Quotes about creative
page 10

Carol Ann Duffy photo
A.C. Cuza photo

“Nationality is the creative power of human culture, culture is the creative power of nationality.”

A.C. Cuza (1857–1947) Romanian politician

From Naţionalitatea în artă ("Nationality in Art"), Bucureşti: Cartea Romaneasca, 1905.

John Dewey photo
Alexandra Kollontai photo

“I am still far from being the type of the positively new women who take their experience as and working women contemporaries, were able to understand that love was not the main goal of our life and that we knew how to place work at its center. Nevertheless we would have been able to create and achieve much more had our energies not been fragmentized in the eternal struggle with our egos and with our feelings for another. It was, in fact, an eternal defensive war against the intervention of the male into our ego, a struggle revolving around the problem-complex: work or marriage and love? We, the older generation, did not yet understand, as most men do and as young women are learning today, that work and the longing for love can be harmoniously combined so that work remains as the main goal of existence. Our mistake was that each time we succumbed to the belief that we had finally found the one and only in the man we loved, the person with whom we believed we could blend our soul, one who was ready fully to recognize us as a spiritual-physical force. But over and over again things turned out differently, since the man always tried to impose his ego upon us and adapt us fully to his purposes. Thus despite everything the inevitable inner rebellion ensued, over and over again since love became a fetter. We felt enslaved and tried to loosen the love-bond. And after the eternally recurring struggle with the beloved man, we finally tore ourselves away and rushed toward freedom. Thereupon we were again alone, unhappy, lonesome, but free–free to pursue our beloved, chosen ideal… work. Fortunately young people, the present generation, no longer have to go through this kind of struggle which is absolutely unnecessary to human society. Their abilities, their work-energy will be reserved for their creative activity. Thus the existence of barriers will become a spur.”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

Gino Severini photo

“I was interested in achieving a creative freedom, a style that I could express with Seurat's.... color technique [color-divisionism], but shaped to my own needs. Proof that I found it is in my paintings of that period, among which is the famous 'Pan-Pan a Monico' [Severini painted in 1912]. My preference for Neo-Impressionism dates from those works. At times I tried to suppress it, but it always worked its way back to the surface.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, p. 53; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003.

Amitabh Bachchan photo
Lana Turner photo

“Our creative habits are as mysterious to each other as our domestic habits.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

Bill Mollison photo

“Stupidity is an attempt to iron out all differences, and not to use or value them creatively.”

Bill Mollison (1928–2016) Australian permaculturist

Source: Permaculture: A Designers' Manual (1988), chapter 4.7

Masaru Ibuka photo

“Creativity comes from looking for the unexpected and stepping outside your own experience. Computers simply cannot do that.”

Masaru Ibuka (1908–1997) Japanese businessman

Masaru Ibuka in: The Corporate Board, (1992), Vol. 13, p. 30

George Carlin photo
John Dewey photo

“Art is something absolute, something positive, which gives power just as food gives power.
While creative science is a mental food, art is the satisfaction of the soul.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 56
Search for the Real and Other Essays (1948)

“We tend to think of [Hitler] as an idiot because the central tenet of his ideology was idiotic – and idiotic, of course, it transparently is. Anti-Semitism is a world view through a pinhole: as scientists say about a bad theory, it is not even wrong. Nietzsche tried to tell Wagner that it was beneath contempt. Sartre was right for once when he said that through anti-Semitism any halfwit could become a member of an elite. But, as the case of Wagner proves, a man can have this poisonous bee in his bonnet and still be a creative genius. Hitler was a destructive genius, whose evil gifts not only beggar description but invite denial, because we find it more comfortable to believe that their consequences were produced by historical forces than to believe that he was a historical force. Or perhaps we just lack the vocabulary. Not many of us, in a secular age, are willing to concede that, in the form of Hitler, Satan visited the Earth, recruited an army of sinners, and fought and won a battle against God. We would rather talk the language of pseudoscience, which at least seems to bring such events to order. But all such language can do is shift the focus of attention down to the broad mass of the German people, which is what Goldhagen has done, in a way that, at least in part, lets Hitler off the hook – and unintentionally reinforces his central belief that it was the destiny of the Jewish race to be expelled from the Volk as an inimical presence.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Ibid.
Essays and reviews, As Of This Writing (2003)

Salvador Dalí photo
Skye Sweetnam photo
Pauline Kael photo
Anaïs Nin photo
Éric Pichet photo

“Thirty years of lax budget policy (the Trente Dispendieuses) marked by soaring public spending in the 1980’s, the happy-go-lucky attitude of the 1990’s and finally, a policy of procrastination in the 2000’s characterised by the development of creative budgetary marketing strategies exclusively destined to delay the (always) socially and politically painful moment of addressing the accounts.”

Éric Pichet (1960) economist

Le programme de stabilité et le pacte de responsabilité : la trajectoire des finances publiques de 2014 à 2017 http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2499496 Article in Revue de Droit Fiscal n31-35 (2014).
Budgetary policy, From the Expensive 30 toe the Expensive 36, The Expensive 30

Béla H. Bánáthy photo

“Science focuses on the study of the natural world. It seeks to describe what exists. Focusing on problem finding, it studies and describes problems in its various domains. The humanities focus on understanding and discussing the human experience. In design, we focus on finding solutions and creating things and systems of value that do not yet exist.
The methods of science include controlled experiments, classification, pattern recognition, analysis, and deduction. In the humanities we apply analogy, metaphor, criticism, and (e)valuation. In design we devise alternatives, form patterns, synthesize, use conjecture, and model solutions. \
Science values objectivity, rationality, and neutrality. It has concern for the truth. The humanities value subjectivity, imagination, and commitment. They have a concern for justice. Design values practicality, ingenuity, creativity, and empathy. It has concerns for goodness of fit and for the impact of design on future generations.”

Béla H. Bánáthy (1919–2003) Hungarian linguist and systems scientist

Source: Designing Social Systems in a Changing World (1996), p. 34-35, as cited in Alexander Laszlo and Stanley Krippner (1992) " Systems Theories: Their Origins, Foundations, and Development http://archive.syntonyquest.org/elcTree/resourcesPDFs/SystemsTheory.pdf" In: J.S. Jordan (Ed.), Systems Theories and A Priori Aspects of Perception. Amsterdam: Elsevier Science, 1998. Ch. 3, pp. 47-74.

Ernest Hemingway photo
Revilo P. Oliver photo
Marilyn Monroe photo
Jonathan Ive photo

“The more I learnt about this cheeky – almost rebellious – company, the more it appealed to me, as it unapologetically pointed to an alternative in a complacent and creatively bankrupt industry. Apple stood for something and had reason for being that wasn't just about making money.”

Jonathan Ive (1967) English designer and VP of Design at Apple

On how he felt when he used a Mac for the first time at college, in an interview at the Design Museum (2003)[citation needed]

Frank Klepacki photo
Paul Klee photo
Jan Smuts photo

“(Holism is) the tendency in nature to form wholes that are greater than the sum of the parts through creative evolution …”

Jan Smuts (1870–1950) military leader, politician and statesman from South Africa

Holism and Evolution (1926)

John F. Kennedy photo

“To further the appreciation of culture among all the people, to increase respect for the creative individual, to widen participation by all the processes and fulfillments of art — this is one of the fascinating challenges of these days.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"The Arts in America" in LOOK magazine (18 December 1962), p. 110; also reported in Public Papers of the Presidents of the United States: John F. Kennedy, 1962 http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx, p. 907 and inscribed on the John F. Kennedy Center for the Performing Arts, Washington, D.C.
1962

Gloria Estefan photo
Hyman George Rickover photo
Douglas Coupland photo
Freeman Dyson photo
Gyles Brandreth photo
Richard A. Posner photo

“I wish in closing to emphasize how little corporate philanthrophy (the practical meaning of “creative capitalism,” a terrible expression that implies nonaltruistic capitalism is uncreative) is actually philanthropic, in the sense of being driven by altruism rather than by profit maximization.”

Richard A. Posner (1939) United States federal judge

" Against Creative Capitalism, Part Two https://web.archive.org/web/20080821055810/http://creativecapitalism.typepad.com:80/creative_capitalism/2008/08/against-creativ.html" (2008), published in Creative Capitalism: A Conversation with Bill Gates, Warren Buffett, and Other Economic Leaders.

Bhakti Tirtha Swami photo
Alan Greenspan photo

“It's hard to overemphasize how important Ford's deregulation was. True, most of the benefits took years to unfold-rail freight rates, for example hardly budged at first. Yet deregulation set the stage for an enormous wave of creative destruction in the 1980s:…”

Alan Greenspan (1926) 13th Chairman of the Federal Reserve in the United States

Source: 2000s, The Age of Turbulence (2008), Chapter Three, "Economics Meets Politics", p. 72.

Steve Purcell photo

“Who are you inspired by?
Creative people who have made their seemingly most self-indulgent artistic whims into a career.”

Steve Purcell (1959) American cartoonist, animator, film director and game designer

Interview on samandmax.net http://samandmax.net/index.php?section=historyfaq&page=interview1&id=4

Henry Moore photo
A. P. J. Abdul Kalam photo
Robert A. Heinlein photo
Percy Bysshe Shelley photo
Jamie Bartlett photo
Edward A. Shanken photo
Charles Thomson (artist) photo

“The result of walking round Tate Modern is not an experience of the marvel of creative profundity which gives meaning to life, but more akin to the detritus of a dryly analytical bureaucrat reverting to an infantile stage during an extended breakdown.”

Charles Thomson (artist) (1953) British artist

"Interview with Charles Thomson of the Stuckists" http://www.artistica.co.uk/2006/01/29/interview-with-charles-thomson-of-the-stuckists/ artistica.com, 2006-01-29.

Ai Weiwei photo
Naum Gabo photo

“Art and Science are two different streams which rise from the same creative force and flow into the same ocean of the common culture, but the currents of these two streams flow in different directions.”

Naum Gabo (1890–1977) Russian sculptor

Quote of Naum Gabo (1957), as cited in: Gabo: Construction, Sculpture, Paintings, Drawings, Engravings. p. 164.
1936 - 1977

Harlan F. Stone photo

“Democracy cannot survive without the guidance of a creative minority.”

Harlan F. Stone (1872–1946) United States federal judge

Reported in Alpheus Thomas Mason, Harlan Fiske Stone, Pillar of the Law (1956), p. 95.

“If we have real, creative destruction here with Trump, and we have Armageddon or worse, out of the ruins will come new successes. New movements. And eventually, new rackets. And I'll be in on them. I admit it, I'm a racketeer.”

Mike Murphy (political consultant) (1962) American political consultant

As quoted in "Debriefing Mike Murphy" https://www.weeklystandard.com/matt-labash/debriefing-mike-murphy (18 March 2016), by Matt Labash, The Weekly Standard
2010s

Lorin Morgan-Richards photo

“I believe dreams connect us to our ancestors and it is through creativity that we can tap into this in the conscious state. Creativity is a sort of trance that we have as artists that erases time and space.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Regarding his ancestry influencing his work; as quoted in "Americymru" http://americymru.blogspot.com/2010/08/interview-with-lorin-morgan-richards.html "An Interview With Lorin Morgan-Richards” (25 August 2010).

John Galsworthy photo
Bono photo
Jennifer Beals photo
Bob Dylan photo
Gene Roddenberry photo
Brian W. Aldiss photo

“Whatever creativity is, it is in part a solution to a problem.”

Brian W. Aldiss (1925–2017) British science fiction author

"Apéritif" in Bury My Heart at W.H. Smith's (1990)

Ben Carson photo
David Cameron photo

“Britain is a special country. We have so many great advantages: a Parliamentary democracy where we resolve great issues about our future through peaceful debate; a great trading nation, with our science and arts, our engineering and our creativity, respected the world over. And while we are not perfect, I do believe we can be a model for the multi-racial, multi-faith democracy, where people can come and make a contribution and rise to the very highest that their talent allows.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Speech delivered outside outside 10 Downing Street, announcing that he would resign as prime minister after British voters chose to leave the European Union in a referendum (June 24, 2016), see David Cameron's resignation speech in full http://www.cnn.com/2016/06/24/europe/david-cameron-full-resignation-speech/ (published by CNN)
2010s, 2016

Ringo Starr photo
Hugo Ball photo
Letitia Elizabeth Landon photo
John Galsworthy photo
Manuel Castells photo
Jerome Isaac Friedman photo

“Excessive bureaucracy is distracting, time-consuming, and destructive to creativity.”

Jerome Isaac Friedman (1930) American physicist

"Will Innovation Flourish in the Future?," 2002

Anaïs Nin photo

“I have so strong a sense of creation, of tomorrow, that I cannot get drunk, knowing I will be less alive, less well, less creative the next day.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

The Diary Of Anais Nin, Volume Two (1934-1939)
Diary entries (1914 - 1974)

“Originality is the essence of true scholarship. Creativity is the soul of the true scholar.”

Nnamdi Azikiwe (1904–1996) First President of Nigeria

Attributed without citation in Answers Africa 40 famous quotes about Africa, http://answersafrica.com/quotes-about-africa.html answersafrica.com

Audre Lorde photo
Ai Weiwei photo

“I think restrictions are an essential condition in the fight for freedom of expression. It’s also a source for any kind of creativity.”

Ai Weiwei (1957) Chinese concept artist

Solway, Diane. “Enforced Disappearance.” W Magazine, November 2011.
2010-, 2011

Dennis Gabor photo

“It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly.
This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either.
The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision.”

Dennis Gabor (1900–1979) Nobel Prize-winning physicist and inventor of holography

In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers.
Source: Inventing the Future (1963), p. 18-19

“As a director, you must keep your sense of humor, your patience and, most of all, your ability to funnel the collective energies of a large group of creative people. For that, you must stay well-hydrated, well-fed, and well-rested. It's also crucial that you have a top-notch ensemble.”

Tommy Lee Wallace (1949) American film director

Tommy Lee Wallace on Crafting His Miniseries Masterpiece, IT https://dailydead.com/stephen-king-week-tommy-lee-wallace-on-crafting-his-miniseries-masterpiece-it/ (October 27, 2015)

Bertolt Brecht photo

“Play your part creatively in all the struggles
Of men of your time, thereby
Helping, with the seriousness of study and the cheerfulness of knowledge
To turn the struggle into common experience and
Justice into a passion.”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

"Speech to Danish working-class actors on the art of observation" [Rede an dänische Arbeiterschauspieler über die Kunst der Beobachtung] (1934), from The Messingkauf Poems, published in Versuche 14 (1955); trans. John Willett in Poems, 1913-1956, p. 238
Poems, 1913-1956 (1976)

Robert T. Kiyosaki photo

“When we were told to follow set procedures and not deviate from the rules, we could see how this schooling process actually discouraged creativity.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

“Indeed, Hayek’s later monetary work constitutes some of his most creative practical policy suggestions, though his thought in the area was, by his own admission, undeveloped.”

Alan O. Ebenstein (1959) American political scientist, educator and author

Hayek's Journey: The Mind of Friedrich Hayek (2003)

Rob Cohen photo

“I believe creative work needs communication. So it’s extremely encouraging to be with a group of people who form a community and to know that you’re not isolated, although as individuals we must always work in an inner silence.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Conversation. Interview with Byron Dobell (1957), p. 34

Nicole Lapin photo
Vanna Bonta photo

“For literary purposes, the art of writing poetry can be simply defined as: A creative act using language as a medium refined to an art.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Mark Kac photo
Robert Ardrey photo
George Holmes Howison photo
Robert T. Kiyosaki photo

“That is financial intelligence. It is not so much what happens, but how many different financial solutions you can think of to turn a lemon into millions. It is how creative you are in solving financial problems.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Ai Weiwei photo
Glenn Beck photo

“These people are not interested in creative destruction, they are only interested in destruction. That leads to gas chambers. That leads to, uh, guillotines. That leads to millions dead. That leads to Mao. That leads to totalitarianism. Every. Single. Time.”

Glenn Beck (1964) U.S. talk radio and television host

The Glenn Beck Program
Radio
Premiere Radio Networks
2011-10-04
Beck: Occupy Wall Street Is "Only Interested In Destruction," Which "Leads To Gas Chambers," "Guillotines," "Mao"
Media Matters for America
2011-10-04
http://mediamatters.org/mmtv/201110040017
2011-08-13
regarding Occupy Wall Street protests
2010s, 2011

Anne Louise Germaine de Staël photo
Philippe Starck photo
Alain de Botton photo