Quotes about correspondence
page 4

Herbert A. Simon photo
Vyasa photo
Vannevar Bush photo
Hermann Samuel Reimarus photo
Rudolf Clausius photo
Elena Ceaușescu photo

“We live in a normal apartment, just like every other citizen. We have ensured an apartment for every citizen through corresponding laws.”

Elena Ceaușescu (1916–1989) Romanian politician

Statements at trial http://en.wikisource.org/wiki/Transcript_of_the_closed_trial_of_Nicolae_and_Elena_Ceau%C5%9Fescu (25 December 1989)

Vitruvius photo
Thomas Little Heath photo
Umberto Boccioni photo
Georges Sorel photo
Wolfgang Pauli photo
Andrew Ure photo
Charles Sanders Peirce photo
Hans Freudenthal photo

“Angles are measured by arcs, such that 360° and 2π correspond to each other.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: Mathematics as an Educational Task (1973), p. 477

Yoichiro Nambu photo
Georg Simmel photo
Percy Bysshe Shelley photo

“If a person's religious ideas correspond not with your own, love him nevertheless. How different would yours have been, had the chance of birth placed you in Tartary or India!”

Percy Bysshe Shelley (1792–1822) English Romantic poet

Article 25
"Declaration of Rights" http://knarf.english.upenn.edu/PShelley/declarat.html (1812)

Arthur Guirdham photo
Fritz Todt photo

“We do not build speedways, but roads which correspond to the character of the German landscape.”

Fritz Todt (1891–1942) German engineer and senior Nazi figure

Quoted in "Vortrag in der Leipzig-Hochschule am 6.2.1934" in Die Autobahn, 4/1934, p. 125.

Marianne Moore photo

“I tend to write in patterned arrangement with rhymes.. I try to secure an effect of flowing continuity and the correspondence between verse and music.”

Marianne Moore (1887–1972) American poet and writer

Oxford Anthology of American Literature 1938
Prose

Gunnar Myrdal photo
Willem de Sitter photo
Lewis F. Powell, Jr. photo
Ed Bradley photo
Émile Durkheim photo

“To every event defined for the original random walk there corresponds an event of equal probability in the dual random walk, and in this way almost every probability relation has its dual.”

William Feller (1906–1970) Croatian-American mathematician

Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter III, Fluctuations In Coin Tossing And Random Walks, p. 92.

Ivar Jacobson photo

“The control objects model functionality that is not naturally tied to any other object… We do not believe that the best (most stable) systems are built by only using objects that correspond to real-life entities, something that many other object-oriented analysis and design techniques claim… Behavior that we place in control objects will, in other methods, be distributed over several other objects, making it hard to change this behavior.”

Ivar Jacobson (1939) Swedish computer scientist

Source: Object-Oriented Software Engineering: A Use Case Driven Approach (1992), p. 133 as cited in: " Object Oriented Software Engineering: A Use Case Driven Approach Ivar Jacobson, et al. (1992) http://tedfelix.com/software/jacobson1992.html", Book review by Ted Felix on tedfelix.com, 2006.

Karl Barth photo
Charles Taze Russell photo
Gunnar Myrdal photo
Ed Bradley photo
Tim O'Brien photo
Joan Miró photo
Rudy Rucker photo
Alistair Cooke photo
Wassily Kandinsky photo
Jeffrey D. Sachs photo
Leo Tolstoy photo
George Mason photo

“Attend with Diligence and strict Integrity to the Interest of your Correspondents and enter into no Engagements which you have not the almost certain Means of performing.”

George Mason (1725–1792) American delegate from Virginia to the U.S. Constitutional Convention

Letter to his son, John Mason (12 June 1788)

Paul Karl Feyerabend photo
Paul Gauguin photo

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Koenraad Elst photo

“Distortive or even totally false reporting on communally sensitive issues is a well-entrenched feature of Indian journalism. There is no self-corrective mechanism in place to remedy this endemic culture of disinformation. No reporter or columnist or editor ever gets fired or formally reprimanded or even just criticized by his peers for smearing Hindus. This way, a partisan economy with the truth has become a habit hard to relinquish. And foreign correspondents used to trusting their Indian secularist sources have likewise developed a habit of swallowing and relaying highly distorted news stories. Usually, the creation of a false impression of the Indian communal situation is achieved without outright lies, relying rather on the silent treatment for inconvenient facts and a screaming overemphasis on convenient ones. (…) So, moral of the story: feel free to write lies about the Hindus. Even if you are found out, most of the public will never hear of it, and you will not be made to bear any consequences.(…) These days, noisy secularists lie in waiting for communal riots and elatedly jump at them when and where they erupt. They exploit the anti-Hindu propaganda value of riots to the hilt, making up fictional stories as they go along to compensate for any defects in the true account. John Dayal is welcomed to Congressional committees in Washington DC as a crown witness to canards such as how Hindus are raping Catholic nuns in Jhabua, an allegation long refuted in a report by the Congress state government of Madhya Pradesh and more recently in the court verdict on the matter. Arundhati Roy goes lyrical about the torture of a Muslim politician's two daughters by Hindus during the Gujarat riots of 2002, even when the man had only one daughter, who came forward to clarify that she happened to be in the US at the time of the “facts.””

Koenraad Elst (1959) orientalist, writer

Harsh Mander has already been condemned by the Press Council of India for spreading false rumours about alleged Hindu atrocities in his famous column Hindustan Hamara. Teesta Setalwad has reportedly pressured eyewitnesses to give the desired incriminating testimony against Hindus in the Gujarat riots.
K. Elst: Religious Cleansing of Hindus, 2004, Agni conference in The Hague, in The Problem with Secularism (2007)
2000s, The Problem with Secularism (2007)

Paul Davidson photo

“I quote somewhere a correspondence with Ken Arrow, after he wrote Arrow and Hahn. I wrote to him and I said that the trouble is that neoclassical economists confuse risk with uncertainty. Uncertainty means non-probabilistic. And he said, 'Quite true, you're quite correct that Keynes is much more fruitful, but the trouble with the General Theory is, those things that were fruitful couldn't be developed into a nice precise analytical statement, and those things that could were retrogressions from Keynes but could be developed into a nice precise analytical statement.' That's why mainstream economics went that route. And my answer is, I would hope that even Nobel Prize winners didn't believe that regression is growth, which it clearly isn't. But that's right. The fear that everybody has, you see, is nihilism: you won't be able to say what's going to happen. Well, evolutionists don't worry about being unable to predict. You ask the evolutionists, who tell you what happened in the past, just what next species is going to appear, and the answer is, anything could. Right? Does that bother people? Explanation is the first thing in science. If you can't explain, you don't have anything. But you needn't necessarily predict. Now, if you know the future's uncertain, what does that mean? It means basically, the way Hicks put it in his later years, that humans have free will. The human system isn't deterministic or stochastic, which is deterministic with a random error. Humans can do thins to change the world.”

Paul Davidson (1930) Post Keynesian economist

quoted in Conversations with Post Keynesians (1995) by J. E. King

W. Sterling Cole photo
Madhu Kishwar photo
Arthur Koestler photo

“We find in the history of ideas mutations which do not seem to correspond to any obvious need, and at first sight appear as mere playful whimsies — such as Apollonius' work on conic sections, or the non-Euclidean geometries, whose practical value became apparent only later.”

Arthur Koestler (1905–1983) Hungarian-British author and journalist

as quoted by Michael Grossman in the The First Nonlinear System of Differential and Integral Calculus (1979).
The Sleepwalkers: A History of Man's Changing Vision of the Universe (1959)

Wendy Doniger photo
Edwin Abbott Abbott photo
Angelique Rockas photo
Dwight D. Eisenhower photo
Georg Brandes photo
Robert M. Price photo

“Alan Dundes has shown, the gospel life of Jesus corresponds in most particulars with the worldwide paradigm of the Mythic Hero Archetype as delineated by Lord Raglan, Otto Rank, and others.”

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, 2000, Deconstructing Jesus, https://books.google.com/books?id=VJh1H-hf5EwC&pg=PA259, Prometheus Books, Publishers, 978-1-61592-120-1, 259]

Jim Morrison photo

“We can regard the vector ci as representing certain physical, social, and psychological attributes of player i himself in that it summarizes some crucial parameters of player i's own payoff function Ui as well as the main parameters of his beliefs about his social and physical environment… the rules of the game as such allow any given player i to belong to any one of a number of possible types, corresponding to the alternative values of his attribute vector c i could take… Each player is assumed to know his own actual type but to be in general ignorant about the other players' actual types.”

John Harsanyi (1920–2000) hungarian economist

Source: "Games with Incomplete Information Played by “Bayesian” Players," 1967, p. 171; As quoted in: Mertens, Jean-Francois, and Shmuel Zamir. " Formulation of Bayesian analysis for games with incomplete information http://jeremy-chen.org/sites/default/files/files/convexset/2013_01/formulation_of_bayesian_analysis_for_games_with_incomplete_information_mertens_and_zamir_1985.pdf." International Journal of Game Theory 14.1 (1985): p. 1-2

David Graeber photo

“The attentive reader may have noticed that the core period of Jasper's Axial age—the lifetimes of Pythagoras, Confucius, and the Buddha—corresponds almost exactly to the period in which coinage was invented.”

David Graeber (1961) American anthropologist and anarchist

Source: Debt: The First 5,000 Years (2011), Chapter Nine, "The Axial Age", p. 224

James Jeans photo
Jahangir photo

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Paul Gauguin photo

“[In] painting…all sensations are condensed, everyone…with a single glance [has] his soul invaded by the most profound recollections…everything is summed up in one instant. Like music, it acts on the soul through the intermediary of the senses: harmonious colors correspond to the harmonies of sound.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote from Gauguin's unfinished essay 'Notes Synthetiques', published in the July / September 1910 issue of ' Vers et Prose' XXII, pp. 51-55, as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 23
Gauguin's essay 'Notes Synthetiques' was written in Pont -Aven in 1888 and left incomplete. His essay was first published in 'Vers et Prose' XXII
1890s - 1910s

“Innovative roles represent patterned organizational deviance… The intra-role conflicts of the innovator stem from his engagement and commitment to the creative, non-routine aspects of his job and his corresponding disinterest and disdain for the routine or uncreative demands placed upon him.”

Robert L. Kahn (1918–2019) American psychologist

Source: Organizational stress: Studies in role conflict and ambiguity, 1964, p. 388, as cited in: Eugene E. Szymaszek (1996). Changing Role of Leadership for Vocational Education in... p. 41

Yakov Frenkel photo
Martin Amis photo
A. J. Liebling photo
Alexander Bogdanov photo
Walter Benjamin photo
Clinton Edgar Woods photo
Pappus of Alexandria photo
Ulysses S. Grant photo
John Wallis photo
Thomas Jefferson photo

“The fitness (physical and moral) of kings were serious matters, for they were believed to bring on a corresponding state of land and people.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VII Further Observations on Homer

Ilana Mercer photo

“Like nothing else, the annual Correspondents' Dinner is a mark of a corrupt politics. It's a sickening specter, where some of the most pretentious, worthless people in the country—in politics, journalism and entertainment—convene to revel in their ability to petition and curry favor with one another, usually to the detriment of the rest of us in Rome's provinces.”

Ilana Mercer South African writer

"Thanks, POTUS, For Breaking-Up The Annual Correspondents’ Circle Jerk." http://www.americanthinker.com/blog/2017/05/thanks_potus_for_breakingup_the_annual_correspondents_circle_jerk.html The American Thinker, May 8, 2017.
2010s, 2017

Šantidéva photo
Herbert Read photo
Jane Goodall photo
Léon Brillouin photo
Pope Benedict XVI photo
David Bentley Hart photo
Paul Klee photo
Vitruvius photo
Sri Aurobindo photo
Vandana Shiva photo

“If you look at the graph of the growth of G. M. O. s, the growth of application of glyphosate and autism, it’s literally a one-to-one correspondence. And you could make that graph for kidney failure, you could make that graph for diabetes, you could make that graph even for Alzheimer’s.”

Vandana Shiva (1952) Indian philosopher

On the correlation of autism, kidney failure, diabetes and Alzheimer's with GMOs and glyphosate, as quoted in " Seeds of Doubt http://www.newyorker.com/magazine/2014/08/25/seeds-of-doubt" by Michael Specter, The New Yorker (25 August 2014)

El Lissitsky photo

“We believe that the elements in the chemical formula of our creative work, problem, invention, and art, correspond to the challenges of our age.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

quote, p. 378
posthumous publications, El Lissitzky, El Lissitzky : Life, Letters, Texts (1967; 1980)

Theo van Doesburg photo