, essence 18
The Little White Book (1991)

War, Religion, Victory

“Music has no differences. We played alongside each other; it was not in fusion but in unison. I have enjoyed playing with all the artists. I have collaborated with musicians from the west and fellow Indians, including Ravi Shankar, Allah Rakha (father of Zakir Hussain), George Harrison, Jean Pierre Ramphal, Jethro Tull, John McLaughlin, Jan Gabarek, Yehudi Menuhin and others. I composed for Bollywood. It made me affluent. It was Pandit Shiv Kumar Sharma who asked me one day if playing in Bollywood films was all I was going to do in my life. I was not growing as an artist. I needed more. What did I have to show in terms of personal creativity, or growth? He was right.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Western Culture and the so-called Revolution.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Life, Music, Personality

“It is proposed that a form of free dialogue may well be one of the most effective ways of investigating the crisis which faces society, and indeed the whole of human nature and consciousness today. Moreover, it may turn out that such a form of free exchange of ideas and information is of fundamental relevance for transforming culture and freeing it of destructive misinformation, so that creativity can be liberated.”

David Bohm (1917–1992) American theoretical physicist

Collaborations with others, Science Order, and Creativity (1987)

Way, Idea, Nature

“The most valiant thing you can do as an artist is inspire someone else to be creative.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Details, 2010

“Of course, by 2033 many new professions are likely to appear, for example, virtual-world designers. But such professions will probably require much more creativity and flexibility than current run-of-the-mill jobs, and it is unclear whether forty-year-old cashiers or insurance agents will be able to reinvent themselves as virtual-world designers (try to imagine a virtual world created by an insurance agent!). And even if they do so, the pace of progress is such that within another decade they might have to reinvent themselves yet again. After all, algorithms might well outperform humans in designing virtual worlds too. The crucial problem isn’t creating new jobs. The crucial problem is creating new jobs that humans perform better than algorithms.20”

Yuval Noah Harari book Homo Deus: A Brief History of Tomorrow

Homo Deus: A Brief History of Tomorrow

World, Imagination, Problem, Appearance

“Even as a kid, I felt isolated. Isolation makes you sensitive. As a kid, I felt I was the only person who was like that. But there's a good side to isolation. It makes you sensitive, and sensitivity is part of the creative process.”

Jim Henson (1936–1990) American puppeteer

Interview with The Boston Globe (1989)

Parting, Personality

“Life is each human being's workshop. If a man survives a lifetime with his creative capacities intact, he has done his part to make a better world for all men.”

Paul Rosenfels (1909–1985) American sociologist

12. Prescription for Survival
Love and Power: The Psychology of Interpersonal Creativity (1966)

Life, Men, World, Parting

““Machines!” the Clerk said scornfully. “We have many of them, some exquisitely complex. But event the best of them are much like idiot savants. They do adequately on tedious straightforward tasks like building stars or destroying planets. But give them something tough, like solacing a widow, and they simply go to pieces. Would you believe it, the largest computer in our section can landscape an entire planet; but it cannot fry an egg or carry a tune, and it knows less about ethics than a newborn wolf cub. Would you want something like that to run your life?”
“Of course not,” Carmody said. “But couldn’t someone build a machine with creativity and judgment?”
“Someone has,” the Clerk said. “It has been designed to learn from experience, which means that it must make errors in order to arrive at truths. It comes in many shapes and sizes, most of them quite portable. Its flaws are readily apparent, but seem to exist as necessary counterweights to it virtues. No one has yet improved on the basic design, though many have tried. This ingenious device is called ‘intelligent life.’””

Robert Sheckley book Dimension of Miracles

Source: Dimension of Miracles (1968), Chapter 3 (pp. 25-26)

Life, Truth, Error, Star

“Technology moves with terrifying speed. If the traffic rules are explicit and understandable, and accompanied by common-sense protective designs, this technology will be an incalculable boon to America, a shot in the arm to our international competitiveness, and a stimulus to our creative industries. If not, then the information superhighway, cyberspace, the Internet, call it what you will, technology will collapse the great wonder of intellectual property. The country will be the loser. Big time.”

Jack Valenti (1921–2007) President of the MPAA

Testimony to the U.S. House of Representatives on copyright immunities for ISPs. (7 February 1996)

Understanding, Sense, Time, Speed

“It is a fallacy that one can capture the moment through audio recording – that the recording can really represent that 'creative process'. We all know that the moment is gone forever, that the recording can never reproduce all the specifics of the situation, the room, the feeling of the players, their history and backgrounds, the conditions, reasons and interests for producing such a recording.”

Mattin (1977) Spanish musician

Page 170.
"Anti-Copyright: Why Improvisation and Noise Run Against the Idea of Intellectual Property" (October 2008)

Feeling, History

“Liberty once again must become more important to us than the desire for security and material comfort. Personal safety and economic prosperity can only come as the consequence of liberty. They cannot be provided by an authoritarian government… The foundation for a police state has been put in place, and it's urgent we mobilize resistance before it's too late… Central planning is intellectually bankrupt – and it has bankrupted our country and undermined our moral principles. Respect for individual liberty and dignity is the only answer to government force, force that serves the politically and economically powerful. Our planners and rulers are not geniuses, but rather demagogues and would-be dictators -- always performing their tasks with a cover of humanitarian rhetoric… The collapse of the Soviet system came swiftly and dramatically, without a bloody conflict… It came as no surprise, however, to the devotees of freedom who have understood for decades that socialism was doomed to fail… And so too will the welfare/warfare state fail… A free society is based on the key principle that the government, the president, the Congress, the courts, and the bureaucrats are incapable of knowing what is best for each and every one of us… A government as a referee is proper, but a government that uses arbitrary force to direct every aspect of society threatens freedom… The time has come for a modern approach to achieving those values that all civilized societies seek. Only in a free society do individuals have the best chance to seek virtue, strive for excellence, improve their economic well-being, and achieve personal happiness… The worthy goals of civilization can only be achieved by freedom loving individuals. When government uses force, liberty is sacrificed and the goals are lost. It is freedom that is the source of all creative energy. If I am to be your president, these are the goals I would seek. I reject the notion that we need a president to run our lives, plan the economy, or police the world… It is much more important to protect individual liberty and privacy than to make government even more secretive and powerful.”

Ron Paul (1935) American politician and physician

Video Address Announcing 2008 Presidential Exploratory Committee, February 19, 2007 http://blog.4president.org/2008/2007/02/ron_paul_video_.html http://www.youtube.com/watch?v=FPlPT4bncq8 <br class="br">2000s, 2006-2009

Love, Happiness, Secret, World

“Creative ideas flourish best in a shop which preserves some spirit of fun. Nobody is in business for fun, but that does not mean there cannot be fun in business.”

Leo Burnett (1891–1971) American advertising executive

Source: Communications of an Advertising Man (1961), p. 81

Idea, Business

“p. 651Abstract. Investigations of the function of consciousness in human information processing have focused mainly on two questions: (1) where does consciousness enter into the information processing sequence and (2) how does conscious processing differ from preconscious and unconscious processing. Input analysis is thought to be initially "preconscious," "pre-attentive," fast, involuntary, and automatic. This is followed by "conscious," "focal-attentive" analysis which is relatively slow, voluntary, and flexible. It is thought that simple, familiar stimuli can be identified preconsciously, but conscious processing is needed to identify complex, novel stimuli. Conscious processing has also been thought to be necessary for choice, learning and memory, and the organization of complex, novel responses, particularly those requiring planning, reflection, or creativity. The present target article reviews evidence that consciousness performs none of these functions. Consciousness nearly always results from focal-attentive processing (as a form of output) but does not itself enter into this or any other form of human information processing. This suggests that the term "conscious process" needs re-examination. Consciousness appears to be necessary in a variety of tasks because they require focal-attentive processing; if consciousness is absent, focal-attentive processing is absent. Viewed from a first-person perspective, however, conscious states are causally effective. First-person accounts are complementary to third-person accounts. Although they can be translated into third-person accounts, they cannot be reduced to them.”

Max Velmans (1942) British psychologist

Is human information processing conscious?, 1991

Question, Learning, Appearance, Memory

“Today the earth speaks with resonance and clearness and every ear in every civilized country of the world is attuned to its wonderful message of the creative evolution of man, except the ear of William Jennings Bryan; he alone remains stone-deaf, he alone by his own resounding voice drowns the eternal speech of nature.”

Henry Fairfield Osborn (1857–1935) American geologist, paleontologist, and eugenist

The Earth Speaks to Bryan (1925), p. 8

World, Nature, Country

“I am interested in entertaining people, in bringing pleasure, particularly laughter, to others, rather than being concerned with "expressing" myself with obscure creative impressions.”

Walt Disney (1901–1966) American film producer and businessman

Quoted in "The man behind 'The Magic Kingdom'" in The Gazette [Colorado Springs http://findarticles.com/p/articles/mi_qn4191/is_20050507/ai_n14625292/print (7 May 2005)]

People, Pleasure, Laughter

“Participation in parliamentary politics has affected the Socialist labour movement like an insidious poison. It destroyed the belief in the necessity of constructive Socialist activity and, worst of all, the impulse to self-help, by inoculating people with the ruinous delusion that salvation always comes from above.
Thus, in place of the creative Socialism of the old International, there developed a sort of substitute product which has nothing in common with real Socialism but the name. Socialism steadily lost its character of a cultural ideal, which was to prepare the peoples for the dissolution of capitalist society, and, therefore, could not let itself be halted by the artificial frontiers of the national states. In the minds of the leaders of this new phase of the Socialist movement the interests of the national state were blended more and more with the alleged aims of their party, until at last they became unable to distinguish any definite boundaries between them. So inevitably the labour movement was gradually incorporated in the equipment of the national state and restored to this equilibrium which it had actually lost before.”

Rudolf Rocker book Anarcho-Syndicalism

Source: Anarcho-Syndicalism (1938), Ch. 4 "The Objectives of Anarcho-syndicalism"

People, Help

“I first read his book Orthodoxy at a time when I was living on a sailboat in a quiet creek off the Potomac River right after college graduation. He seemed to view faith as a romantic adventure and the universe as a wild fairy tale. Chesterton looks at the world in the most beautiful way. He was also a journalist and philosopher who wrote an essay on “The Tyranny of Bad Journalism.” He died long before online video, but I think he would advocate new, creative methods to revolutionize the practice of journalism.”

James O'Keefe (1984) American conservative filmmaker

Changing the World by the Time He’s 30 http://www.ncregister.com/daily-news/changing_the_world_by_the_time_hes_30 (March 31, 2010)

Books, World, Faith, Beauty

“It was during the first years [1906-1910] that we [the Futurist artists] realized the presence of a dualism deep down within us, where another person, whom we ourselves do not know, tends, at the moment of the creative act, to supplant the person we believe ourselves to be and would like to be. It is difficult to bring these two individualities into accord, yet it is upon this accord that the development of a personality largely depends. My first contact with the art of Seurat whom I adopted, once and for all, as my master, did a great deal to help me to express myself in terms of the two simultaneous and often opposed aspirations. This opposition caused me much mental torture, I must admit..”

Gino Severini (1883–1966) Italian painter

In an interview, 1956; as quoted in Letters of the great artists, Richard Friedenthal, Thames and Hudson , London, 1963, p. 247

Art, Help, Dependency, Personality

“To me poor people are like bonsai trees. When you plant the best seed of the tallest tree in a flower-pot, you get a replica of the tallest tree, only inches tall. There is nothing wrong with the seed you planted, only the soil-base that is too inadequate. Poor people are bonsai people. There is nothing wrong in their seeds. Simply, society never gave them the base to grow on. All it needs to get the poor people out of poverty for us to create an enabling environment for them. Once the poor can unleash their energy and creativity, poverty will disappear very quickly.”

Muhammad Yunus (1940) Bangladeshi banker, economist and Nobel Peace Prize recipient

Creating a World without Poverty: Social Business and the Future of Capitalism (2007)

People, Flowers, Tree

“Sin is resistance, in the name of God, to the creative work of God which seeks to include us all.”

James Alison (1959) Christian theologian, priest

Source: Faith Beyond Resentment: Fragments Catholic and Gay (2001), " The man blind from birth and the Creator's subversion of sin http://girardianlectionary.net/res/fbr_ch-1_john9.htm", p. 17.

God

“No, I have not been able to reconcile them. It is, perhaps, because of the conflict of the different approvals the different persona demand. The political personality survives in no small measure on approval of others. The creative personality needs an emotional seal. The ethical one ordains the approval of one’s conscience. I have not been able to integrate them.”

V. P. Singh (1931–2008) Indian politician

On his coming to terms with different roles.
The Lonely Punter: V.P.Singh

Personality

“The Peters Principles: Enthusiasm. Emotion. Excellence. Energy. Excitement. Service. Growth. Creativity. Imagination. Vitality. Joy. Surprise. Independence. Spirit. Community. Limitless human potential. Diversity. Profit. Innovation. Design. Quality. Entrepreneurialism. Wow.”

Tom Peters (1942) American writer on business management practices

November 21, 2011.
Tom Peters Daily, Weekly Quote

Imagination, Communication, Joy

“Millions of artist create; only a few thousands are discussed or accepted by the spectator and many less again are consecrated by posterity.
In the last analysis, the artist may shout from all the rooftops that he is a genius; he will have to wait for the verdict of the spectator in order that his declarations take a social value and that, finally posterity include him in the primers of Art history.
I know that this statement will not meet with the approval of many artists who refuse this mediumistic role and insist on the validity of their awareness in the creative act.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957

Art, History, Waiting

“I think right about now I should answer some questions that are probably on your mind. You're probably thinking to yourself, 'Janeane, why are you not wearing the half-shirt that you're usually so fond of wearing? Because when we see you we like to see the half shirt.' You know I'm very fond of that and I'm fond of the low-slung jean and the thong, as you know. In fact when I go into a bar and I see ladies wearing the low-slung jeans and the half-shirts, I go up to them and say, 'On behalf of everyone here, thank you. Thank you!' 'Hey, pretty lady, are you wearing a thong? What a creative way to create favor with the opposite sex. That is so exciting. Let me understand the dynamic of the thong: so there's just a slender thread that just resides in your nether region for the better part of the day - just a string that rides in your anatomical hinterlands… it just hangs in there all day at work and then all day at the bar, so I can see how the gentlemen find that so exciting.'… Don't 'ooh' me, I'm not the one with the thong!”

Janeane Garofalo (1964) comedian, actress, political activist, writer

standup performance accessible through .WAV files available on the Internet
Standup routines

Sex, Way, Understanding, Question

“In discussing his work [the art of Marcel Duchamp, ] it is necessary to avoid overrating his silence. I hold him in a very high esteem, but I have to reject his silence. Duchamp was simply finished. He had run out of ideas; he was unable to come up with anything important… I would say that even the bourgeois tendencies in Duchamp's work – i. e., a form of provocative, bohemian behavior intended to 'épater le bourgeois'- follow the same path. Duchamp started out from here and wanted to shock the bourgeoisie, and because of that he destroyed his creative powers… The content of Duchamp's silence refers to the aim of leaving the subconscious passive, of developing it. This is the aspect of Duchamp, which is related to Surrealism. The surrealists asserted that they could live with their subconscious; they thought they were above reality, but instead they were beneath it. They thought they could fish in muddy waters…. but to my mind, the images which emerged have a repressive effect.”

Joseph Beuys (1921–1986) German visual artist

Quote in an interview with , 1986; republished in: Joseph Beuys, Carin Kuoni. Joseph Beuys in America: Energy Plan for the Western Man. New York, 1993.pp. 169-170
Beuys refers in his quote to the so-called 'Silence of Marcel Duchamp', the period that Duchamp stopped creating art
1980's

Art, Behavior, Idea, Reality

“In summary, it is the diversity of human behavior, its appropriateness to new situations, and man’s capacity to innovate – the creative aspect of language use providing the principal indication of this –that leads Descartes to attribute possession of mind to other humans, since he regards this capacity as beyond the limitations of any imaginable mechanism.”

Noam Chomsky (1928) american linguist, philosopher and activist

"Creative aspect of language use"
Quotes 2000s, 2007-09, (3rd ed., 2009)

Behavior, Imagination

“The need is not for the creation of new analytical techniques specially designed for the negotiation process, but rather for the creative use of analytical thinking that exploits existing techniques.”

Howard Raiffa (1924–2016) American academic

Epilogue, p. 360.
The Art and Science of Negotiation (1982)

Thinking

“All portions of All That Is are constantly changing, enfolding, and unfolding. All That Is, seeking to know Itself, constantly creates new versions of Itself. For this seeking Itself is a creative activity and the core of all action.”

Jane Roberts (1929–1984) American Writer

Source: The Seth Material (1970), p. 269-270

Change

“Victory will belong only to those who have faith in the people, those who are immersed in the life-giving spring of popular creativity.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

"Meeting Of The All-Russia Central Executive Committee" (4 November 1917) http://www.marxists.org/archive/lenin/works/1917/nov/04a.htm; Collected Works, Vol. 26, pp. 285-293. <br class="br">1910s

Life, People, Faith, Spring