Quotes about console
page 2

José Martí photo
Octavius Winslow photo
Nikos Kazantzakis photo
Anne Brontë photo

“There's nothing like active employment to console the afflicted.”

Source: The Tenant of Wildfell Hall (1848), Ch. XLVII : Startling Intelligence; Eliza to Gilbert

Aldo Capitini photo

“To know Jesus Christ for ourselves is to make Him a consolation, delight, strength, righteousness, companion, and end.”

Richard Cecil (clergyman) (1748–1810) British Evangelical Anglican priest and social reformer

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 246.

Rosa Luxemburg photo
Calvin Coolidge photo

“Workmen's compensation, hours and conditions of labor are cold consolations, if there be no employment.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

From the speech "Plymouth, Labor Day" (1 September 1919), as printed in Have Faith in Massachusetts: A Collection of Speeches and Messages (2nd Ed.), Houghton Mifflin, pp. 200-201 : see link above.
1910s, Plymouth, Labor Day (1919)

Yuval Noah Harari photo
François Fénelon photo
Constantine P. Cavafy photo
James Howard Kunstler photo
Perry Anderson photo
Jonathan Franzen photo

“One of the consolations of dying… Seriously, the world is changing so quickly that if you had any more than 80 years of change I don't see how you could stand it psychologically.”

Jonathan Franzen (1959) novelist

"Jonathan Franzen Warns Ebooks are Corroding Values," http://www.theguardian.com/books/2012/jan/30/jonathan-franzen-ebooks-values The Guardian (Jan 30, 2012).

James K. Morrow photo

“Many are the consolations of literature, and not the least such solace occurs when an annoyingly virtuous hero succumbs to carnal temptation.”

James K. Morrow (1947) (1947-) science fiction author

Source: The Philosopher's Apprentice (2008), Chapter 11 (p. 245)

Albrecht Thaer photo

“Arriving in Berlin, I found myself in my element, and began to breathe freely. Jerusalem and Lessing had given us letters of introduction to the greatest men in Berlin; but they knew us already, Leisewitz as author of "Julius Von Tarent," and myself as author of my Dissertation. We had daily the choice of the first society; covers were laid for us in the first families daily, for dinner as well as supper. Von Zetlitz sent a general invitation that covers were laid for us every day during our stay in Berlin. Most of the time we could spare was divided between physicians and philosophers, of which the latter had the greater share. Spalding, Mendelsohn, Eberhard, Engel, Nicolai, Reichard, and Madame Bamberger, daughter of Doctor Sack, Bishop of Berlin, honoured us with their most sincere friendship. The latter, a highly gifted and accomplished lady, possessed the rare art of spreading over the most abstract hypothesis and theorem the brightest and most charming light; Jerusalem, the father of the ill-fated Werther (see the "Sorrows of Werther," by Goethe), used to send her his works to correct, and she alone was able to console and comfort him, when he was informed of the death of his beloved son. This amiable lady assumes in common life the character of a plain woman, and when at court, as friend of the Queen and the Princess Amalie, she won all hearts by her truly noble man ners and unconstrained courtesy: at court beloved, she was admired, nay, adored in the philosophical clubs. But do not think that here alone we spent all our time; Madame Bamberger knew how to blend study with amusement; she issued frequently cards of invitation to select parties, for suppers and balls, and her house was the point of union of all that was learned, beautiful, and amiable. Thus Berlin became my Paradise. I had the most tempting offers from the Minister of State to stay here; but the illness of my father obliged me, after a stay of three months, to return home. I visited Lessing on my journey back; stayed two days, which were the most interesting of all days I ever remember.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

“We can't do anything to change the world until capitalism crumbles. In the meantime we should all go shopping to console ourselves.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Wall and Piece (2005)

“One advantage of remorse is that it sets the stage for consolation.”

John Leonard (1939–2008) American critic, writer, and commentator

"The Pampas" (p. 41)
Private Lives in the Imperial City (1979)

Maurice Denis photo
Revilo P. Oliver photo
Samuel Taylor Coleridge photo
Robert Charles Wilson photo
Vanna Bonta photo
H.L. Mencken photo
Seneca the Younger photo

“Nothing becomes so offensive so quickly as grief. When fresh it finds someone to console it, but when it becomes chronic, it is ridiculed and rightly.”
Nulla res citius in odium venit quam dolor, qui recens consolatorem invenit et aliquos ad se adducit, inveteratus vero deridetur, nec inmerito.

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

Line 13 http://books.google.com/books?id=pa1EAQAAIAAJ&q=%22citius+in+odium+venit+quam+dolor+qui+recens+con-solatorem+invenit+et+aliquos+ad+se+adducit+inveteratus+vero+deridetur+nec+inmerito%22&pg=PA436#v=onepage.
Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter LXIII

James Martineau photo
Brigham Young photo
Raymond Poincaré photo

“From the very beginning of hostilities, came into conflict the two ideas which for fifty months were to struggle for the dominion of the world - the idea of sovereign force, which accepts neither control nor check, and the idea of justice, which depends on the sword only to prevent or repress the abuse of strength…the war gradually attained the fullness of its first significance, and became, in the fullest sense of the term, a crusade of humanity for Right; and if anything can console us in part at least, for the losses we have suffered, it is assuredly the thought that our victory is also the victory of Right. This victory is complete, for the enemy only asked for the armistice to escape from an irretrievable military disaster…And in the light of those truths you intend to accomplish your mission. You will, therefore, seek nothing but justice, "justice that has no favourites," justice in territorial problems, justice in financial problems, justice in economic problems. But justice is not inert, it does not submit to injustice. What it demands first, when it has been violated, are restitution and reparation for the peoples and individuals who have been despoiled or maltreated. In formulating this lawful claim, it obeys neither hatred nor an instinctive or thoughtless desire for reprisals. It pursues a twofold object - to render to each his due, and not to encourage crime through leaving it unpunished.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Welcoming Address http://www.firstworldwar.com/source/parispeaceconf_poincare.htm at the Paris Peace Conference (18 January 1919).

Thomas Jefferson photo

“I had for a long time ceased to read newspapers, or pay any attention to public affairs, confident they were in good hands, and content to be a passenger in our bark to the shore from which I am not distant. But this momentous question, like a firebell in the night, awakened and filled me with terror. I considered it at once as the knell of the Union. I regret that I am now to die in the belief that the useless sacrifice of themselves by the generation of 1776 to acquire self-government and happiness to their country is to be thrown away, and my only consolation is to be that I live not to weep over it.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

On the Missouri Compromise, in a letter to John Holmes (22 April 1820), published in The Writings of Thomas Jefferson: 1816-1826 (1899) edited by Paul Leicester Ford, v. 10, p. 157; also quoted by Martin Luther King, Jr. in his Emancipation Proclamation Centennial Address http://www.nps.gov/anti/historyculture/mlk-ep.htm at the New York Civil War Centennial Commission’s Emancipation Proclamation Observance, New York City (12 September 1962)
1820s

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Théodore Rousseau photo
Charles James Fox photo
Pauli Hanhiniemi photo
Norman Mailer photo
Heinrich Heine photo

“Every man, either to his terror or consolation, has some sense of religion.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

James Harrington in The Commonwealth of Oceana (1656)
Misattributed

Wallace Stevens photo

“It is of him, ephebe, to make, to confect
The final elegance, not to console
Nor sanctify, but plainly to propound.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

“The great consolation of righteousness is never having to worry whether you’re a bore.”

James Richardson (1950) American poet

#85
Vectors: Aphorisms and Ten Second Essays (2001)

David Brin photo
Edouard Manet photo
Edmund Burke photo
Hermann Hesse photo
April Winchell photo

“I'm doin' radio and there's a bag in front of me on the console that says 'Butt Stink' on it. Somethin' ain't right.”

April Winchell (1960) American voice actor and writer

KFI-Los Angeles radio broadcast, January 28, 2001, 10:00 p.m. hour.

Menno Simons photo
Thomas Fuller (writer) photo
Earl Warren photo

“I'm very pleased with each advancing year. It stems back to when I was forty. I was a bit upset about reaching that milestone, but an older friend consoled me. "Don't complain about growing old — many, many people do not have that privilege."”

Earl Warren (1891–1974) United States federal judge

Statement on celebrating his 83rd birthday (March 1974), as quoted in The Reader's Digest (1980) Vol. 116, p. 43
1970s

Charlotte Brontë photo

“Seek and possess holiness, and consolation will follow, as assuredly as warmth follows the dispensation of the rays of the sun.”

Thomas Cogswell Upham (1799–1872) American philosopher and psychologist

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 316.

Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Gardiner Spring photo
C. Wright Mills photo
Pope Benedict XVI photo
John Fante photo
William H. Gass photo
Clarence Darrow photo
Edmund Burke photo

“Applaud us when we run, console us when we fall, cheer us when we recover.”

Edmund Burke (1729–1797) Anglo-Irish statesman

Speech at Bristol Previous to the Election (6 September 1780)
1780s

Henry David Thoreau photo
Anthony Trollope photo
Arthur Jensen photo
Miguel de Unamuno photo
Ba Jin photo
Richard Fuller (minister) photo
Sri Aurobindo photo

“God took a child to fondle him in His bosom of delight; but the mother wept and would not be consoled because her child no longer existed.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Aphorisms (1913), Bhakti

André Maurois photo

“We console ourselves with several friends for not having found one real one.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship

Fyodor Dostoyevsky photo
Mario Cuomo photo
Arthur Penrhyn Stanley photo
Agatha Christie photo
Thomas Carlyle photo
Thomas Henry Huxley photo
John D. Carmack photo
François de La Rochefoucauld photo

“Old men delight in giving good advice as a consolation for the fact that they can no longer provide bad examples.”

Les vieillards aiment à donner de bons préceptes, pour se consoler de n'être plus en état de donner de mauvais exemples.
Maxim 93.
Reflections; or Sentences and Moral Maxims (1665–1678)

Hilaire Belloc photo
François de La Rochefoucauld photo

“Moderation has been called a virtue to limit the ambition of great men, and to console undistinguished people for their want of fortune and their lack of merit.”

On a fait une vertu de la modération pour borner l’ambition des grands hommes, et pour consoler les gens médiocres de leur peu de fortune, et de leur peu de mérite.
Maxim 308.
Reflections; or Sentences and Moral Maxims (1665–1678)

Neville Chamberlain photo
James Martineau photo
Umberto Eco photo
John Gray photo
Sören Kierkegaard photo

“You have surely noticed among schoolboys, that the one that is regarded by all as the boldest is the one who has no fear of his father, who dares to say to the others, "Do you think I am afraid of him?" On the other hand, if they sense that one of their number is actually and literally afraid of his father, they will readily ridicule him a little. Alas, in men’s fear-ridden rushing together into a crowd (for why indeed does a man rush into a crowd except because he is afraid!) there, too, it is a mark of boldness not to be afraid, not even of God. And if someone notes that there is an individual outside the crowd who is really and truly afraid – not of the crowd, but of God, he is sure to be the target of some ridicule. The ridicule is usually glossed over somewhat and it is said: a man should love God. Yes, to be sure, God knows that man’s highest consolation is that God is love and that man is permitted to love Him. But let us not become too forward, and foolishly, yes, blasphemously, dismiss the tradition of our fathers, established by God Himself: that really and truly a man should fear God. This fear is known to the man who is himself conscious of being an individual, and thereby is conscious of his eternal responsibility before God.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Søren Kierkegaard, Purity of Heart, 1847 Steere translation p. 196-197
1840s, Upbuilding Discourses in Various Spirits (1847), Purity of Heart (1847)

Rudolf Höss photo
Cesare Pavese photo
Francisco De Goya photo

“My dear soul, I can stand on my own feet, but so poorly that I don't know if my head is on my shoulders. I have no appetite or desire to do anything at all. Only your letters cheer me up – only yours. I don't know what will become of me now that I have lost sight of you; I who idolize you have given up hope that you'll ever glance at these blurred lines and get consolation from them.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Martín Zapater https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg, March 1793; from: 'Francisco de Goya. MS Letters to Martín Zapater 1774-99', Collection of Prado - published as Cartas a Martín Zapater; ed, X. de Salas & M. Agueda, Madrid 1982, p. 211; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 127
Goya started to become deaf then, had fainting fits and spells of semi-blindness. From 1793 onward [he was 46] he became functionally deaf, till his death
1790s

Aleister Crowley photo
Lois McMaster Bujold photo
William Jones photo
John Calvin photo

“The name of Christ is used here instead of the Church, because the similitude was intended to apply—not to God's only-begotten Son, but to us. It is a passage that is full of choice consolation, inasmuch as he calls the Church Christ; for Christ confers upon us this honour —that he is willing to be esteemed and recognised, not in himself merely, but also in his members. Hence the same Apostle says elsewhere, (Eph. i. 23,) that the Church is his completion, as though he would, if separated from his members, be incomplete.”

John Calvin (1509–1564) French Protestant reformer

Commentary on 1 Corinthians, 12:12.
Commentary on the Epistles of Paul the Apostle to the Corinthians, 1848, Rev. William Pringle, tr., Edinburgh, Volume 1, p. 405. http://books.google.com/books?id=tQsOAQAAMAAJ&pg=PA405&dq=%22calls+the+church+christ%22&hl=en&ei=w3_pTZW2CYLx0gGl2L2WAQ&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDQQ6AEwAjgU#v=onepage&q=%22calls%20the%20church%20christ%22&f=false
Epistles to the Corinthians

William Paley photo

“It is at any rate evident, that a large and ample province remains for the exercise of Providence, without its being naturally perceptible by us; because obscurity, when applied to the interruption of laws, bears a necessary proportion to the imperfection of our knowledge when applied to the laws themselves, or rather to the effects which these laws, under their various and incalculable combinations, would of their own accord produce. And if it be said, that the doctrine of Divine Providence, by reason of the ambiguity under which its exertions present themselves, can be attended with no practical influenceupon our conduct; that, although we believe ever so firmly that there is a Providence, we must prepare, and provide, and act, as if there were none; I answer, that this is admitted: and that we further allege, that so to prepare, and so to provide, is consistent with the most perfect assurance of the reality of a Providence; and not only so, but that it is probably one advantage of the present state of our information, that our provisions and preparations are not disturbed by it. Or if it be still asked, Of what use at all then is the doctrine, if it neither alter our measures nor regulate our conduct? I answer again, that it is of the greatest use, but that it is a doctrine of sentiment and piety, not (immediately at least) of action or conduct; that it applies to the consolation of men's minds, to their devotions, to the excitement of gratitude, the support of patience, the keeping alive and the strengthening of every motive for endeavouring to please our Maker; and that these are great uses.”

William Paley (1743–1805) Christian apologist, natural theologian, utilitarian

Source: Natural Theology (1802), Ch. 26 : The Goodness of the Deity.

Henry Wadsworth Longfellow photo
Honoré de Balzac photo

“Children, dear and loving children, can alone console a woman for the loss of her beauty.”

Honoré de Balzac (1799–1850) French writer

Il n’y a que des enfants aimants et aimés qui puissent consoler une femme de la perte de sa beauté.
Part II, ch. LII.
Letters of Two Brides (1841-1842)

Seneca the Younger photo

“It would be some consolation for the feebleness of ourselves and our works, if all things should perish as slowly as they come into being; but as it is, increases are of sluggish growth, but the way to ruin is rapid.”

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

Letters to Lucilius, letter 91, page 294. https://fr.wikisource.org/wiki/Lettres_%C3%A0_Lucilius/Lettre_91
Other works

Elizabeth Rowe photo
Théodore Guérin photo