“Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist’s feeling for form is stronger than a formless feeling.”

Source: Collected Poems (1966), p. 18

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Herbert Read42

English anarchist, poet, and critic of literature and art 1893–1968

Robert Motherwell (1915–1991) American artist

Modern Painter's World, ed. Robert Motherwell , Dyn, Nov. 1942, p. 9
1940s

“Self-pity is an ignoble emotion, but we all feel it, and the orthodox critical line that it represents some kind of artistic flaw is dubious, a form of emotional correctness.”

Nick Hornby book Songbook

Songbook (2003)

“To say that a poet is justified in employing a disintegrating form in order to express a feeling of disintegration, is merely a sophistical justification for bad poetry, akin to the Whitmanian notion that one must write loose and sprawling poetry to 'express' the loose and sprawling American continent. In fact, all feeling, if one gives oneself (that is, one's form) up to it, is a way of disintegration; poetic form is by definition a means to arrest the disintegration and order the feeling; and in so far as any poetry tends toward the formless, it fails to be expressive of anything.”

Yvor Winters (1900–1968) American poet and literary critic

The Influence of Meter on Poetic Convention, Section V : The Heroic Couplet and its Recent Rivals
Primitivism and Decadence : A Study of American Experimental Poetry (1937)

“I believe that we think much more with the instruments provided by our culture than we do with our bodies, and hence the much greater diversity of thought in the world. Thinking is a form of feeling; feeling is a form of thinking.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"Susan Sontag: The Rolling Stone Interview" with Jonathan Cott (1978; published 4 October 1979)
Context: One of my oldest crusades is against the distinction between thought and feeling... which is really the basis of all anti-intellectual views: the heart and the head, thinking and feeling, fantasy and judgment. We have more or less the same bodies, but very different kinds of thoughts. I believe that we think much more with the instruments provided by our culture than we do with our bodies, and hence the much greater diversity of thought in the world. Thinking is a form of feeling; feeling is a form of thinking.

“My role in society, or any artist's or poet's role, is to try and express what we all feel. Not to tell people how to feel. Not as a preacher, not as a leader, but as a reflection of us all.”

John Lennon (1940–1980) English singer and songwriter

“We speak of concrete and not 'abstract painting', because we have finished with the period of research and speculative experience. In their search for purity artists were obliged to abstract from 'natural forms' in which the plastic elements were hidden, in order to eliminate natural forms and to replace them with 'artistic forms'. To-day the idea of 'artistic form' is as obsolete as the idea of 'natural form'. We establish the period of pure painting by constructing 'spiritual form.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Creative spirit becomes concrete.
Quote on 'Concrete art', in: 'Comments on the basic of concrete painting', Paris, January 1930; 'Art Concret', April 1930, pp. 2–4
1926 – 1931

“Art is internal and external. The repose a person feels in aesthetic creation comes from his, for the time, feeling he is what he is and also what he is not. Ego and otherness don't fight for the while. The artist feels he has reached form in the deepest places of his personality, because things outside himself have been see courageously, truly, respectfully by him.”

Eli Siegel (1902–1978) Latvian-American poet, philosopher

Everything Has to Do with Hardness and Softness (1969)

“Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves.”

T.S. Eliot (1888–1965) 20th century English author

“Something that you feel will find its own form.”

Jack Kerouac (1922–1969) American writer

“With shouts the torrents down the gorges go,
And storms are formed behind the storm we feel”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Misgivings, st. 2
Battle Pieces: And Aspects of the War (1860)
Context: With shouts the torrents down the gorges go,
And storms are formed behind the storm we feel:
The hemlock shakes in the rafter, the oak in the driving keel.

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Herbert Read42

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