
"A Little Longer".
Legends and Lyrics: A Book of Verses (1858)
"A Little Longer".
Legends and Lyrics: A Book of Verses (1858)
(2nd April 1831) Lines Supposed to be the Prayer of the Supplicating Nymph in Mr. Lawrence Macdonald’s Exhibition of Sculptures
The London Literary Gazette, 1831
Book I, line 300
Translations, Orlando Furioso of Ludovico Ariosto (1773)
Possibility http://www.poemhunter.com/poem/possibility-3/
From the poems written in English
The Mystery of the Charity of Charles Péguy 5.21-29.
Poetry
The Last Charge
Song lyrics, Our Time In Eden (1992), These Are Days
The last Leaf; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
When Doves Cry
Song lyrics, Purple Rain (1984)
Question to Scott Ritter in Scott Ritter: Neocons as Parasites http://web.archive.org/web/20050401004909/http://www.alternet.org/waroniraq/21631/.
2006, 2006 International Qods Conference address
“The towers shine in a larger blue, and the portals bloom with a mystic light. Silence was ordered and mute in terror fell the world. From on high he begins. His holy words have weight heavy and immutable and the Fates follow his voice.”
Radiant majore sereno
culmina et arcano florentes lumine postes.
postquam jussa quies siluitque exterritus orbis,
incipit ex alto: grave et inmutabile sanctis
pondus adest verbis, et vocem fata sequuntur.
Source: Thebaid, Book I, Line 209
“Mannequins” http://www.schulzian.net/translation/shops/mannequins.htm
His father
Source: Summer's Last Will and Testament http://www.elizabethanauthors.com/summ1.htm (1600), lines 161-164.
Editorial in Udetenchem Sallok, a Konkani weekly in 1889. Translated from its original text in Konkani and quoted by Manohar Rai Sardessai in History of Konkani Literature: From 1500 to 1992, p. 102.
1872(?), page 92
John of the Mountains, 1938
Wieland; or, the Transformation (1798)
February Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers
Four Minute Essays Vol. 5 (1919), The Human Heart
On her purpose behind her books http://tolucantimes.info/section/inside-this-issue/young-author-makes-her-mark-in-the-world-of-children’s-literature/
On his reading preferences.
Cornell Chronicle interview (1999)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 260.
"To Detraction I Present My Poesy", line 1, from The Scourge of Villainy (1598-99).
Weinberg (1976) cited in: Slawomir Sztaba (2010) "Economy and Sociology. The Likely Directions of Cooperation.". In: WFES. Vol 1, nr.1 2010. p. 218
From the Song Dynasty
Love is Enough (1872), Song II: Have No Thought for Tomorrow
A Cypress-Bough, and A Rose-Wreath Sweet, from The Poetical Works of Thomas Lovell Beddoes (1890).
Così nel tempo che virtù fioria
Ne li antiqui segnori e cavallieri,
Con noi stava allegrezza e cortesia,
E poi fuggirno per strani sentieri,
Sì che un gran tempo smarirno la via,
Né del più ritornar ferno pensieri;
Ora è il mal vento e quel verno compito,
E torna il mondo di virtù fiorito.
Bk. 2, Canto 1, st. 2
Orlando Innamorato
2004
https://web.archive.org/web/20040803000924/http://www.popimage.com/content/grant20041.html Popimage interview
On comics
Cheon Il Guk is the Ideal Heavenly Kingdom of Eternal Peace http://www.unification.net/2006/20060613_1.html (2006-06-13)
Quote by Marcel Duchamp, 1943, from 'Appreciations of other artists': Giorgio de Chirico (painter, writer, illustrator); as cited in Catalog, Collection of the Societé Anonyme, eds. Michel Sanouillet / Elmer Peterson, London 1975, pp. 143- 159
1921 - 1950
Rewards of Passion (Sheer Poetry) (1981)
Part 1, Chapter 7.5; Nora's comment on her changes since meeting Travis
Watchers (1987)
Undated
India's Rebirth
“The bloom fell off my branches and joy did cast off its flower”
Letter 185 (to Marion M' Naught) Aberdeen , 1837
Letters of Samuel Rutherford (Andrew Bonar)
“Arrogance in full bloom bears a crop of ruinous folly from which it reaps a harvest all of tears.”
Source: The Persians (472 BC), lines 821–822 (tr. Christopher Collard)
"Previous Thoughts" at rawilson.com
Context: I regard the two major male archetypes in 20th Century literature as Leopold Bloom and Hannibal Lecter. M. D. Bloom, the perpetual victim, the kind and gentle fellow who finishes last, represented an astonishing breakthrough to new levels of realism in the novel, and also symbolized the view of humanity that hardly anybody could deny c. 1900-1950. History, sociology, economics, psychology et al. confirmed Joyce’s view of Everyman as victim. Bloom, exploited and downtrodden by the Brits for being Irish and rejected by many of the Irish for being Jewish, does indeed epiphanize humanity in the first half of the 20th Century. And he remains a nice guy despite everything that happens...
Dr Lecter, my candidate for the male archetype of 1951-2000, will never win any Nice Guy awards, I fear, but he symbolizes our age as totally as Bloom symbolized his. Hannibal's wit, erudition, insight into others, artistic sensitivity, scientific knowledge etc. make him almost a walking one man encyclopedia of Western civilization. As for his "hobbies" as he calls them — well, according to the World Game Institute, since the end of World War II, in which 60,000,000 human beings were murdered by other human beings, 193, 000,000 more humans have been murdered by other humans in brush wars, revolutions, insurrections etc. What better symbol of our age than a serial killer? Hell, can you think of any recent U. S. President who doesn't belong in the Serial Killer Hall of Fame? And their motives make no more sense, and no less sense, than Dr Lecter's Darwinian one-man effort to rid the planet of those he finds outstandingly loutish and uncouth.
Pt. III, st. 5
The Lady of Shalott (1832)
Context: She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.
Out flew the web and floated wide;
The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.
Card II : The High Priestess
The Symbolism of the Tarot (1913)
Context: Then the woman turned her face to me and looked into my eyes without speaking. And through me passed a thrill, mysterious and penetrating like a golden wave; tones vibrated in my brain, a flame was in my heart, and I understood that she spoke to me, saying without words:
"This is the Hall of Wisdom. No one can reveal it, no one can hide it. Like a flower it must grow and bloom in thy soul. If thou wouldst plant the seed of this flower in thy soul — learn to discern the real from the false. Listen only to the Voice that is soundless... Look only on that which is invisible, and remember that in thee thyself, is the Temple and the gate to it, and the mystery, and the initiation."
“To freely bloom — that is my definition of success.”
Source: How to Argue and Win Every Time (1995), Ch. 14 : Arguing with Kids, p. 255
Context: To freely bloom — that is my definition of success.
The question then is, How does arguing with our children advance our goal that our children freely bloom.
“Bloom, O ye Amaranths! bloom for whom ye may,
For me ye bloom not!”
Source: Work Without Hope (1825), l. 9.
Context: Bloom, O ye Amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrightened, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.
Time And Love
Pan-Worship and Other Poems (1908)
Context: Dropt tears have hastened your decay
And brought you one step nigher death;
And you have heard, unthrilled, unmoved,
The music of Love's golden breath
And seen the light in eyes that loved.
You think you hold the core and kernel
Of all the world beneath your crust,
Old dial? But when you lie in dust,
This vine will bloom, strong, green, and proved.
Love is eternal.
"Previous Thoughts" at rawilson.com
Context: I regard the two major male archetypes in 20th Century literature as Leopold Bloom and Hannibal Lecter. M. D. Bloom, the perpetual victim, the kind and gentle fellow who finishes last, represented an astonishing breakthrough to new levels of realism in the novel, and also symbolized the view of humanity that hardly anybody could deny c. 1900-1950. History, sociology, economics, psychology et al. confirmed Joyce’s view of Everyman as victim. Bloom, exploited and downtrodden by the Brits for being Irish and rejected by many of the Irish for being Jewish, does indeed epiphanize humanity in the first half of the 20th Century. And he remains a nice guy despite everything that happens...
Dr Lecter, my candidate for the male archetype of 1951-2000, will never win any Nice Guy awards, I fear, but he symbolizes our age as totally as Bloom symbolized his. Hannibal's wit, erudition, insight into others, artistic sensitivity, scientific knowledge etc. make him almost a walking one man encyclopedia of Western civilization. As for his "hobbies" as he calls them — well, according to the World Game Institute, since the end of World War II, in which 60,000,000 human beings were murdered by other human beings, 193, 000,000 more humans have been murdered by other humans in brush wars, revolutions, insurrections etc. What better symbol of our age than a serial killer? Hell, can you think of any recent U. S. President who doesn't belong in the Serial Killer Hall of Fame? And their motives make no more sense, and no less sense, than Dr Lecter's Darwinian one-man effort to rid the planet of those he finds outstandingly loutish and uncouth.
Source: Give Me Liberty! (1998), Ch. 17 : Success Redefined, p. 178
Context: The new and most powerful union of all will be a union of one — one man, one woman, one worker with special skills, an inquiring mind, and an independent attitude, his creativity intact, his love of life blooming. The union of one will be peopled by one man or one woman who is alive. Such a person is always sought by the intelligent manager.
"Previous Thoughts" at rawilson.com
Context: I regard the two major male archetypes in 20th Century literature as Leopold Bloom and Hannibal Lecter. M. D. Bloom, the perpetual victim, the kind and gentle fellow who finishes last, represented an astonishing breakthrough to new levels of realism in the novel, and also symbolized the view of humanity that hardly anybody could deny c. 1900-1950. History, sociology, economics, psychology et al. confirmed Joyce’s view of Everyman as victim. Bloom, exploited and downtrodden by the Brits for being Irish and rejected by many of the Irish for being Jewish, does indeed epiphanize humanity in the first half of the 20th Century. And he remains a nice guy despite everything that happens...
Dr Lecter, my candidate for the male archetype of 1951-2000, will never win any Nice Guy awards, I fear, but he symbolizes our age as totally as Bloom symbolized his. Hannibal's wit, erudition, insight into others, artistic sensitivity, scientific knowledge etc. make him almost a walking one man encyclopedia of Western civilization. As for his "hobbies" as he calls them — well, according to the World Game Institute, since the end of World War II, in which 60,000,000 human beings were murdered by other human beings, 193, 000,000 more humans have been murdered by other humans in brush wars, revolutions, insurrections etc. What better symbol of our age than a serial killer? Hell, can you think of any recent U. S. President who doesn't belong in the Serial Killer Hall of Fame? And their motives make no more sense, and no less sense, than Dr Lecter's Darwinian one-man effort to rid the planet of those he finds outstandingly loutish and uncouth.
The Spiritual Espousals (c. 1340)
Context: You should watch the wise bee and do as it does. It dwells in unity, in the congregation of its fellows, and goes forth, not in the storm, but in calm and still weather, in the sunshine, towards all those flowers in which sweetness may be found. It does not rest on any flower, neither on any beauty nor on any sweetness; but it draws from them honey and wax, that is to say, sweetness and light-giving matter, and brings both to the unity of the hive, that therewith it may produce fruits, and be greatly profitable. Christ, the Eternal Sun, shining into the open heart, causes that heart to grow and to bloom, and it overflows with all the inward powers with joy and sweetness. So the wise man will do like the bee, and he will fly forth with attention and with reason and with discretion, towards all those gifts and towards all that sweetness which he has ever experienced, and towards all the good which God has ever done to him. And in the light of love and with inward observation, he will taste of the multitude of consolations and good things; and will not rest upon any flower of the gifts of God, but, laden with gratitude and praise, will fly back into the unity, wherein he wishes to rest and to dwell eternally with God.
The Dominant Idea (1910)
Context: In everything that lives, if one looks searchingly, is limned the shadow line of an idea — an idea, dead or living, sometimes stronger when dead, with rigid, unswerving lines that mark the living embodiment with the stern immobile cast of the non-living. Daily we move among these unyielding shadows, less pierceable, more enduring than granite, with the blackness of ages in them, dominating living, changing bodies, with dead, unchanging souls. And we meet, also, living souls dominating dying bodies — living ideas regnant over decay and death. Do not imagine that I speak of human life alone. The stamp of persistent or of shifting Will is visible in the grass-blade rooted in its clod of earth, as in the gossamer web of being that floats and swims far over our heads in the free world of air.
Regnant ideas, everywhere! Did you ever see a dead vine bloom? I have seen it.
Japan, the Beautiful and Myself (1969)
Context: Dr. Yashiro Yukio, internationally known as a scholar of Botticelli, a man of great learning in the art of the past and the present, of the East and the West, has summed up one of the special characteristics of Japanese art in a single poetic sentence: "The time of the snows, of the moon, of the blossoms — then more than ever we think of our comrades." When we see the beauty of the snow, when we see the beauty of the full moon, when we see the beauty of the cherries in bloom, when in short we brush against and are awakened by the beauty of the four seasons, it is then that we think most of those close to us, and want them to share the pleasure. The excitement of beauty calls forth strong fellow feelings, yearnings for companionship, and the word "comrade" can be taken to mean "human being". The snow, the moon, the blossoms, words expressive of the seasons as they move one into another, include in the Japanese tradition the beauty of mountains and rivers and grasses and trees, of all the myriad manifestations of nature, of human feelings as well.
Goel, S. R. in in Shourie, A., & Goel, S. R.(1993). Hindu temples: What happened to them. (Second Enlarged Edition)
Source: Better-World Philosophy: A Sociological Synthesis (1899), Race Culture, pp. 209–210
"Preface"
Why I Am a Vegetarian: An Address Delivered before the Chicago Vegetarian Society (1895)
Heinrich Heine, On the History of Philosophy and Religion and Other Writings [original in German]
G - L
from I have Nothing to Admit
"Comrades in the Dark"
Poetry, Miscellaneous poems
Yôsuke Kubozuka Talk ‘Silence’, Martin Scorsese, His Reggae Career, Japan and More http://www.cutprintfilm.com/features/interviews/yosuke-kubozuka/ (March 16, 2017)
Source: Shane J. Cronin (2022) cited in: " Interview: Tonga volcanic eruption not likely to cause global climate change, says New Zealand volcanologist http://www.xinhuanet.com/english/asiapacific/20220118/dc046e9e38e343a381668086f1b71d0e/c.html" in Xinhua Net, 18 January 2022.