Quotes about cloud
page 9
Source: The Golden Bough (1890), Chapter 56, The Public Expulsion of Evils.
Letter to Queen Mother Elizabeth of Belgium (20 March, likely 1936), written to her when she was depressed over the recent death of her husband and daughter-in-law, p. 51
Attributed in posthumous publications, Albert Einstein: The Human Side (1979)
Adagio (2004)
Examples of self-translation (c. 2004)
“Sorrow, like a cloud on the sun, shades the soul of Clessammor.”
"Carthon"
The Poems of Ossian
Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 38
The Storm is Over, The Land Hushes to Rest, l. 38-43.
Poetry
The Golden Violet - The Broken Spell
The Golden Violet (1827)
Source: Full House (1996), p. 8
Mondrian's poem has strong connections with 'dynamism' of Futurism
Quote from his article 'The Grand Boulevards', Piet Mondriaan, in Dutch magazine 'De Groene Amsterdammer', 27 March 1920 pp. 4-5
1920's
Quote from The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 34
quotes, undated
Jane (Ch. 1)
Jane Eyre (1847)
in interview with nl:Ischa Meyer, c. 1988
quote c. 1988 - from ('RM'), 157; p. 41
Karel Appel, a gesture of colour' (1992/2009)
Budget speech http://hansard.millbanksystems.com/commons/1934/apr/17/financial-statement in the House of Commons (17 April 1934)
Chancellor of the Exchequer
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 108.
William Wordsworth, "Essay Supplementary to the Preface" http://spenserians.cath.vt.edu/TextRecord.php?textsid=35963 in Poems by William Wordsworth, Vol. I (1815), pp. 363–365.
Criticism
”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)
La musique...est la vapeur de l’art. Elle est à la poésie ce que la rêverie est à la pensée, ce que le fluide est au liquide, ce que l’océan des nuées est à l’océan des ondes.
Part I, Book II, Chapter IV
William Shakespeare (1864)
The monster to the blind man in Ch. 15
Frankenstein (1818)
letter to Horace Traubel around 1908; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 18
1908 - 1920
The Death of the Virtuous. Compare: "The daisie, or els the eye of the day", Geoffrey Chaucer, Prologue of the Legend of Good Women, line 183.
Bartlett's Familiar Quotations, 10th ed. (1919)
The Mask and Mirror (1994), The Mystic's Dream
Source: Expanded Cinema, 1970, p. 92, as cited in: " Expanded Cinema, Gene Youngblood, Studio Vista, 1970 http://www.hohlwelt.com/en/books/gyngbld.html" at hohlwelt.com, January 21, 2012
Jacob Black and Bella Swan, pp. 599-600
Twilight series, Eclipse (2007)
"The People of The Boxes"
The Prophet's Hands (2003)
“Rintrah roars and shakes his fires in the burden'd air;
Hungry clouds swag on the deep.”
The Argument
1790s, The Marriage of Heaven and Hell (1790–1793)
"Carric-thura", p. 147
The Poems of Ossian
“The hooded clouds, like friars,
Tell their beads in drops of rain.”
Midnight Mass, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Richard Zenith, Sonnets and Other Poems (2009)
Lyric poetry, Sonnets, Enquanto quis Fortuna que tivesse
“Our glories float between the earth and heaven
Like clouds which seem pavilions of the sun.”
Act v, Scene iii.
Richelieu (1839)
Breaking the Spell (2006)
The Deception: Nietzsche's Optimism (p.47-8)
Straw Dogs: Thoughts on Humans and Other Animals (2002)
Riyadh-as-Saliheen by Imam Al-Nawawi, volume 3, hadith number 442
Sunni Hadith
1900's, Let's Murder the Moonlight!' (1909)
Source: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 54: Lead paragraph
Periods of 25 Variable Stars in the Small Magellanic Cloud http://adsabs.harvard.edu/abs/1912HarCi.173....1L (1912)
Quote of Dupré, c 1844-45; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye publisher, A. Wessels Company, New York, July 1902, p. 164
Together, Dupré and Theodore Rousseau struggled in vain for five months of 1844 with the constant fathomless azure blue of the southern sky
I, q. 93, art. 8, ad 3
Summa Theologica (1265–1274)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 75.
"South Dome", San Francisco Daily Evening Bulletin (part 11 of the 11 part series "Summering in the Sierra") dated 10 November 1875, published 18 November 1875; reprinted in John Muir: Summering in the Sierra, edited by Robert Engberg (University of Wisconsin Press, 1984) page 147
1870s
Lemony Snicket
The Vile Village (2001)
The Last Days of Herculaneum (1821)
Japan, the Beautiful and Myself (1969)
Speech http://hansard.millbanksystems.com/commons/1937/may/05/supply in the House of Commons (5 May 1937).
1937
"The First Long Range Artillery Fire On Leningrad," translated by Daniela Gioseffi (1993)
“If you wanna see the future,
Go stare into a cloud.”
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)
Speech at the unveiling of the Board of Trade war memorial (19 December 1923), quoted in On England, and Other Addresses (1926), pp. 273-274.
1923
“Ireland, Ireland! That cloud in the west! That coming storm!”
Letter to his wife, Catherine Gladstone (12 October 1845), quoted in John Morley, The Life of Wiliam Ewart Gladstone: Volume I (London: Macmillan, 1903), p. 383.
1840s
Context: Ireland, Ireland! That cloud in the west! That coming storm! That minister of God's retribution upon cruel, inveterate, and but half-atoned injustice! Ireland forces upon us those great social and great religious questions— God grant that we may have courage to look them in the face, and to work through them.
The Fractal Geometry of Nature (1982), p. 1
Ben Yamen's Song of Geometry (1853)
Context: Ascend with me above the dust, above the cloud, to the realms of the higher geometry, where the heavens are never clouded; where there is no impure vapour, and no delusive or imperfect observation, where the new truths are already arisen, while they are yet dimly dawning on the world below; where the earth is a little planet; where the sun has dwindled to a star; where all the stars are lost in the Milky Way to which they belong; where the Milky Way is seen floating through space like any other nebula; where the whole great girdle of nebulae has diminished to an atom and has become as readily and completely submissive to the pen of the geometer, and the slave of his formula, as the single drop, which falls from the clouds, instinct with all the forces of the material world.
"Simon Stimson"
Our Town (1938)
Context: That's what it was to be alive. To move about in a cloud of ignorance; to go up and down trampling on the feelings of those... of those about you. To spend and waste time as though you had a million years. To be always at the mercy of one self-centered passion, or another. Now you know — that's the happy existence you wanted to go back to. Ignorance and blindness.
When the Lamp is Shattered http://www.readprint.com/work-1382/Percy-Bysshe-Shelley (1822), st. 1
Context: When the lamp is shattered
The light in the dust lies dead —
When the cloud is scattered,
The rainbow's glory is shed.
When the lute is broken,
Sweet tones are remembered not;
When the lips have spoken,
Loved accents are soon forgot.
Images : My Life in Films (1990)
Context: The final scene when Death dances off with the travelers was…shot at Hovs hallar. We had packed up for the day because of an approaching storm. Suddenly, I caught sight of a strange cloud. Gunnar Fischer hastily set the camera back into place. Several of the actors had already returned to where we were staying, so a few grips and a couple of tourists danced in their place, having no idea what it was all about. The image that later became famous of the Dance of Death beneath the dark cloud was improvised in only a few minutes. That's how things can happen on the set.
Outlook for Socialism in the United States (1900)
Context: Of course, Socialism is violently denounced by the capitalist press and by all the brood of subsidized contributors to magazine literature, but this only confirms the view that the advance of Socialism is very properly recognized by the capitalist class as the one cloud upon the horizon which portends an end to the system in which they have waxed fat, insolent and despotic through the exploitation of their countless.
As translated in Lust for Enlightenment : Buddhism and Sex (1990) by John Stevens, p. 117
“The stream flows,
The wind blows,
The cloud fleets,
The heart beats,
Nothing will die.”
Nothing Will Die (1830)
Context: When will the stream be aweary of flowing
Under my eye?
When will the wind be aweary of blowing
Over the sky?
When will the clouds be aweary of fleeting?
When will the heart be aweary of beating?
And nature die?
Never, oh! never, nothing will die;
The stream flows,
The wind blows,
The cloud fleets,
The heart beats,
Nothing will die.
I am not one of those who left the land..." (1922), translated in Poems of Akhmatova (1973) by Stanley Kunitz and Max Hayward
Context: But here, in the murk of conflagration,
where scarcely a friend is left to know
we, the survivors, do not flinch
from anything, not from a single blow.
Surely the reckoning will be made
after the passing of this cloud.
We are the people without tears,
straighter than you … more proud...
1960s, How Long, Not Long (1965)
Context: Our whole campaign in Alabama has been centered around the right to vote. In focusing the attention of the nation and the world today on the flagrant denial of the right to vote, we are exposing the very origin, the root cause, of racial segregation in the Southland. Racial segregation as a way of life did not come about as a natural result of hatred between the races immediately after the Civil War. There were no laws segregating the races then. And as the noted historian, C. Vann Woodward, in his book, The Strange Career of Jim Crow, clearly points out, the segregation of the races was really a political stratagem employed by the emerging Bourbon interests in the South to keep the southern masses divided and southern labor the cheapest in the land. You see, it was a simple thing to keep the poor white masses working for near-starvation wages in the years that followed the Civil War. Why, if the poor white plantation or mill worker became dissatisfied with his low wages, the plantation or mill owner would merely threaten to fire him and hire former Negro slaves and pay him even less. Thus, the southern wage level was kept almost unbearably low. Toward the end of the Reconstruction era, something very significant happened. That is what was known as the Populist Movement. The leaders of this movement began awakening the poor white masses and the former Negro slaves to the fact that they were being fleeced by the emerging Bourbon interests. Not only that, but they began uniting the Negro and white masses into a voting bloc that threatened to drive the Bourbon interests from the command posts of political power in the South. To meet this threat, the southern aristocracy began immediately to engineer this development of a segregated society. I want you to follow me through here because this is very important to see the roots of racism and the denial of the right to vote. Through their control of mass media, they revised the doctrine of white supremacy. They saturated the thinking of the poor white masses with it, thus clouding their minds to the real issue involved in the Populist Movement. They then directed the placement on the books of the South of laws that made it a crime for Negroes and whites to come together as equals at any level. And that did it. That crippled and eventually destroyed the Populist Movement of the nineteenth century.
1960s, The Quest for Peace and Justice (1964)
Context: Every man lives in two realms, the internal and the external. The internal is that realm of spiritual ends expressed in art, literature, morals, and religion. The external is that complex of devices, techniques, mechanisms, and instrumentalities by means of which we live. Our problem today is that we have allowed the internal to become lost in the external. We have allowed the means by which we live to outdistance the ends for which we live. So much of modern life can be summarized in that arresting dictum of the poet Thoreau: "Improved means to an unimproved end". This is the serious predicament, the deep and haunting problem confronting modern man. If we are to survive today, our moral and spiritual "lag" must be eliminated. Enlarged material powers spell enlarged peril if there is not proportionate growth of the soul. When the "without" of man's nature subjugates the "within", dark storm clouds begin to form in the world.
"Shady, shady the wood in front of the Hall"
Translated by Arthur Waley
Context: My little children are playing at my side,
Learning to talk, they babble unformed sounds.
These things have made me happy again
And I forget my lost cap of office.
Distant, distant I gaze at the white clouds:
With a deep yearning I think of the Sages of Antiquity.
“I stood willingly and gladly in the characters of everything — other people, trees, clouds.”
"Staying Alive"
Blue Pastures (1995)
Context: I stood willingly and gladly in the characters of everything — other people, trees, clouds. And this is what I learned, that the world's otherness is antidote to confusion — that standing within this otherness — the beauty and the mystery of the world, out in the fields or deep inside books — can re-dignify the worst-stung heart.
Everything About It Is a Love Song
Song lyrics, Surprise (2006)
Context: I shoot a thought into the future, and it flies like an arrow, through my lifetime. And beyond.
If I ever come back as a tree, or a crow, or even the wind-blown dust; find me on the ancient road in the song when the wires are hushed. Hurry on and remember me, as I'll remember you. Far above the golden clouds, the darkness vibrates.
The earth is blue.
And everything about it is a love song. Everything about it.
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 514.
Context: I cannot speak
In happy tones; the tear drops on my cheek
Show I am sad;
But I can speak
Of grace to suffer with submission meek,
Until made glad.
I cannot feel
That all is well, when dark'ning clouds conceal
The shining sun;
But then I know
God lives and loves; and say, since it is so,
"Thy will be done."
Edinburgh University Union (1969)
The Environmental Revolution: Speeches on Conservation, 1962–77 (1978)
Context: The sheer weight of numbers of the human population, our habitations, our machinery and our ruthless exploitation of the living and organic resources of the earth; together these are changing our whole environment. This is what we call progress and much of this development is naturally to the direct and welcome benefit of mankind. However, we cannot at the same time ignore the awkward consequences and the most direct and menacing, but not the only consequence of this change, is pollution... Pollution is a direct outcome of man's ruthless exploitation of the earth's resources. Experience shows that the growth of successful organic populations is eventually balanced by the destruction of its own habitat. The vast man-made deserts show that the human population started this process long ago. There are two important differences today. In the first place the process has gone from a walking pace to a breakneck gallop. Secondly we know exactly what is happening. If not exactly in all cases, we know enough to appreciate what is happening and the need to take care... Pollution is no longer a matter of local incidents, today it has the whole biosphere in its grip. The processes which devastated the Welsh valleys a hundred years ago are now at work, over, on and under the earth and the oceans. Even if we bury all this waste underground there still remains the risk that toxic materials through chemical reactions will be washed out and into underground water courses. If ever there was an area of research more closely related to human welfare it is the problem of the safe disposal of waste and effluents... The fact is that we have got to make a choice between human prosperity on the one hand and the total well-being of the planet Earth on the other. Even then it is hardly a choice because if we only look for human prosperity we shall certainly destroy by pollution the earth and the human population which has existed on it for millions of years... If the world pollution situation is not critical at the moment it is as certain as anything can be that the situation will become increasingly intolerable within a very short time. The situation can be controlled and even reversed but it demands co-operation on a scale and intensity beyond anything achieved so far... I realise that there are any number of vital causes to be fought for, I sympathise with people who work up a passionate concern about the all too many examples of inhumanity, injustice, and unfairness, but behind all this hangs a really deadly cloud. Still largely unnoticed and unrecognised, the process of destroying our natural environment is gathering speed and momentum. If we fail to cope with this challenge, all the other problems will pale into insignificance.
Ch 12
A Woman's Thoughts About Women (1858)
Context: A finished life — a life which has made the best of all the materials granted to it, and through which, be its web dark or bright, its pattern clear or clouded, can now be traced plainly the hand of the Great Designer; surely this is worth living for? And though at its end it may be somewhat lonely; though a servant's and not a daughter's arm may guide the failing step; though most likely it will be strangers only who come about the dying bed, close the eyes that no husband ever kissed, and draw the shroud kindly over the poor withered breast where no child's head has ever lain; still, such a life is not to be pitied, for it is a completed life. It has fulfilled its appointed course, and returns to the Giver of all breath, pure as He gave it. Nor will He forget it when He counteth up His jewels.
1930s, Address at San Diego Exposition (1935)
Context: Several centuries ago the greatest writer in history described the two most menacing clouds that hang over human government and human society as "malice domestic and fierce foreign war." We are not rid of these dangers but we can summon our intelligence to meet them. Never was there more genuine reason for Americans to face down these two causes of fear. "Malice domestic" from time to time will come to you in the shape of those who would raise false issues, pervert facts, preach the gospel of hate, and minimize the importance of public action to secure human rights or spiritual ideals. There are those today who would sow these seeds, but your answer to them is in the possession of the plain facts of our present condition.
"The Honored Dead" (1863) memorialized the Union dead; a popular piece for declamation among schoolchildren, also published as "Our Heroes Shall Live"
Miscellany
Context: Oh, tell me not that they are dead — that generous host, that airy army of invisible heroes. They hover as a cloud of witnesses above this nation. Are they dead that yet speak louder than we can speak, and a more universal language? Are they dead that yet act? Are they dead that yet move upon society, and inspire the people with nobler motives, and more heroic patriotism?
Ye that mourn, let gladness mingle with your tears. It was your son, but now he is the nation's. He made your household bright: now his example inspires a thousand households. Dear to his brothers and sisters, he is now brother to every generous youth in the land. Before, he was narrowed, appropriated, shut up to you. Now he is augmented, set free, and given to all. Before, he was yours: he is ours. He has died from the family, that he might live to the nation. Not one name shall be forgotten or neglected: and it shall by and by be confessed of our modern heroes, as it is of an ancient hero, that he did more for his country by his death than by his whole life.
Go Rin No Sho (1645), The Book No-Thing-ness
Context: To attain the Way of strategy as a warrior you must study fully other martial arts and not deviate even a little from the Way of the warrior. With your spirit settled, accumulate practice day by day, and hour by hour. Polish the twofold spirit heart and mind, and sharpen the twofold gaze perception and sight. When your spirit is not in the least clouded, when the clouds of bewilderment clear away, there is the true void.
1840s, Heroes and Hero-Worship (1840), The Hero As King
Context: To me, in these circumstances, that of "Hero-worship" becomes a fact inexpressibly precious; the most solacing fact one sees in the world at present. There is an everlasting hope in it for the management of the world. Had all traditions, arrangements, creeds, societies that men ever instituted, sunk away, this would remain. The certainty of Heroes being sent us; our faculty, our necessity, to reverence Heroes when sent: it shines like a polestar through smoke-clouds, dust-clouds, and all manner of down-rushing and conflagration.
The trial of Charles B. Reynolds for blasphemy (1887)
Context: Religions are for a day. They are the clouds. Humanity is the eternal blue. Religions are the waves of the sea. These waves depend upon the force and direction of the wind -- that is to say, of passion; but Humanity is the great sea. And so our religions change from day to day, and it is a blessed thing that they do. Why? Because we grow, and we are getting a little more civilized every day, -- and any man that is not willing to let another man express his opinion, is not a civilized man, and you know it. Any man that does not give to everybody else the rights he claims for himself, is not an honest man.
Source: The Gospel of Sri Ramakrishna (1942), p. 169
Context: This māyā, that is to say, the ego, is like a cloud. The sun cannot be seen on account of a thin patch of cloud; when that disappears one sees the sun. If by the grace of the guru one's ego vanishes, then one sees God.
"Sloosha's Crossin' an Ev'rythin' After", p. 308
Cloud Atlas (2004)
Context: Souls cross ages like clouds cross skies, an' tho' a cloud's shape nor hue nor size don't stay the same, it's still a cloud an' so is a soul. Who can say where the cloud's blowed from or who the soul'll be 'morrow? Only Sonmi the east an' the compass an' the atlas, yay, only the atlas o' clouds.
“Slavery in this Country I have seen hanging over it like a black cloud for half a century…”
1821, as quoted in Passionate Sage https://web.archive.org/web/20111029143754/http://home.nas.com/lopresti/ps2.htm (1993), Joseph J. Ellis, Norton, New York, p. 138
1820s
Elmer Gantry, paraphrasing the eloquence of the "atheist" Robert G. Ingersoll in his sermon.
Elmer Gantry (1927)
Context: His text was from Proverbs: "Hatred stirreth up strifes: but love covereth all sins."
He seized the sides of the pulpit with his powerful hands, glared at the congregation, decided to look benevolent after all, and exploded: "In the hustle and bustle of daily life I wonder how many of us stop to think that in all that is highest and best we are ruled not by even our most up-and-coming efforts but by Love? What is Love—the divine Love of which the—the great singer teaches us in Proverbs? It is the rainbow that comes after the dark cloud. It is the morning star and it is also the evening star, those being, as you all so well know, the brightest stars we know. It shines upon the cradle of the little one and when life has, alas, departed, to come no more, you find it still around the quiet tomb. What is it inspires all great men—be they preachers or patriots or great business men? What is it, my brethren, but Love? Ah, it fills the world with melody, with such sacred melodies as we have just indulged in together, for what is music? What, my friends, is music? Ah, what indeed is music but the voice of Love!"
Cemetery World (1973)
Context: I find it a most intriguing and amusing thing that it might be possible to package the experiences, not only of one's self, but of other people. Think of the hoard we might then lay up against our later, lonely years when all old friends are gone and the opportunity for new experiences have withered. All we need to do then is to reach up to a shelf and take down a package that we have bottled or preserved or whatever the phrase might be, say from a hundred years ago, and uncorking it, enjoy the same experience again, as sharp and fresh as the first time it had happened... I have tried to imagine... the various ingredients one might wish to compound in such a package. Beside the bare experience itself, the context of it, one might say, he should want to capture and hold all the subsidiary factors which might serve as a background for it — the sound, the feel of wind and sun, the cloud floating in the sky, the color and the scent. For such a packaging, to give the desired results, must be as perfect as one can make it. It must have all those elements which would be valuable in invoking the total recall of some event that had taken place many years before...
Love is Enough (1872), Song VII: Dawn Talks to Day
Context: Morn shall meet noon
While the flower-stems yet move,
Though the wind dieth soon
And the clouds fade above.
Loved lips are thine
As I tremble and hearken;
Bright thine eyes shine,
Though the leaves thy brow darken.
O Love, kiss me into silence, lest no word avail me,
Stay my head with thy bosom lest breath and life fail me!
O sweet day, O rich day, made long for our love!
"Instruments" in The Weather of the Heart (1978)
Context: I endeavor
To hold the I as one only for the cloud
Of which I am a fragment, yet to which I'm vowed
To be responsible. Its light against my face
Reveals the witness of the stars, each in its place
Singing, each compassed by the rest,
The many joined to one, the mightiest to the least.
It is so great a thing to be an infinitesimal part
of this immeasurable orchestra the music bursts the heart,
And from this tiny plosion all the fragments join:
Joy orders the disunity until the song is one.
Address at Illinois College (1881)
Context: Character is the entity, the individuality of the person, shining from every window of the soul, either as a beam of purity, or as a clouded ray that betrays the impurity within. The contest between light and darkness, right and wrong, goes on; day by day, hour by hour, moment by moment, our characters are being formed, and this is the all-important question which comes to us in accents ever growing fainter as we journey from the cradle to the grave, "Shall those characters be good or bad?"
1960s, Nobel Prize acceptance speech (1964)
Context: This faith can give us courage to face the uncertainties of the future. It will give our tired feet new strength as we continue our forward stride toward the city of freedom. When our days become dreary with low-hovering clouds and our nights become darker than a thousand midnights, we will know that we are living in the creative turmoil of a genuine civilization struggling to be born.
Source: The Rainbow: From Myth to Mathematics (1959), p. 27
Context: A Hebrew belief asserted that if Yahweh lays aside his bow and hangs it in the clouds, this is a sign that his anger has subsided. Other peoples have had similar ideas, based upon the tradition that an archer carries his bow with the ends pointing downward when he wishes to indicate his peaceful intentions.
King's often repeated expression that "The arc of the moral universe is long, but it bends towards justice" was his own succinct summation of sentiments echoing those of Theodore Parker, who, in "Of Justice and the Conscience" (1853) asserted: "I do not pretend to understand the moral universe; the arc is a long one, my eye reaches but little ways; I cannot calculate the curve and complete the figure by the experience of sight; I can divine it by conscience. And from what I see I am sure it bends towards justice."
1960s, Where Do We Go from Here: Chaos or Community? (1967)
Context: I must confess, my friends, the road ahead will not always be smooth. There will be still rocky places of frustration and meandering points of bewilderment. There will be inevitable setbacks here and there. There will be those moments when the buoyancy of hope will be transformed into the fatigue of despair. Our dreams will sometimes be shattered and our ethereal hopes blasted. We may again with tear-drenched eyes have to stand before the bier of some courageous civil rights worker whose life will be snuffed out by the dastardly acts of bloodthirsty mobs. Difficult and painful as it is, we must walk on in the days ahead with an audacious faith in the future. … When our days become dreary with low-hovering clouds of despair, and when our nights become darker than a thousand midnights, let us remember that there is a creative force in this universe, working to pull down the gigantic mountains of evil, a power that is able to make a way out of no way and transform dark yesterdays into bright tomorrows. Let us realize the arc of the moral universe is long but it bends toward justice.
On the issue of nuclear weapons, in England Their England : Monsters, Maniacs and Moore (1987) http://www.youtube.com/watch?v=Hv44V4d_fDQ
Context: It doesn’t even matter if we ever fire these missiles or not. They are having their effect upon us because there is a generation growing up now who cannot see past the final exclamation mark of a mushroom cloud. They are a generation who can see no moral values that do not end in a crackling crater somewhere. I’m not saying that nuclear bombs are at the root of all of it, but I think it is very, very naïve to assume that you can expose the entire population of the world to the threat of being turned to cinders without them starting to act, perhaps, a little oddly.
I believe in some sort of strange fashion that the presence of the atom bomb might almost be forcing a level of human development that wouldn’t have occurred without the presence of the atom bomb. Maybe this degree of terror will force changes in human attitudes that could not have occurred without the presence of these awful, destructive things. Perhaps we are faced with a race between the Four Horseman of the Apocalypse in one line and the 7th Cavalry in the other. We have not got an awful lot of mid ground between Utopia and Apocalypse, and if somehow our children ever see the day in which it is announced that we do not have these weapons any more, and that we can no longer destroy ourselves and that we’ve got to do something else to do with our time than they will have the right to throw up their arms, let down their streamers and let forth a resounding cheer.
Illusions : The Adventures of a Reluctant Messiah (1977)
The End
Context: After the blast of lightning from the east,
The flourish of loud clouds, the Chariot Throne;
After the drums of time have rolled and ceased,
And by the bronze west long retreat is blown,
Shall Life renew these bodies? Of a truth,
All death will he annul, all tears assuage? —
Or fill these void veins full again with youth,
And wash, with an immortal water, age?
Unity, § III
The Golden Hynde and Other Poems (1914)
Context: Heart of my heart, we are one with the wind,
One with the clouds that are whirled o'er the lea,
One in many, O broken and blind,
One as the waves are at one with the sea!
Ay! when life seems scattered apart,
Darkens, ends as a tale that is told,
One, we are one, O heart of my heart,
One, still one, while the world grows old.
Source: Seven Against Thebes (467 BC), lines 226–229 (tr. Anna Swanwick)
The Tall Office Building Artistically Considered (1896)
Context: Whether it be the sweeping eagle in his flight, or the open apple-blossom, the toiling work-horse, the blithe swan, the branching oak, the winding stream at its base, the drifting clouds, over all the coursing sun, form ever follows function, and this is the law. Where function does not change form does not change. The granite rocks, the ever brooding hills, remain for ages; the lightning lives, comes into shape, and dies in a twinkling.
It is the pervading law of all things organic and inorganic, of all things physical and metaphysical, of all things human and all things superhuman, of all true manifestations of the head, of the heart, of the soul, that the life is recognizable in its expression, that form ever follows function. This is the law.
Nītiśataka 73; B. Hale Wortham translation
Śatakatraya
“I was born in a cloud…
Now I am falling.
I want you to catch me.”
Song lyrics, 50 Words for Snow (2011)
Context: I was born in a cloud…
Now I am falling.
I want you to catch me.
Look up and you'll see me.
You know you can hear me.
The world is so loud. Keep falling. I'll find you.
"The Secret Inn : 'The Kingdom is Within You'" in Master Mind Magazine, Vol. VII, No. 3 (December 1914), p. 99
Context: p>Enough of dreams! No longer mock
The burdened hearts of men!
Not on the cloud, but on the rock
Build thou thy faith again;O range no more the realms of air,
Stoop to the glen-bound streams;
Thy hope was all too like despair:
Enough, enough of dreams.</p